homepage

Thursday Throwdown: Eazy ?s, Nas Soliloquoys, Tech N9ne is Poisonous, & Watermelon for All!

Welcome folks, to a special Thursday edition of Sick Sundays.  The aim is to bounce around the world of Hip-Hop and give a lil light to new jacks, give a bit of a history lesson, introduce a non-HipHop joint for the people, and hit you with a few recent joints.  The main aim however is , especially for new ones: NO SINGLES…or at least no big ones lol.  Enough with the jibba jabba and on with the show.  First things first, copy the below link into your browsers and get the soundtrack going.  This page is just talk if you don’t listen to the tracks. If it’s dope then bumps it, if you don’t think it is, you have bad taste! Always remember hit me up with any comments or suggestions @ od*****@*******op.com. If your group is wack (and you know whether you’re wack when you ask people if they like it and they go true but don’t actually say anything else, or they disappear into the bathroom to vomit even though they told you they loved it.) please don’t fill the box with your music. Just comments and feedback

 

 

http://www.imeem.com/odeisel/playlist/SEe3pEFE/sick_sunday_7132008_music_playlist/Tech N9ne “Poisonous” –Killer

 

Sparse beat with spanish guitars and uneven drums power Tech’s return to the darkside. 

 

I wasn’t really familiar with his work until recently then I went back to do some homework. 

 

His album just dropped a couple weeks ago.  Cop that double album.  He’s got flow, intelligence, and humor. 

 

Lyrically credible. Kansas City stand up!

 

 

Tech N9ne “Crybaby”- Killer

 

Considering the recent Soulja Boy Vs. Ice-T clash, this song speaks volumes as Tech takes the haters to task over crapping all over the young guys.  Get your money and keep it moving.  The chorus “whaaa whaaa whaaa crybaby”  pretty much sums it up.

 

Ice-T “6 In the Morning”  

 

Lest you young cats forget, Ice-T despite the recent backlash, is still a pioneer. 

 

While I think he was wrong, Ice-T got classics man.  Since before many of you were alive. 

 

Anyway enough with the tribute this was one of the first hardcore joints. 

 

Cats in the streets you already know what the sound track to the batterram is (Shout to Toddy T and R.I.P. Robin Harris)

 

 

Tha Dogg Pound “Who Got That  Gangsta S**t”- Murda Was the Case Soundtrack

 

Dope song from a dope soundtrack, but tell me if that first verse doesn’t remind you of something you JUST heard…

 

 

Eazy-E “No More ?s”-Eazy Duz It

 

The legendary and oft-overlooked Eazy-E with a slept on track from his debut album.  Showcased here was Eazy’s personality and Mic presence.  He wasn’t the greatest emcee but he was certainly necessary for a significant part of our history.  So much so that…

 

 

C-Murder “Tru ?”- Tru To Da Game

 

C-murder delivered one of the illest and original covers with his version.  There are tons of tributes to Biggie and ‘Pac, but Eazy-E not so much.  From the double Tru album, C-Murder completely changes the energy of this joint and owns it.  He also respectfully gives a shout to Eazy which was true class.  Tru ?s >>> Snoop’s Lodi Dodi. (P.S. this song was playing in I’m Bout It The Movie when they shot the paperboy…sigh). Moving on…

 

 

Common Sense “Watermelon”- Resurrection

 

If you don’t have this album you played yourself. 

 

If you can tear yourself away from “I Used To Love H.E.R.” you should give this song some bump. 

 

Classic example of wordplay, double entendre, and just emcee skills. 

 

Before he quit eating pork and all that, Rashid was a pretty fun rapper. Verbal gynastics.

 

 

Redman, Icarus, German Luger “Lik Shots”- Funk Master Flex Big Truck Series

 

Nothing complex here.  Just threee emcees going for broke over a Timbo-powered Missy throwaway beat from one of her albums.  Redman is just nasty.  Icarus the protege is going for broke and even the unheralded Luger held his own.  This song is a quickee: to the point, satisfying, and done in a flash.  F## fi bus!

 

The Agency “Uptown Main”- Tuxedo Road

 

What do you get when you mix Mya, Vanity, a dominatrix, and Catwoman?  You get Natasha Azar (You’d have to see her live to believe it). 

 

I am officially applying for number one groupie status. 

 

Okay now that I’ve stanned it up, just a break from testosterone glock poppin’. 

 

This is a lil’ retro, a lil’ alternative and a lil’ change of pace.  Enjoy. 

 

Her group is called the Agency, check for them. They got flavor.

 

 

Nas “Queens Get The Money”- Untitled

 

By now you should already have this.  If not consider yourself blessed.  Spare piano keys supplied by Erykah’s newest baby daddy (No hate no uterus eating).  Nas delivers poignant chaos bouncing around in this freestyle verse with rich imagery “Hip-Hop was aborted so Nas breathed Life back into the embryo.” Hip-Hop lives, and with albums like this, anyone right now talking about how they they Best or The G.O.A.T. should lock themselves in a room with this album on level 10.  And we close how Untitled begins.

Sick Sunday 7/13/2008

When Sports Clichés Go Hip-Hop

To this day, I am disappointed

in the fact that the 2008 NBA season is over. Congratulations to the newly

crowned champions, the Boston Celtics. However, there is one thing that I’m

glad I don’t have to hear for a while.

 

When a defensive team wins the

championship, you know what’s coming. A sports analyst will stand in front of

his/her teleprompter and drop this tired gem: “Defense wins championships!”

 

Really… stopping the other team

from scoring while scoring yourself can help you win a championship… super

genius. Every time I’ve heard “defense wins championships,” my face cringed, like

Tiger Woods after each swing during his U.S. Open victory. Sports clichés are

unrelenting – and they’re as empty as hearing “I love you” after the first date.

 

It’s not enough that you must

give 100% in what you do. There’s a whole other 10% out there to latch on it –

110% to be more specific. Here is a list of cliché’s that are sure to run you

up the wall:

 

We’re taking it one game at a

time.You can’t stop him, you can only

hope to contain him. (Kobe

was contained)Records are made to be broken.There’s no “I” in team.We played within our game.He has tremendous upside.They control their own destiny.And now, the real season begins. (Signaling the

beginning of the playoffs)

 

Today, we are celebrating

National Sports Cliché Week, and what would be a better way to celebrate than

to add a twist of urban culture to the fold? Just for fun, of course!

 

There’s a commercial for GEICO

that features celebrities “translating” the plight of normal people that

recently got into a car accident. So I got to thinking. What would happen if your

favorite rapper had the opportunity to translate a cliché-laced rant by a

professional commentator? Let’s find out.

 

NFL broadcaster John Madden, of Madden Football fame,

is commentating the second quarter of Sunday Night Football. When out of

nowhere, John makes a reference to his ‘Man Crush’ – retired NFL quarterback,

Brett Favre. And the crazy part would be that Brett’s not even playing in the

game. “Tony Romo and Peyton Manning are leaving it all on the field tonight!”

says an excited Madden. “People often compare Romo to Favre. But I know Brett

Favre. And Tony, you’re no Brett Favre.”

 

In the same scenario, Kanye West translates for John Madden:

“Tony Romo is nice, but he ain’t sh*t. Brett Favre is sorta’ cool, but he’s no

Brad Pitt. I need a Black Angelina (Jolie), Black Jessica Simpson  – they weigh about a buck, so you can call’em

slim pickens…”

 

Chris Berman and Roger Maltby called the early rounds of

the 2008 U.S. Open, and obviously, they were complimenting the high skill level

of Tiger Woods.

 

Roger Maltby: He’s have never

finished out of the Top 10 here. Pretty remarkable at Torrey Pines.Chris Berman: He knows where the

bodies are buried, and he knows where the putts are buried.

Roger Maltby: He buried that one.

 

Nas translates for

them both: “Tiger is Ether at Torrey, my n****s. He took each putt and bodied

them. And I don’t care what he says. He can axe that Cau-bla-asian sh*t. Minus

the millions, ‘the slave and the master’ effect still… [Due to technical difficulties, the U.S. Open will be back after we

relieve ourselves of a certain announcer]

 

NBA analyst Bill Walton will go down in infamy for over exaggerating every

moment he covers. An arena employee walks buy with popcorn in tow and Bill

Walton blurts out, “I’ve never smelled a better batch of popcorn in the history

of the NBA! This young man is walking the stairway to heaven, delivering

delectable buttery treats to the world.”

 

In the same scenario, Young Jeezy translates for Bill Walton:

“Take a whiff of dat popcorn homey! Pimpin’ pushin’ dat white like a certified

pro. He puttin’ on for his city. Yeeeeeeeaaaaaaaaaaahhhhhhhh!”

 

Harry Kalas,

legendary announcer for the Philadelphia Phillies, is calling a game between

the Phillies and the Red Sox. David “Big Poppi” Ortiz is in the batters box

with his team down by one in the top of the 9th. “And here’s the

pitch,” says Harry in his signature tone. “The swing. It’s a high drive to left

field… its way back… and it’s OUTTA HERE! David Ortiz has just tied the game

with his 24th homerun of the season.”

 

T.I. translates

for Harry Kalas: “Here’s-da-pitch! Shawty connects with it. The ball’s touching

the left field sky… and it ain’t never coming back! David ‘Big thangs poppin’ Ortiz

just tied this game with a homerun that sits him on 24’s for the season. What

you know about dat? I know all about dat, shawty.”

 

Even a classic announcer like Marv Albert could use a shot of Lawry’s

in his repertoire. On a three-point play, which wasn’t in high abundance this

past season for the New York Knicks, Marv screamed his patented, “Yes, and it

counts! Lebron James just tore the house down and will go to the line to

complete the three-point play.”

 

Jay-Z translates

for Marv Albert: “And one. My ace that I write songs about is going to the line.

After the game, we’re headed over to 40/40 for business. The takeover, this

game’s over. You ready, Bee?”

 

None of the recording artists were harmed or interviewed

for this article.

 

Playboy Fashion with Kendra Wilkinson – The Girl Next Door Loves Hip-Hop!

 

Kendra Wilkinson has made it known that she loves

Hip-Hop. As a star of the popular E! network show The Girls Next Door, a contestant on MTV’s Celebrity Rap Superstar and of course, one of Playboy mogul Hugh Hefner’s

girlfriends, Kendra is finding ways to fuse her love for Hip-Hop and fashion as

she builds her career.

 

Playboy has long been known for its lingerie and “cute”

logo apparel, however in recent years the brand has expanded into a complete

lifestyle for those who like to live like Hef, or look like a Bunny. Kendra has

her own flavor, and she’s got an edgy flair when it comes to rocking the

Playboy brand in her own unique way.

 

We talked with the 23-year-old trendsetter about

some of her favorite pieces in the Playboy line, her own fashion aspirations

and her experience on last year’s Celebrity

Rap Superstar.

 

AllHipHop.com: With so many extensions of the

Playboy brand, what is your personal favorite whether it’s the clothing or some

facet of the lifestyle brand?

 

Kendra Wilkinson: My favorite clothing in the

Playboy catalog would probably be the workout [line]. I love the workout one,

especially the new one. There’s a couple of them that I love, but there’s a

picture of me in this little Playboy jumpsuit thing on gossipgirls.com. I just

love the fabric that they use, the cut, and the style of the workout clothes

for Playboy.Photo from GossipGirls.com

 AllHipHop.com: On [The Girls Next Door] you

ladies review the line, whether it be jewelry or clothing. How much input do

you get to have with the designs?

 

Kendra Wilkinson: I get none, but I’m definitely

looking into designing my own line. I have my own style and there’s a lot of

people that look at my style and want to imitate my style. I have to be picky

because I have really small hips and really muscular legs. I’m actually about

to start designing my own clothing line, it’s gonna be for juniors and females,

it’s gonna be nice denim jeans and vests to go with it, cute stuff.

 

I’m very picky with my clothes. People look at me

like “Oh, she’s just lazy about fashion”, I’m really not. I really have a good

sense of what looks good. I can look at pictures like “Oh man, I shouldn’t have

worn that” but I’m really good at figuring out what looks good on my body and

different body types. So I’m definitely looking forward to coming out with my

own line.

 

AllHipHop.com: So the denim would have a little

more room in the leg for girls with muscles?

 

Kendra Wilkinson: I know Apple Bottoms make room

for a**es and everything, but sometimes girls have problems with bigger legs,

and not really a butt. So it’s sort of hard, because once the pants are over

the legs it kind of squishes the butt. I don’t know, there needs to be some

sort of stretchiness to the denim, not a cheap stretch, but a nice cut. I hate

all of these jeans that go way too high or too low. I know exactly what looks

flattering on a girl and what girls would need. I think by me designing this,

it’s gonna be perfect. It’ll be good on every butt and shape, I’m not gonna

make them too low cut, I’m gonna make them for everybody.

 

AllHipHop.com: From watching the show, we know you

love Hip-Hop fashion. How do you incorporate the Playboy style into your

Hip-Hop attire?

 

Kendra Wilkinson: I just have my own style and my

own way of walking and talking. It’s not even what I do for my outfit, it’s

just the fact that who I am is what makes my outfit. The way I walk, talk and

my body movements is what makes it more Hip-Hop looking. I can wear anything, I

love to dress it up looking more Hip-Hop than cute, because that’s my style and

what I grew up with.

 

I love the Hip-Hop style more than I like any sort

of girly cute stuff. Any kind of wifebeater I love matching that with [Nike] Cortez

shoes, I wear my Air Forces with them, hoodies, I love to mix and match. Say I

have a really nice Playboy wifebeater on, I love to throw a hoodie over it. I like

to throw my own style in it with the jewelry and a hat to the side. It’s not

even really what I wear, it’s how I wear it more.

 

AllHipHop.com: You mentioned your jewelry. Have

you particularly made any special pieces and have any of those custom pieces

made it to the line exclusively?

 

Kendra Wilkinson: No I haven’t really made any

jewelry, that’s not my department. I’ll wear it but that’s not really my thing.

I’m an athlete so I try not to wear too much jewelry, I’m always out there playing

sports and I work out everyday. There’s a really good picture of me with a gold

necklace with a pimp cup on it and a Playboy bunny on it. Now who do you think

they had in mind when they made that? [laughs]

 AllHipHop.com: You mentioned that you work out

every day. How much more physically active have you had to become over the last

couple of years [to keep your shape]?

 

Kendra Wilkinson: It’s been on and off, when I first

got here I blew up a little bit. I’m not saying I was fat, but I blew up. We

get pictures every week and I started to notice I was blowing up. That’s when I

got on my workout routine and invited my trainer to come work out with me, then

when I got tired of working with my trainer then I slacked off and started

doing my own thing. I stayed in shape, didn’t really go overboard with my

eating and started working out without my trainer.

 

I do a good job by myself, but lately I just hired

the best trainer in L.A. Jesse Bruno, he’s been working the crap out of me and

people have already noticed a huge difference. I’m working my way into the

fitness magazines and the fitness spotlights.

 

AllHipHop.com: What are the hot trends in

Playboy’s bikini wear right now?

 

Kendra Wilkinson: The metallic bathing suits are

the best. I like to stay with the simple bikinis, that’s what girls need. They

don’t need any fashionable looking ones because it looks disgusting after

taking the bathing suit off and having all of those stupid tan lines. It looks

ugly, it’s not impressing guys and it’s covering up way too much. All the

strings and all that stuff need to go away, keep it simple, light, normal and

make sure that they look good on your butt. The butt is the best part about the

whole bathing suit.

 AllHipHop.com: You’ve been on TV for a few years

under the reality TV spotlight, and you’ve made a few cameos here and there. Do

you see yourself actually getting into true acting gigs, and do you see

yourself getting into acting at any time?

 

Kendra Wilkinson: Yeah, why not? I’m, a very

adventurous person, I never knew that I was gonna be here today. This was never

a dream of mine, I’m the type of person that never dreams the impossible. At

the time I never dreamt it because it’s like why dream it if it’s never going

to happen? I kind of just took it day by day working my a** off for the moment

and the day and time. I never knew this Hollywood stuff existed, something I

did in my life was right and it picked me up and brought me here today.

 

I’m a strong person, and very smart when it comes

to decision making. I’m not the type of person that will just say yes to

anything. I’m a very adventurous person and I wanna have fun in this industry.

It depends on what  kind of role and

everything, but I would love to act. I’m not saying my goal and dream is to be

an actress, but I would love to do it, it would be fun for me and I think I would

be good at it because I was on TV and I think the first step to being good at

acting is getting used to the cameras and being comfortable. Let me tell you,

I’m very used to the cameras. [laughs]

 

AllHipHop.com: With Celebrity Rap Superstar, it was something you looked like you had a

lot of fun doing. What was the biggest lesson you learned through the show, and

what was the most fun about it overall?

 

Kendra Wilkinson: Celebrity Rap Superstar was probably the highlight of my life. I

love Hip-Hop, I’ve grown up on Hip-Hop, I like the real Hip-Hop instead of some

of the stuff that’s out today. I love Hip-Hop and to me it’s art. Nas says

Hip-Hop’s dead and I agree with him, and that’s why I’ve been staying away

right now. I’m staying 100% away from [today’s] Hip-Hop right now. Of course

I’m still listening to Jay-Z, but with all of this new stuff as long as I’m in

the club I’ll bounce to it and everything but when they put on Gang Starr, A

Tribe Called Quest, Wu-Tang, that’s when you’ll see me really shake my

a**. 

 

I love Hip-Hop and being on Celebrity Rap Superstar with MC Lyte, Redman, Too Short, Kurupt,

Tone Loc, Warren G, those are people I grew up listening to. It’s crazy because

I didn’t believe all of those people were gonna be on there, I thought it was

gonna be someone like Soulja Boy and I was like “Oh God, what am I getting

myself into?” Then I found out the people that were gonna be in it and I was

like, “I’m not doing it unless I have Too Short,” because he’s like my guy I

really grew up listening to. Even though it’s pretty bad stuff [with the nasty

lyrics], he’s the artist I grew up bobbing my head to in the car everyday of my

life going to high school and coming back from high school. He’s the number one

guy I remember as an artist. As soon as I heard he was going to be in it, I was

like, “Oh my God, I have to work with him.”

 

It was a hard decision because there were so many

people to work with. MC Lyte is the classiest, hottest woman in this world,

she’s above any woman I’ve ever seen in my entire life. She’s a true talent and

she definitely gave Hip-Hop a great name, working with all of them was a dream

come true. Everyday I woke up so excited to get right back on the stage with

all of them like, “Oh my God, pinch me right now. Am I living a dream? I’m

gonna record a song with f**king Too Short and be on stage with all of these legendary

artists.” I couldn’t believe my eyes, and couldn’t believe where I was. It was

a dream come true to me.

 

AllHipHop.com: You mentioned Soulja Boy. Have you

been following this Soulja Boy vs. Ice T “beef” at all?

 

Kendra Wilkinson: Ice-T is 100 percent wrong. Even

though I don’t agree that Soulja Boy is Hip-Hop. He should never say that

because who’s the one that’s going in the stores and going on the internet,

buying music and motivating these artists to keep going with their music? It’s

us, the listeners turning on the radio and listening to this crap. Good for Soulja

Boy, good for him, I say go Soulja Boy. He’s making money and doing what he

needs to do to survive in this world, and it’s us the listeners who are

listening to this crap. Everybody needs to make a living, so good for him. He

probably didn’t even know that this was gonna go far.

 

AllHipHop.com: How do you feel about the outcome

of the NBA Finals?

 

Kendra Wilkinson: I think Boston was the toughest

team throughout the whole season, period. As soon as they picked up Kevin Garnett

I was like, “They’re gonna go, there’s no stopping that team.” It was amazing

that the Lakers wet this far, how they pulled it off and everybody was excited,

but at the end of the day the Celtics were the toughest team, it was obvious

and no one could stop them.

 

The Lakers put up their best shot and I give them

props for making it so far, but the Celtics deserved it. They worked together

as a brotherly team. The Lakers love each other, but you can tell Boston has

that chemistry, and the friendship and brotherhood. Everybody knew from the

start that they were gonna be the ones to win it.

 

AllHipHop.com: For football, are you happy with

the choices that the Chargers and the Eagles made in the draft?

 

Kendra Wilkinson: Yeah, I’m very excited with what

the Chargers did, I’m really good friends with John Spanos and his family, and

I’m really excited that they made good decisions adding to their defense.  We’re good on our defense, but we just need

some good coverage. We’ve got a couple of good guards in the draft, I think it’s

just gonna add youth and quickness to our team and maybe get some of the holes

out there filled up.

 

AllHipHop.com: Is there anything else that you

want us to know about what you’ve got coming up?

 

Kendra Wilkinson: The [clothing] line is working

out, I have a great factory and design team and I think the stuff that I’m gonna

come up with is really good, but I don’t wanna promote it just yet.  Also we have a whole new 20 episodes of The Girls Next Door coming up, even

though I’m not on it as much as the last couple of seasons.Check out some more Playboy fashions at www.shopthebunny.com, and see what Kendra is up to at www.myspace.com/kendrawilkinson

Illa J Announces Release of J Dilla Produced Album

Illa J, the younger brother of the late, revered producer J Dilla, has informed AllHipHop.com that his pending debut on Delicious Vinyl will feature unreleased tracks from his older sibling.

 

The 21-year-old Illa J feels he is ready to not only show his talents as an artist, but will also illuminate the spiritual bond he still holds with his departed brother.

 

“Dilla was twelve years older than me,” Illa J explained to AllHipHop.com. “So back in the day in Detroit I was just a little kid, sitting on the stairs in our house, watching him make those first beats for Slum Village. So I always felt my brother’s tracks and had an instinct for what I wanted to do over them.”

 

J Dilla passed away in February 2006 due to complications from lupus, leaving behind an extraordinary collection of unused beats.

 

The unreleased tracks date from Dilla’s time working on Pharcyde’s sophomore LP Labcabincalifornia in 1995 through 1998.

 

Delicious Vinyl founder Michael Ross elaborated on how the pieces came into Illa J’s possession.

 

“From ’95 through ’98 Jay Dee was my go-to guy for hot beats and remixes. He was always making beats, always,” Ross detailed. “So there was a select amount of tracks that he composed for me during that time, only they never got used. When I finally met Illa J last year, I gave him a CD containing those unreleased beats.”

 

The timing worked in Illa’s favor, as the fledgling musician had just relocated to Los Angeles and built his own studio.

 

With his older brother’s lost recordings, he began crafting his own unique sound with Dilla’s recording equipment.

 

Through this process, Illa J feels his brother has imparted more life lessons to him from beyond the grave.

 

“One of the things I learned from my brother is that you don’t get that much time, so make the most of it,” Illa Jay reflected. “That’s why I’ve decided to dedicate my life to doing what I love: music. To work with Mike and Delicious Vinyl, that label that released those hits my brother made with The Pharcyde [‘Runnin’,’ ‘Drop‘] is really special.”

 

Ross wholeheartedly agrees, and further elaborates on a spiritual, higher purpose he sees in the musical legacy of Jay Dee and Illa J’s potential as a new artist.

 

“Illa J can write, sing, play and rap. Not just a little bit of each-he’s really the total package, Ross stated excitedly. “And anyone who loves Jay Dee’s music is going to flip out when they hear what his younger brother’s been laying down. For over a decade these beats have been waiting in the vault for this moment. It’s like Jay Dee made these tracks with an extrasensory purpose, so that Illa J could make this album. There is no question that is exactly what they were meant for. These beats belong to Illa J, they’re his birthright, and I really believe Jay Dee would be proud of what his brother is doing.”

 

A set release date has not been confirmed at press time.

Nas Rocks It Live On The Release Of New Album!

It was an evening fit for Hip-Hop royalty as Rap legend Nas graced the stage at the Blender Theater at Gramercy Park on Tuesday, July 15th. That day would be a special one in his fifteen year career with the release of his highly controversial ninth studio album Untitled (Def Jam).

 

The performance was held in conjunction with Hot 97 which followed an in-store meet and greet at Virgin Megastore. The album signing saw more than one thousand plus fans; some of which contentedly relocated to the theater and waited in a line wrapped around the block to see the man of the hour perform.

 

Mister Cee and DJ Enuff entertained the crowd spinning records from the Wu-Tang Clan, Method Man & Redman and fellow Queens groups Capone-N-Noriega and Mobb Deep amongst other Rap staples. Despite the fact that the venue was as hot as a sauna, ticket holders still kept their spirits up in anticipation of Nas’ performance. The two-story venue also saw celebs like Jermaine Dupri, L.A. Reid and of course first lady Kelis.

 

Dawning an red Fila t shirt and white pants, Jones hit the stage with DJ Green Lantern on the turntables after a brief slavery reenactment which lead to the opening of “N.*.*.*.*.R” followed by “Sly Fox”. Keri Hilson came on stage to assist Esco on the Polow Da Don produced “Hero”.

 

 

It wasn’t until singles were played from classic debut Illmatic that the sweat-stained audience went into frenzy. “N.Y. State Of Mind”, “It Ain’t Hard To Tell” and “The World Is Yours” amongst others caused fans to mouth each word allowing Nas to stand back and hold out the mic.

 

Nas kept things going with “You Owe Me”, and his memorable verse on Missy’s “Hot Boys”. He even dedicated the often hated on “Oochie Wally” for the ladies. When he surprised the crowd with the James Brown influenced “Get Down,” the heat ravaged venue took its first casualty as a poor female passed out.

 

A few more selections were performed from his more recent catalog along with “Got Ur Self A Gun”, “Shoot Em Up” and “Made You Look” closing out the show. Watching a legendary lyrical poet like Nasir Jones perform is like watching Hip-Hop history unfold before you. In spite of the steaming temperature and one person’s fainting spell, Nas still carried out an outstanding performance to add to the books.

 

 

 

Teacher, Civil Rights Activist Helps Combat ‘Stop Snitching’

The Yale National Initiative to strengthen teaching in public schools has introduced into its curriculum guide a new introductory Criminal Justice course devised specifically with the Hip-Hop generation in mind.

 

Titled “Police Investigative Challenges: To Snitch or Not to Snitch, That is the Unanswered Question,” the course aims to teach high school students about the problems and repercussions associated with uncooperative witnesses.

 

“Snitching has evolved [into a] blatant refusal to assist the police in spite of violence wreaking havoc in one’s own neighborhood,” explained Yale National Fellow Christine F. Shaub, who created the curriculum. “Some would go so far to say that in some urban communities, snitching in itself is a crime. This phenomenon is profound and widespread. This outlook has infiltrated the lyrics of rap artists, who disseminate the message that it is not cool to snitch.”

 

As a teacher at Howard High School of Technology, a predominantly African-American vocational magnet school in Wilmington, Delaware, Shaub approaches the topic by examining snitching as a social phenomenon rather than just a law enforcement problem.

 

“They researched and developed informative brochures about snitching and conducted a ‘Snitching Awareness Campaign’ in the city. They then presented their campaign to the Mayor of Wilmington, the Wilmington Police Department Chief of Police and also visited 9th grade classrooms in school to make youngsters aware of the snitching problem and its affects,” Shaub said. “With a culture such as this, it is no longer a surprise that students in my class or any other class in America would think it is okay to withhold information from authorities.”

 

At the center of Shaub’s curriculum is the urban novel SnitchCraft, which tells the story of a hustler-turned-nightclub owner set up by a dishonest snitch, framed within the context of Hip-Hop and Civil Rights.

 

Students choose one of three other crime novels – See No Evil by Diane Young, Truth by Tanya Lloyd Kyi, and Edgar Allan Poe’s The Murders in the Rue Morgue – which they are then to compare to SnitchCraft.

 

The exercise not only examines “snitching” in different cultural settings, but also teaches how crime fiction can help identify issues connected to real life situations.

 

“I am most honored that someone in a program focused on developing effective teaching strategies for youth in low-income communities recognized the value of the messages embedded in SnitchCraft,” said author Edrea Davis. “I wanted to convey important information in a language that the hip-hop generation would appreciate, and also demonstrate that ‘street lit’ can be used to deliver positive messages that inspire young people.”

 

The “To Snitch or Not to Snitch” curriculum also incorporates the infamous 2004 underground DVD Stop Snitching, which brought awareness of the Stop Snitching movement to the forefront of mainstream culture, mainly due to a cameo by Denver Nuggets forward Carmelo Anthony.

 

Responding to what they felt was yet another means of intimidating potential witnesses, the Baltimore Police Department released their own Keep Talking DVD encouraging community cooperation. A clip from that DVD is also included as part of the curriculum.

 

The Yale National Initiative creates partnerships between universities and public school systems in various cities, primarily those serving low-income communities, to provide “high quality teacher professional development.”

Team Blackout: We In The House

We’ve seen it a million times, reality stars turning themselves into full fledged entertainment stars. Or, doing their best at it. The MTV reality show Run’s House introduced Rev Run, a Hip-Hop pioneer, to a new class of viewers who may not know his history while simultaneously thrusting his family into the bright lights of fame. Viewers learned that Run’s oldest son, Jo Jo Simmons, wanted to become a rapper. He along with his childhood friends, Reggie and Zach formed the rap group Team Blackout and signed a record a deal with Latchkey Records. Even though you might be a skeptic don’t count them out just yet. With their debut album, Lights Out, dropping in August, Team Blackout is a part of a new generation of young Hip-Hoppers who only want to do them. They mix youthful exuberance with playful beats and natural song choices. After all they are just teenagers, trying to balance school, music, and being young. We caught up with them to tell us about deciding to get into the music game and why the “good life” portrayed on Run’s House isn’t as care free and easy as you may think.AllHipHop.com: On the show Run’s House we saw you going from recording in your home studio to getting a record deal. Was there anything about the process of getting signed that was surprising?Zach: I guess in the meeting…it wasn’t surprising…but in the meeting, the whole advance thing.AllHipHop.com: The money you thought you would get as an advance right?Zach: Yes the money. It’s all good it wasn’t really anything. That’s not what we’re really about. The money is definitely a good look. We’re just doing it for the love of it. We were just happy to have an interview and for them [Latchkey Records] to even listen to our music, critique it and consider us as being their artists. We’re just excited about that.AllHipHop.com: I did listen to the album and it sounds very youthful and fun. What concept were you going for?JoJo: That’s basically where we going with it. We were just having fun when we recorded it. Literally just having fun and enjoying ourselves in the studio trying to bring back that fun into Hip-Hop. At the same time we’re still focusing on what we’re saying. We were still trying to be lyrical and show off some skills.AllHipHop.com: Was there something about Latchkey Records that made you want to sign with them?JoJo: It’s because they were an up and coming label and we wanted to get big together. We wanted to help them as they wanted to help us so we can all come up together; and have the amazing story that we made each other.AllHipHop.com: Sometimes when you grow up around the music industry you may not necessarily want to be an artist because you’ve seen all sides of it, what is it that made you guys want to get in music?JoJo: I love to do it. I can’t see myself doing anything else. I like writing. It’s what I do, I just like to rap. It’s not just because my dad was a rapper it’s because it’s what I feel. I’m doing me.Reggie: When it comes to rapping it’s a freedom of speech. You can show how your personality is to everybody.  I feel like when you’re a rapper you have that swagger and that control on the stage. You can speak your mind about everything that you’re going through and people can connect.Zach: The first Hip-Hop video that I saw that made me really want to get into rap was “Can I Get A…” I was mad young, like 10 or 11. Just watching Jay and Ja Rule on the video I respected their swagger. That was just something that made me want to do that. I used to write my rhymes but I never really took it that seriously. It was just a dream for me but I didn’t think it could really happen. Then eventually it started all clicking. I started listening to other artists like Nas and Eminem and I just started feeding off of what they came with.AllHipHop.com: Are you guys comfortable about being in front of the camera? Not you JoJo, I know you are! [Laughs]Zach: We’re getting used to it. In the beginning it was uncomfortable being in front of the camera. We’re just going to have to deal with it. This is the life that we chose so we have to get used to it.Reggie: I felt uncomfortable when the cameras were on. When we’re alone everybody was chill but when the cameras were on I felt stunned.  I was just so nervous I just sat back and was quiet. It benefited me at the end. I got used to it.AllHipHop.com: Do you think it helped with your media interviews?Zach: Yes. It was good practice.JoJo: It definitely made us more comfortable in doing interviews. It’s like second nature.AllHipHop.com: On the show you guys graduated from high school and were going off to college. Are you still in school?Zach: We’re all in school. We’re about to be sophomores in college.AllHipHop.com: That’s good to hear. So how do you balance that?Zach: Right now school is out and we are just focusing on the music and getting this album out. We’re going to be there next semester but it depends on the whole situation on what’s going on with us. If it [the album] blows up and people are feeling it we might have to take a leave of absence.AllHipHop.com: Were you recording while in school?Zach: Yes, we were recording and in school at the same time. It was really hard to juggle both of them. To focus on my school work and get my homework done and then at night take a train up to JoJo’s crib in New Jersey; then recording late at night and going back to my dorm to wake up early to go to class was hard. But we worked it out.JoJo: That was probably the hardest part for me, being in the studio until like 1 in the morning and then waking up at 5:30 to leave for school. I never really had homework in my school because I go to an audio engineering school so it all tied in with me. The only hard part was me waking up in the morning.Reggie: I had classes like Philosophy and all these hard classes but then I had to go to the studio. I didn’t get a chance to study for my philosophy midterm but I was still able to pass. It was pretty hard to balance. I had to take the train to Long Island and then I had to go to New Jersey so it was pretty hectic.AllHipHop.com: Who in the group got the 3.0?Reggie: Me.JoJo: I had a 2.8.AllHipHop.com: Okay, that’s good. What would you say to people in your age group who are in college and want to get into the music industry?JoJo: I say don’t quit either. Don’t quit school thinking, “I’m going to be a big super star,” and don’t quit music. There’s always that personal time when you can go to the studio to record or write your rhymes. If you can’t balance it then that just means that maybe it’s not for you.Reggie: If you want be an artist chase your dream but be realistic. Stay in school because education is the key to success. People succeed in this industry by luck or by being blessed. If you fall you’ve got to have a plan B. Zach: Reading is fundamental. Math is key in everything you do. Especially so you will know your business and know who you’re dealing with, so you can’t just put school to the side. Stimulating your mind keeps you sharp. It keeps you prepared.

Declaration of Independence: Lina

ALLHIPHOP CELEBRATES INDEPENDENCELook into Lina’s eyes and you’ll see a bygone era when swing ruled the airwaves and defined the American songbook. For Lina, her affinity for older traditions is not a gimmick, but a way of life. Releasing her latest album Morning Star on her own label, Mood Star Recordings, Lina now attempts to navigate the perilous line between creative artist and bottom-line conscious CEO.AllHipHop.com Alternatives: You’ve stated that with the new album you’ve streamlined the best elements from your debut Stranger on Earth and your sophomore offering with Hidden Beach (The Inner Love Movement). Was that a conscious decision you made before going into the studio, or something that developed organically as you were working on the project?Lina: It developed organically. I just evolved. I got more familiar with the business, and all my influences just kind of met each other on this album.AHHA: Now that you have your own label [Mood Star], you’re juggling a lot of different hats while still being an artist. Have you had any difficulty separating all these responsibilities when it’s time to go in the studio and be creative?Lina: Oh yes. I didn’t realize how really you have to go into a zone because I stayed [just] an artist so long and was able to just concentrate on being creative. I wanted to do the label, but once the business started coming and I had to take those business calls and make executive decisions, I couldn’t be creative for a long time. I realized I had to balance both sides, and I’m still learning. I’m new at this but I have a lot of people helping me.When I’m in business mode, I execute well. But making that transition [to artist], you have to take that down time and completely remove yourself. It’s like I have a dual personality. AHHA: With your last album Hidden Beach had control and picked the songs they wanted from your catalog. Since they’re a neo-soul label, they picked most of your soul sounding records. If you had control over that project, how different would the album have sounded?Lina: It would’ve been pretty different. [laughs] It would have been more alternative…alternative soul.AHHA: I remember when you first came out in 2002 you stated that you felt musically we were going backwards creatively and spiritually. Six years later do you feel the same way?Lina: Oh yeah. We are going backwards. [There’s] nothing new under the sun, whether it’s the ‘30s, ‘40s, ‘50s, ‘60s or ‘70s. We’re in this recession right now and people just wanna feel something again. The standards of the music industry were tainted by video. Music was meant to be heard and felt, so the person could have their own individual experiences. But when the video came along, people became more about icons and presentation. So it diluted a lot of the real feelings and real soul in music, in all kinds.I think the only genre that kept its esteem was jazz. Everybody’s in a funk now. There are all these influences. You got the soul/gospel people coming back now. And now I feel this shift happening in the music business because of the recession. [A lot] of music shook our foundation of love with the content and the impression it made on people, and how it actually confused a lot of us. We’re seeing repercussions of that style of mainstream music that was really superficial. Now we’re going back to real stories of funk, soul, and jazz.AHHA: Being a CEO you now have to balance a musician’s artistic freedom with the vision you have for the label. Since you are an artist does that make this task easier or more difficult?Lina: It’s easier because I look for artists that I connect with spiritually. I’m doing this so out of the box. A lot of my business managers have a different mentality about this and that’s ok, because I need that for my protection. But when I connect with artists I’m connecting with them on a level from an artistic point of view, artist to artist. I allow advisers to come in and advise them on the business.It’s easier because I understand them. The things that happened to me in the business I won’t allow to happen to them. I won’t take on too many artists. I even have artists that have their own creative projection right now. They think they know what they want, but I know from when I thought I knew what I wanted and later on evolved. I know how to deal with them and knowing that spiritually they’ll come around. If I have a rapper that raps about what he sees so far, but every once and awhile I hear him go there, I’ll say “Ok, I know he’s gonna evolve to that.” So I’ll work with them until they’re ready. I understand that.AHHA: Love is a very big recurring theme and foundation in your music. With your label Mood Star, the actual motto is “Life supports music because music supports life.” How strong do you think music can be as a vehicle for social change and are there any limits on music in regards to if it can improve society?Lina: There’s no limits. Music is the universal language. I myself was raised by song. And I have a song called “Who’s Your Daddy” that talks about some of the youth being raised by rap songs. We were raised by music. It’s there when we’re alone; it speaks to our subconscious mind. It’s music so it’s that thing like love; one of those things you feel but cannot see. Just the instruments and the spirit of music…it is a spirit.[Music’s power] is unlimited. If you listen to my all my records, I’ve never written a true love song. I’ve written about being strong, you can’t do me wrong, I love myself, and even songs like “I hope this is love, but if not I’ll make it through.” That was me in this society of self-glorification and superficial music; I grew up during that era too.I listened to a lot of the materialistic Hip-Hop. Then I had my own battle with the music that put women down and I’m like, “I’m not going to be done like that.” So I see how music affected me and my friends around the world.AHHA: Jazz music, particularly the Roaring ‘20s and swing have had a big influence on you. What in particular attracts you to those styles?Lina: It’s the spirit. The people played with passion, and it wasn’t about money. They were just being creative. There was individuality, independent thinking, and it was just no rules. It was the way they found joy and escape from all their problems. Whatever that “thing” is that they put into the music and pass along to the listener, that soul of it is what attracts me to [that sound]. It was purity, innocence, and genuine. I can hear it, no matter how low I feel it. Something about that music I have a connection with.AHHA: I want to mention a few artists from that era and get your feedback on what immediately comes to mind when you hear these names.Lina: Ok.AHHA: First artist would be Benny Goodman.Lina: Wow…genius! [laughs]AHHA: Next is Count Basie.Lina: Oh my God…phenomenal.AHHA: Duke Ellington.Lina: Class. Just high standards…upscale. AHHA: Roy Eldridge.Lina: Ooh…the truth! [laughs]AHHA: Dinah Washington.Lina: Soulful, beautiful.AHHA: And finally Billie Holiday.Lina: Oh my God. [Billie Holiday is] the epitome of an artist. The epitome of what our contributions should be as artists. I tell everybody you can’t be an artist if you haven’t listened to Billie Holiday. And not even so much about her voice by herself, it’s whatever she’s going through projected through her vocals. It had nothing to do with the track either; she’s music.AHHA: With the new album Morning Star what are your favorite tracks off the album?Lina: My favorite track is “Good Day” because that’s a song where I had to just keep it real on what I was going through. The album is not like the others. I call those my “empathetic albums”… this is me and other people’s stuff. Morning Star is my stuff that I went through and things that I’m thinking about. I was bold enough to put it on paper and get over myself. I have to keep it real with me and express myself. Other tracks are “Piano Song” and “Breakthrough.” I want all the ladies to listen to “Get It Right.”AHHA: You’re close to ten years deep as an artist. What’s the biggest misconception people have about Lina the artist or your music?Lina: Probably my vocals, I can sing. [laughs] I sing gospel, I sing R&B; I’m not just one thing.AHHA: Visually your clothing and makeup have always been striking and distinctive. Has that always been your style or something you consciously started doing to separate yourself in the industry?Lina: No, I grew up with all women. I have six aunts who all grew up in the ‘70s. They were very fashionable and my mom had her own clothing line for a minute, and she was a beautician. So that was a thing my family was always into. And I always felt like an old soul. The things they were into were things I was into, while my peers were more modern.AHHA: You’re currently working on a jazz album. Have you named it yet?Lina: I haven’t named it yet. I’m doing the jazz circuit now with all the festivals. The cool thing that’s happening with jazz now is that they’re bringing in alternative and soul artists to do jazz who are versed in it. I’m real excited about it.AHHA: With jazz there’s always been that divide regarding what is “real jazz.” Do you subscribe to that or feel it’s too divisive with music?Lina: I know that they mean because a true jazz artist knows their history and the greats. They study and read music. They’re very passionate. They make money but it’s about playing that instrument. I’ve worked with jazz and R&B bands and it’s totally different. Jazz musicians are extremely dedicated to their craft.AHHA: Would you consider an album like Miles Davis’ B###### Brew a jazz album?Lina: Wooo, how dare you. [laughs] It has a theme and respect for jazz but to me it’s something else too. It’s all things.AHHA: Any closing thoughts?Lina: I want to thank all my fans for holding me down. Somebody asked me what was the difference between me and another artist they named. I do music to glorify God. I realize that as an artist I have a responsibility to make a contribution to the soul of man the way a lot of my favorite artists did. I want to reach out to all the artists out there…we have a responsibility. Keep that in mind when we’re making music because we’re offering lives for the better or worse. Through some form make a contribution to the soul of man.    

Shawty Lo Denies Chain Snatching Rumors

Atlanta rapper Shawty Lo is shooting down internet rumors of his involvement in an altercation at a club in his hometown over the weekend, in an exclusive statement issued to AllHipHop.com.

 

Rumors appeared online on Wednesday (July 17) that Shawty Lo, born Carlos Walker, was assaulted at Club Crucial, a venue in Bankhead co-owned by rival T.I.

 

According to rumors, Shawty Lo’s chain was stolen and the attack occurred to the soundtrack of T.I.’s “What Up,” a recently released track which appears to take aim at Shawty Lo.

 

“A couple of dudes from my Bowen Homes hood got into it with some other dudes from Bowen Homes,” Shawty Lo explained to AllHipHop.com. “It really wasn’t nothing, just some Bowen Homes sh*t. It wasn’t an altercation with me at all. I didn’t get touched, period. And this had nothing to do with TI.”

 

The D4L founder, who is currently on vacation in Florida with his family, went on to say that he would address the situation in more detail with a new YouTube video, set to be posted today (July 18).

 

The on-going war of words between Shawty Lo and T.I. has been a constant topic of conversation and speculation for the last few months, with Shawty o appearing to be the aggressor.

 

In his efforts to discredit T.I.’s on-wax persona, the D4L Records CEO has created a series of YouTube videos investigating the self-proclaimed King of the South’s origins.

 

Last month, during an on air interview with Power 106 in Los Angeles, Shawty Lo explained the origins of the conflict, which seemed to many to come out of nowhere.

 

As the rapper told it, he approached T.I. in 2006 with a request to appear on the song “Let’s Get It.” The collaboration was on track until T.I. took objection to a street single released by Shawty Lo entitle “King.”

 

T.I.’s response, according to Shawty Lo, was a line on the single “Big Things Poppin’,” in which the Grand Hustle CEO spits: I said I was King and the lames started laughin’ and/Same sucka now want the King on a track with him, thereby initiating the ongoing war of words.

 

While rumored “diss tracks” continue to make the rounds, both rappers maintain that they are not interested in escalating their conflict beyond the music.

 

The two have shared the stage on many occasions this summer, including at Hot 107.9’s Birthday Bash in Atlanta in June, where the artists continued to take verbal jabs at each other, without further incident.

Hip-Hop Rumors: Barack Picks A VP! Illiterate Rappers

DISCLAIMER:

All content within this section is pure rumor and generally have no factual info outside of what the streets have whispered in our ear. Read on.

TODAY’S RUMORS!

NELLY FURTADO CONCERT ENDS IN RIOT – THANKS RAPPER!

Nelly Furtado was in Russia on Sunday and her concert ended in a damn riot! The Canadian singer was performing in Moscow, Russia and Timati, Russian rapper, tried to rock with her as planned. The venue refused him admission to the show. Nelly Furtado’s security went to handle theirs and a fight broke out! About 20 people were involved to an extent where the crowd was hit with blood. Hell, the rapper Timati lost a tooth in the fight!

BYE TO TERRENCE AND ROCSI???

It took some time, but I finally got used to these two and now they are saying they might be fired? I hope not, to be honest. You all know, I used to be in love with Free. Whew. Free. Anyway, people are saying Rocsi was on vacation, but that seems to be a lame cover-up for the indefinite leave she was put under for bouncing last week. She’s expected to be gone for several weeks. She was seen down in Miami at some event. All in all, they OK with me, especially Terrence J. Like I said, I heard Rocsi hates me.

MORE ON SHAWTY LOUPDATE: Shawty Lo denies the rumors. “A couple of dudes from my Bowen Homes hood got into it with some

other dudes from Bowen Homes,” Shawty Lo explained to AllHipHop.com.

“It really wasn’t nothing, just some Bowen Homes sh*t. It wasn’t an

altercation with me at all. I didn’t get touched, period. And this had

nothing to do with TI.”

 

Ouch. OK, I have a bit more information on this scene. Now, nobody has threatened to kill me today so there might be something real about this. Somebody told me that the whole ordeal is on cameras at the club, which is owned by T.I. I wasn’t there so I can’t say whether or not it was factual or not. Like I said yesterday there was a rumor that Shawty Lo got “mopped up” at Club Crucial was the scene of a crime against rapper Shawty Lo. From what I understand, Crucial is TI’s club on Bankhead. It was reportedly off the chain on Saturday. Shawty Lo and his whole click showed up at around 2:30 am on Saturday. I heard some dude named Meatball attacked Shawty Lo while a well-regarded song called “What Up” played. As you know, that is the diss record T.I. recently recorded. I heard that it was ugly. I heard that Club Crucial is confirming the incident and my sources swear by this.

ILLITERATE RAPPER?

I don’t want to hurt a certain rapper’s rep, but my friend told me this story that a year or two ago he was working at a radio station and this rapper was there to rap a verse that was ghostwritten. The rapper kept messing up when performing the written down verse. Finally, the rapper tells dude, “Between me and you, I can’t read well.” To his credit this obviously means that most of the stuff the rapper performs has to be his own. If someone ghostwrites for him, he has to memorize it from what I know.

I considered naming the rapper, but I think people already think he is dumb. I don’t want to fuel those flames. Hey, Tom Cruise can’t read either! Good company.

50 CENT AND MC KILL MORE?

Not sure if this is a press stunt or what, but 50 Cent and Val Kilmer are reportedly going to hit the studio and record some songs. The rumors says, that since becoming friends on a movie set, Fiferoo and Val are now working. They are saying it will only happen if MC Val decides to step up. 50 Cent has all the beats.

WHAT YOU KNOW ABOUT BEING V.P.?

Barack Obama has finally picked his presidential candidate for his 2008 run for the presidency and he has choosen illseed!

Thanks to everybody that supported me in this effort. My cabinet of advisors are C_A_K, Boss Up and AJ22. More to be added. Anyway, Kanye West, N.E.R.D and

Wyclef Jean have reportedly joined Usher as performers supporting

Barack Obama at the Democratic National Convention. Not sure about all

this…

AKON JAIL AGAIN?

Akon may have a major issue. I all, but forgot about this situation, but he’s got a criminal case against him from when he tossed that dude off the stage. The “dude” was a 15 year old in 2007. Akon was slapped with a few charges that could get him in jail for a year or more. Akon was at the ASCAP Awards last month and I heard he was so cheerful, he wore yellow pants.

“BIG-HEADED” BOBBY VALENTINO IN JAPAN?

My dude B is currently living over in Japan and he had an interesting situation with Bobby Valentino.

“What’s up!!! Usually I wouldn’t send this type of s**t but f**k it I think this n***a has the “big head”!!! Last Wed. (Jul 9) my homies and I went to a club in Tokyo called Warehouse 702 and while I was busy watching the awesome pole dancers do what they do on the pole, I was about 10 n***as makin’ their way to the stage. Now it’s not uncommon for local groups to perform at the club so that’s what I thought was going on. Once everybody was up there I started to turn my head as the hype man said “Hey what’s up we have Bobby Valentino in the house.” This n***a was on stage for literally 30 seconds and then walked up to V.I.P. Now I wasn’t expecting him to do a show or sing some s**t but damn!!! Homie ain’t say s**t. They played two of his songs and that was it he never came down from V.I.P. to sign autographs, take pictures, or just be amongst us common folk. I understand n***as got money and what not, but ur independent now….PROMOTION is key!!! U need to be tryin’ to keep ur CD off the clearance rack!!! Especially since u left DTP!!! I thought u had a couple of cool songs and what not but after that s### I think I’ll pass on ur next flop…I mean project!!!”

DAMN, NATE DOGG

Damn, I just happened to be on tmz and saw dag on Nate Dogg. Dude rolled up in a wheelchair for a court proceeding. He was there because he apparently was threatening the life if his ex-girlfriend and following her like a crazy man on the highway. He got a bail set at $100,000, but they rolled him back to jail until he puts up some money to get out. Where is Dr. Dre when you need him? He pleaded not guilty to the felony charges against him.ILLSEED’S QUICKIES

CLOCK? I heard a crazy rumor that Edner “Cherry Bomb” Cherry snuffed Floyd Mayweather. I don’t know if that’s true. Floyd is the best pound for pound (or is that “was”). That’s in the ring though.

THE I-N-C: Rumor has it Max B may have found a recording home in The Inc records with Irv Gotti.

NAS IS HOT! Nas got that heat! I heard his recent concert in NYC was so hot that people were nearly passing out. Apparently the AC wasn’t working for about two weeks.

GETO: The legendary Geto Boys are working on a new album – a reunion album, at that.

SIGNED: I hear Cassidy is taking his show over to Universal Records.

OFF THE HOOK: Everybody thought Teddy Riley did it, but he didn’t. The fire that destroyed an ailing studio perished by an electrical problem, according to The Virginia-Pilot. Rumors!

GOT IT! Nicole from the P#### Cat Doll’s has reportedly locked in with Formula One race car driver Lewis Hamilton.

VANDALS: Some New York youth tossed a rock through Madonna’s SUV. She wasn’t in it, but her driver was. Foul.

DRUGS = BAD: Andy Dick was arrested after a 17-year-old girl said Dick grabbed her tank top and bra and pulled them down. Her boobage was exposed! They allegedly found illegal and illicit drugs on homey.

THE REAL GAME: We’re talking about The Game joining Westside Connection and he’s talking about being with his child’s mom and being a family man.

INSTANT CLASSIC:Jay-Z and Timbaland might be doing Jay’s next album in its entirety.

JESSE’S MESSY! I wish Jesse didn’t use the N-Word when referring to Black folk. He’s fought the word for years. Remember when he said, “Fo’ shizzle my nizzle”?

NO N-WORD: Check out http://lifestylzgh.blogspot.com. This is mostly for my African brothers and sisters, but anybody that is down – check it!

SNITCH? Snoop Dogg has reportedly been named as a witness in the murder trial of Bay Area rapper Mac Minister.

RETIRE? Scarface said he’s going to retire. I hope not, but it’s not so bad. You cant have the mind of a lunatic forever…can you? Hope that reunion CD comes out…

9…or 19? Nas is rumored to started smoking weed at the age of nine. Maybe that’s why he forgot a lot of raps as his NYC show.

JEAN – COME BACK! Jean Grae is retiring, because she is rumored to be very unhappy with Talib Kweli and the label. I just thought she was quitting!

RANDOM QUOTES

These swinger rumors are coming back up with Will and Jada (WOW):

“In our marriage vows, we didn’t say ‘forsaking all others.’ Our perspective is, you don’t avoid what’s natural and you’re going to be attracted to people.”

Dave Chappelle explains why he didn’t make the Kevin Powell (for Congress) fundraiser:

“I generally stay out of politics however I had planned to attend the event to show my support for Kevin Powell as a friend. Unfortunately and regretfully, I had some travel issues and could not be there.”

Chris Brown on him and Rihanna (wenn):

“Every interview I do, they’re like, ‘So, how are you and such and such doing?’ And I’m like, I don’t know you, ‘why you all in my business?’” (Why is this dude in show business talking like this?)

Blender asked 50 Cent this question: “Who is your fantasy woman?”:

“But I’m-a tell you the truth: the mom from The Cosby Show. Yeah, Clair Huxtable. She was gorgeous, Jesus. I met her recently — she’s still very attractive.”

Bow Wow on the alleged beef with Omarion after he rapped about how tight O’s jeans are (mtv):

“O is my homeboy, and I even joke with O about how tight he wears his jeans,” Bow added. “He knows how tight his jeans are. That’s my homeboy. Everybody knows how tight Omarion wears his pants. It’s not a secret. So why is everybody jumping on me? It’s a fact. Plus, it’s a joke. So why wouldn’t I joke on my homeboy?”

SIGNS THE WORLD IS COMING TO AN END

WTF?

This dude can probably call his wedding a wrap after this incident. Harry Bouchard, 38, allegedly bit off his own brother-in-law’s eyebrow during an altercation in the parking lot at a Walgreens. Apparently, ol’ Harry and the brother-in-law got into some sort of argument that turned violent. When it was all said and done, Harry did a Mike Tyson to his brother buddy’s eyebrow. He bit it off and spit it out…then laughed. Whoa. Yo, the cops got their and did the brother a solid – they found the eyebrow. It was re-attached at a hospital with 70 stitches.

SIGNS 2 at illseed.com. A man cuts off his own head instead of leaving his home?? A must read!

LADY DRAMA LEAPS FROM THE HEAVENS ON YOUR NECK – WITH RUMORS!

LL Cool J gets FIERCE on Project Runway……

So for those of you who don’t know Project Runway is a fashion designer challenge that comes on Bravo! What makes it important to hip hop is the fact that LL Cool J will be a guest judge on this season. According to sources LL will be on the show to promote some type of clothing line, it will either be his Todd Smith line or his cheaper line that’s carried at Sears. Either way I hope its worth it because featuring your product, clothing line or company on the show can cost as much as $500,000 bucks! good luck LL and how you doin?

Reggie Tells Kim to Tone it Up…..

Looks like there is such a thing as too much junk in the trunk, well at least that’s how Reggie Bush feels about his girl Kim. While I was getting my daily dose of New York Post I came across this:

A source tells Page Six that Kardashian, who will wrestle Carmen Electra in the new flick ‘Disaster Movie,’ has been working out extra hard these days at the request of her boyfriend, New Orleans Saint Reggie Bush. ‘He’s been pushing her to work out hard,’ said our source.

Sunday, Kardashian was overheard telling a friend at the opening of FUSE nightclub in Nashville that Bush made her run the dunes at Manhattan Beach in California.

hmmmm….. I don’t know if ole girl is just training for a new movie or if Reggie is politely trying to get Kim to tone up and using the movie as a decoy….. so Ill pose the question to my Down A** Brothers on Ahh… when is it too much and is there a such thing because I’ve been getting mixed answers… so help me out puhlease 😉

Awww No……..Natalie Cole Has Hep C!

Looks like living the party life has caught up to Natalie Cole, the singer was recently diagnosed with Hepatitis C. Read below via a public statement:

Natalie Cole has been diagnosed with Hepatitis C. The Grammy-winning singer, 58, discovered she had the disease during a routine visit to the doctor, but is responding well to treatment.

“Natalie has had a terrific response to her medication and is now virus negative,” Dr. Graham Woolf, Associate Clinical Professor of Medicine at U.C.L.A./Cedars-Sinai Medical Center, said in a statement.” This gives her an increased chance of cure.”

Doctors believe that Cole’s illness is likely the result of drug usage decades ago, which she documented her 2000 autobiography, “Angel On My Shoulder.”

I wish her the best and a great recovery!

Will These Two Give it Up Already!

Mariah and her so called spouse hit up Disney world recently! It’s about normal for them to milk a photo any chance they get! No need to get married in vain! Not for nothing but doesn’t Mariah resemble Mickey and Minnie a bit? Just a thought!

Lady Dramas Food For thought:

I hear Adina howard is still giving lap dances… anyone interested? PERVS 😉

Lil Wayne went to court with a white tee and some jeans on… Am I the only one convinced that the one working side of his brain isn’t really working either?

I’ve been feeling the sudden urge to sling grease….. Dont say I didn’t give yall a heads up!

Go hard or go home peeps!

NOT SO FAST…SHELZ: I have to admit, I don’t know what Shelz is talking about with these rumors. LOL. Check them out and see if you can make heads or tails of them.

Ice Cube totally co-signs The Game.

He told the folk over at The Hip Hop Chronicle that he can see The Game moving towards legendary, iconic status in hip hop. Cube went on to say that all The Game needs to do is keep his focus and he’ll get to the hip hop promised land. Oh, he also said he feels the same way about Fiddy. [Check out the video at illseed.com]

Maybe I’m just Slow….

But does Flava Flav have some really little kids? Like really really lil, still in diapers type kids? How is this possible if he has been pouring all of his energy into finding the perfect woman for the last three years? And what chick is allowing him to kiss and rub on every stray piece of VH1 bootay that passes by while she continues to provide that man with progeny? Ugghhh!

Gangs Have Overrun the NFL?

During the NBA playoffs, Paul Pierce walked past the Hawks bench and did some ole crazy ish with his fingers. The league administration, which is obviously laden with ex-8th Street rollers, recognized it as “menacing” and fined him $25,000. In my opinion it looked more like that sign Celie gave Mista right before she drove away from holiday dinner. But anyway, not to be outdone by the hoopsters, the NFL has taken an interest in all of those unidentified hand signals their players use on the field as well. In their epic paranoia, they have hired criminologists to pour over game film as it accrues during the year to make sure no bangers are palming the pigskin. Now, I’m pretty sure some of these gestures are homemade and don’t mean a damn thing to anyone but the player and some of his folk. Like Travis Henry throwing up that 9. It’s the number of children he’s fathered out of wedlock and amazingly enough the amount of dollars he brings home per game after paying all that child support. Or we can see Brett Favre throwing up the 10×10 sign, which is the number of teams he would rather play for than the Packers. I would wonder were they find the money for such nonsense, but considering the possible rookie cap, I think I know.

YESTERDAY, WE LOVE YOU!

They keep us talking, but if we stop talking about them then they should worry!

-illseed

WHO: illseed

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at ah*******@***il.com.

– allhiphop rumors

UPDATE: Master P Speaks On Sporty T’s Death

Pioneering New Orleans rapper Sporty T, who helped define the city’s rap scene in the late 80s, was found shot to death early Tuesday morning (July 15).

 

The 41-year-old born Terrance Vine was discovered by his sister after his FEMA trailer was riddled with bullets in the pre-dawn hours.

 

Police arrived at the crime scene in the New Orleans community of Gentilly around 4:30am and immediately pronounced Vine dead.

 

Investigators are hoping witnesses will come forward with information that will lead to a suspect.

 

Vine had survived a previous attack in 2001, when he was shot 5 times by an ex-girlfriend.

 

A founding member of the Crescent City Infamous Ninja Crew, Sporty T’s career spawned over 20 solo and group albums between the late 1980s and 2001, when he released his last four projects over a two month period.

 

In addition to paving the way for artists like Master P and the success he attained with No Limit Records, Sporty T had a direct hand in the success of groups UNLV and Partners In Crime. “I thought he was a great guy, he was ambitious and fun,” Master P told AllHipHop.com. “It’s a tragedy and we have to stop the violence. He was a victim of his environment. I try to instill to our kids to get the proper education. When you grow up in a place of poverty, sometimes you have to get away. He was a real good person.”

 

His career would ultimately be defined by beef, after a rivalry between the two groups escalated into an on-wax war between UNLV’s label, Cash Money Records and Big Boy Records, to which both Sporty T and Partners In Crime were signed.

 

Despite having been a childhood friend of then Cash Money producer Mannie Fresh and maintained a longstanding relationship with both Baby and Slim Williams, Sporty T aligned himself with his label mates.

 

He continued his feud with Cash Money years after having left the Big Boy imprint, drawing fire from Juvenile, B.G., and even a young Lil’ Wayne.

 

Sporty T maintained that several lines from Juvenile’s 2001 release 400 Degreez were directed at him and he was also the subject of various disses from Lil Wayne and B.G. as well.

 

“F**k Big Boy” (Partners in Crime Diss)”: B.G. featuring UNLV and a young Lil Wayne:

 

http://www.imeem.com/famouzakadimez/music/RVXRxRe2/bg_ft_unlv_lil_wayne_fuck_big_boy_partners_in_crime_di/

Chuck Phillips Let Go By The LA Times

In a drastic effort to reduce mounting expenses, the LA Times has announced the departure of several veteran journalists from their staff.

 

The cost reduction campaign comes as many print newspaper and magazines are suffering shrinking revenue returns due to online competition.

 

Chuck Phillips, who won a Pulitzer in 1999 for his work on music business corruption, is one the journalists reported to be leaving the paper.

 

He is well known in Hip-Hop culture for his controversial stories surrounding the deaths of Tupac Shakur and Christopher Wallace, The Notorious B.I.G.

 

In 2002, Phillips wrote an investigative story implicating Wallace in the drive-by murder of Shakur.

 

The story alleged that Wallace ventured to Las Vegas the day of Shakur’s murder and paid the Southside Crips to be the hitmen, and that he also gave them a specific gun he wanted used in the killing.

 

For sources, Phillips stated he used unnamed gang members and informants.

 

The veracity of these claims were immediately challenged by Biggie confidant Lil Cease, who publicly claimed Biggie was in a New Jersey recording studio the night of Shakur’s murder.

 

In March, Phillips wrote an explosive story on Tupac’s 1994 shooting, alleging that the plot was orchestrated by moguls Sean Combs and James “Jimmy Henchmen” Rosemond.

 

Both men vehemently denied the allegations and threatened libel lawsuits.

 

An expose by The Smoking Gun website revealed that Phllips based his story around forged FBI documents written by James Sabatino, a con man incarcerated in federal prison.

 

In April, the LA Times retracted the story and wrote a lengthy apology to Combs and Rosemond, stating that the “report relied heavily on information the Times no longer believes to be credible.”

 

Phillips could not be reached for comment at press time.

Brooklyn HipHop Festival Recap

The

Brooklyn Hip-Hop Festival has always prided itself on showcasing new

and established artists during its highly anticipated main performance

day. This year was no different, as thousands of Hip-Hop fans swarmed

Empire-Fulton State Park to witness performances from 88-Keys, Mickey

Factz, Blu & Exile, DJ Premier, Buckshot, and KRS-One.

                The

first well received stage show came from West Coast standouts Blu &

Exile, who worked hard to invigorate the crowd out if its 90 degree

heat induced stupor. The smart audience was familiar with the group’s

critically acclaimed Below the Heavens, and happily sung along to “No Greater Love” and “Dancing in the Rain.”

Despite

fumbling over a few lines due to sound mixups, Blu still won over the

crowd with his genuine, introspective lyrics and energetic presence he

brought to the stage.

Due

to time constraints, legendary producer DJ Premier found his set

confined to a mere 15 minutes. Still, the greats have always been adept

at improvising, and Premier instinctively knew which tracks would

maximize his reception.

 “Ohhs”

of nostalgic recognition resonated throughout the park when Premier

played Biggie’s “Unbelievable.” The trip down memory lane continued as

the backbone of Gang Starr blew through his Illmatic standouts “NY

State of Mind” and Represent.”

 “Not Nas!” Premier bellowed over his mic. “This is Nasty Nas!”

Even with the short set, Premier was not content with passive bystanders, especially in Brooklyn.

“Let

me ask y’all something; do y’all really love Hip-Hop music?” said a

flabbergasted Premier after a weak reception to the singing intro of

Group Home’s “Supa Star.” “But do you respect it, though? There’s a

difference between listening to it and respecting it. You can listen to

it all day and be a clown. So if you love Hip-Hop help me sing this!”

And

with that declaration, Premier had officially given BK permission to

wild out as he sequenced into Gang Starr’s “Full Clip.” With thousands

of hand signal L’s raised in remembrance of fallen Harlem MC Big L,

Premier had once again showed the DJ will always be an integral part of

Hip-Hop culture..

Brooklyn

native and Boot Camp Clik leader Buckshot was up next. With the serene

Brooklyn Bridge as his backdrop, Buckshot was right at home. His

energetic and partial acapella performance of “No Comparison” began to

slowly build up the crowd as he transitioned to the timeless boom-bap

of the original “Crooklyn.” The quick punch of successive classic

tracks worked well to Buckshot’s advantage, and by the end of the song

the crowd was thoroughly engrossed in his performance.

Seeking

to build on his leverage, Buckshot continued the assault with the

sinister “How Many MC’s,” “Buck ‘Em Down Remix,” and the sprawling,

Barry White assisted rhythms of the “I Got Cha Opin Remix.” With the

latter, one of the Black Moon’s most recognizable remixes, the

thousands of fans in attendance engaged in a seamless call and response

in accordance with the hook’s declaration to “duck down!”

With

most of the classic songs accounted for, there was one song left for

Buckshot to perform; the seminal debut single “Who Got Da Props?”

Testing the “smartness” of the crowd, Buckshot’s DJ played the intro of

the sample, Ronnie Law’s enchanting “Tidal Wave,” before dropping the

1993 upgrade. The front area was littered with numerous fans flailing

their arms and head nodding, and one could visualize them wearing the

JanSport backpacks of the bygone era.

After

a great cutting intro by DJ JS-1, KRS stormed the stage with an

interpolation of “Stop the Violence” over Jeremy Harding’s

Playground/Zim Zimma riddim. Easily controlling the crowd, the Bronx

veteran went straight for the jugular with “The Bridge Is Over” and

“MC’s Act Like They Don’t Know.”

Sound

problems and dwindling time were a non-issue for the Blastmaster, as he

took the opportunity to freestyle over several beats: Black Rob’s

“Whoa,” 50’s “Back Down,” and B.I.G.’s “Who Shot Ya?” The Teacher’s

improvisations were so proficient that he had to admonish his DJ to

keep up, as Kris requested a new beat to drop every fourth bar.

Before

leaving KRS also took a moment to get political, as he endorsed Kevin

Powell’s bid for the Congressional House seat in New York’s 10th District, and cautioned all in attendance to understand their voting rights before making a selection in this year’s election.

Brooklyn’s

mantra since the 80’s has been that they “keep on taking it.” And this

day, the borough lived up to it, as the BK Festival once again took

Hip-Hop to a higher level.