homepage

Raekwon Names Which Modern Rap Crew Is Closest To The Wu-Tang Clan (VIDEO)

(AllHipHop News) While in London Raekwon spoke with Rethunk. The interview included The Chef being asked which present day rap crew comes closest to his own legendary group Wu-Tang Clan.

[ALSO READ: Kanye West Brings Out Raekwon, Big Sean & Vic Mensa During London Concert (VIDEO)]

“A lot of guys haven’t got their feet wet all the way. If I were to sit here and say, the closest would probably be Young Money,” said Rae. “Seeing the success of Drake, Wayne, Nicki – it’s only three of them though. It’s tough to compare because it’s nine of us. Out of the nine of us, it’s so many platinum and gold artists that came out of the group. I haven’t seen that lately.”

The “Wall To Wall” rapper also mentioned a West Coast collective. Rae added, “It’s a lot of guys out there that’s creating their own movement. You got TDE doing their thing.”

Raekwon is releasing his sixth solo album, Fly International Luxurious Art, this year. The project will feature appearances by French Montana, Busta Rhymes, Estelle, Melanie Fiona, and others. Look for F.I.L.A. to hit stores April 28.

[ALSO READ: EXCLUSIVE: Raekwon Talks “Fly International Luxurious Art” Album (VIDEO)]

Watch Raekwon’s interview below. 

MPrynt- What If Later Never Comes EP

Former Motown signees R&B group MPrynt are back with a brand new EP titled, What If Later Never Comes. The quartet showcases their vocal ability on this EP as they keep the sound of real R&B alive. R&B fans are thankful for groups like Mprynt as they hope for the reemergence of the R&B group and the resurgence of the genre. The Philly natives Tyce, Fah, Budda, Real – are ready to give the world that good love making music all over again. Drawing inspiration from groups such as 112, Jackson 5, Mint Condition, New Edition, Jodeci, Boyz II Men and Dru Hill, the group plans to carve out their own lane in R&B.

Take a listen to the EP below.

Althea Heart- "Ride 'Em Like A Harley"

After a national debut on the record-breaking season 3 of VH1’s “Love & Hip Hop Atlanta,” R&B singer Althea Heart (known affectionately by her fans as “Thi Thi”) is now opening up about the controversies and sharing an exciting collection of music. She recently announced her signing with Mississippi-based record label AMS Music Entertainment, and the company is releasing her new single “Ride ‘Em Like A Harley”. Featuring rapper OJ Da Juiceman, the song sets the tone for her debut EP, Controversy, which releases on April 14. Take a listen to the single below.

Katie Got Bandz-39 Barz (Video)

Katie Got Bandz have been one of the more dominant femcees to rep Chicago and it’s Drill scene, and she continues to show fans by dropping this ew set of visuals. “39 Barz” is pretty simple, Katie is freestyling and turning up with her peoples’. The song is aggressive, honing the major characteristics of being a real song from the Drill music scene. Check out “39 Barz” below.

Drake Drops New Verse On OG Ron C Remix of "Madonna"

To continue the his domination on Texas’ chopped and screwed scene, Chopstar’s own OG Ron C slowed down Drake’s new album If You’re Reading This It’s Too Late, and happened to get a new verse from the Canadian rap star for the track Madonna. Looks like the relationship between Chopstars and OVO will remain strong. Check out the new verse below.

Breeding Ground: Peter Sun – .Dystopia

We’ve once talked about this Breeding Ground rapper, but he never seems to disappoint. To celebrate the tour for his mixtape Sunset Castle, the Richmond rapper released a new track via Soundcloud titled “.Dystopia”. The beat is cool, with Sun’s rhymes making the song feel like you’re vibin’ to it on a summer evening. It might be something to bang with things getting warmer. Check out the track below

The Young Thug’s Ice is Colder by Jarvis G.

The Young Thug’s Ice is Colder by Jarvis G.

“If you’re 30, 40 years old, you’re not getting listened to by minors. Like, Jay Z has some of the sickest lyrics ever, but I would never buy his CD, just because of my age and because of his age. By the time I turn that old, I ain’t gonna be doing what he’s doing.” – Young Thug

Never in my lifetime did I think I would quote Young Thug for anything to start a conversation. In a form of music that breeds competition, age becomes more of a factor than it does in most other forms. Now, it is pretty reasonable to not want to hear a 45 year old man or woman rapping about the how tough they are on the block. That shows that age is not what ruins someone’s shelf life in rap but it is the lack of substance. A pet peeve of mine, and something I have to remind myself of, is that the idea music now is not necessarily worse than what I grew up on. It has changed, just like what I grew up on was different than the ear before that. The difference is though the popularity of rap music.

Rap is mainstream now, has been for a while. The error we make when saying, “Rap is a young man’s game” is generalizing it as this new form of music. Yes, it is comparatively a new form of music, but in 2015 the pioneers like a Sugar Hill Gang, DJ Kool Herc and an Afrika Bambaataa are still around and should not be taken around the shed to be put down like a dog. In the same vein, we cannot sit here say that (insert any new rapper from the south) is the worst thing to ever happen to hip hop every day.

Acting seems to be “the way out” for rappers once they get a certain age. While there is nothing wrong with that, somewhere down the line the history is not being taught and kids are growing up thinking that Will Smith is an actor turned rapper, and having no idea about why it is so trippy seeing Ice-T playing a cop on television. The support for their careers just does not seem to be there and it is disappointing.

Going back off the point that rap is popular now; corporations have their hands all over rap, which has created a generation of people doing it for a check and less about the craft. This divide in the culture has made it difficult to have collaborations with artists from earlier years. Signing to a label ensures that they need your project to be as marketable as possible and trying to pitch them a single featuring Chuck D (no matter how great it actually may be) is not going to fly with them.

The balance is not there. A culture cannot survive if we do not know the roots while accepting the change and progression that comes in life. This loss of history or preservation of legends is what really going to lead to what everyone is worried about as of late, the whitewashing in rap. Iggy can’t claim a spot if we keep Lauryn Hill conscious.

Rap is at its best when we have young and old challenging each other and not one group being favored by the label executives. That creates a misrepresentation of what rap music is. Do your history, read about what rappers came before what you hear on the radio and listen to their music. Show that you cannot ostracize us at a certain age and that good artistry is timeless.

“I love and respect the culture.” “When you love and respect it, you’ll always be able to do it. That’s why I know with me being 44 years of age, there’s no limit, because I’m older. If that was the case, I would be like, ‘Aw, man, that rap stuff was cool when I was younger. I’ve outgrown that.’ You cannot outgrow culture! You can’t outgrow a culture, period! The fact that I am a part of the culture, I’m going to keep banging out until I don’t want to do it anymore but I still fiend for an ill-a** sample and an ill-a** beat to make.” –DJ Premier

Tony Gaskins "Step Into Greatness"

One of America’s most sought-after speakers, Tony A. Gaskins, Jr. is delivering on his mantra of “as we live, we should teach” with a new album set to inspire this generation for Greatness.  “I wanted to create a message to combat all the negative messages we receive from a lot of the music in pop culture. I want to speak truth to power and effect change in our society,” says Gaskins.

The album features seven tracks, each with its own unique missive. “Step Into Greatness” challenges you to utilize every gift you possess before they expire while “Eagles and Turkeys” forces you to choose sides between being great and being average. “Overcome” pushes you over the hump in your life while “The Climb” is an anthem of perseverance. “They Fear Me” and “War Against Self” are conscious tracks that challenge the status quo and the recently released title track is self-explanatory.

For musical accompaniment, Gaskins worked with fellow Floridians The Colleagues, a production duo that has created music for acts like Plies, 2 Chainz, Gucci Mane and more.

Big Sean Is Going On Tour This Spring

Along with linking up with J. Cole for the Forest Hill Drive Tour, Big Sean will be on the road himself for his latest album Dark Sky Paradise. The Detroit rapper will be performing internationally at 25 different locations, ranging from Cancun to Las Vegas. More locations have been announced via Instagram, and more will be announced soon. Sean has received commercial success from his album Dark Sky Paradise, which earned #1 album spot on Billboard’s top 200.

1st run of shows I'm doing before the summer. Tickets available at uknowbigsean.com/tour More dates to come!

A photo posted by BIGSEAN (@bigsean) on

 

FKA Twigs Will Create Short Films In Front Of A Live Audience

If you aren’t hip about FKA Twigs and her innovative style in visuals, you’re about to understand how creative she can get on stage. According to BBCthe London singer will attempt to create seven short films in front of a live audience at Manchester International Festival in July. Each film will be created each day she performs throughout the Festival, totaling seven days.

There hasn’t been any exclusive details about what Twigs will actually be creating, but with her weird visual eye, it’s better to be surprised if anything.

Watch Kanye's Premiere of "All Day" Video in Paris

Once again, Kanye wins over fans and hypebeasts once again this weekend. During his first performance for a Paris Foundation Louis Vutton series, Ye dropped the official video for “All Day”. You can check out the videos below.

A video posted by @lexiouwescudi on

Things Got Pretty Ratchet At Last Night's Migos' Show

Last night, the ATL Trap trio, Migos, performed at a location in Albany, NY. Everything was cool until someone through what seems to be a trashcan in the video. After that all hell broke loose, the crowd erupted in chaos, with one guy actually grabbing a steel gate to hurl at someone. There were multiple cases of stabbings that night at the concert, but they have been treated with minor wounds. If there’s any place that you would want to second guess about going too, it has to be a Migos concert. Even though the trio’s aggressive mixtape catalogue is entertaining as well as explosive, things can get really ratchet as a Migos show. Here’s the video:

Six People Stabbed at Migos Concert
– Watch More
Celebrity Videos
or
Subscribe

Check Out M.I.A.'s New Single "CanSeeCanDo"

For all the M.I.A. fans whose been waiting patiently for a new project, your wait might be over. Today, the UK artist dropped a new song titled “CanSeeCanDo”. According to (P&P)She was going to tweet another new track “All My People”, but chose to go with this one. M.I.A. also hinted that something is bound to drop this summer, but hasn’t confirmed a new project yet.

Read/Watch President Obama's Moving Speech In Selma

It is a rare honor in this life to follow one of your heroes. And John Lewis is one of my heroes.

Now, I have to imagine that when a younger John Lewis woke up that morning fifty years ago and made his way to Brown Chapel, heroics were not on his mind. A day like this was not on his mind. Young folks with bedrolls and backpacks were milling about. Veterans of the movement trained newcomers in the tactics of non-violence; the right way to protect yourself when attacked. A doctor described what tear gas does to the body, while marchers scribbled down instructions for contacting their loved ones. The air was thick with doubt, anticipation, and fear. They comforted themselves with the final verse of the final hymn they sung:

No matter what may be the test, God will take care of you;
Lean, weary one, upon His breast, God will take care of you.

Then, his knapsack stocked with an apple, a toothbrush, a book on government — all you need for a night behind bars — John Lewis led them out of the church on a mission to change America.

President Bush and Mrs. Bush, Governor Bentley, Members of Congress, Mayor Evans, Reverend Strong, friends and fellow Americans:

There are places, and moments in America where this nation’s destiny has been decided. Many are sites of war — Concord and Lexington, Appomattox and Gettysburg. Others are sites that symbolize the daring of America’s character — Independence Hall and Seneca Falls, Kitty Hawk and Cape Canaveral.

Selma is such a place.

In one afternoon fifty years ago, so much of our turbulent history — the stain of slavery and anguish of civil war; the yoke of segregation and tyranny of Jim Crow; the death of four little girls in Birmingham, and the dream of a Baptist preacher — met on this bridge.

It was not a clash of armies, but a clash of wills; a contest to determine the meaning of America.

And because of men and women like John Lewis, Joseph Lowery, Hosea Williams, Amelia Boynton, Diane Nash, Ralph Abernathy, C.T. Vivian, Andrew Young, Fred Shuttlesworth, Dr. King, and so many more, the idea of a just America, a fair America, an inclusive America, a generous America — that idea ultimately triumphed.

As is true across the landscape of American history, we cannot examine this moment in isolation. The march on Selma was part of a broader campaign that spanned generations; the leaders that day part of a long line of heroes.

We gather here to celebrate them. We gather here to honor the courage of ordinary Americans willing to endure billy clubs and the chastening rod; tear gas and the trampling hoof; men and women who despite the gush of blood and splintered bone would stay true to their North Star and keep marching toward justice.

They did as Scripture instructed: “Rejoice in hope, be patient in tribulation, be constant in prayer.” And in the days to come, they went back again and again. When the trumpet call sounded for more to join, the people came — black and white, young and old, Christian and Jew, waving the American flag and singing the same anthems full of faith and hope. A white newsman, Bill Plante, who covered the marches then and who is with us here today, quipped that the growing number of white people lowered the quality of the singing. To those who marched, though, those old gospel songs must have never sounded so sweet.

In time, their chorus would reach President Johnson. And he would send them protection, echoing their call for the nation and the world to hear:

“We shall overcome.”

What enormous faith these men and women had. Faith in God — but also faith in America.

The Americans who crossed this bridge were not physically imposing. But they gave courage to millions. They held no elected office. But they led a nation. They marched as Americans who had endured hundreds of years of brutal violence, and countless daily indignities — but they didn’t seek special treatment, just the equal treatment promised to them almost a century before.

What they did here will reverberate through the ages. Not because the change they won was preordained; not because their victory was complete; but because they proved that nonviolent change is possible; that love and hope can conquer hate.

As we commemorate their achievement, we are well-served to remember that at the time of the marches, many in power condemned rather than praised them. Back then, they were called Communists, half-breeds, outside agitators, sexual and moral degenerates, and worse — everything but the name their parents gave them. Their faith was questioned. Their lives were threatened. Their patriotism was challenged.

And yet, what could be more American than what happened in this place?

What could more profoundly vindicate the idea of America than plain and humble people — the unsung, the downtrodden, the dreamers not of high station, not born to wealth or privilege, not of one religious tradition but many — coming together to shape their country’s course?

What greater expression of faith in the American experiment than this; what greater form of patriotism is there; than the belief that America is not yet finished, that we are strong enough to be self-critical, that each successive generation can look upon our imperfections and decide that it is in our power to remake this nation to more closely align with our highest ideals?

That’s why Selma is not some outlier in the American experience. That’s why it’s not a museum or static monument to behold from a distance. It is instead the manifestation of a creed written into our founding documents:

“We the Peoplein order to form a more perfect union.”

“We hold these truths to be self-evident, that all men are created equal.”

These are not just words. They are a living thing, a call to action, a roadmap for citizenship and an insistence in the capacity of free men and women to shape our own destiny. For founders like Franklin and Jefferson, for leaders like Lincoln and FDR, the success of our experiment in self-government rested on engaging all our citizens in this work. That’s what we celebrate here in Selma. That’s what this movement was all about, one leg in our long journey toward freedom.

The American instinct that led these young men and women to pick up the torch and cross this bridge is the same instinct that moved patriots to choose revolution over tyranny. It’s the same instinct that drew immigrants from across oceans and the Rio Grande; the same instinct that led women to reach for the ballot and workers to organize against an unjust status quo; the same instinct that led us to plant a flag at Iwo Jima and on the surface of the Moon.

It’s the idea held by generations of citizens who believed that America is a constant work in progress; who believed that loving this country requires more than singing its praises or avoiding uncomfortable truths. It requires the occasional disruption, the willingness to speak out for what’s right and shake up the status quo.

That’s what makes us unique, and cements our reputation as a beacon of opportunity. Young people behind the Iron Curtain would see Selma and eventually tear down a wall. Young people in Soweto would hear Bobby Kennedy talk about ripples of hope and eventually banish the scourge of apartheid. Young people in Burma went to prison rather than submit to military rule. From the streets of Tunis to the Maidan in Ukraine, this generation of young people can draw strength from this place, where the powerless could change the world’s greatest superpower, and push their leaders to expand the boundaries of freedom.

They saw that idea made real in Selma, Alabama. They saw it made real in America.

Because of campaigns like this, a Voting Rights Act was passed. Political, economic, and social barriers came down, and the change these men and women wrought is visible here today in the presence of African-Americans who run boardrooms, who sit on the bench, who serve in elected office from small towns to big cities; from the Congressional Black Caucus to the Oval Office.

Because of what they did, the doors of opportunity swung open not just for African-Americans, but for every American. Women marched through those doors. Latinos marched through those doors. Asian-Americans, gay Americans, and Americans with disabilities came through those doors. Their endeavors gave the entire South the chance to rise again, not by reasserting the past, but by transcending the past.

What a glorious thing, Dr. King might say.

What a solemn debt we owe.

Which leads us to ask, just how might we repay that debt?

First and foremost, we have to recognize that one day’s commemoration, no matter how special, is not enough. If Selma taught us anything, it’s that our work is never done — the American experiment in self-government gives work and purpose to each generation.

Selma teaches us, too, that action requires that we shed our cynicism. For when it comes to the pursuit of justice, we can afford neither complacency nor despair.

Just this week, I was asked whether I thought the Department of Justice’s Ferguson report shows that, with respect to race, little has changed in this country. I understand the question, for the report’s narrative was woefully familiar. It evoked the kind of abuse and disregard for citizens that spawned the Civil Rights Movement. But I rejected the notion that nothing’s changed. What happened in Ferguson may not be unique, but it’s no longer endemic, or sanctioned by law and custom; and before the Civil Rights Movement, it most surely was.

We do a disservice to the cause of justice by intimating that bias and discrimination are immutable, or that racial division is inherent to America. If you think nothing’s changed in the past fifty years, ask somebody who lived through the Selma or Chicago or L.A. of the Fifties. Ask the female CEO who once might have been assigned to the secretarial pool if nothing’s changed. Ask your gay friend if it’s easier to be out and proud in America now than it was thirty years ago. To deny this progress — our progress — would be to rob us of our own agency; our responsibility to do what we can to make America better.

Of course, a more common mistake is to suggest that racism is banished, that the work that drew men and women to Selma is complete, and that whatever racial tensions remain are a consequence of those seeking to play the “race card” for their own purposes. We don’t need the Ferguson report to know that’s not true. We just need to open our eyes, and ears, and hearts, to know that this nation’s racial history still casts its long shadow upon us. We know the march is not yet over, the race is not yet won, and that reaching that blessed destination where we are judged by the content of our character — requires admitting as much.

“We are capable of bearing a great burden,” James Baldwin wrote, “once we discover that the burden is reality and arrive where reality is.”

This is work for all Americans, and not just some. Not just whites. Not just blacks. If we want to honor the courage of those who marched that day, then all of us are called to possess their moral imagination. All of us will need to feel, as they did, the fierce urgency of now. All of us need to recognize, as they did, that change depends on our actions, our attitudes, the things we teach our children. And if we make such effort, no matter how hard it may seem, laws can be passed, and consciences can be stirred, and consensus can be built.

With such effort, we can make sure our criminal justice system serves all and not just some. Together, we can raise the level of mutual trust that policing is built on — the idea that police officers are members of the communities they risk their lives to protect, and citizens in Ferguson and New York and Cleveland just want the same thing young people here marched for — the protection of the law. Together, we can address unfair sentencing, and overcrowded prisons, and the stunted circumstances that rob too many boys of the chance to become men, and rob the nation of too many men who could be good dads, and workers, and neighbors.

With effort, we can roll back poverty and the roadblocks to opportunity. Americans don’t accept a free ride for anyone, nor do we believe in equality of outcomes. But we do expect equal opportunity, and if we really mean it, if we’re willing to sacrifice for it, then we can make sure every child gets an education suitable to this new century, one that expands imaginations and lifts their sights and gives them skills. We can make sure every person willing to work has the dignity of a job, and a fair wage, and a real voice, and sturdier rungs on that ladder into the middle class.

And with effort, we can protect the foundation stone of our democracy for which so many marched across this bridge — and that is the right to vote. Right now, in 2015, fifty years after Selma, there are laws across this country designed to make it harder for people to vote. As we speak, more of such laws are being proposed. Meanwhile, the Voting Rights Act, the culmination of so much blood and sweat and tears, the product of so much sacrifice in the face of wanton violence, stands weakened, its future subject to partisan rancor.

How can that be? The Voting Rights Act was one of the crowning achievements of our democracy, the result of Republican and Democratic effort. President Reagan signed its renewal when he was in office. President Bush signed its renewal when he was in office. One hundred Members of Congress have come here today to honor people who were willing to die for the right it protects. If we want to honor this day, let these hundred go back to Washington, and gather four hundred more, and together, pledge to make it their mission to restore the law this year.

Of course, our democracy is not the task of Congress alone, or the courts alone, or the President alone. If every new voter suppression law was struck down today, we’d still have one of the lowest voting rates among free peoples. Fifty years ago, registering to vote here in Selma and much of the South meant guessing the number of jellybeans in a jar or bubbles on a bar of soap. It meant risking your dignity, and sometimes, your life. What is our excuse today for not voting? How do we so casually discard the right for which so many fought? How do we so fully give away our power, our voice, in shaping America’s future?

Fellow marchers, so much has changed in fifty years. We’ve endured war, and fashioned peace. We’ve seen technological wonders that touch every aspect of our lives, and take for granted convenience our parents might scarcely imagine. But what has not changed is the imperative of citizenship, that willingness of a 26 year-old deacon, or a Unitarian minister, or a young mother of five, to decide they loved this country so much that they’d risk everything to realize its promise.

That’s what it means to love America. That’s what it means to believe in America. That’s what it means when we say America is exceptional.

For we were born of change. We broke the old aristocracies, declaring ourselves entitled not by bloodline, but endowed by our Creator with certain unalienable rights. We secure our rights and responsibilities through a system of self-government, of and by and for the people. That’s why we argue and fight with so much passion and conviction, because we know our efforts matter. We know America is what we make of it.

We are Lewis and Clark and Sacajawea — pioneers who braved the unfamiliar, followed by a stampede of farmers and miners, entrepreneurs and hucksters. That’s our spirit.

We are Sojourner Truth and Fannie Lou Hamer, women who could do as much as any man and then some; and we’re Susan B. Anthony, who shook the system until the law reflected that truth. That’s our character.

We’re the immigrants who stowed away on ships to reach these shores, the huddled masses yearning to breathe free — Holocaust survivors, Soviet defectors, the Lost Boys of Sudan. We are the hopeful strivers who cross the Rio Grande because they want their kids to know a better life. That’s how we came to be.

We’re the slaves who built the White House and the economy of the South. We’re the ranch hands and cowboys who opened the West, and countless laborers who laid rail, and raised skyscrapers, and organized for workers’ rights.

We’re the fresh-faced GIs who fought to liberate a continent, and we’re the Tuskeegee Airmen, Navajo code-talkers, and Japanese-Americans who fought for this country even as their own liberty had been denied. We’re the firefighters who rushed into those buildings on 9/11, and the volunteers who signed up to fight in Afghanistan and Iraq.

We are the gay Americans whose blood ran on the streets of San Francisco and New York, just as blood ran down this bridge.

We are storytellers, writers, poets, and artists who abhor unfairness, and despise hypocrisy, and give voice to the voiceless, and tell truths that need to be told.

We are the inventors of gospel and jazz and the blues, bluegrass and country, hip-hop and rock and roll, our very own sounds with all the sweet sorrow and reckless joy of freedom.

We are Jackie Robinson, enduring scorn and spiked cleats and pitches coming straight to his head, and stealing home in the World Series anyway.

We are the people Langston Hughes wrote of, who “build our temples for tomorrow, strong as we know how.”

We are the people Emerson wrote of, “who for truth and honor’s sake stand fast and suffer long;” who are “never tired, so long as we can see far enough.”

That’s what America is. Not stock photos or airbrushed history or feeble attempts to define some of us as more American as others. We respect the past, but we don’t pine for it. We don’t fear the future; we grab for it. America is not some fragile thing; we are large, in the words of Whitman, containing multitudes. We are boisterous and diverse and full of energy, perpetually young in spirit. That’s why someone like John Lewis at the ripe age of 25 could lead a mighty march.

And that’s what the young people here today and listening all across the country must take away from this day. You are America. Unconstrained by habits and convention. Unencumbered by what is, and ready to seize what ought to be. For everywhere in this country, there are first steps to be taken, and new ground to cover, and bridges to be crossed. And it is you, the young and fearless at heart, the most diverse and educated generation in our history, who the nation is waiting to follow.

Because Selma shows us that America is not the project of any one person.

Because the single most powerful word in our democracy is the word “We.” We The People. We Shall Overcome. Yes We Can. It is owned by no one. It belongs to everyone. Oh, what a glorious task we are given, to continually try to improve this great nation of ours.

Fifty years from Bloody Sunday, our march is not yet finished. But we are getting closer. Two hundred and thirty-nine years after this nation’s founding, our union is not yet perfect. But we are getting closer. Our job’s easier because somebody already got us through that first mile. Somebody already got us over that bridge. When it feels the road’s too hard, when the torch we’ve been passed feels too heavy, we will remember these early travelers, and draw strength from their example, and hold firmly the words of the prophet Isaiah:

“Those who hope in the Lord will renew their strength. They will soar on wings like eagles. They will run and not grow weary. They will walk and not be faint.”

We honor those who walked so we could run. We must run so our children soar. And we will not grow weary. For we believe in the power of an awesome God, and we believe in this country’s sacred promise.

May He bless those warriors of justice no longer with us, and bless the United States of America.

Brewski – "Superman Pajamas"

Growing up on the Southside of Chicago Brewski has always been around or involved with music, but it wasn’t until his senior year of high school that he started to take rap music serious. Over the years Brewski has released such videos as “Chauffeur” and “Cocky” which has in turn made his fan base grow immensely.

Today the Chicago native is back with his new single “Superman Pajamas” which is the first single off his forthcoming project The Confidence LP. If your a 90’s baby then you will appreciate the Billy Madison, Dodgeball, Hook and Toy Story references. Be on the lookout for Brewski to drop The Confidence LP on April 13th which you can pre-order on iTunes.

Did Angie Stone Totally Let Herself Go?

Got damn it, people! The social media world is DUMB and people totally accept BS! There is a picture floating around the entire internet and Facebook stating that the picture below is ANGIE STONE!

The picture in question is really a drag queen down with RuPaul named Latrice Royale, seen on Facebook.

drag queen Latrice Royale Facebook

This is a recent picture of Angie as seen on Facebook.

Angie Stone Facebook

Last but not least, this should end the rumors.

Latrice Royale jennifer hudson

Angie Stone is a Hip-Hop pioneer. Google that!

Scarface Announces New Album Title

Everybody is excited over the new Kendrick Lamar album, but there is another opus on the horizon for 2015. Scarface has announced that he will release a new album this spring, titled Deeply Rooted.

Scarface’s last album was the 2008 classic Emeritus.

The Houston rapper put the announcement in a video.

FRESH HEAT: 5th Ward JP Ft. Kirko Bangz – "Too Many Bosses"

The South continues to improve Hip-Hop. Alongside The Sauce Factory, Houston’s 5th Ward JP is earning respect from his city. Soon global ears will follow suit. Check out his latest, “Too Many Bosses” featuring Kirko Bangz.

Prepare for the Sauce Experience; drip or drown!

Gangrene (Alchemist x Oh No) ft. Earl Sweatshirt & Future Islands – Play It Cool

To celebrate the release of Grand Theft Auto V on the PC, Mass Appeal and Rockstar games have collaborated to bring you Welcome to Los Santos, a project that consists of production duo Gangrene (The Alchemist & Oh No) teaming up a plethora of diverse artists. According to P&P, the project will be released on the PC version of GTAV before being fully released as a separate album. However, the first track “Play It Cool” has been released, featuring Odd Future’s Earl Sweatshirt and Samuel T. Herring of Future Islands. Check out the track below, and let us know what you think.