Peer pressure isn’t always a negative thing, just ask Flint, Michigan native Justen Flint. From a young age, he’s been in and around music learning what the buttons do in the booth and it didn’t stop there he continued to further his knowledge on the craft that he was gonna make his own. It’s taken him throughout the country and abroad.

After years of honing his craft in various studio spots he was part of a crew in his early years called The Coalition, which he put out an album with and numerous production spots were heard in his hometown. He's back, putting out such joints as "Earned Success," "See The Top," and "What Would Happen," making rounds on the airwaves in the mighty state of Michigan.

Justen is the all around package, he writes, records, produces, engineer, and mixes his own tracks. Did I mention this dude doesn't even write his own rhymes, its all in his head. This is the new undiscovered gem in the mid western region.

 

AllHipHop.com: Where did your name come from?

Justen Flint: Um… Well, my real stage name is Jon E. Fontaine, and Justen Flint is like an alias of that. They all stem from my initials J.E.F., and Justen Flint came from Roscoe, Kurupt’s little brother, Kurupt and his boy kept calling me Flint when I met and was kicking it with them in New York I was out there with a photographer named Pascal, he’s from Germany, and he did the Febreeze album cover plus handled my photo shoot. Since I’m from Flint, they kept calling me that and the name stuck. 

AllHipHop.com: Michigan has some pretty dope producers. Who would you say are the dudes out there that made Flint pop?

Justen Flint:  We got Salaam Wreck, he DJ’s for D-12; Fredwreck, he’s a West Coast producer, and Salaam’s brother, and they are from here.  I can’t forget, Syience, he did the “Hollywood” joint for Beyonce and Jay- Z. Plus; he did the new joint “Angel” for Ne-Yo. That’s my god brother.

AllHipHop.com: You mentioned the Febreeze album earlier, is it true that you mixed and mastered that album?

Justen Flint: Yes. I did that all myself.

AllHipHop.com: Wow, so you must’ve saved yourself a hefty grip on recording and production costs?

Justen Flint: (Laughs) Yes, Sir. I do all the recording, I get production, actually I get music from all over the U.S., I’m in a crew called the Industry Ready Crew; it’s like an underground nationwide crew that we network with each other get tracks, music, and get stuff placed for each other in each area, because, we don’t have the budget to just get out nationwide and travel. I get my stuff out there, and they get there stuff out there.

AllHipHop.com: The Internet is a beautiful thing.

 

Justen Flint: Yes sir! I get music from a lot of places but I do the all arrangements, engineering, recording, I mix and master for other people. So, that’s the job right there.  That’s what I got to do, but I like the time that I invest [in it].

 

 

AllHipHop.com: You do all the stuff behind the boards as well as in front of the mic. Do you help mold any artists as well?

 

Justen Flint: I have a couple of R&B artists that I’m working with right now, Whitney and Ayala, trying to get there projects together. As soon as we get somebody to just believe in what we’re doing and invest in us and see what we’re doing as real music. We’ll be set, but, for now it’s just grind mode.

 

AllHipHop.com: What do you say your sound is like?

 

Justen Flint: Febreeze. It’s like fresh air. The feeling is refreshing, the sound is refreshing, and it’s not too heavy where it wears you down. You see a room light up when you play one of my records.

 

AllHipHop.com: Your songs “Play No Games” and “What Would Happen,” were rap tracks that have an R&B feel to them.

 

Justen Flint: Right. I saw the trend that the industry was kind of going, but myself I’m not gonna start singing or nothing like that. But I saw what the radio was playing, and I wanted to do something for the ladies. I’m single with no kids; I talk to ladies and find out what they want. Those two songs were inspired by women.

 

AllHipHop.com: You have other tracks like “See The Top” and “Earn Success,” they have a real street feel to them. I see they show off your versatility.

 

Justen Flint: Yeah. But at the same time I keep it honest and as far sounding like street records there aggressive like street records.  I feel that way too, that aggression is put into a positive mode that’s why the song is you “Earn Success,” and “I See The Top.” It’s sort of like the Trojan Horse; the shape and form outside is a street record, but on the inside you listen to the message it’s real supportive and positive.

 

AllHipHop.com: So you generally did all the writing, and producing on the Febreeze album?

 

Justen Flint: I wrote and arranged. The music I got from other producers like Syience did “See The Top,” and “What Happened.” Those were definitely special records for me. Cue Da Kid, from Arkansas did “Earn Success.” I also had a guy named Bill from Flint on there as well as Ill Koncepts. But I did produce “I Made It.”

 

AllHipHop.com: How was it coming up in Flint?

 

Justen Flint: I liked Flint; actually, it might be my close relationship with God. I have a lot of faith, and I live with a lot of faith. So, the danger aspects of Flint I’ve seen it, been around it but was never shook or nervous about it.

 

AllHipHop.com: How is the local scene compared to other parts of the country?

 

Justen Flint: It is different, not a lot of support here. People might buy your stuff it’s like the industry; you spend a lot of money people will be on you ‘til it’s gone. We don’t have local radio, meaning that the main stations don’t play local music. So, we had to start an underground outlet radio station that plays local music.  It’s WKUFLP, 94.3; it’s an FM station which is cool, so all of Flint can get it. That’s where local artists get any type of spins. But I’m glad to say that I did get a chance to travel around the states and see what else is out there.

 

AllHipHop.com: How’d you get into music?

 

Justen Flint: I played ball with Mo’ Cleaves [NBA player Mateen Cleaves], and one day I had a game and my mom asked my God brother to take me to my game. He actually had other plans; he took me to a studio, at 12 years old. He was like I got to make a stop first, he told me it wouldn’t be long he took me downstairs and he played me some music that he recorded. This was 1992 I believe, the studio had computers and sound proof booths. I never seen that in my life, I was like “Man, I wanna learn how to run the computers! Or, show me how to record; I don’t even care about the mic.” But my brothers told me that I had to record a rap and they’ll show me how to use the equipment, so they wrote me a verse I rapped.  I eventually made it to my game at halftime; still had 25 points. I fell in love with the studio right after that.  My dad introduced me to Bernard Terry who was an engineer and had a mega studio and I went nuts when I saw it. On top of that, he told me that was my uncle and from there I knew that this was I wanted to do. At 14, I was with a label out of Detroit called Solider Records, that’s when I started producing and I was hearing my music being played. I started going to this studio in Canton, Michigan called Talent Live. It was a 4 million dollar facility; a man named Rick that still works there showed me how to run a 4 million dollar facility. He taught me all the ins and outs of production, recording, and acoustics. Comparing my notes from my uncle Bernard and Rick, by the time I was 17, I was a senior in high school and got involved with the foreign exchange program in Mexico City.  That opened me up to seeing the world and it’s bigger than Flint. It helped me grow in my music, when I got back the school asked if I wanted to go back to class for the rest of the year or find a place that’ll have me work. Most people took the bank, or an office I chose a professional studio called Boomin’ Records. They signed off on it, and there I was a 17 year old running the studio recording local acts, back then when local acts were getting airplay. I was with a group called The Coalition at the time and we put out records.

 

AllHipHop.com: Who’s your favorite M.C.?

 

Justen Flint: My favorite MC is Redman, my favorite artist is Jay- Z. It’s almost a tie between Redman and Eminem. Em took it to that level, Redman always was and still is that dude today he does it style, flavor, rhyme schemes, and that’s what he does.  I said that if I want to be the best I have to study the best Biggie, and Jay never wrote down their lyrics. So, in 2003, I trained myself  to just vibe on the beat, and come up and create the songs. Jay can paint charisma on anything and that within itself is what an artist is to me. An artist can take trash and make it desirable. Can’t forget in terms of looking at my city I liked the Lox’s first album for the simple fact they repped Yonkers heavy, most times when people say New York they always meant the city. They were proud to be from their small town and they let everyone know it.

Justen Flint's  MyPpace is www.myspace.com/justenflint