Is there trouble in paradise already? Kanye and Kim were just married a while ago, but it seems like all is not well. The Dish Nation crew is saying that they are fight over…Kim’s hoarding? Check out what they have to say.
Kim Kardashian has a secret hoarding habit and it’s causing a major rift with Kanye West. The reality star – who has previously admitted that she has OCD tendencies-is running out of space for her clothes, shoes and beauty products, and the moody rapper is demanding Kim downsize before they move into their marital home.
“Kim rents two storage lockers and had two rooms in her old house reserved for piles of clothes and shoes she never wears,” an insider told Dish Nation. ”So she had their contractor build in an even larger hangar-like space in their new house for all of her stuff. Kim also keeps years of backdated magazine and newspaper clippings that she’s been mentioned in.
Kanye doesn’t mind that Kim is so self-involved; he just wishes she was more organized about it. He told her to scan it onto a hard drive and to toss the paper trail.” ”They had their first major post-wedding fight after Kanye threw out boxes of Kim’s hoarded items because Kanye says Kim’s crap is wrecking his design aesthetic.”
The newly married couple has been living at mom-ager Kris Jenner’s Calabasas mansion since the June 2013 birth of North West, while renovating their $11 million Bel-Air mansion, including expanding it from 9,000 to 14,000 square feet.
Kim, who is a clean freak who previously copped to being a beauty product hoarder, “hates how Kanye keeps things so sterile, like a museum.” ”They don’t see eye to eye on this topic.
Kim was furious after Kanye told her she should go on a show like ‘Hoarders.’ He warned Kim that he can’t live with her if she continues to stockpile useless goods.”
I don’t know. They look pretty damn happy here at North West’s birthday party.
Images from Kim Kardashian’s Instagram.“They keep us talking, but if we stop talking about them then they should worry!” -illseed.
(AllHipHop News) Ja Rule is set to release his new book Unruly: The Highs and Lows of Being a Man next week. The autobiography covers the platinum selling performer’s life from childhood to his time in federal prison where he underwent a personal transformation. The memoir also reportedly addresses his former rival 50 Cent.
According to the New York Daily News, Rule suggests 50 snitched on his business partner Irv Gotti to federal officials. Gotti and his brother Chris Lorenzo were charged with money laundering in 2005. Rule writes, “[50] secretly led them through his recordings for the answers they were looking for.” The Lorenzo brothers were later acquitted.
Ja also suggests 50 may have named him in the 2000 shooting incident where the G-Unit boss took nine bullets. “When [the feds] asked him who he thought had shot him, it would make sense that 50 would have said, ‘Ja Rule, Irv Gotti and Murder Inc.'”
In another section of Unruly, the “Holla Holla” rapper gives his side of two infamous fights between Murder Inc and G-Unit. One in Atlanta where he insists he hit 50 with a bat before his crew ran off, and another in New York where he claims to have slammed a speaker down on 50 as he crouched in a corner.
50 has repeatedly denied being a federal informant or working with police. The feud between 50 Cent and Ja Rule led to a shift of power in rap music. 50’s reemergence on the scene in 2003 and his rise to becoming one of the biggest stars in the genre came at the expense of Ja Rule and Murder Inc’s decline.
“50 was a crazed man on a mission to destroy me,” writes Ja. The Ja Rule/50 Cent beef was reportedly settled in 2011.
Ja Rule’s Unruly: The Highs and Lows of Being a Man will be available on Tuesday, July 1. To preorder a copy visit amazon.com
(AllHipHop News) Earlier this week Rick Ross finally addressed the cancellation of his performance at Hot 107.5′s Summer Jamz concert in Detroit, and now the other person linked to the incident is speaking out about the situation.
The reason Ross was blocked from the venue that night was allegedly tied to rapper Trick Trick’s “No Fly Zone” rules. In a video message, Trick expresses his anger that his movement has been misinterpreted and that whatever happened between he and Ross does not belong in the media.
My “No Fly Zone” ain’t about taking nobody’s money. I don’t want your motherf**king money. Nobody. What the f**k I look like telling somebody you got to pay me to come to my town? Don’t you think I would have been in f**king prison if that’s what was going on? And as far as the incident the other day, you see what the f**k the police said – no arrests were made. So what the f**k did I do wrong? That man said didn’t nothing happen to him. He’s correct, nothing happened to him.
Nobody had the right to be making no mini-documentaries and putting it out in the atmosphere any-motherf**king-way. It didn’t belong out there. Y’all should have been talking about all the great artists that did perform that evening. The good part about it instead of going right after the negativity. Y’all got the game f**ked up.
That’s what wrong with this motherf**ker now. Ain’t nobody talking about no music. That man’s a musician. I’m a musician. Our business don’t belong on the Internet. It ain’t none of your motherf**king business what me and that man [have] going on or what the f**k happened that day.
The mini-documentary Trick is referring to is a YouTube video created by Hot 107.5 that showed footage of the station’s Jay Hicks telling the crowd at the concert that Ross was not hitting the stage because he was “in fear of his life.” The video also featured different radio personalities explaining Trick’s “No Fly Zone.” It has since been taken down from the Internet.
Trick goes on to apologize to concert goers upset over not being able to see Ross perform at the show, and he states artists are welcome to come to Detroit as long as they connect with him or one of the city’s “representatives” to offer support to the citizens. He also asserts his only goal is to teach his brothers how to stand up for what they believe in in a nonviolent way.
I am sure you saw the story by now, that R. Kelly has a daughter that has opted to become a boy. So, she is now a he named Jay. Jay has lightly reached out to R. Kelly, mostly through the media. I’m quite sure he needs some money to make that sex change official. Anyway, the word on the street is that Kellz has written off poor Jay and will not speak to him. Other seems to think he’s in denial, rooted in a recent interview. With Chi-Town’s WGCI, Kelly said, “You don’t really want to open it up by saying my daughter is becoming my son. Don’t even give the blogs that kind of credit. You know what I’m saying? Real talk.” Some people claim Jay is R. Kelly’s Karma coming home to roost, I don’t. I just think its a sign of times changing.
“They keep us talking, but if we stop talking about them then they should worry!” -illseed.
Hip-Hop, a compelling entity with an indifferent attitude, permeates the global zeitgeist. Many skilled MCs have attempted to gain its attention. Some frails succeed while other linguistic-savants languish; the journey is the reward. Welding an compromised approach, Georgia native, Rittz, exerts his cache of credible experiences and talent to invigorate his art.
Challenged to defy his age, and manifest his dreams, the rapid-fire-MC is destined to continue to prove to Strange Music and to himself that his words are priceless. In this conversation with Rittz, the resolute MC give his unblemished opinion on everything from his experiences in New York to his cultivation of new music.
(AllHipHop Features) A lot of times American music fans are so consumed with artists from the homeland and neighboring countries that huge acts from overseas often go unnoticed. One such superstar entertainer is South Africa’s Lira.
Already a platinum selling performer on the African continent, Lira is basically a brand new act to listeners in the States. The Afro-Soul singer is now looking to change that dynamic with her first U.S. album release. Rise Again is a 13-track, multi-language compilation of songs that made the Johannesburg native a star back home.
With a list of accomplishments that include maintaining the largest Facebook following of any South African musician, a BET Award nomination for Best International Act in 2012, and performing for former South African president Nelson Mandela’s 92nd birthday celebration, Lira’s chances of making a mark in the U.S. seem like a sure bet.
Get familiar with Lira in AllHipHop.com’s exclusive interview.
When did you know you wanted to be a singer?
I think I was about 19. I had been singing for a while, but deciding to do it for a career – I was about 21. I worked as an accountant for two years. I was in college from 17-19, and I used to write music and perform as a hobby up until then.
When I turned 21, I had been working as an accountant for a corporation, and I just felt unfilled by being in that environment. I made a conscious decision at that time to quit my job and decided to pursue music full-time. That was 11 years ago.
When you made that decision to jump into music were you ever apprehensive about taking that step?
Yeah, it was very scary. My parents said, “Well, you have an education to fall back on.” I was young, and I think when you’re young you’re open to do something that could be seen as reckless. When you’re older I don’t think you’re willing to be so brave.
I had all kinds of thoughts. I was a little fearful, but somehow it was the timing that allowed me the chance to pursue something that I found fulfilling rather than being in an office all day. So I just went for it.
This is the first album you’re releasing in America. Why did you decide to revisit songs from your South African catalogue for this project?
The reason I wanted to come to the States is because I had a lot of interest on social media from my American fans. It made sense to come to the States with music my fans were familiar with and also introduce the music to a new audience.
I remember there was an American artist that came to South Africa, and she had never been here before. She came here and sang songs that no one knew, and it became a terrible concert. That made me realize sometimes fans fall in love with certain songs, and that’s what they want to hear.
So this album for me is an introduction of songs people are familiar with before I move on to new material. It’s also a great reflection of my career over the last two years. It’s almost like the American market is catching up to two years worth of work on one album.
What would you say is the difference between breaking into the industry in South Africa as compared to here in America?
Firstly, we’re one little territory. We’re the equivalent of one state in the States. There’s just so many more people [in America], so the market is saturated. And you guys basically only play you’re own music. You’d be surprised how the African continent plays a lot more American and European music than their own which is incredibly frustrating.
I think one of the most difficult things is logistics. We flew 17 hours to get here. Bringing our whole crew here, everything is incredibly costly. Luckily, I’m in a position to sustain that. We’re going to take it slowly from the ground up.
You included songs on your album that are not performed in English. What inspired that decision?
That’s who I am. That’s the one thing no one can copy. Most importantly, there’s beauty in our languages. I tried to write them in a way that – for lack of a better word – is palatable to a foreign ear. I tried to do that, but also express the uniqueness of where I come from – a little taste of who I am. For me, that’s always been very important, and people like to sing along which is incredibly refreshing.
You performed the song “(Something Inside) So Strong” a few years back for Nelson Mandela. Was that the connection for why you added that track to Rise Again?
It’s such a positive song. It celebrates human resilience. I found people always commenting on it. It’s one of the most lauded songs I have. Frankly, it was impossible to ignore. With my connection to Nelson Mandela and carrying on his legacy, I had to include that song.
When you performed for Mr. Mandela did you get the chance to speak with him?
No, he had already fallen quite ill. I did pass up a few opportunities to chat with him. I felt like some people would just use him as an object they could take a picture with. I didn’t like that. I was sure not to do that. He was old and weary at that time, so I chose to just honor the man and leave it at that.
How has your tour here in America been so far?
It’s been so incredible. We don’t do tours like the Americans do, so we allowed ourselves that experience. We’re in this cool tour bus with a DVD player, X-Box, and Wi-Fi. It’s fun.
Of course great auras from all the venues. I come from the perspective of being a huge artist back home, and I come here and play tiny, little rooms with a few people. A lot of them in the room don’t even know who I am.
There’s something incredibly humbling about that, and there’s something exciting about that. Just coming here is almost the same as it was 11 years ago. There’s something refreshing about going back to how it was in the beginning. It’s bit of trip, but I also find it incredibly fulfilling. I’m able to connect with people on an intimate level again. I really appreciate that.
I don’t think too many people get the opportunity to feel like they’re a new artist more than once.
Yeah, especially after you reach the pinnacle of your career and then go back there. I get to be human again. There’s a magic in that space. There’s a hunger I’d almost forgotten, so it’s really special.
I’ve read that you are referred to as the “Beyonce of Africa.”
They say that because of the kind of shows and large-scale productions we put on. There’s no other artists that does it quite like we do, so they dubbed me the “Beyonce of Africa” as a result. But that’s like the only similarity.
Are there any particular American artists out now that you’re a fan of?
Actually, there’s quite a few. Like I said, there’s so much American music making its way to South Africa. Even the not-so-famous artists here in America will do very well on the African continent. I come here and people are sort of struggling artists, but they’re huge in South Africa. It’s crazy. [laughs]
I’m really into Frank Ocean. He’s really refreshing. I love when an artist creates something unique. I’ve always love John Legend, and I’ve always wanted to collaborate with him. I’ve always loved Lauryn Hill too. When she came out with her first album, she didn’t conform. That’s so encouraging.
I hate to follow trends. I just want to have creative freedom. Even though she hasn’t done anything in a while, I’ll always be a big fan of her. And of course, John Mayer. I love John Mayer.
You mentioned Frank Ocean. Is he really popular in South Africa?
We love him. We really love him. I wish he’d come through to South Africa. South Africans will find the off beat artists. The Top 40 artists – sure we like them, but not as much as the ones that are indie. Those guys do so well. You’d be amazed at how artists like Kenny Lattimore are so huge in South Africa – Anthony Hamilton, Dwele, Bilal. Frank Ocean is actually the hottest person right now. I don’t know if he knows that. If he came to South Africa he would literally fill up an arena.
You’ve done some acting in the past. Any interest in doing some work here in Hollywood?
That would be amazing. Acting was a totally different ball game, but I actually enjoy it. It’s another form of art that I’d love to do. It would be epic to do something in Hollywood. My sister Rethabile is a budding actress, and I see how difficult it is for artists in America. I don’t know those struggles, because I’m popular back home so roles come to me. It was would be interesting to do something as a new artist.
You have a song called “Feel Good.” What were the last three things that made you feel good?
Good food, warmth – I love sunshine, and random conversation with strangers.
Lira is currently touring the United States. For more information about her tour dates visit her website misslira.com or download the free Lira mobile app.
Nah, I’m playing, but Tyrese did spark this rumor for me personally. Then, I did a bit of searching and realized its all over the place, in the news. But it seems like The LA Lakers are looking to get LeBron James on their team. LeBron recently – after taking that massive L to the Spurs – opted out of his contract with the Heat. He’s now a free agent. I’m hearing the Lakers want to bring Carmelo and James to the West Coast with Kobe so they can be unbeatable. What do you think of this turn of events?
I find it funny. I’m thinking somehow LeBron finds a way to stay in Miami.
“They keep us talking, but if we stop talking about them then they should worry!” -illseed.
Steebie has a few problems on his hand at the moment. At the beginning of June he was arrested for allegdely owing more than $1 million in child support to his ex-girlfriend. He was released on $25,000 bail, but it looks like there’s more trouble headed his way.
NYDailyNews reports,
“Jordan, 42, a cast member on VH1’s “Love & Hip Hop: Atlanta,” must undergo pretrial drug treatment, a judge ruled Monday after prosecutors said he tested positive for marijuana and cocaine.”
Rick James said it best, cocaine is a hell of a drug.
As the couple kicks off their ‘On the Run’ tour today in Miami, Bey and Jay have decided to amp up the security to protect their family.
According to ContactMusic,
“The team will include 16 personal bodyguards on 24 hour watch and a 40-man security support group which will be increased on performance days by 21 specialist bouncers, 300 crowd security staff and a further 50 trained team members to stop potential stage stormers.
Venues including the famous Rose Bowl in Los Angeles have also increased their own security personnel to protect Beyoncé, 32, Jaz Z, 44, and their young daughter from potential ”stalkers and kidnappers”. ”They will not stop short of covering every aspect of their security, from crazed fans to potential stalkers and the unthinkable – kidnappers. Their security needs are like a military operation.”
That’s cool and all, but just in case, can this small army stop Solange from delivering another beatdown?
(AllHipHop News) Ab-Soul is 27 years old, so he grew up during the rise of online social media. During his interview on Power 105.1’s The Breakfast Club he explains how two of the biggest social media platforms of the last ten years helped him become a rapper and land one of the most popular video models in Hip Hop.
According to Soul, he began sharpening his lyrical darts in a place where people tended to use their time to find dates:
I started rapping on Blackplanet, really trying to get into it. [Angela Yee- Black planet? I thought that’s where people go to hook up?] Right, that’s where people went to hook up, but we were up there rapping, seriously. Typing. I know it still goes on to this day. It was so crazy. N*ggas use different HTMLs and colors with their sh*t. Fonts, italics with the words you rhyming with. It was so tight. That’s where I honed my skills, for sure.
Rumors began spreading that TDE’s Black Lip Pastor was dating Yaris Sanchez when Soul brought her out during one of his shows back in November 2012. Soul explains that after the popular model began placing pictures of Soul’s music on her personal Instagram account, she initiated the courtship and sent him a message to his personal Twitter account. What was Ab-Soul’s response according to Yaris?
He was quite smooth. He was like ‘I hear you’re quite the star. Text me some time.’ I was like, ‘who am I talking to? Am I talking to my uncle?
(AllHipHop News) A month after Troy Ave was revealed as one of the members of XXL’s 2014 Freshman Class, Game discredited all the rappers in that class on “Bigger Than Me”. Yesterday (June 23rd), Troy Ave became the first member of the 2014 class to speak out publicly about Game’s diss.
In an interview with DJ Absolut, Troy described Game’s diss to the 2014 XXL Freshman Cover artists as “shenanigans”. Before admitting he did not hear the record himself, he did surmise Game’s premise from what he gathered from “hearsay”:
It was really hearsay but it was something to the effect of the class is soft and they’re not Weezy. He came in with Young Jeezy and stuff like that. It sounds like shenanigans to me. I haven’t really heard it so I cant speak on it fully until I hear the record and see what he talking ’bout. It aint affecting nothing that I’m doing over here for this New York City and this East Coast environment that I got on fire.
Troy recently released a remix to his single “Your Style” featuring Puff Daddy, Ma$e and T.I. Later in the interview he makes a comparison between the support T.I. has given to his young career to a rap veteran he’s been compared to more than anyone can count:
It kind of got the feel when 50 had to go with Eminem and Dr. Dre to get put on. Know what I mean?
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