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Book Notes: A Breakdown of the Latest Urban Reads

Reading is fundamental. We all learned that at some point in life. However, the world can be divided into two categories: those who read and those who don’t. Reading not only makes you smarter, it may just make you richer. According to the Summer Institute for Linguistics, people who are highly literate, active readers are more self-confident, have better coping skills, and better participate in civic affairs.  Further, they are able to amass greater wealth than those who don’t.

Fall is a great time to snuggle up with a great book. As the weather cools and people spend more time indoors, there are a number of great urban releases to entertain or educate. Check out a few releases below:

Power & Beauty: A Love Story of Life on the Streets

By Tip “T.I.” Harris with David Ritz

Rating: 6.5/10

Released in October of this year, T.I.’s first novel, Power and Beauty, is a strong first offering by the rapper. Written while he was incarcerated, the book allows the reader inside the mind of Power, a strong, determined student of life who has a lot of life challenges. When we meet Power (and his “sister,” Beauty) at age 16, his mother has just died and he moves in to be raised by her previous employer, a hustler named Slim. Power then embarks on a life of learning from hustlers across the country, a journey which is fascinating and enthralling. However, in order to get to that journey, the reader has to learn about and accept Power and Beauty’s strange relationship. They are being raised as brother and sister, but are not related, and they are also in love with each other. The somewhat incestuous plot point can make the book hard to follow and accept for its other finer points, like the interesting lessons and experiences that both Power and Beauty have. Power & Beauty: A Love Story of Life on the Streets is only the first of T.I.’s fiction efforts and is definitely worth the read.

Who’s Afraid of Post-Blackness: What It Means to Be Black Now

By Toure’

Rating: 8/10

Toure’ is a writer, television host, cultural critic, and much more. However, with Who’s Afraid of Post-Blackness, he establishes himself as a strong voice for redefining what it means to be Black in America at this time. The never-ending conversation about internalized racism in the Black community and the debate of the colorism (light versus dark skinned) is explored, but is thankfully not a central theme. Instead, Toure’ explores Blackness in a time where African-Americans have more money, degrees, and a President to represent them. The subject of Hip-Hop, a subject dear to the author’s heart, makes its first appearance early in the book and is revisited. With a foreword written by Michael Eric Dyson, Who’s Afraid of Post-Blackness is an excellent exploration of Blackness and a great addition to your library. And, if you put it on your coffee table, you look smart.

Dirtier Than Ever

By Vickie Stringer

Rating: 6.5/10 stars

Triple Crown Publications and all of their offerings are guilty pleasures for the avid reader. While great non-fiction books are substantive and educational, TCP books are strictly entertainment. The founder and still author on the roster of Triple Crown Publications, Vickie Stringer returns with her grimiest female character, the reprehensible Red who never ceases to create drama and mayhem everywhere she goes.  Dirtier than Ever is the third in a series of book about Red, a female gangster who participates in every criminal activity under the sun. With Dirtier than Ever, Stringer delivers another gritty, steamy, and intense tale from the streets about a hustler in high heels.

You Are Not Alone: Michael, Through a Brother’s Eyes

By Jermaine Jackson

Rating: 6/10

With the guilty verdict now rendered in the involuntary manslaughter trial of Dr. Conrad Murray, there is some sense of closure to the sudden death of the King of Pop in 2009. In his book, You are Not Alone, Michael’s older brother, by four years, Jermaine gives us an extremely poignant look at his brother who we knew only as an iconic pop star. You are Not Alone talks about the early life of the Jacksons, their careers, and Michael’s development from childhood to superstardom. Jackson discusses his brother’s relationship with their father, denying that their father abused them but stating that Michael was “terrified” of Joe. While You are Not Alone: Michael, Through a Brother’s Eyes is not getting great reviews, due to the limited relationship that Jermaine had with Michael in his later years, it is a good read for any MJ fan.

The Tanning of America:  How Hip-Hop Created a Culture that Rewrote the Rules of the New Economy

By Steve Stoute

Rating: 9/10

Steve Stoute is has a well-known moniker in Hip-Hop, commonly mentioned and juxtaposed with Jay-Z, Diddy, and significantly, natural skin/hair care company, Carol’s Daughter. A marketing genius and former label head, Stoute adds author to his repertoire with his riveting new book, The Tanning of America. Destined to become required reading in college classes, The Tanning of America is reminiscent of excellent and compelling documentary, Hip-Hop Immortals: We Got Your Kids (2004), which also explored the subject of how Hip-Hop gained such an important role in the mainstream. The book reflects on the history of the Hip-Hop movement and its influence on the world and world culture. From what car you drive to what cereal you buy, somehow Hip-Hop has likely influenced it. Steve Stoute has written a cultural commentary, history book, and business text in one. The Tanning of America is a must-read for any true Hip-Hop aficionado.

 

 

Quan: A Dream Deferred?

             What happens to a dream deferred?

                               Does it dry up 
                     like a raisin in the sun? 
                        Or fester like a sore– 
                              And then run? 

                Does it stink like rotten meat? 
                      Or crust and sugar over– 
                         like a syrupy sweet?

                                                               Maybe it just sags 
                                                               like a heavy load.

                                                              Or does it explode?

                                                                               -Langston Hughes

“Just A Moment” served as Quan’s passport to critical acclaim. But, what has happened between 2004 and 2011? Once upon a time, he stood atop Hip-Hop’s mountain of success, his fingertips almost caressing stardom. Is “A Dream Deferred” the personification of Quan’s story? No. The Virginia veteran explains, “With this, Struggle [mixtape], I’m celebrating where I’m at. I’ve been through a lot of sh*t, [like] losing my son, and cases, and doing time.”

A solemn pause snatches his words before he continues, “My record deal didn’t go the way I wanted. In that aspect, to really have to face your dream, and ask for a release, that was a scary moment. I’m still here. I’m happy and I’m living a good life. My kids is straight. I’m not out this b#### broke and dirty. I’m good. I got money in my pocket; I’m aight. And I’m still doing music. Every time my pen touch the paper, or I go in the booth, I’m going to give you my best.”

The dream has not been deferred; it is still being carefully-shaped. The journey has been arduous, and the rewards will be appreciated. In this exclusive interview with, Quan, the MC talks Hip-Hop, Success, and the Struggle:

AllHipHop.com: What’s up with you? How are you doing?

Quan: I’m good, loving life, [and] taking it one day at a time.

AllHipHop.com: In 2004, you made your global debut on Nas’ album, Street Disciple. From then until now, how has Hip-Hop’s importance impacted your life?

Quan: My love for Hip-Hop is still what it is. It has impacted my life greatly. I was put in a position to make a living off of my music. So, it gave me a broader aspect [on life] than just depending on the streets, or turning to the streets in general. It’s been a blessing. It’s been a savior, put it that way.

AllHipHop.com: Do you like it, or do you love Hip-Hop?

Quan: I love it. I love the culture and the craft. I don’t agree with some of the politics. But the culture and the craft and what it does for our community—the good that it does—I love that. What it’s done for me, I love it. I’m a music lover, period. I love Blues, R&B, oldies but goodies, and I love Hip-Hop. I’m a music lover.

AllHipHop.com: With your encompassing love for music, do you feel that you convey your message best when you’re emceeing or when you‘re singing?

Quan: Both.

AllHipHop.com: Both?

Quan: Yeah, it’s all about the message that I’m trying to send.

AllHipHop.com: What is that message?

Quan: It depends on what the song is and what I’m going through at that moment. It’s just not one message. I can be p##### off one day and my message might be, don’t f*ck with me. I might see something sad, and my message may be to bring attention to it. It just depends on what I’m trying to make you aware of at that moment. I just try to make sure that throughout it all that I’m saying something of importance. That’s my purpose. Nobody’s perfect; we’re all human. I just try to make sure that I’m not saying a bunch of nothing.

AllHipHop.com: What’s essential for you to reinforce your voice as an artist? How do you show musical growth and different aspects of your personality without having your core audience abandon you?

Quan: I feel like anybody who’s a core supporter of Quan, they understand me. They’ll understand my growth. You know what I mean? And it makes sense. First and foremost, it’s not like I deviate from who I am. No matter what I do, I’m always going to stay true to who I am. After that, as long as I’m staying true to who I am, those who are true to me, they’re going to follow. They’re gonna listen; they’re gonna hear it and check what I’m saying.

AllHipHop.com: As a man, how do you define success? Do you view yourself as successful?

Quan: As a man, I define success when you can make a living off of doing something that you love. Success is when you’re happy with what you got. Do I feel like I’m a successful artist? Yes, I do. I’ve had a great career thus far. But I know that there’s so much further that I can go. I don’t feel like I’ve reached my peak. I love music and it doesn’t matter to me. Everybody wants to sell a million plus records; yeah, definitely. I’m happy knowing that I can take care of my family – my children – off of something that I still love doing.

You know what I’m saying; that’s a blessing in itself. So, if I drop a CD and I do 20,000 or 30,000, or more, I can’t complain. 10,000 CDs in the ‘hood, that’s 50 stacks. In the ‘hood [selling] 5,000 CDs [amounts to] 25 grand. I know chicks that ain’t making $15,000 [a year], but they’re taking care of themselves and their children. So, how can I complain?

For a cat that’s been caught up in the streets for most of his life – penitentiary catches cases and all of that – to being a loving father, a family man, and an artist that a lot of people don’t mind hearing from, that’s a blessing to me. I can’t complain. I’m out here. I’m free. I’m not in nobody’s penitentiary for the rest of my life. I ain’t in nobody’s graveyard, or shot up. It was a learning experience. My music is real-life experiences, you know, and I’ve had a lot of them. Be it my story, or other people’s stories that are close to me, when I convey that through music, that’s what it is, real life. You know, when you have a project like, Until My Death, I never finished the album. I still have material for it.

When I do that album one day, I know what it’s going to be. With that album, I know what way I’m going to tell my story. With, Walking Testimony, I gave you a piece of what my life has been. But it’s not in as much detail as Until My Death. So, just like with this album that I’m about to drop in 2012, Glorious Struggle, that album is about the struggles that I have and me finding the glory in those struggles. Until My Death is my autobiography; so, I guess you can say, Walking Testimony, is an appetizer for, Until My Death. It’s a certain way that my life story has to be told. Troubled youth, confused adults, man and woman alike, need to hear that story.  And maybe with them hearing that story, and learning that story, they can discover that they, too, can achieve their dreams and conquer any demons.

AllHipHop.com: Are you at peace with, Walking Testimony, being your debut album?

Quan: Yeah, it was an independent album. And by word-of-mouth, it reached a lot of people. It kept me relevant. I didn’t just fall off the face of the earth. It was a beautiful album with a lot of beautiful songs on it. I plan to re-release it one day. But the next time, there will be marketing, and promotions, and videos—this, that, and the third.

AllHipHop.com: Is, Until My Death, in lyrical purgatory? Has any of its intended content been released on other projects?

Quan: I easily have well over 400 songs that are sitting around and recorded, okay. With that being said, I know certain songs that I want on, Until My Death. It has to be done right and one day I will do it.

AllHipHop.com: So, you view, Until My Death, as your magnum opus, as your masterpiece?

Quan: I try to make any project I do a masterpiece, though. It’s just that my life’s story has to be told in a proper perspective, or I don’t think that people will understand it. It has to be done right. Then you’ll find out what made me the way that I turned out to be. You know what I’m saying, what affected me first, to make me go through the things that I did out here in the streets. I did God-knows-what to who knows-who. It shows how I’ve grown into the man that I’ve come to be. In time, people will see—I don’t want to just focus on my dark past—I just want to tell it the way that it should be told.

AllHipHop.com: Earlier you mentioned, Glorious Struggle, you album which drops in 2012. What can you tell us about that and what other projects are you working on?

Quan: Well, you know, I got the, Struggle mixtape that dropped November 15. And I got a few other things lined up. Basically, I’m raising awareness to this, Glorious Struggle, project. I’m going to put out a mixtape, or two, for free. When 2012 comes around, I have Glorious Struggle. It has A-1 production and great features on there. Shout out to my man, Pusha T.

AllHipHop.com: Oh, yes!

Quan: We have a big record. I think it’s going to do real well. I’ excited; because, I’ve made the decision that I’m going to sing and I’ma rap. I’m going to go in and really show people how to do this singing and rapping sh*t. Being that I was one of the first to really do it in the aspect that I was doing it for the mainstream. I really sing and rap; I don’t need Auto-Tune. And I got bars. I can get on a track with any MCs. It can be one of your “Top Five Dead or Alive” MCs. Or, it can be the rawest one from your block, I’ll go bar for bar. Just like I can do a duet with Mary J. Blige and hold my own, with no problem.

AllHipHop.com: I respect your confidence. Where can we get the Struggle mixtape? How may folks contact you?

Quan: I’m giving it away; it’s everywhere. It’s a free download, you can also go to www.OfficialQuan.com. Links to my Facebook, Twitter, all that is up there; my YouTube channel is “Quan757bn.” My whole collection, my five mixtapes, and Walking Testimony album for free. I just ask that they leave a comment and play it loud. You know what I’m saying. That’s it.

AllHipHop.com: That’s what’s up. Until the next time, what would you like to share with your supporters?

Quan: I appreciate all the love and support that my fans have given me throughout the years. I’m never going to stop. I’m not going anywhere, but to the top. I appreciate it all; holla at me any time. Download that Struggle mixtape; play it loud! And cop that, Glorious Struggle, album [that’s] coming in 2012. God bless you. Love is a verb. Kingz nation is the mob!

“YUUUP” vs “YUUUP” – The Full Trey Songz Lawsuit

A variety of AllHipHop.com’s readers engaged in a heated debate regarding yesterday’s news about a lawsuit involving R&B singer Trey Songz.

Trey sent a cease and desist letter to David Hester of the reality TV series, “Storage Wars.”

It seems that Trey Songz felt that Hester’s use of the phrase “YUUUP” during the auction portion of the show, infringes upon his trademark call.

As a result, David Hester filed a full lawsuit against Trey, in order to continue to use the phrase.

Most of the comments pointed to the ridiculous nature of the lawsuit, while some defended Trey Songz.

Royal_Chiefa 21 hours ago
You..can’t be serious..Is Trey really that hard out for some scrill? I mean..Storage Wars put me up on the auction game..Dave Hester’s YUUP is used by THOUSANDS of people who auction period..C’mon Son…that’s like Tony Yayo suing John Cena over the “you can’t see me” gesture….fail
Hollywood Barbie 18 hours ago
IS HE SERIOUS? DOES HE KNOW OW LONG TREY SONGZ BEEN USING THAT. WAAAAAAAAAAAY BEFORE THE SHOW EVER AIRED…BETTER YET THOUGHT OF. DAVE HESTER PLS FIND SOMETHING ELSE BETTER TO DO WITH YOUR TIME AND EFFORT…LIKE REALLY?????

Could there be more at stake with this lawsuit? Is it really frivolous?

Take a look at the entire lawsuit and then decide!

Daily Word: Look to the Stars! (It’s Always Too Early to Quit)

Happy Wins-Day, my Great People!

Today’s Daily Word is dedicated to staying hopeful! There are six words that everyone should live by in life: “It’s always too early to quit!” No matter what is going on in your life, no matter what obstacles you are facing, always remember those six words! It is imperative that you never give up hope and know for a fact that everything is going to be alright!

Life will continue to test you to see how bad you want your dream… Pass that test! There’s no such thing as negative or positive, only what you perceive!! Know that the worst thing that can happen is really not the worst!! It is a lesson that has to be learned, and it is preparing you for your greatness! Right now, where you stand, you have everything you need to live an abundant life! Take advantage of who you are and do everything in your power to get what you deserve!! Losing is for Losers! So given that fact, you have no choice but to succeed! Stay on the bright side and live life to the fullest!!!
-Ash’Cash

“We are all in the gutter, but some of us are looking at the stars.” -Oscar Wilde

“Through humor, you can soften some of the worst blows that life delivers. And once you find laughter, no matter how painful your situation might be, you can survive it.” –Bill Cosby

“What seems to us as bitter trials are often blessings in disguise.” -Oscar Wilde

“Hope is not the conviction that something will turn out well but the certainty that something makes sense, regardless of how it turns out.” -Vaclav Havel

“Once you choose hope, anything’s possible.” -Christopher Reeve

“He who has health, has hope. And he who has hope, has everything.” -Proverb

“Hope is but the dream of those who wake.” -Matthew Prior

“Never let go of hope. One day you will see that it all has finally come together. What you have always wished for has finally come to be. You will look back and laugh at what has passed and you will ask yourself… ‘How did I get through all of that?'” -Unknown

TO HEAR THE AUDIO VERSION OF THE DAILY WORD – CLICK HERE.

Ash’Cash is a Business Consultant, Motivational Speaker, Financial Expert and the author of Mind Right, Money Right: 10 Laws of Financial Freedom. For more information, please visit his website, www.IamAshCash.com.

Hip-Hop Band The Roots Announce Dates In Support Of “undun”; Tracklist Revealed

(AllHipHop News) The Roots have announced a special set of performances to support their highly anticipated album, undun, the group’s first concept album.

The Roots will hit the Highline Ballroom in New York City starting on November 29th and will play subsequent dates on November  30th and December 5th.

undun centers around the short life of a character named Redford Stephens. According to a statement, the album “seeks to illustrate the  intersection of free will and prescribed destiny as it plays out ‘on the corner’. Utilizing a reverse narrative arc, the album begins as the listener finds Redford disoriented–postmortem–and attempting to make sense of his former life.”

undun is due in stores on December 6th.

Check out the track list for undun below:

TRACKLISTING:

1. Sleep

2. Make My

3. One Time

4. Kool On

5. The Jump

6. Stomp

7. Lighthouse

8. I Remember

9. Tip The Scale

10.  Redford

Hip-Hop Rumors: Ludacris Sons Big Sean and Subsequently Drake?

LUDA GOES IN ON BIG SEAN & DRAKE!

Counterfeit rappers? WHOA! They say there’s nothing new under the sun and Luda definitely going in on Big Sean and maybe Drake. He consistently refers to rappers in the plural form. Wow. He’s making it CLEAR. I love it! Go, Luda!!!!!!!

I can’t wait to see if anybody has the balls to reply to the Ludacris thing.

BOY!

Luda is one of the best pure MC’s out here. Big Sean and Drake are cool too…can’t wait to see how this pans out. LOL!

HERE’S WHY:

Drake interview (AllHipHop.com):

“Well, that flow has been killed by so many rappers. And, I never want to use that flow again in life. [Laughs] I wanted to take if off my album, because I was like, ‘I shut ’em down. Onyx.’ I hate the fact that that rhyme is still in there. To be honest, that flow, you can trace it back to like…I trace it back to Big Sean (artist on Kanye West’s G.O.O.D. Music). That’s the first guy I heard utilize that flow throughout the duration of a verse. I’ll give him that credit. I think Kanye got it from him. Me and Wayne found a dope way to do it. I don’t want to sound cocky, but the best way its been used was on “Forever.” Those lines just all individually make so much sense. They’re all punchlines. Then a bunch of rappers started doing it and using the most terrible references in the world. I don’t want to offend somebody…I hate that rappers picked that flow up. I wish they had left that for people that know how to use it. [They go like] “It’s a parade! MACY’S!” <<<<<——LUDA SAID THAT…..

Big Sean (MTV.com interview):

“With the super duper flow, I created that one word rhyme style,” Big Sean said in an interview. “Drake really made it more popular, but Drake gave me the credit and was like, ‘I really got that from Big Sean.’ I think some artists just did it so wack man. Every time I say names I get in trouble and it’s like I’m dissing, but some people used it wack. Don’t get it wrong I’m not trying to dis Ludacris or nothing. He’s a great MC. But even though that style got so overused, there was a lot of people who did it great and there was a lot of people who didn’t do it so great. People always ask me was you mad that people took that style from you. I’m like, ‘Nah, that went and shows me how far I can go as an artist.’ I feel like I changed hip-hop. I haven’t even dropped an album yet. So that goes to show me how powerful my mind is.'”

 HAHAHAHAHAHA!!!!!

UK Week on AllHipHop.com: Giggs On His Southern Rap Roots & More

In 2008, Giggs aka ‘Hollowman’ burst onto the UK scene with his raw street freestyle, “Talking The Hardest.” It was like nothing we had heard before – street commentary with a slow flow similar to those located in the South of the States. That same year, he dropped his debut mixtape/album, Walk In The Park, which reportedly sold out in the first day of release.

Initially airplay for Giggs was limited, and he was banned from touring by UK police forces for ‘fear of violence.’ Giggs, however, continued to push his music forward, and in 2009, he recorded a tune with Mike Skinner (of The Streets) called “Slow Songs,” which led to a deal with XL recordings and an album released last year entitled Let Em Ave It. A collaboration with B.o.B on the album proved there was no letting up for the UK’s rawest gangster rapper who continues to make moves globally.

AllHipHop.com caught up with Giggs in his native South East London earlier this year and talked on a number of subjects: his intro into music, his influences, the opening up of the market here in the UK, networking in the States, collaborations with the grime scene, and more.

AllHipHop.com: When and why did you start emceeing?

Giggs: I started rapping in 2002; it was nothing serious – just mucking about with my little brother, just spitting in the house. Then I went to jail. I came out [of jail] and got on in the rap thing properly.

AllHipHop.com: Did you start off as a Hip-Hop MC? Did you always want to be one, or did you come from garage – as a lot of UK MCs come from garage?

Giggs: I used to mix ragga, I used to DJ a lot more and my little brothers, they used to MC on garage and that. I thought “rah lemme give it go.” But I wasn’t serious on it. But when I came out of jail, I wanted to get on the rap thing properly.

AllHipHop.com: When was that?

Giggs: 2004. I thought, ‘I can make something happen with this.’ But obviously I was still on the roads [‘hood] at the same time, doing my thing. Like, you have to get money. But then when I started progressing in music, I started going at it full time.

AllHipHop.com: What artists, UK or U.S., have you been mainly influenced by?

Giggs: There’s a lot. When I was in school I used to listen to NWA, Ice Cube was my favourite. Boy – they was running it then! Then I started listening to ragga a lot, rap – I used to jump back and forth.

AllHipHop.com: What ragga artists – out of interest?

Giggs: Bounty [Killer] was running it back then – but obviously it’s Vybz [Kartel] and Mavado now – but them days, it was all about Bounty and Beenie [Man], Spragga [Benz], them guys. Yeah, but rap-wise, all the way from NWA to No Limit, D-Block, Jeezy. I love the South style of music – the beats.

AllHipHop.com: How much has Peckham been an influence – but also London in general – to your style?

Giggs: Yeah, just a way of life. To be honest, my style is influenced by the music itself, by the beat.

AllHipHop.com: Do you mainly use your own producers?

Giggs: Yeah, mostly.

AllHipHop.com: I suppose that keeps your work rate consistent?

Giggs: Yeah.

AllHipHop.com: Back to your influences…your style is very much the street style of rap. Do you gravitate more towards a certain area of the States, or is that general style?

Giggs: Yeah, probably more the South – ’cause they mess with man. But I just do my own thing.

AllHipHop.com: Did you have any involvement…did you ever go raving to jungle back in the day?

Giggs: I used to listen to jungle, but I’ve never really been a raver. If the man dem wanna go out, I’ll roll out but…

AllHipHop.com: Your passion really lies with Hip-Hop.

Giggs: Yeah.

AllHipHop.com: In that sense, would you say that pirate radio has influenced you at all?

Giggs: Yeah, of course. They play the rawest sh*t.

AllHipHop.com: How much do you think U.S. Hip-Hop has influenced the scene, compared to the more UK based sounds like grime? Comparatively, what do you think has been a bigger influence?

Giggs: Everything, man! Everything has been a factor. Obviously, I do the rap thing, and I grew up listening to all of those rappers, but really and truly it was breddas like So Solid that did their thing before. That’s what got everyone on it, trying to take it seriously.

AllHipHop.com: How did the Whoo Kid mix tape come about?

Giggs: Whoo Kid reached out to me on Twitter. He said he was feeling “Look What The Cat Dragged In.” He just said, “Keep up the good work.” I thought, ‘Rah that’s, man, like Whoo Kid!” You know them ones. I thought, ‘let me build on that.’ As I am always networking in America, went over there and shouted him.

AllHipHop.com: How often do you go to the States?

Giggs: All the time.

AllHipHop.com: Mainly in Atlanta or New York?

Giggs: Atlanta, New York, LA. Wherever the music takes you.

AllHipHop.com: The B.o.B thing, “Don’t Go There.” How did that come about again? By just being out there in the States?

Giggs: Someone said to me [about B.o.B]…an engineer said to B.o.B [about me], he [B.o.B] said to his manager. We went and met him, and we went down to Grand Hustle and got some work going. It’s all about being on it.

AllHipHop.com: That was before the last album, yeah?

Giggs: Yeah, I’m always hands on – it’s not gonna happen with me sitting down.

AllHipHop.com: Yeah, of course.

Giggs: I think with America, you have to go out there.

AllHipHop.com: This is back to what you mentioned earlier about So Solid and about the evolution of emceeing in this country. How much do you think they have to do with the evolution of emceeing here in the UK?

Giggs: Well, as I said earlier, they were pacesetters; they put in the work. There are a lot of people who are influenced by them, and they don’t even know it. When you saw them on TV, you thought, “I can do that.” But obviously, the emceeing thing weren’t for me. I more felt the rap thing – then I done that.

AllHipHop.com: Linking into that, did you take any influence from the original UK Hip-Hop artists like London Posse, Demon Boyz, and Skinnyman?

Giggs: I’m not gonna lie, not really. No disrespect to them. I’m aware of them – Rodney P, Karl Hinds, Blak Twang, them man there. I used to hear bits and pieces and be like ‘these man are alright’ – but I never used to roll to them. But that’s as far as it goes.

AllHipHop.com: You have an affiliation with the grime scene; you’ve collaborated with Wiley. How much do you think grime has opened up the market for MCs in this country?

Giggs: Everything that is progressive has opened up the market for MCs in this country. Whether it is grime, rap, and garage. Everyone that has been successful, whatever genre they come from, has helped to open up the market in this country.

AllHipHop.com: What I have noticed now is that different [UK] scenes are helping each other. Like the grime scene has helped the dubstep scene, and the dubstep scene has helped the grime scene, and the grime people have helped artists like yourselves and visa versa.

Giggs: It’s true, man. It all goes hand in hand. You notice it – even when I did a song with Skepta, I noticed a different set of fans, new fans from that. You know everything goes hand in hand – ya get me?

AllHipHop.com: Are there any artists that you are feeling in the UK or globally?

Giggs: The main people that I listen to right now are Wayne, Drake, Ross.

AllHipHop.com: My view is that you, Skepta, Tinie Tempah, and various others are at the forefront of this next wave of [UK] MCs. Where do you see the London/UK MC going from now?

Giggs: Do you mean how far can we take the game?

AllHipHop.com: Yeah.

Giggs: As far as anyone wants to take it.

AllHipHop.com: Do you think the Americans will open up to it eventually?

Giggs: Yeah, of course. Good music is good music – it really does depend on how hard people want to work. I mean, I am looking to take it all the way – f*ck what anyone else is trying to do, and I believe I can.

AllHipHop.com: On a slightly separate note, I have noticed that Canada has always been slightly more accepting of British music. For example, jungle is massive in Toronto, and grime and dubstep are both big in Canada.

Giggs: That is probably because, you know, they are different countries, and obviously Canada is its own country; they are probably slightly more open. Also, America is such a big place. They don’t really need to listen to anything else.

AllHipHop.com: Are you working on another album with XL?

Giggs: Yeah, but that will probably be next year now. I am just enjoying music at the moment.

AllHipHop.com: Any other points you want to get across at all?

Giggs: Get the mixtape out now with me and DJ Whoo Kid, Take Your Hats Off – the hardest s### out on road.

For more information on Giggs, his releases, how to get your hands on his music – check him out on Twitter at @sn1giggs and his website at www.sn1giggs.com, where you can download the free online mixtape with DJ Whoo Kid.

Jamie B-C is a writer and online music marketer, who has been passionately involved in UK underground music since the late 90s. He currently writes a blog which follows UK rave and Hip-Hop culture. Follow Jamie B-C on Twitter at @beatcultureldn or on the Web at www.beatculture.net.

CHARTWATCH: Mac Miller Makes Indie History In Debut

 (Week Ending November 18)

Mac Miller’s debut album Blue Slide Park sold 148,915 units in its first week and claimed the #1 spot on the charts. Under independent label Rostrum Records, Mac Miller has made history by becoming the first indie act since Tha Dogg Pound to reach the #1 spot on the charts in the first week. Mac Miller, who boasts over a million followers on Twitter and a million and a half ‘likes’ on Facebook, is currently on his “Blue Slide Park Tour” that runs through the end of December.

Wale’s Ambition (Warner Bros.) fell from the #2 spot down to #15 after a 77 percent decline in sales, selling 37,815 units in its second week. However, let us remind you that Ambition did sell 163,000 copies in the first week.

Tech N9ne’s collaboration album, Welcome To Strangeland (Strange Music), debuted at the #21 spot, selling 26,333 copies in the first week.

Elsewhere in the Top 50, Lil Wayne’s, Tha Carter IV (Cash Money/Universal Rep.) sold 24,606 copies, dropping seven spots on the chart to #22.

Kanye West & Jay-Z’s Watch The Throne (Roc-A-Fella/Roc Nation) also dropped seven spots after selling 18,257 units this past week and fell to the 27th spot on the chart.

Another Roc Nation artist, J. Cole, saw his debut album, Cole World: The Sideline Story, fall to the 30-spot on the charts, after it sold 16,564 copies in the past week. Both Jay-Z, Kanye West, and J. Cole are currently on tour so don’t expect the relevancy of their albums to fade dramatically anytime soon.

Dropping This Week: (Week Ending on 11/18/11)

Drake’s sophomore album, Take Care, was officially released today. With chart-topping singles “Headlines” and “Make Me Proud,” Drake will look to better his 2010 debut, Thank Me Later, which sold 447,000 copies in the first week and claimed the top spot on the charts. To date it has sold over 1,417,000 copies, and Drake is expected to better those numbers with Take Care (Cash Money/Universal).

Also released today is Childish Gambino’s commercial debut, Camp, through Glassnote Music. Childish Gambino (real name Donald Glover) plays a role on the NBC show, Community, and after three free albums and two mixtapes, he hopes for his first commercial offering to be a success. You can read AllHipHop’s review of Camp here.

Dropping Next Week: (Week Ending on 11/25/11)

Yelawolf will release his debut album, Radioactive (Shady Records), on Monday, November 21. The production credits were revealed today, including production from WillPower, J.U.S.T.I.C.E. League, and Jim Jonsin. Features include Eminem, Kid Rock, and Lil Jon amongst others.

On Black Friday, Mobb Deep will release their first project together in over six years entitled Black Cocaine. The EP will be self-released and include a five-song digital version as well as a seven-song physical limited edition release.

Other notable Hip-Hop albums dropping next week include Action Bronson and Statik Selektah’s collab album, Well Done, which will be released on Tuesday, November 22. Kidz In The Hall will release their album, Occasion, Tuesday as well. Notable features include Bun B, Curren$y, and Freddie Gibbs.

Prince Paul’s “Negroes On Ice” Hits The Road

(AllHipHop News) Legendary producer Prince Paul and his son Paul Jr. have announced new dates for their critically acclaimed Hip-Hop musical, “Negroes on Ice.”

Paul Jr., 19, acts and rhymes in the hip-hop musical, which takes a comedic look at father/son relationships.

“We wanted a name that would make Richard Nixon roll over in his grave,” Prince Paul said of the musical’s unique title.

Prince Paul scored “Negroes on Ice” and triggers the sounds live during the hip-hop musical, which is being directed by ego trip co-founder, Sacha Jenkins.

Veteran concert promoter Peter Oasis is acting as the producer of “Negroes on Ice,” while Talent Harris will act as the supporting MC for the tour.

Prince Paul, born Paul Huston is a legendary producer who has crafted albums and tracks for groups like Stetsasonic, De La Soul, Slick Rick, Chris Rock, Handsome Boy Modeling School, Gravediggaz, Boogie Down Productions and others.

Click here for the Negroes on ice uStream page

Tour dates are below:

Sunday, Nov. 26th, 2011
Viaduct Theatre – Chicago, IL

Thursday, Dec. 1st, 2011
Busboys and Poets – Washington D.C.

Saturday, Dec. 3rd, 2011
Future Bar Music Lounge – Boston, MA

Friday, Jan. 13th, 2011
Capri Theatre – Minneapolis, MN

Saturday, Jan. 14th, 2012
Southside Theatre – San Francisco, CA