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Dolla’s Murderer Goes On Trial In Los Angeles

(AllHipHop News) The murder trial of Aubrey Berry, the man accused of shooting Atlanta rapper Dolla in broad daylight at the Beverly Hills mall, started today (May 4th). Berry, 24, is being tried by a jury for committing the 2009 murder, after the two had allegedly been involved in an altercation at a strip club in Atlanta. Berry claims Dolla, who was shot from behind, was threatening his life, while acting in self-defense. Prosecutors accused Berry of shooting at Dolla eight times. Four bullets struck the aspiring rapper, as he attempted to run from the valet area of the mall. The trial, which started today, is expected to last a week. He has pleaded not guilty to one count of murder and two counts of assault with a deadly weapon.Berry is facing a maximum sentence of life in prison if he is convicted of Dolla’s murder.

Bangladesh On Lil Wayne: ‘I Don’t F*@k With Him..And You Can Print That’

(VIBE.COM) Lil Wayne may be locked in Rikers Island away from the industry, but that’s not stopping some of his associates from handling business with him. Grammy award-winning producer, Shondrae “Bangladesh” Crawford has a bone to pick with Mr. Dwayne Carter. A $500,000 bone. “I don’t f### with [Lil Wayne]… and you can print that,” Bangladesh told VIBE, when asked if fans should anticipate a reunion come his 2011 release. “Cash Money don’t pay royalties. The Carter III, [is] his biggest album probably because of “A Millie.” [But] you have to sue these guys so that they pay up.”The Atlanta beatmaker disclosed that he is suing for an estimated 500 Gs in owed royalty checks for his work on “A Millie,” one of Wayne’s most revered records of all time. A single that earned him Best Rap Solo Performance at the 2009 Grammy’s and gave The Carter III ammunition to sell a million records it’s first week of release in June 2008. “It’s [Wayne and Baby‘s] responsibility to pay [me] because all the money from album sales goes to Cash Money. I get checks from Sony for Beyoncé, checks from different labels for different artists, it just comes to you. You don’t have to call them, sue them and all that junk. This is what you’re owed.”He continues, “I don’t really give a f### about [Wayne]. I can’t give a f### about somebody that don’t give a f### about my situation, I have kids. In the hood, people get killed for ten dollars. I couldn’t imagine owing someone hundreds of thousands of dollars and just walking around in front of them. I’m so confident in myself, that I don’t need Lil Wayne. There’s gonna be so many opportunities. I can create a Lil Wayne.”A nominee for VIBE’s Best Producer of All-Time, Bangladesh went on to explain the corrupted process of Cash Money, centering on Baby. “This is why Manny Fresh don’t f### with [Cash Money] because he never got any royalty money. That’s why Baby can go around flaunting this cash, because that’s everyone else’s money… It’s not even Wayne’s fault. Wayne is not getting money. He is given money, he’s not getting money. If Baby gets a million dollars he’ll buy Wayne a Phantom, but that’s in Cash Money’s name. That 14-bedroom mansion isn’t Wayne s###,” he says. “That’s why he have his own company, because he was trying to leave Cash Money and the only thing that would keep him there was [if they] gave him his own thing. But Baby still controls that. All those Young Money artists don’t even know that they not getting royalty money.”And the beat goes on. According to the New York Post, fellow Carter III producer, Jim Jonsin—responsible for Wayne’s infectious lead single, “Lollipop”—filed a $500,000 lawsuit against Wayne on April 20 for missing royalty payments. In May 2009, Dallas production duo Play-n-Skillz also mentioned to a local radio station that they were yet to reap any monetary benefits from their work on Wayne’s third single featuring, T-Pain, “Got Money.”Bangladesh, who secured his placement on The Carter III when his friend and Young Money artist, Shanell suggested the “A Milli” beat to Wayne, recalls the first time he met self-proclaimed Best Rapper Alive. “Wayne is a different guy. I first stepped to him years ago. Don’t know if he was on drugs, but he ignored me,” Bang says. “This was before ‘A Milli.’ I didn’t sweat it because I told myself that one day, I aint gotta say nothing, he’s gonna like the music.” The premonition came to life indeed. However, it’s been almost two years since “A Milli” made it’s game-changing impact and Bang says the New Orleans MC has still never uttered a ‘Thank you’ his way. “This industry is a devilish game. And these are devils controlling the game,” says Bangladesh who swears by self-rule. “I don’t wanna be caught up in it. I don’t wanna break bred with devils.”A rep for Lil Wayne did not respond to a request for comment.

Trina Talks Lady Gaga Track; ‘Million Dollar Girl’ Video

Trina has teamed with Lady Gaga on a track called “Let Dem Hoes Fight” taken from her new album Amazin‘, which hit stores today (May 4th). Trina explained the origin of the track, which was leaked to the Internet in January. While Lady Gaga was featured on the original version, Kaleena is the artist featured on the final version of the song. According to Trina, the song is based on actual experiences in clubs around the country. “The record was inspired by and co-written by Lady Gaga…being at the club with you girls, wildin’ out, having a good time,” Trina said. “Being in the VIP section, feeling very fly, you got lots of confidence, everyone is hatin it, girls is getting jealous, your man is watching, it’s that kind of drama. I experience it very, very often.” Trina’s album Amazin’ features guest appearances by Flo Rida, Lady Saw, Monica, Lyfe Jennings, Lil Wayne, Rick Ross, Keri Hilson and Sean “Diddy” Combs, who also make appearances in the video and on the single for “Million Dollar Girl.”According to the rapper, she is happy with the results of “Million Dollar Girl,” although she felt the overall promotion of the video was lagging. “I deserve better visibility. As far as radio and the record being played is being great. I feel like we need to press buttons to get the video seen and shown.” Tomorrow (May 5th), Trina will be at The Game in the South Dekalb Mall, autographing copies Amazin’.

Gentry Humphrey: Brand Jordan’s Hip-Hop Connection

While everyone knows that the Jordan Brand Classic just recently took over New York City’s Madison Square Garden, what you might not know is how the company works hand in hand with Hip-Hop culture to expand the brand across the world.  AllHipHop.com caught up with the company’s head of international, Gentry Humphrey, on the floor of the Garden alongside the action to get the global story on the line that many in Hip-Hop hold sacred.

“I’ve been with this company quite a while, “ explained Humphrey, “and have seen it go from one that earned a couple hundred million a year to now being a billion dollar a year company.  And while our international sales may only be 1% of that figure; it’s still a very important and emerging part of our business.”  The company has reaped a good amount of that growing success thanks to the migration of Hip-Hop worldwide.

Since basketball and Hip-Hop lifestyle go hand in hand, Humphrey has been savvy in weaving and nurturing that synergy through the various territories.

“For us, hip hop has always been a large part of what we do.  We win by bringing together that dynamic energy of hip hop lifestyle combined with creating live events that give back various communities in cities worldwide.  For example, our events in Paris, France just keep getting bigger.  Last year we brought (recording artist) Usher to perform, had various basketball clinics and more.  It’s like a festival or huge party.” 

Humphrey is a strong believer in creating strong, positive emotion surrounding a brand and allowing that to organically helps to drive sales in many ways beyond simple traditional ads.  “The (target demo) sees us come in the community, sees us spend time and money and from that can gather that we care.  We’ve also reached out in special ways in areas in Brazil to help young people in favellas there experience things they never would and help to inspire and encourage them.  That’s what we’re about.”

But the brand could have an even tighter game if a few simple distribution and media food chain hurdles could be overcome.  Humphrey concedes that certainly basketball in most other countries outside of the US will not soon supercede the popularity of soccer or even cricket though basketball is a sport that is growing.  But he also noted that the actual media outlets available to give international basketball fans their fix and reinforce the fan culture could clearly be expanded; and therefore serve a variety of interests. This is also a concern voiced by the music industry, is the lack of actual physical retail space through which to sell.

But even given the above noted hurdles and certainly the current state of the economy, the Jordan Brand notes that their sales have not declined abroad.  “Certainly the Hip-Hop -related consumer abroad is a lot like the one right here in the U.S.  They are still very interested in setting trends and being first so our product is still an important buy for them,” says Humphrey. And what of  the threat of counterfeit product? 

“Actually, counterfeit product has even helped the Jordan Brand because the consumer has become even more and more savvy about the details which make the item authentic; and they definitely want the status that comes with the authentic item, not the counterfeit..”

So, where’s the most anticipation for Jordan Brand flourish in the near future? “While the product is sold in numerous territories around the world, the biggest projections for us right now are Canada, Korea, Japan and Mexico.  We’re really excited about our plans for these countries,” explained Humphrey.

But the sky could just be the limit for an ambitious company looking to do it even bigger in 2010 and beyond.

 

 

 

 

 

 

 

 

Trae Tha Truth Sues KBXX Over Ban

(AllHipHop News) Houston rapper Trae Tha Truth is striking back at local radio station 97.9 KBXX, The Box, claiming executives from the station have unfairly banned his music and interfered with his relationships with other executives. Trae is filing the lawsuit in 189th District Court of Harris County, naming Radio One, KBXX’s general manager Doug Abernathy, program manager Terri Thomas and personality Nnete Inyangumia. Trae claims that he was unfairly banned from the station after a July 2009 shootout erupted at “Trae Day,” that injured eight teen agers. According to the lawsuit Trae was banned after Inyangumia accused him of causing the violence. “I would not have filed a lawsuit, but when other people started being hurt by this ban, I knew I had to stand up,” Trae said in a statement released today (May 4th).  “I just could not let any more people suffer and be punished by the radio station over this ridiculous vendetta.”The lawsuit also claims that the station even suspended a staff member for a week, because he made a mixtape outside of work, featuring Trae’s music, while another one was fired for accidentally playing a song by Chamillionaire that featured a verse from Trae. Trae also claims a song and video by rapper 6tre Gangsta was scrapped, after representatives for KBXX told 6tre’s reps that any song featuring Trae would not be aired,. The rapper has hired Houston attorney Warren Fitzgerald Jr. to represent him in the case. Even Rap-A-Lot Records’ CEO James Prince weighed in on the ban, which has impacted an upcoming deal between Trae and the legendary Houston label. “I had been excited about being involved with the next Trae album, but with this ban taking place, not only in his home town, but likely also in the second best place for airplay, which is Dallas, it would be impossible to promote the album. This ban is sabotaging his career, because those cities are the foundation for breaking his records.” Prince added: “Having run a record label for over twenty years, I’ve never seen anything like this.”According to Fitzgerald, KBXX and Radio One have gone “beyond the parameters of legally sanctioned activity” by banning Trae’s music and interfering with his career. “I find this behavior repulsive, especially for a radio station that daily champions itself as music artists ‘best friend,” Fitzgerald said. Trae is suing for damages to his reputation, mental suffering, performance revenue, royalties and other damages.  A preliminary hearing is set for May 14, 2010 at 1:30 pm.

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Mixtape Download: Young Jeezy: “Trap of Die 2”

Jeezy is back to the hood with this super sequel mixtape, Trap Or Die 2 with DJ Don Cannon. Oddly, he’s still using the name “Young Jeezy,” when it seemed like he was just going to use Jeezy. Anyway – Click here to download it.

Epic Fail of the Day: “Look Like Jesus”

DISCLAIMER:

 

All content within

this section is pure rumor and generally have no factual info outside of

what the streets have whispered in our ear. Read on.

This has got to be a JOKE…a very bad joke. The dude Lil B says, “Hoes on my d**k, ‘cause I look like Jesus” and “N***as get mad, ‘cause I dress like Jesus Christ.” Let me tell you something…I cannot LIE…I laughed at this crazy fool, because this is outrageous and sacrilegious as all get out. Now, if this should somehow catch on in the streets or BET, MTV or whatever…I’m out. I will officially end my run in the rap game. Also, if this dude doesn’t go to Hell for this, I know I am going to love my mansion in the Heavens.

Wait, this dude has done songs and a lot of them, with people like Gucci Mane? On top of that, this dude was on Cocaine Blunts and has some legit songs…I’m confused now. Maybe somebody impersonated him? Who knows! I may have to pack my stuff soon!

JESUS, WE LOVE YOU!!!

They keep us talking, but if we stop talking about

them then they should worry!

-illseed

WHO: illseed.com

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at al*************@***il.com.