(AllHipHop News) After his Miguel assisted single, “Power Trip,” reached the Top 20 on Billboard’s Hot 100, J Cole is now revealing another superstar R&B act will also be on his upcoming album. While speaking with Charlie Sloth on BBC Radio 1Xtra, Cole revealed that he tapped 1990’s girl group TLC to add vocals to Born Sinner, but don’t expect to hear any guest verses from any other emcees.
“I got TLC on the album. T-Boz and Chilli. It’s crazy,” said Cole. “Nobody’s rapping on the album other than me.”
The Roc Nation rapper recently decided to move up the release date of Born Sinner one week to compete against Kanye West’s new album dropping the same day.
[ALSO READ: J. Cole: “I worked too hard to come a week later after Kanye West drops an amazing album.”]
In the interview, Cole also speaks about Miguel’s infamous leg drop at the Billboard Awards and Paris Hilton signing to Cash Money Records.
“I think it’s awesome,” says Cole on the heiress joining Lil Wayne’s label. “It’s just gonna make for great jokes and great entertainment for some reason.”
When asked if he would collaborate with Hilton, Cole responded, “Never.”
Born Sinner is scheduled for release June 18th.
Listen to the J Cole interview with Charlie Sloth below.

With all the rappers that are getting wasted off off controversial statements, there is increased speculation that this dude Sergio Garcia may get dropped from adidas. Adidas can thank African Americans for saving the brand at one point. But, you gotta wonder what they think of us considering just a year or so ago, they had the “slave shoe,” which was never released. Here is a recap from ESPN.
The verbal sparring between Sergio Garcia and Tiger Woods continued Wednesday after Woods tweeted back at Garcia in response to comments made by Garcia that could be perceived as a racial reference aimed at the world’s No. 1 player.
On Wednesday morning, Tiger tweeted this: “The comment that was made wasn’t silly. It was wrong, hurtful and clearly inappropriate.
“I’m confident that there is real regret that the remark was made.
“The Players ended nearly two weeks ago and it’s long past time to move on and talk about golf.”
Garcia, who later issued an apology, took issue with Woods for what he viewed as a breach of golf course etiquette during the third round of The Players Championship two weeks ago, was asked in jest at a European Tour function if he would be inviting Woods to dinner during next month’s U.S. Open.
Richard Heathcote/Getty ImagesSergio Garcia (left) was in a joking mood at the European Tour awards dinner Tuesday night in England, where he shared the stage with Luke Donald and Nicolas Colsaerts, then later made a controversial remark about Tiger Woods.“We’ll have him ’round every night,” Garcia said, according to multiple media reports. “We will serve fried chicken.”
“Fried chicken” references are associated with racial stereotypes of African-Americans. A similar comment got Fuzzy Zoeller in trouble following the 1997 Masters, when he quipped that fried chicken would be served at the following year’s champions’ dinner, which Woods would host as defending champion.
According to media reports, Garcia left the European Tour awards dinner Tuesday night at the BMW PGA Championship in Virginia Water, England, before he could be questioned. He later issued a statement through the European Tour.
“I apologize for any offense that may have been caused by my comment on stage during the European Tour Players’ Awards dinner,” Garcia said. “I answered a question that was clearly made towards me as a joke with a silly remark, but in no way was the comment meant in a racist manner.”Garcia addressed the media on Wednesday in England and apologized again, saying “my answer was totally stupid and out of place. I feel sick about it.”
OHHHH…he’s sick after he says it. FOH!
They keep us talking, but if we stop talking about them then they should worry! -illseed.
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(AllHipHop News) Who says female rappers can’t get along? Two young femcees that have been making waves the last couple of years got together to remake Jay-Z and Kanye West’s 2011 hit song “Otis” off Watch The Throne.
Hustle Gang’s Iggy Azalea and Detroit native Angel Haze have been putting in work to create their buzz for their individual music, but now the only two females to ever make XXL’s Freshman Class list have decided to build together for at least one track.
[ALSO READ: Iggy Azalea Signs To Def Jam]
The new collaboration dropped the same day Azalea went on a Twitter rant about how the media constantly pits female rappers against each other even when there is no personal beef between the performers. Apparently, Iggy feels she was misquoted in a recent article that made it seem like she had issues with Nicki Minaj.
ive always been a supporter and fan of NM and it is really f###### frustrating to me, that you cant mention another person without media
— IGGY AZALEA (@IGGYAZALEA) May 23, 2013
trying to twist any word you say and turn it into something negative. why do you do that people of the press? youre all f###### snakes.
— IGGY AZALEA (@IGGYAZALEA) May 23, 2013
why ask questions about “why do females in rap all hate each other” we DONT you a####### in thepress just love to try making it that way.
— IGGY AZALEA (@IGGYAZALEA) May 23, 2013
and it sucks, because i actually liked that interviewer. but as it turns out you are a complete typical media c###. and thats a shame.
— IGGY AZALEA (@IGGYAZALEA) May 23, 2013
[ALSO READ: Lil Kim Goes Off On Peter Rosenberg For Asking About Nicki Minaj During Tiffany Foxx Interview]
Check out Angel and Iggy trading verses over the Otis Redding sampled track below.
(AllHipHop News) For much of the 1990’s if you wanted to discover the next rising African-American comedy star all you had to do was tune into Russell Simmons’ Def Comedy Jam on HBO. That Simmons executive produced program showcased some of the biggest stand-up comedians in the business like Bernie Mac, Dave Chappelle, Adele Givens, and Cedric The Entertainer.
[ALSO CHECK OUT: Russell Simmons announces launch of ‘All Def Digital’ YouTube Network]
The Hollywood Reporter is reporting that Simmons is now joining forces with HBO again. The “Godfather of Hip Hop” signed a two-year “first look” deal to create and develop new projects.
This means that HBO will get the option of reviewing any proposed projects developed by Simmons, but if the cable channel decides not to pick up the project, Simmons can then shop it to other networks.
Simmons is most well-known for co-founding the seminal Hip Hop record label Def Jam. He also produced the HBO programs Def Poetry and Brave New Voices.
[ALSO READ: Russell Simmons Writes Letter To Obama Urging Him To End “The War On Drugs”]
“To blend in is not something that I seek to do anymore” – I Don’t Camouflage sat down with Ghanian-born recording artist, producer and composer Blitz The Ambassador to hear how his music mirrored his personal journey.
Blitz the Ambassador was awarded Vilcek Prize earlier this year, as a foreign-born artist who has made outstanding contributions in the United States, along with artist Yo-Yo Ma.
Chief Keef is a lot of things, but nice has never been one of them. Now, it seems like he may have his easiest beef ever…or the worst ever.
Seems like Katy Perry is no fan of Keefer. She tweeted something that she probably didn’t even know would lead back to a hardcore Chi Town Killer. She tweeted:
Just heard a new song on the radio called “I hate being sober” I now have serious doubt for the world.
— Katy Perry (@katyperry) May 21, 2013
And Keef Turned All The Way UP:
Dat b#### Katy Perry Can Suck Skin Off Of my Dick
— AlmightySo (@ChiefKeef) May 23, 2013
Ill Smack The S### out her ✋
— AlmightySo (@ChiefKeef) May 23, 2013
New Song Katy Perry Coming Soon
— AlmightySo (@ChiefKeef) May 23, 2013
CLASSY!
There are times when its best to just ignore people.
They keep us talking, but if we stop talking about them then they should worry! -illseed.
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You really cannot escape the eyes of the cameras in this day and age. You might as well just ante up, especially if you are as rich as Soulja Boy! It looks like dude just cannot stay out of some form of trouble. Check out the article that claims that SB hit a car with his red Bentley and jetted from the scene.

Big brother is ALWAYS watching you … and taking pictures … just ask Soulja Boy, whose red Bentley was impounded by the LAPD thanks to incriminating photos taken by a secret network of police cameras stationed around L.A., TMZ has learned. Our story begins on January 9, when a motorcyclist T-b#### a red Bentley in Hollywood … leaving the biker seriously injured … but the driver of the Bentley — who caused the crash by making a reckless turn — fled the scene. We’re told a witness — the victim’s friend — was so p##### off, he went back to the scene of the crime a few days later and nosed around, asking people if they knew who was driving the red Bentley. He struck gold at Roscoe’s House of Chicken and Waffles … when a valet told the guy he knew the car well … it belonged to Soulja Boy, who frequented the area. The witness went to police with the info … and that’s when things got Orwellian. Turns out, the cops have access to a super-database of photographs taken by thousands of hidden cameras stationed on police cars, buildings and private vehicles all over L.A.. There are private companies that make money off the City by getting citizens and businesses to mount cameras for the database.One law enforcement source tells us the cameras are constantly taking photos of cars all over the city — and the average car is shot AT LEAST 1,000 TIMES PER DAY!!!So … the cops got the license plate number of Soulja Boy’s Bentley, ran it through the database and BINGO … a bunch of photos popped up showing the Bentley with damage that corresponded to the accident.Soulja’s Bentley is currently damage-free. Law enforcement sources tell us the operating theory is that the rapper had the car repaired on the sly to cover up incriminating evidence. So cops got a search warrant and a judge agreed there was probable cause to believe the Bentley was involved in the accident, so cops went and impounded the car.You’re probably as shocked as we are about the cameras … cops tell us they solve hundreds of crimes with these secret photographs. So even if you’re a law abiding citizen, you probably still pick your nose, so heads up.Cops would still like more evidence, so if you happened to be eating a delicious chicken and waffle combo on January 9, and witnessed the accident, give LAPD West Traffic a call.
They keep us talking, but if we stop talking about them then they should worry! -illseed.
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(AllHipHop News) On Tuesday night, 8 of the 10 (11 if you count honorary member Chief Keef) of the 2013 members of the XXL Freshmen Class performed at the New York stop of Monster Energy’s Outbreak Tour Presents XXL 2013 Freshmen Live Tour. Dizzy Wright, Kirko Bangz, Logic, Travi$ Scott, Action Bronson, Trinidad Jame$, Joey Bada$$, and Schoolboy Q all hit the stage at the Best Buy Theater in Times Square.
Before the show began, a line of diverse Hip Hop fans stretched around 7th Avenue and West 45th Street waiting for the doors to open. Once inside the show started on time at 8:10 PM as the hosts for the evening, Hot 97’s Peter Rosenberg and Cipha Sounds, arrived on stage to introduce the night’s performers.
AllHipHop.com was in the house to take in the rising emcees’ performances. Check out the recap for each Freshman’s performance below.

Dizzy made this year’s list as the “People’s Champion Winner,” and the Las Vegas native definitely put in work that night to live up to that title. Dizzy opened his set with “Solo Dolo” off his 2012 album SmokeOut Conversations. When Dizzy D Flashy jumped into the DJ Hoppa-produced “Local Weed Man” the cannabis friendly crowd was actively singing along by the time the hook came around the second time. It was clear Dizzy had the smallest following in the NYC audience at the start of the night, but it’s no doubt he left with a lot more fans by the time he left.
Houston’s Kirko Bangz used the night to not only celebrate his selection on the Freshmen List, but he was also toasting another significant accomplishment. It was announced that earlier in the day his single “Drank In My Club” went platinum. Of course Bangz performed his million selling smash to the delight of the ladies in the crowd, and it was his featured hook on Meek Mill’s “Young & I’m Gettin’ It” that had the guys hype. Unfortunately, the auto-tuned backing track was louder than actual vocals throughout the whole performance, so most of the set was basically listening to the radio through really loud speakers.
Logic’s placement on the 2013 Freshmen List was arguably one of the most polarizing selections, mostly because a lot of Hip Hop fans had absolutely no prior knowledge of the Maryland rapper. But it seems that since appearing on the XXL cover his stock has risen, because the crowd was visibly excited when the 23-year-old made his appearance. His a cappella freestyles had mouths “oohing”, and his song “All Sinatra Everything” (which samples Nas and Jay-Z) had heads nodding. Logic performed his entire set without a hype man, and his energy started to trail off near the end, but he left the crowd with his personal mantra “peace, love, and positivity.”
[ALSO READ: XXL Editor Explains Chief Keef & Logic Selections For 2013 Freshman List]
Grand Hustle and Very GOOD Beats’ Travi$ Scott was the only Freshman that had live instrumentation during his show. Veteran producer and frequent Kanye West collaborator Mike Dean performed on both keyboards and electric guitar. Scott ran through his set of songs which included “Upper Echelon” from his brand new EP Owl Pharoah and “Sin City” from the Cruel Summer compilation album. Scott’s brand of alternative Hip Hop was an interesting addition to the line-up; once he actually appeared on stage. Most of the beginning of Scott’s set was performed on the floor in front of the stage leaving the a majority of the audience staring at a mic stand for about five minutes.

“I’m a hero in my hometown, baby,” raps Action Bronson on “Strictly 4 My Jeeps.” Going by the reaction of the crowd on Tuesday, that’s obviously a true statement. Every time the music playing between performances went down in the theater, chants of “Bronson, Bronson” reigned out. Once the Queens native hit the stage the energy in the place instantly shot up. AB opened with “November Rain,” his contribution to the DJ Drama hosted Gangsta Grillz XXL Freshman Edition. He went on to perform his verse from A$AP Rocky’s posse cut “1 Train,” and surprised the crowd by bringing out Riff Raff and Troy Ave. Once Bronson left the stage a noticeable number of the crowd left as well.
As Atlanta’s Trinidad Jame$ addressed the crowd, he made it clear he represents his native city, but he also let the New York City audience know he has a lot of love for the birthplace of Hip Hop. Moments into his set he shouted out The Notorious B.I.G. before breaking into his ratchet rap anthems. “Female$ Welcome” had concert goers, no matter their current relationship status, showing appreciation to side chicks everywhere. Without a doubt the most turnt up moment of the night came when Trinidad performed his YouTube smash “All Gold Everything.” The only way to top the excitement generated from “Gold” was for the Def Jam signee to bring out DJ Drama, B.O.B, and Travi$ Scott to close out his performance.
It would seem like it would be an awkward transition to go from the slow southern delivery of Trinidad Jame$ to the East Coast lyrical style of Joey Bada$$, but emblematic of the musical preferences of this generation of rap fans, the crowd had no trouble following along. Joey kept the audience’s enthused as he went through “Waves,” “1 Train,” and “Unorthodox.” The Pro Era frontman also performed his new track off his upcoming debut album B4.DA.$$. Joey later had Fat Trel and Fredo Santana join him on stage, but the highlight of the set was the crowd rapping every word to the late Capital STEEZ’s verse from “Survival Tactics.”
All it took was for the TDE banner to hit the stage for the crowd to break into applause. Moments later the West Coast label’s representative for the evening appeared before the crowd with plumes of smoke rising from his lips. Schoolboy Q had the pleasure of closing out the show, and the Black Hippy member didn’t waste time raising the spirits of the audience with his Setbacks track “#BETiGOTSUMWEED” and the Habits & Contradictions track “My Hatin’ Joint.” After teasing fans that A$AP Rocky and Kendrick Lamar were backstage ready to join him, he took on his respective collaborative songs with the two rap stars solo. Schoolboy hit Rocky’s “Brand New Guy” and the K-Dot assisted “Blessed” before performing his single, “Yay, Yay” off his next LP Oxymoron.

All-in-all, the New York edition of Monster Energy’s Outbreak Tour Presents XXL 2013 Freshman Live Tour was a great representation of the next wave of rappers who are possibly on the cusp of serious stardom.
[ALSO CHECK OUT: Behind the Scenes of XXL’s Freshman Class 2013]
The views and opinions expressed herein are those of the author and do not necessarily reflect the views of AllHipHop.com
On May 23, 2000, thirteen years ago today, Eminem’s second major-label album, The Marshall Mathers LP, was released. I was a thirteen-year-old and in seventh grade at the time.
I’ll never forget how much of an impact that album had in the hallways of my middle school in Grand Rapids, Michigan. Guys started wearing plain white T-Shirts and girls that had been reciting Britney Spears songs knew the lyrics to “The Real Slim Shady” word-for-word by Memorial Day. When I heard the album for the first time in its entirety early that summer, it was morbidly mesmerizing.
As I listen to that album today, it holds up incredibly well. I am now twenty-six and so The Marshall Mathers LP has been in my music collection for half of my life. And while some pop culture references may be dated, the lyrics, beats, and delivery remain some of the best ones that Hip-Hop has ever produced. I still play the album on a somewhat frequent basis, and recently came to realize that it is to
Generation Y what Nirvana’s Nevermind was to Generation X: an example of artists becoming mainstream as a result of spitting in the face of it.
In honor of The Marshall Mathers LP’s thirteenth anniversary, I reflect on hearing it for the first time and what it’s like listening to it now. Some opinions have changed; some haven’t. Regardless, it definitely proved Eminem wasn’t a fluke and that he was, in fact, one of the most skilled emcees to emerge in a very long time.
May 2000:
I recall watching “EmTV” on MTV the weekend before Marshall Mathers came out, and after Eminem picked his favorite music videos and parodied MTV shows for a few hours, he did an interview with Kurt Loder. During their conversation, it became clear that the album was very explicit. But after hearing “Guilty Conscience” and “’97 Bonnie and Clyde” from The Slim Shady LP a year earlier, I remember thinking, “How much more shocking could he be?” But after I heard “Kill You,” I saw what all the hoopla was about. And that was just the first song.
By the time the album ended, Eminem was my new favorite rapper. The album was funny in a way that hardcore rap usually wasn’t (and still isn’t). My favorite lyrics were, “Cause if I ever stuck it to any singer in show biz, it’d be Jennifer Lopez / And Puffy, you know this / Sorry Puff, but I don’t give a f*** if this chick was my own mother / I’d still f*** her with no rubber / And c** inside her, and have a son and a new brother.” It was offensive and disturbing, but also a little clever and honest.
“Kim” and “The Way I Am” were powerful records, but the album’s best song was “Stan.” The way that he gave the perspective of a fan and then what it’s like to be the person that’s idolized was astonishing.
May 2013:
Eminem is still one of my favorite rappers and “Stan” remains one of rap’s best songs ever. And in addition to solidifying Eminem’s chops, the album also made a major contribution to the legacy of Dr. Dre. While he obviously gave Em his break, The Slim Shady LP only had a few tracks produced by him. The Marshall Mathers LP, on the other hand, had more and that is reflected in the quality of the album.
One of the reasons I think the album connected so powerfully with audiences was that Eminem put so much of his personal life into his songs. He got more specific- he didn’t just say Detroit, he said that ICP “ain’t seen a f****n’ Mile Road south of 10.” He didn’t just rap about a wife- he put a name, Kim, with it. Listeners knew about the relationship with his mother. By putting detail into stuff like that, he made his subject matter real people, places, and things, and that gave him a way to be authentic and make people really care about him.
In a nutshell, Eminem’s second Aftermath release is about the pressure of being in the spotlight. The rhyme that I now feel is the best is from the verse he closes the album out with, “If I ever gave a f***, I’d shave my nuts / Tuck my d*** in between my legs and cluck / You motherf***ing chickens ain’t brave enough / To say the stuff I say, so just tape it shut / S**t, half the s### I say, I just make it up to make you mad so kiss my white naked a**.” That pretty much sums it all up.
While Eminem has seen incredible success since The Marshall Mathers LP, it still remains his magnum opus. Yes, it is the fastest-selling solo album in music history and the winner of countless awards, but that’s beside the point. This is a great album because the music is really damn good and it deserves to be recognized for that more than the controversy it created or the commercial success it achieved.
Respect due.
What do you think of The Marshall Mathers LP? Share your thoughts in the comments section!
The word on the street is that the New York “Love & Hip-Hop” crew are not having it. Seems like the newest excursion/season of the highly ratchet show was to be taping recently. When it came to it, only a couple of people showed up. The rest are seemingly holding out for more money. After the second set realized the first set was boycotting, they left too in hope of caking off too.
K. Michelle has been added to the line up with her thick self.


They keep us talking, but if we stop talking about them then they should worry! -illseed.
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