Jay-Z just booked two nights at Yankee Stadium this summer, and resale prices are already out of control.
Tickets hit StubHub within hours of going on sale Monday morning, with some sections climbing to $4,200 for the July 10 show and $4,500 for the July 11 show.
The queues were insane too, with over 800,000 fans waiting to grab seats.
Both albums are legendary, and the fact that he’s bringing them back to the Bronx is massive. He’s been teasing this moment for weeks, even changing his name to JAŸ-Z on streaming to match the original Reasonable Doubt branding.
He’s also headlining Roots Picnic on May 30, where he’ll perform with The Roots for the first time in over a decade. The lineup includes Erykah Badu, Brandy, T.I., Wale, De La Soul, and Mariah the Scientist.
All this activity has people wondering if he’s finally working on new music.
Back in September, Cash Cobain told Billboard he heard Jay-Z was dropping something, but he walked it back on X, saying Jay-Z told him directly he’s “absolutely not dropping an album” anytime soon.
His last solo project was 4:44 in 2017, his thirteenth studio album. He and Beyoncé dropped Everything Is Love together in 2018, but that’s been it for years.
The resale market’s already wild because fans know these shows are going to be historic.
Yeat just pulled off something that’s got the entire industry talking, and he did it the way only he knows how.
The rap trailblazer announced his forthcoming double album, ADL (A Dangerous Lyfe / A Dangerous Love), through a full-page spread in the New York Times, and the feature list reads like a who’s who of music royalty.
Elton John, NBA Youngboy, Don Toliver, Kid Cudi, 070 Shake, Grimes, and Rampa are all on the project, which drops this Friday, March 27. This isn’t just an album announcement, it’s a statement about where Yeat’s artistry is headed, and it’s massive.
What makes this collaboration particularly rare is Elton John’s involvement.
The legendary singer-songwriter has historically kept his distance from Hip-Hop features, though he’s shown genuine respect for the culture over the years.
Elton John’s Hip-Hop collaborations have been selective and meaningful, from his work with Young Thug on “High” to his appearance on Kanye West’s “All of the Lights” and Eminem’s live version of “Stan.”
His willingness to jump on Yeat’s project signals something bigger than a typical guest verse. It’s a co-sign from one of music’s most respected figures to a new generation of artists pushing boundaries.
Yeat’s been building momentum all year with his shock marketing campaign.
In February, New York City commuters spotted a prosthetic arm hanging out of a taxi with a bumper sticker reading “LYFE IS DANGEROUS.”
He hosted Twizz City Night at the Portland Trail Blazers game and released the first visual trailer for ADL, which reimagined him as “The Most Dangerous Man Alive.”
The New York Times ad is the next evolution of that rollout, and it’s working.
This album is shaping up to be his boldest era yet, especially considering his last project, LYFESTYLE, debuted at number one on the Billboard 200 with over 89,000 equivalent album units sold.
Bill Cosby just got hit with a $19.25 million judgment in a civil case that’s been decades in the making, and the verdict landed hard on Monday in Santa Monica.
Donna Motsinger, who was working as a waitress back in 1972 at the Trident in Sausalito, alleged that Cosby drugged and raped her after picking her up in a limousine and bringing her to one of his comedy shows in San Carlos, California.
The jury took three days to reach their decision, finding him liable for sexual assault and sexual battery after hearing testimony about what she claims happened that night.
According to the Variety report, Motsinger said she began feeling sick when she got to Cosby’s dressing room after accepting a glass of wine in the limo, and she went in and out of consciousness before waking up at home with most of her clothes removed.
The breakdown of the damages shows $17.5 million for past mental suffering and $1.75 million for future suffering, with the jury also determining that punitive damages should be added in a separate proceeding.
Cosby’s attorney, Jennifer Bonjean, immediately announced they’d be appealing the verdict, but the damage is already done in terms of his public standing and financial obligations.
He previously had to pay $500,000 to Judy Huth after she won her own civil case alleging he assaulted her at the Playboy Mansion in 1975 when she was just 16 years old.
Cosby’s criminal conviction from 2018 in Pennsylvania was thrown out in 2021 after an appeals court found that prosecutors violated an earlier agreement not to bring charges, which meant he walked free after serving three years.
Motsinger was able to file her lawsuit in 2023 because California Governor Gavin Newsom signed a law that temporarily suspended the statute of limitations for certain sex assault claims, giving victims like her a second chance at justice.
The jury’s decision sends a clear message that even decades-old allegations can lead to accountability when the evidence is compelling.
According to the New York Times, Cosby has acknowledged facing serious financial difficulties, which makes this nearly $20 million judgment particularly consequential for his future.
Nicki Minaj is staring down another financial reckoning as 24/7 Productions (USA) Inc. filed a lawsuit demanding $275,149.62 for production work tied to her 2023 Jingle Ball performances and Pink Friday 2 promotional events.
The vendor claims it handled everything from travel logistics to security staffing for her Chicago and Atlanta iHeartRadio appearances and her New York promotional run, then got ghosted when it came time to pay.
The production company advanced more than $255,000 out of pocket, expecting reimbursement that never materialized.
According to the filing, those Jingle Ball shows generated roughly $650,000 in revenue, with most of that money flowing directly to Minaj’s accounts.
Yet when 24/7 Productions sent invoices totaling over $275,000, Pink Friday Productions accepted them without pushback and then simply ignored payment requests.
The company even acknowledged the debt in writing, with one message stating: “We will be able to send you the money for the radio shows as soon as it is received.”
That promise never came through. The complaint accuses Pink Friday Productions of breach of contract and names Minaj personally on unjust enrichment claims, arguing she directly benefited from services rendered without compensation.
24/7 Productions is seeking the full $275,149.62 plus interest and court costs. The company says it documented every expense meticulously, from crew staffing to lighting and audio equipment, making this a straightforward case of services rendered and payment refused.
Nicki Minaj’s legal team hasn’t publicly responded to the complaint, but the timing couldn’t be worse. This lawsuit comes as Minaj’s legal troubles continue to pile up.
The Brooklyn mogul reportedly sold out two upcoming New York shows at Yankee Stadium in minutes, with online queues allegedly swelling to nearly a million hopeful buyers per date. Damn, homie! Yes, you read that right. A million people clicking and praying for about 70,000 seats.
If that number is even halfway accurate, it tells a story bigger than just a concert.
It suggests that Shawn Carter remains a cultural event, not just a rapper with a catalog. These shows are tied to celebrations of Reasonable Doubt and The Blueprint, albums that helped define the DNA of Hip-Hop ambition and grown man rap. Nostalgia mixed with legacy tends to move tickets fast. Add Jay-Z’s scarcity factor and suddenly the frenzy makes more sense.
I believe this is the first time Jay has sold out the venue solo. This does feel different.
There is another layer to this. There is the reality of modern ticketing culture. Bots, resellers, and speculative buyers often flood queues, which can inflate demand. A million people in line does not always mean a million unique fans. You know the resellers are going to EAT.
Either way, the optics are powerful. Jay-Z has not been a regular touring artist in recent years. He moves like a man who does not need the road. So when he pops out for something this big, WE REACT!
Twenty plus years after he told us he was not a businessman but a business, man…Jay-Z is still proving the point.
6ix9ine had his Florida home targeted again while locked up in Brooklyn, this time by a woman claiming she was there to record music with him.
According to TMZ, his girlfriend, Aliday Alzugaray, was at the Wellington property when she spotted Chanique Lambert attempting to breach the residence on Friday.
The situation escalated quickly when Aliday realized Lambert was armed with a gun and had been stalking the property for over a month, repeatedly posing as 6ix9ine’s cousin to get past security.
Aliday rushed inside with her son and locked all the doors before calling 6ix9ine, who was in federal detention in Brooklyn.
Family friend Anthony Espinal intervened by deliberately giving Lambert wrong directions to the street, then alerting Aliday to the threat.
Police arrived and arrested Lambert on a misdemeanor trespassing charge, with a bond set at $1,000.
When questioned, Lambert first claimed that 6ix9ine had instructed her to wait in the backyard to record a song together, then changed her story, saying she was there for art-related work.
This marks the second major security breach at his Palm Beach County home in just four months.
Back in November 2025, masked gunmen invaded the property and held his mother at gunpoint while ransacking the place for cash and car keys.
That incident resulted in multiple arrests and the recovery of over $30,000 in stolen luxury items.
As reported by NBC Miami, the November invasion left his mother traumatized and forced the rapper to relocate her.
6ix9ine’s security team has clearly struggled to prevent unauthorized access to the property despite increased measures.
The pattern of repeated break-ins and trespassing attempts suggests his celebrity status and current incarceration have made him a target for criminals and unstable individuals alike.
Lambert’s arrest represents at least a temporary resolution, but the underlying security vulnerabilities at his home remain a serious concern for one of the most infamous rappers of all-time.
50 Cent just locked in a deal that’s about to transform Times Square into his personal entertainment empire, and the numbers are massive.
He’s partnering with Planet Hollywood boss Robert Earl to launch PH Live, a $100-million entertainment hub that’ll take over the flagship NYC location and become the ultimate celebrity destination where everything from surprise performances to exclusive parties happens under one roof.
This isn’t just another nightclub or restaurant; it’s a full-sensory experience designed to draw in A-listers and regular fans alike.
The venue will host pop-up concerts, movie premieres, high-end private parties, and major cultural events, all powered by state-of-the-art LED technology that transforms the space depending on what’s happening that night.
Think surprise performances, live sports watch parties, album launches, and birthday celebrations that feel like exclusive Vegas shows.
According to TMZ, 50 says the goal is straightforward: create the ultimate destination where everything collides.
“Planet Hollywood has always been connected to pop culture, and PH Live takes that energy to the next level,” he said.
The menu will feature his personal favorites, including sweet chili shrimp, steak with mac and cheese, and a signature burger with a secret sauce that’ll have people talking.
The venue will also showcase memorabilia from his film and TV career, giving fans a complete immersive 50 Cent experience while they’re eating and partying.
This deal builds on his already strong relationship with Planet Hollywood, following his successful Vegas residency and the launch of his Candy Shop bar.
He’s already proven he can make these partnerships work, and PH Live is the next level of that success.
Plans are already in motion to expand PH Live into other cities, including Louisiana, where he’s built a film and TV production hub that’ll create even more opportunities for content and entertainment.
The Louisiana expansion is set to launch later this year with additional details coming soon.
OJ da Juiceman faces serious felony charges after a confrontation with a Georgia state trooper on I-20 East in Atlanta left him arrested and fighting for his freedom.
The trap rapper was taken into custody on March 15 by the Georgia State Patrol following an incident in late January when he allegedly pointed a handgun at the officer multiple times while driving recklessly through traffic.
According to legal documents obtained by TMZ, the trooper claims OJ began tailgating and honking while they were merging into the HOV lane.
The officer says OJ then passed him, pulled out a black handgun, and pointed it directly at him before speeding off in his Nissan Altima.
When the trooper caught up to him, OJ allegedly pointed the gun again and drove away recklessly, weaving in and out of traffic.
Law enforcement investigated and identified both OJ and his vehicle. An arrest warrant was issued last month, and OJ was arrested last week, facing 10 charges in total.
The most serious is a felony count of aggravated assault upon a public safety officer.
He’s also charged with one misdemeanor count of pointing or aiming a gun at another person, one felony count of possession of a firearm during the commission of a felony, plus multiple misdemeanor traffic offenses.
OJ’s attorney is fighting hard for his release on bond. The legal team argues the rapper is a well-known Atlanta musician and recording artist with deep roots in Georgia, a career, and family ties to the city.
As a public figure, they claim he doesn’t pose a flight risk and should be released pending trial.
But here’s where it gets interesting. A sworn affidavit from a woman claims OJ wasn’t even driving the car that day.
She says OJ rented a vehicle on her behalf and gave permission to another man to use it. According to her statement, OJ was not driving the car at the time of the alleged incident.
This defense could be crucial if it holds up in court.
Stove God Cooks is bringing his second studio album to life after six years of silence, and the wait ends March 27 when All This For Me? drops via Babygrande Records with production entirely handled by Swizz Beatz.
The Syracuse rapper’s comeback arrives on the exact anniversary of his 2020 debut Reasonable Drought, which was produced entirely by Roc Marciano and earned legendary status in underground Hip-Hop circles.
The lead single, “Welcome To My Garden,” hit streaming platforms on February 4, 2026, and immediately showed what Stove and Swizz cooked up together.
It’s the kind of production that lets a rapper breathe and say exactly what he means without any sonic clutter getting in the way.
What’s interesting about this collaboration is that Stove and Swizz built a genuine friendship long before they ever stepped into the studio together.
That real connection translates directly into the music, creating something that feels organic rather than calculated.
The album features tracks such as “Stuff a Goyard” and “Powder White Piano,” paired with moody purple-blue cover art that sets the visual tone for what’s to come.
Stove’s momentum has been building steadily throughout 2025 and into 2026.
He appeared on “F.I.C.O.” with Clipse on their GRAMMY-nominated album Let God Sort Em Out, where critics praised his contribution as a standout moment.
Summer 2025 saw him in Paris for a studio session with Jay-Z, an experience that clearly influenced his creative direction heading into this album cycle.
The path to All This For Me? wasn’t without complications, as Stove had been dealing with disputes involving Babygrande Records, but according to the official announcement, the label is making things right and moving forward together on this project.
With production from one of Hip-Hop’s most respected beat architects and a release date that carries symbolic weight, All This For Me? positions Stove God Cooks for a significant moment in his career.
Is Jay-Z Quietly Preparing A New Album? Rumors Heat Up As Hov’s Public Moves Increase
Jay-Z has a lot going on these days. As many already know, he is set to headline the 2026 Roots Picnic, one of Hip-Hop’s most respected live music festivals. At the same time, he is also reportedly preparing special performances connected to his classic catalog, including celebrations tied to Reasonable Doubt and The Blueprint, two of the most important albums in his legendary career.
Naturally, whenever Jay-Z starts moving like this publicly, the rumors start moving too. These types of rollouts rarely happen in isolation.
And now, the latest chatter suggests something fans have been waiting years to hear: a possible new Jay-Z album.
Rumors, yes. But there are also some very real facts that make the speculation feel a lot less random.
Despite perceptions that he has stepped away from recording, Jay-Z is still actively connected to music. According to a respected producer, who asked not to be named, Hov has recently received multiple batches of beats. That alone confirms he is at least listening, curating, and potentially recording. Jay-Z has always been known to move quietly and strategically, so even small signals like this tend to matter.
There is also supporting commentary from longtime Roc-A-Fella affiliate Memphis Bleek, who has hinted in interviews over the years that Jay-Z never truly stops making music, even if he chooses not to release it. That alone keeps hope alive among fans who believe another album is inevitable.
Personally, I think the energy around him feels different right now.
Could he simply be creating for personal enjoyment? Possibly. Jay-Z has reached a level of success where he does not have to prove anything commercially. But historically, when his public profile starts rising again musically, it usually connects to something bigger. The timing feels interesting, especially as many of his peers are experiencing creative resurgences.
Look at the current landscape. Artists from his era such as Nas and Clipse have continued releasing high-level, culturally respected music. Hip-Hop right now is in a space where veteran excellence is being celebrated again. It would honestly feel unusual for someone as competitive and culturally aware as Jay-Z to just watch from the sidelines.
That competitive spirit has always been part of what made him great.
Of course, none of this guarantees a new album is coming. Jay-Z is famous for recording music that never sees the light of day. At the same time, the combination of live performances, increased musical activity, producer chatter, and insider optimism makes this rumor feel more believable than most.
For now, fans will just have to wait and see.
But if history tells us anything, Jay-Z rarely moves without purpose.
And when he does, it usually means something.
Context…
Jay-Z’s last solo studio album, 4:44 (2017), was widely praised for its maturity, vulnerability, and business wisdom, earning a Grammy nomination for Album of the Year and reinforcing his status as one of Hip-Hop’s most important elder statesmen. Since then, his musical appearances have been selective, including guest verses, collaborations like Everything Is Love with Beyoncé, and occasional soundtrack work. His approach mirrors legends who release music only when they feel they have something meaningful to say. If a new album does arrive, it would likely reflect both his evolution as a businessman and his continued influence on Hip-Hop culture.
Kim Kardashian just pulled off the ultimate power move by showing up at Walmart in full glam to promote her energy drink brand, and the irony is absolutely unreal.
The reality mogul, 45, posted photos from a professional photoshoot inside the supermarket chain’s beverage section while sipping from an Update energy drink can.
She wore an all-black outfit with nylon pants pulled low to show off her slim waistline, posing next to colorful displays of her caffeine-free product.
Her long, raven black hair was styled in messy beach waves, and she rocked a sun-kissed, contoured makeup look for the shoot.
She explained that her first order of business was to change the packaging to look more minimalist and masculine because she loves masculine things.
The product uses paraxanthine instead of caffeine, which the company claims eliminates crashes, jitters, and overstimulation that come with traditional energy drinks.
Veteran bar-barianRas Kass sits down with AllHipHop for a wide-ranging conversation about his new album Leopard Eats Face, Hip-Hop competition, ghostwriting, Drake, Jay-Z comparisons, Dr. Dre, Coast Contra and the realities of navigating the music industry for 30 years. Chuck Jigsaw Creekmur and DJ Thoro pushed themselves on this one, as it is the first time they’ve interviewed the West Coast Rap icon.
During the interview, Ras Kass shares his thoughts on what defines a true lyricist, why he believes record sales don’t always reflect skill, and how label politics affected his career trajectory. He also reflects on the legacy of one of the most impactful songs, “Nature of the Threat,” his competitive mindset as an MC and why he still approaches Hip-Hop like a sport.
Ras Kass also addresses his relationship with producer The Alchemist, working with Dr. Dre, and why he believes financial independence—not billionaire status—is his real goal.
This is a highly edited (and redacted) interview. For the unedited, full version, watch the interview below.
AllHipHop: Talk about the mentality behind Leopards Eat Faces.
Ras Kass: Hip-Hop is competitive. Steel sharpens steel. I was making a statement that I’m a leopard and I will eat your face. All MCs can get it.
AllHipHop: So this is still about proving lyrical dominance?
Ras Kass: I didn’t run this race to take second place. You respect the greats but you still strive to be the best. Ain’t nobody iller than me.
AllHipHop:“Nature of the Threat” remains one of your most discussed records. Where were you mentally when you wrote it?
Ras Kass: It started with a question about why Black people are so hated globally. I wanted answers, not surface-level information.
AllHipHop: That sounds like deep research.
Ras Kass: I studied history, anthropology and religion for years before writing it. I wanted the truth, not just talking points.
AllHipHop: Did you expect backlash?
Ras Kass: I thought it might ruin my career before it started. Everybody told me not to release it except my mother. She told me it was important.
AllHipHop: And you feel it changed your trajectory?
Ras Kass: Absolutely. A lot of people in the industry didn’t like me after that.
AllHipHop: You once said the only difference between you and Jay-Z was record sales.
Ras Kass: The difference is a million records. Talent isn’t always reflected in sales numbers.
AllHipHop: You think the culture confuses popularity with skill?
Ras Kass: People confuse money with ability. Vanilla Ice sold records too. That doesn’t make him a bar god.
AllHipHop: So what defines greatness to you?
Ras Kass: If we’re talking about rap, then we should talk about rap ability. If you don’t write your own rhymes, you shouldn’t be in that conversation.
AllHipHop: You even mentioned specific artists.
Ras Kass: Drake has help writing and that takes him out of the pure lyricist conversation to me.
AllHipHop: Is Hip-Hop doing this to itself or is this outside influence?
Ras Kass: We repeat what the industry tells us. Executives say lyrical rap is dead and then artists and fans start repeating it.
AllHipHop: And what does that lead to?
Ras Kass: Lower standards. When the bar drops low enough, average starts to look exceptional.
AllHipHop: You mentioned how artists used to be held accountable differently.
Ras Kass: Artists used to face economic pressure from the community. Financial boycotts used to be a real tool.
AllHipHop: What changed?
Ras Kass: Now people complain but still support what they claim to dislike.
AllHipHop: What should people do instead?
Ras Kass: Stop supporting what you don’t respect. Money is the only thing corporations and artists truly respond to.
AllHipHop: That era with you, Canibus, Killah Priest and Xzibit felt like a different type of lyrical competition.
Ras Kass: We were the Slaughterhouse before Slaughterhouse. It was pure competition and respect for bars.
This moment matters because it shows two of rap’s most powerful figures standing united against a man who’s built his entire career on making enemies.
T.I. and 50 Cent have been feuding since 2007, when 50 Cent questioned Tip’s sentencing on federal gun charges, rapping on “You So Tough” about how the numbers didn’t add up.
That tension simmered for years until February 2026, when T.I. brought back the Verzuz challenge, claiming 50 was “ducking smoke.”
What came next was brutal. 50 posted unflattering photos of T.I.’s wife, Tiny, and compared his son, King Harris, to Pepe the Frog.
Rick Ross carries his own decades-long beef with 50 that’s equally intense. Their feud started in 2008 at the BET Hip-Hop Awards and escalated when Ross released “Mafia Music” with shots at 50’s personal life.
50 responded by leaking a sex tape of Lastonia Leviston, Ross’s baby mama, which led to a lawsuit that cost the Queen’s rapper $5 million in damages and drove him into bankruptcy protection.
The two have traded diss tracks, physical confrontations at award shows, and legal battles that continue today.
The timing of this T.I. and Rick Ross moment is everything because it proves that 50’s enemies are organizing. In the last two weeks, Maino and Papoose fired off brutal diss tracks aimed at 50 Cent in response to his constant trolling.
Cardi B just became the face of Yahoo Mail’s latest push to solve a problem that’s been plaguing inboxes everywhere.
The company is rolling out Planner, an AI-powered feature designed to turn your cluttered email into an actual productivity hub, and they tapped the Grammy winner to show how it works.
The campaign introduces FOMSI, which stands for Fear of Missing Something Important, and honestly, that’s a feeling most people can relate to.
Cardi herself confirmed the feature actually works for her busy schedule.
“FOMSI is real. Between my tour schedule and my personal life, I most definitely have the fear of missing something important,” she said. “Thankfully, Planner in Yahoo Mail makes it easy for me, so I don’t have to rely on my memory alone.”
The new Planner feature uses artificial intelligence to scan your emails and pull out all the life-admin stuff that usually gets buried.
Whether it’s a doctor’s appointment, a bill payment deadline, or a reminder to grab cupcakes for someone’s birthday party, the tool automatically extracts those details and adds them to an integrated calendar and to-do list.
Instead of hunting through dozens of email threads to find important dates, everything gets organized in one place so you can actually stay on top of what matters.
In the campaign spot, Cardi’s shown in her green room, completely overwhelmed by notifications and Post-it notes scattered everywhere.
Her longtime manager, creative director and Delaware native Patience Foster steps in and introduces her to Planner, which helps Cardi remember what she actually needed to do.
The whole thing’s pretty relatable because even someone as successful as Cardi B deals with inbox anxiety.
The 45-second commercial was created with Conscious Minds and directed by Maya Table, and it’s running across Instagram, TikTok, and YouTube.
Kyle Miller, the General Manager of Yahoo Mail, said the company’s been thinking about this for a while.
“For a long time, the inbox has been a passive repository for information. Yahoo Mail is changing that by moving from a searchable mail experience to an actionable one,” he explained.
The rollout started on Monday (March 23) with U.S. users getting access first through the Yahoo Mail app.
RZA and the Wu-Tang Clan are back on the road this summer with another round of North American dates for their “Wu-Tang Forever: The Final Chamber” tour, proving that “final” might mean something different when you’re one of Hip-Hop’s most legendary collectives.
The group announced 26 additional shows across the U.S. and Canada starting August 27 at Darien Lake Amphitheater in Darien Center, New York, with the trek wrapping October 4 in Phoenix, Arizona.
Bone Thugs-N-Harmony will join as special guests for most of the run, bringing two of the most influential crews in Hip-Hop history together on one stage.
Here’s the thing about calling something your final tour when you’re Wu-Tang Clan: the demand never stops.
These dates are happening “due to popular demand,” which is basically code for “y’all kept asking so we’re coming back.”
The Wu-Tang legacy isn’t something you can just wrap up in one tour cycle.
Since dropping Enter the Wu-Tang (36 Chambers) in 1993, the collective has maintained an iron grip on Hip-Hop culture through their solo careers, their group projects, and their refusal to play by industry rules.
The group’s influence on Hip-Hop culture remains unmatched, with each member building an empire while staying connected to the Wu brand.
Their live shows have become celebrations of that entire ecosystem, pulling from deep cuts and classics alike.
Tickets go on presale Tuesday, March 24 with general onsale starting Friday, March 27, at 10 A.M.
TLC and Salt-N-Pepa just locked in the tour that’s going to kick up some serious nostalgia for R&B and hip-hop fans this summer and fall.
The two legendary groups are bringing En Vogue along for what they’re calling the IT’S ICONIC tour, and this marks the absolute first time all three powerhouse acts will hit the road together.
We’re talking about three of the most influential female groups in music history sharing one stage for the first time ever, and the energy is already electric.
The announcement came with a major cultural moment attached to it.
All three groups are performing together for the first time at the iHeartRadio Music Awards on March 26, airing live on FOX at 8PM local time.
That performance is basically the official kickoff to what’s shaping up to be one of the most anticipated tours of the year.
According to Live Nation, the tour spans amphitheaters and arenas nationwide from August through October, delivering a powerhouse night of hits including “No Scrubs,” “Waterfalls,” “Push It,” “Shoop,” “Free Your Mind,” and “Don’t Let Go (Love).”
The tour stops include Franklin, Des Moines, Chicago, Atlanta, Las Vegas, and Los Angeles, with dates running through October 11 in Concord, California.
TLC’s legacy speaks for itself. They’ve sold over 85 million records globally and influenced just about every female group that came after them. Their cultural impact continues to inspire new generations of artists across hip-hop, R&B, and beyond. Salt-N-Pepa broke barriers as the first all-female rap group to earn platinum certification and later became the first female hip-hop group inducted into the Rock & Roll Hall of Fame. En Vogue’s groundbreaking catalog helped redefine contemporary R&B and set the standard for girl groups that followed, with over 20 million records sold worldwide.
Tickets go on sale with presales starting Tuesday, March 24, with Citi cardmembers and American Express holders getting first access.
J. Cole finally sat down with Cam’ron for an interview that’s been years in the making, and he’s not holding back about how the Drake versus Kendrick Lamar situation left him feeling disgusted with the entire hip-hop community.
The full conversation hasn’t dropped yet, but The Breakfast Club’s Loren LoRosa got an exclusive preview of what’s coming, and Cole’s perspective on the beef is way more nuanced than anyone expected.
Cole’s been walking a tightrope ever since he stepped back from the beef in 2024, and now he’s explaining exactly why.
“I’m in the same place, you know what I mean, where it’s like, yo, I genuinely love these n#####, but I’m not gonna act like we’ve been communicating and talking, you know what I mean?” he told Cam’ron. “I’ve had conversations with them post, everything, but it’s not like it’s a lot. That’s me not knowing where they at. But it has nothing to do with how I actually feel. I genuinely love these n#####.”
What really got under Cole’s skin wasn’t the bars or the competition. It was how the entire culture turned the Drake and Kendrick situation into a binary choice, forcing everyone to pick a side as if it were politics.
“The world, right away, became like politics. You’re either Democrat or Republican. You’re either Kendrick or you’re Drake. And you have to pick a side,” Cole explained.
He also expressed frustration about how people weaponized the moment to tear Drake down and create a false narrative about his legacy.
“To me, it’s like, disgusting how people tried to use that opportunity, either show how they really felt about Drake the whole time, or just like pile on and tear the dude down and like create a narrative as if he’s not great. It was a whole campaign and probably still is to this day,” Cole said, according to The Breakfast Club.
J. Cole said he also has nothing but love for Kendrick’s moment. He watched Kendrick dominate the Super Bowl, the Grammys, and the stadium shows, and he felt genuinely proud.
“I’m just as proud of this n#### as I was when I knew him back then,” Cole said.
The contradiction is real, though. Cole hates what happened to Drake, but he’s also rooting for Kendrick to keep winning.
“But I also hate that for Drake. And I hate how the world turns on him. And simultaneously, I’m over here like, man, I hope Ice Man go crazy.”
The interview drops this week on Cam’ron’s “Talks With Flee” podcast a and based on what’s already surfacing, it’s going to be one of the most honest conversations about the Drake-Kendrick situation that we’ve heard from anyone in the industry.
A woman working on a 19th century home compares her newly purchased 2x4s from Home Depot to ones that came from the house. She says the difference is why homes aren’t built like they used to be.
TikTok creator @45bevelcutbtch posted a video from her job site on March 12. It has since amassed 1.4 million views.
“You wanna know why new builds always seem kind of [expletive]?” she says. “Like, it literally just feels like toothpicks with paper wrapped around it? I’ll show you why.”
She grabs a 2×4 and shows it to the camera. “This piece of wood is 125 years old,” she says. “Let’s find another one.”
What’s Going on With Today’s 2x4s?
After doing a bit of digging in debris piles, the TikToker produces another 2×4. “This one is about, I’d say, maybe 50–70 years old,” she says. “Now, I’m going to show you 2x4s that were recently purchased. … Kind of hard to tell, but the rings are so [expletive] tight. It’s ridiculous. They do not let pine mature past a certain amount of time because they’re trying to get it out fast.”
She explains, “Pine is actually one of the hardest hardwoods in the world, but it takes hundreds of years for it to become that way. That’s why old 2x4s are so strong. They don’t let the trees grow long enough for them to be strong.”
And the difference, she says, can be seen in the results of each new build. “This is an original house built in the late 1900s,” she says. “All of the door frames were built on-site by the craftsmen. They are so sturdy. It’s so frustrating that there’s no actual true craftsmanship anywhere.”
Viewers React to Woman’s Rant About Modern 2x4s
In the comments section of the video, viewers weighed in on the 2×4 question and the state of craftsmanship in the 21st century.
“Every single issue in the world is connected, but nobody wants to listen,” said one viewer.
A second agreed, writing, “Capitalism.”
“No lies,” a third person said. “It’s a problem. Our starter home was built in 1957 and we’re still here. When we got our roof done, they only had to replace half a slab, that’s it. It’s solid.”
Someone else said, Honestly, it’s not just wood. Soil, clay, stone, water. We are simply using too many damn resources too quickly for the earth to be able to replenish its stores.”
What Explains the Change in 2x4s?
According to Harvard Design Magazine, the 2×4 has indeed shrunk over time due to demand and competition from other materials. In other words, the modern 2×4 is designed to facilitate fast construction, not to be as dense and long-lasting as possible.
We can also attribute the change to the type of wood used to make those 2x4s. In the old days, lumber was made of older trees, but obviously, there isn’t an infinite number of trees of that age. As time went by, the industry had to adapt.
It currently takes a tree about 25–30 years to mature enough to be harvested for timber. After that, the farmers plant more trees in the same spots and restart the process. That results in 2x4s with fewer rings.
AllHipHop contacted @45bevelcutbtch via TikTok comment and direct message for comment. We will update this story if she responds.
Reginae Carter just put her seal on what Bow Wow claimed back in December 2020 about her pops and Solange Knowles.
During the March 19 episode of her “Heir Time” podcast, she confirmed the romance while chatting with Toie Ashanti, Rick Ross’s daughter.
When Toie asked if she’d ever been obsessed with one of her dad’s girlfriends, Reginae didn’t hold back. She said she loved Nivea, Trina, and Solange. ew.
Wayne’s dating history is pretty well documented at this point. He and Nivea go way back, and they share a son together.
His engagement to Trina happened in the mid-2000s and was public knowledge.
But Solange? That romance stayed completely quiet until now. Reginae’s confirmation is the first real acknowledgment from someone close to Wayne about the relationship.
Bow Wow spilled the beans on Clubhouse five years ago, and most people thought he was just trying to go viral.
He claimed Wayne and Solange secretly dated in the early 2000s when Weezy first came on the scene. At the time, folks were split on whether to believe it.
Some said they already knew. Others thought Bow was just stirring things up for attention. Now that Reginae’s confirming it, the whole story’s got way more weight.
Wayne hasn’t publicly responded to the claim that he’s dating Solange, and it’s unclear whether he plans to address it. Solange’s team also hasn’t released any statement about Reginae’s confirmation.
Leonid Radvinsky built a digital empire that reshaped how creators monetize their content, but the reclusive billionaire behind OnlyFans is now gone at just 43 years old.
The Ukrainian-American entrepreneur passed away after battling cancer, leaving behind a platform that’s fundamentally altered the creator economy and generated billions in revenue.
His death marks the end of an era for one of the internet’s most influential yet mysterious figures.
Radvinsky acquired Fenix International Limited, the company operating OnlyFans, back in 2018 and became the majority shareholder and director.
What started as a subscription-based content platform evolved into a cultural phenomenon, particularly within adult entertainment circles, though the site expanded to include mainstream creators seeking direct fan engagement.
According to Variety, the company confirmed his passing through an official statement expressing deep sadness over his loss.
The numbers tell the story of OnlyFans’ explosive growth under his ownership.
Last year, the platform paid out $6.6 billion to creators, representing a 19 percent increase from the previous year, while maintaining its standard 20-80 revenue split favoring content producers.
The company’s 2023 net revenue jumped to $1.3 billion, with two-thirds flowing from U.S. users, and pre-tax profits surged 25 percent to $658 million.
Born in Ukraine and raised in Chicago, Radvinsky earned his economics degree from Northwestern University before becoming an angel investor across multiple ventures.
Beyond OnlyFans, he maintained a low profile despite his estimated $2 billion net worth, rarely appearing in public or granting interviews.
His family has requested privacy during this difficult period, and per the Financial Times, no details about succession planning or the platform’s future have been announced.