Cam'ron: I Canceled London Performance Because 50 People Planned To Jump Me (Video)

(AllHipHop News) Apparently Cam’ron’s diplomatic immunity is not honored in London. Today (June 4th), Cam’ron addresses the news that he cancelled a scheduled concert in London last night (June 3rd).

Cam’ron’s performance at the Kentish Town Forum in London was set to be his first in a decade. On his personal Instagram account, Cam’ron alleges that 50 people came to the venue with the intentions of assaulting him:

So n*ggas brought 50 n*ggas to da show to jump me..in London? And rush da stage?!.. But me and juju was doing this [dancing salsa]..Lol sucka a*s n*ggas.. 50 n*ggas tho? For lil ol me.. I’m glad y’all know dats da minimum y’all better come wit..Lol.. Sorry to all my fans dat came to da show but as u can see they tried to line me up. And only da barber lines me up.. They had 15 n*ggas in front of da stage (that rushed the stage) and 35 n*ggas outside.. And I was wit 2 n*ggas..

Cam’ron stated that the security at the event was not up to his standards and as a result he did not attend the scheduled performance. Cam later mentions Juelz Santana’s infamous run-in with London goons back in 2008 after clarifying that he was not robbed:

So no I didn’t get robbed.. No I didn’t get jumped.. I was chillin doing da salsa wit #Juju..??They tried to do my bro Juelz dirty.. Now me..foh.. Thx to da people who put me on to game!!

Rumors circulated that So Solid Crew’s Megaman was behind the planned assault. Megaman also appeared in a 2008 video of Juelz Santana and J.R. Writer being ordered around by members of The Carter Cartel gang.

Check out Cam’ron’s Instagram post and his full explanation:

So n*ggas brought 50 n*ggas to da show to jump me..in London? And rush da stage?!.. But me and juju was doing this [dancing salsa]..Lol sucka a*s n*ggas.. 50 n*ggas tho? For lil ol me.. I’m glad y’all know dats da minimum y’all better come wit..Lol.. Sorry to all my fans dat came to da show but as u can see they tried to line me up. And only da barber lines me up.. They had 15 n*ggas in front of da stage (that rushed the stage) and 35 n*ggas outside.. And I was wit 2 n*ggas.. The people that brought me here were very very nice..but when I asked where the ?’s was at?? (That they were suppose to have) they never showed them to me.. Not s####### on them cause they were cool.. But we can’t play when it gets down to hammer time.. So no I didn’t get robbed.. No I didn’t get jumped.. I was chillin doing da salsa wit #Juju..??They tried to do my bro Juelz dirty.. Now me..foh.. Thx to da people who put me on to game!! To rest of London.. Love y’all..I really do and apologize again.. But y’all other n##### ??.. Lolololol y’all blew yak chance again.. Dumb a*s gangsta’s lmfaoooo

Common Leaves Warner Bros. Records, Signs With NO I.D.'s Atrium/Def Jam Label

(AllHipHop News) Common has found a new home with a familia . Less than three years after Common signed with Warner Bros, the free agent MC has announced that he has signed with longtime friend and collaborator NO I.D.’s Atrium/Def Jam Records.

Common is planning to release his 10th studio album Nobody Smiling on July 22nd through his new label situation. According to Common in the press release, this signing was one that has been in the cards for a while:

I’m honored to team up with No I.D. and be a part of the Artium and Def Jam family. ‎ Creating this album and signing to Def Jam feels like a new beginning for me. I feel like a new artist because I created this album with the purpose to give back to my city and to the culture of hip hop. Def Jam is part of the foundation of hip hop and being able to work with No I.D. was returning to my foundation now with new energy and new hunger.

In June 2011, Common signed to Warner Bros. due to then-CEO Lyor Cohen personally pursuing the Chicago rap legend.. Common released his 9th album The Dreamer/The Believer six months later through his Warner Bros. Records and his own company Think Common. Lyor Cohen resigned from being Warner Music Group CEO a year later.

Back in a July 2011 interview with MTV, Common revealed that he was not signed to a label since December 2009 when he left Universal Music Group. The same week Common announced he signed to Warner Bros Records, Kanye West’s G.O.O.D. Music signed a new deal with Universal Music Group.

 

Young Guru Explains Why J. Dilla Was "Like Michael Jordan", Fade To Black + More (VIDEO

(AllHipHop News) Jay Z’s Fade To Black documentary is a veritable time capsule of the start of the primes of three legendary producers/engineers: Just Blaze, Kanye West and Young Guru. During a recent interview with HardKnock.tv, Guru explains the experience of recording for Fade To Black, what his first studio session with J. Dilla was like and more.

Young Guru produced “What More Can I Say” for Jay Z’s The Black Album and engineered on what was promoted as Jay Z’s last album.  Fade To Black was a movie to Hip Hop fans, it was a visual representation of Guru’s “college experience” to the Guru:

It was a fun time. You don’t realize it’s like someone taping your college experience or whatever. It was a really fun time. The only reason we really did that was because at that time no one had  seen any of the working of it.

Guru was first introduced to J. Dilla by Dilla’s roommate whom played him Slum Village’s J. Dilla-produced Fantastic Vol. 1. in 1997. According to Dilla, his first studio session with him was mind-blowing but kept it basic:

It was just one of them pure days. It was no other artist. It was just me, Dilla, a bunch of weed, a MPC 3000 and he just sat there and made a bunch of beats for the day.

Guru worked with Dilla again in the studio back in 2004 for De La Soul’s Grind Date album. After stating that his first reaction to Dilla was “it’s like Tribe, but better” and explained how Dilla’s is comparable to the greatest basketball player of all time:

I always say this, he’s like Michael Jordan, because he took the style of everyone and put them all together. He could do everyone’s style, but everybody can’t do his style.  He has the West Coast funk. He has the East Coast hop. He has that Midwest Swing. He has all of it. His thing about quantizing would always give the drums his own personal little offness where it’s that last minute. It’s like when the elevator’s closing and you just jump in for the snare to be on time but it’s really late.

Check out the full interview below:

OPINION: Thanks to the Congressional Black Caucus “Remy” from “House of Cards” is Real

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The views and opinions expressed herein are those of the author and do not necessarily reflect the views of AllHipHop.com.
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Thanks to the Congressional Black Caucus “Remy” from “House of Cards” is Real

by Pascal Robert

The truth is more evil than Netflix fiction. Staffers at the Congressional Black Caucus – doubtless mimicking the morals of their elected bosses – eventually formed their own mercenary lobbying structures to sell out the interests of African Americans. Their principal clients are “those same financial institutions and corporations that caused the Black community to be targeted during the 2008 subprime mortgage crisis.”

These Black lobbyists leverage not only the ‘moral authority’ of the CBC, but the historical weight of its perceived ties to Civil Rights Movement.”

The Netflix series “House of Cards” is a popular political intrigue drama based around a character named Frank Underwood who starts his rise up the political food chain as the “whip” in the House of Representatives. Underwood engages in diabolical schemes to consolidate his power and influence. He’s driven by ego and aspiration, letting nothing in the way of his plots to control. Underwood and his icy cold wife Claire leave a trail of human carnage as they climb the career ladder.

One of the most deceitful and devious characters on the series is the African American lobbyist named “Remy Danton.” Remy wields the financial war chest of his employer “Sandcorp,” a powerful energy conglomerate, to make demands on Underwood and engage in a cat and mouse of mutual manipulation. The irony is that the Black lobbyist Remy got his political start working as a staffer in Congressman Frank Underwood’s office for eight years.

The idea of a Black lobbyist working with such merciless dedication to a corporate paymaster like the socially repugnant energy conglomerate “Sandcorp” might seem far fetched to some. But thanks to the Congressional Black Caucus (CBC), its former staffers have entered into the world of K street lobbying. These Black lobbyists leverage not only the “moral authority” of the CBC, but the historical weight of its perceived ties to Civil Rights Movement to protect the interests of those same financial institutions and corporations that caused the Black community to be targeted during the 2008 subprime mortgage crisis. We can’t imagine the other pernicious corporate forces these Black lobbyists might take on. Such clients surely do untold damage not only to people of color, but all Americans. What makes these characters troubling is not so much their race – deviousness and greed aren’t limited by skin color – it’s their ability to pimp out the Civil Rights Movement through its perceived connection to the CBC.

From this revealing article we learn:

“About a decade after the CBC’s 1971 founding, some 20 black lobbyists started holding informal gatherings around Washington. The Civil Rights movement had ushered more African-Americans into Congress, and those lawmakers brought black staffers with them. Many of them, like former staffers all over Capitol Hill, wound up on K Street.

“The CBC had always focused on social justice, but the lobbyists — who eventually named themselves the Second Wednesday Group — had more prosaic aims. ‘It was just a networking group of African-American lobbyists, to maybe be an inspiration for African-American lobbyists entering the lobbying field,’ says David Warr of the International Trademark Association, who ran the organization in the 1990s. Over time, it built a vibrant community of black lobbyists and Hill staffers.

“Today, the organization – now known as the Washington Government Relations Group – is a significant nexus of influence. At its regular policy gatherings, lobbyists can interact with lawmakers and staffers. Last year’s annual gala was held at the French Embassy.”

Pimping out the Civil Rights Movement.”

So during the 1980’s, at a time when the Reagan administration was decimating poor Black and Brown communities with vicious policy initiatives, a group of former Black CBC staffers turned lobbyists, created the Washington Government Relations Group. Clearly the organization helped facilitate co-operation between these corporate hired gun lobbyists to further their goals of representing the interests of the 1% in Congress.

The Washington Government Relations Group’s website states:

“The Washington Government Relations Group (WGRG) is the premier organization dedicated to the enrichment of African-American government relations professionals. As a non-partisan, independent, volunteer association our members represent a diverse cross section of corporations, financial institutions, law firms, trade associations and non-profit organizations on various policy matters in the state, federal, and international arena. This organization seeks to increase dialogue between our members and key senior-level policy makers in order to help shape the development of superior and well-vetted public policy solutions.”

For years people in the Black community have argued that a major political weakness was the inability of Blacks to develop a cadre of lobbyists advocating for the interests of Black people. In truth, Black America has a very effective group of lobbyists already in existence. The irony is that they lobby for the interests of the financial and corporate institutions that have been ravaging the Black community for decades.

The success of this army of “Remys” is illustrated by members of the Congressional Black Caucus trying to weaken the already tepid Dodd-Frank legislation. Dodd-Frank was put in place to insure the subprime mortgage meltdown that evaporated untold amounts of wealth, particularly among African Americans would be avoided in the future. That members of the Congressional Black Caucus are openly leveraging their moral authority, gained by a legacy of Black struggle, to protect the very institutions that continue to harm the Black community explains why this political establishment is best referred to as the Black Misleadership Class.

They lobby for the interests of the financial and corporate institutions that have been ravaging the Black community for decades.”

According to this article, in 2013, thanks to the assistance of members of the Congressional Black Caucus, the House of Representatives actually approved a measure opposed by many Democrats, that would weaken Dodd-Frank:

“By contrast, the Congressional Black Caucus, a typically robust nexus of progressive strength in the House, has urged its members to back a weakening of Dodd-Frank’s derivatives measures. Some cosponsors of such legislation, including Reps. Gwen Moore (D-Wis.) and David Scott (D-Ga.), are members of the caucus, and the group’s chair, Rep. Marcia Fudge (D-Ohio), has penned a separate bill deregulating other aspects of the derivatives market. Her bill wasn’t voted on Wednesday. The group urged its members to vote for three of the four bills considered Wednesday, though it did not take a position on the overseas measure.”

One would think the Congressional Black Caucus would avoid actions that harm its constituency. In reality, such betrayal is normal for the CBC. From policies such as opposing Net Neutrality, which threatens the current open internet, to Mass Incarceration, the CBC has used its influence to protect well financed interests that consistently prey on the Black community. This should not be surprising since for over 30 years Black Staffers from the CBC have turned into the Remy Dantons of the world only to lobby the Black Caucus and other Congressmen on behalf of these traditionally damaging forces.

Such betrayal is normal for the CBC.”

As the article cited above mentions:

“The CBC represents roughly 10 percent of the House and about a fifth of the Democratic minority. That alone makes it an attractive target for lobbyists. But two characteristics have helped it amass particular power. Its aura of moral credibility, earned during the civil rights era, can provide valuable progressive cover for controversial measures. And its tradition of voting as a bloc, forged in its early years to avoid marginalization, means that persuading the right CBC member can secure dozens of additional votes.

“However, as one bank lobbyist put it, ‘Sophisticated companies have sophisticated lobbying operations.’ He explains, ‘Almost every big bank has a lobbyist who has experience and can work with the Congressional Black Caucus.’ The industry’s term for these lobbyists: CBC specialists. (It’s a term that grates on black lobbyists, because nearly all of them do more than merely lobby the CBC.) And by targeting the 10 CBC members who sit on the financial services panel, these lobbyists can potentially win over the entire caucus. ‘We defer to them for advice,’ Marcia Fudge, the CBC’s chairwoman, says of the members on the committee. ‘We don’t really talk about [financial issues] in the [weekly lunch] meetings at all … It’s not an issue that’s of grave importance to the caucus. We know that we have people on the committee that we trust.’”

This is how diversity and multiculturalism are leveraged in post Civil Rights America. The blood of Malcolm X and Martin Luther King, Jr., who both died warning against the excesses of the free market, paved the way for legions of Black lobbyists, decade after decade, to advocate for the most pernicious corporate forces under the guise of “fulfilling the dream.” Therefore, the dream for an elite segment of the Black community came true by making sure the majority kept living a nightmare. Shouldn’t we all be proud? The Remy Dantons of the world are doing their job quite well.

Pascal Robert is an Iconoclastic Haitian American Lawyer, Blogger, and Online Activist for Haiti. For years his work appeared under the Blog Thought Merchant: http://thoughtmerchant.wordpress.com/ You can also find his work on the Huffington Post here: http://www.huffingtonpost.com/pascal-robert/ He can be reached via twitter at https://twitter.com/probert06 @probert06 or th*************@***il.com.

50 Cent Reveals When New G-Unit Album Is Coming , Explains Why He Jokes On Floyd Mayweather + MORE (VIDEO)

(AllHipHop News) Apparently 50 Cent was dead serious when he said “it’s the Unit, back to the bullsh*t” on “Real Quick”. During his interview on FOX 29 Philadelphia’s Good Day, 50 Cent reveals when the new G-Unit album will be released and gives his always available opinion on what started Floyd Mayweather and

According to the G-Unit Records head, “you’ll see a [G-Unit] album by late November.” This would be the first album from G-Unit since 2007’s T.O.S. (Terminate. On. Sight), which was the group’s first album since their 2003 Beg For Mercy debut.

Mere hours after news of Floyd Mayweather and T.I.’s Memorial Day weekend altercation at a Fatburger in Las Vegas surfaced, 50 went to his personal Instagram making jokes about the situation. 50 explains that he can joke on the world’s best boxer because of their relationship:

I can joke in a different way where people immediately think we don’t like each other at all. It’s like when you close enough to a person..like if you teasing your brother, you would say things that people would think is inappropriate and it’s cool. But everytime he does something it’s like…He’s the best. You the champion of the world. The biggest fighter in the world and you’re fighting in a burger joint.

Check out the full interview below:

EXCLUSIVE: Freeway Rick Ross Releases Excerpt From Upcoming Autobiography

(AllHipHop News) Former drug kingpin Freeway Rick Ross is set to tell his life story in a new memoir Freeway Rick Ross: The Untold Autobiography. The book, co-written by journalist and best-selling author Cathy Scott (The Killing of Tupac Shakur, The Murder of Biggie Smalls), will be released June 17th and is now available for pre-order at www.rickrossbook.com.

[ALSO READ: EXCLUSIVE: Freeway Rick Ross Issues Statement On Rapper Rick Ross & Authenticity In Hip Hop]

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During his run as the head of a nationwide drug enterprise, it is estimated Ross profited nearly $300 million. He was eventually convicted and later released from prison. Ross then began using his voice to speak to young people about the perils of the dope game.

“Ross, his rise to the top, his struggles along the way and his path toward redemption describe the journey of a great man who was able to find his purpose,” states Dr. Boyce Watkins. “So, while others might steal his name and glorify his mistakes, we should take the time to understand his path and realize that both the best and worst of Rick Ross were made in America. I recommend this read for everyone.”

Another part of Freeway Rick Ross’ life will also be told on film later this year. The movie Kill The Messenger, starring Jeremy Renner as investigative journalist Gary Webb, will cover Ross’ involvement in the Iran-Contra scandal that took place during the Ronald Reagan administration. Webb’s original series of articles in the San Jose Mercury News alleged the CIA was complicit in smuggling drugs into the U.S. which effectively ignited the crack-cocaine epidemic of the 1980’s.

Read an excerpt from Freeway Rick Ross: The Untold Autobiography and watch the trailer for Kill The Messenger with Michael K. Williams (The Wire, Boardwalk Empire) as Ross below.

Rick Ross Autobiography Excerpt

Justin Bieber Reportedly Caught On Tape Singing About "Killing A N*gger"

(AllHipHop News) Justin Bieber was hit was a major controversy recently when a video of him at age 15 making a racist joke surfaced online.

Bieber apologized for the five-year old clip saying, “As a kid, I didn’t understand the power of certain words and how they can hurt. I thought it was okay to repeat hurtful words and jokes, but didn’t realize at the time that it wasn’t funny and that in fact my actions were continuing the ignorance.”

[ALSO READ: Lil Wayne Calls Justin Bieber’s Manager A “B*tch Ass N*gga” (VIDEO)]

Bieber may need to prepare another statement, because The Sun reports to have another video of the Canadian performer using racially insensitive language. In the second clip, Bieber reportedly alters the words of his song “One Less Lonely Girl” to “One Less Lonely N****r.”

He also supposedly makes a reference to joining the white supremacist group the Ku Klux Klan and jokes about killing a n****r. There is no information about when the alleged tape was made.

“Unfortunately this is the devastating reality of how Justin has behaved and reveals his attitude toward such a deeply emotive subject,” a source told The Sun. “People need to see this. Normal kids in society do not make these kind of jokes. He is protected by a network of staff, but the camera doesn’t lie. This is the real Justin.”

According to TMZ, the person who had possession of the first tape reached out to Bieber’s camp to sell the video to them for $1 million. They eventually took the price down to $500,000, but Bieber’s representatives refused to purchase the footage, because they believed it would not be that harmful since the star was only 15 at the time.

Bieber has worked with many Hip Hop artists throughout his career including Ludacris, Nicki Minaj, Big Sean, Drake, Chance The Rapper, Lil Wayne, Future, and Migos. He is also signed to Usher Raymond’s label RBMG with Scooter Braun.

[ALSO CHECK OUT: Justin Bieber Ft. Migos “Looking For You”]

Crowd Members Rush The Stage After Cam'ron Is A No-Show At London Concert (VIDEO)

(AllHipHop News) Cam’ron’s return to London for the first time in a decade was supposed to be a big moment for the Harlem rapper, but reports coming from the U.K. is that Cam was a no-show for his scheduled appearance at The Forum in Kentish Town.

[ALSO READ: Cam’ron Taps Big Features For “First Of The Month” Series (VIDEO)]

The Dipset general never made it to the stage, and organizers cancelled his performance around 10:20 pm local time. Cam was seen at the venue during the night. British DJ Tim Westwood took a picture with him backstage.

DJ Manny Norte informed the crowd that Cam was not performing and that they would receive a refund. The angry concert goers then began booing and jumping on the stage.

Speculation began to circulate that Cam left the venue because So Solid Crew’s Megaman was looking for him to pay an outstanding debt from a previous show. Cam’ron has yet to address the situation publicly.

This is not the first time members of Dipset have reportedly had issues concerning appearances in Great Britain’s capital city. Juelz Santana was supposedly robbed in London back in 2008. He later denied that anyone stole his belongings.

[ALSO READ: EXCLUSIVE: Juelz Santana Denies London Robbery]

Watch video of crowd members jumping on the stage at The Forum below.

50 Cent's 1st Week Sales Predictions For "Animal Ambition" Are In

(AllHipHop News) 50 Cent’s return to releasing albums has been preceded by months of regular headlines. He left Interscope Records, dropped songs/videos on a weekly basis, took a few shots at fellow Hip Hop moguls Jay Z, Diddy, and Steve Stoute, threw one of the worst first pitches in MLB history, and publicly sparred then reunited with his original G-Unit crew.

[ALSO CHECK OUT: Fabolous Ft. 50 Cent “Cuffin Season (Remix)”]

All of these actions kept 50’s name in the press, but according to first week sales predictions from Hits Daily Double, the Queens native may not have translated that into huge number of albums sold. The site is reporting 50’s 5th LP Animal Ambition will open with 30,000 – 35,000 units sold.

This would be the lowest first week numbers in 50’s career. His previous LP, 2009’s Before I Self Destruct, pushed 160,000 copies its initial week. The highest opening week numbers for the “Smoke” rapper have been 1.14 million copies with The Massacre almost ten years ago.

Animal Ambition is 50 Cent’s first studio album since parting with Interscope and becoming an independent artist. The 30-35K range is similar to the numbers fellow indie artist Tech N9ne reached the first week with his Strangeulation album earlier this year. That project opened with 36,000 copies sold.

[ALSO READ: Review: 50 Cent’s “Animal Ambition”]