Actor Tristan Wilds faced off against murderous drug dealers on The Wire and (sexually charged blonde chicks) on the reboot of 90210. This past Friday on Cipha Sounds’ Take It Personal improv Hip Hop show he was Mack Wilds, his R&B singer moniker which he has released a new single “Own It” under Salaam Remi’s new Sony Music imprint Larger Than Life.
In the video below, Mack explains how former The Wire co-star Felicia Pearson, who played coldblooded killer Snoop, took Mack and a few of their co-stars on a field trip of sorts through the Baltimore hoods. What transpired once the residents got a glimpse of the stars is both hilariously National Geographic-esque and alarmingly peaceful.
Check out”Own It”, Mack’s latest single off his upcoming album New York: A Love Story on his Soundcloud page.
Check out Mack explain their trip in the hood as well as the UCB comedians put on a hilarious interpretation:
Cipha Sounds Presents Take It Personal With Special Guest Mack Wilds from J. Aire on Vimeo.
“Ima be fresh as hell if the feds watchin’”
Many people across the country are upset over the outcome of the George Zimmerman trial for the murder of Trayvon Martin. And rightly so. The trial was a miscarriage of so called justice if I’ve ever seen one. However, the fact that we can’t sleep on. is that for the past two weeks the whole ‘hood has been on trial.
From the day that the George Zimmerman trial began, most of the focus of the media was not on the death of an innocent 17 year old Black kid, but on how Black folks in Sanford, Florida and ‘hoods across America were gonna react if Zimmerman was found not guilty.
While people in this country claimed to be on a nightly “verdict watch,” in reality, they were on a 24/7 “riot watch.” What is interesting is that the tactics the Feds used to monitor black rage in Sanford were the same ones that they have, historically, used over and over again when they think that there is the possibility of “urban unrest.” The preemptive strike against the hood has gone on for decades.
One of the strategies that they used in preparation for the Zimmerman verdict was to call together “local leaders” (preachers/community organizers) in order to get their followers to remain calm after the verdict was announced. They have used this tactic before. During the pre-LA Rebellion in 1992, the Po Po instituted a program called “Operation Cool Response” where they reached out to the same group of folks to keep the streets from gettin’ rowdy. So, since one of the current catch phrases in Hip Hop is “turnt up” maybe they call this ”Operation Turnt Down?”
Also, according to media sources such as USA Today, the Sanford Police Department set up snitching operations called “rumor control hot lines” to keep tabs on the streets. So, if you heard your next door neighbor blastin’ F*** the Police by NWA verdict night, it was your civic duty as a law abiding citizen to call the snitch hot line and drop a dime. This tactic has also been used before.. According to Dr. Patricia Turner in her book. “Heard It Through the Grapevine,” rumor control networks go as far back as World War II as “an effort to prevent potentially adverse hearsay of all sorts from gaining credibility.”
The media has, also, long played a role in snitching on the hood. I’m sure that many freedom fighters during the Black Power Movement were confused as to how statements they made to a mild mannered news person wound up in their court case file. According to Samuel Yette in his classic work, “The Choice: The Issue of Black Survival in America” , in 1969, the Justice Department subpoenaed the “unpublished notes of reporters from Newsweek, the New York Times, CBS and Time Life” who had interviewed members of the Black Panther Party.
I also found it strange that the pre -verdict police predictions of no violent protests in major cities across America was followed by a post verdict CNN map pinpointing protests across the country that they claimed to be nonviolent. So the question becomes, how did they know? There had to be some level of surveillance both pre and post Zimmerman verdict.
What is most ironic is that barely a month ago, white America was all up in arms by the “Prism” revelation by Edward Snowden that accused the government of using social media and cell phone data to spy on American citizens. If there
had been an announcement that a Tea Party or a National Rifle Association protest had been monitored because of unsubstantiated threats of violence, you can best believe that there would have been hell to pay. But since many people in power think that Black people are only interested in rap music and reality shows, there was no such outcry.
African Americans did not really need an Edward Snowden to tell us that we’re being watched, as researchers such as the late Steve Cokely ,warned us about the intelligence community 20 years ago. We have a long history of being under the microscope via the military or the Feds that goes back to the Marcus Garvey Era of the early 20th century.
And more information is being revealed everyday.
One of the most interesting things that came out of the trial coverage was Fox News’ revelation that the US Justice Department’s Community Relations Service, took an active role in the Trayvon Martin rallies, last year. The agency was set up in 1964 and, supposedly, serves as a “peacemaker for community conflicts over race.” But the same question must be posed that was asked of FBI agents during the Civil Rights Movement, “are you protecting us or are you watching us?”
Although the powers that be would like to downplay the outrage in the hood over the Zimmerman acquittal it must be noted that they invested a lot of time. money and resources to keep the hood in check.
The tactics that were used against the Black community during the recent Zimmerman trial seem to have been taken right out of the Richard Nixon playbook on “Law and Order” and anyone one who cannot see that is either blind or stupid.
Like Dead Prez once said: Can You relate/We’re livin’ in a police state.
TRUTH Minista Paul Scott can be reached at in**@*****************ed.com or call (919) 308-4233. Follow on Twitter @truthminista
(AllHipHop News) Crooked I, one fourth of the Slaughterhouse collective, has informed AllHipHop.com that the group will be debuting new music at their upcoming show this Tuesday (July 16) at The Highline Ballroom in New York City.
In an excerpt from a new interview with AllHipHop, Crooked I also had this to say about the new Slaughterhouse album:
“We (the group) were all out in New York together for 30 days and we decided to see what we can make together during that time. We reminded ourselves of the reasons why we started making music and why we fell in love with Hip-Hop. We ended up banging out about 30 to 40 joints in 30 days. Eminem and Paul Rosenberg told us to go in there and do whatever the fck we wanted to. They told us to just be Slaughterhouse and we took that opportunity to the fullest. You normally don’t get that kind of freedom on a major! They told us not to give a fck about doing club sh*t – just do whatever we wanted. It was like kids being in a candy shop and I think that’s why we banged out so many songs so quickly.
We formed a Slaughterhouse of producers, per say. We put together Just Blaze, the executive producer, and teamed him up with The Justice League and AraabMuzik. I was in Harlem and I sat outside of the studio rooms that they were working in just observing it all. In one room, I heard Just Blaze making some incredible sh*t and then in the other rooms, the Justice League and Araab were doing the same. To turn things up, they all asked us what other producers that we respected and we gave them some names, so they brought in Illmind and Cardiak.
All of these producers came together and I sat in the studio and watched them work. It was a rappers dream! It wasn’t like they were making beats separately. Someone would make a skeleton beat and then another would put music on top and then another would add more ideas on top of it. To me, it was one of the greatest experiences that I’ve ever had. I have a picture of all of those producers in one room together, working at separate stations, passing each other ideas. Something like that will probably not happen again for another 10 years.”
Stay tuned for the rest of our Crooked I interview.
(AllHipHop News) New York emcee Bishop Nehru is dropping his second official mixtape Strictly FLOWz tomorrow (July 16), but before he gives the public his latest full project AllHipHop.com has the exclusive debut of his new single “Mobb Dizzle.”
Check out Bishop Nehru’s “Mobb Dizzle” below.
[ALSO READ: Bishop Nehru: The Teenage Phenom That’s Ready To Be A Renaissance Man]
(AllHipHop News) Last week The-Dream revealed that the track he produced, “Holy Grail,” for Jay-Z’s Magna Carta Holy Grail album was actually created during the time Watch The Throne was being put together. Now NME is reporting that Jay tells BBC Radio 1’s Zane Lowe that “Holy Grail” and the song “Oceans” were at the center of an argument between he and Kanye West over which album should host the two tracks.
[ALSO CHECK OUT: The-Dream Says Most Of ‘Magna Carta Holy Grail’ Was Completed In 2 Weeks]
“We had this whole plan when me and Kanye did [the] Watch The Throne album that we would go right into our solos after that,” says Jay. “Soon as I thought we had wrapped up Watch The Throne, I made two records. I had ‘Holy Grail’ and ‘Oceans’.”
Jay-Z says he played the “Holy Grail” track, which did not have any lyrics yet, and “Oceans” for Kanye who suggested they put both songs on Watch The Throne.
“[Kanye] was like, ‘No those have to go on Watch The Throne, so we spent four days arguing about those records and I was explaining to him why it wasn’t right for this project and I had a whole idea for making this album called ‘Magna Carta Holy Grail’,” explains Jay.
Apparently the argument between Jay and Kanye never got out of hand, but the Roc Nation boss does say it got physical between some other people involved in the process.
“Four days, four days literally arguing, not like fighting. Well, there was some pushing at one point but not between us, just everyone else got a little excited,” recalls Jay.
This is not the first time a musical associate of Kanye has talked about how he is very passionate about the tracks he likes. G.O.O.D. Music emcee Pusha T spoke about having to steal the track “Who I Am” from Kanye who wanted the record for himself.
“I ran in the studio real quick and laid a verse to it. I was like, ‘Man nah, this is my record already. I already rapped to it. What are you talking about?’ We just went back and forth, and he ended up giving me the record,” Pusha told Danny Diaz of Power 98.
[ALSO READ: Pusha T Explains ‘MNIMN’ Album Push Back; Says ‘Cruel Summer’ Sequel Not Happening]
Jay-Z’s interview with BBC Radio 1 is scheduled to air in four parts throughout the week.
Watch Jay and Justin Timberlake perform “Holy Grail” at The Wireless Festival in London below.
(AllHipHop News) After giving his fans the songs “Chum,” “Whoa,” and “Guild” featuring Mac Miller over the past year, Earl Sweatshirt is now set to drop his Columbia Records debut album Doris on August 20th. The Odd Future member announced the release date and tracklist on Twitter over the weekend.
DORIS AUG 20th pic.twitter.com/Uu853qpkcR
— Earl Sweatshirt (@earlxsweat) July 12, 2013
According to previous reports the 15-track project will feature Frank Ocean, RZA, and Vince Staples.
<
p style=”text-align:center;”>[ALSO READ: Earl Sweatshirt Forced To Cancel European Tours Dates Due To Illness]
Watch Earl perform the Doris tracks “Centurion” and “150 Molasses” from the Downtown Festival in May.
“When things are unjust you can either react with bitterness or seek to transform the suffering into a creative force.”
-Martin Luther King Jr.
“You never change things by fighting the existing reality.
To change something, build a new model that makes the existing model obsolete.”
-Richard Buckminster Fuller
“Be the change that you wish to see in the world.”
-Mahatma Gandhi
“If you want to change attitudes, start with a change in behavior.”
-Katharine Hepburn
“Change will not come if we wait for some other person, or if we wait for some other time. We are the ones we’ve been waiting for. We are the change that we seek.”
-Barack Obama
“Never doubt that a small group of thoughtful, committed, citizens can change the world. Indeed, it is the only thing that ever has.”
-Margaret Mead
“They always say time changes things, but you actually have to change them yourself.”
-Andy Warhol
“You alone cannot change the world, but you can cast a stone across the waters to create many ripples.”
-Mother Teresa
—
Ash’Cash is a Business Consultant, Motivational Speaker, Financial Expert and the author of Mind Right, Money Right: 10 Laws of Financial Freedom. For more information, please visit his website, www.IamAshCash.com
TO HEAR THE AUDIO VERSION OF THE DAILY WORD **CLICK HERE
(AllHipHop News) 50 Cent has been talking about his fifth studio album, Street King Immortal, for several years, and while the rapper/businessman has released three free projects since 2011 the world still awaits the arrival of his next official LP.
The G-unit leader spoke with MTV News about why the project has been delayed for so long.
“I don’t really need the money off of the record. I want the record to be right. I’m not doing it without a plan. I’m not putting it out like that,” said 50. “It’s a lot of staff changes [at Interscope Records], a lot of different people moving in and moving out, so you got to kind of wait until everything’s right.”
50 Cent last studio album was 2009’s Before I Self-Destruct. He dropped The Big 10 mixtape in 2011, and last year he released The Lost Tape and the free album 5 (Murder by Numbers).
50 recently appeared on J. Cole’s “New York Times” off his number one album Born Sinner. He also collaborated with Kendrick Lamar for the single “We Up.”
In the time between releasing albums the Queens native has branched out into other entertainment fields like television and boxing promotion.
[ALSO READ: 50 Cent’s ‘Power’ TV Show Headed To Starz In 2014]
[ALSO READ: 50 Cent Adds Boxing Promoter to His Resume]