CeeLo Green will be helping fans get romantic on the eve of St. Valentine’s Day as part of a “Sessions” livestream from the living room of his Atlanta, Georgia home.
“Sessions Presents: In The Spirit of Love, A Valentine’s Day Eve Special with Grammy Winner,” CeeLo Green is available to fans at $19.99, with packages including an after-party and VIP extras.
“Show some love to someone or treat yourself to a personalized V Day video from me,” CeeLo Green tweeted.
Lovers can tune in to watch the Forget You singer’s special show from 6 pm ET here: https://sessionslive.com/CeeLoGreen/tickets.
Lil Uzi Vert trolled everybody when he apparently put a $24 million diamond in his forehead, looking like Vision from The Avengers. However, in a serious twist of fate, it looks like Uzi has had some complications with his embedded pink diamond.
This could be more trolling or it could be some serious issue with the foreign object in the skin. Uzi posted a picture of himself with blood bleeding from the gym on his facial region. It looks real to me, but some people were skeptical, as they were when Uzi Vert initially said that he was embedding the diamond in his face. He also said “We good” on socials so, who know.
Yesterday, he was almost dying and today “we good.” I just hope that if he does die, there is a plan for that gem. My people say it’s likely only worth a fraction of what he paid, but that’s still a lot of money.
Either way, this is the most press Lil Uzi Vert has gotten in a very very long time (IMO). I am not sure what the end game is here but it’s probably going to be good because he is one of the hottest young old rappers out right now. I can’t help but say that this is stupid, putting a foreign object in your body is dangerous. Not to mention, the Internet is already waiting to watch you get robbed of the diamond in your forehead. I know it sounds sick, but one good tug and that bad boy’s out of your face.
If it’s worth $24 million, the way he says it is I don’t think there’s enough security they could stop enough goons to get it from you. What they do with it will be a harder proposition.
An alleged sex tape featuring R&B star Trey Songz has leaked online.
The “Bottoms Up” hitmaker became a trending topic on social media on Wednesday (February 3rd) after video footage emerged of a man receiving oral sex from an unidentified woman.
Fans were quick to scrutinize the X-rated clip to compare the man’s tattoos to those of the star, with many concluding Songz is indeed the guy in the video.
He has yet to confirm the speculation, but he appeared to address the gossip in his own Instagram post, sharing two photos of himself staring at a cell phone, with a confused look on his face.
He captioned the images with a shocked face emoji. The post was followed by a promotional message for his OnlyFans account, which he launched back in December.
Representatives for Songz have yet to comment on the sex tape controversy, which emerges just over a week after he hit headlines for an arrest in Kansas City, Missouri, where he clashed with police and security officials at Arrowhead Stadium.
He was booked for misdemeanors of trespassing and resisting arrest and hit with a felony for assaulting a police officer, after allegedly refusing to follow the venue’s coronavirus safety regulations and wear a face mask as he watched the Kansas City Chiefs take on the Buffalo Bills for the American Football Conference title.
Nick Cannon has been forced to step down as the host of the hit U.S. show “The Masked Singer” after testing positive for COVID-19.
The rapper-turned-TV personality is currently in quarantine and will reportedly miss the first few episodes of the upcoming new season.
Niecy Nash will take his place until he recovers and tests negative again.
Season four of the series just wrapped up with LeAnn Rimes beating out Aloe Blacc and Nick Carter. Season five is filming now and is set to premiere next month.
In related, more positive news, Nick Cannon’s daytime talk show will launch this autumn.
The show should already be on the air, but it was shelved after antisemitic comments Nick made on his “Cannon’s Class” podcast about the history of black people and Jews.
Jackson was a longtime associate of Herbert “G Herbo” Wright III. On what would have been Lil Greg’s 25th birthday, G Herbo posted an Instagram statement about his friend.
The Chicago-bred Hip Hop recording artist wrote:
SHORTY ALL I KNOW IS YOU!! FROM THE F###### CRADLE 2 THE GRAVE LITERALLY! AS IM WRITING THIS CAPTION TWIN I AIN’T EVEN DROPPING TEARS CUZ 4 WHAT WE ALWAYS BEEN STRONGER TOGETHER & YOU STILL WITH ME RIGHT NOW.. I FEEL YOU! I DREAMT ABOUT YOU IMMEDIATELY & WHEN I DID I DIDN’T EVEN UNDERSTAND IT TOOK ME A COUPLE DAYS & IM STILL UNDERSTANDING MORE BUT RN I GET A CLEARER PICTURE… YOU KNOW HOW WE LIVE & YOU KNOW HOW WE PLAY.. NUN ELSE TO SAY.. IT BE SO KRAZY HOW I RYHME EVERY TIME I WRITE A CAPTION DAMN NEAR CUZ THIS S### NEVER PRACTICED! LOL I KNOW YOU 1 N#### THAT WANT THE BEST FOR ME & WANT THE BEST OUT OF ME!!!! IM TRYING TO BE MY BEST RN LIL BRO & ITS HARD BUT IM TRYINGGGGGGGG FOLKS!! HOW THE F### CAN I BE MY BEST WITHOUT YOU & YOU THE SAME N#### I CALL ABOUT SOME S### AS SIMPLE AS WTF OUTFIT IM FINNA WEAR??!! IT’S DAMN NEAR IMPOSSIBLE! BUT IM SAYING ALL THIS S### TO SAY HAPPY BIRTHDAY HAPPY BIRTHRITE 2 MY LIL BABY BROTHER MAN!! #WATER A N#### SO PURE I JUST NAMED HIM WATER… YOU’LL NEVER BE GONE YOU’LL NEVER BE FORGOTTEN CUZ IK IM STAYING IN THIS S### 10 TOES DOWNN JUST OFF THE STRENGTH OF YOU! SO YOU LIVE THRU ME! I LOVE YOU & THEMM 2 LIL N##### CMON MANN YOU KNOW THEY A NEVER GO WITHOUT!! YOU MADE SURE THEY DON’T SO IMA MAKE SURE THEY WON’T. NO MORE SAD S### 4 THE GRAM IMA LIVE IT UP CUZ IK THATS ALLLLL YOU DID I NEVER SEEN YOU TOO SAD OR TOO DOWN B4 LOL & WE DONE BEEN THRU SOME SHIIIIITTTT KID!! YOU WAS ALWAYS THE BALANCE!! NOW GOT GOT A N#### DIZZYYY OUT HERE.
Last year, Herbo released the PTSD studio album. That project was centered around the 25-year-old rapper dealing with post-traumatic stress disorder. The PTSD diagnosis was the result of him losing several loved ones to violence throughout his childhood and actually witnessing a murder for the first time at the age of 9.
“I’ve seen firsthand that exploitation is everywhere in this industry – it’s become the status quo, and I’m tired of it. I’m tired of constantly fighting for independence and I’m tired of proving my value over and over again,” states Budden.
He continues, “This partnership with Patreon marks a new era for the creative economy: one where independence comes first and creators get paid – something that shouldn’t be revolutionary. Creators should get the biggest stake in their art and the system isn’t ready to do that, so we’re going to change the system. This is the new blueprint and we are the first.”
Budden is providing his supporters access to three Patreon membership tiers: Homies ($5.00/month), Family ($10.00/month), and Friend of the Show ($25.00/month). Bonus content includes exclusive episodes of The Joe Budden Podcast, behind-the-scenes footage, a members-only Discord, and priority notice on live events.
“Joe understands the discrepancy between what creators are worth and what they are paid. From music to podcasts, Joe has found himself reaching millions of people and getting a tiny fraction of the value he has created,” says Jack Conte, Patreon CEO/co-founder.
Conte adds, “That’s exactly the problem that Patreon set out to solve — and Joe wants to help. We’re excited to start working with him and figuring out even more ways to close the gap between the value that creators bring into the world and what they’re actually paid.”
The second edition of VH1’s original digital docuseries Growing Up Black debuted this week. For the latest installment, the show provides different perspectives from African-American men and women from New York City.
Legendary music producer DJ Clark Kent makes an appearance on Growing Up Black. Chi Ossé, NYC City Council candidate and son of Hip Hop podcast pioneer Reggie “Combat Jack” Ossé, was interviewed for the program too.
Entertainers, journalists, politicians, stylists, and other individuals shared their respective stories of being raised in The Bronx, Brooklyn, Manhattan, Queens, or Staten Island. The previous episode of Growing Up Blackdove into the Black experience in New Orleans, Louisiana.
The YouTube description for “What It’s Like Growing Up Black in New York City” reads:
Growing Up Black: NYC is the second chapter of a series dedicated to interviewing local natives across various cities to explore their personal experiences around systemic racism, what it is like growing up black in America, the importance of voting in local elections and their feelings/experiences around the Black Lives Matter movement today.
The National Football League’s Super Bowl LV is scheduled to take place this Sunday, February 7. Football fans will tune in to see the AFC champion Kansas City Chiefs play the NFC champion Tampa Bay Buccaneers. Of course, many viewers will also be checking for the new commercials airing during the Big Game.
One of those ads features the combination of a popular 1990s-era Saturday Night Live skit and a 2020s entertainment superstar. Uber Eats released its SBLV commerical featuring reunited Wayne’s World actors Mike Myers and Dana Carvey as well as Cardi B.
“Wayne’s World is back with a very important message: Be excellent and #EatLocal,” reads the caption for a post on the Uber Eats Instagram page. In addition, Cardi wrote on her IG, “The latest WAG (Wayne and Garth) special guest?! ME! Go watch and remember to #EatLocal with @ubereats #ad.”
The Wayne’s World commerical coincides with Uber Eats launching a $20 million Eat Local Relief Effort over the next six months. The campaign will help independently-owned restaurants which have been hit hard by the COVID-19 pandemic. Eat Local is looking to drive renewed demand to local restaurants.
Plus, Uber is matching money provided by customers via the in-app donation button. The company is also offering $4.5 million in small business microgrants for local restaurants with five or fewer locations that are active with Uber Eats or Postmates across the United States.
“The U.S. Black Chambers (USBC) applauds Uber’s commitment to small business owners who rely on its platform to reach customers, particularly as restaurants navigate a challenging winter,” said Ron Busby, President of USBC, in a press release. “Black-owned restaurants have been disproportionately impacted by the pandemic, and we are delighted that our members will benefit from the $4.5 million grant program and continued waived fees.”
Besides the Uber Eats commercial premiering this week, Cardi has a new single dropping soon. Her track “UP” is expected to arrive on Friday. The Grammy winner also presented her version of the viral #SilhouetteChallenge on Wednesday night which has collected nearly 9 million views on Instagram in seven hours.
At one point two decades ago, Nelly and the St. Lunatics were one of the hottest acts in the music industry. The collective scored a Platinum-certified project with 2001’s Free City, but Nelly was the clear breakout star with four #1 Hot 100 hits.
Self-described St. Lunatics founder Ali took to Instagram to share some of his thoughts about the group’s creation and separation. In a lengthy post, the 47-year-old Heavy Starch album creator claimed Nelly hustled the rest of the members.
Ali posted:
Them: “Ali, you’re being childish.., why are you putting it on social media Ali, Nelly’s not saying anything he’s staying positive.” Me: Nah, he’s just the type to throw a rock and hide his hand!! I throw mine… and say “yeah I did it.” Nelly: “The Original hustlers since day one…KNOW THAT “…ALWAYS!! This is PERFECT because I’ve been explaining to Murph, Kyjuan and Slo that this was the “ORIGINAL Hustle”… They heard me talking yet didn’t quite understand…..this officially connected the dots. 1993 I started the Group, taught them how to Rhyme, from writing to teaching them what 16 bars was & how to count bars….. Fast forward 1997: I make a record (gimme what you got) The label that we were wit didn’t want Nelly on the song… I fought “nah are y’all crazy, this kid is dope “……and they kept him on the song..(Nelly’s verse was [fire emoji]. After the success of *gimme me what you got* two hustlers big Mel & Crow Came and offered me a big bag of money to sign with them!! I said sure and plus my group would love it… they said “no not the group we only want you”… I said “ well now, I appreciate it but we come as a package.” Fast forward 1999: Ma$e Manager at the time (Cudda)… was introduced to us… and he immediately started separating the group. He wanted Nelly and City Spud. They left with Cudda (went to Harlem)….. The separation became The reality… They had left!!! We (The rest of the group) felt ‘HUSTLED’…. we were *1 until, The opportunity was presented to be * ..they hustled us!! Fast forward Universal record signs Nelly: Nelly has his manager (my bf @stltluv )…. call me and he said: “Nelly said he doesn’t NEED YOU to help him write”…. So you need me to get you here, but now that you’re here ….”I don’t need you anymore”
I said ok, I’ll stay here and I won’t help him write!! Some kind of way I ended up going …I ended up helping him write… but got no credit!! Wow!! I got hustled!! ….. Now..go back and listen to the video “The ORIGINAL hustlers” …. bravo, I can’t be mad Fool me once shame on you…. Fool me twice shame on me!! You live and you learn. The Deposition.
After Ali’s IG rant, Nelly made an appearance on the What Up Doe radio show to address his former friend’s claims. Nelly said, in part:
There’s three people in this group that’s been a lunatic since day one: Nelly, Kyjuan, and City… We all went to school together. Alright? Cool. When we first started the Lunatics, Ali was not in this group. Stop me when I’m lying… Ali started off as a manager… When they said the Lunatics did all the legwork and talent shows and all of that, that was us. He didn’t do that. When we was going around town making a name for ourselves… performing at the talent shows, at colleges, that was us. That wasn’t Ali. Ali did not perform with us. Either he thought he was too good or he didn’t perform with us. Either way, he did not perform with us. Just factuals. Actual factuals.
According to the “Country Grammar” hitmaker, the original St. Lunatics [Nelly, Kyjuan, and City Spud] were discovered by representatives of Jive Records at a talent showcase. Nelly says Ali did not officially join the group until they were offered studio time by the local D2 production company because of Jive’s interest in signing the trio.
Nelly also went into detail about Ali and the rest of the St Lunatics allegedly signing a contract, without Nelly’s knowledge, in order to get “Gimme What U Got” released. Nelly then said he refused to sign with D2 before reading the paperwork, implying Ali did not read his contract before committing to the deal.
Ali then returned to Instagram to offer a response to Nelly’s interview. He wrote:
Let me just show you the LIE. … ok this Nelly talking about the Country Grammar 20th anniversary concert. In the interview he’s saying… how he had plans on bringing the whole group back together(that’s a LIE, I begged him back in February to please bring the group back.. he said “ that isn’t what I want to do”…) Also he’s in the interview same interview he said “even bring Ali back”….. Bring Ali back?!? You’re acting like… you had options.. ,this BIG BRAH !! I have been leaving you on read !! Or hit you with the… don’t act like that !! I LEFT…. you didn’t send me off!! How can you send me this is MY GROUP …. OK let me focus, now to prove that he wasn’t going to bring the group back…. look at the date on my text message from the road manager and look at the date from the other members text from the road manager… it’s a whole two day difference.. Once I said I wasn’t coming then you had no choice but to call them !! You couldn’t do the 20th anniversary of country grammar with just you and City spud !! and plus I promised the dirty crew that I would get you and them back on stage and I knew that was the way to do it !!! Silly [rabbit emoji]!! (I don’t know why I said that last part).
Curtis “50 Cent” Jackson and Floyd Mayweather have gone from being friends to business partners to frenemies. Briefly, there was a chance the two multi-millionaires’ could settle their years-long tension in a boxing ring.
“I’d fight Floyd,” declared 50 Cent during an interview with V-103’s The Morning Culture. The Power Book II: Ghost executive producer went on to add that he would probably have to drop down to 150-180 lbs for a bout against Mayweather.
Mayweather got wind of 50’s apparent openness to clash with the legendary, undefeated prizefighter. On Wednesday, The Money Team leader responded to the Queens-raised rapper in an Instagram post.
He wrote:
This year I will focus on several exhibitions. I will have an exhibition in Tokyo, Japan again. Of Course the one with Logan Paul and I; and if Jake Paul can get past his next opponent Ben Askren, I will have an exhibition with him as well. I also heard that 50 cent would fight me but claims I’m too small. If he wants to lace up at the end of the year, we can do an exhibition then. I don’t care about weight class with any of these guys. The Paul brothers will make great money with the events, but with 50 cent It has to be “Winner Take All”.
A few hours later, 50 Cent walked back his willingness to step into a ring by returning to his regular tactics of joking that Mayweather is illiterate and promoting his own products. Jackson wrote on IG, “The fight is off because Floyd can’t read 2 paragraphs of my New York Times best seller (Hustle Harder Hustle Smarter) on IG live.”
Rap star Lil Uzi could be forced to remove a pink diamond he recently had implanted into his forehead. The Philly rap star took to Instagram to show a photo of blood pouring from behind the diamond, which is right between his eyes.
“If I don’t get it took out the right way I could die…no seriously,” he wrote on Twitter.
Uzi recently had the $24 million piece of jewelry surgically inserted between his eyes by celebrity jeweler Elliot Eliantte. Uzi revealed he had been saving since 2017 to purchase the 11-carat, flawless pink diamond after he fell in love with the stone.
“I’ve been paying for a natural pink diamond from Elliot for years now . This one Stone cost so much I’ve been paying for it since 2017. That was the first time I saw a real natural pink diamond. A lot of M’s in my face,” Lil Uzi boasted.
On February 3rd, he showcased the results of the surgical procedure to have the diamond planted into his forehead.
Lil Uzi’s $24 million flex drew mixed results. Some of his fans praised him for making a fashion statement, while others felt he had may have signed his own death warrant for having such a valuable jewel embedded into his face.
Sauce accused Uzi of biting his style, in a scathing post shortly after the Eternal Atake rapper went public with the “pink diamond in his forehead” stunt.
In December of 2020, Sauce Walka revealed he had undergone the knife, to have a $250,000 three-carat diamond implanted under his left eye.
KRS-One remains one of the most powerful, lyrical and thought provoking rappers ever, not to mention dopest. The Teacha, as he is known by millions, is also known for his incredible, energetic performances. His seminal albums with Boogie Down Productions like Criminal Minded and By All Means as well as solo efforts such as I Got Next and Return of the Boom Bap are a miniature look at his tour of duty in Hip-Hop. He recently released, Between Da Protests, which is available on all platforms.
KRS is also dealing with the ramifications of the International Covid-19 pandemic that has prevented touring and performing in front of audiences, but is moving forward.
Despite the odds, and innumerable struggling industries, the Bronx-bred rapper-slash-philosopher has a master plan to resume performing safely in 2021, pandemic aside.
“This is not a time for us to stop thinking. This is a thinking time. This is an intellectual time. You get challenges, not to shirk from them, but to rise to them. I’m going to star touring, around May/June. Of course, we respect that mask and we respect that social distancing. And, if you are up to getting this vaccine, go ahead and get your vaccine. Do whatever you can do to protect yourself from disease and sickness.”
He continued.
“Spend some money on a broadcast machine…a broadcast module. Some are as low as $250 and go up as high as $3000 based on how far you want to broadcast. Think about a drive-in [movie] theater. You pull your car up, you tune in to a certain station and get to hear the movie through the car. Now, apply this to your live performance.”
KRS explained the differences between the various modules, stating that performers actually don’t want a device the broadcasts too far out or unintentionally give away their show for free.
“You can hear me perform on stage but the bulk of the music is gonna come through your car,” he explained. “In compliance with the state…you’re safe, you’re social distanced.”
He said new times call for new ways of engaging with audiences.
“It’s going to be a car tour. Instead of ‘Say Hooooo,’ I am going to say ‘Honk your horn, flash your lights, KRS-One’s about to rock the mic,” the Blast Master said happily.
Check out KRS-One’s plans and how it may be a standard for safe partying at concerts in the future.
We’ll offer more tour details as they become available.
John Legend is mourning the loss of his grandmother, Marjorie Stephens.
The singer took to Instagram to announce his grandparent sadly passed away on Tuesday (February 2nd), just days after her 91st birthday.
And the “Ordinary People” singer – who has Luna, four, and Miles, two, with model wife Chrissy Teigen – shared some sweet memories of Marjorie, including how she would still send the family birthday cards with money in.
In a touching tribute, which featured a photograph of John and Marjorie and baby Luna with her great-grandmother, he began: “My beautiful grandmother, Marjorie Maxine Stephens, left this world early this morning, just a few days after her 91st birthday.
“We are so grateful for the life she lived, for the love she shared with her many children, grandchildren, great grandchildren, and beyond. She was the most caring and conscientious grandmother you could imagine. She still sent us all birthday cards with cash until her final days.”
The Grammy-winner hailed Marjorie as “active and full of curiosity and energy” until the end.
“She hosted our yearly Christmas celebrations until we literally couldn’t fit in her little pink house on Heard Avenue in Springfield, Ohio,” he continued.
“She was active and full of curiosity and energy until her final days. She always had a story to tell and words of encouragement and love. She supported us and rooted for us unconditionally. I’m so glad she got to see the fruits of all she gave us.”
John is “appreciative” of the “blessed life” she lived and says she shaped his family into the “individuals” they are.
“She got to travel the world with us, went to my first Grammys. She got to experience the successes of all her offspring. We are the family we are, the individuals we are because of the love she poured into us. We are sad to lose her but most of all so appreciative of the full, blessed life she lived. May she Rest In Peace after running a great race,” he concluded.
The company behind Drake’s high-end champagne claims a business partner tried to ruin the luxury brand.
TMZ.com obtained a copy of a lawsuit filed by Mod Selection, claiming a retail store and a liquor distributor attempted to market the brand as a “black” or as a “rapper’s” champagne.
Mod Selection claims the distributor, named Southern Glazer’s Wine & Spirits, subjected the rapper to “browbeating and dismissive treatment” after he agreed to lend his name, likeness, and image to market the champagne.
Mod’s lawsuit says Southern Glazer’s Wine & Spirits insulted Drake by subjecting him to “browbeating and dismissive treatment” during the contract, and behavior the champagne maker claims say was motivated by racism.
After the deal fell apart in 2019, Mod says Southern Glazer’s Wine & Spirit teamed up to hawk bottles of Mod as cheap h####.
The bottles were going for as low as $49, when they should have been priced at no less than $300.
Drake, who is not involved with the lawsuit, is an investor in Mod Selection which Drake’s Virginia Black Whiskey and Mod Sélection champagne.was launched in 2019 by Brent Hocking. Since then, the brand has grown worldwide.
Last week Mod Sélection and Drake’s other liquor brand with Hocking Virginia Black, announced a distribution deal with Elegance Brands Inc. Elegance has the exclusive rights to distribute both brands in Australia.
The cops in Chicago are one step closer to finding the gunman who murdered a long time associate of rapper G Herbo.
According to the Chicago Tribune, a man was pulled over in a 2010 Volvo SUV that was used as the getaway vehicle in the brutal slaying of Gregory Jackson III.
According to investigators, both Lil Greg and G Herbo are members of the Terror Town/No Limit faction of the Black P-Stone gang.
A man driving the SUV, Christopher Mosley, was also caught with a .40 caliber Glock in his possession.
Mosely was charged with weapons offenses and being a habitual criminal.
So far, the police have not released a motive for the slaying of Lil Greg, and the suspect who killed him has yet to be apprehended.
The cops in Chicago issued a community bulletin, fearing gang war could erupt as members of the Terror Town/No Limit faction prepare for retaliation over Lil Greg’s murder.
Tragically, Lil Greg would have turned 25-years-old this Thursday, February 4th.
The Drill rapper, born Terrell Davis, died from his injuries at a local hospital.
However, TM1way’s body was unable to be released to a mortuary due to the police’s investigation into his murder.
The 27-year-old’s body was finally released to his family, and he received a proper burial on January 29th.
“I just feel like he’s at peace now, and that was what was lacking before, the whole laying to rest thing,” TM1way’s mother Syreeta told the Islington Gazette.
Surfsup is the next hottest artist to come out of Memphis… and he’s not stopping until he gets to the top. The rapper and entrepreneur recently returned with his newest single titled “M.O.D.E.,” which stands for Money on Demand Everyday, pushing his foot on the gas pedal as we dive into the new year. Newly signed to indie label Drought King Music with a new distribution deal with Sony/The Orchard, the rising star plans to leave his legacy as one of the hardest working rappers of this generation.
On top of the music, Surfsup describes himself as “a super cool dude, an artist, a father, a businessman, a mogul in the making, a protector.” He states, “I do a lot of things, I’m one of them all-around type guys. I’ve done a lot in the industry and doing even more. I’m building that profile, trying to explain the brand. I’m chasing that mogul tag, trying to make it happen.”
AllHipHop: What sets you apart from other rappers?
Surfsup: Being genuine and staying true to self. It’s easy to get lost when you’re trying to please so many people. With me, I stay grounded. I stay 10 toes down. I focus on what’s best for me and if people like it, I appreciate it. If they don’t, then it’s not for them at this time. Outside of doing music, I’m helping mentor mental health, behavioral kids. I understand it’s a bigger picture than just rapping. I’m in front of the camera, I know how to get behind the camera. That’s what sets me apart, with me understanding exactly what’s going on in the industry.
AllHipHop: What made you want to give back in mental health? Did you struggle with your own?
Surfsup: During the time of me transitioning and getting out of a situation, I was with this other label and it was going bad. I had to take a step back from music for a second. Throughout the process of my whole career, I always wanted to go to middle schools, high schools, alternative schools, juvenile detentions, I always liked speaking to the youth. When this happened, it fell in my lap. I took it and ran with it. I seen I really made a difference.
I don’t think people really understand how serious mental health issues are, especially in the black communities. Black moms don’t want to put you on any medicine, they don’t want you to go to the doctor. They’re going to whoop your ass until you sit down. That’s not always the thing that’s going to fix it. I try to use my platform for good, especially if I know it can help. A lot of these guys are misled so I have to do my part. I love it though. My nickname when I was young was Preacher Man, that’s what they used to call me. It wasn’t about the Bible, it’s how I spoke. I’d be so gamed up and spread those gems to everybody else.
AllHipHop: What was it like growing up in Memphis?
Surfsup: To me, it was really dope. I come from the projects. I’m from North Memphis, Hollywood, some super fun times. I be telling people Memphis is one of a kind. It’s a tough city so to be one of the ones to break through and make it out, it’s impressive because a lot of people get stuck. From my neighborhood, not many of us made it out. The whole process of growing up, not having everything and having to work for it. In my family, I had hustlers, I had corporate America workers, I had gangsters, I had athletes, I had streets… I was in a pot of so many different personalities. Me being gamed up by everybody was really dope, Memphis to me creates everything. Memphis is always looked at in a certain way and people be so happy to link with us. We’re pure genuine people. We tell it like it is, we speak from the heart. We’re not with that extra b#######. A lot of people take a liking, and of course our country ass accent.
AllHipHop: Who were you listening to growing up that made you want to rap?
Surfsup: I was raised in juke joints, my dad had 2 juke joints and my uncle had a barbecue spot. I came up on the oldies like Whitney Houston, Tina Turner, Michael Jackson, Prince, Keith Sweat. If you take a look at my music, you’ll hear so much melodic sounds and me harmonizing. I didn’t understand why I was so melodic and liked harmonizing until a few years ago. My ears were programmed from hearing so much singing, that’s why I’m so into performing in the entertainment part of it because those people I named were pure performers.
Honestly, I didn’t like rap until Yo Gotti came out. He was from my neighborhood in North Memphis. I listened to Cash Money, those were the first rap artists or rap groups I played and listened to. Now my family members played everybody: Fly, 8 Ball, all the legends. I didn’t gravitate to it but Cash Money and Gotti was the sound I liked, then it grew. I liked Busta Rhymes and Ludacris. You see how their videos, their animation was all over, that caught my attention.
Surfsup
AllHipHop: At what point did you realize you could do music for a living?
Surfsup: The first time I did a talent show, I earned my name from this talent show. There was another guy name Sup at the time and I didn’t know. I was young, we just started rapping. When we did the show, we end up in a fight with the other Sup. Once this was all over, the police was escorting my ass out and the crowd’s saying “you’re the real Schoolboy Sup!” At the moment, I’m like “oh yeah, this is it here. They f###### with me, I gotta run with this.” And I ran with it, I never had to audition for a talent show after that. I was a special guest off the first one. The promoters can testify for this if you ever talk to Rico Owens, Sean Rumben, any of them guys can tell you that dude was special a long time ago. That was ninth grade when we did that, I’ve been stamped ever since.
AllHipHop: That’s fire, how did you get your name?
Surfsup: My granddad gave me the name, he called me Lil Scooter and I had the board. I’m the type of person, I like to be around grown folks. I like to peep game. When I was 6 or 7, my cousins are 14 or 15 and let me run the streets with them. In my hood, everybody knew each other so it was safe. People said “your mom let you do that?!” Well she really didn’t, my cousins would sneak me out. [laughs] I’d listen to the conversation, analyze it in my brain how I see it, then I’ll go speak it to kids my age. SB is still Schoolboy but I shortened it because I did a brand change. I was leaving one label and wanted a fresh start. You know how a woman gets cheated on and she cuts all of her hair off? [laughs]
AllHipHop: Bring us back to the studio session for “M.O.D.E.”
Surfsup: I was supposed to be writing for another artist. I’m at the studio, but the artist was late as hell. As we’re waiting, the engineer was playing beats and I heard the “M.O.D.E.” beat. I’m like damn, cut the mic on! I don’t really write anymore, I go straight to the mic. As soon as I walk in the booth, I yelled out “I’m back in my mode again!” It was pure energy because I’d been tied down due to a contract, this was my welcome home party because I was free again. I was able to do what I need to do, then “M.O.D.E.” came out. I be talking my s###, genuine pure s###.
AllHipHop: Money on Demand Everyday!
Surfsup: Every day, everybody can relate to that. Every race, every culture, wherever they are, they can relate to that. I want some money!
AllHipHop: What were you trying to convey in the visual? You have a little skit going.
Surfsup: We were remaking a movie called Money Heist. I’m big on the entertainment part of it. I really want to get into acting so I direct all my videos. Me and my director work hand-in-hand. I always like to put a little bit of my acting on the table. I’ve been doing some deals and the s###’s going sideways. Instead of me handling the business, I have these 2 little pretty ladies that love me to do it for me. As long as they get the job done. The video’s crazy, that s### hard as f###.
AllHipHop: What’s the reality of an independent grind?
Surfsup: It’s really tough, it’s not as easy as people make it out to be. Or maybe when people see it, they get this misunderstanding when people say “I’m independent.” They don’t be telling you that this s###’s hard as f###. Independent is saying instead of me being an employee at Walmart, I’m about to build a Walmart. What comes with the building is getting your employees, getting your stocks, having the board meetings, getting the right people to build it. You have to go get the funds, worry about the hiring and firing. It’s lot of steps that come with an independent grind.
I still want to be a part of a machine, which is a major label, but I want to do a partnership. I’ll bring what I bring to the table with my investment, then they meet me halfway with their investment. That way we still keep more of our stock. These people that are independent are winning, because they have an investment with millions of dollars behind it. I want to be a huge star in the music business so my approach is different. I don’t knock anybody. If you want to stay 100% independent, blessings to you and I pray for your success.
AllHipHop: Who is in your Top 5?
Surfsup: Roddy Ricch, Rod Wave, YNW Melly, Kevin Gates, then Derez De’shon and Mo3. I’ma put them 2 together. I like to listen to people that I’m compatible with, all of them are melodic and they harmonize. It’s what my ears like to listen to. It’s a lot of other dope artists right now, but those guys I’ll have their songs playing. When I’m not listening to my music over and over, I’ll listen to those guys.
AllHipHop: 3 things that you need in a studio?
Surfsup: Red Bull, water, and fruit.
AllHipHop: What kind of fruit?
Surfsup: Mixed: watermelon, pineapples, grapes, strawberries. I buy fruit and mix them together in a bowl. I don’t really smoke or drink, none of that. I naturally go in there and do what I need to do, it’s not really a party for me when it comes to the studio. It can be there when I’m done working but while I’m working, I like my space. Really me, the engineer, and producer.
AllHipHop: What can we expect music wise?
Surfsup: A lot of greatness. I already have the rest of this year planned out. We’re doing “M.O.D.E.,” it’s with 10 different radio stations now. We’re about to amp it up with 10 or 15 more before the middle of February. I’m already pre-planning for my next record called “My Lil Chick On The West Coast,” a West Coast record.
AllHipHop: On Valentine’s Day right?
Surfsup: Valentine’s Day is “Fiendin.” What I do is I pick my radio singles and songs we’re going to put the real money behind, and I have fillers in between. “Feindin” is a feeler to give more creative content for the fans and the audience. Instead of them watching one video, I try to throw in fillers so they can have more stuff to watch and gravitate to. Everybody knows I love the ladies. I’m crazy about women, not gonna lie I love them to death. What better way to bring in Valentine’s than “Fiendin”?
AllHipHop: Goals that you have for yourself at this point in your career?
Surfsup: I’m chasing nominations and Grammys. My album is called I Deserve Grammys, that’s really big for me. To create a better system for Memphis when it comes to music, we’re doing really good but we could do a lot better. We still don’t have proper politics in the city, I really want to fill in that gap and put something in Memphis where artists can come get the game.
My clothing line is called Dreams and Believers, I want that to be my own mental health facility for the youth. I’m chasing that mogul status. Even right now with me being a true artist, I started a management consulting company with a friend of mine. Trying to put the town on for artists like me, I’m trying to bridge that gap in the city and get more of the commercials guys out. We have a lot of street and trap rappers from the city, but I’m trying to get the singers, pop stars, artists such as myself out.
Lil Uzi Vert is going too far! The Philadelphia rapper has reportedly embedded a $24 million pink diamond in his face. We have heard of this in the past, knowing that he was about to do this. But, it seems like he has actually gone and done it. The 26-year old rapper spent a lot of money on jewels, cars and random luxuries but it seems like all his years of saving, $24 million has paid off.
The funny thing is, Lil Uzi Vert seems to have insured the diamond that is in his face! So he knows that if for some reason it gets ripped out of his skull like Thanos did the Vision, he’ll get his money back. (He must be paying a MINT! I have to say, this is dumb! I mean, I can’t tell a man what to do with his money but $24 million can do so much more good in the world than a rapper living out his pink diamond dreams. BUT I DIGRESS!
The first thing I thought of when Lil Uzi Vert made this revelation, was that Sauce Walka is going to have something to say about this! Those that don’t know, Sauce Walka originally embedded a teardrop diamond in his face just a few months ago! He started this! And now Lil Uzi Vert has upped the ante and seemingly stolen a style undone before Sauce Walka. Let’s keep it real! Do it for Sauce Walka.
Back in 2016, DJ Esco released the 16-track Project E.T. mixtape. The veteran record producer’s longtime musical partner Future served as the host for that project.
DJ Esco informed his 735,000 Instagram followers that a sequel to Project E.T. is on the way. He uploaded studio footage to the social media platform with the caption, “ET 2 coming.”
The original Project E.T. contained contributions from Future, Drake, 2 Chainz, Juicy J, Lil Uzi Vert, Young Thug, Rae Sremmurd, and more artists. DJ Esco and Future also teamed up for the classic 56 Nights mixtape in 2015.
Esco released his 2018 debut studio album, Kolorblind, via Future’s Freebandz imprint and Epic Records. Last year, the Atlanta-based deejay and Cleveland rapper Doe Boy join forces to present 56 Birdz.
Ahmir “Questlove” Thompson’s Summer of Soul (…Or, When The Revolution Could Not Be Televised) is now an award-winning documentary. The feature was honored with two accolades at the 2021 Sundance Film Festival.
Summer of Soul won the Grand Jury Prize and the Audience Award in the U.S. Documentary categories at the Sundance Institute’s annual event. For his directorial debut, Questlove explored the 1969 Harlem Cultural Festival which celebrated African-American music and culture.
More than 300,000 people attended the Harlem Cultural Festival in the New York City area. The concert series featured performances by Stevie Wonder, Nina Simone, B.B. King, Sly and the Family Stone, Gladys Knight & the Pips, and other Soul/R&B acts.
The Harlem Cultural Festival was filmed, but the footage reportedly sat in a basement for 50 years before being incorporated into Summer of Soul. Thompson states, “It has always been a dream of mine to direct films, and telling this story has truly been an amazing experience.”
He continues, “I am overwhelmed and honored by the reception the film is receiving and want to give special thanks to Sundance, and my production partners: Radical Media, Vulcan Productions, Concordia, Play/Action Pictures and LarryBilly Productions.”