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USHER Provides Unfiltered Opinion On Keke Palmer Viral Incident

USHER has broken his silence on the viral incident that occurred when Keke Palmer attended one of his concerts in 2023.

On Tuesday (February 11), USHER appeared in the latest episode of the Baby, This Is Keke Palmer podcast to discuss several topics during the near hour-long episode. One of the juiciest conversations of the interview came as they engaged in an exchange about the moment the actress was thrown into a scandal after USHER serenaded her during his 2023 Las Vegas residency—prompting her boyfriend at the time, Darius Jackson, to criticize the mother of his newborn child for her attire that night.

In his initial remarks on the situation, USHER both pleaded the fifth while also making it clear that he didn’t intend to cause a raucous, even though he did.

“I cannot be responsible for how people choose to react to my experience as an entertainer,” USHER said, setting the record straight. He continued, “I am NOT deliberately trying to do anything that’s going to rock anybody’s home,” to which Keke Palmer playfully responded, “This is what you call ushering.”

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Despite the drama, USHER explained why he took it upon himself to later team up with Palmer for the music video for his song “Boyfriend” that believes flipped the narrative.

“I think you and I both can share the sentiment of the moment,” he said when asked by Palmer why he recruited her for the video. “Because I know it was a hot moment for you. And I was like, ‘You know what? When life feeds you lemons, you make lemonade.”

He continued, explaining that he saw an opportunity to bring some lighthearted fun to the situation rather than fueling the controversy.

“Let’s do something that just takes their mind off of it and just have a good time,” he said. “Don’t focus on the drama. By the way, if you just focus on the drama, then you’re going to always respond to it only.”

He concluded, “Now, again, I don’t want to take any responsibility for breaking anybody’s home, but that wasn’t the purpose and point. It was for you to have a good time with your girls. Come out there and just enjoy.”

Last October, Palmer opened up about the fallout of the viral incident, revealing that the moment at the concert ultimately led her to file a restraining order against Jackson.

“I get that people feel like celebrities all know each other, or they’re thinking in their mind that,” Keke Palmer said in part. “I mean, ultimately I was doing what I do as an entertainer, as I was creating a fun moment.

“That’s what he [USHER] does with every entertainer that comes to his show. How it became a genuine storyline of that me and USHER in love, or me and USHER have something going on, I don’t know how it got there, but usually, as we all know, things are never really what they seem.”

Coi Leray Announces New EP With Cryptic Title After Signing Epic Records Deal

Less than a year after Coi Leray vented on social media and vowed not to release new music, she has inked herself a new deal and is gearing up to drop a new project.

On Tuesday (February 11), a report from The Hollywood Reporter (THR) revealed Coi Leray has officially found a new home at Epic Records, marking a fresh chapter in her career. She will also undergo another change as she will now be represented by her new management under Cory Litwin at Range Media Partners.

With her new label deal in place, Leray is gearing up to drop her next EP, What Happened to Forever, on Wednesday (February 12). Given the news of her split with her boyfriend and father of her child, Trippie Redd, the title of the EP exudes somewhat of a cryptic aura.

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Prior to signing with Epic, Leray released music under Republic Records and Island Records, both subsidiaries of Universal Music Group. In a statement she shared with THR, Leray described her new situation with Epic Records as something that all artists long for.

“Epic is one of those labels who understands me as an artist and as a person, and I’m super appreciative of that,” Leray told The Hollywood Reporter. “They support me rather than try to tell me what to do, and that’s all an artist can ask for when it comes to signing with a major label.”

Leray’s latest deal signals a major career reset following the contractual struggles she faced in 2025. Last October, she vented on Instagram about an ongoing dispute with a now-defunct record label, 1801, and a figure she identified as Billy J. The Players hitmaker claimed Billy J was the only individual preventing her from moving forward with her career, despite other former label affiliates being willing to part ways.

“I’ve been silent for so long,” she wrote at the time. “Y’all don’t understand how depressed this s### has me and I’m beyond tired of fighting!”

Leray alleged she had signed the “worst” production deal at 21, blaming a lawyer tied to 1801 for withholding key details about the contract. She even threatened to halt music releases until she was fully freed from the arrangement.

“There’s nothing in this life I want more than this guy right here to leave me alone,” she said. “He has NOTHING for my career and has been trying to take from me for the past five years.”

Peep Coi’s new On The Radar performance in the post above.

Kanye West Talent Manager Gives Rapper The Boot As Re-Built Empire Starts To Crumble

Kanye West lost a major professional ally after his talent agent severed ties over the rapper’s unabashed antisemitic rhetoric.

The 47-year-old artist ignited global backlash when he took to social media over the weekend to praise Adolf Hitler and the Nazis, only to escalate the controversy further by selling a T-shirt emblazoned with a s####### on his Yeezy brand’s website.

Tour manager Daniel McCartney swiftly distanced himself from West, condemning the Hip-Hop mogul’s actions in a statement shared on Instagram Stories.

“Effective immediately, I am no longer representing Ye (F/K/A Kanye West) due to his recent harmful and hateful remarks that myself nor (talent agency) 33 & West can stand for. Peace and love to all,” McCartney wrote.

By Tuesday, West’s decision to sell a hate symbol as “art” resulted in another major blow to his empire. Shopify, the e-commerce giant hosting his Yeezy site, pulled the plug on the online store, citing the violation of its sales policies.

The abrupt closure left one of West’s primary business channels inoperable. Legal troubles also mounted as a former Yeezy employee filed suit against West, alleging antisemitic harassment.

An ex-marketing specialist, who opted to remain anonymous, submitted a complaint in a California superior court accusing the rapper of religious and gender discrimination.

The rapper sent her a welcome message on her first day of working for him that read: “Welcome to the first day of working for Hitler.” He also called the girl “Ugly as F###,” and a “P############.”

Attorney Carney Shegerian did not mince words in a statement, stating, “Ye waged a relentless and deliberate campaign of antisemitism and misogyny against my client. His appalling treatment of women and fixation on Nazism, evident in abusive texts where he repeatedly calls himself Hitler, expose his motives.”

Screenshots of the alleged texts have since surfaced across social media, turning more supporters against the troubled rap star/fashion designer.

EXCLUSIVE: Diddy Ordered To Court To Face New Allegations In RICO Case

Diddy’s past is catching up to him faster than he can handle—new charges, witnesses and a judge who isn’t waiting.

The embattled music mogul has been ordered to appear in court on March 14, 2025, for arraignment on new allegations in a superseding indictment tied to his ongoing federal RICO case.

The hearing, initially set for March 17, has been moved up three days by United States District Judge Arun Subramanian.

Federal prosecutors have expanded the case against Diddy, piling on fresh allegations that further detail his alleged role in a vast criminal enterprise.

The superseding indictment reportedly outlines additional acts of sex trafficking, arson, prostitution facilitation conspiracy and racketeering, adding even more weight to a case that already has him locked up at the Metropolitan Detention Center in Brooklyn.

Diddy’s legal team fought to secure his release by offering a $50 million bail package, which included 24-hour armed security and a pre-approved visitor list.

But multiple judges shut the idea down, citing concerns over witness tampering and community safety.

Sources close to the investigation claim the government has over 50 witnesses, flight records, surveillance footage and additional corroborating evidence supporting the new charges.

Diddy’s legal team isn’t just fighting the charges—they’re going to war over how the case is handled.

His attorneys are pushing back hard against federal prosecutors, calling the case against him sexist and puritanical” while insisting that any sexual encounters in question were entirely consensual.

They argue that the so-called evidence—including video footage prosecutors have cited—doesn’t show anything criminal.

Instead, they claim the videos show adults engaging in consensual acts with no signs of violence, coercion, threats, or manipulation.

Furious Isla Fisher Urges Followers To Dump Kanye West For Good

Actress Isla Fisher publicly denounced Kanye West, urging her social media followers to stop supporting him after he posted antisemitic content and began selling a T-shirt featuring a s#######.

The “Wedding Crashers” star took to Instagram today (February 11), condemning Kanye West, also known as Ye, for his offensive statements and actions.

She shared a screenshot of West’s only available merchandise—a plain white T-shirt emblazoned with the Nazi symbol—and pleaded with her followers to stop engaging with him online.

“Hey friends, can you please unfollow Kanye?” Fisher wrote alongside the image. “Did you know this is the only thing for sale on his website after placing a Super Bowl commercial?”

In a blunt conclusion, the Australian actress added, “F### this monster forever. No tolerance for this s###.”

West’s latest controversy erupted over the weekend when he flooded social media with antisemitic and racist rhetoric, causing widespread backlash.

His spree of posts on X, formerly known as Twitter, included messages in which he referred to himself as a Nazi and declared his admiration for Adolf Hitler.

Kanye West described the s####### T-shirt as his “greatest performance art piece thus far.”

During the Super Bowl on Sunday (February 9), Kanye West released an unconventional advertisement shot on his iPhone, directing viewers to visit his Yeezy website.

When users arrived, they found that all previous inventory had been removed, with only the s#######-emblazoned shirt available for purchase. Shopify has confirmed they have canceled his account.

Fisher wasn’t the only public figure speaking out.

Singer Charlie Puth also took to Instagram with a desperate plea for the “Flashing Lights” artist to stop spreading dangerous rhetoric, writing, “@ye The message you are sending out to the world is incredibly dangerous. Please man, I beg you to stop. You are selling a T-shirt with a s####### on it, and MILLIONS of people are influenced by you. Please I BEG you to stop, PLEASE.”

Additionally, “Friends” actor David Schwimmer directed his frustration at Elon Musk, calling for the tech mogul to intervene and remove West’s account from X, citing the real-world consequences of allowing his hate speech to spread.

“His sick hate speech results in REAL LIFE violence against Jews,” Schwimmer wrote.

As outrage spread, X deactivated the rapper’s account, though it remains unclear whether the suspension is temporary or permanent.

West’s controversial behavior has cost him lucrative deals in the past. In 2022, Adidas severed ties with him after similar antisemitic remarks, ending a billion-dollar collaboration.

His latest behavior has again reignited calls for brands and platforms to disassociate entirely from him.

Cam’ron Wasn’t Reason Why Juelz Santana & Lil Wayne’s Mixtape Never Dropped

Cam’ron is attempting to clear up, once and for all, the rumors circulation about his role in the saga of Juelz Santana and Lil Wayne’s mixtape that never was.

While many have pointed fingers at Cam’ron, claiming he blocked I Can’t Feel My Face from being released, the Dipset luminary is now setting the record straight and has revealed a contract dispute was at the source of the failed project. Speaking on the topic during the recent episode of his show It Is What It Is, Cam’ron addressed the long-standing rumor and his role within it head-on.

“There was a time Juelz was supposed to put out a project with Lil Wayne and it didn’t happen,” Cam’ron said. “And they was like, ‘Cam don’t want the project to come out. Cam don’t want the project to come out.’ And that’s not what happened.”

According to Cam, the issue came down to business politics, considering that Lil Wayne wasn’t the “superstar” we know him as today and was realistically just entering the beginning stages of his career.

“Lil Wayne, and mind you, Lil Wayne wasn’t the super superstar yet,” he explained. “He was a star, but remember, Lil Wayne emerged into a superstar after Tha Carter I, Tha Carter II and Tha Carter III and ‘Amilli’ and all that s###.”

As Cam continued, he broke down the label conflicts that ultimately killed the project. More specifically, he pointed to Universal Music Group (UMG) playing hardball as the end-all-be-all in the situation at that time.

“Def Jam is under Universal, which Lil Wayne was signed to,” he explained. “So when they wanted to put this project out, Universal told Def Jam, ‘Well, Lil Wayne still didn’t give us his album yet. So if y’all want to put this project out, we’re taking 95% and Def Jam, y’all can take 5%.’”

With UMG drawing a proverbial line in the sand with the lopsided revenue split, the likelihood of the project being financially profitable was impossible, given the meager split percentage margins.

“We had a joint venture deal with Def Jam,” he continued. “So if that project came out, that means Def Jam would get 2.5 percent of the album, and me and Juelz would get 2.5 percent of the album. And they said, ‘Cam, we love you and all that, but we’re not doing that. We can’t do it.’”

Despite his efforts to explain the situation, Cam said he became the scapegoat.

“N##### just gonna blame Cam,” he said. “I get the blame. ‘Yo, Cam is hating. Cam don’t want Juelz’s project to come out.’ And I’m like, all right, whatever. N*ggas don’t really understand the backstory.”

Ultimately, Cam argued that blocking the release never made sense for him.

“Why would I want to stop making money?” he questioned rhetorically. “My whole thing was to make Juelz a star, make Juelz rich. That was my goal. Why would I want to stop that? But it didn’t make financial sense.”

Cam’ron’s address on Juelz and Weezy’s mixtape-turned-urban-legend follows the “Clockwork” rapper’s recent statement about Cam and Jim Jones’ ongoing beef. Additionally, they follow Juelz’ claims that he’s readying a project with an A-list lineup amid the announcement of his accessories brand I Can’t Feel My Face.

“I got DaBaby on the album, Lil Wayne on the album,” Santana teased, going on to highlight that he has a “mean one with Wayne” that fans can expect to be a standout.

Watch the lengthy clip from the talk show in the post above.

The Super Bowl’s Mascot Problem & America’s Identity Crisis

Another Super Bowl has come and gone, and while the game itself may have delivered thrills, it also reignited a painful, long-standing controversy.

The Kansas City Chiefs were trounced by the Philadelphia Eagles in Super Bowl LIX. But it’s their continued use of Native American imagery and mascots in sports—not their historic loss—that’s problematic. For many, it’s another reminder that America remains stubbornly resistant to change.

I know this fight well. My mother, Lynette Lonewolf, and countless others—activists like Dick Gregory and Mark Thompson—have spent decades advocating against the racist depictions of Indigenous people in sports. The long overdue retirement of the Washington Commanders’ former name was a hard-won victory. Now, there are whispers of bringing that energy back for the Chiefs. They continue to perform on the national stage, complete with the offensive “tomahawk chop.” This is a ritual that reduces a people with a rich, complex cultural history to caricature.

I was at the Super Bowl in Phoenix last year, working behind the scenes to ensure Indigenous representation. For the first time La Morena, an Indigenous woman, was chosen to design an official NFL Super Bowl logo. The moment has largely gone unrecognized. I also helped secure Native-owned businesses, such as OXD Clothing, to be official merchandise vendors. These are small steps, but they are critical in a space that has historically erased Native people. Except as mascots or myths.

But representation, no matter how well-intended, cannot erase the discomfort of watching thousands of fans in face paint and feathered headdresses perform the tomahawk chop as the Chiefs take the field. Many Native performers, offered tickets to the game, declined. They could not, in good conscience, sit among fans who continue to dehumanize them. Imagine if fans donned Zulu headdresses or painted their faces in blackface. The outcry would be swift and justified. So why is this any different?

Native Americans are not relics of the past. We are still here. We are not mascots.

For me, this year’s Super Bowl was a deeply symbolic experience. Watching the Philadelphia Eagles win felt like a spiritual victory. The eagle holds profound significance in Indigenous culture. It represents vision, wisdom and protection. The U.S. government itself has recognized the eagle’s sacred role, enacting laws to protect them. So, to see the Eagles soar to victory was, in a way, a reminder that Native people, too, continue to rise.

And then there was Kendrick Lamar, a Black artist whose performance spoke volumes about racial identity and resistance. As someone of both Black and Native descent, his artistry hit home. His imagery, particularly his formation of a human flag, was a powerful statement about unity and struggle in a country that often seeks to divide.

The irony is that America has always been a blend of cultures. Nowhere is this more evident than in New Orleans, the site of this year’s Super Bowl. Louisiana is a melting pot, a living embodiment of the gumbo that defines its cuisine—Indigenous, African, Latin, Creole. Historically, enslaved Africans and Native Americans found community together, shaping traditions that persist today in the masking rituals of Black Indians.

This is America’s real identity. It’s not the narrow, exclusionary vision pushed by those who rage against diversity. The people who take issue with the blending of cultures, who resist change, are the ones who do not truly understand this country.

The fight against offensive mascots is not about erasing history. This is about correcting it. It’s about recognizing that Indigenous people are not novelties to be worn on jerseys. It’s about moving past an era where sports teams profit from outdated stereotypes while the very people they claim to “honor” continue to be marginalized.

This Super Bowl, like so many before it, was a reminder of the work still left to do. But it also served as a testament to the resilience of those who refuse to be erased. America is one big, flavorful pot of gumbo, and that rich mix of cultures is its greatest strength. It’s time we start acting like it.

YoNasDa Lonewolf, Oglala Lakota/Black, National Community Organizer, Influencer and Co-Host of The Certified Squad Show podcast. She’s also a super hero.

Suge Knight Claims 2Pac Slapped Snoop Dogg Over Diddy & Biggie Smalls After 1996 MTV VMAs

Suge Knight has claimed that 2Pac and Snoop Dogg were involved in a physical altercation before the late “California Love” rapper passed away and it was apparently all because of a radio interview.

In a recent interview with The Art of Dialogue, the former Death Row Records CEO shared a harrowing anecdote about an alleged heated altercation between 2Pac and Snoop Dogg following the 1996 MTV Video Music Awards. According to Knight, tensions erupted after 2Pac heard a radio interview in which Snoop expressed a willingness to collaborate with Biggie and Diddy—Pac’s sworn rivals at the time.

“Now, fast forward, we back at the hotel, and you know, everybody got their rooms,” Suge Knight recalled. “I would have a special room that only Pac [2Pac] knew the number to. So I’m in there, I got my company, a few of those, you know, women in there, and I just hear ‘bam,’ at the door. Throw my boxers on, open the door, Pac just runs in my room. I’m like, man, what’s up? He’s like, ‘You got a radio?’ He all pumped up, he cut the radio on, and we listened to Snoop on the radio.”

According to Suge, Snoop’s comments sent Pac into a rage.

“Snoop is saying that’s Pac on the bullsh*t,” he said. “He’d do a song with Biggie, he’d do a song with Puffy, he’d do all these songs. Pac was so mad because Pac loved those dudes. He always would ride for them. And he brung it up. He said, ‘Man, I just came to f*ck with you, but I put everybody on Death Row. I put everybody on my album. For this fool to go up there and get on the radio and say f*ck me, and he riding with them, it’s on.’”

Suge thought the situation might cool off, but the next morning, 2Pac took matters into his own hands.

“When we got downstairs, Pac took off on Snoop,” he revealed. “Pac ran up on me, did what he did. Snoop ran this way, Pac running behind me. I stopped him.”

Realizing the situation was spiraling, Suge intervened. “We ain’t finna be doing all this in New York, making us all look like we some idiots,” he said. “I said, we’ll deal, we’ll have this conversation when we get to the house.”

This isn’t the first fight conspiracy theory story the deceased MC has been wrapped up in as of late.

In a recent interview for “The Untold,” a content series uncovering behind-the-scenes stories from the industry, comedian Tommy Too Smooth recounted an alleged altercation between the two legendary figures. The drama reportedly unfolded during a time when 2Pac was dating Kidada Jones, the daughter of late music legend Quincy Jones.

According to Tommy, the incident occurred when the couple attended an event where Michael Jackson was also present. The King of Pop, known for his close friendship with Quincy and his children, was reportedly disturbed by 2Pac’s treatment of Kidada that evening.

“2Pac comes out to party, disrespecting Kidada, like, ‘B#tch, shut up. Come the f#ck on. Shut the f#ck up and get in the car,’” Tommy Too Smooth recalled. “Mike stepped to him. ‘Yo, you can’t talk to her like that.’”

Listen to Knight’s full anecdote on the alleged incident in the post above.

Duolingo Blames Drake For Killing Off Owl Mascot In Savage Troll 

Drake can’t catch a break on social media in the wake of Kendrick Lamar’s record-breaking Super Bowl Halftime Show, with everyone from Duolingo to Apple Music ruthlessly mocking the Toronto rapper. 

On Tuesday (February 11), the education app’s X (Twitter) account taunted the OVO founder, whose emblem is an owl, by posting an image of their own owl mascot reenacting a viral moment from Kendrick Lamar’s “Not Like Us” Super Bowl performance.   

Mimicking Lamar’s lyrics, the post was captioned, “SAY DRAKE.” 

Doubling down on the Drake shade, Duolingo then announced the “death” of their owl mascot in a tongue-in-cheek follow-up post.  

“It is with heavy hearts that we inform you that Duo, formally known as The Duolingo Owl, is dead,” the announcement reads. “Authorities are currently investigating his cause of death and we are cooperating fully.” 

Duolingo referenced the owl’s “many enemies,” before implying Drake killed off the owl in the comment section, adding, “Authorities are looking into a Canadian rapper currently.” 

It’s not even the first time Duolingo has poked fun at Drake since the Super Bowl. On Monday (February 10) the app tweeted a reference to K. Dot’s famous “A-MINORRRR” line.  

Promoting its new music course, Duolingo wrote: “Learn A minor in our music course #SuperBowl.” 

Meanwhile, earlier this week, Apple Music added to Drake’s misery. The official social media accounts shared a post featuring the lyrics “Not Like Us,” written repeatedly.  

Kendrick Lamar smashed Super Bowl halftime show records, drawing in 133.5 million viewers.  

Roc Nation confirmed the milestone, revealing, “We’ve broken the record again! The most watched Apple Music Halftime show EVER, with 133.5 Million viewers.” 

Rest In Power Irv Gotti: Is A Family Battle Brewing Over $300M Inheritance?

First and foremost—Rest in peace to Irv Gotti, the visionary behind Murder Inc. Records. His contributions to Hip-Hop were monumental, shaping the gritty AND commercial sound of the 90s and early 2000s. At a time when Diddy had Hip-Hop in shiny suits, Irv brought it back to the streets. He did it masterfully. DMX was his weapon, Ja Rule was his ace and Ashanti was the R&B princess. His production, ear for talent and his ability to move in business and music solidified his place in Hip-Hop history.

Irv Gotti, who struggled with diabetes, passed away at just 54 years old after first suffering a stroke in 2023 and a second one that ultimately claimed his life. It’s heartbreaking to see a Hip-Hop mogul taken so soon.

EXCLUSIVE: Irv Gotti Funeral Details Revealed

But before his passing, Irv made one final boss move. He sold his music catalog for $300 million. Now, that’s generational wealth. While some may argue that he should have kept the rights in the family, let’s be real: he secured his family’s future. That’s what’s up.

How will this pan out?

Now, here’s where things get a little complicated. Irv reportedly (rumored-to-be) left control of his estate to his eldest daughter. Generally, the oldest is often seen as the leader. But let’s not pretend we don’t know how these things tend to go down. Whenever big money is involved, families get to fighting. Mine sure did.

According to sources, tensions may already be brewing. The question isn’t just about who got the money. This seems to be about who’s in control. And let’s be honest, $300 million is the kind of money that can sow some real seeds.

Personally, I’ve seen this happen in families at all levels. Even a couple of thousand dollars can split folks apart. But at the end of the day, Irv made his choice. He seemed to believe his eldest daughter was the best person to handle his legacy, and at this point, the rest of the family may have no choice but to follow her lead.

How will the “Gotti Empire” thrive here on? Time will tell.

One thing is for sure, though: Irv Gotti left his mark on Hip-Hop forever.

Rest in power, Irv. Your legacy lives on.

Serena Williams’ Husband Fine With Her Super Bowl Diss Of Ex-Lover Drake

Serena Williams stepped onto the Super Bowl halftime stage Sunday night, dancing alongside Kendrick Lamar in a moment that quickly turned into a debate.

The tennis legend’s brief appearance saw her performing the Crip Walk during Lamar’s performance of “Not Like Us,” a diss track that has intensified the feud between Lamar and Drake — Williams’ former flame.

The moment didn’t sit well with some onlookers, including ESPN’s Stephen A Smith and Fox Sports columnist Jason Whitlock, who compared her dance to “cracking a tasteless, X-rated joke inside a church.”

Whitlock insisted she “deserved to be criticized and she should’ve immediately apologized.” Williams’ husband, Reddit co-founder Alexis Ohanian, wasted no time coming to her defense.

Taking to X on Monday, he shared a screenshot of Whitlock’s remarks alongside a pointed response.

“Some of y’all have no idea how criticized Serena was for this same dance at Wimbledon 13 years ago and it shows… This is bigger than the music.”

The reference harkens back to Williams’ 2012 Olympic victory celebration at Wimbledon, where her use of the dance move also attracted backlash. This time around, the criticism extended beyond just the dance.

Some questioned the optics of Serena Williams appearing in a performance tied to Lamar’s ongoing beef with Drake, her rumored ex. Smith was particularly vocal.

“If I’m married and my wife is going to join trolling her ex, go back to his a*s,” he said on First Take Monday. “Cause clearly you don’t belong with me. What you worried about him for and you’re with me? Bye. Bye.”

Despite the uproar, Williams appeared unbothered in the aftermath.

In a social media video, she jokingly dismissed comparisons between her Super Bowl performance and the 2012 controversy.

“Man I did not Crip Walk like that at Wimbledon, I would’ve been fined!” she said, laughing.

She also shared behind-the-scenes glimpses from rehearsals, posting photos and clips from her time onstage. Reflecting on the high-energy moment, she told her followers, “I died a little.”

West Coast Rapper DrexTheJoint Drops ‘The One Who Did’ EP, Racking Up An Impressive 1.2M Streams 

DrexTheJoint recently shared his highly anticipated EP, The One Who Did, and it’s already turning heads. Since its release on January 10, the project has amassed over 1.2 million streams across all platforms, proving that this young artist is far from just another newcomer to the scene. He’s a19-year-old rapper hailing from Santa Ana, California and first became known on the scene for his virla record “Bounce.”

However, the 15-track EP takes listeners on a raw, unfiltered journey through DrexTheJoint’s life. More importantly, it discusses his experiences growing up in Santa Ana, a city he’s incredibly proud of. While many West Coast artists claim LA, Drex stands firm in representing his hometown, and The One Who Did shows just how much that pride and authenticity fuel his sound. “There hasn’t been anybody in Orange County who has done it like me,” DrexTheJoint says. “Somebody who reps the city and county so hard without having to claim LA.” And listening to this project, it’s clear Drex is carving out his own lane.

The EP features a series of collaborations with artists like Heembeezy, Rowdy Racks, and Mike Sherm, each adding their unique flavor to the project while Drex stays true to his roots. From the hard-hitting tracks that show his unapologetic side to the smooth, melodic moments that highlight his versatility, The One Who Did showcases everything that makes DrexTheJoint one of the most exciting young voices in hip-hop today.

Drex’s rise to fame has been fast, but it’s not without its authenticity. His breakout single “Bounce Out” as mentioned before, pulled in over 7 million streams. That natural energy and spontaneity have carried through to The One Who Did, where each track feels like an honest conversation rather than a performance.

DrexTheJoint is introducing the world to a fresh, authentic voice in West Coast hip-hop. Signed to Now & Forever in partnership with Santa Ana Records, Drex is pushing the boundaries of what it means to represent his city while delivering something new and exciting to the culture. “I want fans to feel that West Coast sound when they hear me,” he says, and that’s exactly what they’re getting.

If The One Who Did is any indication, DrexTheJoint is on a trajectory that can’t be ignored. His star is rising quickly, and with his upcoming performance at Rolling Loud California in 2025, it’s clear that this is just the beginning. Fans and new listeners alike can expect big things from Drex this year and beyond.

Stream The One Who Did now on Spotify andApple Music.

Keep up with him on IG @drexthejoint to see what he has coming next.

Hip-Hop’s Obsession with Gambling Culture

Over the past few decades, gambling has emerged as a superior motif in hip-hop, symbolizing both the highs of success and the risk of failure. Through lyrical references, music videos, or partnerships with casinos and betting companies, hip-hop’s obsession with gambling culture has never been more apparent.

Here, we’ll explore the roots of this obsession and the connection between the industries. 

The Origins of Gambling in Hip-Hop

Hip-hop has always been about storytelling, often drawing from real-life experiences in urban communities. Gambling, particularly games like poker and dice, has been a part of these communities for decades. In the early days of hip-hop, performers would rap about their experiences in backstreet dice games, where fortunes could be won or lost with a single throw.

Things haven’t changed much nowadays. For example, dice or poker fans can pick from a number of excellent online casinos in the Philippines from BestOnlineCasino.com.

Gambling Influence in Hip-Hop

As we already noted, hip-hop’s influence on the gambling industry is undeniable. Many iconic rappers, including Drake, Kendrick Lamar, and Jay-Z, have incorporated gambling metaphors into their music. Besides the fact that these references reflect artists’ personal lives and philosophies, gambling in rap symbolizes high-stakes ambitions, survival, and the unpredictable nature of life itself. 

Yet, the boundary between artistic expression and outright gambling promotion has become increasingly blurred. More and more hip-hop artists are not just referencing gambling in their lyrics but actively engaging in sports betting and casino endorsements

This trend raises questions about their potential influence on audiences, particularly younger fans who may be more impressionable.

Rappers and Gambling

The legalization of sports betting in over 30 US states since 2018 has pushed the gambling industry into the mainstream. This has created a lucrative opportunity for hip-hop artists to partner with online gambling companies, further integrating rap culture into the betting world. 

For instance, the rapper Drake has become popular with his high-stakes gambling habits, frequently wagering amounts between $500,000 and $1 million. In this way, casinos gain credibility through Drake’s endorsement, while the musician, despite possible losses, secures financial incentives.

However, his public gambling exploits have led to concerns about normalizing risky betting behaviors among his fan base. 

Gambling as a Marketing Tool

Beyond individual endorsements, the gambling industry has leveraged hip-hop culture in its advertising campaigns. For the 2023 NBA Playoffs, rap legends Rick Ross, Fat Joe, and The LOX were hired to create the promotional track, The Game, which played in the background while sports highlights and gambling odds flashed across the screens

Additionally, other artists have been appointed to write songs explicitly mentioning betting platforms, further connecting rap music with gambling. However, such commercializations raise some dangerous concerns. While product placement in music is nothing new, betting startups differ from traditional brands because gambling carries financial risks.

Although the consequences of addiction and financial losses are real, marketing tactics usually affect lower-income individuals who may see gambling as their ticket out of poverty. 

The Dark Side of Gambling in Hip-Hop

While gambling is often portrayed as a symbol of wealth and success, there is a darker side that rarely gets discussed. Here are the main risks you should consider:

  • Addiction – The thrill of gambling can turn into addiction, leading to massive financial losses. Rapper Scott Storch, known for his extravagant lifestyle, admitted to losing millions due to gambling and bad investments.
  • Debt and Financial Ruin – Some artists have suffered financial issues due to reckless gambling habits. Stories of celebrities wasting their wealth in casinos are not uncommon.
  • Crime and Gambling Culture – The connection between gambling and crime in hip-hop is also evident. Illegal sports betting, underground dice games, and loan sharks can lead to dangerous consequences, including violence. 

Over the past years, some governments have already taken steps to restrain celebrity involvement in gambling advertisements. Among these is the Alcohol and Gaming Commission of Ontario (AGCO), which recently passed legislation banning gambling ads featuring celebrities who appeal to minors. 

Protecting the Youth from the Gambling Syndrome

Adults can make their own gambling choices, but the real concern lies with younger audiences. Rappers have a significant influence over their fans, especially teenagers who idolize their lifestyles. When gambling is presented as an easy way to get rich, young listeners may be more inclined to develop unhealthy gambling habits. 

Although hip-hop culture has always embraced risk-taking, artists have a responsibility to consider the broader impact of their endorsements. Despite gambling addiction is a recognized disorder, very little funding is allocated to support those who struggle with it.

In 2022, the US sports betting industry generated nearly $12 billion in revenue, but state governments spent only $110 million on gambling addiction recovery programs. 

A Call for Responsible Influence

Gambling has always been a powerful metaphor in rap music, symbolizing risk, ambition, and the pursuit of success. However, the growing commercial ties between hip-hop and the gambling industry raise significant ethical concerns.

As sports betting and online casinos continue to expand, hip-hop artists must be mindful of their role in normalizing gambling behaviors, especially among young audiences. While gambling will likely remain a fixture in rap culture, artists should consider promoting responsible gambling behaviors rather than betting activities.

The future of hip-hop’s relationship with gambling depends on the balance between artistic expression and ethical responsibility because, at the end of the day, the house always wins. 

Watch Kid Rock Melt Down Over Unenthusiastic Audience

Kid Rock cut his surprise performance short at Jon Bon Jovi’s Nashville bar over the weekend, walking off mid-song after voicing frustration at an audience he felt wasn’t enthusiastic enough.

The outspoken musician took the stage at JBJ’s to celebrate Bon Jovi keyboardist David Bryan’s birthday, launching into a rendition of Creedence Clearwater Revival’s 1969 classic Proud Mary.

But about two minutes in, Rock abruptly stopped singing, ordered the band to halt, and called out attendees for what he deemed a lackluster response.

“F### them. F### them. Hey, hey, stop,” he said in a video shared on social media. “If you ain’t gonna clap, we ain’t gonna sing. That’s how it’s gonna go.”

The audience, responding to the outburst, joined in with applause. But barely a minute later, Rock halted again, appearing unsatisfied.

“You know what, f**k y’all. You ain’t gonna clap, I’m gone,” he added before marching offstage, leaving Bryan and the band standing in silence.

While Bryan, who turned 63 on February 7 seemed amused by the scene, the abrupt exit left many in the crowd bewildered.

Video footage circulating online captured the moment, with some concertgoers reacting with surprise while others laughed at the unexpected drama.

Lil Wayne Flames Kendrick Perkins Over Nicki Minaj Remarks 

Lil Wayne had a few words for former NBA champion Kendrick Perkins after he mentioned Nicki Minaj during a recent broadcast. 

The Young Money Entertainment founder is fiercely protective of his close friend and collaborator and was thoroughly unimpressed by Perkins’ remarks about Minaj. 

The athlete-turned-sportscaster downplayed Minaj during a recent discussion about Jimmy Butler’s move to the Golden State Warriors on ESPN

“I’m thinking that the Warriors are gonna go out there and get a Beyoncé or a Taylor Swift,” Perkins said of the trade. “They end up getting a Nicki Minaj.” 

Although Perkins didn’t rank Minaj as an A-lister like the other female artists he mentioned, many of her fans strongly disagree—especially Weezy, who signed the NYC rapper back in 2009. 

Lil Wayne returned the shade on social media, flipping Perkins’ comment to fire back. 

“The Warriors thought they was getting a Taylor Swift or a Beyoncé and ended up getting a #kendrickperkins,” he tweeted. “Stop playin bish.” 

In addition to Lil Wayne, The Barbz, Nicki Minaj’s loyal fanbase also stuck up for their idol, littering his social media posts with insults. 

The intense backlash prompted Perkins to apologize for his remarks on social media. 

“Wish I would’ve known about the Barbz before my Nicki Minaj take,” he wrote. “Don’t charge it to my heart. My apologies, I don’t want no smoke!” 

He also pleaded for forgiveness during a subsequent appearance on ESPN

“Let me apologize to Nicki Minaj and the Barbz,” he said. “They’ve been on my ass like pockets. I apologize, I’m a fan. Please, forgive me. I don’t want no smoke.” 

Kendrick Lamar’s Take Down Of Drake Turned Into Most-Watched Super Bowl Halftime Show Ever

Kendrick Lamar delivered a record-smashing Super Bowl halftime show Sunday, drawing in 133.5 million viewers as he took the stage with SZA and didn’t hold back in addressing his brewing feud with Drake.

Roc Nation confirmed the milestone, declaring, “We’ve broken the record again! The most watched Apple Music Halftime show EVER, with 133.5 Million viewers.”

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Performing a medley of hits, including “HUMBLE.,” “DNA,” “peekaboo,” and “Not Like Us,” Kendrick Lamar commanded Allegiant Stadium with a performance packed with symbolism.

Samuel L. Jackson, draped in red, white and blue as Uncle Sam introduced the show before returning to the big stage.

The guests didn’t stop there—Serena Williams surprised audiences by Crip Walking, adding yet another iconic moment to an already stacked show.

With themes addressing the state of the nation, Kendrick Lamar’s performance blended social commentary with high-energy stage production.

While the spectacle drew fans in, the underlying with Drake gave the event a massive boost, as many tuned in to see if Kendrick would perform “Not Like Us.”

The song has spawned a lawsuit between Drake and Universal of the song’s controversial allegations of the Toronto rapper being a pedophile.  

Super Bowl LIX wasn’t just notable for its halftime show. The Philadelphia Eagles secured a dominant 40-22 victory over the Kansas City Chiefs, avenging their Super Bowl LVII loss and claiming their second championship title in franchise history.

The win marked the third time in Super Bowl history that a team successfully flipped the outcome of a rematch.

Viewership soared throughout the night, peaking in the second quarter at 135.7 million. Streaming numbers also set records, with 14.5 million viewers watching online and 13.6 million tuning in through Tubi.

Colman Domingo Opens Up About Marvel Talks & Kang Rumors

Colman Domingo sat down with Marvel Studios executives to address speculation that he would take over the role of Kang the Conqueror from Jonathan Majors but made it clear he wasn’t interested in stepping into someone else’s shoes.

The Oscar-nominated actor opened up about the meeting on the Happy Sad Confused podcast, explaining that his team wanted to explore whether the swirling rumors had any truth to them.

“I think there had been conversations of me coming into Marvel in some way,” Domingo shared. “So we did follow up with a sit-down meeting with the heads of Marvel. So I did do that, and we talked openly about the landscape of Marvel or even the Kang rumors.”

Despite the conversation, Domingo insisted there was never a formal offer or serious discussion about him taking on the role of Kang.

Instead, he is more interested in creating a character from the ground up rather than inheriting an existing part.

“I feel like I want a role to be mine, whatever that role is, whatever I develop. Something didn’t feel right of me, like, ‘Oh, would I replace someone?’ No, I want to build something from the ground up that’s my own. I feel like that was never a conversation from my point of view,” he said.

While Domingo dismissed the idea of becoming Kang, he hinted that discussions about him joining the Marvel Cinematic Universe in a different capacity are still ongoing.

The Euphoria actor has already lent his voice to the Your Friendly Neighborhood Spider-Man animated series and suggested that a live-action role could be in his future.

“I still don’t know if I was discussed, but I just know that I would want to build something up from the ground up,” he added.

Majors initially debuted as Kang in the TV series Loki before taking center stage as the franchise’s next big villain in Ant-Man and the Wasp: Quantumania.

However, after being convicted of reckless assault and harassment, Marvel dropped him from the role and restructured its plans.

Rather than recasting Kang, the studio reshaped its direction, even renaming the next Avengers installment from The Kang Dynasty to Avengers: Doomsday, which will now focus on Robert Downey Jr.’s Doctor Doom.

Kanye West’s Website Deactivated By Shopify Following S####### T-Shirt Stunt

Kanye West’s Yeezy website was deactivated by Shopify hours after his Super Bowl ad directed people to the sole item for sale: a white t-shirt with a black s####### emblazoned on the front. Shopify is the back-end platform that powered the t-shirt store on the Yeezy website.

A Shopify spokesperson told CNN that the “merchant did not engage in authentic commerce practices and violated our terms so we removed them. All merchants are responsible for following the rules of our platform.”  The site was no longer available as of Monday night (February 10).

West’s 30-second, low budget ad aired during Super Bowl LIX on Sunday night (February 9), but it wasn’t a national ad on FOX, so only viewers in a few markets saw it. FOX doesn’t have control over all the commercials that air on its affiliates. Shopify allowed the website to remain online and sell the antisemitic t-shirts for more than 24 hours. That ignited outrage on social media and from the Anti-Defamation League. He reportedly sold more than 100,000 of the shirts before the site was deactivated.

“The s####### is the symbol adopted by Hitler as the primary emblem of the Nazis,” the ADL said in a statement. “It galvanized his followers in the 20th century and continues to threaten and instill fear in those targeted by antisemitism and white supremacy. There’s no excuse for this kind of behavior.”

West went on a Twitter (X) tear last week, spewing antisemitic, homophobic and misogynistic hate speech to his more than 32 million followers. Celebrities, Jewish groups, anti-hate organizations and other X accounts pleaded with Elon Musk to take action, though Musk himself has courted controversy with his own behavior and comments about the Holocaust.

On Sunday evening, West seemed to deactivate his own account, posting, “I’m logging out of Twitter. I appreciate Elon for allowing me to vent, It has been very cathartic to use the world as a sounding board.”

West’s wife, Bianca Censori who just days earlier appeared naked on the Grammys red carpet, distanced herself from the tweets.

“Protect him from trouble and lead him toward understanding and respect for all people,” Censori wrote in a message shared on Twitter (X). “Every religion has its allegiance, & mine is with Israel. I respect pple of all faiths, & while Ye’s words were triggered by many things, God knows his heart, he is a good man, though imperfect, like all of us. May wisdom and peace prevail.

“Lord, I lift up my husband to You with love and concern. Soften his heart, guide his words, and fill him with wisdom and kindness. Despite our differences, I love him unconditionally. Strengthen our bond and help me be a source of patience and encouragement. I trust in Your grace to work in his heart. God Bless Israel and all the good Jewish people. Amen.”

Deiondra Sanders Slams Fiancé Jacquees & Dej Loaf’s “Fake” Relationship  

Deiondra Sanders is putting her fiancé Jacquees and his musical partner on blast, accusing them of faking a relationship to drive album sales and pushing her out in the process.  

On Tuesday, Deiondra, the daughter of Hall of Fame football player and Colorado Buffaloes head coach Deion Sanders, took to social media to set the record straight.  

She responded to a fan asking why she wasn’t at a recent press shoot with the singers.  

“Cause it makes dej feel uncomfortable,” Deiondra replied. In a follow-up post, she doubled down, accusing Jacquees and Dej Loaf of staging a romance as a PR stunt. 

“People gotta fake a relationship to sale albums,” she continued. “Stop asking me why I’m not around. I am not allowed to be around them cause Dej would feel uncomfortable if his fiance there.  As I said before yall got it yall won. Hope yall lil album sale the most yall done ever sold.” 

She added, “You’re welcome for the free promo! Sanders name gone do it every-time.” 

Deiondra Sanders Claims She Wasn’t “Allowed Around Jacquees & Dej Loaf

It’s not the first time Deiondra Sanders, who welcomed a son with Jacquees last August, has claimed Dej Loaf is uncomfortable in her presence.  

Earlier this month, the “B.E.D.” hitmaker shared a photo alongside his longtime collaborator with a provocative caption. 

“Who’s better than Me,” he wrote. “Be honest @dejloaf.” 

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Fans in the comment section began speculating about the nature of their relationship and questioning if Jacquees was still with Deiondra Sanders. 

Deiondra hopped in the comment to reply to a fan asking why she wasn’t present despite being in “every other pic.” 

The mother of one replied, “cause I wasn’t ‘allowed’ lmfaooo.” 

Neither Jacquees nor Dej Loaf has addressed Deiondra Sanders’ remarks publicly. However, Dej Loaf’s latest Instagram post appears to subtly address the situation. 

She captioned a carousel of images, “Doing Press> Being Pressed.” 

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Ne-Yo Faces Backlash Over Polyamorous Relationship Amid Viral Photo Of His Three Girlfriends 

Ne-Yo is causing a stir online over his polyamorous relationship with a photo of his three sister-wives. 

Last year, the R&B singer confirmed he was practicing polygamy after being seen hand-in-hand with his two girlfriends. He shared that he was open to having more partners but refused to set a specific limit.  

However, in a recent viral Instagram post, Ne-Yo, who has seven children with three different women, revealed he has now added a third partner to his relationship. 

The post, shared by Ne-Yo and his three partners, features them posing together on a yacht. 

“US vs. …NOBODY,” the caption read. “You can’t compete where you can’t compare. #PolyAndFly.” 

Ne-Yo Fans React

The post ignited a heated response in the comments, with many criticizing Ne-Yo’s polygamous lifestyle and accusing him of abandoning his ex-wife and children.  

“He left his beautiful wife and family unit for THIS?” one appalled fan remarked. “There’s absolutely no way he can be truly happy & fulfilled. He’s a hot mess. Such a shame he turned into this.” 

Another added, “This is disgusting, since he done that to Crystal I can’t stand him. Who will he have when he’s an old man with wrinkly balls and can’t get it up, these women will be on to the next.” 

However, not everybody was against Ne-Yo’s polyamorous relationship. “This his life!” one defender asserted. “He’s not doing anything wrong. Ya’ll need to shut up.”

The mother of Ne-Yo’s three youngest children, Crystal Renay, filed for divorce in August 2022. She accused him of eight years of infidelity and alleged he had fathered a child with another woman during their marriage. 

Meanwhile, one of Ne-Yo’s lovers responded to the criticism while defending the relationship. 

“People are gonna voice their opinion that’s what’s expected,” she wrote on Instagram. “But y’all need to understand over here it’s a solid foundation.” 

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