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OVO Hush Isn't Here For Meek Mill's "Back To Back" Freestyle

Photo via Meek Mill’s Instagram

Meek Mill seemed to take all of the “L’s” in 2015; will he take them in 2016 also? Meek recently played his “Back To Back” remix/freestyle at an event. OVO Hush definitely wasn’t feeling it, and he even tweeted,

“Good thing Nas dropped “Ether” instead of a “Takeover” remix #GOAT.”

We still “Wanna Know,” what’s going on Meek? Will DC4 make all of this go away LOL? Was it okay for Meek to use the same instrumental he got bodied on? Was Meek Mill’s “Back To Back” fire or trash?

Joe Young Enlists The Game, Rick Ross, Raekwon, Cormega & More For "Gone Till November"

After dropping his well received video Dont Fall, Joe Young is back with a Brand new Mixtape! With Banging Production by The Heatmakerz, Amp on the Track and Craze Joe enlists alot of Heavy Hitters in the Mic as well. The tape features Rick Ross, The Game, Dave East, No Malice, Inkmonstarr, Raekwon & more. Follow Joe Young now on Twitter @GorillaJoeYoung

Listen below.

Pusha T – "M.P.A." ft Kanye West, A$AP Rocky & The-Dream

Pusha T continues his push for his Darkest Before Dawn project with the release of his “M.P.A.” video. The track features some big name talent like A$AP Rocky, the Dream and of course his G.O.O.D. Music compadre and founder Kanye. Its one of the strongest songs on the project as Pusha T drops knowledge about the weaknesses of “money, p*ssy and alcohol.”

Smoke DZA & Manolo Rose Join Forces For "Brinks Truck" Featuring Problem

Kush God and Fame School affiliate Manolo Rose drop their first track “Brinks Truck” from their upcoming EP titled “867 Madison Ave” (the address of the polo mansion). The EP will feature 6 tracks by the duo with a couple special guest features. 183rd, Dza, and Manolo are all known for their extensive polo collection and it was this similar interest that helped spark the idea for a collaborative project.

Listen below.

Did Migos Change The Sound Of Rap Forever?

Migos and Zaytoven seem to believe Migos changed the sound of rap forever. Quavo and Take Off sat down with VLAD TV and expressed that they feel like they changed all genres forever. Quavo stated that he truly wishes they received the respect that he feels they deserve. Migos feel like everyone is now rapping like them with the same flow and style. With their popular hit singles and features like Drake, they feel like the underdogs despite feeling like they’ve contributed a lot to music. They said that they must have something for Drake to rap like them on their own song (“Versace” remix). Apparently after Drake’s verse was heard is when others tried to mimic their flow by using the “eighth note triplet flow”. To change the rap game forever, it seems like one would have to bring something original. Many say Migos just made a flow that already existed popular again.

Did Migos really change the sound of music forever?

WORD IS BOND: THE PEOPLE UNDER THE STAIRS

“Tired of running, tired of hunting my own kind, but retiring nothing … I’m dying of thirst. Dying of thirst. How many sins? I’m running out. How many sins? I lost count.”
~Kendrick Lamar

There are multi-layered threats that continue to stand between Black people and our collective civil rights — police brutality and state violence, yes, but there are also failing school systems, poverty, economic injustice, housing and wage inequality, the school-to-prison pipeline, health disparities, political marginalization, high unemployment rates and an onslaught of harmful media messages. Then there is also the elephant in the room, “the people under the stairs”, the assailants within our own “walls” who are committing heinous acts of violence and terrorism in their own neighborhoods.

The homicide crisis in Black America is nearly four times the national average and continues to grow. Evidence from the National Survey of Children’s Exposure to Violence suggests that Black youth ages 12 to 19 are victims of violent crime at significantly higher rates than their white peers and five times more likely to be the victims of homicide specifically. The U.S. Centers for Disease Control (CDC) also reports that homicide is the leading cause of death among African American youth ages 15 to 24.

Black children are constantly victims or witnesses of extremely vicious cycles of violence in their schools and in their communities — from bullying to physical abuse, to sexual abuse, to police brutality, to state violence, to gun violence and gang violence. According to the director of the Division of Violence Prevention at the CDC, Dr. Howard Spivak, “youth living in inner-cities show a higher prevalence of post-traumatic stress disorder than soldiers.” In April of 2012, Spivak presented research at a congressional briefing which showed that Black and Latino children are essentially living in combat zones that they cannot escape. He said they experience excessive trauma repeatedly and begin to normalize violence. They adapt to a survival of the fittest culture that often leads to arrested psycho-social development. Then, as a result, their perspective regarding the value of humanity — their own and others — is warped and their moral compass is skewed.

Our nation’s gun violence crisis burdens Black American communities at disturbing rates — four out of five Black homicides are gun related. There are urgent national conversations around gun control when White children are the victims, yet many Black children in the inner-city live under the daily threat of gun-related violence and there has not been the same amount of national attention, outrage, or advocacy. Black youth are being gunned down in cities across the country — by cops, criminals and gang members alike at astronomical rates and yet no one has any answers or solutions? The silence (or the not-as-riled-up-ness) about gun violence in Black communities throughout our nation is deafening and baffling. The “hood” is treated like a community of zombies contained in a small radius. As long as they aren’t affecting and infecting “the others” they are left to eat each other alive — diseased and quarantined without an antidote. This disturbing cycle of urban violence is a pandemic that needs to be treated urgently with scalable cultural, socio-political, emotional, and mental health interventions.

If it was not 2015, if America was not one of the most powerful and affluent nations in the world, if we did not already make so many cultural and technological advancements as a nation, if we didn’t use millions of US dollars to fund other countries’ social and political development — then the lack of action, resolve, and resourcefulness in response to the issue of violence plaguing Black neighborhoods in our country would be less perplexing. However, as a nation, we actually have the research and the resources — the data and the tools — to address these social disparities within our lifetime.

Eradicating the issue of homicide and criminality in our community is directly aligned with addressing the impact of institutionalized racism on education, literacy and social-welfare policies that have negatively impacted Black people for decades. Statistics show that the cycle of violence in Black communities is fueled by the social disparities that Blacks face disproportionately — the homicide rate runs parallel to poverty, joblessness and the education gap specifically.

The Department of Justice states, “the link between academic failure and delinquency, violence, and crime is welded to reading failure.” According to the same report, nearly two-thirds of those who cannot read by the fourth grade end up in prison or on welfare and over 70% of inmates in America’s prisons cannot read above a fourth grade level. Even the police chief of Atlanta, Georgia, George Turner, has noticed the connection between failing education systems and criminality in Black communities. In an interview with NPR’s Audie Cornish he noted that when his police department examined all of Atlanta’s perpetrators of homicide in the year of 2015, there was only one individual arrested for felony murder who actually finished high school. He concluded that a poor education is a lead indicator for a lifetime of criminality, for long-term or repeated incarceration and for a short life-expectancy. Public schools in poor urban areas face a unique set of challenges that often create unfavorable learning environments that fall short of educating, nourishing and protecting Black youth — oftentimes the classrooms are overcrowded, the teachers are over extended or sometimes under qualified and the funding and resources are sparse. Predominately Black and at-risk children are pushed out of America’s schools and into the criminal justice system at much higher rates.

While it is critical to recognize that the extreme violence and murder in our neighborhoods is directly correlated to systemic oppression — generational poverty, failing schools and other social disparities — we still cannot ignore the assailants from within who constantly threaten the lives and well-being of Black families living in high risk neighborhoods; nor can we shrink away from protecting the Black families who do not have the financial means to flee impoverished and dangerous communities.

Black life is being attacked from all sides and from every angle — our children are being murdered by police and sadistic serial death dealers who look just like us, who live in our communities and who are unchecked regarding their terrorism against Black life — salvaged by wreckless codes of silence. Whether the perpetrator of violence is a police officer, vigilante or gang member — we must be just as deliberate, intentional, and veracious in our fight for justice. We have to acknowledge that the same sickness and perversion that allows a grown man to stalk and kill a teenaged boy returning home from a corner-store (in Florida), or a police officer to shoot and kill a 12-year-old child for playing with a toy gun in a park (in Ohio), or a racist psychopath to murder nine church members during their Bible study (in North Carolina) — is the exact same sickness that allows a vile and monstrous murderer to intentionally execute an innocent 9 year old boy in Chicago.

As much as we’ve gathered to protest and mourn the wrongful deaths of Michael Brown, Trayvon Martin, Eric Garner, Sandra Bland, Tamir Rice, Renisha McBride and others — we must also gather to publicly protest and mourn the countless deaths caused by the diabolical serial killers perpetuating senseless violence in our communities. We must protest and mourn the death of 9-year-old Tyshawn Lee who was purposely lured into an alleyway to be assassinated. We must protest and mourn the death of Johnny Lubin Jr., a 15-year-old highschool student who was randomly shot and killed in a drive-by shooting as he walked home from school in Miami; we must protest and mourn the death of Kaylyn Pryor, a 20-year-old aspiring model, who was shot and killed in Chicago while waiting for the bus on her way home to sign her modeling contract; we must protest and mourn the senseless shooting of 11-year-old Tayloni Mazcyk who was shot in Brooklyn, NY — paralyzed from the neck down — by a gang-banger who thought it was hilarious when he found out his stray bullet hit and injured a child; we must protest and mourn the slaying of 7-year-old Amari Brown in Wisconsin — killed in a shooting on the fourth of July; we must protest and mourn the murder of six-month-old Jonylah Watkins who was killed by a drive-by shooting in Chicago while her father, the intended target, changed her diaper; we must protest and mourn the recent death of one-year-old Maleah Williams of Chapel Hill, NC who was shot in the head on Christmas Day. Like the many victims of police brutality, we must also say the names of our youth impacted by gun-violence in our very own communities.

We cannot stand by idly while certain cities in America continue to look and feel like war zones. We have to hold the offenders who are disturbing the peace in our communities accountable and we have to simultaneously work diligently to break this cycle of violence. Kids should not have to fear being shot or killed while walking to or from school, playing in the park or waiting for the bus. Parents should not have to live in fear that any day could be the last day they see their child. Communities should not be robbed of the right to live free, loving, promising and hopeful lives in safe and healthy neighborhoods.

In cities across the country there has been a tremendous and necessary uprising of activism countering racist terror inflicted on Black life by police and state violence. It is my hope that the powerful surge of action and consciousness sparked by this movement will continue to rise and overflow — emboldening us to be equally driven to seek justice for the Black lives slain by senseless gun violence, gang violence, domestic violence, and all other forms of physical and psychological brutality in our communities. We must address the inner-city violence crisis with as much honesty, force and immediacy as the police brutality crisis. We must be more outspoken, active, and organized in rebuilding programs, systems, and structures that disrupt the normalization of death, despondency and violence. We need to be courageous enough, fed-up enough, and united enough to challenge this issue as one of the many multi-layered threats against Black life.

The artwork in this series has been created by award winning Designer and Creative Director Fuse Green (www.fusegreen.com.)

MMG Affiliate Maybach Dice Shares New Video "All I Got"

Maybach Dice aka Young Dice is back with his new new video “All I Got” off his next mixtape #IMSOSOUTHJAMAICA, Dice has been recording in LA & ATL recently after relocating from NYC to form his Ruby Gang movement with fellow Queens MC Proper Da Don. “All I Got” is directed by Dope Visions and filmed in Atlanta. Stay tuned for more and follow Maybach Dice on Twitter: @MaybachDice and IG: @RubyGang_Dice.

Watch below.

https://www.youtube.com/watch?v=qFrU0ZOFYtg

Drake And Amber Rose?

What A Time To Be A Lie….

I don’t believe this one, but people are talking about this dude Drake dating Amber Rose. FOH! They appeared at the same party and were standing near each other and suddenly people are saying “they make a cute couple.

But I digress. Another site says the following:

“They were on a very private dinner [Friday] night in the wine room at Prime 112, behind curtains”. – Page Six

And then:

“Drake and Amber Rose had a big entourage with them, but they were standing together as they went up in the elevator. They ate dinner with a few other people, but they were sitting next to each other and he had his arm around her! She was in a t########## outfit and he was wearing a red shirt. They definitely seemed more than friends.” – US Weekly

Here is the Drake turn up. Amber posted the following.

https://www.instagram.com/p/BAEFQkLkq8K/?taken-by=amberrose

I imagine Wiz is like this:

Young Thug Thinks Male Rapper Is Sexy

Photo via Young Thug’s Instagram

Young Thug seems to be trolling again.. well or is he? With every incident of Thug commenting on another man’s photo it seems to end with him calling them boo, bae, or sexy. Well he strikes again. Young Thug recently left a comment under a male artist by the name of Lil Uzi Vert’s picture that said,

“Sexy!!.”

Oh Thug. Thug recently posted and deleted a video saying he didn’t recall having a girlfriend. He said last time he checked he was just doing his thing! It wasn’t long before he deleted the video and posted another video of him freestyling saying that him and Jerrika were still going strong. Oh yea Thugger still maintains that he’s not gay.

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The Game Pokes Fun At 40 Glocc & Off Duty Cop

Photo via The Game’s Instagram

It seems like The Game isn’t too bothered about having to pay 40 Glocc or the off duty cop after both lawsuits. The Game was ordered to pay 40 Glocc $3K and the cop $100K. With the cop, The Game apparently failed to appear in court, causing the judge to rule in the officer, Onyebuchi Awaji’s favor ($60K for damages and $40K in hopes to prevent future incidents such as this one). On Instagram The Game poked fun at both. In regards to 40 Glocc, The Game said,

“Lol $3,000 & he sued me for 4.5 million.. After he pay his lawyers 75%, & that old lady for crashing into her rose bush he might be able to get one Chic-Fil-A sandwich & a small water. Don’t even think about barbecue sauce #TheyChargingForThose.”

In regards to the cop, he said,

“I just start working at Chic-Fil-A. Get my 1st check in 2 weeks, then I’m gone do my best.”

The Game is hilarious!

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Jermaine Dupri & VIPs Attend "The Rap Game" Watch Party In Atlanta

Photo via Jermaine Dupri’s Instagram

Lifetime and V103 recently hosted a viewing party at Suite Food Lounge for the premiere of the new unscripted series “The Rap Game.” Executive producer Jermaine Dupri was on hand to celebrate the show’s debut with over 200 local VIPs, including Da Brat, Bryan Michael Cox, Johnta Austin, Greg Street, D. Woods, Jacob Latimore, Michael Mauldin, Bryan Barber, John John Da Don, Vedo, Cyrene Tankard, Final Draft, 2-Crucial, Nue Era, Phresh Ali and many more. Atlanta-based “The Rap Game” cast member Miss Mulatto along with her parents Shayne and Misti Pitts were also in attendance to enjoy the festivities, as veteran DJ Jelly kept the energy high on the turntables.

“The Rap Game” – airing Fridays at 10/9c on Lifetime – will give five emerging young Hip Hop artists, ages 12 to 16, the opportunity to rhyme and flow with Dupri as he searches for the next big name in Hip Hop. For more information on “The Rap Game” (co-executive produced by Queen Latifah), visit: http://www.mylifetime.com/shows/the-rap-game

Hot Seat: Camille Cosby Forced To Testify In Bill Cosby's Civil Case

Photo Credit: YouTube

As a self-proclaimed “happily married” woman with a “wonderful life,” Camille Cosby, wife to acclaimed comedian, Bill Cosby, has been ordered to testify in his upcoming civil trial. The illustrious couple has been married for over half a century. Regardless of that union, last Thursday (Dec. 31), United States Magistrate Judge David H. Hennessy, ordered Mrs. Cosby to give a deposition on Wed. (Jan. 4), reports the New York Times.

A collection of seven women contend that Bill Cosby has effectively defamed them. These same women have vehemently asserted that years ago they were sexually assaulted by the once-beloved entertainer. Given that the statute of limitations has lapsed on their allegations, being publicly labeled as liars is the cause for the current civil suit against Bill Cosby.

Citing a variety of grounds, Mr. Cosby’s dream-team of lawyers worked unsuccessfully to block Mrs. Cosby’s forced testimony. On Friday (Jan. 1), they decided to appeal the initial ruling handed down by the federal judge in Massachusetts. Camille, her husband’s former business-manager, is anticipated to endure open questioning pertaining to Bill’s interactions with the opposite sex.

Determined to clear their client, The Cosby Show patriarch has chosen to countersue his accusers. He too vows that his character has been disparaged by defamation.

EXCLUSIVE: Mack Wilds Talks Starring In ‘The Breaks,’ Appearing In Adele’s ‘Hello’ Video & Upcoming Studio Album

To start off 2016, VH1 is taking audiences back to 1990. The cable network is set to air the original movie The Breaks tonight (January 4). The Hip Hop themed film follows the journey of three young New Yorkers as they navigate their way through the music industry.

Tristan Mack Wilds (The Wire, 90210) makes his return to the small screen as a young record producer known as DeeVee. Wilds plays the Fort Greene projects native on the hunt to discover a new talent to help bring his musical vision to fruition.

The Breaks was inspired by Dan Charnas’ 2011 book The Big Payback: The History of the Business of Hip Hop. Seith Mann (The Wire, The Walking Dead) wrote and directed the movie. The rest of the cast includes Afton Williamson, David Call, Antoine Harris, Wood Harris, and Method Man.

Mack Wilds spoke with AllHipHop.com about his latest acting gig. The creator of 2013’s Grammy-nominated album New York: A Love Story also provides some details about his upcoming sophomore LP, and he recalls his time working with the legendary DJ Premier on the music for The Breaks.

[ALSO READ: DJ Premier Tapped To Score 1990’s Set Movie “The Breaks” For VH1]

Can you talk about your character in the movie?

My character is named Darryl Van Putten Jr aka DeeVee. He’s a young DJ and producer looking for the right artists to make the legendary music that he wants to make. His dad wants him to go to school and get a regular job, but he drops out of college that his dad has paid for.

He’s going back to his old neighborhood deep in the hood. This is 1990, so it’s still the crack era. It’s gritty and grimy, so he’s going to the end of the Earth – in a metaphorical sense – to make his music exactly how he wants to make it.

Did you go back and do any research about that time for the role?

Absolutely, it’s necessary. No matter what role I do, I think it’s necessary to do research. You never know what kind of information you may miss out on. You can run into anything thinking you’re a know-it-all. So there was immense research and crate digging that I went through.

Was there any real life person you used as inspiration for the character?

I guess the people I used the most for inspiration would be DJ Premier or Pete Rock. I watched tapes of them and read up on them. I even got a little tutelage from both of them to make sure the character was portrayed authentically.

Isn’t Premier working as the music director?

Absolutely.

How involved was he on the musical contribution to the movie? Did he provide any music to the soundtrack?

He was all hands in. He scored the movie, so all the music beds that you hear during the different scenes in the movie are Premier tracks. That’s him in the studio getting in making sure everything sounds crisp, clean, and exactly what that time felt like.

The Cast Of 'The Breaks'
The Cast Of ‘The Breaks’

Hip Hop themed movies and TV shows became really popular over the last year. Do you think Hollywood has finally embraced the idea the culture’s stories are marketable?

I absolutely think so. Honestly, I don’t think it was too much of a problem before. I’m glad that with shows like Power or Empire it leaves room for all of our stories to be told, whether it’s something like The Breaks or anything else on the rise. It’s amazing.

I always felt like The Wire had a Hip Hop sensibility to it. I found it interesting how The Breaks kind of feels like a mini-reunion. There are several people from The Wire in the movie – you, Wood Harris, and Method Man. Even the director Seith Mann worked on The Wire. It was kind of a throwback to the series.

It was. I think it made the set that much more comfortable. When you have people that you’ve worked with for so long around you, it feels good. You don’t have to be nervous about anything. It was great.

You’ve dropped a couple of freestyles over the last few months. Is there another album in the works?

We’re working on the album now. We’re actually almost finished. We’re trying to push for somewhere in the first quarter to drop it for the people.

Is Salaam [Remi] doing most of the production again?

He looks out and makes sure the music sounds as A-1 as possible, but I think for this album he’s letting me venture out a little more, meet with different producers, and gather the sound I love the most. He’s really dope in that sense.

Since the Adele video came out, what has been the impact for you? Have you been able to connect with a different fan base?

I think I’ve been able to connect with more of a fan base on social media. I don’t really leave the house that much. I stay in the shadows, so I wouldn’t know what it’s like on the outside that much. [laughs]

With this role in The Breaks, is there any interest in going back to TV for a regular series role?

You never know. I missed acting so much. Taking a year off and then coming back made me realize how much I missed it. Who knows what’s in the cards. It could be another movie. It could be another series regular role. Just wait and see, it’s going to be an interesting 2016.

[ALSO READ: EXCLUSIVE: Mack Wilds Discusses Remaking A Michael Jackson Classic & Weird “The Wire” Stalkers]

Mack Wilds DJing The VH1 + SCOPE VIP After-Party
Mack Wilds DJing The VH1 + SCOPE VIP After-Party

The Breaks premieres Monday, January 4th at 9 PM ET on VH1.

Follow The Breaks on Twitter @TheBreaksVH1.

Follow Mack Wilds on Twitter @MACKWILDS and Instagram @mackwilds.

Watch the trailer for The Breaks below.

Will Smith Shares His Reaction To Finding Out His Character's Fate In 'Independence Day' Sequel

(AllHipHop News) Will Smith is currently generating award buzz for his performance in the film Concussion, but the seasoned actor recently took time to reflect on one of the biggest characters of his career. Back in 1996, Smith starred as Captain Steven Hiller in the blockbuster Independence Day. Unfortunately, the movie’s sequel will not feature Hiller returning.

[ALSO READ: Will Smith Will Not Star In “Independence Day” Sequel]

In an interview with Yahoo, Smith spoke about finding out Hiller was killed off in Independence Day: Resurgence. The 47-year-old rapper formerly known as The Fresh Prince revealed it will be hard for him to watch the upcoming summer release.

“I was working on Suicide Squad during that time,” said Smith about the filming of ID4 2. “[Independence Day director] Roland [Emmerich] and I had talked about it. The trailer looks really cool. I’m going to be sitting around with tears in my eyes when that one comes out… It was terrible when I found out my character died.”

For more information about what happened over the last 20 years in the Independence Day movie universe visit www.warof1996.comIndependence Day: Resurgence is scheduled for release on June 24, 2016. Concussion is currently in theaters.

[ALSO READ: EXCLUSIVE: Gugu Mbatha-Raw Talks Starring In ‘Concussion’, Will Smith’s Off-Camera Humor & Being A Fan Of ‘Hamilton’]

Watch the trailer for  Independence Day: Resurgence below.

Louisiana Rapper Fredo Bang Arrested For Attempted Murder (AUDIO)

(AllHipHop News) Louisiana rapper Fredrick “Fredo Bang” Givens II was arrested on Saturday. The 19-year-old performer was charged with attempted second degree murder, illegal use of a weapon, and aggravated criminal damage to property for a November shooting incident.

[ALSO READ: Future Facing Lawsuit For Pulling Out Of Louisiana Concert]

KSLA reports Givens got into an argument with the victim. The argument escalated into a fight, and a second suspect pulled out a gun. Givens then got his own firearm from his vehicle, and both men began shooting at the victim and a car.

While Fredo Bang has not broken out on the national level, he does have several songs on Soundcloud that already passed 40,000 plays. The tracks “I Love P*ssy” and “I-Phone 6” have totaled more than 100,000 plays each on the streaming site. Since the arrest, producer Q Red On The Track released the track “Thuggin” featuring Bang.

Givens was taken to East Baton Rouge Parish Prison. His bond was set at $70,000.

[ALSO READ: Arrest Warrant Issued For DMX]

Listen to Fredo Bang’s “Thuggin” below.

Jarren Benton Says He's Leaving Funk Volume For Master P's No Limit Records

(AllHipHop News) It appears the indie label Funk Volume may be going through some serious issues. Co-founder Hopsin posted a message on social media stating he and longtime business partner Damien Ritter have been at odds. The “FV Till I Die” rapper even suggested he was ready to part with the label if Ritter remains at the company.

[ALSO READ: #ATLRiseUp: Jarren Benton Is Turning Up The Volume On The Other Side Of Atlanta’s Sound]

Hopsin wrote:

I’ve been having issues with my business partner Damien Ritter. We started this whole FV s### years ago, but this man has all the sudden built up the courage to disrespect me and tell me I don’t work hard when I’ve made him Extremely wealthy over the years from my music. At this point, if he doesn’t leave funk volume, then I will. I’m putting it out there publicly so he knows that it’s f*ck him forever. If ur a real Hopsin fan, I need your support right now and I only hope u continue to strongly support me if/when I leave FV. My heart will always rep FV, but as of right now, it’s not home for me as long as Dame is apart of it.

Following Hopsin’s IG post, Funk Volume artist Jarren Benton also claimed he was ready to break from the label. In his own Instagram message, Benton said he is partnering with Master P and No Limit.

Benton wrote:

We all heard the news about [Hopsin] leaving [Funk Volume]. I’m also venturing out on my own with Master P to revamp No Limit records.

JarrenBenton

It should be noted that Hopsin claimed he was leaving the music industry in 2014 to live in Australia, but it turned out the announcement was just a publicity stunt to promote his Pound Syndrome album. Time will tell if the supposed collapse of Funk Volume is real or a troll job.

[ALSO READ: Hopsin Reveals “The Truth” On Why He Claimed To Be Leaving The Music Industry (VIDEO)]

Songwriters TK N Cash Discuss The Difference Between Songwriting & Ghostwriting (VIDEO)

(AllHipHop News) When Meek Mill claimed that Drake did not write his verse for their collaboration “R.I.C.O.” (which was partially penned by Quentin Miller), the Hip Hop community once again began debating the topic of ghostwriting. DJ Smallz caught up with TK N Cash – the duo that has partnered on songwriting with Meek, Trey Songz, Juicy J and more – to get their thoughts about the practice of creating records with other artists.

[ALSO READ: TK N Cash Reflect On Performing On “Scream Tour” For Two Years]

“Ghostwriters are, ‘I don’t want anybody to know I’m writing. Don’t tell nobody.’ That’s sketchy. That’s the Milli Vanilli thing going on,” said Cash. “We’re working with them.”

After the Meek/Drake story broke, Quentin Miller stated he was not a “ghostwriter” for the Toronto native. Miller’s name was listed in the credits to the songs he contributed to on Drake’s If You’re Reading This It’s Too Late. However, Q.M. was not named as a credited writer on “R.I.C.O”  which by definition means he was a “ghostwriter” for Drake on that track.

[ALSO READ: Drake Discusses Meek Mill Battle & Quentin Miller Ghostwriting Allegations]

Watch  TK N Cash’s interview below.

Ar-Ab Says Feud With Meek Mill Is Over (VIDEO)

(AllHipHop News) After having an up-and-down 2015, Meek Mill’s 2016 is starting off with some good news. Last year, the Dreamchasers leader found himself in a verbal spat with fellow Philadelphia rapper Ar-Ab, but the “We Are Not The Same” rhymer tells Report Card Radio the feud is over.

[ALSO READ: Philly’s Neef Buck Talks Meek Mill & Ar-Ab Feud (VIDEO)]

“It ain’t really nothing. I got real issues out here. I actually talked to Meek Mill,” said Ab. “He said what he said. I said what I said. Understand, if it was real beef I wouldn’t have made no diss song. We would’ve just started shooting.”

The situation began after Drake mentioned Ab in his Meek diss record “Back To Back.” Meek said “f*ck Ar-Ab during a performance, and Ab fired back with his own version of “Back To Back.” Then Meek’s DC associate Omelly jumped into the rivalry with a “Back To Back” freestyle aimed at Ab.

“We just talked like men. We got to the bottom of sh*t,” stated Ab about his conversation with Meek.

[ALSO READ: Ar-Ab Talks Drake Mentioning Him On “Back To Back” & Ghostwriting In Hip Hop (VIDEO)]

Watch Ar-Ab’s interview below.

Producer Dame Grease Aims For Guinness World Record For Hip Hop Songs In 2016

(AllHipHop News) Dame Grease has serious plans for 2016. The producer known for his work with DMX, Jadakiss, and others is looking to set a new Guinness World Record for producing and releasing the most Hip Hop songs in a single year.

[ALSO READ: DMX Shares New Track “Aint Nowhere To Hide” Produced By Dame Grease]

“I believe this could be something great for Hip Hop, something that brings more fun to the game,” states Dame. “While the record is based on the number of songs, I think the true challenge and fun is the effort to make the music itself great. I feel as if my track record, whether it’s with DMX or Max B or anyone else I’ve worked with, shows my dedication towards ensuring quality music.”

The release of each song will be catalogued, promoted, and documented from 12:00PM EST December 31, 2015 to 12:00 PM EST December 31, 2016, so that at year’s end the proof of the final tally can be submitted to Guinness World Records. To kick off this historic event, Dame linked up with Dina Rae. Dina, joined by her fellow Technology Affair group member Thunderblair, unites with Grease on the new single “Do You.”

“While most of the music will feature people that Hip Hop heads know of, I also wanted to make this about the Hip Hop community and include emcees who haven’t had their opportunity yet,” explains Dame. “Whether it’s a superstar like Snoop Dogg or a dope new guy who happens to be making songs in his basement, I want them to be able to reach me and be a part of this.”

Dame is asking artists and managers who are interested in being involved in the record-setting endeavor to either contact his manager and A&R  Jason Mantez via Twitter (@mantez) and/or to send an email to [email protected] to get in touch with Dame’s team.

“You’ll see a lot of people you’re accustomed to me producing for, and a lot of familiar faces who I’ve never worked with prior to this year,” adds Dame. “There are also guys I started collaborating with recently, like Bishop Lamont and Swifty McVay from D12, that I really vibed with musically and want to involve in my attempt at this world record.” 

[ALSO READ: Eminem’s “Rap God” Sets New Guinness World Record]

Listen to Dina Rae’s “Do You” produced by Dame Grease below.