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NBA Star Caron Butler Gives His Hometown A Break From Violence With Block Party

(AllHipHop News) NBA All-Star Caron Butler is hosting a block party this weekend in his hometown of Racine, Wisconsin.

The two-time NBA All-Star and 2011 NBA Champion will do some good, by donating 100 bikes to the local children who will attend the event.

Butler’s family friendly event will have free food, music, face painting and other activities for adults and children.

“An important part of giving back and being a positive figure in your community is making sure that you are there and that you’re visible and accessible,” Caron Butler told AllHipHop.com in a statement.

Caron Butler, a 14-year NBA veteran who recently penned his autobiography “Tuff Juice: My Journey from the Streets to the NBA,” said that the upcoming Block Party is meant to give the community a break from the wave of police violence that has broken out in the United States over the past month.

“With everything that is going on in our country, I am happy to have the ability to bring joy to kids and their families, even for just an afternoon,” Caron Butler said. “Being able to bring the community together is so important and I try to do that every time I have an opportunity to give back.”

Caron Butler’s Block Party will take place on Mead St. between De Koven Ave. and 20th St. from 2:00-4:00 p.m. Central time and will be hosted by V100’s Reggie Brown and DJ O.

Miami Beach Mayor Proposes Alcohol Ban To Quell Angry Locals

(AllHipHop News) Officials in Miami are doing all they can to quell local residents’ concerns about the late night crowd on Ocean Drive.

Earlier this week, Miami Beach Mayor Philip Levine proposed a new ordinance that will limit liquor sales on the famous street.

The city held a commission meeting last night (July 13), where a number of issues were discussed, including how to make improvements in the areas of Ocean Drive from 5th to 15th streets.

Mayor Levine believes banning alcohol sales after 2:00AM will help reduce the amount of crime that police and the locals say is ruining Ocean Drive.

“Our Police Department and the media have reported everything from prostitution and drug dealing, to disorderly conduct and muggings,” Mayor Levine said.

According to Mayor Levine, the city is spending too much taxpayer money to make sure Ocean Drive doesn’t become a flashpoint for more problems.

“This lawless disruption is unacceptable to everyone who comes here and everyone who lives here, it has escalated to the point that many residents feel compelled to avoid the area altogether.”

The news of the proposal comes on the heels of the announcement of Akinyele’s new KOD establishment that is opening on Ocean Drive.

Locals protested the opening, claiming its mere presence will only add to the locals’ woes.

Akinyele disagreed and labeled the protests a “modern day lynching,” since he has the only black-owned restaurant business on Ocean Drive.

Kevin Gates Calls Black Lives Matter Movement Bullsh*t Because Of Black On Black Crime

Well your favorite rapper Kevin Gates won’t be on the front line of any Black Lives Matters marches anytime soon.

The recent incidents of injustice and police brutality have truly exposed the mindsets of some of these celebrities.

The outspoken Kevin Gates has recently expressed that he doesn’t believe in the Black Lives Matter movement because blacks continuously kill each other.

While black on black crime will always need to be addressed, that doesn’t mean the BLM movement is wrong for fighting for justice and equality in the names of those who lost their lives due to police brutality, other races (who aren’t convicted) etc. Kevin recorded a video saying,

“We kill each other. We lay up under each other’s cars, lay behind each other’s houses. The car pass by we wet the whole car up and kill everyone in the car. As soon as a white boy kill one of us everyone go to hooping and hollering and all that stupid a– sh-t. When you stand for something you have to stand for something all of the way.”

While both problems need to be addressed, it doesn’t mean BLM is BS like Kevin claims it is. What are your thoughts?

Poor Righteous Teacher’s Wise Intelligent Fires Away On “Active Shooter”

Trenton, New Jersey veteran Wise Intelligent of The Poor Righteous Teachers has dropped a new song “Active Shooter.”

Wise is working on a new album titled Wise Intelligent Iz…Stevie Bonneville Wallace (Back 2 School 4th Period).

Check out some lyrics to “Active Shooter,” which was produced by DJ Pocket:

Paper chasers/nature rapers/innocence sittin in prayer slayers/Racial haters/germ creators/third world populace depopulators/Exploitators/people slavers/confederate battle flag hatred wavers/Great debaters/pseudo saviors/eloquent orators/but the wrong s### sayers/Timothy Taylor/true NJer product of the same f##### streets that raised ya/opposition to the system put in place to degrade you/my position was conditioned by da rich slave makers/culture appropriators/vultures from middle agers

Take a listen to the full song:

EXCLUSIVE: Vashtie Discusses Her Violette Brand & Being An Ambassador For Swarovski (VIDEO)

(AllHipHop News) Vashtie Kola has established herself as a DJ, music video director, designer, fashionista, and a lot more.

Seleah Simone chatted with the School of Visual Arts graduate on the Hip Hop Honors red carpet, and Va$htie spoke about some of her upcoming endeavors.

“What’s new? My brand Violette – just revamping it and coming out with new stuff,” said Vashtie. “And creating a brand new destination site for all things cultural, downtown, cool.”

Besides building her own businesses, Vashtie also mentioned her partnership with the luxury brand Swarovski. Fashion model Karlie Kloss is part of the campaign as well.

“I’m also an ambassador for Swarovski. We just announced that,” Vashtie added.

Watch Vashtie’s interview below.

E. Smitty Rounds Up Former Terror Squad Member Armageddon & King Phaze For Latest Single

XXL took a lot of heat this year for their incoming freshman class and though times have changed, E. Smitty, Armageddon & King Phaze have drawn the line between the lyrically inclined and the gimmicks.  E. Smitty looks to restore some balance back into the game with “Ain’t Ready” which features a cryptic message for the youth and the struggle to become relevant as talent is blundered and hustle is praised.

An E. Smitty produced record, he also shows off his lyrical talent as he touches on the civic duty of every emcee to speak on the social issues which affect the community. Armageddon, former member of Terror Squad, speaks on the over-saturation of hip hop, while King Phaze adds a valiant voice to the record with references to the late Big Pun and Bruce Lee.

This is the third Single off of E. Smitty’s fourthcoming Album “Hip-Hop Time Capsule,” a project Smitty created to help advance the culture and bridge the gap between the youth and the elders.

Stream “Ain’t Ready” below.

Alicia Keys, Beyonce, Chance The Rapper, A$AP Rocky & More Appear In #23Ways Police Brutality PSA

(AllHipHop News) For the last week, the entire nation has been in the middle of an important discussion about police brutality and racially motivated violence.

With the recent shootings of Alton Sterling in Louisiana and Philando Castile in Minnesota, many celebrities have made public statements about the rising number of African-Americans killed by cops.

Sterling and Castile were not the first citizens to lose their lives after an encounter with law enforcement, so 25 stars teamed with We Are Here Movement and Mic for a new public service announcement highlighting other black men, women, and children that lost their lives as a result of harmless actions.

Alicia Keys, Beyoncé, Chris Rock, Pink, Chance The Rapper, Taraji P. Henson, Pharrell, Common, Kevin Hart, Bono, A$AP Rocky, and many others took part in the “23 Ways You Could Be Killed If You Are Black In America” video.

Watch the PSA below.

Ras Kass and Statik Selektah Want To Deliver You To “The Promised Land”

Rapper Ras Kass takes on police violence on the new song “Promised Land.”

The new track talks about the deaths of Alton Sterling and Philando Castile, over a tracked produced by Statik Selektah.

Scratches of Martin Luther King Jr.’s “I Have A Dream Speech” are worked into “Promised Land” courtesy of Statik and InDJnous.

Ras went all out with the Washeyi Choir, who provided a nice backdrop for the politically charged cut.

Check it out:

St. Louis Rapper Doughboy Teams With Rich The Kidd On “Who’s Poppin”

St. Louis native Doughboy scored a major breakthrough earlier this year with his single “No Thots.”

The rapper, who is signed to D.C.O.N. Ent just released his mixtape “Sakrifices 2.5.”

Doughboy brings St. Louis and Atlanta together on his newest single “Who’s Poppin” featuring Rich The Kidd.

Why Brexit Matters To Hip-Hop, Alton Sterling and Philando Castile

For many of us here stateside, what happens across the pond stays there when it comes to Britain and their surprising decision to leave the EU.

However, considering the anti-immigration and separatist issues that have been widely reported as the fuel and cause of the June 23rd, 2016 vote of 52% to 47% to leave, the result deserves all of our rapt attention – no matter where we call home.

To quote the fiercely wise Angela Davis on the subject of turning a blind eye to the possibility of zenophobia or anything else that could be rooted in political philosophies rooted in separatism: “if they come for me in the morning, they will come for you in the night.”

With America’s fraught history of slavery, Japanese internment camps, and more recent issues such as the us versus them slant of much of the debate around immigration reform, the American-Muslim community, and the unfortunate deaths of Alton Sterling, Philando Castile, and the equally unfortunate deaths of the five Dallas Police officers at a peaceful Black Lives Matter Protest over the deaths of Sterling and Castile, as a nation all of us are familiar with being part of a group that has been unfairly pegged for expulsion, punishment and under the worst circumstances, death.

In uttering her famous words in the 1970s, Angela Davis was in fact reusing imagery from the 1945 protest poem “First They Came…” written by German Pastor Martin Niemoller to disparage and denigrate the actions of the numerous German intellectuals who looked away and did nothing as Adolf Hitler and the Nazi party rose to power.

Like any great rhyme, the message and lyricism of that poem still hits home today:

“First they came for the Socialists, and I did not speak out—
Because I was not a Socialist.

Then they came for the Trade Unionists, and I did not speak out—
Because I was not a Trade Unionist.

Then they came for the Jews, and I did not speak out—
Because I was not a Jew.

Then they came for me—and there was no one left to speak for me.”

Certainly, it is premature and egregiously unfair to liken anyone on today’s political scene – either conservative or radical – to the likes of terrible political demagogues like Germany’s Hitler, Italy’s Benito Mussolini or Haiti’s Francois Duvalier, aka Papa Doc.

However, it must not be forgotten that all of these men thrived early and ultimately remained too long due to an unerring ability to create a cult of personality that eventually obliterated any reasonable political view or viable political platform.

These men were made stronger and more intractable every day by the inaction of those who might have looked towards the growing fire rather than away from it.

Thankfully Hip Hop doesn’t come from a tradition of looking away and staying silent when things are getting out of hand.

On the contrary, it comes from a need to shed a bright light on what’s happening to us and around us – whether it’s beautiful or frightening.

Donald Trump, intentionally or unintentionally has energized a certain separatist and highly volatile sector of the American landscape.

He has done it by leaning on old ideas of nativism, defined by decidedly strict economic and social separation from other countries and within America itself as based on race and religion – as explicitly chronicled in the New York Times.

He has explained this domestic and international modus operandi as a means towards recapturing America’s “good old days,” while refusing to nail down exactly what that terminology means or whom it serves best in our ethnically and religiously diverse nation.

This is dangerous if it stays hidden – no matter what the political endgame.

As Trump seems to wink at certain “better than” displeased sectors of the American populace all while giving them other “less worthy” sectors on which to vent their anger, so potentially goes Britain.

In polls taken by  The Atlantic, as well as CNN’s piece on How Britons Feel about Brexit, the Britons who voted to leave the EU have tended to belong to a specific part of the less educated, financially frustrated working class or the more financially removed upper class  – with very little in between those two groups.

This would seem to echo those in America who have most vociferously fallen in line behind Donald Trump’s message.

America is historically familiar with this classic yet seemingly odd pairing, as noted by President Barack Obama in an extended interview with NPR post Brexit:

“This has been an ongoing theme in American History,” stated our current President, adding:  ” You can go back and during Jim Crow and segregation and you’ve got black sharecroppers who have nothing and alongside them, poor white farmers who don’t have that much more except for the fact that they’re white. And the degree to which a lot of politics in the South were specifically designed to make sure that that sharecropper and that white farmer didn’t get together to question how the economy was structured and how they could benefit, that’s  – that’s one of the oldest stories in American politics.”

Donald Trump, upon landing in Scotland the day after Britain voted to leave the EU, had this to say about Brexit and what it might mean for the UK and the global world economy: “The pound is going down,” said the presumptive GOP presidential nominee, continuing: ” This will bring more American tourists to my golf course and hotel in Turnberry.”

Never mind that the people of Scotland, along with Northern Ireland and London, voted by 62% to remain within the EU.

Never mind that someone who is looking to lead a nation might, at the very least feign the appearance of having more on their minds than how their own personal business holdings will fare in the face of a major global shift.

Slick Rick, one of Hip Hop’s greatest from when he revolutionized New York’s rap scene with “The Great Adventures Of Slick Rick” has been working to get the word out regarding the troubling anti-immigration sentiment behind Brexit and within certain political factions involved in America’s 2016 Presidential race.

Slick Rick, who was born in England in 1965, knows only so well how hard immigration can be.

Rick moved to the United States in 1976, but only a few months ago, after a lengthy 23 year battle has he been able to call U.S. citizenship his own.

While Rick had the significant immigration complication of a 1991 plea of guilty to the charge of attempted murder, the MC would seem to be on the right page when it comes to the importance of seeing how the separatist politics of Brexit can both affect and mirror the future of American foreign and domestic policy.

To that end, as reported first in April of this year by Rolling Stone, Rick is backing Hilary Clinton. ”

You make educated choices, you check their longevity,” said Rick on Clinton before she was the presumptive Democratic presidential nominee, adding: “You know their heart, their passion, their soul – you know they’re good people.  You make an educated guess, and you go with what you think the United States wants.”

The implication here would be that one would like to believe that America is more about inclusion versus separation.

Making some noise, such as Slick Rick has been trying to do vis a vis  immigration reform and a message of more inclusion versus exclusion, could have a real positive effect on the way the world is turning.

While it seems unlikely that the Brexit vote will be reversed, how it might ultimately take effect is still up for grabs.

For Brexit to actually take full effect, Britain needs to invoke Article 50, which Britain’s former Prime Minister David Cameron left to his successor Theresa May, Britain’s new Prime Minister as of July 13, 2016.

Cameron, who resigned hours after the Brexit vote as a direct show of dissent to leaving the EU, theoretically gave Britain time and breathing room to rethink the vote by refusing to enact Article 50 himself.

While that has yet to happen, May was also for remaining in the EU before the pro Brexit vote came in.

On the whole matter of reversing Brexit, May has been clear that this is a no go, stating that “Brexit means Brexit.”

However, given her misgivings pre-Brexit, it would seem that in looking to make a “success” of Brexit she is open to identifying and blunting the force of some of the more divisive and harmfully exclusionary passions that might have pushed it through.

Whatever happens, whether it is here or abroad, whether it involves the 2016 presidential race or Brexit, it is our job as citizens of the world to stay aware and refuse to be silent.

To be silent is to suffer the fractious hand that you are dealt.  To give a voice to what you see is to change it and make it more than just the sum of it’s parts.

 

A Conversation With Malik Yusef On Supporting LGBT Rights And Working With Vic Mensa, Beyonce & Kanye West

(AllHipHop Features) Malik Yusef is a man of many talents. The Chicago raised performer serves as director of Arts and Culture for Hip Hop Caucus as well as a spoken word artist, songwriter, and producer.

This year alone Yusef contributed his artistic gifts to musical recordings from a couple of the most celebrated names in the industry.

The 5-time Grammy winner worked with Kanye West on The Life Of Pablo, and he co-wrote Beyoncé’s “Sandcastles” off Lemonade.

In addition, Yusef was a featured guest on Vic Mensa’s “Free Love” along with Le1f, Halsey, and Lil B. The LGBT rights anthem was crafted as a response to the tragic shooting in Orlando on June 12, and the song has collected 400,000 plays on SoundCloud in just 16 days.

I connected with Malik a few weeks ago to discuss the creation of Mensa’s “Free Love” song.

We also talked about homophobia in Hip Hop, the practice of writing in the music business, and more. Read part 1 of our conversation below.

[ALSO READ: Vic Mensa On “Free Love” Song and Homophobia In Hip Hop (VIDEO)]

Can you talk about how the song came together?

Vic, that’s my brother, so we’re always talking about everything. He was telling me about one of his family members identifying as bisexual or queer.

We were just talking about how mainstream America wants to act like that group of people doesn’t exist like so many other groups of people. Even though a great number of them have been coming out as homosexual or bisexual – the ones actually fighting against marriage equality.

We just got into how you should be free to love whoever you want to as long as you ain’t hurting nobody. We got to writing the concept with free love as the theme. I got back to Chicago, and we got to working on it.  

We were working hard to get Lil B involved. He was going to name his album I’m Gay as a “so what?” to the system, even though [“Free Love”] is not really about that. It’s about encouraging people, not so much about anti-system.

Speaking of Lil B, when he decided to name his project I’m Gay, he did get a lot of backlash. That was five or six years ago. Do you think the response from the Hip Hop community has changed since then?

Not really. I think Hip Hop as a sport is going to be heterosexual male oriented which is why I think our song is so valuable. Because we’re heterosexual men that are speaking about an issue that does not affect us heterosexuals.

I think that’s why people gravitated to the song. We put Le1f on there who is an openly gay rapper. He has 5,000 songs about being gay and pierced that veil.

We deliberated on whether to put that in the lyrics or not. We talked about how homophobic Hip Hop is, but it’s art. And it doesn’t have to be all-encompassing. Your art doesn’t have to be all-encompassing. Your lifestyle has to be all-encompassing, but your art does not.

I don’t think we have to do that. I think we miss the point when we try to make everybody be on the same page. We’re talking about respect here. We’re talking about getting out of the way and letting them do their thing, and you do your thing. As long as their thing is not damaging you directly, then it’s fine.

LilB-ImGay

There’s been this political discussion in this country surrounding the idea of advocating for LGBT rights versus the idea of people having religious freedom against homosexuality. In your opinion, how can we as a society recognize those two viewpoints?

If your religion, no matter what it is, says that homosexuality is wrong, then you don’t have to be homosexual. But you can’t apply your religion to somebody else. If you don’t like gay marriage, then don’t get gay married.

Your religion only matters in your house. How you conduct yourself matters when you’re out in the streets and how you treat other people. So if your religion says two men or two women shouldn’t sleep together, and if you follow your religion, then don’t do it.

I was looking at the comments on Vic’s SoundCloud, and the majority of the comments were positive. What has been the response from people you know in the industry?

[laughs] A lot of people were just like, “Why did y’all make a song like that?” I was like, “Because we’re grown, motherf-cker! We can do what the f-ck we want to do!”

Again, we were very careful about not making the song be against any person and not against Hip Hop. Now Hip Hop can be misogynistic and homophobic at times, but it’s art though. Let’s put it back in the art and keep it there.

I don’t get offended when I see a picture of a white Jesus, and I know damn well there was no white man with an Egyptian momma living in Africa two thousand years ago. I know that, but it’s art. I know that’s not Jesus. It’s artistic interpretation, so I don’t get into that bullsh-t.

People say, “Y’all could’ve made a song about anything else.” Yeah, and we’re going to make songs about other stuff too. How about that? How about we’re going to keep making songs?

In “Sandcastles,” Beyoncé sang the word “b-tch” while talking to her man. It was the female persona that said, “B-tch, I scratched out your name and your face.”

People were like, “That’s a harsh statement to call a man a b-tch.” Yeah, that’s a harsh statement. It’s a harsh reality. So people are going to take exception to anything. No matter what you do, somebody ain’t going to like it, so do what you like.

Vic is working on his album now. Are you guys working on more tracks together?

Hell yeah. I worked on a song on the [There’s Alot Going OnEP, and we’re working on the album right now. We’re working on the “16 Shots” video as we’re talking.

I wanted to ask you about some of your other work. You mentioned Beyoncé’s “Sandcastles.” Listening to that song, it comes off as extremely personal. What was your particular contribution to the song?

I actually have the original. It was May 16, 2013. I was driving in my car listening to some music. My daughter had just turned four. She was in the backseat, and you can hear it in the voicemail. It might come out eventually.

I came up with the chorus, verse, and the melody. That’s the artist I am. I’m always in my mind thinking of melodies. I can’t stop. It’s almost like a disease of sort. There’s always melodies and words flowing out of me almost non-stop.

There has been a lot of discussion, particularly in Hip Hop, over the last year about co-writing and ghostwriting. Do you think the general public has an accurate understanding of the writing process when it comes to making music?

They do not. We accept it in Jazz, Rock, Pop, and Gospel. But in Hip Hop we don’t, because Hip Hop seems a bit as a gladiatorial event. It seems a bit personal. People feel uncomfortable when they know those aren’t fully your thoughts or words.

It’s been that way forever. It’s one of those hidden things in Hip Hop that we don’t speak of – people helping you write. Rhymefest and Kanye helped me write my verse on “Crack Music.” Some of the most poignant parts of “Crack Music” were from Rhymefest and Kanye West.

People say, “Malik writes for Kanye.” I don’t write for Kanye. I write with Kanye. I don’t write for Vic. I write with Vic. Cause Vic can do it by himself. Kanye can do it by himself too. They allow me [to co-write].

#TBT “Crack Music” by MalikYusef100 & #KanyeWest off #LateRegistration. Album released August 30, 2005. Visual Artwork by: James Gage @arti5T_JG0803 :: Painting & #InfraredPoetry Book Available for Pre-Sale NOW. Link in bio #GOODMusic #MYJ #ThrowbackThursday #Art

A video posted by Malik Yusef (@malikyusef100) on

[ALSO READ: G.O.O.D. Music’s Cyhi The Prynce Talks Kanye West & Drake Using “Ghostwriters” (VIDEO)]

Purchase Malik Yusef’s music on iTunes, Google Play, and Amazon.

Follow Malik Yusef on Twitter @malikyusef  and Instagram @malikyusef100.

Follow Vic Mensa on Twitter @VicMensa and Instagram @vicmensa.

Watch the video for Vic Mensa’s “There’s Alot Going On Below.”

Philthy Rich Breaks Down Meaning Behind New Song “Barely Know My Name”

Philthy Rich has teamed with Lil B, Mozzy, Mistah F.A.B. and Celly Ru for the new song “Barely Know My Name.”

“I got real problems just like anyone else,” Philthy Rich explained to AllHipHop.com. “Don’t let the videos or Instagram posts fool you. People don’t know what goes on behind closed doors like all the hate you deal with and the people you gotta take care of. Life in general is tough for everyone–I have to deal with family members and friends passing away, I have to juggle raising and providing for my kids while having to work, just like everyone else. My job might be different from yours but we share the
same struggles.”

“Barely Know My Name” is taken from Philthy Rich’s upcoming album Hood 4 Rich.

Until the album drops, Philthy Rich plans on dropping a new video every Friday until the end of the Summer.

Celebs And Athletes At 2016 ESPY Awards

The ESPY Awards took place last night at The Microsoft Theatre in Los Angeles and drew a who’s who of the sports world.

LeBron James, Chris Paul, Carmelo Anthony and Dwyane Wade opened the annual show with a touch of monologue to gun violence.

LeBron one athlete of the year, Steph Curry took home Best Record-Breaking Performance during the night, which was hosted by WWE legend John Cena.

Kobe Bryant Peyton Manning and Abby Wambach were also honored with The Icon Award.

Take a look at some of the athletes and entertainers.

https://www.youtube.com/watch?v=KCjMvEdPi30&ebc=ANyPxKrgrhh2HImHCrbrqkQ0FGoZIHBgBgBjhfir6uaIaSJvJUm7zCf0KJc335_ubfiXs73z9oMDrJFsKOmkFunnoptnXg8O4g

James Blake Rejected Drake’s Sample Request and Missed Out On Major Cash

(AllHipHop News) Singer/songwriter James Blake has no regrets about rejecting rapper Drake’s request to sample a track he had proposed as a collaboration.

The British musician featured on an early version of Drake’s 2014 tune “0 to 100/The Catch Up,” but it was never officially released after the Canadian Hip-Hop star failed to secure the song rights from James.

Now the singer has opened up about the snub, revealing he turned down the approval request because he had hoped to work directly with Drake, instead of just having his work sampled for the rapper’s latest album, Views.

“I sent them some stuff just hoping to just do a collaboration of some kind,” James recalled on Spotify’s Secret Genius show. “And I got an email the day before ‘0 to 100/The Catch Up’ came out. It just said, ‘Hey, we’re using this beat you made from, like, four years ago’. I only sent it as a collaborative idea, not to be sampled on a record.

“I was like, ‘No!’ So I got them to take it off.”

James insists he stands by his decision, which was made on principle, but he was stunned when he learned how much it had cost him.

He says, “I remember having a conversation with my publisher later, and saying, ‘What did you think of that decision?’ – because, you know, that was a massive album. I asked how much money exactly I turned down by doing that. I spat out my drink.”

Blake, who recently worked with Beyonce, goes on to admit he actually liked the way his work had been sampled, but continued: “I just did it as a matter of principle at the time. I really liked it. And I think had they come to me beforehand and said, ‘We really want to use this, what do you think?’, I probably would have said yes.”

He warns other big artists not to take his music contributions for granted:

“Just because someone has an impressive amount of clout and a global platform, I don’t give a s##t about that; I just want to make good music with people. And it was good music. But just ask me.”

The Mother Of Jay Z’s Alleged Love Child Is Fighting For Her Life

As Rymir Sattherwaite and his mother Wanda Sattherwaite continue with their paternity suit against Jay Z, RadarOnline has learned that Wanda is fighting for her life.

A source told RadarOnline that although she recently celebrated her 40th birthday, she may not have much longer to live. A source told RO,

“Wanda’s health has been failing her badly since 2009 and in 2012 she was placed in a medicated coma due to heart failure and complications with her lungs.”

Wanda has been having Rymir live with a guardian because she needed to know if she died, Rymir would be safe.

Meanwhile, the paternity suit against Jay Z is currently being reviewed by the Supreme Court with claims that fraud and collusion have allowed Hov to avoid taking a DNA test to prove whether or not he is the biological father of Rymir.

Wanda knows that her health is failing and hopes to live long enough to see her son get justice.

Do you think it’s time for Jay Z to take the paternity test? Despite their resemblance, we still don’t believe this is Jay’s child.

Puff Daddy To Release Bad Boy 20th Anniversary Box Set Edition

(AllHipHop News) Sean “Puff Daddy” Combs and Bad Boy Entertainment are celebrating the legacy of the iconic company with the 20th Anniversary Box Set Edition.

Eighty songs by Puff Daddy, The Notorious B.I.G., Craig Mack, Faith Evans, Total, Mase, 112, The Lox, and more are included in the collection. Plus, Hip Hop journalist Michael A. Gonzales provides the foreword to the accompanying 64-page historiography.

“Bad Boy helped make Hip Hop what it is today – and this collection highlights all the music, history and vision that made Bad Boy number 1,” states Combs. “We wanted to thank our fans, celebrate the music, the people, and the Bad Boy lifestyle that have defined the past two decades. We’ve always made music that makes the people dance; this collection does all that and more, and it is a celebration of all things Bad Boy.”

Puff Daddy serves as executive producer of the Bad Boy 20th Anniversary Box Set Edition. Bad Boy President Harve Pierre is the co-executive producer and curator.

“It was a pleasure putting this collection together. It’s something that Bad Boy, the artists, producers, staff, peers and fans can cherish forever,” says Pierre. “For our generation, it’s a must-have music collection and for the newer generation, it should be used as an educational piece to understand how historic and timeless music really sounds like.”

The Bad Boy 20th Anniversary Box Set Edition is scheduled for release on August 12.  A pre-order option is now available on iTunes.

Watch the trailer for the Bad Boy 20th Anniversary Box Set Edition below.

50 Cent Talks Police Brutality, Kanye West’s “Famous” Video & More (VIDEO)

(AllHipHop News) Curtis “50 Cent” Jackson is currently doing a media run to promote the July 17 season 3 premiere of his hit Starz show Power.

While speaking with The Lowdown with Diana Madison, 50 discussed several other current events.

The Queens representative was asked what would he do if he had the presidential power to change the current tension in America. 50 responded he would punt on that opportunity.

“I wouldn’t even want it. I say, ‘No, give it to somebody else.’ Too much going on,” stated 50.

He added, “If you became a police officer because you were tired of seeing police officers do this, it would create the closest thing I can say to some sort of solution.”

The conversation also covered the “Famous” video by 50’s one-time album sales rival Kanye West.

The clip was viewed as controversial because it displayed several celebrities such as Taylor Swift, Amber Rose, and Ray J all nude in the same bed.

“I thought that was sexy. Everybody was naked. That was some cool sh-t,” said 50. “It’s about, for me, shock value. They got good coverage the last time Kim’s booty was out there on that magazine cover.”

In addition, the “I’m The Man” rhymer also touched on his Power character, the state of the music business, his upcoming variety show, and the relationship with his older son.

Watch 50 Cent’s interview below.

EXCLUSIVE: Dorrough Talks Designing New Dallas Cowboys Hat (VIDEO)

(AllHipHop News) Dorrough definitely puts on for his hometown’s Dallas Cowboys.

After creating anthems in the past for his favorite NFL team, the Texas native has now worked on apparel for the franchise.

“I designed a hat this year,” reveals Dorrough. “That’s the fam. The whole organization is a family.”

The headgear is set to arrive at AT&T Stadium stores and online for the 2016 season. It will feature Dorrough’s logo and the famous Cowboys star.

“You’re talking about the Dallas Cowboys. It’s a conservative city. At the end of the day, it’s hard to get Hip Hop in that area,” Dorrough adds.” So to be the first one to do that and them showing so much love, that means a lot to me as well.”

Watch Dorrough’s interview below.

Rich Homie Quan Explains Flubbing Biggie Lyrics At Hip Hop Honors (AUDIO)

(AllHipHop News) He had already apologized for his poor performance at VH1’s Hip Hop Honors awards show, but Rich Homie Quan felt the need to address the situation further.

The 26-year-old rapper spoke with V-103 about his major mistake while attempting to rap The Notorious B.I.G.’s “Get Money” verse.

“I knew it by heart,” said Quan. “I told them I didn’t know all the words, and the words were supposed to be on the teleprompter. They wasn’t there.”

According to RHQ, he found out he was set to join the Lil Kim tribute the day before, but he did rehearse two times before that night.

The Rich As In Spirit album creator also told The Ryan Cameron Morning Show that he grew up in Atlanta, so he only knew the words to Biggie’s “Juicy.”

Listen to Rich Homie Quan’s interview.