(AllHipHop News) According to reports, Tyler, The Creator could be facing up to a one year in jail for allegedly starting a riot during his SXSW performance. According to the Odd Future member’s team, no riot took place.
[ALSO READ: Tyler The Creator Arrested In Texas]
Tyler’s lawyer, Perry Q. Minton, gave a statement to the AP claiming that the media and police officials were flatly wrong to describe the activity at the concert as a riot.
Minton’s statement:
At no time during the … concert did Tyler seek to incite or participate in riotous activity as has been reported in the press. It is clear from video clips and witness reports that the patrons and fans attending the show on that date were full of positive energy appropriate for this type of event and never exhibited any anger or aggression whatsoever…
For law enforcement or the media to describe the rush of fans through the gate and the subsequent benign, boisterous activity as a riot is an unfortunate and inaccurate description of what occurred.
Christian Clancy, Tyler’s manager, also provided a statement about the alleged “riot” and Tyler’s character on tumblr:
tyler had a punk rock moment at the converse/thrasher show at sxsw. however the energy and intent of that show was not anger or aggression.. kumbaya? of course not. but this simply isn’t as its being portrayed. no one was hurt. u likely don’t believe me (i get it..) find the whole show on you tube.. just seeing an edited 7 seconds of kids running/walking in doesn’t exactly sum it up. his shows are much more of a positive release than a build up of aggression.. (not unlike how rage against the machine or metallica shows were therapy for me when i was growing up..) everyone was happy after the show. zero bad energy backstage. as his manager no one came up to me regarding the “incident.”
i understand how easy it is to paint tyler as a bad guy.. i honestly do.. but as someone who has spent a whole lot of time around him i can only say dig deeper. ask his fans. ask his friends. ask my daughter. this is a guy who has never had a drink or drug in his life. this is a guy who is building his own businesses and challenging the old ones. offensive? maybe, depending on where you are standing but only on the surface. google can give u plenty of things to be offended by but if u dig it disappears. s### you might even be inspired. if nothing else ud at least have another perspective even if u disagree with his approach.. im not here to defend every move tyler makes, but i will stand by him and defend his character because i know him, the context, and have witnessed the growth. those who are combining this with a incredibly serious tragedy that happened the night prior are off base and our hearts go out to those who were injured and their families. tyler was not at the venue and received the info of what happened like everyone did.. in shock.. we all quietly had our own individual way of dealing with the heaviness of it all. thats not something you process quickly.
[ALSO CHECK OUT: Tyler The Creator, Hodgy Beats, Domo Genesis, & Earl Sweatshirt – “Look”]
Check out footage from the concert below.
Myers Briggs is a personality test, administered to give the taker insight into what ‘type’ of person they are as a tool for self-awareness and betterment. For the purpose of New England wordsmith Joyner Lucas’ new song though, consider it a “Looking Ass N***a” for those with a more intellectual musical palette. Over a bouncy Mr. Kooman-produced beat, Joyner unleashes his personal ‘people-watching’ observations, pulling off the layers of disguise to uncover the fakes, losers, rats and users who hide beneath their internet personalities and exterior trappings of success and infect our daily lives.
Birdman is known for his savvy in the rap world and beyond. But, according to KnockoutNation.com, the mogul is peeping around another another “sport.” Check this rumor out.
Manny Pacquiao is getting ready for his big rematch fight with Tim Bradley later this spring. And, while the heat is increasing in temperature, something else happened yesterday. Baby, the CEO of Cash Money, paid Pac Man a visit. Nobody really knows why and a lot of folks in the boxing community have balked at the notion of Birdman even being around the champ. Nevertheless, there are rumors already sprouting that one of Cash Money is going to be leading Manny in the ring for his April 12 rematch with Bradley.But, on the flip side, there are rumors that Bradley will be escorted out to the ring by an underground emcee with a lot of clout. We can’t say right now, but this rapper’s stock will jump in leap and bounds after this one.
Camden, NJ has a new artist with a new sound. Sweet Da Kid offers a new visual for his song “Don’t Forget The Name.” The video reeks of sadomasochism or some other creepy fetish. Sweet rhymes in a simple, raw flow, which matches the video. Some folks may not realize it, but Sweet Da Kid is backed by Saalam’s Remi and he made a big splash at the producer’s SXSW showcase.
Check out the video, which is equipped with a booty shaking chick:
(AllHipHop News) A decade after King Los refused to appear on Diddy’s 2002 Making The Band he signed with Bad Boy Records and yesterday (March 19th) announced his release from the label. In his exclusive interview with AllHipHop, Los speaks on Diddy’s critical nature, respect from his peers and Kendrick Lamar’s praise of his “Control” freestyle.
Los held a private listening session at the newly renovated Quad Studios for his upcoming mixtpae, Zero Gravity II. At the event, Los spoke on his former boss’ critical ways:
Puff kind of had an affect on the way I make music, because he is very critical and it made me just want to step my game up. It’s not the easy to play a record for him and he be, like, thoroughly impressed. It’s a gamble any time you play a record for him you might be totally in love with the record and he be like [blank stare].
A few weeks after Kendrick Lamar’s “Control” verse set the rap world on battle mode in August of last year, he stated that King Los had the best “Control” freestyle. Los, who has a new song on his mixtape which creatively flips why his peers do not collaborate with him as much, spoke on how impressed he was with Kendrick for his honesty:
I thought that was dope, in an era where people don’t really give props and don’t really acknowledge their peers, don’t give the necessary accolades to the right people, I thought that was dope.
King Los’ Zero Gravity II will be available on March 24th.
Check out the snippet of King Los’ interview with AllHipHop:
(AllHipHop Features) North Carolina based emcee Castle doesn’t give a f**k, and he hopes you don’t either. At least not give a f**k to the point that you don’t take yourself too seriously. Otherwise, it will be hard to enjoy his brand of Hip Hop that mixes nerdy references with weird worldly reflections like on his critically acclaimed project Gasface.
After releasing Gasface via Mello Music Group last year, Castle has reinvented the album with all new production provided by fellow MMG artist Has-Lo.
[ALSO READ: Rapper Big Pooh Signs New Deal With Mello Music Group]
Return of the Gasface (The Has-Lo Passages) is more than just a “remix album.” Castle (who took his name from his favorite comic book character Frank Castle aka The Punisher) re-recorded all his verses, included new ad-libs, and added new songs for Return.
The 29-year-old rhymer first started recording music at the age of five. Castle’s early entry into Hip Hop began as part of a family rap group with his father, mother, and little sister. He picked up the mic again around 2006 and later met Has-Lo through producer Small Professor. Having been a huge fan of Small Pro’s Has-Lo: F*ck Has Day and Has-Lo’s Small Metal Objects, Castle jumped at the chance to work with the Philadelphia rapper/producer.
That connection eventually led to the release of Castle’s Return of the Gasface (The Has-Lo Passages) this week. AllHipHop.com spoke with the reclusive emcee about his new album, how he secured his deal with leading indie label Mello Music Group, and his love of comic books. Get to know Castle in the latest edition of “5 & Done.”
You signed with Mello Music Group. How did that situation come together?
I hooked up with Mello through my man Has-Lo. I had just finished Gasface in 2012. I didn’t know what I was going to do with it. I decided I was just going to release it on SoundCloud for free. I hadn’t made anything in a while, so I thought I’ll just throw this out there and then work on something else.
I let my man Has hear it, and he was like, “What are you doing with this?” I told him it’s going on SoundCloud. He said, “Don’t f**king do that. That’s stupid. Let me let Mello hear it and see what they think.” They liked it, surprisingly. I didn’t think Mello would like it as much as they did.
When you’re doing something that you’ve really wanted to do and you hear people say “You’re dope. You’re pretty nice.” You’re just like, “Okay, thank you.” It’s heartwarming, but you’re still in the same place, doing open-mics thinking, “I’m not going anywhere.” Then somebody says I want to press a thousand copies of your music to sell. That’s a good feeling.
I know you don’t like calling it a “remix album.” Why did you decide to revisit your Gasface album with all new production entirely by Has-Lo?
I didn’t want to do it to be really honest with you. I was like that album is two years old. F**k that album. I’m on this new s**t. Has was like, “How about I remix your album, and I just kill you on your own s**t?” He said, “Listen, I’m gonna remix your album and make you fall in love with it all over again.” I said, “Alright.”
So he’s working on it and letting me hear s**t. The more stuff I hear, the more I’’m bugging off on it. I was like, “This is wild. It doesn’t feel like a remix album.” I think that’s why I’ve been having the sentiment that it’s not really a remix album. It feels like an alternate version of it. It’s one of those that feels like Gasface and Return of the Gasface are two separate things. First, I wasn’t with it, but he killed me. I would never admit it to his face, but I think he killed me on my own s**t. It bugs me out, because I love it all over again.

You’ve sarcastically described your style as “I don’t give a f**k music for people who don’t give a f**k.” If that’s the case, why do you think people who do give a f**k should buy your album?
If you do give a f**k you probably shouldn’t. I’m not going to lie to you. If you give a f**k, you’re too serious to listen to anything that I put out. I’m big on taking music seriously as far as the process and the craft, but as far as like life in general – that’s where the buck stops. You just can’t give a f**k. Life is way too short for anybody to be way too serious about anything.
I wouldn’t dare convince someone who gives two s**ts about themselves or life to really listen to my music. If you like having fun and listening to people who make really ridiculous, stupid nerdy s**t then my music is for you. Otherwise, you should continue on your path as a stock broker or something.
Are you a big comic book fan? How would you rank the comic book companies? Who are your top five comic book heroes?
Oh my God. Big ain’t even the word. As comic book fandom goes, I probably should stop telling people I’m a comic book fan. It’s pretty ridiculous.
Right now [my] number one [comic book company] is Image. Number two would be Valiant. Number three would be Marvel, and number four would be Dark Horse. I don’t f**k with DC right now, because the only book they’re putting out that I even pay attention to is Batman. And Batman doesn’t count, because Batman’s ill.
My number one [comic book hero] is Punisher which is an obvious answer. Number two – Batman. Number three – Prophet. Number four – Hawkeye. Number five? I’d probably say Superman. Especially after reading the Grant Morrison stories.
What else is in the foreseeable future for Castle?
I’m still working on my follow-up solo effort. I haven’t really decided on the name. The working title is Slacker Saint. I would say I’m about 80% done. Only thing that needs to be finished is a few songs need to be recorded. I’d say that’s 5% of it, and then the next 15% is it getting mixed. That album’s almost finished, but I have no clue when it’s coming out.
Castle’s Return of the Gasface (The Has-Lo Passages) is now available for purchase at mellomusicgroup.com.
Follow Castle on Twitter @CSTLNOVA and like his fan page on Facebook.
Follow Has-Lo on Twitter @Has_Lo and like his fan page on Facebook.
[ALSO READ: Quelle Chris Feels His Quality Music Is Working, Even Without The Fame]
“Sing For Me” is a modern reworking of Cam’Ron’s classic smash hit “Oh Boy“, featuring vocals from Elijah Blake as well as verses from The Game and Rick Ross.
I’ve been hearing a lot of buzz on this kid. He started as a ghostwriter for names too big to mention. Blue has a polished pen game and delivers on the flow. Check out some more of that #NewATLSound.
While it was Jay Z who famously rapped, “I’m not a businessman, I’m a business man,” the lyric is certainly not exclusive to just him. From Russell Simmons to Sean “Diddy” Combs and many others, Hip-Hop has come a long way solely on the strength of entrepreneurial spirits. Additionally, music alone is obviously not generating revenue like it used to and so rap artists are constantly looking to find new ways of making money. One artist who did that, even while his records were selling in the multi-millions, was Curtis “50 Cent” Jackson.
And considering his recent departure from Interscope Records, it is now important to acknowledge 50 for the mogul that he is. He is definitely responsible for some hit music, but another thing that factors into his monumental success is his outstanding business acumen.
With the recent release of two new songs leading up to Animal Ambition on June 3, AllHipHop.com has put together a list of 50’s 10 best business moves (in chronological order) – both in and out of the recording studio. It proves that Fif not only got rich instead of died trying, but also that he has the corporate savvy to continue to flourish for a very long time.
10). 50 Cent is the Future (2002): 50 Cent took Ice Cube’s “Jackin’ for Beats” approach and then elevated it to the next level. Instead of just rapping a few bars or a verse over other artists’ instrumentals, he made records. This showcased he could rap over quality production as well as write complete songs. In 2005, the VP of A&R at Shady Records at the time said, “50 Cent used the mix tape circuit – he took all the hottest beats from every artist and flipped them with better hooks.” It hadn’t been done so successfully, and the mix tape game certainly hasn’t been the same since.
09). G-Unit Clothing Company & Reebok Deal (2003): With help from Mark Ecko, the founder of Eckō Unlimited, 50 founded the G-Unit Clothing Company. At one time, Ecko even compared their deal to “Nike and (Michael) Jordan coming together for Air Jordan.” However, in 2008, G-Unit Clothing and Ecko split while 50 was able to retain full ownership of the brand. In 2003, 50 also teamed up with Reebok and put out G-Unit sneakers. According to a tweet from 50 himself in November 2012, he sold over 5 million paris of sneakers and made $80 million dollars during his time with the sports apparel and accessories company.
08). Beg for Mercy (2003): After the blockbuster success of his Shady / Aftermath debut, a follow-up from 50 Cent was in high demand. However, instead of doing that, he opted to release a proper G-Unit album first. Even though none of the other G-Unit soldiers had the star power 50 welded, the positioning and success of G Unit’s Beg For Mercy helped everyone else in the group. Lloyd Banks, Young Buck, and Tony Yayo eventually brought back plaques for their solo work and ultimately added to the G-Unit movement.
07). Formula 50 (2004): “I took quarter water, sold it in bottles for 2 bucks / And Coca-Cola came and bought it for billions, what the f**k?” According to The Washington Post, 50’s then manager, Chris Lighty (R.I.P.), had a business acquaintance named Rohan Oza who worked for a beverage company called Glaceau which made Vitaminwater. And after Oza saw 50 drinking Vitaminwater in a Reebok shoes commercial, Lighty and Oza came up with the idea of using 50 Cent as the spokesperson for a new Vitaminwater flavor called Formula 50 because it contained 50 percent of the recommended RDA (recommended daily/ dietary allowance) of seven different vitamins and minerals. But rather than a conventional endorsement deal, 50 wanted to invest and he did. Then in the spring of 2007, Coca-Cola bought Glaceau for $4.1 billion – a company which 50 had a 10% share. After all other costs were deducted, the report that 50 received $400 million really turned out to be between $60 and $100 million. Still not to shabby for a former drug dealer from South Jamaica, Queens.
06). Thisis50.com (2007): In 2007, 50 Cent and Chris “Broadway” Romero launched Thisis50.com. It is a site with original content as well as, among other things, news, mixtape downloads, and videos. According to the site itself, “Each month, THISIS50 reaches over 3 million unique visitors who look at nearly 20 million pages of content.”
05). Cheetah Vision (2009): While it’s not uncommon for rappers to star in movies, Mr. Jackson is unique in that he founded two film production companies -G-Unit Films in ‘03 and Cheetah Vision in ’09. While G-Unit Films would eventually fold, Cheetah Vision was more prosperous and even landed a $200 million deal which would be used to fund a 10 picture agreement. In addition to it being a vehicle for 50 to expand his acting resume, Cheetah Vision has also gotten notable and well-established acting talents such as Robert De Niro, Bruce Willis, Forest Whitaker, John Cusack, and Rosario Dawson to star in their films as well.
04). SMS Audio (2011): 50 founded SMS Audio and, within the same year, bought out KonAudio with the intention of rebranding KonAudio using his name and star power. Over that last few years, the company has continued to consistently put new headphones in the marketplace. This past January, SMS Audio introduced a Carmelo Anthony signature line and Star Wars themed headphones as part of a collaboration with Lucasfilm.
03). Street King (2011): After a trip to Africa, 50 Cent partnered with Pure Growth Partners and launched an energy drink, Street King, with the goal that proceeds from those sales would be used to feed a billion kids in Africa by 2016. “50 Cent and I share a common vision,” Chris Clark expressed, founder and CEO of Pure Growth Partners, “To address the world’s growing problems through smart and sustainable business models.”
02). Boxing Promotion (2012): When 50 first ventured into the boxing business, he became a licensed promoter and created TMT Promotions with Floyd Mayweather, Jr. However, after a few months, Floyd and 50 parted ways and 50 formed a new company, SMS Promotions, without Mayweather’s assistance. Perhaps most notably, SMS Promotions signed junior middleweight James Kirkland in October 2013 after he had been out of action since March of the previous year due to legal issues and a lawsuit with his last promoter.
1). Swan Racing (2014): Just recently, 50 got involved with NASCAR when his SMS audio line became an associate sponsor of Sprint Cup Series team, Swan Racing. “Swan Racing and its up-and-coming drivers are the perfect match for SMS Audio,” Fif announced in a statement. “They are as passionate for the sport of racing as we are for our audio products, and we’re confident that the music-loving NASCAR fan base is going to enjoy our headphones.”
What do you think of 50 as a mogul? What do you think is his best business move? Share your thoughts in the comments section below!
(AllHipHop News) 50 Cent’s immense success is predicated on a machine like work ethic which sometimes make emotions seem like detriments. In a recent interview with MTV, 50 spoke on how his treatment of Banks’ following Banks’ father passing could have soured their relationship.
Lloyd Banks’ father died around the time of the release of Banks’ 2006 sophomore album Rotten Apple. According to 50, he was a bit “insensitive” in his treatment of Banks’ following his father’s passing, insisting that the young MC get back to work soon:
[Banks’] father passed away and I was like, ‘All right, he passed away, but you can’t just go home and stay home.’ He went home and just stayed at the house. Ask Kanye, his mother passed away while his record was at a peak point. If he didn’t go on tour, he wouldn’t be the Kanye you know right now. He worked his way through that situation; the world doesn’t stop.
Back in November 2010, Banks told XXL that he considered quitting rap following the death of his father. He also gave insight into his reasoning for why 50 would treat the death of someone’s father the way he did:
50’s whole thing was just, ‘Push on, push on.’ But he didn’t grow up with his mother and his father. Seeing my life pass before my eyes, it was like, no matter how much s### you have or how good you’re doing, you’re going to go through this and be devastated.
Back in October 2010, 50 appeared on Hot 97’s The Funkmaster Flex Show and echoed Banks’ sentiments regarding 50’s treatment. However, in his recent interview with MTV he spoke on how Banks’ attitude towards losing his father was inconsistent with his attitude towards fallen friends:
We lost…Probably 5 or 6 people got killed while we been on the road prior to him actually behaving that way. We don’t stop what we’ve been doing. To me, it’s an excuse.
Check out 50 Cent explain his relationship with Lloyd Banks below:
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