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Pac D## Hitting The Road With Snoop Dogg

(AllHipHop News) Critically acclaimed rap group Pac D## will be hitting the road with Snoop Dogg on a handful of dates this month.

The group, which consists of Mibbs, Like and BeYoung, just released their sophomore album GMB.

The trio will perform with Snoop, on what will be a tour of mostly the West Coast.

“We first met him about five years ago, and were really happy to find out that he’s been a fan since we started,” said Mibbs. “Joining forces with a legend is a precursor that one day we’ll be known as legends. Touring with Snoop will only add to our list of many accomplishments.”

Pac D## will perform tracks from GMB, which features guest appears from artists like Kendrick Lamar, Blu, Ty$ and others.

Check out the dates below:

Dec. 7 – Low End Theory, San Francisco, CA
Dec. 9 – Majestic Theatre, Ventura, CA
Dec. 11 – Belly Up Tavern, Solana Beach, CA
Dec. 12 – Fox Theatre, Pamona, CA
Dec. 13 – The Catalyst, Santa Cruz, CA
Dec. 14 – The Uptown Theatre, Napa, CA
Dec. 15 – Phoenix Theatre, Petaluma, CA
Dec. 16 – Ace of Spades, Sacramento, CA
Dec. 17 – Ashland Armory, Ashland, OR
Dec. 18 – Midtown Ballroom, Bend, OR
Dec. 19 – Knitting Factory, Spokane, WA
Dec. 20 – Revolution Center, Boise, ID
Dec. 21 – The Depot, Salt Lake City, UT
Dec. 22 – House of Blues, Las Vegas, NV
Dec. 29 – Fulton 55, Fresno, CA

 

EXCLUSIVE: 50 Cent Emerges At Pacquiao Fight Tonight; Would Put Yuri Gamboa Against Adrien Broner

(AllHipHop News) Entertainment mogul-turned-boxing promoter 50 Cent will debut his star pugilist, Yuriorkis Gamboa, tonight in the undercard of the mega fight with Juan Manuel Marquez and Manny Pacquiao.

Gamboa, an undefeated former Olympian, represents a cornerstone of 50’s entry into the sport, but the Cuban-bred boxer is heavily favored over his opponent Michael Farenas this evening.

In fact, after AllHipHop.com asked, 50 said that he’d be willing to put Gamboa up against emerging super star Adrien Broner in the Super lightweight division (140-pound).

“I would [put Gamboa against Broner]. Gamboa’s next fight, he’ll probably move up to 135. That’s exciting, right? That what people want to see, right?,” 50 told AllHipHop.com about a potential bout with Broner.

RELATED:A Night At The Fights: Adrien Broner Slays, Johnathon Banks Shakes Up The Heavies

Moreover, 50 Cent – through his SMS Promotions – said that he wants to match boxers in the ring that will entertain the masses as well as boxing enthusiasts.

“I want to make the fights that fight fans really want to see without the running and dipping and dodging.” the newly anointed promoter said, addressing a criticism of the sport. “If you got the best talent, and as long as the dollar amount is correct, I go back and talk to Gamboa and he’ll say we’ll fight.”

Broner has been compared to champion Floyd Mayweather, but mostly regarded as a future major attraction to boxing for his braggadocios ways and flamboyant style.

50 Cent continued: “Based on his last performance, [Broner] is going to be the face [of boxing] or the future of the actual sport in some way. He’s a talented fighter and [Broner vs. Gamboa] is something that everybody would like to see, right? That’s what I want to do. I don’t want to do the thing that the promoters do when they don’t want to make the real events happen. That’s what happens when you promote fighters like Gamboa. People pull out [ the fight] when they realize what they are up against.”

RELATED: 50 Cent Aiming To Bringing “Best Fights To Audiences” Across The Nation

Right now, Gamboa represents in the 130 division, and has a record of 21-0-0 with 16 KOs.

50 Cent recently received his promoter’s license from the Nevada State Athletic Commission and has signed four fighters, Yuriorkis Gamboa, Andre Dirrell, Billy Dib and Celestino Caballero. Initially, a promotion s venture was a with Floyd Mayweather, but the pair were unable to continue with the business.

The Juan Manuel Marquez and Manny Pacquiao will play live tonight on HBO Pay-per-view from Las Vegas.

John Monopoly Named Urban Marketing Director Of Pheed; Rappers Nas, Pusha-T, Join, Game Serves As Brand Ambassador

(AllHipHop News) Veteran music industry executive John Monopoly has been named Urban Marketing Director of Pheed, a new social network that launched earlier this year.

Pheed, which launched in October 2012 in Los Angeles, offers a variety of methods of sharing for text, photos, videos, voice notes, audio clips and live broadcasts.

Users of the technology can also monetize their “Pheed”, by charging a monthly subscription fee, or by pay-per-view broadcasts of live events.

John Monopoly’s responsibilities as Urban Marketing Director includes raising the profile of Pheed in the urban/Hip-Hop community, while forging long-lasting partnerships for the brand.

Monopoly has been instrumental in the development of a number of rappers’ careers, including Kanye West, Shawnna, GLC, Slim The Mobster,

A number of rappers already have channels on Pheed, including Nas, Pharrell, 2Chainz, Pusha-T, Flo Rida and Game, who serves as the brand’s Hip-Hop ambassador.

Earlier this month, Sean “Diddy” Combs hosted the launch party for Pheed’s new app in Los Angeles.

Check out the video below:

STUDIO SESSIONS: Planet VI Share Their Journey to the Making of Rihanna’s####, “Pour It Up”

Often times the stories behind the biggest songs and albums aren’t told. Planet VI, formally Rock City, are the song-making duo behind hit after hit. They decided to share some of their story of creating “Pour It Up” by Rihanna. They’re giving some valuable life lessons too. Check it out.

Theron: Let me start off by saying we have a lot of relationships with a lot of people in this business. The only people that we didn’t have close, close relationships with would be Young Money/Cash Money and Roc Nation. Then we get a call to come out to London to be on Rihanna’s songwriting camp for her new album, Unapologetic. We were like, great! This is the perfect opportunity to go out there, work with Roc Nation, work with Rihanna, and build that relationship that we didn’t have. So we go out to London.

Timothy: PLUS, it is London!

Theron: Yes, it’s London! We’d never been there! We go and write about 13- 14 songs for the album. We did a great job. Everyone felt the energy and liked what we were doing. We left London knowing we killed it. We knew we had an album placement, we just knew it.
When it came down to the last of the album, we’re trying to figure out what she’s using… She’s not using anything. We’re like WHAT?! We were thinking we worked so hard, but we still missed the album. We really felt like we nailed it.

Planet VI_press pic2Timothy: What’s crazy about that, too, is that when we were out there they set it up by telling us they’re trying to take a different approach with this album. They told us they felt like Rihanna went through that phase where she can talk about being sexual and all that. They said they just wanted stadium music, so think stadium music. We do a bunch of stadium records. Then we find out they aren’t using none of them.

Theron: We come back to Atlanta, and we got set up to fly out to L.A. to work on more Rihanna songs. At this point, we’re like, ‘Look, we’re getting on this album!’ We get to L.A., and we’re working with Mike Will this time. We are writing and writing songs, and then Bu walks in. He’s like, ‘Yo, what y’all are doing sounds great; it’s dope, but I don’t want y’all to waste time. She wants ghetto, ratchet music. She wants her version of “Bands A Make Her Dance”. We’re like, ‘Huh?’ He’s like, ‘Trust me.’ So we say, ‘Cool. That’s easy.’

So, Mike Will is like, ‘I have that beat right now.’ He pulls it up. Then it just comes to us. We finish the song, added the missing pieces, and left it. Mike Will comes back and is like, ‘Y’all finish the song already? We’re like, ‘Yeah!!’ So we go back and forth on some things and send it off. Two days later, we ask if she’s using the record, once we hear the album is closing. They finally contact us and ask about splits, which meant she was using the song! That was one the last songs she cut, if not the last. We felt externally blessed. We really wanted to be a part of it.

Timothy: We worked hard to get on there. We treat each project as if it’s the first one. It’s about working from the ground up each time.

Tawni Fears is a freelance writer and contributor to AllHipHop.com. Follow her on Twitter (@brwnsugaT).

The Last Word 2012: Keep Your Political Self-Interests – We’ve Got “Super’PAC”

Our satirical and funny friend, Andre Leroy Davis, was back at it again in 2012 with “The Last Word”, his unique brand of cartoonish commentary on current events and politics.

Politics can be a petty, nasty business, and in 2012, we saw the worst mudslinging, self-interests we’ve seen in years. The “SuperPACs” (Super Political Action Committees) were determined to pull their weight and their pocketbooks all the way to the White House.

Andre knows that Hip-Hop lives by a separate set of politics – and we aren’t easily blinded by big talk and big dollars…unless it’s a raucous rivalry between rappers. Check out who he thought (in hologram and spirit form) could save our day:

The Last Word SuperPac

Check out more witty goodness at www.AndreLeroyDavis.com.

Battle of the Brands: MySpace (and Old School Rappers) Gets A Bad Rap

I feel like MySpace gets a bad wrap like Old School Hip-Hop.

Slick Rick_RTB 2012Case in point is Slick Rick the Ruler’s recently getting boo’d – what the hell is that about? You can’t take away someone’s legendary status just because they had a bad performance or technical difficulty. And the same thing applies to MySpace…kinda. The Digital Age has already significantly shortened the lifespan of an artist’s career, and sooner than they realize, some “Twitter stars” will be the scoffed-at “legends” they seemingly enjoy dismissing on account of relevancy.

The social sphere is so ever-changing that what was trending even a week ago is lost in the abyss irrelevancy thanks to breaking social media news.

My first introduction to the original MySpace was through a publicist friend of mine who asked me, “Are you on MySpace? It’s a cool new site that a lot of artists are on, and you can connect directly with them.” MySpace was a social media platform where the users determined the product by how they used it. And the artists, who became the super users, made MySpace what it was by creating a place to connect directly with their audiences by uploading songs, emailing users, and personally engaging with their fans.

As a journalist and a fan of music, MySpace started off as a great way to contact my favorite artists without having to go through their management teams. But it quickly became “MyWorld” instead of “MySpace.” I was spending hours a day on my profile, searching other profiles, meeting strangers, and connecting with people I hadn’t seen in a long time, and I didn’t have to leave the house. MySpace was the first of its kind to allow user’s access to their favorite artists and exclusive music, and more importantly, to become personally invested into their favorite celebrities’ success. However, many of us saw the movie, The Social Network, so we pretty much know how that story ends.

But does it have to end? No, it doesn’t have to end for MySpace – or for artists like Slick Rick who Hip-Hop tends to “age out” at a certain point. Is that really fair – to MySpace or Slick Rick? What if Jay -Z were aged out of Hip-Hop at age 40? Nobody would’ve been “Watching the Throne”, that’s what. All it takes is a little re-tooling and new user interaction for an original to maintain relevancy. How do you think Sean Carter took Hip-Hop to the White House, after all? The seasoned rapper/MySpace analogy just works. Like Slick Rick and others, are we really gonna give up on MySpace, the platform that opened the door for all of these other “bites of freedom” that allow us almost too much access into the lives of our favorite celebrities?

DJ Jazzy JeffWell, I will admit I had given up my old MySpace password for the hottest new social space as well, but all that changed when I received an invite to go to a MySpace “Feel the Music” Show recently. I, like most people, wore a side-lipped scowl, thinking, ‘MYSPACE? Who the hell still goes to these shows?’ Then, upon further reading, I saw that free Denon Headphones and DJ Jazzy Jeff, two of my favorite things would be there, so off to the show I went. Yes, I had heard of the new MySpace launch, and that Justin Timberlake had become part owner, but this still wasn’t enough to make me want to create another new profile to go alongside my Twitter, Facebook, Pintrest, Pandora, Tumblr, and various e-mail accounts I have to manage and maintain on a regular. But, to my surprise, when I stepped into the party, it was wall-to-wall packed and hot as all get out.

DenonMy first thought was, ‘Dang, are all these people still on MySpace, or are they all just here for the free headphones, too? The answer became clear as I checked out the scene. It looked like all of the subcultures you literally see on MySpace – from the cool kids to the Asian kids breakdancing in the corner, all coming to support the music. DJ Jazzy Jeff delivered a set that had everyone too “turnt up” to care that it was 110 degrees in that joint. The whole experience had reopened my eyes and made me want to check out what the “new MySpace” might have jumping off.

Clearly, the owners of the “new MySpace” are not going down without a fight – check out the recently launched Beta version of the site. I received an invite to set up my profile, and I was instantly excited to see the new site…it was FRESH! Oh, my bad, swerve, whatever! The visual is aesthetically pleasing with its horizontal navigation, and seeing the familiar face of our good buddy Tom was encouraging. Although he doesn’t work there, he is there to enjoy the new site he posts.

CiaraMySpace listened to the needs of their super users – the artists – and created something new that hasn’t existed before, by connecting various aspects of the most popular social media tools in one place – the new.myspace.com. The New MySpace, though equipped with some of our favorite social media capabilities, is all about the music. The super users who defined what the original product was about determined what the product turned into, and with the new features in place, the new.myspace.com is positioning itself to once again carve out its own lane as the go to for music social media. The shows they host – with big names like Ciara – only help to support the reinvigorated brand.

Still in Beta form, the new.Myspace.com is prioritizing the functionality of the site to answer the needs of their super users, while re-tooling some of the old familiar functions like the Top 8, which is reserved for those top fans who are the top engagers and influencers in your network. It allows artists to track who their top influencers are for more personal engagement. “Discovery” is the most important theme of the new MySpace – discovering new music, new users, and new ways to engage utilizing social media, while connecting marketing platforms, merging catalogs, and having content connected all in one place.

The fact that the original MySpace still has 30 million classic users to this day is telling of the impact that it’s had on social media. Like Old School Hip-Hop, it never died all the way. The stars and careers that were launched by the social networking site helped make artists like Drake, Soulja Boy, and Sean Kingston a part of Pop culture history. And, the new MySpace has the capacity to open a whole new world of discovery with new tweaks that have what it takes to put it back on top.

So, if for no other reason than you gotta respect the fact that, as the throwback, MySpace set the bar for everything that followed – give it a try. They deserve the chance to raise the bar, and it appears they are on the right track to live on. Just like Old School Hip-Hop.

Lawyer For Notorious B.I.G. Blasts LAPD Over Autopsy Report

(AllHipHop News)
A lawyer for the Notorious B.I.G. recently blasted the Los Angeles Police Department, for releasing an autopsy of the slain rapper.

Notorious B.I.G., born Christopher Wallace, was gunned down on March 9, 1997, during a drive-by shooting in front of the Petersen Automotive Museum in downtown Los Angeles.

The rapper died after he was struck by four bullets that pierced the passenger side of the Chevy Suburban, in which he was a passenger.

The LAPD claimed they released the autopsy photo in hopes of generating new leads surrounding the murder.

Perry Sanders Jr., long time lawyer for Notorious B.I.G.’s estate, criticized the LAPD for releasing the autopsy report after all almost 16-years.

“What legitimate lead could be stimulated by releasing an autopsy that says Mr. Wallace was shot. When everyone knows that ” Perry Sanders Jr. told The Los Angeles Times. “Why don’t they release some of the clues they have?”

Notorious B.I.G was killed by a shot that tore through his colon, liver, heart and lung, before coming to a stop near his left shoulder area.

No one has ever been arrested for the murder of Notorious B.I.G. or Tupac Shakur, who was gunned down six months earlier, on September 7, 1996 on the strip in Las Vegas.