homepage

Tech N9ne’s Klusterfuk EP Hits #1

(AllHipHop News) Tech N9ne is sitting on top of the Billboard charts today (March 21), thanks to the success of his new EP Klusterfuk.

The digital-only release from Tech was released on Tech N9ne’s independent label, Strange Music imprint.

“It boggles my mind that I was able to hit the studio with my new band Mayday, make a six-song EP in a few days, not really promote it and have it be the No. 1 indie album in the country,” Tech N9ne told AllHipHop.com. “How does that happen? Loyalty. My fans are loyal and I love them for that.”

The Klusterfuk EP, which was produced by Strange Music artist Mayday, will see a physical release date in the near future.

According to Tech, the EP will be bundled with Take Me To Your Leader, Mayday’s debut album for Strange Music.

Mayday’s Take Me To Your Leader bundled with the Klusterfuk EP, will be released on March 26.

This Saturday (March 24), Tech N9ne and Mayday will launch the “Hostile Takeover 2012” Tour in Kansas City with Machine Gun Kelly.

The rappers will embark on an outing that features 90 shows in 99 days.

SXSW Video: Jackie Chain On “The Bruce Lean Chronicles” and Status of His Debut Album

Last month, when AllHipHop.com checked in with Alabama native Jackie Chain, he spoke on his background, influences, and how his most recent project, After Hours, which he released with Fool’s Gold DJ and producer Nick Catchdubs, had been received from listeners and fans alike.

When we spotted Jackie on the streets of SXSW after checking out a show headlined by Smoke DZA and A$AP Rocky, we wasted no time in talking about life and the music he’s been creating post-After Hours.

In addiditon to the revelation that he’ll soon be going under the moniker Bruce Lean, Jackie revealed that his next mixtape, The Bruce Lean Chronicles, is nearly complete and will be hitting the Internet and streets sooner rather than later. He also updated us on the status of his Universal Republic debut, Aint Slept In Weeks, and spoke on his plans while he was down in Austin.

Check out the video interview below:

Follow Jackie Chain on Twitter: (@JackieChain74)

Hip-Hop Rumors: G.O.O.D. Music Single Coming on Good Friday?!

That’s the word around the Internet, and it’s a good word at that because Kanye West’s G.O.O.D. Music compilation is easily one of the most anticipated records of the year.

Boasting the likes of Kanye, Kid Cudi, Pusha T, Mr. Hudson, CyHi Da Prynce, John Legend, Big Sean, Jay Electronica, Frank Ocean, Mannie Fresh, Marsha Ambrosius, Hit-Boy, and many, many more, the album is going to not only be the first Kanye release of 2012, it will also serve as the launching pad for fans to begin getting prepared for solo debuts from Pusha T, CyHi Da Prynce, and the sequel to last year’s Finally Famous from Big Sean.

On top of the “rumors” about the forthcoming “Good Friday” track,  Mannie Fresh recently told MTV News that the album is “pretty close” to being finished. “The cool thing about G.O.O.D. Music is it’s a bunch of great ideas and I’m one of those ideas. Kanye’s trying to find the most talented producers, most talented artists, put ’em all in a room and say, ‘Go for it. Y’all energy, like whatever is creative to y’all.'”

Stay tuned folks, “Good Friday” hits in two weeks on April 6…

Non Hip-Hop Rumor: Shaq Dumps Hoopz, Security Escorts Her Out of His Home!

Word on the block is that Shaquille O’Neal has kicked his girlfriend Hoopz to the curb – literally! Sources are saying that Shaq has “grown tired” of Hoopz and has broken up with her. The conversation reportedly got so heated that Shaq had to call his security team to have her escorted out of his house.

These two seemed like they made each other happy. Oh well. Check out a few photos of what Shaq is going to be missing out on now.


Album Review: Iron Solomon’s “Monster”

Rating: 8 / 10

Of all of the projects to drop this year (as of now), Iron Solomon could possibly have the most slept on when Monster is finally released. The battle rapper is attempting to put those skills to good use in order to make a more concise, more flowing LP that harkens to every aspect of classic Hip-Hop. With Monster, he’s hoping to prove that he doesn’t fall in the category of most battle rappers; although he retains the great lyricism, he manages to prove that he isn’t like typical battle rappers that know nothing about using that skill to create a strong album.

With the lead single “Almost There” being the first thing you hear when pressing play on his debut LP, Solomon sets the tone, and (un)intentionally sets the bar high for the rest of the album. With this soulful introduction, he essentially addresses the trials he’s gone through to get to this point accompanied by a soulful sounding choir that assists him at the end.

The good music continues throughout the project, as the soundscape morphs and his rap style adjusts to fit whichever song he’s tasked to rhyme on. From the triumphant sounds of “King” to the classic old-school sound of “Shotgun”, it all remains fresh throughout. Solomon’s at his best when he’s being aggressive, and in songs like “Get On My Level” and “Nothing To Lose” he brings a level of energy that few can match without losing their effectiveness.

The best part about Monster (besides the lyricism) is the care that’s been taken with each song. Several of the tracks flip production-wise towards their end (“15 Minutes”) or completely mellows out (“The Empire”) to make the song sound much more dynamic. That’s not saying the songs were average to begin with, but those added elements shoot the replay value through the roof for most songs present.

As great as the album is, there are still some issues as well. The album carries on for way too long due to the addition of bonus tracks at the end, and a couple of them had also been featured on his “RedRum Radio” mixtape released with DJBooth.com. Even with that factored in (alongside the awkwardly placed children ad-libs in “Classic Girl”), it’s hard to discredit how well-assembled this album is. Some time ago, I spotted Iron Solomon’s Kickstarter page that was spawned for the purpose of giving him the tools needed in order to make his debut worthwhile. One of the telling lines from that page was a simple promise:

“I promise to bring you the music and visuals you all deserve.”

Consider Iron Solomon’s promise upheld, as Monster is well-worth copping to support. Here’s to hoping that the visuals live up to the same standard. Be sure to keep an eye for it when it’s released March 27.

Future Reveals Tracklist and Artwork for Major Label Debut “Pluto”

(AllHipHop News) Epic Records recording artist Future has revealed the cover art and full tracklisting for his upcoming major label debut, Pluto, which is set for release on April 17.

After releasing three mixtapes in 2011 and his Astronaut Status project earlier this year, Future says he is ready to capitalize on the major rotation that his hits “Tony Montana” and “Magic” have received, with the official release of Pluto.

Pluto, released on Epic Records, A-1 Records and Freebandz Entertainment, features 15 tracks and includes features from such artists as R. Kelly, T.I., Drake, Trae the Truth, Big Rube, Snoop Dogg, and Juicy J.

Future, who first began promoting the album last year when it was slated for a January release, spoke on the lack of rapping that he would do on Pluto. In an interview with VladTV, Future said, “As far as the melodies that I’m using, I’m not even really rapping on all the songs. I’ve probably got about 25% rap [on the album]; the rest of the songs are just full of melody.”

“I feel like this music is really like an album that’s going to have to sit on the shelf for a long time. For people to understand it, they’re going to have to really sit down and understand and play it to get it.” He continued, “it’s timeless music, it’s music that you’re going to be able to hear three years from now and be like, ‘Oh that’s what he was talking about.’ I’m trying to be ahead of the curve, ahead of the time right now. You can’t be in with the fads, you’ve got to be a trendsetter.”

Check out the full tracklisting for Pluto below:

1. The Future Is Now ft. Big Rube
2. Parachute ft. R. Kelly
3. Straight Up
4. Astronaut Chick
5. Magic (Remix) ft. T.I.
6. I’m Trippin ft. Juicy J
7. Truth Gonna Hurt You
8. Neva End
9. Tony Montana ft. Drake
10. Permanent Scar
11. Same Damn Time
12. Long Live The Pimp ft. Trae The Truth
13. Homicide ft. Snoop Dogg
14. Turn On The Lights
15. You Deserve It

Future’s Pluto will be released on April 17th

Hip-Hop Rumors: Is Ray J in Possession of “A Ton” of Whitney Houston Sex Tapes?

Sources have told Star magazine that Ray J is in possession of “a ton of sexually explicit photos and videos” starring he and the late Whitney Houston.

The insiders says that Ray J knows that he is “sitting on a gold mine” and has “been stalling” to hand over the footage to the Houston family. This could be a huge payday for Ray J, and he wants to think things through before he just hands over the footage.

The Houston family has “been in contact with Ray and told him they do not want any photos or videos painting her in a bad light to come out,” the source said.  The family also “explained to Ray that now is the time to honor Whitney, not drag her legacy down.”

The source is claiming that the late Houston “adored” Ray J, and that she “loved doting on him and would have done anything he asked — including making a sex tape.”

Daily Word: Get Crazy and Delusional!!

Happy Wins-Day, my Crazed and Delusional!!

Welcome to the day that you finally stop caring what other people say!! Today’s Daily Word is dedicated to breaking the norm and defying conventional wisdom… I am 1000% convinced that crazy is the only thing that will allow success. Anything else breeds complacency, and extreme mediocreness (I know that’s not a word).

When you look up the words crazy and delusional, they’re defined as senseless; impractical; totally unsound…Delusion: having false or unrealistic beliefs or opinions: maintaining fixed false beliefs even when confronted with facts…

Well…. If you know like I know then crazy and delusional it is… Most successful people are those who went against the grain… they took a risk on what they believed in, despite what society had told them…they kept going even when what they were doing seemed impossible!

Everyone will always have an opinion on what is not going to work until it does. Even when their advice seems reasonable, I can almost guarantee that it’s based on some type of fear… You know what they say…”Even a broke clock is right at least two times a day.” Starting today, it’s time to get crazy and delusional; enough that we start believing that anything in life that we want will be ours. What is the worst that can happen? We achieve our dreams…. Ok then!! Let’s get it because NOTHING CAN STOP US!!!!
-Ash’Cash

“Some people hear their own inner voices with great clearness. And they live by what they hear. Such people become crazy… or they become legend.” -Jim Harrison

“In order to act, you must be somewhat insane. A reasonably sensible man is satisfied with just thinking.” -George Clemenceau

“Faith means intense, unusually confident, belief that is not based on evidence sufficient to command assent from every reasonable person.” -Walter Kaufmann

“Those who danced were thought to be quite insane by those who could not hear the music.” -Angela Monet

“Those who are crazy enough to think they can change the world, usually do.” -Unknown

“Sometimes it’s to your advantage for people to think you’re crazy.” -Thelonious Monk

“They can call me crazy if I fail, all the chance that I need, is one-in-a-million and they can call me brilliant if I succeed.” -Ani Difranco

“A life spent making mistakes is not only more honorable but more useful than a life spent doing nothing.” -George Bernard Shaw

TO HEAR THE AUDIO VERSION OF THE DAILY WORD – CLICK HERE.

Ash’Cash is a Business Consultant, Motivational Speaker, Financial Expert and the author of Mind Right, Money Right: 10 Laws of Financial Freedom. For more information, please visit his website, www.IamAshCash.com.

The Beastie Boys to be Inducted Into Rock and Roll Hall of Fame By Chuck D

(AllHipHop News) It was recently announced that 25 years after their Def Jam debut album Licensed To Ill was released, Brooklyn rapping trio The Beastie Boys will be inducted into the Rock and Roll Hall of Fame by Chuck D of Public Enemy.

The induction ceremony, which takes place on April 14th, will air on HBO at 9 p.m. on May 5th and will include, along with The Beastie Boys, the induction of acts Small Faces, Red Hot Chili Peppers and Laura Nyro.

Throughout their career Mike D, MCA, Ad-Rock and Mix Master Mike have released eight studio albums, garnered 10 Grammy Award-nominations, three of which they won, and have been nominated for over 15 MTV Music Awards.

The group’s last release, Hot Sauce Committee Part Two, which hit stores in 2011 featured the hit records “Make Some Noise” and “Don’t Play No Game That I Can’t Win” featuring Santigold.

The Rock and Roll Hall of Fame induction ceremony will air on May 5th at 9 p.m. on HBO.

Hip-Hop Rumors: Did Funk Master Flex Steal A Nicki Minaj Exclusive From DJ Clue?

Last night, New York’s HOT 97 DJ Funk Master Flex went on a long rant during his radio show against Power 105.1 DJ, DJ Clue.  The rant was sparked because DJ Clue was bragging about beating Flex in the ratings the night before on twitter.

In his sound off, Flex claims that he went into DJ Clue’s email and took an exclusive record,  specifically, Nicki Minaj’s, “Beez In The Trap”.  Flex also went in on DJ Clue claiming that he is not made for radio.

“You talk the talk, walk the walk,” barked Flex. “This is not your arena. This radio thing is not your arena, okay!”

Flex berated Clue for about 5 minutes calling him numerous names including “Box” and “Charlie Brown”. Clue did not take too kindly to all of the talk, check out his response on twitter below:

Did Flex really steal that Nicki Minaj record though? That ish cray!

“Trayvon Martin and the Fatal History of American Racism”

I am Trayvon Martin.

So are you. And so is any human being who has ever felt cornered, in a dark and desolate alley, between life and death. Add the grim reality of skin color in America, and you have the disastrous spectacle of 250lb George Zimmerman, 28, pursuing 140lb Trayvon, 17, until that man-child is screaming “Help!” – and then gasping for air after a bullet from Zimmerman’s 9mm handgun had punctured his chest. A majority-white, gated community became, on 26 February, the makeshift mortuary for a black boy who will not get a chance to live, to go to college with his exceptional high school grades, to make something of his life. Trayvon’s fatal act: a mundane walk to the nearby convenience store to buy a can of iced tea and a bag of Skittles.

This is what racism, the American version of it, means to black boys like Trayvon, to black men like me. That we often don’t stand a chance when it has been determined, oftentimes by a single individual acting as judge and jury, that we are criminals to be pursued, confronted, tackled, and, yes, subdued. To be shocked and awed into submission.

The police authorities in Sanford, Florida, where the shooting occurred, are apparently so mired in racial prejudice and denial that George Zimmerman, at this writing, still has not been arrested nearly a month after Trayvon was killed – in spite of Zimmerman being told, on 911 police dispatch audio, not to follow Trayvon Martin.

In spite of Zimmerman being charged in 2005 with resisting arrest with violence and battery on a police officer. In spite of Zimmerman calling the police 46 times since January 2011. In spite of Zimmerman, according to neighbors, being fixated on bracketing young black males with criminality. In spite of Zimmerman being the subject of complaints from neighbors in his gated community due to his aggressive tactics. In spite of the officer in charge of the crime scene also receiving criticism in 2010 when he initially failed to arrest a lieutenant’s son who was videotaped attacking a homeless black man. In spite of Zimmerman violating major principles of the Neighborhood Watch manual (the manual states: “It should be emphasized to members that they do not possess police powers. And they shall not carry weapons or pursue vehicles.”)

In spite of Zimmerman not being a member of a registered group, which police were not aware of at the time of the incident. And in spite of the Sanford, Florida police failing to test Zimmerman for drugs or alcohol. (A law enforcement expert told ABC that Zimmerman sounds intoxicated on the 911 tapes, and that drug and alcohol testing is “standard procedure in most homicide investigations”.)

Finally, what was a man like George Zimmerman doing with a gun in the first place? And will Florida’s very controversial “stand your ground” self-defense law prevent Zimmerman from ever being prosecuted, especially as he and his lawyers are claiming he was protecting himself from harm?

Finally, does any of the above truly matter, if the shooter has white skin and the victim’s is brown?

We’ve heard, since President Obama came into office, that we suddenly, miraculously, live in a “post-racial” America, that there now is such a thing as “post-blackness”. Try telling that to the families of Trayvon Martin. Or Ramarley Graham. Or Sean Bell. Or Oscar Grant. Or Amadou Diallo. Or Emmett Till. Or the Scottsboro Boys. And numberless others in modern US history.

Racism remains the greatest cancer of American society, and has been since the founding of this nation – by men who owned slaves. You cannot slaughter and push from the land Native Americans, enslave black people, harass and marginalize Asians, Latinos and Jews, and scapegoat immigrant white ethnics and Arabs through your long and tumultuous history, then wonder how the killing of Trayvon Martin could happen in the first place? The former is the context for the latter.

We, most of us, have been socialized to fear and demonize difference, the other. Trayvon’s murder is of a piece with hysterical and overzealous anti-immigration policies and new voter ID laws that recall the days of segregation and harsh American racial apartheid. Left unchecked, as George Zimmerman has been left unchecked, and you perpetuate this ugly national tragedy.

American racism is not merely a distortion of human psychology that teaches the George Zimmermans of our nation to see Trayvon Martin as nothing more than a criminal; it is also the debilitating disease that allows us, on the one hand, to denounce the alleged atrocities of Kony in faraway Africa we’ve seen in that ubiquitous viral video, and on the other, to overlook the Trayvon Martins, just as we ignore the routine stop-and-frisk harassment of legions of black and Latino young males.

We are trapped in the stereotyping that saw my friend’s son being told by his teacher in Fairfax County, Virginia recently, as he reciited a Langston Hughes poem, that he needed to read it “blacker”. The stereotyping that allows us to cheer loudly for the majority-black college basketball teams during March Madness, yet won’t permit us to pay attention to Trayvon Martin’s parents, clearly shattered, pleading for some shred of justice.

The Justice Department’s intervention is welcome, if belated. But it is American racism that constrains our leaders, like President Barack Obama and Attorney General Eric Holder, from speak forcibly and publicly about this destructive cancer for fear of alienating “regular” folks. If the president could call on Sandra Fluke considering the insult she’d received from Rush Limbaugh, we should be able to expect him to offer his condolences to Martin’s parents for the grevious injury they have received.

For the sake of Trayvon Martin, and the Trayvon Martins who never had this sort of mass outcry, something must be done. But if we choose to turn our ears and hearts away from his parents and his community, then Trayvon Martin’s blood will be on the hands of this entire nation. Will we ignore that call for help, as Trayvon’s went unheeded?

Toronto Producers Boi-1da, T-Minus Host Syposium This Week In Miami

(AllHipHop News) Toronto producers Boi-1da and T-Minus are hosting a producer symposium during Miami Music Week.

The producers, who have worked with artists like Eminem, Drake, Nicki Minaj, DJ Khaled and others, will host the 1Direction Producer Symposium on March 22 and 23.

The pair will discuss technology, production techniques and the financial side of being a hit producer.

“I understand the struggle of young producers and what they go through in this business,” Boi-1da told AllHipHop.com. “I wanted to give back by sharing some of the experiences and techniques that I’ve learnt over the years through working with some of the most influential artists in music today.”

The 1Direction Producer Symposium is open to the public.

The event will take place at the Raleigh Hotel in Miami, FL.

For tickets visit http://www.musiclovesfashion.com