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Snoop Dogg Set To Battle It Out – On “The Price Is Right”

(AllHipHop News) Rapper Snoop Dogg will make his first appearance on “The Price Is Right” in January, during the show’s first-ever celebrity week special.

Snoop Dogg will join co-host Drew Carey and other celebrities, who will take on contestants for good causes.

The proceeds from the celebrity edition of “The Price Is Right,” which is the longest-running game show in TV history, will go to the celebs’ favorite charities.

Snoop, who also gets to spin the wheel during the show, may have faired better than his opponents, according to the show’s producer.

“It was a lot of fun to watch these celebs play our iconic games,” Executive Producer Mike Richards told AllHipHop.com in a statement. “Each one had their own unique strategy to win. Let’s just say Snoop knows more about the price of grocery items than you might think!”

Other celebs who will compete during “The Price is Right’s” first ever celebrity week include Jenny McCarthy, Neil Patrick Harris, Chris Daughtry and supermodel Heidi Klum.

Snoop is playing to raise funds for his Snoop Youth Football League (SYFL) non-profit, which teaches children the importance of teamwork, camaraderie, and education through football.

Celebrity Week:

Monday, January 2 — Snoop Dogg playing for Snoop Youth Football Leagu

Tuesday, January 3 — Jenny McCarthy playing for Generation Rescue

Wednesday, January 4 — Neil Patrick Harris playing for The Noreen Fraser

Thursday, January 5 — Chris Daughtry playing for Alzheimer’s Association

Friday, January 6 — Heidi Klum playing for Unicef

Album Review: Gucci Mane and V-Nasty’s “BAYTL”

Rating: 3 / 10

One of the things that makes Hip-Hop so entertaining is the level of unpredictability contained within it. Thanks to music opening doors for everyone and the revolution of the Internet, there are things that can happen now that originally seemed to be unthinkable or even ludicrous. For instance, Meek Mill might not have been here if it wasn’t for Twitter blowing up Rick Ross’ mentions of him on Twitter. Jay-Z and Kanye might not have been able to pull Watch The Throne without building hype through the Internet reporting on their listening sessions.

However, for every reasonable explanation, there’s always one unexplainable item that is unable to be rationalized, no matter how you attempt to tackle it. In one of the more confusing moments of 2011, it was announced that Gucci Mane and White Girl Mob representative V-Nasty would be teaming up to release a joint-album entitled BAYTL. It sounded like a bad idea at the time, and now that the LP is upon us, that doubt is reaffirmed in almost every way.

The one single thing that hinders this album from being even a decent output is the people attached to it, or rather the females. It’s unfortunate that Gucci Mane chooses this album to actually improve his flow and his bars, because the N-word toting V-Nasty is by far the weak link, and her weaknesses easily outweigh Gucci’s rap improvements and upgrades. The songs quickly slide into the typical topics of drugs, money, girls, and more, but with the added twist of V-Nasty taking pleasure in being one of the guys in every aspect. If there was ever any doubt, V-Nasty’s first verse on the project makes it clear what her subject matter’s going to deteriorate into:

“Hide the young ones, Cuz I’m comin’ for your daughter /

If she ain’t sellin p***y I ain’t gon’ bother /

Got a pornstar, a ho, and a model /

In the club we do big sh*t, pop a hundred bottles /

We getting’ h*es wet, they gon’ need goggles /

They said get that gas, ho I’m on that full throttle /

If I had a d*ck, then I’d tell that b*tch to swallow /

Thirty in my clip and it’s letting out hollows..”

Later in the project, she even goes as far as to ask listeners how she became “more ‘hood than David Banner.” And, by this point, it’s hard to take her seriously. The cameos here (aside from Slim Dunkin) aren’t worth checking for either; Mistah F.A.B. makes a forgettable appearance on “Loaded” (capped off by the obligatory Equestrian line that Drake’s has helped to make popular), and the other features just seem bland.

As mentioned before, it’s unfortunate that V-Nasty is tied to the project because Gucci Mane really did a decent job whenever he stepped to the plate. With clever lines (“I’m not romantic, but I cook my dope candlelit”) and his switching flows rather impressively (for him, at least), Gucci Mane sadly picked the wrong time to deliver a solid performance. One is only as strong as their weakest link, and thanks to V-Nasty and company, what little replay value that’s to be had is siphoned out, due to the generic topics and the all-around unappealing idea in general.

Hip-Hop is unpredictable (and that’s a great thing), but let’s hope that unpredictability never plays into something like this happening again. Unless it’s much, much better.

K1ng Eljay is the founder of his site, K1ngEljay.com, as well as a contributor to GoWhereHipHop and RapGenius.com. Follow him on Twitter at @K1ngEljay for more.

The 2011 Playback: AllHipHop.com Ponders What A Year It Was

2011 is almost a wrap, and by some standards, it was a strange year mixed with highs, lows, and epic happenings. Read on as we highlight some key moments from the year:

On the homefront, the world economy struggled along, improving for some but mostly signaling, at least here in the U.S., that tough times are nowhere near over. “The 99%” raised their voices across the globe, mobilizing “Occupy” movements to protest the vast disparities between the haves and haves nots. Even a few actors, artists, musicians, and other wealthy do-gooders latched onto the “common man’s” cause. The movement, with its good intentions, has yet to accomplish much tangibly, but has yielded thousands of arrests, some violence, and only a meager interest by Corporate America. Then, there were the natural disasters, like Hurricane Irene, that took an unprecedented toll on the upper East Coast, where catastrophic storm rarely hit.

In politics, the Republicans and Democrats continued to dook it out as the all-important 2012 election draws closer, with the country’s first Black president facing his toughest year in office yet. Skeletons were dug up by the dozens on Herman Cain, the Black, Republican forerunner in the forthcoming primary battle, ousting him in shame and indicating that the American decision in 2012 is far from certain. Elsewhere, President Obama was busy trying to gain consensus from Congress, bring home the troops from the Middle East, solve the economic problem, and craft his campaign – all while capturing and killing 9/11-conspirator Osama bin Laden, who had been on the run for an entire decade.

Sports and entertainment collided as the lengthy NBA Lockout threatened to push many basketball players into the recording studio, or worse even, into the regular workforce. Samuel L. Jackson found himself crowned the highest paid actor in film history, and Beats, Rhymes & Life, the poignant documentary about A Tribe Called Quest held its own, receiving numerous nominations and awards alongside bigger budget, bigger star films.

In Hip-Hop, there was the never-ending race to sell units and downloads, as the old industry sales model took a nosedive for good. There were several standout themes in 2011, and they all combined to make for an interesting year, to say the least.

The Year of the Collabo – there are no statistics here, but it seems as if everyone rapped with everyone in 2011, at never-before-seen levels of collaborations. Barriers between states, regions, and styles fell away, as the booth became the place to share meetings of the mind between MCs. Genre giants like Young Money, Maybach Music Group, and “The Throne” weren’t afraid to go there, mixing with others at times, and then dominating with the strength of their individual conglomerates.

The Year of the Mixtape – continuing in the spirit of 2010, the evolving sales model seems to be prompting artists to release full-length, studio-quality mixtapes in the hopes of staying relevant between album campaigns and as a way to gauge audience reaction to different sounds. Mixtapes certainly aren’t new, but these days, it appears that artists are willing (or heavily persuaded) to give away their best for free in order to keep the fans happy and prime them for paying for the real album somewhere down the road.

The Year that Bridged Generations – Rap is no baby. The genre, which has spanned nearly 40 years, has witnessed two, or nearly three, generations of fans embrace its rebellious, creative style. Some rappers joined in the notion that what’s old is new, and (as predicted by AllHipHop.com in 2010) the Old School met the New School halfway, in an effort to keep rap alive for years to come. The result was the release of some of the best rap we’ve heard in years.

The Year of the Early Demise (or Near Demise) – the good die young. Hip-Hop mourned the loss of a giant in November 2011 – the incomparable Heavy D, who died at just 44 after helping lay a foundation for several of the culture’s biggest stars of today. Comedian Patrice O’Neal, who embraced urban culture in his jokes, died at just 41. Still, all clouds have silver linings – EPMD-half Eric Sermon suffered a heart attack at 42, but is recuperating. We’re awfully glad about that. Lastly, demise came in the form of prison sentences, as we saw too many rappers take on prison as their homes (read more in our News Feature on rappers and crime in 2011 later this week).

Heavy D. Funeral Program

2011 had many more happenings worth pondering, and AllHipHop.com invites you to tune in all this week, as we take a look at 2011 – especially the Hip-Hop music and moments we won’t soon forget.

Jermaine Dupri Sued Over Repossessed Lamborghini

(AllHipHop News) Rap mogul Jermaine Dupri is at the center of a lawsuit over his 2005 Lamborghini Murcielago.

Premier Financial Services recently filed a lawsuit against the So So Def mogul in Georgia Superior Court, claiming he has failed to make payments on the car.

According to the lawsuit, Jermaine Dupri made a $70,000 down payment on the car and financed the remainder of the luxury vehicle at a price of $330,000.

He was to make 58 payments at a cost of $4,323, but around 2009, the mogul defaulted on the loan.

The lawsuit claims that Jermaine Dupri still owes almost $80,000 on the Lamborghini.

According to reports, Jermaine Dupri’s Lamborghini has already been repossessed and sold for $115,000, but the company is suing the rapper/producer for $79,095 damages.