(AllHipHop News) Greatness is rarely premeditated and as improvisational as B-Boy dancing is, a few of its greatest evolutions were by complete accidents. During the final part of our EXCLUSIVE interview with Crazy Legs, the legendary dancer explains how losing got him into Rock Steady Crew, the origins of his famous “Windmill” and more.
Rock Steady Crew was established in 1977 by its founders Jimmy Dee and Jimmy Lee. Crazy Legs would not join the group until 1979 after battling the founders and according to his recollection, his initiation happened following a loss:
I don’t remember the music, but we battled at Jimmy D’s building on Echo Place in the Bronx. It was me and my cousin Lenny Len versus Jimmy D and Jimmy Lee. Honestly, I remember losing. [Laughs]. That’s what I remember the most. But, the best thing out of that is we already knew them and they had noticed the progress we were making and they saw the potential in us and they gave us a shot.
One of Crazy Legs’ claims to fame is his famous “windmill”. Originally referred to as the “continuous backspin”, Crazy Legs describes the discovery of one of the most impactful B-boying moves “accidental evolution”:
I was going into a backspin. I was coming out of the backspin and I was going to go into a chair freeze, I over rotated and went back on my back again.
Check out the third and final part of our EXCLUSIVE interview with Crazy Legs below:
On Saturday, August 23, 2014, a capacity crowd of around 45,000 filled Comerica Park in Detroit, Michigan, for the final night of Eminem and Rihanna’s six show Monster Tour run. Over the course of 2.5 hours, the two powerhouse performers went through over 50 songs, which included hits both new and old. Yes, the video segment leading up to the artists emerging on stage was dope, and Rihanna looking sexy and cool the whole time was captivating, but, based on the vibe of those who were in attendance, Mr. Mathers was clearly still the main attraction. Plus, with the Motor City skyline in sight, it is impossible to put into words the electricity that culminated when Em came out on stage alongside his co-headliner in front of his hometown audience.
After an opening segment where the two superstars performed a few ditties together, including their 2012 collaboration, “Numb,” and a cool rendition “Run This Town” where Eminem kicked a “Renegade” verse over that beat, the stage became Rihanna’s. The 7-time Grammy winner not only delivered stellar performances of smash singles like “What’s My Name?” and “Umbrella,” but, with the assistance of back up dancers, provided the showmanship needed to support the upbeat nature of many of her high-energy records. The highlight of Rihanna’s solo set though was her singing her ballad, “Stay.” Taking in the thousands of lighters and cell phone lights against the night sky was truly an amazing experience. Keeping with the mellow tone of that song, she then transitioned into “Love the Way You Lie” via Skylar Grey’s version with her sung verses in addition to the popular chorus. Not surprisingly, Eminem then came out to join Rihanna and spit his bars. It was there that the show was passed off to him.
With hype man and collaborator Mr. Porter by his side, Eminem proceeded to go through his catalog of hits. Material from his lesser acclaimed albums such as Encore and Relapse didn’t receive as much airtime as tracks from his other LPs, but he did deliver a powerful rendition of “Evil Deeds.” Having seen him perform this almost a decade ago on The Anger Management 3 Tour, Em’s performance of the haunting Encore song opener this go round was a vast improvement and it left a lasting impression. Watching him perform “Rap God” immediately after proved he was just that. While the crowd rapped along with every other part, it stopped at the 4:26 mark in the record and watched in awe as Eminem had “lyrics coming at [them] at supersonic speed” live.
One of the greatest moments in Eminem’s set was when he brought back his Slim Shady persona and did “Just Don’t Give a F**k” and “Still Don’t Give a F**k” one right after the other. Rihanna then briefly accompanied Em for the choruses to “Airplanes Pt. II” and “Stan.” He later, in the midst of other noteworthy records, paid homage to Proof and Nate Dogg during “Like Toy Soldiers” and “‘Till I Collapse” respectively. And to close out his portion of the show, he ended with the Oscar-Winning “Lose Yourself.” The night’s musical finale was Rihanna and Eminem sharing the stage one more time for a fireworks inclusive performance of their #1 song, “The Monster.”
However, the show wasn’t over!
It was all fantastic. The turnout for the last night of Monster and non-stop roaring excitement in response to the great music spoke volumes. The performers’ appreciation for the audience wasn’t withheld either. From Rihanna thanking Detroit for making her feel at home to Em thanking everyone for their support before launching into “Not Afraid” to Mr. Porter’s “Thank God” shirt, the admiration was mutual. The concert was a win-win for everyone involved and served as a perfect ending to The Marshall Mathers LP 2 era of Eminem’s iconic career… which is why so many are now chomping at the bit for Shady XV.
(AllHipHop News) All men are created equal..even criminals. Yesterday (August 24th) 50 Cent and the West Hollywood Mayor separately addressed Suge Knight’s shooting early Sunday morning.
Suge Knight was hospitalized after sustaining six gunshot wounds at Chris Brown’s pre-VMA party in West Hollywood. The West Hollywood Mayor John D’Amico addressed the shooting to The L.A. Times mentioning that the person responsible for the shooting is still at large:
This was just a regular night of fun on the Sunset Strip, and it was disrupted by criminals. Hopefully the sheriff’s department will find out who the person or persons were and prosecute them to the full extent of the law.
50 Cent is no stranger to multiple gunshot wounds and took a different approach to addressing the Death Row Records founder’s shooting. On his personal Instagram account, 50 referenced his TV show Power in his commentary:
(AllHipHop Features) After taking the top spot on Billboard’s Hot Rap Songs chart in 2012 with “Cashin’ Out,” it appeared Georgia rapper Ca$h Out was on the cusp of major stardom. Complications with his then label put a wrench in the young artist’s plan of releasing a studio album, but a new indie deal has Ca$h ready to share his first official LP Let’s Get It with the world.
The Bases Loaded representative was not on a complete hiatus during his transitional period though. He released the mixtape Ya Feel Me?, toured extensively, and appeared on projects by Uncle Murda, Rich Homie Quan, and Lil Durk over the last two years. But August 2014 marks the moment where Cash hopes to raise his game to another level.
The forthcoming release of Let’s Get It was preceded by the DJ Montay produced “Mexico” and the YouTube hit “She Twerkin.” The latter track also found its way onto the Billboard charts and DJ sets throughout the South setting up Ca$h to make a noticeable re-entrance back into the greater musical landscape.
AllHipHop.com caught up with Ca$h Out to talk about his new album, Atlanta Hip Hop, and more.
“Let’s Get It” Cover Art
Your “Cashin’ Out” single was a huge hit for you in 2012. What took so long for you to follow that up with your debut studio album?
Going through different situations from Epic to the new situation we’re in with eOne. I wanted the album to drop back then when we were with Epic, but due to the facts that certain things happened – I mean we left on good terms. We just weren’t feeling the way things were moving at the time, so we asked for our release. They granted that with no problem, because everybody made good money.
Once we left, we just turned all the way back up with “She Twerkin.” We already had the streets as far as my mixtapes and doing shows. It was just about getting back on the mainstream with the single. That’s what “She Twerkin” did.
Why did you decide to team up with eOne for your latest label deal?
Just having more control and more digits when it comes to dollars. If we get out there and do a certain amount of records or singles sold, it’s different than points or signing with a major where you gotta do all these extras. So if we’re out there grinding and working, who knows what we might do. Who knows, we might do some crazy numbers – a Mac Miller type of situation.
All these artists got good independent situations. It’s great for your team if you know how to move a certain way. Then you never know. You might team up with a major. You just gotta make sure the situation makes sense.
So you would be open to signing with another major if the deal is right?
All the time, it’s teamwork. A lot of artists have been on different labels. It’s about the best situation. Sometimes it goes good when you come in. It might go another way, and you just have to do something else. But hey, we all move on like in sports.
You dropped the video “She Wanna Ride” featuring Shanell. The tracklist for Let’s Get It doesn’t have very many features. The one I saw only had four features. Why did you decide to limit the number of guests on this album?
We got Ty Dolla [$ign] on the album. We got Wiz Khalifa. They just got added after the hard copy was made. They’re on the “Let’s Get It” intro song. We got Waka Flocka. We got Rich Homie. We got Shanell. We got French Montana. I felt like that was enough. That’s 6-7 features on a twelve song album. That’s great to me.
So the digital copy will have the song with Wiz and Ty?
Yeah, Wiz, Ty Dolla, and me. Yeah, it’s on the album. If you get the pre-order right now you’ll hear the verses. We sent everything in to iTunes, they made the cut after that. When you get the album you will hear Wiz and Ty on there. That’s the second single too.
Why do you think the track “She Twerkin” is doing so well? It charted on Billboard and it has over a million views on YouTube. What do you think it is about that song that connected with people?
The music is speaking for itself. The people are loving it – the females, the bosses. When you get in there and make music that just speaks volumes, and it’s nothing you gotta force – you’re definitely going to push it – but it’s nothing you gotta force. I feel like that’s what my music does when I go in the booth. When I let people hear the album they were like, “Wow, this is amazing.” We’re just turnt up right now.
Since you first came out there have been new Atlanta rappers to come out with a melodic flow like Rich Homie Quan and Young Thug. How do you see yourself breaking out musically from the Atlanta pack now in 2014?
Making music. Everybody’s making good music. That’s what you gotta focus on, making your music, making your hits. And let everybody else make their hits. That’s all I’m focused on. My team Bases Loaded as a label, and Cash Out as an artist. Just keep continuing to make this music these people keep playing. That’s my focus, my album Let’s Get It.
A lot of people feel like one of the reasons why so many artists from Atlanta can all do so well at the same time is because there’s more a sense of camaraderie in the city among the rappers there. Do you think that’s the case?
Yeah, that’s what it is. Everybody’s working. Everybody’s working together. Even if you haven’t work with the artist, in some point in time you’re gonna work with them. There ain’t no beef that I know of going on right now. It’s a beautiful situation. Let’s keep the city on fire. Let’s keep the world on fire with the songs that they wanna hear, and we’re gonna keep getting it. Everybody keep getting money.
Who are some of your favorite rappers?
Definitely 2Pac. Out of the new artists, I like Kendrick Lamar, Drake, and myself. Biggie, Jay Z, just to name a few. And my boy Pimp C.
Outside of music, are you interested in doing any other areas of entertainment? What about a reality show or acting?
No, reality [show], unless it’s some real movies. I might even do p### with a n***a’s girlfriend [laughs]. Anything – commercials, endorsements, I’m with it. I’m a real street hustler. We’re with getting this money all type of ways. It’s never one hustle.
What are your expectations for Let’s Get It?
To just take over the world. When they hear this music off this album – just take over the world. To really be real, this is the best album of the year and going into next year.
Ca$h Out (via Instagram)
Ca$h Out’s Let’s Get It album is scheduled for release on Tuesday, August 26 via eOne Music.
(AllHipHop News) 15 years of being Shady is about to be rewarded. Earlier today (August 25th) Eminem announced that he will be releasing Shady XV, a 2-CD compilation album commemorating Shady Records’ 15 year anniversary.
The 2-CD compilation album will feature the label’s hits such as “In Da Club”, “Lose Yourself” and others as well as a full CD of new material. Eminem is also giving out 500 limited edition “ShadyXV” T-Shirts.
Today (August 25th), Eminem’s collaboration with Sia “Guts Over Fear” released on iTunes for the soundtrack of the Denzel Washington-starring film The Equalizer.
ShadyXV will be released on Black Friday, November 28th, 2014. Check out the full details here.
I don’t know all of what was supposed to happen at the VMAs regarding Ferguson. I did not actually watch the VMA’s though, so I am not sure. I heard a diverse scope of opinion ranging from the show sucked to Beyonce rules.
But a young lady says that they had conducted a bevy of interviews and they allegedly made promises. Those interviews didn’t make it. Peep:
I’m thinking MTV had way more footage than they could use and had to cut, cut, cut! But you can’t play with Ferguson. Tensions are high as Snoop in Amsterdam.
(AllHipHop Editorial) Yesterday (August 24th), the Afropunk Festival closed out its 10th anniversary in a manner befitting a concert historically known for a diverse musical display:Four stages of non-stop music. Commodore Berry Park was engulfed in the Afropunk experience, with vendors such as Nubian Heritage lined in the back of the main Green Stage while performers such as Sharon Jones and The Dap Kings on Day 1.
Near the end of Cakes Da Killa’s performance on the Red Stage, the 360 degree musical experience of Afropunk appeared to sprout organic surprises such as Brooklyn United Marching Band began a seemingly impromptu performance:
SZA, in nothing more than her signature smile and a Cheech & Chong T-shirt swayed around the stage while crooning songs from her Z EP. The sheepish and stationary movements of her performance at Rough Trade last month began to give way to more energetic movements to the vibrating bounce of “Hiijack” and the stuttering drums of “Babylon”.
Afropunk’s four stage design was a manifestation of the “music everywhere, anytime” movement that has grown in prevalence with the advent of mobile music streaming. However, that sheer volume of choice becomes overwhelming once the machine is delayed. Once Cakes Da Killa and SZA’s back-to-back performances were delayed by over 20 minutes, The Internet’s originally scheduled 6:15 P.M. performance was pushed back until fans had to choose between 20 year veteran Meshell Ndegeocello on the main Green Stage and the upstart new age funk band.
This was not as easy to mask when 8:30 P.M. arrived and the collective crowds of the Gold, Black and Red Stage(along with the food truck ) converged on the Green Stage lawn to witness D’angelo. The reclusive genius, whom performed at Brooklyn Bowl with ?uestlove last year, did not emerge until an hour afterwards and after roughly 30 minutes was thanking a dejected and withering crowd for coming out.
With ?uestlove on drums, D’angelo’s time was used expertly with his first song being a stirring rendition of Bob Marley’s “Burning & Looting” which speaks on police brutality. D’angelo’s short performance was an emblem of the past 14 years of his career: Sudden, spectacular and short.
Check out AllHipHop recap of Day 2 of Afropunk below:
Mariah recently put a gag order on Nick Carey Cannon, so that he is not able to speak on the details of what is soon to be their messy a** divorce.
But sources are reporting that Nick is the one who walked out on Mariah, not the other way around as it seems, word is he also fears for Carey’s mental stability and being around their kids.
BallerAlert reports:
“Sources close to Nick say he believes that the environment around Mariah is toxic and he wants to create an environment separate from Mariah for the kids without all of the chaos at home. Nick is also telling his people he’s deeply concerned about Mariah’s mental health and believes her people don’t care about anything but her ability to make money and pay their salaries.
Why are “sources” speaking for Nick, you ask? Allegedly Mariah put a gag order on him and he’s not allowed to speak on the divorce at all. Somehow, I believe what he is saying. Something seems a little off and Mariah is definitely surrounded by way too many “yes-men”.”
Beyonce showed up and showed at last night at the VMAs, while her hubby and daughter looked on gleaming with pride, but word is backstage The Carters weren’t as picture perfect as they seemed onstage.
MediaTakeout reports that Bey and Jay were spotted backstage in a “heated” argument, possibly over Solange.
“The insider who WORKED WITH THE SHOW explained, “Beyonce had her whole area backstage. It was like 5 dressing rooms in one corner so there were no cameras and no one in there other than her people, and us [The MTV personnel].” And we’re told that it was Beyonce’s sister SOLANGE that caused the mess.
According to our snitch Solange was ‘BANNED’ from entering the area, and Beyonce didn’t know about it. It’s not clear whether Solange’s ‘bannin’ was a request made by Jay Z, or by MTV. But the insider explained, “Beyonce was arguing with security asking about Solange. I always thought that Beyonce was very soft spoken, she’s not. She was all in the [security guard’s] face.”
Jay z, we’re told, then came by and tried to calm down Beyonce, The insider explained, “Jay tried to calm her down but she started yelling at him too. She wasn’t really yelling, but she was talking mad. Her neck was twisting too, like she was giving him hell.”
The insider ended, “Beyonce then walked away, and everyone was quiet. It was very awkward to see Bey act like that towards her husband.””
Would you ban Solange from being backstage, or would you let the elevator incident slide?
(AllHipHop News) It had been a trying week for Floyd Mayweather. The boxing champion was ridiculed online by 50 Cent and on the radio by Charlamagne Tha God over allegations that he had trouble reading. Those shots did not stop Money Mayweather from taking in the Ball Up basketball event in Las Vegas over the weekend.
Mayweather showed up to the Ball Up “Search for the Next” championship game held in Sin City on Saturday. The best players from open run tryouts in several cities – including Chicago, Atlanta, New York, and Baltimore – were assembled in Vegas for the finals with one MVP earning a $100,000 contract with Ball Up.
Boxer Floyd Mayweather and Ball Up CEO Demetrius Spencer (via Ball Up)
“Our Ball Up championship game is one of the most anticipated events in streetball, bringing out the best of the best talent from all over the country” said Demetrius Spencer, CEO of Ball Up. “The competition is intense, with the players hours away from realizing their dream of turning their passion into a profession.”
The championship game and each of the local live events were filmed for the TV show Ball Up: Search for the Next airing later this year on Fox Sports. NBA stars like Gilbert Arenas, Joakim Noah, George Hill, Nick Young, Eric Gordon, Kyle Lowery, and Meta World Peace make appearances during the cross country run.
(AllHipHop News) Slaughterhouse member Joe Budden is reportedly wanted for questioning by the police. According to the New York Daily News, the New York Police Department is looking for Budden in connection to an alleged assault on his ex-girlfriend and a robbery.
The NYPD claims Budden forced the woman into his car outside a restaurant in Washington Heights last week. He then allegedly drove her back to his home in New Jersey and continued to beat her. There are also allegations that Budden stole the woman’s cell phone.
After news broke that the police was asking the public for help finding Budden, the No Love Lost rapper began tweeting messages directed at the NYPD. He even threatened to sue the department.
While Budden has tweeted that he is “on the run” from the NYPD, he has reportedly stated New Jersey police searched his home. A representative of the former Love and Hip Hop cast member issued a statement to AllHipHop.com about the abuse allegations and his cooperation with the authorities.
Mr. Budden looks forward to an opportunity to responsibly deal with and address the allegations against him so he may establish the actual facts of the night in question. Mr. Budden has fully cooperated with the investigation. Mr. Budden asks for patience as the evidence and facts unfold to demonstrate the truth of his involvement and the real events that transpired on the night in question.
The Unit used the latest popular approach of dropping an album with out a prior announcement. The 6-track project hit online retailers at midnight. The Beauty of Independence is the first official release from G-Unit since 2008’s T·O·S (Terminate on Sight).
(AllHipHop News) 2014 has seen several high-profile emcees jump into the battle arena. Joe Budden stepped up to go against Hollow Da Don at Total Slaughter, Keith Murray and Fredro Starr will face off at an MC War showcase in September, and news broke overnight Cassidy will challenge Dizaster this year as well.
Battlerap.com is reporting the Diz and Cas match will take place at the Fresh Coast/FilmOn event in Los Angeles this December. This is not the first time Dizaster battled a major artist. His bout against Canibus has become one of the most viewed on YouTube because of Can’s use of a notepad during the match.
Incase yall talkin dat s### in ur head, just know i know more about battlerap then any of u, and this battle will surpass classic
(AllHipHop News) Shady’s back. Eminem is celebrating the 15 year anniversary of the release of his debut major label album The Slim Shady LP with a brand new project dropping later this year.
The Detroit legend announced Shady XV first during a brief moment in the trailer for Denzil Washington’s The Equalizer that ran during the VMAs and later on Twitter.
The Shady Records head also released the first single from Shady XV. The track, titled “Guts Over Fear,” features Sia and will also be included on the soundtrack to The Equalizer. Shady XV is scheduled for release on Black Friday (November 28th).
(AllHipHop News) MTV held its annual Video Music Awards last night, and some of the biggest names in music were on hand to perform their latest hits.
Before being presented the Michael Jackson Video Vanguard Award from husband Jay Z and daughter Blue Ivy, Beyoncé ran through a medley of all the songs from her self-titled blockbuster album.
Nicki Minaj helped open the show with Jessie J and Ariana Grande. The trio joined forces for a medley of “Break Free,” “Anaconda,” and “Bang Bang.”
Nicki returned later in the show to drop a verse on Usher’s “She Came To Give It You,” and female rap was further represented by Iggy Azalea. The Hustle Gang associate brought out Roc Nation’s Rita Ora for “Black Widow.”
(AllHipHop News) Jeezy had a run in with police that prevented him from performing at a tour date along the “Under The Influence of Music” tour, according to sources with AllHipHop.
The situation unfurled at the Verizon Wireless Amphitheater Irvine in Irvine, CA, where Jeezy was unable to hit the stage.
Source say Jeezy never left his tour bus, much less get on stage to perform for thousands of fans.
Authorities have not released their motivation for the stoppage, but insiders have indicated that it may be related to a situation on Friday that left a man shot to death. A 38-year-old man was shot backstage from a person dressed in all black with a red hat, according to witnesses.
Sources with AllHipHop have stated that the man was a promoter that was also promoting Jeezy’s after party that evening in Mountain View, CA.
Jeezy’s bus was searched, but he did not go with police immediately. At press time, the Georgia native was not charged with any crime.
The Under The Influence Tour includes stars like Wiz Khalifa, Ty Dolla $ign, Rich Homie Quan, Sage the Gemini, Iamsu!, Mack Wilds, and DJ Drama.
Jeezy’s new album, Seen It All, is slated for release on September 2.
At press time, there were no representatives for Jeezy available for comment.
Did Hip-Hop fuel the uprising in Ferguson? One professional and resident of nearby St. Louis, Missouri tells AllHipHop about the transformation within a small, sleepy town. And himself.
Over the course of the past two weeks, I have born witness to a transformative event in American history. It took place right here in Ferguson, Missouri, 15 minutes away from where I live here in St. Louis. And it started with the courage shown by a handful of black youth who decided that enough was enough and they had power to draw a line in the sand. They have inspired me.
In the 60’s the technology used against civilians who protested against racial injustice in public was limited to batons, police dogs, and water hoses. It is no surprise that over 50 years later the technology is updated. They used sonar sirens designed to create pain and fear in the listener, tear gas, rubber bullets, tasers and pepper spray. These are weapons of violence and modern warfare. The injuries they inflict caused serious, possibly long term injuries.
Police used airplanes and drones, they shouted threats, they pointed guns and rifles directly at the people. Almost all of these were unwarranted assaults on peaceful demonstrators and probably violated both the people’s constitutional and human rights. All of them were attempts to intimidate the protesters. They failed miserably.
“Hands Up, Don’t Shoot”
The protesters endured and gained courage from chanting their slogan, a tribute to the last action that Mike Brown took in his life. While that chant was in the air, I witnessed things I have never witnessed before. I witnessed protesters showing no fear while huge guns were pointed at them and angry, red faced police shouted threats at them. I witnessed on multiple occasions police run in fear from groups of protesters with simply their hands up expressing their desire for justice—youth with just their empty hands against men armed with heavy artillery and apparent carte blanche to use them as they saw fit—and the protesters had the courage and the police scuttled away in fear and cowardice.
“And the Punk Police Can’t Fade Me”—Tupac
Music plays an important part in this too. “We Shall not be moved” is the name of the old “Negro Spiritual” that protesters sang as they faced down the Bull Connor’s of the world during the civil rights movement. The protesters were also inspirationally unmoved in the face of great violence being brought upon them, but the soundtrack for this did not include Negro Spirituals. I went to the strip in Ferguson almost every day that first week, and mostly I heard lots of Tupac, with some Bob Marley sprinkled in and Lil Boosie song about the police. Narratives about police violence against the community have a long history in Hip-Hop, so the intersection of the facts on the ground with the Hip Hop worldview was seamless. For example, the 20 year old Tupac songs I kept hearing did not just happen to be what was on the radio at the time, but for this generation this was their soul music and spoke to their experiences directly.
“Pump Your fists like this”
This uprising was unplanned, unanticipated, and unsponsored by the local activist/church/ non-profit organization infrastructure. It was raw. In reality, this probably could never had happened with a functioning civil society infrastructure directing it—it was too dangerous, too disrespectful, too angry a moment. But the pattern of police violence against the black community over the generations has a gaping wound, and people see their struggle as one that implicates questions of life and death—no time for politeness. At the same time, there was a real sense of pride and unity in the community. St. Louis is a town looked over by many, seen as a blip on the map. At least for a moment, they had gained worldwide notoriety for standing up against injustice, and the world was on their side.
“Keep running”
Those were the last words that Mike Brown ever said, spoken to his friend before a police officer ended his life by putting a bullet into his skull. It is a mythic moment. Just like Mike Brown’s last act of throwing his hands up organically emerged as an easy to remember, empowering, even catchy chant that has swept around the world, his last two words apply not only to his friend but to all of us. We are now in a race. This moment could become a movement against racial violence, racial profiling, and police brutality. Or it could simply stay a moment in time, crippled from moving forward by an ineffectual civil rights infrastructure in the region, and national leadership too diffuse and “old school” to capture the energy of a Hip-Hop led resistance. It’s up to the youth to lead us here.
Follow: @Blackstarjus.
