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Hip-Hop Rumors: T.I. Nearly Gets In Fight? Cassie Flies Solo?! Illseed Schools Yung Berg

DISCLAIMER:

All content within this section is pure rumor and generally have no factual info outside of what the streets have whispered in our ear. Read on.

OLD NEWS – MOBB DEEP IS P#####!

I had this in the rumors way, wayyyyyy back, but it is now resurfacing. Apparently, Mobb Deep isn’t letting their former manager Norman Bell aka Purfek Storm slide. Dude allegedly took their material and put it out as greatest hits compilations. Mobb Deep – Havok and Prodigy – say they ain’t been paid a red cent for these works. You can find them right on Amazon.com. The difference between now and when I first put out that rumor is that Hav and P have filed a suit.

CASSIE BOUNCES ON DIDDY?

Diddy Combs and sidekick Cassie may no longer be buck fuddies anymore! I never knew they were even an official item, but rumor has it, they have split up. Apparently, she recently conducted an impromptu interview and she said they were no longer anything. She said she’d simple confirm the rumors that nothing is happening anymore. Anyway, I initially heard that she was trying to leave Bad Boy Records, but that’s not true. Maybe the rumors are all wrong, since people said they were spotted leaving a club together. This all reportedly happened at DJ Cassidy’s Birthday Party at the Cipriani’s in New York City.

BE EASY, T.I.

T.I. almost got into a fight, I’m hearing. He was hanging out at an Atlanta nightspot Wednesday night and Tip’s people had to yank him out of the joint to keep him from getting into trouble. Apparently, this is something T.I.’s lawyer confirmed! Apparently, T.I. has a court person following him around at all times and that person made the call to get out of there, even though it was a paid appearance for T.I. Hey, I’m not mad. Maybe more rappers need these court monitors before they get arrested.

DAVE CHAPPELLE SKIPS KEVIN POWELL’S EVENT!

KEVIN POWELL for CONGRESS!

www.kevinpowellforcongress.org/

Now that the KP promo is out of the way, Dave Chappelle was supposed to be host to a fundraiser for the congressional campaign of Kevin Powell. Well, supposed is the key word. For whatever reason, Dave missed a total of three planes from Ohio leaving a crowd waiting for about three hours. The crowd paid $75 per ticket and Chris Rock was in the house. Only thing is, Chris Rock wasn’t trying to perform at all even though Kevin Powell repeatedly referred to the BK legend. I’m sure there will be a make-up event.

U-GOD DID NEED THE POLICE!

This isn’t exactly new, but Shelz is totally on this U-God / Wu Tang thing. Read on.

Ok peeps, there is a little more detail available about this whole “I’m being stalked by the Wu” story that U-God is telling. The Jersey Journal reported that U-God did indeed seek help from the police. He has filed a suspicious person report detailing the odd events that have been going on since he filed his suit against Wu-Tang Records. He claims he has been followed on several occasions from his studio in NY to his home in Jersey and that during some of these instances, the gentlemen following him rolled down their windows and nodded at him. On other occasions they got out of their car and gestured towards their waistlines as if the suggest they were carrying weapons. One evening he said they attempted to get into his garage. While he reports this has been going on for close to two months, he is just now contacting the authorities because he doesn’t trust the boys in blue. But he bit the bullet and got down with the badges because he just couldn’t take itanymore.

ILLSEED’S QUICKIES

Nas Slays Jesse Jackson: Ouch. Nas isn’t mincing with his words, eh? Go to illseed.com to check it.

The Pink Mafia Might Strike! GLADD is supposedly mad at Will Smith for using the word “h###” too many times in “Hancock.” I have no comment, but I have a joke that will stay in my head.

YO! Is it me or has “No H###” gone out of style? I haven’t heard anybody say that for a long time,

Khia Is Leaking! Khia leaked and nobody knew. Still, the rapper has pushed her release date up due to the leak.

$50 Million? People love using the 50 Cent name with a twist of irony. I want somebody to sue him for like $77.3 million or something odd. Well, his ex is suing him for $50 milli.

Young Buck’s So Alive: “And G-Unot, b***hes!” He said that on XM Radio.

[I have been informed that this is not true!]: Buddy Budden hasn’t appeared in the rumors section in a long time. I heard he’s got a new song coming out and he takes another shot at Jay-Z.

Yo A$$: Pay ya taxes! Former basketball star and breathing freak show Dennis Rodman allegedly owes “the man” $400,000 after failing to pay his taxes.

Holy Moly! Evander Holyfield has ducked jail by paying his child support!

Get Better!! I heard Queen Latifah suffered a motorcycle accident! No broken bones, butLatifah injured her right elbow and knee. Like a G, she didn’t even go to the hospital.

RANDOM QUOTES

The Game on his family:

“Mo money, mo problems. Now, my family is my worst enemy. I hate them more than I hate 50 Cent man.”

What they ask you when you get ready to buy your Kanye West pills:

“How many times have you told yourself, ‘I feel famous and powerful on the inside, but nobody sees it that way on the outside’?”

Nas gushes over Kanye and Lil Wayne (Complex):

“I think Kanye West saved rap. I think Lil’ Wayne is showing there is a future for all kinds of artists to continue doing this. You know, I love it.”

Yung Berg talks about not being into “dark butts”:

“I’m kinda racist… I don’t really like dark butts too much… It’s rare that I do dark butts. Like really rare… It’s like, no darker than me. No darker than me.”

[Illseed note: I think lil’ homey might be kinda gay. I’m into every kinda boo-tay – I love all shades of sistas. To hear this, go to the podcast section under multimedia.]

Ice-T still talking about Soulja Boy, but makes a point that The Game would feel:

“I am not hating. Nowadays, if you criticize something you are hating. Ice is just trying to inspire these cats to be more creative. I’m looking for a 19-year-old KRS-One. I want to see a 19-year-old Public Enemy. Where they at?”

LADY DRAMA passes in on the rumors and offers some delicacies for your gossip beak. Yep – that was corny.

More Foolishness…. Snoop Dogg gets Bolly with it! Errrrr…..

So as I was perusing through the paper with my morning coffee I caught wind that Snoop Dogg will be teaming up with an Indian superstar to film a video for the theme song of a new movie, ‘Singh Is Kinng.’ The Indian star is Akshay Kumar who has more than 80 Indian film credits under his belt! Can’t hate on Snoop for crossing over but…Bollywood? Hmmm…..

Mashonda on her Split with Swizz….. ‘Maybe it’s a break’

Looks like someone may be in denial…. Mashonda recently did an interview with Vibe Mag and she told them that her and Swizz aren’t even legally separated yet meaning that there’s still a chance for them to reconcile! Hmmm…. in the famous words of a good friend of mine this chick is dumb as cat s**t if she thinks that there’s still a chance! [I think she’s very cool – illseed.]

She should realize that it’s more beneficial for her to move on, collect a check and keep it moving! Nothing says revenge like a freshly signed check every month ask Kim It’ll do wonders for your career! In any event she states:

MASHONDA: There is no ex-wife situation yet, we’re not even legally separated yet. We are still in the beginning stages.

So it’s a break?

MASHONDA: Maybe it’s a break, I don’t know. I don’t know if s**t will ever be the same, and I don’t honestly see how it could. Maybe this is God saying we need to do us for a minute, and I’m not pushing for anything but peace at this point. I’m not wanting him to crawl back and I’m not on his heals. All I want is peace and to be on decent terms for our son.

Lady Drama’s Food For Thought:

Is anyone else waiting to see how Jesse will try and recover from this one? Let the comedy begin!

I hear people are making a big deal about Ciara buying 50 some dancers for his birthday? What’s the big deal? Quite frankly that aint a bad idea hell it’s less work for my ass! I may take that idea and run with it come September when I’m shopping for a birthday gift for that special someone!

Am I the only one wondering what the hell happened to the rest of J Hud in her new promo shot? Damn that photoshop is the devil! [Illseed: I have to agree with this one, Drama hahaha!]

Should we be happy or ashamed of a show like ‘From G’s to Gents’? I’m confused!

Go Hard or Go Home folks!

SHELZ: LIL WAYNE, YUNG BERG AND JIMI HENDRIX

Time Magazine dropped a bomb yesterday in suggesting Lil Wayne is this generations Bob Dylan. Let’s see, Bob Dylan galvanized an entire country’s young folk to dismiss conservative thinking and embrace cultural change. Lil Wayne fostered a desire in an entire country’s young ladies to bring Tootsie pops to the club. Yeah, I totally see the correlation.

Vivid video is going to release that Jimi Hendrix sex tape. Per the puddy pushers, the Jimi Hendrix estate was given 2 months to prove it wasn’t him in the video and their time is up. So it’s full steam ahead with the distribution. The trailer is really disturbing. One of the ladies all in the mix with Mr. Hendrix made some sort of plaster mold of the great ones johnson and shows it off like it’s her kid’s art project. I really feel all the present day hooches should watch this to give them an idea of how creepy they will look when they’re still trying to w#### themselves out at 60.

Yung Berg says he doesn’t check for the darker sisters and refers to them as “dark butts.” He doesn’t find dark skin attractive, doesn’t want anyone darker than him and makes girls jump in the pool to check what kind of gel they wear in their hair. He doesn’t like the brown kind. Da hell!?! I know he’s young, but damn. I think bathing in all that ice has frozen some of his brain cells. That is seriously some of the most ignorant ish I’ve heard in a long time. Mama Berg! Talk to ya boy!

ILL PICS: DEDICATION TO YUNG BERG

That boy said some of the dumbest mess I ever heard. This ones for you, boy! SMH!

Let me close the Chocolate Factory with my girl…

“What did Berg say?”

DARK BUTTS, WE LOVE YOU!

They keep us talking, but if we stop talking about them then they should worry!

-illseed

WHO: illseed

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at ah*******@***il.com.

– allhiphop rumors

2 Pistols: Death Before Dishonor

 

 

2 Pistols, another Floridian on the rise, has recently gotten some attention with a hot single featuring no other than Teddy Penderazzdown. He hopes to carry that buzz to his debut album Death Before Dishonor (Universal Republic). With some decent features, and great production from the J.U.S.T.I.C.E League, it looks like Florida may just have another star on its hands. However, once you get past the memorizing hooks and certifiable beats, there lies a rapper that lets his youth show; at times in the worst way.

 

If anything is for certain with this album, it is the surefire production from the J.U.S.T.I.C.E League. They frequently hit their mark, laying down a stylistic sunny vibe that definitely catches your ear. This is definitely heard on the albums first single, “She Got It”, where the mesh of the sultry beat with T Pain on the hook creates a bona fide hit. You also hear their patented up-tempo, bass heavy club smash sound in “Eye’s Closed,” which has 2 Pistols maneuvering through the beat like he has been there before.

 

There is also such a thing as overbearing production, as J.U.S.T.I.C.E League tracks are that much better from the others in terms of beat development and deliverance. When you hear tracks delivered by the J.U.S.T.I.C.E League such as “Lets Ride” and then hear a track not from them such as “Robbery,” the difference leaves much to be desired., as it leaves 2 Pistols without his safety net.

 

Once you’re given just 2 Pistols, his flaws become obvious. It is a shame however, that behind this great production, the lyrics and subject matter is quite limited. Many of the songs follow the blueprint of the braggadocio style  (“Lookin Down on ’em”,”Been Throwin’ Money”) and love song (“You Know Me”, “”That’s My Word”) with no real difference lyrically with either, as if they are verses of the same song. 2 Pistols has some work to do with his flow and lyrics, especially on songs such as “Candy Coated Diamonds.”

 

When you give this album a first listen, you are swept up by the beats and the swagger presented. After sitting with this one, one can’t help wonder what a more accomplished rapper could have done with the beats given. If he hopes to stay around on his own terms, and transcend to superstar status, 2 Pistols needs to mature and develop his signature sound.

LL Talks Exit 13; Denies Signing To G-Unit

After a 2 year hiatus, veteran LL Cool J is gearing up for the release of Exit 13, his 13th and final LP under his Def Jam recording deal.

 

Unlike his other albums, the Farmer’s Boulevard legend has worked closely with another Queens native, rapper 50 Cent.

 

“I did a whole album with 50, I did an album by myself, then I went and did another album by myself,” LL disclosed to AllHipHop.com. “I decided to use like two or three songs from the album I did with 50, one from the second album I did by myself, and the rest is all new material.”

 

Some have expressed concern that LL may pattern himself after 50’s more successful albums, such a Get Rich or Die Tryin’, a claim the MC quickly denied.

 

“Watching him work made me hungry again, but it was also important for me to come out with an LL Cool J album that doesn’t sound like I’m trying to be 50 Cent,” LL clarified. “I’m not doing that.”

 

LL also dismissed rumors that he was attempting to sign to G-Unit over his dissatisfaction with Def Jam’s promotion of his last album.

 

“There were a lot of, for lack of a better word, doe-does out there that were like ‘LL is going to sign to G-Unit,’” the veteran laughed. “I don’t know what these guys were thinking. Why would I work for 20 years to sign to another artist? I don’t know where the stupidness came from. I don’t think they understand who they’re dealing with and the reason why I’m here.”

 

LL openly criticized former Def Jam president Jay-Z about his work in promoting rap albums on the label.

 

Now with a new regime, he feels rap projects including his own, will get the attention they deserve.

 

“Before Lyor and them left we did a deal and I got my full catalog. LL Cool J owns his whole body of work. I’m very happy about the growth Def Jam has experienced,” he revealed. “Now, do I feel the Hip-Hop side of the music needs more attention? Yes. I think Hip-Hop will be served more now that Shakir Stewart [new Def Jam Executive Vice President] is up there doing what he does. People are excited about Hip-Hop. People are excited about my project and I know it’s going to succeed.”

 

Exit 13 is set for release on August 26.

 

The album features production from DJ Scratch, Tricky Stewart, and Raw Uncut.

 

Guests include KRS-One, Jim Jones, 50 Cent, Lil’ Kim, Trey Songz, The Dream, and Richie Sambora of Bon Jovi.

Superstar Locks: Tips for Healthy Summer Hair!

 

 

Taking care of your hair

only gets more difficult as the season changes – the heat, humidity and rain

can cause the ultimate fizzes and flops.

 

All women want to have

healthy and strong hair,  but at times it

can be hard because of all of the stress that we apply. 

 

We blow dry, curl, flat

iron… but it’s all about finding the right match of products for the

individual.

 

What does it take to have that hair that we all work so hard to get?  We got some tips from Kathleen

Johnson, Director of Education for the Dr. Miracle’s hair care brand. She gave

us some good advice on how to keep your style cool for the rest of the Summer!

 

AllHipHop.com: At one point in time I was using a

product that severely damaged my hair. How can we be more careful about the

products that we use? Is their anything that we should be looking for, such as

a bad chemical?

 

Kathleen Johnson: Well, I think the first step is

that you have to take time to just get to know your own hair. I believe that

there is so much processing going on that I don’t really know if sisters are

really stopping and going, “Ok, what’s my hair like? What is the quality, what

does it need, how does it work?” There’s so much of the maintenance in hair, we

sort of become detached because of salon stylists, it’s almost like you take

your hair off and give it to them.

 

For instance, in the industry of music, you have

all these artists, and every time they go out or they go anywhere they need to

have makeup and hair done. Things that they have to use to get it done quickly,

the chemicals they have to put in to make it stay a certain way… just because

you look good doesn’t necessarily mean its good for you! I don’t know how many

people are going to make that choice to really make their hair care and their

hair growing and keeping it strong and healthy, a priority.

 

AllHipHop.com: I love Dr. Miracle’s commercials. Most

of the women are African American but are these products made for all types of

hair?

 

Kathleen Johnson: I would say yes, but it depends

on what you want to do with your hair. Just like any particular styling

product, you have to decide what it is you want to accomplish, but there are

certain products that I think are a specific market. The 2in1 Tingling Shampoo

and Conditioner anyone can use and get a good result. Excellent cleansing and

conditioning shampoo, to me, can benefit anyone nowadays, because everyone is

putting coloring in their hair or heat styling.

 

AllHipHop.com: What is the most-sold product thus

far and why?

 

Kathleen Johnson: I would have to say our Temple & Nape Gro Balm, that’s one that people have [given me] good feedback on over

the year’s .That’s a common problem of losing hair in your temple and nape. So

many women pulling their hair back from braiding it to tight, weaving and the

weight of the hair; it’s so many issues. Also using chemicals – it’s just

breaking down the more vulnerable hair in those areas. I know some women who

used the Temple & Nape Balm consistently for two weeks have seen something

happen.

 

AllHipHop.com: What advice would you give us in

regards to dying your hair?

 

Kathleen Johnson: Well, dying your hair really

dries it out; it makes it more brittle, it looks good! So it is damaging, but

we have so many things that can make up for what we want. You can put in

protective things like the Leave In Treatment and Conditioner.

 

AllHipHop.com: Okay so what about perming your

hair?

 

Kathleen Johnson: Perming your hair is the same as

any chemical processing; it’s making it more vulnerable, more brittle and drier.

All that’s happening is the chemicals in your hair helps it feels soft but you

have got to balance that with making sure your washing and conditioning your

hair. The great thing about Dr. Miracle’s is their products have a lot of

essential oils in it – shea, castor oil, lavender, sunflower seed oil and

others that your hair is longing for.

 

AllHipHop.com: Now what about washing your hair?

Should we be washing it every day?

 

Kathleen Johnson: The normal thing is to use

proper hygiene. I understand that washing you hair takes a long time… well, it’s

not the washing its everything after. For some people, by the fourth day they’re

scratching so much because you get bacterial build up in your skin. I really do

recommend [that you] don’t wait more than one week at the most to wash your

hair.

 

AllHipHop.com: Can you give us two important tips

to having healthy hair?

 

Kathleen Johnson: You have to sleep with something

on your hair; you have to cover your hair up at night if you have hair that is

processed. If you have braids in your hair, if you have a weave in your hair,

you should really try to protect your hair while you’re sleeping at night. It

dries it out and makes it more vulnerable for breakage from rubbing against

that cotton pillow case. Start buying satin pillow cases – it treats your hair

a little easier at night time and relieves some of the breakage. So that’s my

number one tip, please wrap your hair at night!

 

AllHipHop.com: That’s definitely a great tip; I

try to cover my hair each night as well. So what would be your next hair tip

for the ladies?

 

Kathleen Johnson: I think the second thing that I

would have say is you must take the time to deep condition your hair. You have

to set apart the time. I tell everybody I know, if they’re not heat styling, coloring,

braiding or weaving, they’re doing something [potentially damaging]. They need

to stop put in the deep conditioner – you can do it while you’re taking a bath.

This one step will make a huge difference in the quality of your hair. If your

hair is natural you probably don’t need to focus on deep conditioner, but it’s

still great to do.

 

During our conversation, Kathleen also

explained the importance of nutrition and health to your hair. I decided to

research the types of foods that can help aid the growth of strong healthy

hair. Here are a few:

 

Salmon contains omega-three fatty acids; this high-quality

protein source is also filled with vitamin B-12 and iron.

 

Dark

green vegetables such as spinach, broccoli, swiss chard are a great source

of vitamins A and C, which your body needs to produce sebum.

 

Beans,

kidney beans and lentils – not only do they provide a lot protein

to promote hair growth, but are rich iron, zinc and biotin.

 

Whether you have

straight, natural, curly, dreads or braids, you still must treat your hair with

dignity and respect! Enjoy your healthy hair, and if you’ve got any personal

tips or secrets, feel free to share with us!

Busta Rhymes Recruited To Prevent Gun Crimes In UK

Despite his recent run-ins with the law, Busta Rhymes has been recruited to help stop an increase in gun and knife crime in London.

 

The Independent reports the rapper will spread his nonviolent message on September 26, when he travels overseas to perform in concert at Royal Albert Hall.

 

The need to curb violence among youth is a universal concern, according to Rhymes.

 

“I want to do something productive that will help convince kids on both sides of the Atlantic to stop killing each other,” the rapper said. “We are seeing a generation of children who are lost and in need of support. Their families are breaking down around them. They’re turning to gangs and violence. We need to tell them that is not the right answer.”

 

Rhymes’ international stage show will be organized by Orange RockCorps, a social enterprise.

 

The organization’s co-founder, Stephen Greene, praised the rapper as an inspirational performer who had “proved his commitment to volunteering over many years.”

 

London Mayor Boris Johnson echoed Greene’s support as he applauded Orange RockCorps’ efforts to hold the concert as well as Rhymes’ willingness to help, by saying the show would be a “a great example of how music can have a profoundly positive effect on society”.

 

Despite his good intentions, Rhymes’ appearance has raised concerns over whether or not his criminal record will prevent him from entering the country.

 

The rapper was fined $100,000 after beating up a fan who spat at his car two years ago. Two months later, Rhymes appeared in court amid accusations of possessing weapons and keeping a machete in his car.

 

He was later cleared of the charges. In March, Rhymes was fined $1,250 in addition to receiving three years’ three years’ probation and 10 days’ community service for assaulting his former driver.

 

The New York native isn’t the first entertainer who was in danger of being denied entry into Britain.

 

Snoop Dogg, Nation of Islam leader Louis Farrakhan, Islamic preacher Yusuf al-Qaradawi and domestic mogul Martha Stewart have all been denied entry into Britain.

Asher Roth: School’s Out

Yes, you are going to compare him to that White guy from Detroit. But moving on, in this early stage of his rhyme career Asher Roth is displaying the chops to carve out a spot in the Hip-Hop space. Hailing from Morrisville, PA, the pale skinned MC has a DJ Drama and Don Cannon endorsed mixtape (The Greenhouse Effect), a year old record deal with Steve Rifkind’s SRC/Universal Records and a sizeable amount of Internet buzz (his own TheDailyKush.com is of at least some help). Time will tell if Roth will be more MC Serch than say…Milkbone (no disrespect), but his humility when off the mic combined with the self-assurance he displays when in rhyme mode give the kid a good chance of sticking around. While the 21 year old’s debut album is as yet untitled (“I’m not going to release that yet,” says Roth), amidst stressing the honesty he insists he’s bringing, Roth did mention that you can expect to hear Akon on there, of course, as well as Devin the Dude and Chuck Inglish from the Cool Kids. Guess auditioning for and impressing Jay-Z must not have been a fluke after all.AllHipHop.com: Let’s just get it out the way, how are you gonna deal with the automatic Eminem comparisons/stereotypes that they’re gonna throw at you. Is there a plan for that?Asher Roth: No man, there’s no plan for it. I think things are gonna take care of itself. I mean people are going to realize I’m about 15 years younger and you know as the music starts to get out and people get accustomed to it. It’s no different than the whole JaRule/DMX thing, they’ll start to realize we’re completely different artists.AllHipHop.com: Your rhyming started more as a hobby type thing and it progressed; did you have anything in mind for a career beforehand?Asher Roth: Well I was in school for elementary education so I mean that was the original plan and rapping was just fun, it was kind of just the life. I started doing it in 10th grade, 11th grade, it’s always been just part of the life, real fun and you know I just stuck with it in college ‘cause it was a hobby. Then by the time sophomore year rolled around and I got that call from Scooter [Braun] and everything kind of changed now, I had to take it somewhat seriously. You know obviously the vision becomes a little more valid and it actually becomes a vision, we’re still working on that right now but it’s obviously got its path and it’s on its way.AllHipHop.com: Was it already in your mind like, “I’m nice I can do this,” before Scooter contacted you via MySpace?Asher Roth: I’m a pretty humble, modest dude so with the whole rap thing a lot of people were like, “Yo, you’re nice, you’re nice you should really do something with this,” and I was but just on like a real low level, it wasn’t anything serious. I wasn’t like, “Yo I need to get a deal I need to go get signed,” cause I’m all about the natural process but I definitely had it in the back of my mind that this would be great. This would be great to run with this. But with the music industry it’s not something you wanna put all your eggs in one basket with. At that point in my life, especially being fairly young, you have the ability to make some mistakes and take some risks when you’re real young..I was more or less just like alright, half foot in the door with Hip-Hop, half foot in the door with college, you know.AllHipHop.com: Okay, are you still in school right now?Asher Roth: No, man I left and actually moved down to Atlanta just this January so I’m on a – I like to call it, a leave of absence. AllHipHop.com: Okay, that’s what’s up. When Scooter approached you what made you roll with it?Asher Roth: It’s always been my dream man, it’s always been like what I wanted to do so of course if the opportunity arises there’s no way you can pass up a chance of a lifetime you know what I mean? By the time Scooter hit me up I was like there’s no reason not to jump all over that opportunity.AllHipHop.com: Tell me about the bidding war, what was that like?Asher Roth: That was just wild, it was a little bit surreal but I went to you just did the whole thing through went to Def Jam, John Wiley and everybody was interested, everybody wanted to know what was up. It was the very early stages so obviously there were still questions but it was all love.AllHipHop.com: Who were the main contenders, like Loud, Def Jam, anybody else?Asher Roth: Yes, it was SRC, Def Jam, Warner Bros. and Atlantic.AllHipHop.com: Is there any case when you almost went with one particular one?Asher Roth: Nah by the time we had linked up with Steve [Rifkind], I was pretty much sold with Steve. ‘Cause he’s a big homie man and he’s a business guy and what he’s given to Hip-Hop is kind of undeniable. AllHipHop.com: You have all type of co-signs of artists or executives, is there anyone in particular that’s real special to you?Asher Roth: I mean from everybody it’s always very honoring and humbling to get a co-sign from anybody who’s been doing it for awhile. Some of the artists that was real cool for me was like Jay [Jay-Z] and Andre 3000 were real special because of how influential they were, because like Jay, that was the first rap album I bought in ’98; that goes to show you how late I really got into it. And Andre was the one who kind of taught me just be you, you’re your own fingerprint and that’s all you can be and to meet him that was the first time I was real star struck.AllHipHop.com: Out of all the groups in Hip-Hop history which one do you think you could be a part of or would fit in most well?Asher Roth: I feel as philosophy and where I feel like I really fit in the whole A Tribe Called Quest kind of movement where it’s real laid back and enjoy life and speak the truth.AllHipHop.com: Tell me about the creation of “The Lounge”?Asher Roth: The creation of “The Lounge”, actually man it was created very similar to how a lot of my music is created it always starts with topic of conversation, a mood or emotion. We were hanging out and the beat was just playing in the background and it was Novel and Novel was like, “Yo I got this banger for you,” and the beat came on. It was almost analog at first, it really wasn’t beefed up or anything. I wasn’t really feeling it but it was just going on in the background like some elevator music. And one of the dudes in the room, the engineer had first met me and he’s like, Man it’s crazy just looking at you man, you don’t look like a rapper and I was like, “Well what’s a rapper look like?” It was one of those lightning in the bottle situations just like, Oh there it is. AllHipHop.com: Seems like that’s a constant question or battle.Asher Roth: Yeah, it’s just one big rhetorical question man because really there’s no answer to that s**t because we’ve developed these kinds of stereotypes and s**t but at the end of the day they’re hardly as true as any of the other stereotypes we’ve tended to develop in our society.AllHipHop.com: What’s your family’s take on your new career?Asher Roth: They love it man, it’s been fun for them because it’s always been a lot of talk. My parents will try to tell you that I’ve been rapping since I was like 11 or 12, I don’t buy into that. I’ve been trying to take it serious since probably like 16, 17, 18 years old, but it’s fun for them because they see all the talk stuff manifest and actually see some progress now. And they’re very excited man, they’re just happy I’m being creative and I’m doing something that I love to do.AllHipHop.com: Has there been any case or particular incident that sticks out where your color has basically been a deterrent?Asher Roth:  I mean I’ve been to a couple of clubs here and there, I mean not so much like really blatantly in my face ever been told, “Yo, you’re white get the f**k out of here,” but it’s more or less a couple of people you can just tell sometimes people aren’t really comfortable, people aren’t really buying it, just from body language since like 80% of language is body language. You can really tell when people aren’t having it and sometimes it makes me uncomfortable and whatnot just because there’s haters everywhere but you gotta love the haters man. They’re the best thing ‘cause that’s really the motivation. There’s nothing like winning over a hater.AllHipHop.com: Now, looking back on Hip-Hop history is there any moment that sticks out to you like damn this is the downfall of white rappers?Asher Roth: Oh, the downfall, like looking back…I mean nah. I mean it’s taken its evolution there’s been certain instances we all kind of know certain instances with like Vanilla Ice and stuff where people try to create and manufacture something which always makes people cringe a little bit but I think it’s kind of gone through it’s natural evolution. It’s always tough when they try to do a quick buck thing or money scheme and we’ve seen it a lot with ringtones. That’s more or less the trouble with Hip-Hop recently is because people wanted to get a quick buck and [have] taken away from it’s actual artform. But that’s what we’re here for, we gotta new generation of a few kids that are coming up that I think are gonna [take] it back to artform.AllHipHop.com: Who are some of your main influences if you had to pick three?Asher Roth: I’d say Bob Dylan, The Roots, and Mos Def, but Biggie’s definitely in there too because the reason why I love Biggie is ‘cause when he said something he meant it like, “If I said it, I meant it, I don’t bite my tongue for no one,” so like, he’s the s**t. I can’t really limit it to three but I say Outkast is definitely in there, Biggie, Bob Dylan, The Roots.AllHipHop.com: The first three you mentioned Bob Dylan, The Roots and Mos Def, so what are their traits that you really appreciate?Asher Roth: It’s just that soulful music, I like the fact that a lot of them, well not so much Bob Dylan, but The Roots and Mos have that really jazz influence to them, so I’m a big fan of jazz as well and they just speak about what they know and they speak the truth, it’s just poetic. And Bob Dylan same thing; he’s a lyricist and a lot of people may not listen to Bob Dylan but he was like one of the first rappers, man he’s just great.AllHipHop.com: I saw you on BET rocking the Obama t-shirt…Asher Roth: Yeah man. People tried to kill me for that; they were like he’s trying to pull the Black card wearing the Obama shirt. I’m like y’all are crazy. I’m a huge Obama supporter. I think he’s great, I think he’s what we need right now, exactly what we need to show progress man. I think he’s exactly what we need right now.AllHipHop.com: Now how can we get progress in Hip-Hop?Asher Roth: I think it’s just a matter of keep creating honest good music and I think it’ll shine through. My whole motto is good music shines through and at the end of the day that’s why I’m not really stressing about my career ‘cause I know that when I sit down and I take the time, I’m making honest music and I really think that people are gonna appreciate that. And I think that as long as other artists continue to do the same, we should be okay. ‘Cause I know people want to be honest I don’t think they really want to make this stuff up, it’s not cool. The whole lying thing if you don’t lie, you don’t have to remember anything. AllHipHop.com: How did the The Greenhouse Effect come together?Asher Roth: The mixtape was in the works for a little bit and then I linked up with Drama and Cannon through Scooter because they were DJ’ing his college parties back in the day, we had an immediate connection. Me, Cannon and Drama were all just like laughing and joking so they were hounding me for a little bit but I’m like that dude where everything just rolls off my back. I rolled in with sandals on so of course they’re gonna clown me and say ahhh who is this dude, but after the whole thing and they saw I was a real authentic dude they were just like this guy is real cool. I respect what they do and they respect what I do so we just kinda just collaborated our efforts and tried to make some history.People have been very receptive, of course you’ve got some people who are just gonna naturally hate for the most part a lot of people have been really really diggin’ it and appreciating what I did. I can’t ask for more man because without my fans and the support this whole thing is impossible.AllHipHop.com: Where you came up, how did it affect your music?Asher Roth: Growing up in the ‘burbs you weren’t in it, you didn’t grow up in the quote unquote Hip-Hop scene you had to find it and go be a part of it so I guess the ‘burbs really helped ‘cause I got to see it objectively so I was kind of watching at first. When I got to the point when I was actually involved I understood where my place was, like watched and understood that’s not me but this is, this is what I have to offer. AllHipHop.com: Your candor is appreciated but have there ever been people who say maybe you should play that down?Asher Roth: Play down the individuality?AllHipHop.com: Play down that you came from the ‘burbs.Asher Roth: No, not really. For the most part people just are gonna appreciate me for who I am because people are scared man, people are really scared to put themselves out there and be who they are. They’re like almost ashamed so I wouldn’t change growing up in the ‘burbs. I mean I had a very healthy childhood. like you said raised from a strong family and had some good morals and ethics and I think that’s very important for this career now because moving forward now I feel like it’s a whole karmatic situation. I wanna keep good people around me and I feel that if I do that, I’ma attract that.

J Prince Cleared Of Assault; $ 10 Million Lawsuit Tossed

A criminal lawsuit and a civil lawsuit against Hip-Hop mogul James “J” Prince will be thrown out of court, after the mogul was cleared of assault charges yesterday (July 9).

 

The Harris County District Attorney dropped the charges against Prince due to inconsistent statements from witnesses.

 

Prince was charged with a felony count of assault, after being accused of orchestrating an attack on Houston producer Ronnie Bookman, who owns the 7303 Recording studio.

 

“I always felt like they would be [dropped]….” Prince told AllHipHop.com in a statement. “It’s definitely a blessing to have that confirmed.”

 

Bookman claimed that rapper Bun B. recorded his vocals for his album Trill at a greatly reduced rate, in return for a verse from Bun B., that was to be featured on a release on 7303’s label’s debut album.

 

Bookman alleged that Prince reneged on the deal and refused to clear Bun B.‘s vocals.

 

He claimed that he was savagely beaten during a meeting with Prince by seven men at Prince’s Fresh Recreation Center Gym in Houston.

 

The assault left Bookman with a broken nose, and head and body injuries.

 

A judge is also expected to toss out Bookman’s $10 million dollar lawsuit against Prince, which accused the mogul of “attempting to eliminate competition in the Houston Rap and Hip-Hop music business through the use of threats, intimidation and violence.”

 

Bookman also accused Prince of breach of contract, battery, unfair competition, duress, conspiracy and unjust enrichment.

 

In a previous interview with AllHipHop.com, Prince denied assaulting Bookman.

 

“That dude is a clown. He’s always been a clown,” Prince told AllHipHop.com. “He knows better than everybody why he got his ass whipped. For him to say I had anything to do with it, he’s telling a lie, there’s not a bit of truth in it.”

 

Prince also claimed the whole ordeal was simply an extortion plot by a disgruntled business associate.

 

“If anyone with good sense would pull this guy Ronnie Bookman’s record, they would see how bad his credibility stinks,” Prince said.

Canadian Music Month: Nelly Furtado is Hip-Hop

Original Post Date: March 25, 2008It’s been close to two years since Nelly Furtado shocked the masses with the release of her 3rd LP Loose. Teaming up with Timbaland to create this Hip-Hop infused pop masterpiece, the result was a surprise only to those who assumed Furtado existed within her “I’m Like a Bird” parameters. The Canadian songstress has a long extensive history with Hip-Hop since her pre-teens. From dancing to singing and even a little rhyming, Nelly Furtado is that b-girl in a hoodie who can hang with the big boys even in motherhood. This past Fall, Nelly slithered on stage at the VH1 Hip-Hop Honors as an ode to her friend and collaborator Missy Elliott. With cosigns from Hip-Hop’s mainstream to underground, Nelly Furtado continues to push the boundaries of experimental pop music. As we wait in anticipation for her next project, Nelly recounts the making of some of her favorite Hip-Hop collaborations with a whole host of Hip-Hop artists including Missy, The Roots, Jurassic 5, and Swollen Members.“Get Your Freak On (remix)” – Missy ElliottAt the end of the day, [Missy] really gave me a good opportunity when she sort of stuck her neck out and said, “Hey I think you really need to be on this Hip-Hop record called ‘Get Your Freak On.’ You wanna do a remix?” And she had no idea that I even knew how to – not rap – but do any sort of rap/singing style or anything that I do. She didn’t know that, she didn’t know what I was gonna do. She just let me run free, run wild in the studio and do my thing. So I love when people take risks like that. I mean I try to do that too and reach out and collaborate with people no one’s every heard of and different things like that.Timbaland invited me to the studio because he sampled a piece of my song “Babygirl.” Yeah, and he sampled “Ching Ching,” and my label called me up and said Timbaland he’s used your sample and he wants you to come approve it. So he played me the song and said Missy really wants you on this remix, and he played me “Get Your Freak On.” And I heard it for the first time; I heard it on these huge speakers. And the next week I met Missy and she just let me do my thing. I recorded a verse, and she came in and listened to it and she said, “Cool I like it. Do another one,” and she left the room again I did the verse. She came back in and said, “Cool I like it. Do another one.” I just kept going, and she let me do my thing. She just kept everything I did, she kept all my choruses and all that stuff I did – she just really liked it. She finished it off and made it the way she liked. And it was a big hit.A lot of people when they heard that on the radio had never heard of Nelly Furtado the pop singer who sings “I’m Like A Bird” just because that remix was played on a lot of stations that don’t really play pop. There were a few of people who thought I was a young boy from Jamaica. They didn’t know who Nelly Furtado was and they assumed I was a boy on the record. Because if you listen I kinda sound like a boy if you erase everything you know about me and listen to it with fresh ears. And yeah I got that feedback from a lot of people. I went to go visit a friend’s relative in New York in Brooklyn, and she was saying that a lot of her friends had heard the record and thought I  was a Jamaican boy. That gave me confidence; alot of people are feeling my flow, and my energy and delivery and don’t even know what I look like.“Sacrifice” – The RootsThe Roots – I went to Philly for about three days, and I had met The Roots in Area One. Moby had the Area One Tour in the U.S. and I was on that tour – so was Outkast, Incubus, The Roots, Moby and Paul Oakenfold. I was really involved. I did my set and I was the only girl on tour. The Roots of course were going on the trail of their CD with “You Got Me ” on it, their Things Fall Apart album. So they asked me, “Hey can you cover Erykah’s part of ‘You Got Me’? Can you do this with us?” So I would perform with them everyday on stage on “You Got Me,” but it was nothing like the record. We would just jam and do this ten-minute version of “You Got Me.” So anyway they said, “Let’s collaborate. We’re doing another record and want you to come to Philly.” I had bumped into ?uest a lot over the years, and I respected him as a musician so I already knew him. He was a friend of mine. We went to Philly and just jammed. We just decided on “Sacrifice.” Black Thought had come up with that beat I believe…actually I’m not sure…maybe it was Scratch. So they played it for me, and we came up with lots of different things and that’s what we settled on. A lot of people are like, “Oh why is your voice so low on that record?” And I’m like, “That’s the whole thing; it’s a subtle thing. There’s actually a lot of harmony.” And a lot of times it’s more about the process than the finished product. What I gained from that experience was greater than whatever we ended up with. It’s not really about that when you make music, it’s about  being there for the process, being a part of the band’s energy while they’re making a record. I love being a fly on the wall. I learn so much.“Thin Line” – Jurassic FiveThat was really fun. I bumped into [Jurassic 5] a lot touring. They started coming to my shows and basically they would show up at my shows and concerts and we started talking. And I was a fan, I had their CD and I loved it. They said they were working on another one. Anyway they were working in L.A., a home studio. And their producer’s name is DJ Nu- Mark, and the other Cut Chemist. They told me the concept – I wanted it to be like this guy who’s friends with a girl and like he’s been friends for a while,and he has a crush on her and it’s a thin line between them getting together and not getting together – a topic anybody can relate to completely. And it was really inspired on that topic, so they had already come up with the chorus. I just sang that and I was like, “You know if I’m going to be a part of this, you know I want a verse. You’ve got to let me do a verse too.” They were like, “Ok, ok, alright alright, sure.” And then I did just that rhyme and they were like, “Whoa, crazy. We like that; we’re keeping that.” Just really organic. Just really fun. I perform it live sometimes. We’ve never got the chance to perform it live together. Who knows maybe one day.“Breath” – Swollen MembersSwollen Members and I have huge history. I grew up in a small town called Victoria, British Columbia, which is quite an Anglo-centered sort of place, and amongst us I had my Portuguese community to entertain me, and I did all the singing and dancing stuff. In high school when I was about twelve or thirteen, I discovered Hip-Hop music and all of my friends shared a common thread of a love for Hip-Hop and R&B. We used to hang out by the mall. We eventually met these friends who rapped. There were a bunch of little groups in the city. Hip-Hop was alive and well in the suburbs on the strength of groups like the Hieroglyphics movement and also De La Soul, The Pharcyde. All that stuff was alive and well in British Columbia, because most of it was West Coast so it extended up into British Columbia. I’ve known [Swollen Members] since we were twelve. And Prev [Prevail] and Moka used to rap on the streets, just on the corner. One day what happened – and this is really funny – my friends and I used to hang out at the mall and buy dollar rice with sauce from the Japanese restaurant, and so we’d just eat and drink a pop or something, and Prev was all…I was infatuated with Prev, because he was really cool and he was a vegetarian and wore wool sweaters. I was like, “Wow he’s so artsy and cool.” He was all into that whole backpacker phase. So we would all go down to the mall with our backpacks and wait around to see if Prev would show up. The day I met him, he sat down, and as I was eating my white rice with sauce, I said, “I sing ya know. I write songs. I sing. I sound really good.” He goes, “Oh really? I’m making an album.” Everyone was making an album at the time, right? He said, “Well I rap. If you rap and can write a rap verse, I’ll let you sing on my album. So tomorrow, come here with your verse.” I got all starry eyed like, “Wow I get to sing on an album.” I was literally like 13. I went home that night and pulled out paper and a pen, and I wrote a verse. I wrote a rap. It was like twelve bars or something, and I memorized it. I went downtown the next day and saw him at the corner and said, “Prev I wrote the rap!” And he was like, “Wow she actually did it.” So there I spit my verse on the corner outside of McDonald’s or something. And then we started writing raps together outside by the park. It was really a good time.And eventually [Swollen Members] started making records, and they really started taking off in Canada, the West Coast, and around the world. So we did “Breath” together; we did it in Vancouver. I love the beat they did. You know their DJ? He does all their beats he kind of leans to the darker sounding beats, which I really like. A lot of Vancouver sort of scenes are influenced by rave and electronic music. We did [“Breathe”] in Vancouver. I just went for this sort of like dark kind of cool, vibe and usual type harmonies  on the other parts. It’s cool the video was actually shot by Todd McFarlane of the Spawn fame. He did it for real cheap. He cut them a deal he didn’t even charge them because he liked them and he’s Canadian. He ended up dedicating his next Spawn comic book to me, and I have it at home. I had like a Spawn comic book dedicated to me of a character I wish I looked like that was maybe dedicated…I don’t know. Anyway it was a fun time, we perform that whenever we get a chance. When they toured in Canada we did it like every night.

Hip-Hop Rumors: The Game Cries Over Hip-Hop! Jim Jones Goes At Kanye West! A Rapper Attempts Suicide?

DISCLAIMER:

 

All content

within this section is pure rumor and generally have no factual info outside of

what the streets have whispered in our ear. Read on.

I FEEL GOOD![:D]

 

I don’t know why. There is no reason, but I feel good! If I

was like James Brown, I’d bust a split. I wasn’t on the net all day yesterday. Good

for me…but we’ll see how the rumors are affected.

 

JIM JONES CALLS KANYE

A “CRY BABY”

 

Recently, Jim Jones checked it with “Live with Kendra G. and DJ

Touchtone” on 100.3 THE BEAT in Philly and Jim Jones confirmed

the fact that Kanye West was upset this past June when he closed the show at

Hot 97 Summer Jam. Jim Jones said tell Kanye to eat his heart out! He said he

heard Kanye was acting like a little girl but when Kanye was told

that Jim Jones was still in the building he tried to retract his statements.

When Kendra G. asked him were they cool Jim Jones said, ” Kanye

is the one in the industry who throws tantrums and people become use to it and

we don’t take things he says to personal because he is like the “Revenge of the

Nerds to me.” He is the one who wears full buttons ups Danny Terial

style!  I don’t like tight jeans! I only like tight jeans on females and

that comment is not just for Ye! It seems like jeans are getting tighter and

sneakers are getting bigger!

 I have to say, when did

tight jeans on males get become in style? Just a question…

TYGA IS SO FUNNY!

 

Oh these rappers! What will they do next – nobody knows

except me! This is the latest. Yes, we all know Tyga of Lil Wayne’s Young Money

got robbed for his Young Money chain. Well I head that Tyga and  Bugsy are working on a short comic film

called “How To Get Robbed.” From what I understand, this lil’diddy of a

film will actually re-enact and pop fun at Tyga and his embarrassing situation.

If you know Tyga, he’s cocky about it so, I guess, he can make fun of himself.

 

THE GAME BREAKS DOWN

IN TEARS…DAMN YOU RAPPERS!

 

Before Shelz takes over, go to illseed.com to see the video

of this event. But, on the real, I feel the Game and what he was saying about

Hip-Hop. He’s an emotional dude as it pertains to rap. I can’t hate.

 

Shelz: So there’s this vid on YouTube of The Game explaining

why he no longer wants to co-exist with other rappers.  He explains that when he attempted to get a

gaggle of rhyme masters together to do something in honor of Sean Bell, he got

no help; just a bunch of excuses. He went on to say the golden age of hip hop

is where he feels he would be better suited and accepted. And guess what he did

during this interview.  He cried.  It was an honest and sincere boo-hoo.  Didn’t I tell y’all a couple of weeks ago

when Jackie-O let the tears break that Buck was the Pied Piper of emotion

leading the hip hop masses back to their deeply rooted feelings? But seriously,

I was touched by his outburst; probably because I totally agree with his point.

He was hurting….. or maybe sometimes that nicca just be confused too. Sniff.

Sniff.

 

THE SEAN BELL

SECTION!

 

You know something?

Rappers suck!!!!!!!

 

Why? I will tell you why. The Game made this song “911 Iz A

Joke” and it was a song that was recorded prior to the Sean Bell verdict. But

certainly the song was inspired by the crime perpetrated by the NYPD. Anyway,

The Game reportedly tried to get all sorts of rappers on the song, or a version

of the song to protest the case of Sean Bell. She said that he couldn’t get one

good rapper on that song. Now, I know there are some rappers that have done

songs – respect due- but there is nothing all coo coo crazy going on. Kudos to

The Game and all the rappers that did step up.

 

Rappers Suck Part II!

 

Remember that “Yes, We Can” Mixtape with Russell Simmons,

Green Lantern and ALL THESE HYPED UP RAPPERS? OH YEA! We were going to help get

Obama elected as the president, because we believed! Well, from what I heard,

Green Lantern has had all sorts of issues with getting artists to commit to the

mixtape. In fact, as you can see we ain’t heard a dag-on thing since about

April on this venture. Why? Rappers are wack and they only care about money. I

got news for you, rapper. When your money is gone and you are gone, nobody will

remember you. It’s like you didn’t exist!

 Remember this?

THE JAY-Z WHISPER

LAWSUIT- HOW IS THIS POSSIBLE?

 

Shelz: So we know Mitchell Rose is suing Jay Z for 88

million dollars contending Hov stole his “whisper tone” and made it

famous.  Jigga man has been served at

both 40/40 clubs and supposedly will be served at Def Jam.  Now I’m not really sure what kind of

information you need to have to haul someone into court, but I read this dude

filed a copyright infringement suit. 

What did he copyright? 

Whispering? Well hell, he can take everyone to court.  But anyway, Rose’s loony ass was on V-103 in Atlanta today.  This dude claimed not only did he create this

whisper thing, he also had a flock of protégés that he was teaching it to when

S dot walked away with his creation.  He

also said he wants to challenge Butterbean to a cage match because he’s a boxer

also. Oh and he’s representing himself in court because he’s a lawyer too. Elle

Duncan, one of the folks interviewing him, asked him to kick 16 bars of the

whisper.  Yeah, he’s a rapper too.  He tried, going over the same two bars

several times, but amazingly enough, he never whispered.  But you can get his book at Amazon because,

guess what?  He’s an author too.

 

G-UNIT NO LONGER A

UNIT?

 

I can’t call it, but do you think G-Unit would break up over

poor sales? Not when there is a Koch or Babygrande out there! Anyway, the

rumors are poppin’up all over the place that G-Unit is no more. Now, again – I think

this feeds into my ongoing rumors about Rap at Interscope. I have continuously

heard that the label is trimming the “fat”from its business. So if you didn’t sell,

you are getting dropped. If you are on the shelf, you are getting dropped. Now,

G-Unit is a different sort of entity, because they are clearly anchored by 1)

talent and 2) 50 Cent. I think they need to show up at AllHipHop week so they

can push another 200k!

 

DID YOUNG BUCK TRY TO

TAKE HIS OWN LIFE?

 NO!

 FALSE RUMOR!!!!!!!!!!! BUCK DIDN’T TRY TO TAKE HIS LIFE!

 

THEY STILL MAD AT MYA

 

My homey Breezie-Ific hit me with this latest rumor on Mya.

 Mya was chilling at the  Barbados

Hilton when she was contracted by the Barbados government to make a

public

appearance. Well, Mya either wasn’t feeling well or “didn’t feel like

going out” that night. The Bajan people are PIIIIISEEEEEEEED!  

 

“It was not that she was not in

the island. She was very much in the island, lounging at the Hilton Hotel,

which was allegedly paid for by the Tourism Authority. But word filtered back

that she ‘did not feel’ like coming out to the club, but just felt like

‘chilling in her room’.

 

THE OTHER SIDE: MYA’S POSITION!

 

There are always two sides to a story- maybe more. Mya was in

Barbados,

but I am hearing now that she wasn’t compensated as she was promised. THAT is

the reason why she didn’t show up.  Mya’s

management allegedly said that the promoter agreed to pay her before she made

her appearance but did not.  When she was

NOT paid before she was to appear at the event, she went and took a chill pill

on the beach.  Allegedly, the promoter and

the club owner wanted to make the money first and then pay her after the

show.  That actually makes more sense

that Mya just not showing up for a paid performance. We know she wants every

dollar she can get. Thanks Profit/UrbanNewz.com. 

 ILLSEED’S QUICKIES

 

WHAT? Did you

know Nelly is working with Chuck D? His new album, Brass Knuckles, will feature the Public Enemy front man. Interesting.

 

Go To illseed.com

to hear The Game talk about what happened at that funeral where she allegedly

socked his cousin. His cousin allegedly stepped to him about paying for half, something

the cuz said Game said Game would do…but didn’t. He says he hates his family

more than 50 Cent…!

 

Do You Believe?

What do you think? Did Lauren London lie to us all?

 

I Still Believe:

Who remembers that song? You have to be of a certain maturity to know that,

nomtalknbout? Anyway, I am hearing that Swizz Beatz and Mashonda might be

working things out. Swizz: its cheapa to keepa!

 

Nas Is Crazy! I

heard that Nas didn’t even know the name of Keri Hilson, the super cute singer

in his video, “Hero.”

 

Not Coolio, Man! Coolio

recently did an interview for AllHipHop.com and I heard he is steaming mad at

tmz! I heard he accuses the website of telling the cops about his expired tags

so they could arrest him!

 

RANDOM QUOTES

 

The Game is still

talking that retirement stuff:

 

 “I’ve been spending 100 per cent of my time

being Game, so I haven’t been able to focus on my producers and my artists, so

this year I’m gonna get it crackin’… the same way Dre, Quincy Jones and Diddy

do it – by being a rap mogul. There are a lot of ways to keep hip-hop alive

without being an artist. I don’t have to be vocal to make it happen.”

 

What Jesse Jackson said

about Barack Obama:

 

“I want to cut his

nuts off. Barack’s talking down to Black people.”

 

[Illseed note: Jesse, Jesse, Jesse…please sit down. Does

anybody remember why Jesse was really ousted from the presidential race before

in the 80s?? HIS BIG MOUTH! Sit Down, Sir! Please!]

 

And then there was

the apology, which Barack accepted:

 

“For any harm or

hurt that this hot mic private conversation may have caused, I apologize. My

support for Senator Obama’s campaign is wide, deep and unequivocal. I cherish

this redemptive and historical moment.”

 

50 Cent on his

current mess with his baby moms and his son:

 

“I think my son

Marquise doesn’t want his mom to feel like he’s a traitor. The time I spent

away is the time he developed this thing he’s afraid to break with her. There’s

nothing you can do about that. This is the toughest (thing I’ve had to face),

because he’s my motivation.”

 

Barack Obama tells a

young person the straight up truth in Georgia at a rally (blogxilla.com):

 

“You are probably not

that good a rapper. Maybe you are the next Lil’ Wayne, but probably not, in which case you

need to stay in school.”

 

SIGNS THE WORLD IS

COMING TO AN END

 

Women have to worry about fiendish men assaulting them

sexually, especially at events like Woodstock

or the old Freaknic. Anyway, in Madison,

WI, they are on some new ish.

Three men are facing attempted sexual assault charges after they allegedly dug

up a corpse just so they could have sex with it! Now, in 2006, Alexander

Grunke, his twin brother Nicholas Grunke and friend Dustin Radke were arrested

for that crime, but there was no law that addressed necrophilia in Wisconsin. That all

changed recently when the Supreme Court of the land ruled that people can be

charged in such cases. Now that the law has been changed, they are about to be

charged.

 

I mean, this is probably mad ignorant, but who is this corpse?

Is it Anna Nicole Smith? I mean, it’s got to be some kind of woman to be all

that! Well, this 20 year old woman named Laura Tennessen was killed and they

saw her face in the paper’s obituary and thought she was fly enough to sex

after death. They went to the cemetery with shovels, a crowbar, and a box of

condoms – wow. They were caught before they could smash. Wow. That’s sick. I

have to say it’s a bit weird for them to charge them. The crime was almost

three years ago. I hope blogging never becomes illegal….sheesh.

 

SIGNS THE WORLD IS COMING TO AN END PART 2

 

Woman Shoots Self

While Trying To Kill Mice

 

POSTED: 9:44 am PDT

July 8, 2008

 

POTTER

VALLEY, Calif.

— A Mendocino County woman who was trying to kill mice

in her trailer with a gun ended up shooting herself and another person.

 

Sheriff’s officials

say the 43-year-old woman pulled out her .44-caliber Magnum revolver after she

saw the mice scurrying across the floor of her trailer on Highway 20 in Potter Valley.

 

But she accidentally

dropped the gun, which went off as it struck the floor. The bullet went through

the woman’s kneecap, bounced off the keys sitting on the belt loop of a

42-year-old man in the trailer and grazed the man’s groin before ending up in

his coin pocket.

 

Authorities did not

release the shooting victims’ names.

 

The mice escaped the

shooting unharmed.

 

-ktvu.com

 

THE GAME LAX

TRACKLISTING

 

LAX Track List : -State of Emergency (feat. Ice Cube)

(Produced By Jonathan “J.R.” Rothem)

-Bulletproof Diaries (feat. Raekwon) (Produced By Jelly

Roll)

-Cali Sunshine (feat. Bilal) (Produced By Nottz)

-Game’s Pain (feat. Keisha Cole) (Produced By Knobody)

-My Life (feat. Lil’ Wayne)

(Produced By Cool & Dre)

-Angel (feat. Common) (Produced By Kanye West)

-Camera Phone (feat. Ne-Yo) (Produced By Cool & Dre)

-A Thug and a Gentleman (feat. Ne-Yo) (Produced By Jonathan

“J.R.” Rothem)

-Us Live (feat. Chrisette Michelle) (Produced By Scott

Storch)

-Put Ya Hands Up (feat. Busta Rhymes) (Produced By Scott

Storch)

-Dope Boys (feat. Travis Barker) (Produced By 1500 or

Nothin’)

-Touchdown (feat. Raheem DeVaughn) (Produced By Nottz)

-Ya Heard (feat. Ludacris) (Produced By Nottz)

-Nice (Produced By Irv Gotti)

-House Of Pain (Produced By DJ Toomp)

-Letter To The King (Produced By Hi-Tek)

J-HUD IS COMING!ASHY TO CLASSYJay-Z – my what a big change you have undergone! This layout is from Vogue Italia – L’Uomo Vogue. Toccara Also Popped up In Italian Vogue!Is it me or does she look like a detached call girl that just did something in the back of a john’s car? 

More pics of sexy Toccara at illseed.com.

YESTERDAY, WE LOVE YOU!

They keep us talking, but if we stop talking about them then they should worry!

-illseed

WHO: illseed

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at ah*******@***il.com.

– allhiphop rumors

50’s Ex Sues For $50 Million; Court Battle Starts Next Week

Paul Catsandonis, lawyer for 50 Cent ex Shaniqua Tompkins, has disclosed that his client is suing the rapper for $50 million dollars in damages resulting from a fire than destroyed the home she was living in.

 

In May, a suspicious fire destroyed 50’s Long Island property, which the Queens mogul had successfully obtained eviction on for Tompkins.

 

In the fallout, Tompkins accused 50 of setting the fire himself to avoid having to honor an agreement made between them. She has since filed a restraining order.

 

“There wasn’t a written contract but an expressed oral agreement, which is recognized in the New York courts,” Catsandonis told The Hudson Reporter. “They decided years ago that she was going to be the domestic partner, and she was going to provide the domestic services while he devoted all his time to becoming a Hip-Hop artist. Whatever profits he was able to achieve would be divided equally, and he had promised her and their son that they could live in the house. He breached that contract.”

 

In upcoming court proceedings, Catsandonis will argue that the relationship between 50 and Tompkins could be viewed as a common-law marriage.

 

He plans to set a precedent case in New York for future parties who have legal disputes in these arrangements.

 

“We are moving into the modern era where people are not getting married anymore but are common law husband and wife,” he explains. Last month, a judge ordered 50 to not sell the fire-destroyed home and barred him from collecting the insurance proceeds until an arson investigation is completed.

 

Following Tompkins’ $50 million dollar lawsuit, the restraining order, and refusal to let the rapper see his 10 year old son, 50 countered with a $20 million dollar defamation and family court suit.

 

The NY State Supreme Court will hear arguments on July 15 regarding the insurance proceeds on the destroyed home.

 

Suffolk County Family Court commences proceedings on July 17 to hear arguments for 50’s visitation rights.

Sneak(er) Peek Special Edition: Funkmaster Flex Custom Car, Bike Show and Sneaker Battle!

The annual Funkmaster Flex Custom Car and Bike Show was in full

effect the last weekend in June at the Convention & Expo Center in Edison, New Jersey.

 

The event brought in a swarm of Hip-Hop heads including

Jermaine Dupri, LL Cool J, Yung Berg, Maino, Cam’ron, Just Blaze, DJ Premier, Busta Rhymes, Jim Jones and Juelz Santana, among others.  

 

Besides all of the breathtaking cars, bikes and model search

which brought out a lot of eye candy for the guys, there was also clothing for

sale and sneaker battle, which would have left any sneaker junky in heaven.First and foremost, don’t step on my J’s! I must give respect

to all the vendors who showcased the various Jordans from throughout the years. From black and red Jordan One, Jordan Three True Blues to the lime green bean and

grey Jordan Retro Five – and some even had throwback jackets and jerseys to

match!

  These are sneakers by TTK, who has been designing sneakers

for three years. Dwele, Cormega and Natalie from Floetry are just a few of the

artist who own his footwear.  TTK does a lot of social political pieces. I asked him what

inspired his President Bush sneakers and he said, “I don’t agree with some of

his policies. On the sneakers I have him preaching democracy, but I spelled it

democrazy. Crazy, because over in Iraq we’re not

going to go in there and say we’re going to give you democracy and its going to

change over night. They’re preaching democracy, but overall it’s all about

capitalism, that’s why I spelled it capitoilism,

its all about the dollar.”

“The Barack Obama’s came to be because we’re a part of

history, we are witnessing this right now. My mother was around when Dr. King

and other great leaders were, and I know they could never imagine this right here

happening in today’s world. This is my piece dedicated to that,” TTK told us. I’m definitely feeling his movement!

 

I had a quick sneaker convo with DJ Jazzy Joyce, who also passed

by TTK, and I asked her what makes a sneaker hot. “It all depends on your

personal style, because a sneaker maybe hot but you might not be stylish enough

to pull it off,” she explained. “I’m too mature for certain styles. I like it

classic, subtle, simply stylish… in the simplicity there’s complexity in the

style. It may be a pair of white on white uptowns, but their might be a leather

embroidering in it that’s hot!”

 Next we have Sublime Creations Footwear out of Virginia. The

designer “A Train” Aaron likes to be different and show details. I asked him what

has been his most unique piece so far and he said he’s getting a lot of

response on his Incredible Hulk inspired sneaker, which I must say was the one

that instantly caught my eye. 

 As of right now many of A-Train’s clients are local artists from the Virginia and DC area, but he’s looking forward to working with some major artists.

I must admit one of my favorite sneakers was from Rebel Aire – this teal, black, white and silver is so my style!

Some vendors had displays which fused fashion and cars, such

as this Scarface-inspired Hayabusa Suzuki motorcycle and jacket.

  

And what about this bike with the matching sneakers?!

There were a few clothing vendors there too. I spoke to the lovely Ms. Debbie, Juelz Sanatana’s mother. She

had a table showcasing some Diplomats t-shirts and iced out skull belt buckles. 

  

I know this is the fashion section, but I just wanted to

show love to two of my favorite rides! This is a Tricked Out Custom Cycles three-wheel Hayabusa!

  

And of course this crazy Pure Customs ’85 Cutlass Supreme it

has 466 horsepower, 50 thousand dollars of engraving and gold plating!

 

With over hundreds of attractions inside and outside of the

event, it was almost impossible to capture it all, trust me this was only a

fraction! Big shout out to Funkmaster Flex for another successful year, this is

what you get when some the best things on earth cars, bikes and fashion

collide!

Charles Hamilton: Outside Looking (Mixtape)

 

 

Give an MC a white canvas, a paintbrush, and a vivid imagination and he might be able to muster up a decent enough story. Give an MC like Charles Hamilton the same opportunity, and he will bring as much confidence and not fall to the conformity of any norms. The Ohio born and now Harlem bound rapper is out to set his own path in the music game. With his new mixtape Outside Looking, one could expect to take a journey with a hyper active Sonic the Hedgehog fanatic.

 

Hosted by Green Lantern, the mixtape is heavily congested with samples they were cleverly used to conjure up a delectable musical concoction. It’s clear that Hamilton has a plethora of influences evident on his song “Unapologetic;” where he is not apologizing about being the sick MC that he is molding himself to be. In the midst of that, he incorporates a twist from the chorus on Madonna’s song “Human Nature” just to say that what he does is only part of being human.

 

On the 9th Wonder produced “Don’t Touch Me,” Hamilton comes hard with aggression and “Brooklyn Girls” is a flagrant tune giving a warm shout out to all fly Brooklyn divas. “In front Of You (Go Dumb)” is like taking an acid trip with a choppy melody and a mix of a classical tune fading into the television theme song of Cops.

 

Throughout Outside Looking¸ Hamilton takes pride into comparing himself to Sonic the Hedgehog as if Sonic is his alter ego. “Nov. 10th” ices the cake when Hamilton raps over a sampled beat from the Marble Zone a level on Sonic 1 from Sega Genesis (“I play Sonic while I’m blowing that chronic / Pick my favorite rock and roll topic / You hear the rings I got to go shopping / Stop the flow not you Dr. Robotnik”).

 

Outside Looking is a refreshing mixtape when it comes to the lyrical content and how Hamilton is able to incorporate different genres of music to make his own personal sound. If he keeps it up he can definitely be a rapper extraordinaire and bring something new to the Rap game from which we desperately need.

Mayhem Morearty: Anarky Rules

CANADA WEEK 2008

They say the city is an urban jungle.  Both environments are volatile, dog-eat-dog.   Mayhem Morearty, hailing from Toronto’s Lawrence Heights area —actually dubbed “Jungle City”— has clawed into the GTA’s hip-hop scene and pounced on success like its prey.

As with many, Mayhem Morearty treats his lyrics-writing cathartically and uses his life’s conflicts, quests of spirituality, parenthood and family, hardships and celebrations to form some of the tightest lyrics to escape this mighty jungle.   Mayhem draws on his experiences in this concrete landscape and has gained acclaim as both a solo and group artist—as one of the founding members of Toronto’s celebrated Hustlemann crew.   He has opened for such A-listers as Mobb Deep, Juelz Santana, The Roots, Raekwon and The Boot Camp Clik.  With a steady line of single, mixtape and DVD releases and more performances under his belt than you could shake a stick at; Mayhem is now preparing to drop his first solo full length album, The Audiobiography.

I recently sat down with Mayhem in a Lawrence Heights apartment complex and had the pleasure of listening to his debut album The Audiobiography while chopping it up over a plate of ackee and salt fish.  Good eats and good ear treats all around.

AllHipHop.com: What do you think about the current state of Hip-Hop coming from Canada?

Mayhem Morearty: I think it’s in the best shape that I’ve seen it in. I can finally honestly say that I’m a fan of a lot of the music that is coming out. I think it’s that new untapped market, like the South was a decade ago. 

AllHipHop.com: What inspired you to rap?

Mayhem: That’s a good question man; more than anything the artistry in my community of Lawrence Heights aka Jungle City. There was a lot of reggae music coming out of my community but there were always hip-hop elements to it too. So just hearing that and being exposed to the music made me want to be apart of it. 

There was also a big reggae artist named Junior D from a neighborhood close to mine called Jane & Finch.  D was well-known for DJing, performing reggae vocals over Hip-Hop beats, and was a hood celebrity . He seen me as a young buck out here doing it and encouraged me to rap with a group from the neighborhood called The Smuggalaz. Unfortunately D was murdered January 1, 2000, but he was definitely a mentor and inspiration to me. R.I.P.

So Jungle City, D and the artists that I grew up listening to like Black Moon, Nas, Kool G Rap, Mobb Deep, Snoop, Scarface, Pac, Biggie—those artists that really brought a feeling to their music.

AllHipHop.com: What do you feel you have to offer the rap game?

Mayhem: My passion.  My passion for the art form and the music is unrivaled. I also have a life story that I feel the world needs to hear.  A lot of struggle and pain. You can feel it in my music and it makes me stand out.

 

“My passion for the art form and the music is unrivaled. I also have a life story that I feel the world needs to hear.” 

 

AllHipHop.com: Where did you get your name from?

Mayhem:  I had this street name Criminal Kid and I was rapping under that at first, but it was little too over the top. So at 16 I switched it to Mayhem and went through a phase where I felt like had I had to live up to the name, and so I did some pretty outlandish s###.  So that slowed down the rap aspirations. When I decided to really focus on the rap again I added the Morearty. That comes from Sherlock Holmes’ arch nemesis Professor Morearty. The reason why I took that last part is because I felt like it described the other side of me intellectually. Because as much as he was Sherlock Holmes’ nemesis and the bad guy, Sherlock still had that respect for his mind and his strategy.

AllHipHop.com: You have the alias of Anarky. What’s that about?

Mayhem: It’s the beginning of the end for wack music coming out of Canada. That’s my wild aggressive side. That’s the side of me that makes music that makes you wanna do something wild when u hear it! It’s Anaaarrrkyyyyy!

AllHipHop.com: In your song “Had It Hard” you rap “the shootouts scars and jail bars I was involved”.  Can you speak on that?

Mayhem: Just coming from that street element, that gang background. I don’t want to go too in-depth but coming up those were the things I went through. I’m not looking to glorify it. But I definitely want to share my experiences and shed light on the situations that are going on up here: the positives, the negatives and the realities.  All the sides of the issue, you feel me?

AllHipHop.com: Your music is very passionate and emotional. Where does that come from?

Mayhem: It comes from the heart. Also my grandfather -R.I.P.- used to play a lot of oldies on his radio and I used to soak them in. I think a lot of that soul that’s missing form the music nowadays got into me. 

AllHipHop.com: What can we expect from your debut album The Audiobography?

Mayhem: Expect that real classical Hip-Hop. It’s been 5 years in the making. It’s definitely a real journalistic picture of my life: the good, the bad and the ugly.  You’re gonna feel my pain and understand my struggle on it. But you’re also going to be able to get loose and wild out in the club cause we got those bangers!

 

AllHipHop.com: Tell me about your self promotion. You have people wearing your Anything’s  Possible and Out Here t-shirts and I hear everyone saying they’re “out here”. How did you get it to that level?

Mayhem: Just being cutting edge with the music and having that constant grind as far as getting it out there.

Me, Soze and Navy have been going from city to city opening for major label artists and handing out 2-300 of the out here CD/DVD packages in each new place that we touch down. 

The music is good so it spreads. Once they’re feeling the music they want to get down with the fashion and rep that too.

So it’s a combination of the power of the music and our work ethic as entrepreneurs.

AllHipHop.com:  What is Hustlemann?

Mayhem: Hustlemann was the rap group that I started from.  It was made up of artists from Jungle City, Village and Neptune which are the three main areas form my neck of the woods. We put out a lot of mixtapes together did a lot of radio runs and changed the mixtape game in this city. We performed with a lot of major artists like Mobb Deep and Raekwon, and headlined a lot of packed shows in the city. Some people left the group to do their own thing. Some passed away.  Some ended up incarcerated, others are still rapping. I’m still repping it, doing my thing, but as far as rap goes the group’s no more. Now it’s more a representation of the neighborhood and our roots as artists.

AllHipHop.com:  What is Mosaic Music and how did you guys hook up with Koch Records?

Mayhem: Mosaic Music is my and Big Soze from Hustlemann’s record label. We’re distributed physically in Canada and digitally across the world by Koch Records. We started that together because we had like-minded business ideas and were ready to move at a fast pace. So that’s our record label and Navy Sealz is the next artist from Hustlemann that is also on the label. The kid’s a problem, you can hear him on my debut album and all over The Hunger.   My debut album The Audiobiography will be available via Mosaic Music/ Koch in the second week of September. So you can pick up the kid’s official debut across Canada and on iTunes and other digital hubs across the world. Look out for us as a company as well as artists. Also look for us to re-issue the Out Here street album digitally with the release of the new album. So if you’re feeling one you can pick up the other, you dig?

 

AllHipHop.com:  You produce as well.  How did you get into that?

Mayhem: Just being around a lot of artists and producers and being a fan of all genres of music and the oldies made me want to get my sample game on and be creative. I don’t produce as much as I should but it definitely made me a better rapper having that experience. You can hear a song I produced called “In My Life” on my upcoming debut album The Audiobiography.

AllHipHop.com:  Tell me about The Hunger?

Mayhem: The Hunger is the second installment of my street album series I Need My Nuggets. It features Navy Sealz and other friends and family. My partner Big Soze actually got the project together and released it while I was incarcerated so when I came home it was like I never left.  We got singles from that bumping on radio and in clubs across the country right now.  It’s an epidemic! Download that s### for free and take the kid in, I guarantee you, you will not be disappointed.   

[Download The Hunger for free here: http://www.sendspace.com/file/j4t53r]

AllHipHop.com:  On the song “No Names” you rap “Instead of loving each other we’re slugging each other/ We’re all thuggin but we ain’t coming together/ When we do it gets swept under the rug/ But publicized when we’re slumped covered in blood” .  Can you speak on that?

Mayhem: I just feel through the years Toronto has had public housing issues, whether it be gangs or drugs, and they weren’t acknowledging the problem, just sweeping it under the rug. Now that it’s become a city-wide issue and isn’t just limited to the poor pockets they’re publicizing it and approving all types of funding to terrorize the hood. Instead of acknowledging or trying to fix the core problems, they’re coming up with quick fixes and raiding all of the neighborhoods taking in everyone and mom dukes while they’re at it.  Now they’ve got the guns and gang taskforces, T.A.V. units and a Hip-Hop police unit to monitor rappers, and all these units are focused exclusively on the hoods. Meanwhile when we do something positive we get shut down.

 

“Now they’ve got the guns and gang taskforces, T.A.V. units and a Hip-Hop police unit to monitor rappers, and all these units are focused exclusively on the hoods.”

 

For instance during 2005 -“the media-branded summer of the gun”- I was part of a song Jellestone organized called “The Hood is Here Remix”. It featured a lot of the artists from the communities they are focusing on incarcerating now. But the overall picture of unity and camaraderie was overlooked, and instead they tried to vilify the song.  Much Music wouldn’t rotate the video. Police used scenes from it in schools during their anti-gang speeches. But this was a song promoting unity and positivity among the neighborhoods.

AllHipHop.com:  Anything else you want to say or touch on?

Mayhem: Yeah fo’ sho.

Go download my free street album THE HUNGER right now: http://www.sendspace.com/file/j4t53r

Join my facebookgroup: The Official Mayhem Morearty Facebook Group!

Hit up the myspace: myspace.com/mayhemmorearty

Join the youtube channel: youtube.com/mayhemmoreartytv

And cop My debut album The Audiobiography this September on Mosaic Music/ Koch Records!

It’s Anaaarkkkkyyy!

Jessica Linnay is an Associate Editor of HipHopCanada.comhttp://www.HipHopCanada.com

 

 

Comedian John Witherspoon Releasing Hip-Hop Album

Comedian John Witherspoon is readying the release of a new Hip-Hop/Comedy album titled 63 Cents.

 

Witherspoon’s rapping album will be available on iTunes soon and will be listed under both genres, the accomplished television and film actor told AllHipHop.com in a new interview.

 

Featuring songs like “Don’t Nobody Go In The Bathroom,” and “Dance Now With Your Big Ole Ass,” Witherspoon takes credit for writing the majority of the lyrics on the new project.

 

Also contributing to the album is the Detroit-born comedian’s brother Ron, who produced three tracks on 63 Cents and rapper Big K.

 

Despite previous collaborations in movies and videos with Kid-N-Play, Ice Cube, Jay-Z and others, don’t expect any guest appearances or even a stellar performance, Witherspoon warns.

 

“It’s just me,” Witherspoon told AllHipHop.com in a recent interview. “It may not be the best rappin’ in the world, but it’s funny as hell. Very entertaining.”

 

Witherspoon will personally fund at least two videos from the new album, one for “Dance,” and the other for “Don’t Be P***y Whipped.”

 

Perhaps best known for his turn as cantankerous patriarch Mr. Jones in the Friday trilogy, Witherspoon has appeared in several urban classics, including Boomerang, Hollywood Shuffle, House Party, I’m Gonna G## You Sucka, and The Five Heartbeats.

 

He also has roles in cult classic Hip-Hop films like I Got The Hook Up and Soul Plane.

 

His even lengthier television credits include appearances on TV shows like 227, Amen, Barnaby Jones, Good Times, What’s Happenin’, and of course his four year run on The Wayans Brothers as John “Pops” Williams.

 

Most recently, Witherspoon voiced the character of Robert “Grandad” Freeman on Adult Swim’s popular series The Boondocks, based on the highly-acclaimed comic strip of the same name.

 

“I relate to the younger people because those movies and TV shows kind of stop your aging,” Witherspoon said of his most recent body of work. “I’m still like a young person on those projects.”

 

Witherspoon’s first hour-long stand up special, You Got To Coordinate, which premiered on Showtime in March, is currently available in DVD and CD format, as well as on iTunes.

 

To read the full feature click here: https://allhiphop.com/stories/lifestylefilm/archive/2008/07/01/20230766.aspx

Steve Rifkind Enters Into Deal To Provide Jet Services To Celebrities

Hip-Hop mogul Steve Rifkind and his SRC Corporation has entered into a partnership with Chief Executive Air to provide exclusive jet services to some a variety of celebrity clientele.

 

Rifkind, 44, will leverage his 25-plus-years of experience in the entertainment industry to help attract a variety of multi-platinum artists and actors to use Chief Executive Air’s “elite charter services.”

 

As founder of SRC and Loud Records, Rifkind has worked with a number acts, from Fat Joe, Big Pun, Wu-Tang Clan, to his most recent successes with David Banner and Akon.

 

His SRC company has worked with a number of brands including, T-Mobile, adidas and SanDisk.

 

“I am looking forward to applying the strategies that have worked so well in building entertainment brands over the last two decades to such an exclusive service as the one Chief Executive Air offers,” Rifkind told AllHipHop.com in a statement. “Whether it’s producing the best sound or providing the best private charter, Jeffrey and I are committed to offering a unique and memorable customer experience.”

 

Rifkind will be responsible for developing Chief Executive Air’s strategic marketing initiatives, customer acquisition campaigns the expansion into the entertainment world.

 

“As a true partner in the company, Steve Rifkind not only opens doors into the music industry, but he brings with him a wealth of strategic marketing and promotional experience which will have an enormous influence on the growth of our business, as it has already proven quite successful in his own,” added Jeffrey Menaged, Chief Executive Air’s CEO.

Common: Leaps and Bounds – Hip-Hop to Hollywood and Back

 

The acting career of Common poses a very

interesting paradox to his job as an MC. Getting Common on your song is an

honor, as his verse is usually the most important part of any track he’s

featured on. Let’s not get into the stock value of his entire catalog – up to

and including his work in progress, September’s Invincible Summer, a

work that he says despite all rumors is not a follow up to Electric Circus.

 

Common as an actor is a man with bit parts that are slowly ensuring his status as a bona fide movie star. His roles

in Smoking Aces and American Gangster were small albeit pivotal,

where even in the tiniest moments, Common managed to shine. His role in

the current blockbuster Wanted is equally short in his opinion, but one of

the most enjoyable to the point where he feels akin to the movie’s stars. He

even has Angelina Jolie bumpin’ his music now.

 

On an arid summer’s day in New Mexico,

Common is on location filming the new school Terminator flick Terminator:

Salvation. He speaks about his acting with the same eager giddiness as he

does his music. After all this time, Common can still approach his career like

it’s his first day on the job. While music holds his heart, movies are coming

in a close second. A man with that much passion can take over Hollywood any

day…and he plans to.

 

AllHipHop.com: We definitely want to

hear about Wanted, but I want to discuss another role first. You know,

there were two parts in Smoking Aces where I was so impressed with your acting

– the scene where Jeremy Piven throws a card at your eye. You really made it

like your eye was out; I thought your eye was out of commission.

 

Common: [laughs] Yeah.

 

AllHipHop.com: That was a great scene

and then the soliloquy scene when you’re talking to Piven and you realized how

shady he was. You really looked at him like you were ready to rip him apart.

Good acting.

Common: Thank you, thank you. What’s funny is when I

did Smoking Aces, when [Piven] threw the card into my eye…I can’t close

my left eye completely without closing my right. So we had to put even more

blood on my eye for it to look closed, which was funny to me. That’s so

embarrassing I couldn’t do it, ‘cause the director needed me to keep my eye

closed, but I couldn’t do it.

 

I was like, “Man, why can’t I do this?”

You know it’s just one of those things your body won’t let you do. Like you can

do that probably, but you know how some people are double jointed? I can’t

close my left eye without closing my right, which I don’t understand. Guess

it’s just something in the body makeup!

AllHipHop.com: How was it shooting Wanted?

 

Common: Wanted was one of the

best experiences I had, because I was working with Morgan Freeman and Angelina

Jolie and James McAvoy. I was in Prague, and it was my first time being in

Prague and to be there for a movie…it was like surreal in a way. Like man, I’m

going to do a movie!

 

I’ve been to a lot of different places

in Europe and I’ve been to Australia, I’ve been to Japan, but I had never been

to Prague and going there doing a film – and then for me to have the

opportunity to go back to Chicago to shoot some film, was like, “Dang I’m at

home shooting a movie.” I would have never known I would be doing this when I

was a kid, so it was a lot of fun.

 

Then I had days off where I would just

go to these restaurants and hang out and drink a little wine or something, you

know, enjoy peace of mind. It was a good experience for me. And Angelina and

Morgan Freeman and James was just really like…we had a family like connection

going.

 

Of course Morgan Freeman is the guru,

one of the kings, so we look up to him like one of the greats. And Angelina is

this powerful woman – powerful strong lady, talented, beautiful. She was really

cool, like really making sure everything was straight and throwing me some

lines, ‘cause I ain’t got a lot of lines in the movie to be honest. So when you

see it, don’t be surprised I don’t have a lot of lines. But she would throw me

lines when she could and we were doing improv; it was just a lot of funny

really.

AllHipHop.com: Wow, that’s cool. So it kind of built your improv experience

as well then.

Common: It definitely continues to enhance my improv. You know coming from a

Hip-Hop background, I’m used to freestyling and just being able to go

spontaneous with thoughts. Even Smoking Aces we were allowed to do a

little improv. I mean, the dialogue was written somewhere so we didn’t want to

change it too much, but I added a couple of things, which I was really happy

about ‘cause you know when you’re right in the moment you feel a certain thing.

So if you say it, and if the director likes it, that’s a good thing ‘cause that

lets you know that you’re really there, and you ain’t just saying lines.

AllHipHop.com: Definitely, and it’s cool they give you that kind of freedom

too, and trusted your ability to get into the role and stuff.

Common: With Wanted I want to say it was spontaneous…well, not so

much…even though we did do some stuff with improv scenes – you know Angelina

and I did some of that. It was more spontaneous with the way we would be

changing. Like we would think we were coming to shoot this one scene, and then

they’d change the process of the scene. They’d change the scene a little bit

right then, and there so it was a lot of spontaneity in that sense of being.

AllHipHop.com: Before we saw you in Smoking Aces, American

Gangster and Wanted, it would seem that with all of your music

videos there was always a really in-depth story. The one that comes to mind

automatically is the one with Lauryn Hill, “Retrospection for Life,” and of

course your video for “I Want You,” “The Light,” and the Alicia Keys video for

“Like You’ll Never See Me Again.” Everything you’ve done you’ve kind of been

acting without acting.

Common: Yeah. I will say that my first video with Lauryn, my acting was so

terrible. It was just so funny man, like it was like bad. Like it was like Lauryn

was trying to teach me at the time – she was teaching me how to be natural with

the acting, and she was so good at it, and I was sitting there nervous. I just

couldn’t get it to the level, and I always look back at that video and just

laugh.

 

I was nervous too, because I was

actually with N’Bushe Wright, who I think is a great actress, and I was just

like, “Man I never done this before.” It was like going into doing something

that you’ve never done before, you think it’s so far away from you, but I’ve

come to realize it’s a part of me and it’s something that I love to do. I feel

I was born to do this also, you know? To be an actor.

AllHipHop.com: You know, I can’t honestly say I recognized any bad acting in

that video. That video was really touching.

Common: Well good, I’m glad you did ’cause I can go back and laugh at it. It

was times [Lauryn] was like, “Man you gotta play drunk,” and I was already

bubbly so I should have been able to play it well, but it just didn’t come off

right. You gotta be comfortable with what you’re doing and believe in what

you’re doing no matter what.

 

I think that was the biggest thing, I

remember Lauryn taking me through a quick course of acting real quick. She

started doing these things, and I was just like man this woman is incredible;

she can really do it. But now I believe I can do it; now I believe in myself

too.

AllHipHop.com: You kind of went right for the jugular when it came to

movies. How were you able to just jump right into that next level of acting

without actually starting in that breeding ground [of B-movies] that a lot of

Hip-Hop cult classic actors have come from?

Common: You know, I’ve approached my career, my acting career, definitely as a

new actor. I didn’t look at like, “Man, I’m a Hip-Hop artist, making a

transition.” I realize that for me to have a career in this, I can’t approach

it from a Hip-Hop artist perspective. I gotta approach it like, “Hey I wanna

build a career and I’m a new actor, so what must I do?”

 

I started really years ago – going to

classes when I could, in between me doing albums and touring. I would go to

classes with students, like just be in there learning, and from that process

just going on auditions. I tried to make sure I took on roles that would be

distant from who Common is, so people could see that I am an actor and this

something that I love to do and want to do and I’m capable of doing.

 

Movies weren’t taking me on because I

was a rapper. Like Smoking Aces, the director [Joe Carnahan] didn’t want

two artists; he already had Alicia in his movie. He didn’t want his film to be

looked at as one of those movies where you put artists in there. Sometimes it

discredits – at least in their world – they feel that it discredits it, ’cause

they got so many artists ’cause they’re just using artists’ names for

popularity.

 

So he wasn’t really keen on me being in

the film, but he did take a meeting with me and from the meeting I guess he

thought I was cool, so he allowed me to audition. From the audition, he could

see the fight that I’m capable of doing this role. So then I got a second

audition, I just went in there with all my heart and soul and just gave it and

he gave me the role.

 

Ridley Scott [director of] American

Gangster didn’t know who Common was. I definitely know that and the Russian

director, Chiwetel Ejiofor, he didn’t know who Common was either, so it was

definitely based on my audition. That’s what I realize: that man if Common is gonna

help for me to get my foot in the door, cool, but it’s not gonna get me the

roles. I think even now they know that you gotta be able to do the work, and

you gotta have a certain ability for people to respond to your work, regardless

of who you are.

AllHipHop.com: Right, that’s like the biggest compliment you could be given

– to be given a role because they didn’t know about Common.

Common: Yeah, exactly. That’s very much a compliment. That was an honor, and I

like it like that. I like earning my role; it just makes me feel more

confident. You know I’m doing a movie right now you know this is the first

movie I been on that I didn’t audition for. I’m definitely grateful for that

method too of getting the role, but I don’t mind auditioning.

AllHipHop.com: What movie is that?

Common: I’m doing Terminator:

Salvation. It’s like the new era of Terminator

starring Christian Bale, directed by McG – that’s why I’m out here right now.

AllHipHop.com: Oh, wow so you’re on location right now?

Common: Yeah. In Albuquerque, New Mexico.

AllHipHop.com: Are you shooting?

Common: I’m not shooting today, I’m just out still out here. I am finishing up

my album as we speak really. I’ve just been riding out yesterday, just writing

just finishing up. The album is pretty much done, but I just wanted to rewrite

some things and just add on to a couple of things. The album is coming out in

September, it’s called,

Invincible Summer. It’s produced by the Neptunes and

Mr. DJ.

 

There’s a song called “Announcement” and

a song called “Universal Mind Control.” They’re both pretty much like out on

the net – they got out there and we’re about to circulate those songs. We just

looking at doing things in a new way, and just putting out good music.

 

I feel more free now that I’m doing more

movies and stuff, to just put out music that I love and I believe in and get it

out there. You know you want it to reach the top of the mountain, but you’re

just happy people respond to it and people [are] listening, so it makes me do

Hip-Hop even more for the love now.

AllHipHop.com: And there were rumors that you were going to be releasing Electric

Circus 2. Is that true?

Common: No. People probably, I don’t know they came up with that idea because Invincible

Summer had new sounds to it and was different, and it just had that fresh

sound to it and energy. So that might have been the only thing they could

compare it to. I don’t think the music sounds anything like Electric Circus

to be honest.

AllHipHop.com: Really?

Common: I owe to myself and I owe it to the music and to the audience to give

the truth wherever I’m at, and I’m at a place where I feel free. I’ve been

going out internationally, and I was international touring with Kanye so I got

to see what that vibe was and that inspired some music too. So it’s like, when

you get a Common album you’re gonna get wherever I am at that time and wherever

I think is really fly.

 

That’s what it’s gonna be and it’s that

moment, that moment of time that I strive to capture from the most honest place

and the most creative place and innovative place. Then you allow people to dig

it if they dig it and if they don’t there’s still other good music out there

that they can enjoy.

AllHipHop.com: You never seem to really let us down though.

Common: Thank you. Shoot, I’m glad to hear that, ’cause you know I love making

music and I’ve been asked, “Man, with you doing all these movies, are you gonna

stop making music?” and I’m like “No, shoot, I love music!” It makes me want to

make music even more, and that’s it. I can do it even more for enjoyment now.

So I just see myself like a jazz artist, like I will go check out jazz artists

in Chicago like maybe 65-years-old playing.

 

In fact, I seen Max Roach in New York,

the jazz drummer. I think he passed at 81, but I seen him around when he was

about 77 playing, sounding good. So I don’t have any limitations of what I feel

I could be as an artist. I love that our generation is really taking that

mentality and that idea and being like man we can do multiple things. We’re the

era of multi-tasking and capable of doing other things you’re not gonna limit

us type of people you know what I mean?

 

Meaning, you’ve seen artists who have

expanded as businessmen who’ve expanded in their shows. You see ’em expand in

acting, and you know artists doing different things and they come from a

musical background. But then they go to own a team, or Kanye created a show

that was like theater. Artists, we can’t limit ourselves.

AllHipHop.com: Do you feel that with a lot of artists it takes the

occupational pressure off once you get – I don’t want to call it the side

job – but when you take on stuff like a clothing line or other means of making

money like acting, you can have as another career where Hip-Hop can be back to

the love of it?

Common: Yeah. That’s totally what it is. When you’re making music and you’re

like okay this is my job, I love what I’m doing and I always had dreamed of this,

but this is how I pay my bills and take care of my daughter, and this is how

I’m able to pay my car note or whatever it may be. When you’re creating at the

end of the day, you can try to remove everything from your mind that this is

your job, but somewhere in the back of your mind you still know that you gotta

do something that’s viable to the market for you to survive.

 

Like each album I was praying, “Man God,

please let the people like it so I can continue my career,” you know what I

mean? But then I started just being like I’m here and thanking God, but when

you’re making music and this is the way I gotta support myself, it’s still in

the back of your mind. So you still have to be attentive to what’s going on in

the music world. And with that you try to be an individual and do your best to

be as unique as possible, but still have something to fit in there and I’m not

even saying right now.

 

I think I’m up on what’s going on in

music to a good extent, but I’m able to just go into my own world and be an individual

even more. I don’t know man, it’s something in your system that be like man

this ain’t my only way to make money so I can have more fun with it, it’s just

what it is.

 

When money becomes – like it just

happened in Hip-Hop – when money became like one of the biggest purposes for

making music, then you lose some of the desire for the art. You lose some of

the creativity for the art, because money can drive you to do so many crazy

things. It can take away from you being like, “Man, I’m about to do this fly

idea and I’ma reverse the beat back.”

 

Then there’s somebody on the release of

that song that will say, “I don’t think the masses is gonna feel it.” That idea

might have been creative and was really pure and organic, and may not get out

there because either you don’t believe it can sell or somebody at the label

don’t believe or the radio station don’t believe so it’s harder to break

through those barriers with that, with doing innovative things.

 

When you do other things [like acting]

you just feel more confident like hey, people ‘gon like, some people ‘gon know

me now from movies than from music. Hopefully I’m providing myself and Common –

the name and the brand – enough notoriety that people that’s knowing me from

movies will get to hear my music and be like, “Dang he’s good on the music

side.”

 

‘Cause you know I definitely have come

across people who didn’t know my music. Like Angelina [Jolie] wasn’t. That’s

what I liked about her; she was real. She was like, “I wasn’t up on your music”

A friend of hers had told her I was like very important to Hip-Hop, which made

me feel good but she wasn’t up on the music and she was able to admit it. But

then you know from her getting introduced to me now, she’s aware of the music,

she’s at least aware of Common as a Hip-Hop artist, you know? So I believe that

the movie world and the music world is working hand-in-hand for me and it’s

good.

AllHipHop.com: Do you think you’d ever get into scoring soundtracks like RZA

does for example?

Common: Ahh man, I would love to. That’s like the more I get my foot in this

door, I’ma get into writing, writing some scripts and definitely scoring. I’m

around so many good musicians that it’s like I don’t have no choice but to

score. Sometimes a lot of the movies I work on they always say we want a song

from you or something like that. So you know sometimes they get into that, the

musical supervisor, we want a song from you so you know…

AllHipHop.com: You’ve had a few songs that have been part of soundtracks.

The most recent one was from Freedom Writers right? “A Dream.”

Common: Yeah, that was cool to be a part of something that was real positive

that was real uplifting to people. When Will.I.Am and I did that, it was

special for that reason ’cause like you get to say something to the shorties

and speak from their voice. I had watched [Freedom Fighters] and seen

what it was about, and I was like, man, let me tell it from their perspective.

I’m hoping I get to do a song for the Terminator movie ’cause I looked

at the first two and their music was really good, the scores was incredible.

AllHipHop.com: It seems the action movies are your thing as of recently.

With your acting do you see yourself playing romantic comedies or something

like that too?

Common: Ohhh man, definitely. I definitely want to do romantic comedies, love

stories, drama. You know I have a big scope and vision for myself as an actor,

and I’ve been blessed to get these roles and good movies right now with roles

that are really perfect for what I’m doing. I’m aware that I need to step on

first and take on a lead role and the whole movie be on my back.

 

I need to learn more, learn about

filming the movie and what it takes, so I’m real grateful for these roles. I’ve

been doing mostly action movies, but I’m looking forward to doing some comedy

and romantic comedy and just a love story, a drama. I feel like I want my

spectrum and range, ’cause I believe I have the range to act and do all those

genres. I just want my range to be limitless, and all the actors that I respect

you know they can do it, from Denzel to Don Cheadle to Christian Bale to

Leonardo DiCaprio. These cats can do anything, you know?

AllHipHop.com: So, if there was any actor you’d kind of like to model your

career after, who do you think it would be?

Common: Will Smith. Yeah, definitely because Will Smith is like the biggest

movie star in the world right now. They consider him, and he’s a Black man.

They don’t consider, “Oh we only gotta give him the Black role,” he gets roles

that’s colorless. He’s just the biggest movie star, but he also does drama, he

does action movies, he’s done comedies, he’s shown great acting abilities. He

goes from Six Degrees of Separation to Hitch to I Am Legend

and just does all different type of things with it. Like I said, the biggest

movie star in the world right now, internationally so that’s what I would like

to be. Wait…if I could mix Will Smith with Denzel that’s what I’d like to be.

[laughs]

AllHipHop.com: That’s a really good combination.

Common: That’s the ultimate. I would really want to be the mix between Denzel

and Will Smith’s careers. Those are the two.