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Eminem Scores Court Victory In Royalty Lawsuit

(AllHipHop News) An overturned verdict regarding a 2007 royalty lawsuit against Universal Music Group has paid off for Detroit rapper Eminem and the production company that helped launched his music career. On Friday (Sept. 3), the Ninth Circuit U.S. Court of Appeals ruled that F.B.T. Production’s contract with Eminem entitled the rapper/actors and his producers to a 50-50 split of royalties for recordings licensed to digital music distributors such as Apple Inc.’s iTunes as well as cell phone ringtones.The verdict is the latest development to come out of F.B.T. and Em2M’s lawsuit against UMG, Interscope Records and producer/rapper Dr. Dre’s firm Ary Inc. over breach of contract. Em2M is owned by Joel Martin, the head of Eminem’s publishing company, 8 Mile Style. F.B.T is run by brothers Mark and Jeff Bass.In the suit, F.B.T. alleges that Universal cheated them out of digital royalties from the sale of Eminem’s music. Prior to his contract being transferred to Aftermath in 1998, Eminem was signed to F.B.T. in 1995 before digital downloading made an impact on the music scene. At the time of the transfer, the contract stated that F.B.T. was entitled to royalties of 12 to 20 percent on physical albums sold. The agreement was maintained in 2003 when F.B.T. and Aftermath signed a new contract. With the explosion of downloading, F.B.T. argued that Eminem should receive half the net receipts Universal gets from digital downloads rather than the 12 to 20 percent initially agreed on with the first contract. Last year, a federal jury ruled against F.B.T, as it sought a greater share of royalties from Universal for downloads and ringtones. In Friday’s decision, a three-judge panel concluded the contracts were “unambiguous” regarding digital sales. According to U.S. Circuit Court Judge Barry G. Silverman, the district court “should have granted summary judgment to FBT.” “We therefore reverse the judgment and vacate the district court’s order awarding Aftermath its attorneys’ fees,” Silverman said. Despite suffering a loss in the case, Variety reports that Universal would file a petition for a rehearing. The company, which distributes Eminem’s music through Interscope, countered opposing counsel at the trial as it argued that third parties such as iTunes are no different from retail sales of compact discs, which are covered by royalty provisions from the first contract. “… [I]t should be noted that this ruling sets no legal precedent as it only concerns the language of one specific recording agreement,” Universal said in a statement. “Any assertion to the contrary is simply not true.”Although he stands to reap the benefits of F.B.T’s victory, Eminem was not a party to the company’s lawsuit.

Ca$his Part 1: Back to The Ca$h

Over the past few years Interscope has been cleaning house.  With the recession and all of the cutbacks that major labels had to make in order to stay a float, many artists formerly signed to majors were left with no home and were forced to go independent.  But while many were cut, others strategically remained in place in hopes that they would be able to realize the full potential they were initially expected to meet.  Ca$his is one of those artists. Originally from Chicago, and signed to Shady Records, Ca$his is one of the few remaining artists left on Shady Records, a lineup that only now only includes Eminem, D-12 and 50 Cent.  But why did they decide to keep Ca$his? What was it that Em saw in this troubled rapper that could make him worthy of staying at Shady Records?  Beefs with Royce da 5’9”, Freddie Gibbs, Chamillionaire, Game and the G-Unot camp, jail, drugs, having 11 kids and just wilding out in general, nearly put Ca$his’ career at a standstill.  But he is emerging out of the clouds of smoke with a new state of clarity, which is clean and focused.  Ca$his is ready to hit the game with some of the best music of his career.  Coming out with music for 8 weeks in a row now, a new video and with his manager/long time friend and producer Rikinati by his side, Ca$his is ready hold of his career and the game. Take a look at AllHipHop.com’s up close and personal sit down with one of the game’s most intriguing spitters. AllHipHop.com: So pretty much you are one of the few artists still signed to Shady Records?  Ca$his:  This is 100% correct.   AllHipHop.com: Can you talk to me a little bit about what that is like and how you feel about your experience at Shady Records thus far? Ca$his: It’s a real good feeling man.  Being signed to Shady is a real good feeling. It feels good to me to have been here when things were going down and now still when things are going up, just I think for the loyalty that it shows.  Because you know a lot of people counted us out and during that time we only got better. And I don’t mean by anyone leaving the label that we improved. Like Obie and Stat, I still consider them part of the team like to me they never left. You know I don’t handle anyone else’s business but from the friend and camaraderie side, nothing has changed and we all are part of the same squad still.   To me its good I can reach out from the personal and from the music side how to really deal with music and life a little bit and its made me mature being on Shady Records man.   It’s real good on Shady man.  I think it’s a blessing and that’s why I’m still here. Never leaving, never planned on it, never was even close to that.  

AllHipHop.com:  That’s what’s up man, its been a rough couple years in the music industry.  There were a lot of rumors circulating Interscope and the state of the label.  Can you talk about what it was like during that time and how that affected you? Ca$his: Yea I mean I was affected by random people asking me questions that had nothing to do with me and my name being out there in a place it wasn’t. It made me want to go in on my music and just show it wasn’t true what I can do, and I have contact with my label and I know what’s going on and I am glad I got a chance to put something out there. AllHipHop.com: Yea in this industry not many people, even the artists sometimes understand that labels have a budget and that it’s a business.Ca$his: You can get X’d off a label, not because you are wack but just for budget reasons.  Thankfully and luckily that didn’t happen for me because I keep us relevant with a buzz on the internet and on mixtapes and that’s what I do and my job.  When Em comes out he makes a big splash. That’s a blessing and that’s what my job has been.  To do whatever it takes to keep us visible, until it’s my time to come out.  I knew as long as I did my part we were cool.   People think this is an emotional business and its really not.  Me that’s what I thought and I used to act impulsively and on emotion and not act on strategy. But now it makes it more fun and more complex also. I know a lot of artists that are free agents that are cool artists, and its not because they aren’t talented.   Its just because labels aren’t offering those big deals and people think its going to be a Bump J or 50 Cent type deal or some million dollar record deal.  That was at a time when more people in the general society were spending more money and making more money.  So you have to do what you can to keep yourself at a low cost to your label and to remain highly effective.  People miss the real hip hop, but if you Hollywood with it and you think you gonna be sitting on 10, 15, 20k a month with Ferraris and you aren’t selling Ferrari numbers then you forever gonna be on that street corner, and life is short on that street corner.  AllHipHop.com: So you are originally from Chicago huh? Bulls fan, White Sox, Y’all just got Manny Ramirez.  Ca$his: (Laughs) Oh yea 79th Street, South Side, Southeast Side.  Definitely White Sox, Bulls and BlackHawks, everything man. AllHipHop.com: Talk to me about how Chicago shaped your style and how you’ve taken it to the West coast. Ca$his: Well like Chicago inspired me as a person, that makes me who I am, is Chicago.   I grew up listening to Phsyco Drama, and Twista, Crucial Conflict, Young Buk from Psychodrama, Common Sense and I kind of learned how to formulate my rhymes like that. Its more melodic with your voice but also like witty with your words.  Its like that soul feeling and that zone where I can just mash out on a track or whatever. AllHipHop.com: So you said that you pretty much have been wildin out in the music. Can you elaborate on what you meant by that?   Ca$his: I was wilding out, and you can hear it in the music, you can see it in my face. And, I’m a   big influence on a lot of people. A lot of times (pauses)… I believe that’s why I smoke   weed, to maintain my sanity.  Cause I’m always going through ups and downs, a lot. It’s   crazy. So, that depression and that inner anger,  that feeling of uncertainty, because when   I feel that uncertainty,  and fear, I just get angry. I just don’t act out like a little kid. Or get   nervous. You would never tell that, and you  would have to know me, to understand that.   Because that’s when I become completely irrational, and do some of the things that I may   rap about.  From that, I was a negative influence on my kids ,  my older and younger   homeboy’s; my relatives.  On everything. It was a part of me, and its in my blood,  and   musically, I had to change that, because that’s what came out.   Then it came to omitting the word ni**er. Not just from my normal vocabulary, because   that is kind of hard for us to do, but as far as my lyrical content. Just musically, I won’t   say it because I feel that I don’t need to say it.  You know the crowds that opens up? The   doors that opens up? Because, you know, I’m from Chicago man,  and ain’t no way   anybody white can roll down my hood singing, “ Imma lay that ni**a out”.  Cause its   gonna be a problem.  And not I’m saying that it should be a problem. I’m just saying that it  could be a problem because that is just how people are.  

Ca$his Part 2: Beef, Drugs, Recovery and Music

AllHipHop.com: What, if any, is the projected release date on the album that your working on? Or are you   just focusing on building up the buzz right now?  Ca$his: The album is 75% done.  This is my plan.  I about to unveil my grand plan, just for ya’ll homie [ in his Midwest accent].  My plan is just to go super hard.  I went in super, crazy   hard on this 12 song project that we putting out through Shady/Interscope.  This is all   original material, and I gave my all on each record.  From the production,  to the A&R, I   mean, everything lined up perfectly. And I honestly feel, that this is gonna destroy a lot of   stuff.  Honestly, I think, that if its tight enough, and the people want it, and they feel   about it the way that I feel about it, I could just give them the top 5 songs off the CD, and   package it up, and that can be a CD. I’m telling you! It’s real, and the music that I have   been recording right now is just real.  AllHipHop.com: That’s what its all about. I think that even that way with my writing and stuff. I think that   once I lose that love for what I do, its not the same.  Its not what you originally started   doing it for.        Ca$his: Exactly. I started doing this for money. When I first started doing this, I was doing it for   nothing.   [sarcastically] And with that, I gotta bring a quarter pound of weed with me, 12   guns, 3 vest, and mob dudes giving out neckties, and I thought to myself…..wait a   minute,  wait a minute, I ain’t getting none of this money. Man, hell nah. That’s when my music started becoming better, and my music started   becoming better.  And, I started remembering this is what its about.  Now that im starting   to do better again, I still just focus on the music. When you take away the hype of it, and   the publicity stunts, its just about the music. 

AllHipHop.com: With that being said, what kind of stuff are you listening to? Ca$his: Man, I listen to…(pause), Honestly dog, I don’t listen to nobody.  I listen to the stuff that   I do. I mean, I do music so fast, and so much, that I don’t even have time to listen to my   s###.  I’ll record something, and for like 3 days, ill be rocking with it, and then it will be   another studio session, and that’s old to me now, and I don’t care about it.  If we in the   car, and we may be going on a ride or something,  I definitely bring that Twista, I listen to a lot of R. Kelly, cause he from my home. I bump a lot of Chicago s###,   like Crucial Conflict, their second album, stays on repeat.  A lot of Scarface.  But I also   ride out, and listen to a lot of old school R&B, like Frankie Beverly and Maze; all that   music that was before me, but when I sit back and listen to it, it’s relaxing.  AllHipHop.com: Speaking of those dudes, do you still have any contact with G-Unit at all?  Ca$his: Yeah, I mean everything is still cool. It was never like, we just hanging around each other   all day everyday.  But everything is still cool. It’s a business.  I don’t know. I mean I’m   on Shady. They do what they do. But its still like, we on the same team. I know when I   came out,  I thought it was like a gang. I’m like “ woo, woo, woo..” and chasing people   out clubs,  wearing G-Unot T-Shirts. And I got talking to my brother Kino, and    he was like, “ What are you doing? You putting your life on the line.” I was like “I’m   riding.”  But, you know, I still have a line of communication with them, but its not like we   chilling together, or doing all that. I’m concerned about getting my money, and they   concerned about getting they money too.  They getting hot again, to where they trying to   do a takeover. I’m doing the same thing. I don’t have all the bread they got, but I’m   getting my money in, and I’m getting super hot. And it makes sense. Cause I don’t ever   want to have to pay anyone to do a record with me.  If I can do a record with Em, we just   trade art. You respect me, I respect you.  But I just want people to see that I’m going   somewhere, and so that way, we can make some money to where it’s a favor for a favor.   AllHipHop.com: One of the things that I wanted to touch on throughout this interview is   that whole situation. I know you were pulling people out with G-Unot T-Shirts and all.   But this is the hip-hop game. People have beef. Can you talk about your beef with   Freddie Gibbs, or Chamillionaire,  or Royce da 5’9? Ca$his: Alright. Let’s start with Royce. Man, straight up that was some bulls**t.  Some weak ass   s###. That’s crazy, cause I didn’t know.  I was all Xanied out; not saying that I wouldn’t have did it sober, but I saw something when he called my man a cracker. I was like, “   F**k you mean, ni**a, you with racism? F**k outta here homeboy! ” . That s**t p#####   me the f**k off.  So, I probably would have done that s**t sober too. But, that was just me   not having restraint. Cause I called to check and see what was going on. I didn’t know   that the s**t was mad old,  and all that.  You know, and the end of the day, I just let it ride.   I reached out to the muthaf**ka like, “ Yo, what’s up with the record? “ But he respected   it. But he also know ain’t no hoes over here. I ain’t scared of s**t. Not saying that Im the   biggest, baddest, toughest muthaf**ka, but you wouldn’t be able to tell that.  And I got a   big ass family, and we go after it.  But, he know I’d ride for him that same way. We ended   up doing bomb ass music together. Now we on the same squad. Now, Chamillionaire.  I ain’t got no beef with Chamillionaire. We got a bomb ass record   together too. He cooler than a muthaf**ka. I actually like his material. But, it was like, he   had this video. And he was like “ Ca$his, how you man? “ . He had this black dude in the   video with  white make-up on. Running around like, Cashis Bonds. And I had just came   out, so I thought that it was distasteful. And my songs had already been released before   that video came out. And I was like Ca$his, that’s not your name, who are you dissing?    And I had to call my manager at Suave House, like yo, homey,  let him know. And Suave   know how I am, and he was like whoa! It would have been a problem if I seen him on my   scene. Cause I felt threatened.  I am straight from the streets. I was like oh, you burning   , you making jokes, and you got people laughing, using my name?  Oh, I’m on you, dog.    But I let him know, and his people said that it was no problem. But we reached out to each other, and did a record together with the homie   Carlito.  It wasn’t like I was like I’m sorry, I was just like, yo let’s do some music.  I just   felt like we grown, and that was some b#######. If turned out to be good thing, which was a   blessing.   As far as Freddie Gibbs, I don’t even know that dude. I don’t know. I don’t know what to say, like straight up.  I wasn’t even aware of him until like 2 days before he dissed me.    One of my A&R’s had hit me like I want you to do this record with this dude Freddie Gibbs.    He is out of the Midwest and went to California like you.  I’m like, okay, that’s what’s up.    He from the Midwest, I’ll f**k with him. So, the next day I went in the studio, and laid   down a dope ass record, and was gonna hand it over to him.  The next day, I get an e-mail   from my A&R like don’t do the record with the dude, and I look in the e-mail, and   homie [Freddie Gibbs] is talking mad s**t in the e-mail.  And I’m like, Oh my God, that   was the ultimate slap in the face, cause I’m really working harder than a muthaf**ka to   be good.  To do good. I been telling people that I don’t diss people in my music, I’m tryna   stay out  of jail. Then this dude come with that.  So, I’m like alright. I didn’t know what   to do, so I just won’t respond.  Because he called me a buster, which means that he   wasn’t talking about rapping.  So, I’m not talking about rapping.  So, he gone have to   prove that I’m a buster. I ain’t gonna go looking for that ni**a, because I don’t know him.   And I would have wished him the best, but it seems like we are cut from a similar cloth, or   he’s mimicking. One of the two. Because we both have a Pac sort of influenced style. We   both went from the Midwest to California.  We both supposedly like guns and all this crazy s**t. So, either we are similar or someone is copying someone. And I know its not me, because I came out first. I feel as though we   should have done something to unify the Midwest. And to help them be stronger in  California. I don’t bang any California gang, so I can go anywhere.  I got a   whole gang of Latino homies, I got a gang of homies from 60’s [*known Crip area], I got   homies everywhere.  From Bloods to Crips, I got a lot of homies, and I’m not even into   that type of thing.  I do my own thing.  But you called me a buster; I got a 13 year old, a   12 year old, 11 year old. My kids read that. My momma read that. I got enemies that read   that whom I probably did something to for less.  As a man, that threatened me. You called me a buster. So, I would never threaten or respond in rap. Because, I   don’t think that the people need that from me.  I feel like the best way to address a hip-  hop beef is to put out better music. And I know I put out way better music than Freddie   Gibbs. I mean, I am about  to put out a dangerous album, that you[ Freddie Gibbs]  had a great opportunity to be a   part of, and gets some fame off of. And I just don’t understand why someone would diss   someone that is trying so much to change his ways. That’s like the devil. Satan. And for a   minute I was playing Satan’s angel.  Save other people dissing, cause for a minute, I was   doing that. It got me nowhere. I got poor publicity, and it got me nowhere. And now I’m   on the other side, so my karma is good.  And I am never gonna reply back musically. AllHipHop.com: Did any of the situations Eminem went through with his decision to go to   rehab, did that influence your decision to change your life? Ca$his: No, because I didn’t know he was going to rehab. They kept it a secret from everybody.   Because we used to talk everyday, than it became less and less. And I just thought that he   was working, then he came out, and we talked about it, and it was so eye opening, and   was like oh s###.  But me, I used to go in the  studio with like 80 v#####, literally 80   v#####, and record. And my speech used to be all slurred. Like, I couldn’t annunciate for   nothing. What did it for me is that I kept getting in trouble.  I kept getting cases, and it   caused me to keep losing everything.  I had looked up, and I had almost lost my family.    My girl had came to me, and said look what you doing to yourself, baby. Like you don’t   even know your kids, you don’t even know yourself. That’s not you. You becoming a   walking zombie. I just knew that I was moving too fast.  You know, I was kind of hostile all the time.   That ain’t a good influence on Eminem.  Cause I’m sitting here popping pills, and he’s   trying to get clean secretively.  He can’t be around me, because I’m professing it.  I got   Xanax bars tattooed on me. I’m like we got them everywhere we go, pills by the hundred.   Obviously, you would want that around someone who is trying there best to get clean. So,   I started going through my own things, and started to get well.  It just so happen that it   was at a similar time that Em did.  So, when I popped up in New York, and I was like   what’s up, they were shocked because they could see a clear difference. And they were   like, aww man, he’s back.  Everything has been lovely every since then, and the music has been speaking for itself.

Another Guard On Rikers Accused Of Favoring Rapper Lil Wayne

(AllHipHop News) A guard on Rikers Island could face disciplinary action for allegedly giving superstar rapper Lil Wayne preferential treatment in the prison. An investigation has been launched over the alleged actions of Captain Latanya Brown, who is accused of spending extra time with Lil Wayne. Additionally, the New York Post reports that Captain Brown allegedly allowed the rapper to stay in his cell, while other inmates were ordered out of their bunks and into the recreation yard.The prison has a zero tolerance policy when it comes to showing favoritism towards any inmate. In April, just one month after the rapper started his year-long sentence for attempted criminal possession of a weapon, a guard at the complex was fired for allegedly spying on Lil Wayne. Amelia Negron was fired for glimpsing at Lil Wayne, although she denied the charges, claiming her union boss forced her to make a confession. This is not the first time a rapper has caused controversy on Rikers Island. In June of 2009, it was revealed that Foxy Brown allegedly received preferential treatment during her 9-month stay on Rikers Island in 2006. The rapper held a photo shoot and  allegedly received unlimited phone/TV use, makeup, luxury clothing and outside meals. In October of 2009, Correction Chief Peter Curcio and a Rabbi named Leib Glanz resigned over the scandal, after the Brown reports, in addition to allegations that Rabbi Glanz arranged a lavish bar mitzvah for an inmates son.

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