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T.I. Talks Jail; Previews Scenes From ‘Takers’ On Larry King

(AllHipHop News) Atlanta rapper T.I. made a high profile appearance on CNN’s series Larry King Live tonight (May 13th), where he revealed scenes from his new movie Takers. The movie, which is being released by Columbia Pictures, also stars Chris Brown, Hayden Christensen and Paul Walker. The flick focuses on a group of high profile bank robbers, who pull off a $20 million dollar bank job, which detectives are attempting to solve. “My characters name is Ghost and he is a part of a very, very upscale extravagant band of bank robbers,” T.I. revealed on Larry King.The movie is due in stores this summer, while his upcoming album King Uncaged is due in stores on August 17th. The rapper wore a pink polo top and discussed his year long stint in jail for attempting to purchase silencers and machine guns in October of 2007 during the hour-long conversation. “This most recent incident came from an attempt on my life and my best friend died in my arms and that kind of caused a state of depression, paranoia and my judgment was jaded and I just felt my life was in danger,” T.I. told Larry King. T.I., born Clifford Harris Jr., was released from prison in March. The arms purchase was done out of fear for his life. He noted that deaths of rappers doesn’t seem to be high on the priority list of federal investigators. “Why Me? Why Tupac? Why Biggie? Why Jam Master Jay?” T.I. asked Larry King. “I mean, and if you do more research, you will see the death of a hip hop star is the least investigated. There have been no convictions on Biggie, there have been no convictions on Pac, there have been no convictions on Jam Master Jay. They die and then life goes on.  They die and then life goes on.”He expressed regret over the incident and impact it had on his family and career although he said he was content with his life.  “They say when you are completely happy, you die,” T.I. stated. “So I am they happiest I’ve ever been, but I think that right now since I’ve gotten out of that situation, this is the first time I have actually taken advantage of and being able to enjoy the fruits of my labor.” Larry King attempted to wrestle information out of T.I. regarding his probation status near the end of the interview, but was met with a stone faced T.I., who refused to divulge any information. “The specifics of my probation and the conditions, I’d rather keep that, you, know,” as he admitted he needed permission to leave Atlanta to conduct the interview in New York. T.I.’s new album King Uncaged is due in stores on August 17th. 

Scarface: Why He Turned Down Hip-Hop Honors

Scarface has never been one to mince words, but when the rap legend refused to participate in the 2010 Hip-Hop Honors’ ode The South, he revealed to Ozone Magazine exactly why. Peep it.

For more, go to ozonemag.com.Scarface:

I was nominated [to be honored at the “Dirty South” VH1 Hip Hop Honors] but I declined to accept because I don’t wanna be classified as just “Dirty South.” I’m Hip Hop, man. I’m not going because I feel slighted. Even though it was a nice gesture, I feel like it’s just a pacifier. They’re like, “Let’s give these n***as down there a pacifier so they can stop feeling left out. We’ll make Luke and all these n***as down here look funny,” you know? “Let’s put a plate of fried chicken and some watermelon and let’s just do some n***a-ass s**t.” (laughs) Quote, end quote. “Some n***a-ass s**t.” Fried chicken and watermelon. “s**t, the faster we get this over with, the better.” 

Honoring [Uncle] Luke and James [Prince] and [Master] P and Timbaland and JD and Dungeon Family is a good thing. I don’t wanna f**k their Honors up. They helped lay the foundation. More power to ’em. I respect what they do and I respect what they’ve done for Hip Hop, but to put us in a category is disrespectful. Why would you categorize us as “Dirty South”? Why can’t you just honor some muthaf**kers from down here and leave it like that? You ain’t gotta make us look extra country. We know where we’re from and we know where you’re from. We know where Hip Hop came from, man. We’re cool with that. I’m proud to be from Houston but don’t make a mockery of my accomplishments. We’re not “dirty” down here in the South anyway. This s**t down here probably cleaner than the rest of the country, cause we got grandmas down here. Our grandmas don’t play that s**t. 

I was a part of the Slick Rick and De La Soul and Too $hort and Public Enemy [Hip Hop Honors]. I felt good about being a part of that. I went [to Hip Hop Honors] when they honored Def Jam because I wanted to be a part of that. I felt honored that they would even call me to do it. But this year, I totally disagree with how they’re trying to categorize us. You know how they make us look on TV? Like we live on the front porch with flies and s**t flying around us, with our stomachs all big eating watermelon rinds? That ain’t us, man. Don’t f**kin’ make a mockery of us because we come from down here and you have no f**kin’ idea what it looks like. They’re gonna try to put us with some cows and just make us look f**ked up, man, like we don’t know what the f**k we doin’ down here. We’re smart, man. Our life is slowed down so we don’t miss nothing. When s**t gets moving too fast you miss everything. s**t’s slowed down here so we see it all. 

I come from the era when New York and L.A. had the only Hip Hop, and they weren’t f**kin’ with us, at all. If you think I’m lyin’, check the history of Hip Hop. Try to pull up some footage from the 1989/1990 New Music Seminar. That’s what I base my whole f**kin’ life on: the New Music Seminar 1989/1990. They was NOT f**kin’ with us. We sold records all over the f**kin’ country and New York made a mockery of it. They f**kin’ booed the Geto Boys in New York. They sure did. 

Back when Luke had Skywalker Records and J had Rap-A-Lot Records, they weren’t tryin’ to do no South s**t. “It didn’t come from New York, son, so f**k that.” That was their attitude. Just because a TV was made in Japan, is it a Japanese TV? Or is it just a f**king TV? If a lightbulb was made in China is it a Chinese lightbulb? 

It was hard breaking through. It was hard getting respect from the East Coast. We didn’t get no f**kin’ love from nobody. Fab Five Freddy came down here early in our career to see what we were really about, and I respected and appreciated that. But we been having money down here. We been rollin’ f**kin’ Bentleys and Ferraris down here since the 80s. Muthaf**kers ain’t just started rockin’ gold and platinum chains. We had that s**t in high school. s**t, we just now started running out of money. (laughs) That’s how long we been had money down here. 

Eventually New York came around and started f**kin’ with us. But for an East Coast-based show to call themselves showing some f**kin’ love by making a Southern watered-down version of what the show is supposed to be or what Hip Hop really is, man, I feel f**ked up about that s**t. Because we fought harder than a muthaf**ker. When [Ice] Cube was on Hip Hop Honors, it wasn’t the “Hip Hop West Coast Honors.” Every part of the ghetto is the same mu’f**kin’ story. Hip Hop is one machine, regardless if you come from New York or B#######, Africa. It’s f**kin’ Hip Hop. 

But that’s just [my opinion], and f**k me. I don’t mean nothing. I’m just a n***a who fought harder than a muthaf**ker to get our records played in New York and on the East Coast period. And now all a n***a needs to do is fart on a record and it gets played. So it’s fine by me. I’m cool with that. I’m not mad about it, I just feel disrespected. Whoever goes [to Hip Hop Honors], it’s fine and dandy by me. But if you wanted to do a Southern-based show you shoulda got a n***a DOWN SOUTH to do it in the South.

For more, please visit http://www.ozonemag.com/

Mickey Factz Inks Major Label Deal With Battery

(AllHipHop News) Rising Hip-Hop artist Mickey Factz has found a home at Battery Records, the label revealed to AllHipHop.com today (May 13th). After releasing six mixtapes independently and landing spots in advertising campaigns with Honda, the 24-year-old New Yorker signed with Battery because of the label’s “creative vision.”“My career as an artist has been a grand journey up to this point for my team GFCnewyork, and myself,“ Mickey Factz told AllHipHop.com. “Battery is the greatest compromise as they understand my vision and where we will be taking it. I’m glad to welcome them as a part of my team and The Black Apple experience. Truthfully, let the games begin.” Mickey Factz was one of the most sought after unsigned artists before inking his deal with Battery. According to Neil Levine, GM and Senior Vice President of Battery Records, Mickey Factz is a complete artist. “He’s really put the work in to be a real star and Battery is very pleased to welcome him as our newest signing,” Neil Levine said of Factz’ independent hustle. Mickey Factz left NYU Law School in order to pursue his career as a rapper. According to Jeff Sledge, Battery’s VP of A&R, the rapper has developed his skills considerably while honing a unique sound. “I have been working with Mickey for four years now. He has grown as an artist and developed a sound that separates him from other artists,” Sledge said. “I am excited to sign Mickey and have the opportunity to show the world the amazing artist that he has become.”There is no release date for Mickey Factz’ upcoming album.

Hip-Hop Rumors: Flo Ridah Busted For Cheating!? Russell Simmons’ Fail! Foxy Brown Cries!

DISCLAIMER:

All

content within this section is pure rumor and generally have no factual

info outside of what the streets have whispered in our ear. Read on.

SEE SOMETHING? SAY SOMETHING!!!!!

      

        Send your rumors, sightings and ill pics to illseed at al*************@***il.com.

SHAME ON KELIS! CHEATING ON KNIGHT!

Who is raising the kid!? I don’t know. I can’t judge, but sheeeesh! I guess I am just a Nas fan. Not only is Kelis juxing Nas for his paper, but she’s out cavorting with some dude named Adewale Ogunleye. Who the hell is this dude? Oh, he’s a football player. According to the Daily Mirror, she did a show on Monday in Holland and these two were seen canoodling at their own private afterparty. I guess football players are the new rappers and kids are the new hobby. Don’t mind me.

Adewale: here is some advice. Don’t marry or have kids with Kelis. You bum! LOL!

FLO RIDA DON’T KNOW WHAT RAY J WIL DO!

Ray-J is gonna beat Flo Ridah down if he doesn’t respect Brandy! Look at the girl below..the one with the arrow pointed on her!

Well, one of my readers directed me to theybf.com and I was informed that Flo Flo may be cheating on Bran Bran. This is not acceptable and I know, this will be great content for the reality show. Brandy gets to cry, Ray-J spazzes and Flo Rida gets some more fans…pimps.

Apparently, Flo has been creeping with the girl in Miami. But, his defense has been that he feels comfortable with this chick since he’s don’t photo shoots with her in the past.

No side eye needed. Straight ahead eye.

[source]BOW WOW SAYS: “I’VE BEEN FRAMED!”

Did you see our exclusive with Bow Wow, where he says he was totally set up for his twittering for sex charge. Peep the statement:

“The tweet that was posted was photo shopped. Just recently I did an interview on how I never pay for sex [Ozone’s Sex issue], so I guess someone felt the need to write some bogus tweet before my original tweet,” Bow Wow told AllHipHop.com in an exclusive statement. “I have damn near have 500,000 followers on Twitter. If I were to tweet such foolishness it would have been all over Twitter in a matter of seconds. I don’t know why people feel the need to try to s**t on my name or what I represent. All I want to do is please my fans, make more millions, make sure my family is straight and have fun.”

I won’t be calling him Wow Wow anymore.

ILLSEED’S QUICKIES

I told you all this, but T.I. is rumored to have put the SMASH on “Tiny and Toya” the reality show. BUT, I said this too…Toya is going to have her own show…solo.

Last night, Roc4Life celebrated the site’s 1-year anniversary. I don’t think Jay-Z came through. Dame should have come out.

Arizona is buggin!!!!! What is going on with them?

Damn. Diff’rent Strokes” star Dana Plato suffered from a drug overdose in 1999 and her son Tyler Lambert killed himself this week. Sitcoms are evil!!!

It looks like Destiny’s Child is going to be reuniting for one last performance. Beyonce is reportedly working on the song for the group.

SIGNS THE WORLD IS COMING TO AN END DAMN SNITCHES!!!!!

The cops screw up and who do they blame? Their SNITCHES! Well, an old lady suffered a heart attack thanks to the informants of the Polk County police in Atlanta. Drug cops swarmed on an old woman’s house and scared her so bad she had a heart attack. Her name, Helen Pruett and she’s 76! A dozen agents raided her house thinking she was a drug dealer. The cops didn’t even serve a warrant, even thought they had surrounded the whole house. On top of all that, the damn police said they had been watching the house for TWO YEARS? REALLY? They still messed up! Snitches are ultimately the ones the cops pointed too as the reason for the error. Well, they need to realize that a snitch will say whatever as long as their skin is saved.

EPIC FAIL OF THE DAY

Sorry, Russ. I don’t want to see you kissing nothing!!!! So, the fail goes to us. I’m sorry, people, but after I saw this, I had to share the “ew.”

[source]

GUCCI IS HOME!

FOXY BROWN[S] WERE ON MO’NIQUE!

Foxy sure is emotional!

RIHANNA, WE

LOVE YOU!!!

They keep us talking, but if we stop talking about

them then they should worry!

-illseed

WHO: illseed.com

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at al*************@***il.com.

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AHH Stray News: Lloyd Banks, Common Talks Serena, Jay-Z Greatest Hits

G-Unit rapper Lloyd Banks will give a special performance at the end of this month at BB Kings Blues Club & Grill. Banks will hit the stage with Power 105.1’s DJ Envy for the performance, which will include special guests, a source told AllHipHop.com. Banks is expected to perform a medley of his songs, including his most recent song “Beamer Benz or Bentley,” which is currently being re-worked into regional mixes that will feature different artists. “I’ve got so much love and a good response on this record that it’s actually going to have to be more than one remix because it goes by markets,” Banks told VIBE. Lloyd Banks will hit the stage May 26th. Rapper Common is taking his relationship with Tennis champion Serena William serious. The rapper stopped by the Ellen DeGeneres show to promote his new flick Just Wright which co-stars Queen Latifah. During the interview, Common told DeGeneres he “definitely” wants to get married. “I definitely want to get married. I would love to get married and have kids,” said Common of his 28-year-old girlfriend. “Actually, Serena and I have been close for about two years. It’s been evolving.” Common said that he gets “emotionally” involved in Williams’ tennis matches. “I sit there, and I’m just tense.  People try and talk to me, and I tell them to be quiet. I was sitting next to Richard Branson and I didn’t pay attention. I don’t care who is there. I’m focused on this tennis match.” The episode is slated to air tomorrow (May 14th) on The Ellen DeGeneres Show. Rapper Jay-Z will be releasing greatest hits collection this summer, according to a new website that recently launched. The Hits Collection Vol. 1 is the first greatest hits collection to be released by Jay-Z. Tracks included on the album will include some of Jay-Z’s biggest hits, including recent hits like “Empire State of Mind,” and “Run This Town,” while other hits like “D.O.A.” and “Public Service Announcement” are also included on the compilation. The Hits Collection Vol. 1 is due in stores on June 29th. For more information visit: http://www.jayzhitscollection.com/

Nas and Damian Marley: Distant Relatives (Album Review)

Black music has many streams of expression, 2 of the most prominent being Hip-Hop and Reggae.  And when you go back far enough, these traditions are seen to have their roots in the music of Africa. This truth is the basis for Nas and Damian Marley’s unique collaboration Distant Relatives, which aims to not only bridge the gap between their cultures, but also raise funds for a school in the Congo. And this focus has resulted in an album that will undoubtedly enrich the musical legacies of both men.

From the outset, it’s very obvious to listeners that both men took their time and built up a genuine, strong chemistry over the estimated year and a half recording period. The duo comfortably trade quick bars over the first single “As We Enter,” easily handling the several rhythm changes punctuated by horn and piercing drums , which is reminiscent of Welcome to Jamrock’s “All Night”. “As We Enter” serves to establish the direction of the LP, as Damian Marley proclaims them to be “street intellectuals,” and Nas posits their purpose as “real revolution rhymers.”

K’Naan guests on “Tribal War,” which address the in-fighting the plagues people of color around the world. Damian Marley crafts a beat of urgency using bongos and sorrowful chorus signing, as each emcee tackles the issue from different perspectives. Nas parallels international conflicts such as those seen in Darfur with American gang warfare, while K’Naan reflects on how Africa’s contributions are ignored or belittled in today’s society (“I drink poison/Then vomit diamonds/I gave you Mandela, Black Dalai Lamas/I gave you music/You enthused in my kindness/So how dare you reduce me to Donny Imus?”). And Damian Marley addresses the futility of man’s violent nature (“We nuh want no more of that/Everyone deserves to earn…Man a war tribal/Over colors/Over money, over land, and over oil, and over God” ).

Damian’s brother Stephen Marley assists on 2 tracks, “Leaders” and “In His Own Words.” On the former, Stephen handles chorus duties over a traditional, reggae-flavored track. But it’s Nas who shines in his 2 verses, using allusions to the Biblical figure of Esau, Prohibition gangster Bumpy Johnson, and Marcus Garvey to argue that a leader can come from any facet of society if they’re willing to answer the call.

On the latter, the trio gives listeners the first overtly spiritual track in “In His Own Words.” Again Nas works with 2 verses, and sharply notes his struggle with balancing his art, and how it has brought him closer to God (“How I balance between the streets and the theories of/collegiate literature/I hold mirrors up/Give combinations of pain, joy, fear, and love/Through my perspective/I can see Jah reflection”). Stephen’s bluesy, paced vocals provide a nice contrast with Nas’ faster flow, and Junior Gong brings it home lyrically in rhyming on the unity of creation (“All things are related/And creation is a package/Generate together/And we increase the wattage/A how them a go manage? Tell Babylon them can’t do Rasta damage”).

Since Damian Marley handled the majority of the production duties, the beats are void of any contemporary-styled Hip-hop rhythms. However, Junior Gong shows his versatility and knowledge of his partner’s strengths by making strategic rhythm changes to accentuate Nas’ style, as heard with the beautiful, guitar driven transition on “Count My Blessings.” Instinctively, both Nas and Marley fervently attack the songs with strong drums like “Friends,” “Dispear,” and “Strong Will Continue.” Ironically, the track with the closest link to boom-bap (“Nah Mean”) is dissected and dominated by Damian’s patois (“We nuh like dem colonial regime/Nah mean/Mi Queen hafi rock and come in/Nah mean/and jump pon mi big trampoline/Nah mean/And boost up her self-esteem”).

The remaining guests do exceptionally well in maintaining the theme of the album. Reggae fans will be delighted in hearing legend Dennis Brown helping in the remake of his classic “The Promised Land.” The seminal, bass-heavy funk of the song is perfect for any reggae/dancehall artist as Damian shows in his verse connecting America and Africa. But Nas also doesn’t misstep and incorporates end of days imagery in his portion (“If these are the last days/And 100-foot waves come crashing down/I’ll get some hash and pound/Pass around the bud then watch the flood/Can’t stop apocalypse/My synopsis is catastrophic”). Joss Stone compliments the child singing chorus on “My Generation,” and Lil Wayne shows his underrated adaptability with a succinct verse on his role with today’s youth (“This generation/I’m a represent/A generation led by a black president…So when you finish reading Revelations/Thank God for my generation”).

The album concludes with the poignant, lush ballad “Africa Must Wake Up.” The song is a call for those of African descent to not only remember their lineage, but establish an identity for the future, as sung by Damian (“Yesterday we were kings? Can you tell the young ones/Who are we today?”). Nas utilizes his 2 verses to speak on African culture’s discoveries in religion, architecture, and astronomy which assisted in humanity’s development. K’Naan reappears to offer a short, rhetorical refrain in Somali (“And when a country is built. Aren’t you the ones to tear it down?/ And when one attempted to tell the truth, aren’t you the ones to cut him down?). Nas ends the LP on a unifying note, explaining that because civilization derives from Africa, we are all family just spread out across the globe regardless of race.

Distant Relatives is an amazing achievement for both artists. For Damian Marley, it shows in these 5 years since this last LP (Welcome to Jamrock), he has grown as a producer and can lay claim to being one the most talented of Bob Marley’s children. Nas continues to evolve and age gracefully. Since 2002’s God’s Son, Nas has opted to use music to look inside himself for identity, rather than media, fans, or trends to define him. Instead of attempting to relive past glory (Illmatic) or personas (The Firm), he’s doing something many emcees become fearful to do; grow up with their audience and challenge themselves. And with the way he handled the varying production from Marley, Nas again shows why 19 years after his first appearance he’s still one of the premier lyricists in Hip-Hop.

Distant Relatives is a rewarding listening experience in its musicianship and lyricism, and one you can expect to go back to in the years to come.

Juvenile Aims To Heat Up Summer With ‘Beast Mode’

(AllHipHop News) New Orleans rapper Juvenile is wasting no time releasing the follow up to last year’s album Cocky and Confident. The rapper has revealed he will release a brand new album this July titled Beast Mode, which will hit stores via a deal between his label UTP and E1 Music.“The main reason for putting out this record in the summer is that it’s a summer album,” Juvenile told AllHipHop.com. “I made this album for my fans, especially for my female fans out there.”The first single from Beast Mode will be the track “Drop That Azz,” which is currently being serviced to radio outlets and mix shows nationwide.  Beast Mode is due in stores on July 6th, 2010.

Investors Sue Promoters Of Lil Wayne Concert Canceled Three Times

(AllHipHop News) A group of investors are turning to legal action in hopes of having their money returned after a concert that was supposed to feature Lil Wayne was canceled three different times. Investors filed a lawsuit against RMF Productions, Edward Strickland and Andre Langston, seeking at least $180,000 to bring the rapper to Rochester, New York. According to RMF Productions, Lil Wayne was advanced $100,000 dollars to perform at the Blue Cross Arena in October of 2008, but canceled the show, blaming an inferior sound system. The rapper, who was promoting his release Tha Carter III, rescheduled the Rochester show for December 6th, 2008, but canceled that date to rehearse for his “I Am Music Tour.”The second concert was rescheduled for January 21, but that concert was scrapped and no make up date was offered to fans in Rochester. While Lil Wayne is not named in the most recent lawsuit, he may have to show up in court over the three canceled shows. In February of 2009, RMF Productions filed a $1.3 million dollar lawsuit against Lil Wayne and his manager Cortez Bryant for cancelling all three dates.