Fetty Wap starts his morning off the right way and delivers the official video treatment for My Way featuring Monty. His debut album is set to arrive on Friday.
Fetty Wap starts his morning off the right way and delivers the official video treatment for My Way featuring Monty. His debut album is set to arrive on Friday.
Check this new heater from Bishop Fatal entitled “Sell Soft” featuring Southern rap legend Project Pat. The track will be placed on his forthcoming mixtape “Soft Serve” due out in the near future. Listen to the Hipaholics-produced cut below.
A Tribe Called Quest is re-releasing their debut album, People’s Instinctive Travels And The Paths of Rhythm, to commemorate the album’s 25th anniversary, according to a press release. Not only will it be remastered, but it will also feature remixes by some of today’s taste makers in hip-hop, who will be announced at a later date. It is slated to hits stores again on Nov. 13th.
“I had this album in my head for years before I did it. Looking at it overall, to see the thoughts of a 16-year-old gain any kind of acknowledgement makes me feel like I have arrived… But to see it in this incarnation. I’m humbled,” Q-Tip said via press release.
Ali Shaheed Muhammad says to re-release their debut album “means a lot.”
“It was the beginning of our careers; the beginning of our imprint; the beginning of seeing life the way we saw it, and being able to put it down in words and music,” Ali Shaheed Muhammad said.
People’s Instinctive Travels And The Paths of Rhythm is available for pre-order on Amazon.
When New Jersey emcees connect, you better believe the wordplay is on point. Tsu Surf links with everybody’s favorite fellow Garden State rapper, Joe Budden, for his latest release, “Conversations”. After the success of his “Garden Grillz” tape, Tsu will continue his onslaught as he prepares to drop his next project, “Newark”, for release later this month. Look for that!
Following the success of his debut mixtape “The Cherrylawn Ave. EP“, Detroit emcee Spike DuBose returns with a treat for fans with a brand new single titled “El Chapo (Whip)”. Produced by RubiRosa the two serve up a screwed up trap ode in honor of one of the most infamous drug lords in history. Be on the lookout for Spike’s sophomore project “Return of the G” scheduled to be released this Fall.
Photo via The Game’s Instagram
The Game is not here for Slim Jesus’ music direction and choices. He feels that Slim Jesus better be killing people for real or be prepared to get smoked. Rapper Slim Jesus is already dissing people but trying to convince people (after the fact) that he’s really not about that life. Rappers really have to stop rapping about things that they are not really about and about lives that they really aren’t living. Game is telling Slim Jesus to be careful. What are your thoughts about Slim>
Through the established lens of director, Rage, a candid portrayal of life is played out in the visual for “Put On.” This Compton Menace track features Chris Brown — who not only adds his signature harmony but also drops an unexpected rhyme — is filmed in the heart of Compton, California. Introspective lyrics are shared reflecting on decisions which were made to ensure financial security. Pristine classic cars, a lively kickback, and calculated lyrics are embedded into this ode to everyone who has ever contemplated putting on for that which they desire.
The Black Mis-leadership Class is a term usually referring to the race management elite that developed out of the Civil Rights Movement to handle the political and social affairs of the Black masses. This group tailors its world view and policy prescriptions to the demands of America’s majority power elite to the detriment of those same Black masses. The Congressional Black Caucus, The NAACP, The National Urban League, Black petite-bourgeois membership organizations, and the Black Church all work as the ideological and organizational mechanisms of the Black Mis-Leadership Class.
What few realize is that even before the Voting Rights Act of 1965 there existed a Black Mis-leadership class that worked as race managers for America’s power elite. The originator of “race management” as a concept was Booker T. Washington as the tool of the White industrialist class. With the crie de guerre issued by W.E.B. DuBois published in 1903 in the “Souls of Black Folk,” the Black college educated “Talented Tenth” came together to manage the affairs of the less fortunate Black masses and weaponized the idea of “race management,” giving birth to the first generation of the Black Mis-leadership Class.
Though in Black America this first generation of Black Misleaders is much revered by many African Americans today as visionaries and vanguards, they were just as duplicitous, treacherous and damaging to the lives of the Black masses as our current version of Black Mis-leaders.
Eugenics (the theory that people with desired traits should out breed the less desirable) was normal part of American thinking in the early 20th century and was supported by both intellectuals and government institutions. Not surprisingly these theories were almost always steeped in racism and used to explain the socio-economic problems of the Black Community as genetic. What many don’t know is that DuBois’ Talented Tenth, who made up the first Black Mis-leadership class, were often Black Eugenicists who believed in selective breeding and Black population control through birth control techniques including forced and voluntary sterilization of poor Black women. These techniques would be used to purify the race of its “dysgenic” types as a means of racial uplift.
“In Search of Purity: Popular Eugenics and Racial Uplift among New Negroes 1915-1935,” by Dr. Shantella Y. Sherman illustrates the tragic history of how the early 20th Century Black Mis-leadership class fully supported eugenic theory using racial sterilization couched in language supporting birth control to limit the ability of poor Black women to have children. A veritable who’s who of early 20th century Black history from W.E.B. Dubois, Mary McCloud Bethune, Charles Drew and more were supporters of this widely supported Black Eugenics movement to basically rid America of the Black poor. One must realize, in 1966 55% of Black America lived below the poverty line. We can only imagine how high that number was in the 1920s and 30s, particularly during the Depression years. This Black Eugenics policy was not merely a plan for race purity but if implemented to the full desires of that Black Mis-leadership class, it could have meant race genocide.
As Dr. Sherman states:
“The use of sterilization as a method of birth control was a reality for thousands of New Negroes between 1915 and 1935. Calls by Negro reformers to improve the quality of the race often imbibed eugenic language. Thomas Garth, for instance, wrote in a 1930 Opportunity magazine article that Negroes could have no race pride in substandard members of the race. He posited that the race “should seek to eliminate them weed them out and thereby obtain by means of selection a better stock.” Terms like “weeding out” and “eliminating” speak directly to the identification of dysgenics members of the race, and their segregation from larger society through reformatory or prison commitments.”
These Eugenics sentiments were shared by a man who is considered one of the greatest intellectuals in Black American History. W.E.B. DuBois was fully vested in these horrid Eugenics schemes: “[Negroes] are led away by the fallacy of numbers. They want the Black race to survive. They are cheered by the Census return of increasing numbers and a high rate of increase. They must learn that among human races and groups, as among vegetables, quality and not mere quantity really counts.”–W. E. B. Du Bois.
The Black Eugenics movement worked in tandem with racist white eugenicists who had less than pleasant goals in their advocacy of population control techniques. Yet these White racists were institutionally supported and given the ability to speak at functions by organizations like the National Urban League. As Dr. Sherman explained, “Reformers, like Margaret S#####, connected eugenic better breeding to a larger movement to regulate the poor and stop the rise in crime and illegitimacy.” Furthermore, Dr. Sherman states, “Black and white eugenicists alike linked the “Negro Problem”; however, to black female fertility, which white religious figures rarely afforded divine status”
Black children did not escape from having Black Eugenicists categorize them as “defective,” usually out of spurious reasons related to their poor economic status. The language of the Black Misleaders among that Talented Tenth cadre demonstrates the sheer hatred they had for poor Black Children.
For example, as Dr. Sherman illustrates:
“Even among respected Black reformers and educators, eugenics factored into how they classified Black students’ mental aptitude, behavior, and character. Ione Peak, a black public health and hygiene teacher, made such links between eugenic defects and learning abilities, writing for the NAACP Crisis magazine. Having observed Negro School children, she noted that classroom performance problems grew out of childhood accidents, disease or malnutrition. Yet, Peak used eugenic language and terminology in describing these children as “mental defectives” and determined that they fell “into groups ranging from idiocy to high type morons.”
There are many in the Black community who argue even today that class is not relevant to issues of Black folk, and all the problems stem from racism. Racism is a serious problem without a doubt But, these statements are often made by college educated Blacks themselves to mask their role in the carnage. The farcical thinking that “it’s all us Black folk against the evil White man,” is merely a con game the Black Mis-leadership Class has used to hide their duplicity and complicity with the White power structure to ensure their ascendance while working to ground the Black poor and working class to dust. Though they may not use eugenics language publically today, the Black middle class and Black elite often hate the Black poor more that many Whites. They hate the stigma of being associated of those “dysgenic” types that make up the Black poor.
Class is a major issue in the Black community as this history illustrates. Only those who still want to play the “blame the White man game,” are unwilling to expose the Black elite complicity in the destruction of the Black masses. The history of Black Eugenics should serve as just one of the myriad of examples of how the Black Mis-leadership Class has worked to subjugate the Black poor. When seeing this history we realize that perhaps we should be extolling “Black Lives Matter,” to those Black Mis-Leaders and Black Elites who have been a cancer to Black America for over a century.
(AllHipHop News) Back in July, singer/actor Tyrese Gibson sparked a debate in the music community over whether mainstream Pop radio stations ignore Black R&B acts. Despite his Black Rose album topping the Billboard 200, Tyrese’s soulful single “Shame” was not embraced on the same level as R&B-esque songs by Sam Smith, Ed Sheeran, and Justin Timberlake.
The star of Furious 7 is not the only artist to express the belief Pop radio tends to ignore some established African-American performers. In a recent interview with AllHipHop.com, songstress Sevyn Streeter suggests race plays a part in certain radio formats not supporting songs by acts of various ethnic backgrounds.
“What makes a record be considered a Pop record? Really it’s a popular record, and I don’t think that it should be contingent upon whether a person is Black, White, Spanish or whatever,” says Sevyn. “I don’t feel like what you look like should determine where your record is played. I feel like that happens a lot these days.”
Music streaming platforms such as Pandora, Spotify, Apple Music, YouTube, Tidal, and SoundCloud have offered listeners the opportunity to discover music beyond what is played on terrestrial radio, but the Shoulda Been There, Pt. 1 EP creator would still like to see traditional stations open up to more diversity.
“People can listen and buy music on the internet all day, but there’s still a huge majority of the world that listens to the radio,” states Sevyn. “I think that everybody needs to bear responsibility and be held accountable for all of that and start to care a little more about it.”
Read AllHipHop.com’s full interview with Sevyn Streeter here. Shoulda Been There Pt 1 EP is available for download on iTunes.
Drill Music. You know it. Some of you love it. Some of you hate it.
If Eminem and Royce Da 5’9″ were Bad Meets Evil…what are Slim Jesus and Chief Keef? I don’t know, but the rumors are already going bonkers over this social media post.

Click here for the discussion.
(AllHipHop News) Early estimates of Drake and Future’s What A Time To Be Alive had the joint mixtape pushing over 500,000 copies first week. According to HitsDailyDouble, that number has dropped significantly.
The music industry website is now predicting WATTBA will move between 340,000 – 360,000 units. That range should still be enough to land Future and Drake at number one on the album chart. It would also give the collaborative effort one of the best first week sales for a Hip Hop album in 2015.
However, 350,000 units sold could be viewed as a disappointment for Drake considering the Toronto native’s last retail mixtape, If You’re Reading This It’s Too Late, sold 495,000 copies in its first week. Future’s most recent album, DS2, opened with 126,000 units sold.
The lower predicted sales could be the result of mixed reviews that are coming in for What A Time To Be Alive. The initial expectations were based on early sales as die-hard fans purchased the tape off iTunes as soon as it was released, but more casual listeners may have chosen not to purchase the project.
(AllHipHop News) According to reports, convicted drug dealer James “Jimmy Henchman” Rosemond has filed an application for appeal. Apparently, the former CEO of Czar Entertainment latest legal actions were inspired by the “Smarter Sentencing Act” criminal justice reform bill currently moving through the U.S. Congress.
“We believe that there were serious problems with the manner in which Mr. Rosemond’s trial was conducted, and that the government failed to present sufficient evidence to secure a conviction,” stated Rosemond’s appellate lawyer Michael Rayfield.
Rosemond was convicted of drug trafficking, obstruction of justice, and other charges in 2012. He was sentenced to life in prison. The leader of the “Rosemond Organization” was sentenced to another life term earlier this year for participating in the murder of G-Unit associate Lowell “Lodi Mack” Fletcher.
A documentary titled Unjust Justice is supposedly in the works. Also, the Twitter account @Jimmy_Rosemond and the website JimmyHenchman.info have been set up to provide upcoming news about Rosemond.
Photo via Karrueche’s Instagram
A blogger recently upset Karrueche when they stated that her p*ssy had circulated the industry after Rob Kardashian posted a picture of her with the caption,
“I love when she sends me pictures.”
Unfortunately Rob Kardashian has been a little unstable in these last few years, so it seems like he wanted the attention and got it. He had to know what kind of response he would get. Karrueche and Rob responded by denying the dating or hooking up rumors, as they explained that they knew each other since high school. We’d love to know who Karrueche is secretly creeping with, and we still wonder if she was really taking those trips to Toronto to see Drake.
Photo via K. Camp’s Instagram
Keke Palmer and K. Camp have been showing love to each other on Instagram lately. Keke posted K. Camp’s album with a lot of exclamation points. This came only days after K. Camp posted a photo of Keke with his lyrics underneath, along with a certain emoji. K. Camp’s camp is being mum about the online flirting. This could be a good look for him as Keke is at the top of her game with a recent feature in W Mag and a starring role on one of the most buzzed about new shows on TV. Do you think these two make a good pair?
(AllHipHop News) Meek Mill is not letting the public backlash from his feud with Drake stop him from dropping more new music in the near future. After releasing the #1 album Dreams Worth More Than Money in June, Meek is prepping for his Dreamchasers 4 mixtape to hit the internet.
The Maybach Music Group rapper teased his Instagram followers with cuts from the forthcoming project. Meek posted six videos to IG featuring songs that presumably will be part of DC4.
“Shame on them n*ggas for betting against us!” wrote Meek in the caption for one of the clips.
In another video, Meek can be heard rapping, “I made an M in a week, but they telling me I took an L.”
The Dreamchasers series has been very successful for Meek. DC3 was met with mostly positive responses from critics, and its predecessor has been downloaded over 4 million times on DatPiff.
Watch Meek Mill’s Dreamchasers 4 Instagram videos below.
(AllHipHop News) It seems Aubrey Drake Graham will not be able to shake the ghostwriting tag any time soon. Yet another emcee keeps the story going. This time it was New York City rhymer Mickey Factz.
The Y-3 mixtape creator stopped by Sway In The Morning, and he started his visit off by participating in Sway’s “5 Fingers of Death.” Factz ended a nearly 11-minute rap with a message for Drake.
“Aubrey, I heard you need a ghostwriter. Hit me up man, if you want some more fire,” spit Mickey.
Later in the interview, Factz talked about connecting with Drake before he reached superstar status. The two rappers teamed with Travis McCoy for the track “Overdose.”
“I was a fan of Drake before he was popular. I would go on his Myspace page, and he had a record up there with Trey Songz and Pusha T,” explained Mickey. “I reached out to him , and said ‘Yo, we need to work.'”
According to Factz, he and Drizzy worked on other music together that did not make it onto So Far Gone. Apparently they lost contact after Drake signed to Lil Wayne’s Young Money.
Mickey stated he’s not bitter about his current career situation. He told Sway he just wants to be mentioned among great lyricists such as Elzhi, Joe Budden, Joell Ortiz, Kxng Crooked, and Rakim.
Watch Mickey Factz’s interview below.
(AllHipHop News) The Game is set to release his next studio album, The Documentary 2, on October 9. It had already been revealed that the project will include 19 tracks with features by Kendrick Lamar, Kanye West, Future, Dr. Dre, Snoop Dogg, and more.
The West Coast representative appeared on Hot 97 this week to drop even more big news about the upcoming collection. Game is releasing The Documentary 2 as a double album, making it a total of 38 songs. Part two of the project is expected to hit stores on October 17.
“When you go on iTunes and you download The Documentary [2] it only shows disc one. No one knows. Everybody thinks that’s just it,” said Game. “Disc 1 comes out regular. Then you know what you gotta do on the 17th? You gotta go back and get disc 1 again, because disc 2 is in there.”
Watch The Game’s interview below.
Rising Atlanta singer Malachiae Warren sits down with AllHipHop.com to discuss sampling 2Pac for his song “R U Down.” The Motown recording artist also gives his favorite ATL R&B artists dead or alive.
Columbus, Ohio native Blu Denim kicks the week off with a new energetic single titled “Fall Over”. This is a follow up record to his Migos featured single “Gucci Scarf”. His latest “Fall Over” brings energy from the jump and doesn’t let down as Blu Denim destroys this PS Beats produced slapper.
Fellow Ear Drummer label mates, Yung Joey & Slim Jimmy of Rae Sremmurd linked up earlier this year for, “Dat Pack” Remix. The Ear Drummer boys drop the visual for the record & they get completely lit in the process. With the record already receiving play on NY’s own 105.1, Yung Joey is ready to take off after dropping the visual. Just know, Yung Joey & Slim Jimmy got that pack.