(AllHipHop News) NBC’s The Fresh Prince of Bel-Air began airing on television on September 10, 1990. Yesterday, was the 30th anniversary of the Will Smith-starring sitcom.
Smith celebrated the show on his Instagram page. The legendary actor uploaded photos with himself along with other members of the show. He also announced a Fresh Prince reunion special is coming to the HBO Max streaming platform.
“Today is exactly 30 YEARS since The @FreshPrince of Bel-Air debuted! So we’re doin’ something for y’all… a for real Banks Family Reunion is comin’ soon to @HBOmax! RIP James. #FreshPrince30th,” wrote Smith on Thursday.
The IG images featured Daphne Maxwell Reid, Karyn Parsons, Joseph Marcell, Alfonso Ribeiro, Tatyana Ali, and DJ Jazzy Jeff. Will can also be seen speaking with Janet Hubert, the actress that originally played Aunt Viv. James Avery (Philip Banks) passed away in 2013.
This week also saw the official announcement of the Bel-Air remake. Smith is working with Morgan Cooper, Chris Collins, and others to produce a dramatic reimagining of the program. Bel-Air is set to stream on Peacock.
The Golden Arches/Cactus Jack collaboration’s Drop 2 contains more t-shirts, hoodies, hats, and pants. Scott is also offering McDonald’s-branded keychains and slippers. Many of the original options are already sold out.
McDonald’s and the Hip Hop star also teamed up for the Travis Scott Meal. Consumers can purchase a Quarter Pounder with cheese, bacon, and lettuce that comes with a medium-sized fries with BBQ Sauce and a Sprite.
Photo credit: Cuemadi The Photographer/ Azus Studios
(AllHipHop Music)Lia Givenchy is a South American native. Guyana-born, Brazil-raised, she began her musical journey on a small yet well known and prestigious island, Bartica.
Her music vision enhanced, upon her arrival into the melting pot of Flatbush, Brooklyn, NY. She swiftly became no stranger to the music industries elite, penning music as a ghostwriter for various signed acts.
Bar for Bar, her sound is rich and distinct, plus it syncs the tradition and truth motto, old and new schools alike.
Lia’s modern day twist to the basic fundamentals of music is designed strictly to captivate the globe’s mass appeal.
Music Is Her Middle Name!
Lia pays homage, to her favorite artists of all-time, Ashanti, Lil Kim, Foxy Brown, Ludacris, just to name a few, she often reminisces, on how much of an impact these artists had on her while she was perfecting her craft.
Her benchmarks continue to rise as singles such as “Palm Reader” were added to New York’s #1 urban radio station Power 105.1, accompanying performances with the likes of Hip-Hop Legends, Paul Wall , Lil Keke and Lil Flip, proves Ms. Baethoven is #NeverNotWorking!
With the same energy, she was motivated to create her own independent label, Bartica Records Inc.
Bartica Records is Lia’s prize possession as it has allowed her talents to expand, in the newest musical genres, Afro beats, Afro Latina, Compa, dancehall and Top 40 Rhythmic to solidify her mainstay in the market.
With a bright personality, humble aura, and beautiful image, along with above-average musical talent, Lia has gained many fans across the globe. She’s nonstop in production and is always ready to perform!
A storyteller, songstress and spokeswoman, the world needs to prepare for Lia Givenchy. Take a listen to “Deception” below.
With everything seeming to be in place, producers are unsure if all the cast members will be available.
The filming is off their normal schedule.
The star power behind the show’s ratings is gold and sure to usher in a fifth season if the creatives don’t get bored.
“As long as Donald wants to make more ‘Atlanta,’ I’m down for that,” Landgraf said in January. “But it’s his choice.”
Atlanta also stars its celebrated creator.
Since Atlanta’s debut, Glover has starred in the live-action version of Disney’s “Lion King” and won a Grammy for the single, “This Is America” under the moniker/alter-ego Childish Gambino.
Donald Glover is not the only person in the cast who has been popping in these streets. Lakeith Stanfield, who plays Darius, has done a slew of films that have made him one of Hollywood’s most sought after actors.
Stanfield has starred in movies such as “Get Out,” “Sorry to Bother You,” “Uncut Gems,” “The Photograph,” and “Knives Out.”
Brian Tyree Henry, who plays Alfred, is also thriving as an actor scoring roles in “If Beale Street Could Talk” and “Joker.”
(AllHipHop News) In 1961, the Freedom Rides started to canvas Mississippi to help Black people get the right to vote.
All of the people you learned about in school, Ella Baker, Diane Nash, Medgar Evers, Julian Bond, the recently departed John Lewis organized so that people of color who had been compromised by Jim Crow-inspired voter suppression laws could cast a ballot.
Still, it is the truth … and come this November, Yeezy will be the second African-American to have moved past the primary elections to be on the ballot as a candidate for the office of president in the nation.
On Tuesday, September 8th, the Mississippi the State Board of Election Commissioners approved him to be on the ballot.
The Magnolia State joins Arkansas, Idaho, Iowa, Tennessee, Oklahoma, and Utah — and states that have ignored that Kanye is a registered Republican and have chosen to allow him to run as an Independent.
The “Jesus Walks” emcee filed his paperwork for the presidential run on July 15th with the Federal Election Commission.
Theories have been circulated that he is a plant in the election to take away Democratic votes from Joe Biden, banking on the sheep mentality of younger fans enraptured with his celebrity.
His secret scheduled meetings, confirmed by Jared Kushner (an advisor for the White House and the son-in-law to the current president, last month has helped fuel the rumors.
If they were working all by themselves maybe. But considering their association with the Ultimate Rap League and how much attention it is currently getting because of that (Forbes, Bloomberg, SportsTechie.com), maybe the two brands partnering is actually the lynchpin in the advancement of America’s first Hip-Hop sport.
Over the last few weeks, the hate has been heavy, as fans have flocked to various social media platforms to denounce the partnership between the “World’s Most Respected” rap league, URL, and the streaming company, Caffeine.
They’ve attacked everything; referencing the very first event that they produced and streamed, Genesis, mocking how jacked up the visual experience was.
Then battle rap “purists” circulated the false rumor that Smack sold his company to Caffeine for $113 million, which is why when the app chose not to work with long-time battle rap videographer Kyle “Avocado” Gray, they rolled over and just turned their backs on a man that has been a friend and ally to the culture.
Another complaint is that the technology used in judging battles is purposefully rigged to advance white rappers like Mike P and Nunn Nunn, two rappers who had debatable battles that were left up to a fan vote —where apparently a glitch favored one opponent over the next.
For those who don’t understand the process of industrialization, Caffeine seems to symbolize the exploitation of underground Black culture.
Those same people look at the success of the Ultimate Rap League with disdain and its embrace of technology as a means to advance their corporate vision (not just their relationship to Caffeine) as an omen for what is to come.
Authenticity is lost.
Credibility out the window.
The real deal identity of their battle rap gone real wrong.
*SMACK IMAGE INSERT HERE*
In some weird way … if you let these people tell it … URL, the company that created the current “3 round acapella battle” format as a sport, has warped from an institution that has provided livelihoods for so many artists and ancillary businesses like media outlets and clothing lines, into this Uncle Tom figure in the culture that is willing to sell their people out for the big bag: Eric Beasley essentially Berry Gordy. Cheeko essentially Clarence Avant. Smack White essentially Russell Simmons.
Drake, figuratively battle rap’s Jesse Jackson, was enlisted and championed to bring this Black cultural phenomenon to some proverbial Promise Land, but he is powerless in preserving the integrity of the movement.
But if we are dealing with facts, none of that is true … and is fake as some of the personals Arsonal spits in his biggest battles.
Here are some facts.
Because of the Ultimate Rap League’s partnership with Caffeine, battle rap now looks like it is just as important as anything that Da Baby, Cardi B, Megan Thee Stallion, or Migos are rocking with.
The relationship is akin to ESPN as the network and UFC with the fire content, making the assets of the network’s distribution all the more captivating.
The platform is like MTV — affording folk like Jay Blac and Tsu Surf to be ambassadors to the new fans in ways that Fab Five Freddy and Joe Claire were for 90s babies. Mike P is like this era’s Michael “MC Serch” Berrin.
“Hip-Hop has evolved so much since it started,” Queen of the Ring rapper C3 explains. “And in my opinion battle rap is one of the ‘purest’ forms of Hip-Hop that still exists. I’ve always felt like battle rap should be bigger than it is. And not just because I’m a battle rapper but more so as a fan of the culture.”
“I feel like Caffeine has shed much-needed light on battle rap and is on its way to getting it the recognition it deserves. Seeing the commercials all over social media, billboards, ESPN spots and even the more professional look of the battles makes me feel like ‘we made it!’ The battlers are finally being seen as the superstars they’ve always been,” C3 said.
That’s exciting in itself.
However, some critics will attack the business model because of how insulated information around this deal has intentionally been. They’ve suggested that URL has sold their souls to create this exclusive content for this entity outside of the culture.
The business model that the tri-part leadership of URL has implemented with Caffeine affords them the first rights to certain battles. Then those battles will be aired exclusively on the URL app alongside all kinds of original content and will be available across multiple outlets such as Apple TV, Roku, Amazon Fire Stick, Samsung Smart TV, and XBOX on Androids, Apple Tablets, phones, and televisions.
This leads to another fact …
People can make money on and off Caffeine if they are smart.
Caffeine is a live streaming service with limited capacity to store the content that is created by these new users.
Who are these new users: URL works with the service to curate and cultivate leading influencers in the culture. Once identified, they are able to get a program manager to set up shows in a cool way. If their show does well, they can do a deal for a check and get money from their emoji program.
Then, they are able to cross-pollinate their other social media platforms. They can stream live on Instagram while hosting their Caffeine show. They can store it and re-broadcast on YouTube and monetize it there. There are ways that real reciprocal business is taking place and those who participate are enjoying access to revenue that they never before experienced.
Another fact is that people are having beaucoup fun watching live battle rap like its Soul Train or 106 & Park’s UFF.
Since Caffeine’s partnership with URL, during the COVID-19 global pandemic, more high-quality battle rap programming has been made available to the fans .
According to D.I. da Hennyman from Battle Rap Trap, the partnership between the two companies has brought unprecedented energy to the culture.
“They have definitely brought excitement to the battle rap culture,” he remarked. “By presenting high energy competitions over the last five or eight months, they have made a mark. But let’s consider the fan-friendly interactive model that allows the culture to watch and even speak with their favorite emcees while enjoying the show.”
Fa da God from The Real Rap Sheet agrees with “The Trapper,” adding that by making it so fans can watch some of the most prolific emcees get busy in a battle for free is a huge plus for the new streaming service.
When asked why that is important, he noted, “It is important because you have casual fans who were hesitant in buying cards on the Pay Per View model for a certain amount of money … especially not knowing if those battles would be worth the money. This allows them to consume the art with no hassle.”
Another fact that Henny brings up is that the app builds community in a way that YouTube, Instagram, and Twitter does not.
Community is being built on Caffeine TV because of their trusted association with the Godfather of Battle Rap, Smack White.
“Battle rap favorites (from emcees to media) all have a channel on the platform that can be utilized to connect with the people 24/7, further ensuring that there is never a dull moment in the culture to be missed,” Henny said.
This variable is a huge gamechanger. This actually allows everyday people to become influencers in the culture. Fans have emerged as some of the most hilarious commentators during events and depending on their own ingenuity can create opportunities for them.
From the cash incentives for sharing, to the deals that are being handed out, those who are chasing bags have the glint of gold in their eyes like 49ers.
Somehow people are zoning in on lyricism more — perhaps it is the small room style or it is the frequency of the battles — but fans (not just analysis shows like Champion, PSA Hip-Hop, Nobodies Fly with Vada Fly and Showtime SP, Black Compass Media, Angry Fan, Battle Rap Stats or Ben Swayze) are paying attention to what is being said.
There is also a more concentrated focus on lyricism that has been lost in this new era of personality-driven performances. St. Louis’ Aye Verb, who has been super critical of the culture’s reliance on gimmicks over substance says, “Caffeine has brought the game back to lyrics … it’s no longer a circus show.”
Fans have been celebrating the many innovative ways that battles are being presented since the coronavirus— a move that URL and Caffeine did not solely master.
Leagues like Rare Breed Entertainment or the heavy-hitting Charlie Clips TV have shot battles in a fashion that has stripped down gas from the crowds, the extraordinary responses to reach, and all that fluff that has been making these contests corny.
But once Caffeine upped the ante, providing 24 hour COVID testing before events, limiting the crowds, and shooting high energy performances (some tournament style and some that just seem like epic events even though they are small room) every week —something shifted.
Fans see it, which is evident in some of their most honest responses.
Battle rap media also does and they are wowed even as they perpetuate some of the distrust. But mostly the artists can feel it.
Verb also stated, “The production is brand new … when we are on stage … it’s like the game has started over.”
URL’s artists look and feel like the stars that they are — and the excitement of seeing the culture exalted as an industry is long overdue (a fact aforementioned by C3).
As a vet, Verb remembers what it was like when battling was just on the corners under the street lights or considered backpacker-ish and not real or profitable Hip-Hop.
He and people of his generation, rappers as well as league owners, have been pushing the envelope to develop battle rap not just as a culture but as an industry.
This is a campaign that Smack, Beasley, and Cheeko have been hammering for years, which is evident in how they have presented battle rap over the years on YouTube, PPV, and on social media.
It is further highlighted how top-notch videographers like Avocado, Twizz, JB, and others have made events and trailers look cinematic. But like always, URL wanted to go to the next level and with an industry angel like Drake in the background, Caffeine has been able to assist in the marketing of the culture’s biggest stars.
According to Smack, Drake has long wanted to help take battle rap to the next level.
The Young Money history maker has long been a fan of not just URL but so many of the other leagues. However, there was a different attraction to what Smack and crew were doing.
He wanted to be instrumental in growing the culture in a way that the world had never seen but did not have the access to a business model large enough for even his own vision until Caffeine came along.
Smack tells the story:
“Drake and I would speak, he would always ask how he could support growing whatever I was doing, how he could play a part to help everything that I was doing. We used to just go back and forth, and we came up with the concept of how to make the viewership of battle rap that bigger,” Smack explained.
The URL icon said that Drake would buy all of the pay-per-views to his events and afterward call him with feedback and critique.
“We would talk and he would say, ‘Hey, I bought the pay-per-view and it was good but I thought that this should be like this.’ He would come with a lot of constructive criticism on how it could be an easier process on the signups or matter of fact, ‘let’s make this s##t for free. Let’s link up with a company that can make the content available where fans won’t have to pay a cover charge.’”
For the “God’s Plan” rapper, he just wanted to see how he could make the experience better from a fan’s perspective. Remember in the video of that hit song, when Drake was going around just being a fairy godfather to people dropping off treasures to those who he knew would appreciate it????
That is exactly what he did.
At least Debo from Queen of the Ring believes that Drake and Caffeine came in and made things exciting for all of us by putting more eyes on the culture, just like he promised to do.
Caffeine is not just taking and giving back, but with URL, they are building the next wave of the movement.
Despite what the running narrative is, Caffeine is a business that is offering tools and assets to celebrate the culture that fans, artists, and league owners went hard in the paint on for over at least 15 years.
The Queen of The Ring founder contends, “Some people in our own culture just take what the forefathers provided… but Caffeine is adding to what we do.”
Each week, there are hundreds of hours dedicated to battle rap programming, essentially giving battle rap content creators their own networks.
These shows actually outperform the big name artists like Doja Cat, Offset, and The Game. The battle rap presence that URL brings to the table impact just cannot be matched.
The top URL shows are URL Primetime with JayBlac and URL Recap Show with Hennyman.
The artists on the league’s roster and community affiliates are getting shine too.
Someone like Tsu Surf has tournaments, battle review shows, After Dark with Jaz the Rapper, and he even shoots the s##t with artists shows on his channel.
In the mornings, each weekday, there is the Wake-n-Bake with TayRoc or Breakfast with the Champ with DNA. There are celebrity-driven shows like Weed Like to Know with 40 B.A.R.R.S., The Doja with K-Shine, DAB TV (again with Henny), LTB Daily with Let’s Talk Battle Rap, Relationship Thursday with Anwar and Reda, What’s Goodz with Goodz, Battle Talk with Mike P (and his video game show) and JayBlac Arcade is dope.
Mt. Rushmore vet, Loaded Lux is not as generous with giving Caffeine and URL all the credit for creating this new energy in the sport, opting to give them props as a vehicle or conduit for the culture, but not the nucleus of the magic that is making the culture fun and exciting again.
“They didn’t [do that] … the rappers and the fans did that. However, Caffeine is doing a healthy job with assisting it to be more mainstream and accessible for people who do want the experience of a good rap battle,” Loaded Lux said.
That they are. No longer do you have to traverse to Harlem to see a Dot MOB member get loose. You don’t have to wait for the next card to come to your town and you dish out a phone bill to snatch a ticket.
They alleviated the dread of standing for hours to see the battle come through — and with a clearly more professional setup can get as many as five battles in a two hour time period. It is just so much easier to enter into the experience of competitive rapping.
And so maybe that is what they are adding … an easy and accessible way for fans to experience good rap battles — and that is exciting in itself.
(AllHipHop News) Kanye West was recently hospitalized and it was not because of his bipolar disorder.
The presidential candidate found himself under doctor’s care because he had a hand injury. Not because he is writing those checks … not because he is out there doing any heavy lifting … Yeezy’s injuries are due to his excessive texting.
Ye recently shared on Twitter that he was receiving steroid injections for the trauma.
“Lidocaine worked instantly!!! The dexamethasone takes 24 to 48 hours Modern medicine”
It is not hard to fathom that the multi-hyphenate is sending out at least a hundred texts a day. When you consider all of the deals and going-on, one might get Dizzy.
Kanye has the GAP line launching, he’s promoting his interview with Nick Cannon, while orchestrating a walking-on-water performance during his Sunday Service with Joel Osteen.
He also dropped the #1 album in the country with Big Sean’s Detroit 2 (Ye owns G.O.O.D. Music) and he is currently running a campaign to be President of the United States of America.
OD Quake ’s Instagram name reads “Hook Magician,” which speaks volumes to his talents. Priding himself in being a versatile recording artist, the Philadelphia native likes to all genres, switching it up from hip-hop to R&B to pop to reggae. He states, “Whatever you want to take it, it’s all over the place.”
Falling in love with music at age 14, it was in 2008 when he’d begin recording professionally. His specialty lies in his ability to create fire hooks and choruses, an area of expertise he calls his strong suit. Currently signed to Montana of 300’s FGE label, the 29-year-old has released three projects to date: Revived, Haymaker, and Bipolar.
Consistently feeding his growing fanbase, he most recently released the official music video for “Circle Closed,” detailing his come up and those who switched up around him.
AllHipHop caught up with OD Quake who had just woken up after going to sleep at 12:30pm. All day every day, you can find him locked in the lab working. Read below as we discuss his upbringing in North Philly, family, getting signed, inspo behind “Circle Closed,” and more!
AllHipHop: Being from North Philly, what was the household like growing up?
OD Quake: It was rough. It was me, my mom, my dad, had both of them thankfully. 2 sisters and a brother. We had a lot going on, always in trouble. Dropped out of school, I was a bad ass kid. I stayed in trouble, always getting suspended from school. My mom lost 2 jobs because she always had to come up to the school for me. That’s what made me get into music, kept me occupied.
AllHipHop: Who were you listening to coming up?
OD Quake: The main artists I still listen till this day is Boys II Men. Wanya Morris is my favorite artist.
AllHipHop: What did you like about him?
OD Quake: At first, it was more so vocal because at that age when I was younger, I liked listening to vocals, harmonies, and melodies. As I got older, I actually started listening to the lyrics. I’m like wow, these guys are the dopest.
AllHipHop: When did you realize you could do music for a living?
OD Quake: About 15 because in Philly, it was a hardcore era back then. Everybody was on their gangsta rap, that’s where I started off at. A couple months later, I branched off and started doing R&B for females. That’s when I knew I was going to take it serious.
AllHipHop: Who or what inspired your new single “Circle Closed”?
OD Quake: Just life period. Recently I’ve been going through some things with court, it’s life experiences. I dealt with a lot of fake friends, a bunch of fake people. I wanted to talk about that, let people know everybody isn’t your friend. That’s why I dropped that.
AllHipHop: Do you feel like as you get bigger, the more people switch up on you?
OD Quake: Yeah, I believe that. Honestly the way this world’s going now, people switch up on you for no reason. Whether you’re big, small, anything.
AllHipHop: How tight is your circle?
OD Quake: Very tight. It’s me, my wife and kids. [laughs] I have a total of 9 kids: 4 biological and 5 stepkids.
AllHipHop: How do you balance all that and the artistry?
OD Quake: Everything’s in my house. My studio’s in my basement. I’m doing everything. I’m doing my own videos, me and my wife. She records them, I edit them. Everything is DIY, especially coming from Philly. I took it upon myself.
AllHipHop: What’s your faith in God?
OD Quake: I believe in God, 100%. As of now, I’m not really too religious. It’s hard to believe a book, especially the way this world’s working. It’s hard for me to trust anything in this world. I definitely believe in God, but not a religious person.
AllHipHop: How’d you find your way to Montana of 300’s record label, Fly Guy Entertainment?
OD Quake: Back in early 2017, I reached out to his manager KP. I was at a point in my life like “let me try to get help, get a manager or something.” I’m used to doing everything myself, I’m a one-man army. He actually hit me back, we started talking from there. He’s been helping me out. Around 2018, he had a show near me and his manager told me about it. He got me on the show, I performed. After that, Montana’s like “we’re going to connect.”
A year later, they had another show near me. I came out to the show, me and Montana chopped it up. We did the song “Wavy” on his album Views from the General’s Helmet. From there, he wanted to sign me and we kept working from there.
AllHipHop: Talk about the Haymaker playlist you created on Spotify to help grow people’s numbers.
OD Quake: I created the playlist to help artists that had music on Spotify. I asked them to follow the playlist and in return, I put their music on the playlist to try and help them generate new fans and new streams. Trying to help everyone out, while helping myself out at the same time.
AllHipHop: What do you need in the studio to record?
OD Quake: Nothing to be honest, the whole time. I don’t bring no juice, no water. I wake up and go at it.
AllHipHop: Goals for yourself at this point of your career?
OD Quake: I’m trying to build a successful Youtube channel, trying to get my views and subscribers up. Same on Spotify, Apple Music, all that. My goal’s to gain at least 100K new fans by the end of this year.
OD Quake: Lately I started a thing called “Friday Filmz,” with a z on the end. I’m shooting videos, editing them, dropping official videos every Friday. I’m promoting it. I’m paying people to post it, running ads on it. I’m doing a lot, keeping the engagement with my fans.
AllHipHop: Are you sitting on hella music?
OD Quake: Oh yeah, I live in the studio [laughs].
AllHipHop: Anything else you want to let us know?
OD Quake: Stay positive. Staying positive is one of the ways to being successful, keeping your mind clear. Have faith in God and you can get where you want.
The Motown legend was an honoree at the annual ceremony and was introduced to the stage by Blige and Kim, who had turned heads on the red carpet by arriving in a purple sequined jumpsuit featuring a dramatic asymmetric top, which left one boob completely uncovered, except for a matching pasty the Hip-Hop star had used to preserve her modesty.
When Ross stepped up to greet the ladies, she marveled at Kim’s daring outfit, and memorably reached over the podium to jiggle her breast as the MC laughed.
However, Blige wasn’t best pleased at the encounter, which unfolded on live TV.
“I was embarrassed for Kim, and I was really p##### when that happened, because that’s my little sister and my friend,” the singer/actress shared on U.S. talk show “Watch What Happens Live.”
“Kim is courageous. She’s gonna do what Kim does (with her fashion choices), so I think we all should respect it like we respect… Megan Thee Stallion and Nicki Minaj and Cardi (B),” she added. “Respect Lil Kim. This is what they do. Respect them.”
While Blige was unimpressed by Ross’ actions, Kim previously insisted she was honored to have been touched by the music icon.
During an interview at the 2019 Essence Festival, she said, “Now that’s legendary. The boss. I love Diana Ross. I always said if I did a movie about my life, she would play my mom. And I told her that.”
And to celebrate, even amid the COVID-19 virus, the couple ) and a gang of their family members has taken a vacation. #WorkHardPlayHard
The billionaire icons are currently coasting in the seas of Croatia in a huge yacht that is costing them $2 million a week.
The Titanic-esque ship has a crew of 34 members and is the size of a football field. The yacht hosts up to 12 guests and includes eight huge staterooms, seven VIP rooms, a theater, a spa with professional masseuses, and a ton of toy including jet skis, water skies, inflatable paddleboards, a swimming pool and more.
Blue Ivy and the twins’ (Sir and Rumi) parents aren’t just rocking out and not thinking about others.
They have already donated millions to the pandemic and hurricane relief efforts.
(AllHipHop News) Kool & The Gang co-founder Ronald Bell has died, aged 68.
The multi-instrumentalist died at his home in the U.S. Virgin Islands on Wednesday morning.
Bell formed the Jazziacs with his brother Robert ‘Kool’ Bell, and pals Spike Mickens, Dennis Thomas, Ricky Westfield, George Brown and Charles Smith in the mid-1960s.
They became Kool & The Gang in 1969.
Ronald wrote or co-wrote and produced many of the group’s hits, including “Celebration,” “Ladies’ Night,” and “Cherish.”
In addition to his work with Kool & the Gang, Bell also produced and arranged tracks for artists like the Fugees, Jimmy Cliff, and House of Pain.
At the time of his death, he was working on various collaborations, a solo project called the Kool Baby Brotha Band, and a series of animated shorts about his life, called Kool TV.
(AllHipHop News) Former “Empire” star Jussie Smollett has maintained his innocence regarding his ongoing criminal case with the city of Chicago during an Instagram Live chat.
On Wednesday, the actor spoke with author and activist Marc Lamont Hill and reflected on the legal matter, in which he is accused of staging a hate crime against himself in early 2019.
Prior to Smollett’s interview, the co-founder of Chicago’s Black Lives Matter movement Aislynn Pulley and civil rights activist and prison abolitionist Angela Davis both spoke with Hill and expressed their support of the star.
Angela Davis previously supported Smollett via an open letter also signed by actors and activists Danny Glover and LisaGay Hamilton, and during the livestream she said: “I don’t think that we have extricated ourselves from all of the influences of law and order rhetoric even though so many of us are involved in campaigns against the police.
“The police still remains this major arbiter of what is right and wrong,” Davis explained. “How do we liberate ourselves from the ideological hold of the police?”
In a recent development in the case, officials from the city of Chicago requested that the FBI hand over records of their probe into Smollett’s case, while his lawyers filed a motion against his current indictment set to be heard by a judge today (September 10th).
“There’s a chance this could all be over tomorrow,” Hill suggested to a less-than-optimistic Smollett, who responded: “If I’m being completely honest, no I don’t think that… They won’t let this go. You know what I’m saying? They won’t let this go. It doesn’t matter…
“The sad part is that there is an example being made of someone who did not do what they’re being accused of,” he concluded.
(AllHipHop News) U.S. TV host Trevor Noah and bosses behind “YO! MTV Raps,” the seminal 1980s and 1990s show which helped popularize Hip-Hop around the world, are the first beneficiaries of a huge new podcast deal.
Bosses at ViacomCBS have signed a three-year deal with chiefs at podcasting giant iHeartMedia, during which they will create multiple original shows, as well as rebranding other pop culture properties already owned by the TV and multi-media network.
Noah, the host of America’s “The Daily Show,” is already a veteran of the audio series market, having launched his “The Daily Show with Trevor Noah: Ears Edition” back in 2018 and adding the parody venture “The Daily Show: Podcast Universe” a year later.
Now he will oversee multiple new shows for the platform, some of which will feature additional correspondents from the South African star’s late night news and comedy staple.
Meanwhile, “Yo! MTV Raps” – will return with a rejigged format, although details are not yet known.
Premiere dates for the new projects have yet to be announced. In related news, Charlamagne tha God has also launched a new podcast network with iHeart called the Black Effect Podcast Network with shows from activist Tameka Mallory, N.O.R.E and his popular “Drink Champs” podcast, as well as new shows from MC Eiht, Glasses Malone and others.
Atlanta’s Drako is a man on a mission. After releasing his debut mixtape, Fully Loaded, the Babygrande Records artist returned ferociously with his premiere 2020 single, “On My Own,” and its accompanying GT Films-directed video. Between mounting views, an outpouring of fan love, and landing a spot on Spotify’s coveted Realest Down South playlist, the market has spoken — they’re clamoring for more Drako. Heeding the call, Drako has quickly returned with another heater, “Pressure.”
Having spent his life grinding towards materializing his musical dreams, Drako understands the position he’s in: on the cusp of greatness, flirting with transcending the saturated hip-hop marketplace. But in order to rise above the dense competition, Drako knows that he can’t be hypnotized by the benchmarks of success that he’s achieved — he must keep his foot on the gas, he must continue applying that pressure.
Produced by Ouhboy, the layered trap instrumental — accented by wavy bass lines and vibey elements — assists Drako in declaring his insatiable desire to win. “I’m gonna keep my foot on they neck, and apply that pressure,” he promises in a galvanizing manner on the hook, making his ambitions palpable.
Drako’s thrown his rearview mirror out the window, his hands are white-knuckling the steering wheel, and his eyes are glued to the road ahead, for there is only one direction to move: forward.
2020 might be nearing its end, but Drako is just getting started. Stay tuned for more content coming from Atlanta’s next up.
Established in 2001, Babygrande Records is one of the premier independent labels operating today. After 19 years, Babygrande has still maintained its unique perspective within the industry, prospering during the most volatile period in the history of recorded music and beyond. The label has been influential in launching the careers of new artists while at the same time working to nurture the careers of seasoned veterans.
For more information on Babygrande Records, please visit:
(AllHipHop News) It has been a very tough week for Joe Budden. The popular media personality faced two different highly problematic controversies over the last several days. One dealt with his ex-fiancée’s abuse accusations and the other dealt with his comments about sexually pleasing his pets.
Leaked audio of Cyn Santana, the mother of Budden’s second son, accusing him of physically dragging her at one point made its way to the internet. Then resurfaced Joe Budden Podcast footage of the retired rapper talking about wanting to masturbate his dog quickly began spreading across social media.
While some people expected Budden would address both situations on Wednesday’s edition of his podcast, he barely spoke at all during the show as his co-hosts Jamil “Mal” Clay, Rory Farrell, and Parks Vallely carried the episode. Budden did later take to Instagram Live to reveal some of his thinking about the two-fold backlash that has consumed his social media timeline.
Budden denied abusing any women. The outspoken commentator also pushed back on the claims that he would do anything to harm animals. He then addressed widespread speculation that these two viral, negative stories were part of an organized, corporate-backed plan against him.
“It comes off two weeks of me exposing some truths about different corporations – Spotify, iHeart. I won’t say that this is a calculated smear campaign because I don’t think it’s that calculated. I just think people are stupid,” said Budden. “If I got to come on here and tell y’all that I don’t hit women and I don’t f*ck dogs every day then I will.”
On Thursday, Budden also uploaded a tweet by Isaac Hayes III to his Instagram page. Hayes wrote on Twitter, “So @JoeBudden turns down a new Spotify deal cause he’s been steadfast about owning his content and less than a week later there’s an entire smear campaign against him. So if you can’t own him destroy him. Anyone participating in this is evil and wack.”
By using Hayes’s tweet, it appeared as if Budden was co-signing the idea that Spotify was actively working to harm his reputation. The 40-year-old’s own caption for the IG post read, “Internet, some of us were here before you.. we understand how you work. #ThePlanIsStillThePlan #ProtectBlackAndBrownWomen #ProtectAnimals & #AvoidTheGhettoGoofyShit Love & Light to y’all.”
Spotify responded, “As Joe referenced on his show, we made him a considerable offer — one that was significantly larger and many times the value of the existing agreement and reflective ofthe current market andsize of his audience. Unfortunately, we could not come to terms and we respect his wishes to find a new home for his show.”
(AllHipHop News) The projected sales numbers associated with Tekashi 6ix9ine’s sophomore album continue to fluctuate wildly. At first, industry insiders predicted TattleTales would move around 150,000 units in its first week of release.
The latest prediction change has Tekashi possibly debuting in the Top 3 on the next album chart. He is currently behind Big Sean’s Detroit 2 (110,000-115,000) and Pop Smoke’s Shoot for the Stars, Aim for the Moon (70,000-75,000). Taylor Swift’s Folklore is in a tight race with TattleTales for #3 (53,000-58,000).
There has been an extra amount of attention placed on 6ix9ine’s opening week numbers because he married some much of his brand to Billboard chart success. Tekashi has also spent years making fun of other acts for their album sales, so there are plenty of rappers that are waiting to return fire at the controversial rhymer if TattleTales is viewed as flopping.
Some observers are interested to see if 6ix9ine’s trolling tactics as a social media personality can actually translate to financial gain as a recording artist. After testifying against his former Nine Trey Blood allies in a federal case and naming other rap stars in open court that were not directly connected to that situation, 6ix9ine is also constantly calling out an entertainment industry that, so far, refuses to fully embrace him.
(AllHipHop News) The Colin Tilley-directed visuals for Cardi B’s “WAP” featuring Megan Thee Stallion is nearing the 200-million-views mark on YouTube in just one month. “WAP” is also competing to return to #1 on Billboard magazine’s Hot 100 chart for a third week.
With the success of the record and video, Cardi is providing her fans with more content connected to the explicit single. The Bronx-raised rapper released behind-the-scenes footage from the video shoot which features appearances by Megan, Offset, Normani, and more.
“Inside the WAP (BTS) [Part 1]” shows Cardi explaining the treatment of the MV to her team and Megan. Plus, there are scenes of the Invasion of Privacy album creator practicing choreography. Viewers can also see how the practical sets for the shoot were constructed.
In addition, Bloomberg recently placed Cardi B at #1 on the media outlet’s Pop Star Power Rankings. She was followed by Juice WRLD (#2), Drake (#3), Taylor Swift (#4), Pop Smoke (#5), and DaBaby (#6). Cardi’s “WAP” collaborator Megan Thee Stallion landed at #14 on the list.
(AllHipHop News) This year has seen the global COVID-19 pandemic completely upend people’s way of life. Over 6 million individuals have contracted the virus in the United States, and nearly 200,000 Americans have died from the disease.
COVID-19 also impacted the economy and the workforce. Many businesses were forced to cut back hours or shut down completely. That included movie and television production companies.
According to Variety, the FX dramedy series Atlanta has been affected by the coronavirus outbreak too. As a safety precaution, the show is not ready to begin filming for season 3 and season 4. The critically-acclaimed program’s third season was set to premiere in January 2021, but that date has been pushed back indefinitely.
Besides dealing with COVID-19, the key actors’ availability is also a factor in when the production will start back up. However, the scripts for both seasons were already completed. One season takes place in Europe while the other returns to Atlanta, Georgia.
Season 2 of Atlanta ended in May 2018, so there will be at least a three-year hiatus between S2 and S3. There was a two-year break between the first two seasons. The second installment of episodes began running in March 2018.
Since Atlanta debuted in 2016, cast members Brian Tyree Henry (Spider-Man: Into the Spider-Verse), Lakeith Stanfield (Uncut Gems), and Zazie Beetz (Joker) have gone on to have breakout careers in Hollywood. Atlanta won the show’s creator, Donald “Childish Gambino” Glover, Emmy awards for Outstanding Lead Actor and Outstanding Directing.
(AllHipHop News) Downtown Music Publishing has entered into a global publishing administration agreement with Robert “RZA” Diggs and Mitchell “Divine” Diggs’s Wu-Tang Productions. This means Downtown now represents the Wu-Tang Clan’s interest in songs from the group’s back catalog of albums.
The deal also includes select works co-written or produced by individual Wu-Tang members for solo releases, affiliates, and other artists. Ghostface Killah, GZA, Inspectah Deck, Method Man, Ol’ Dirty Bastard, Raekwon, RZA, and U-God are represented under the agreement.
“We are excited to be partnering with Downtown and entrusting them to handle our historic back catalog,” said RZA. “Downtown’s system is ideal for us — they have the global reach and capacity of a ‘major’ while maintaining strong, highly personal relationships with their clients.”
He continued, “Their customized approach to clientele accompanied with their focus in areas like rights management and distribution make Downtown an ideal partner for Wu-Tang Productions.” The deal covers songs from Enter The Wu-Tang: 36 Chambers, Wu-Tang Forever, The W, and Iron Flag.
“Wu-Tang Clan isn’t just one of Hip Hop’s most influential groups, it’s an iconic institution in every sense of the word — with a legacy that extends well beyond the realm of music,” said Justin Kalifowitz, CEO of Downtown Music Holdings, parent company of Downtown Music Publishing. “As a New Yorker, representing some of East Coast hip-hop’s most revered legends — whose stories are so ingrained in the culture of our city — is a tremendous honor.”
“In addition to being inspirational artists, RZA and Divine are extremely talented entrepreneurs,” stated Bruce Lampcov, Downtown’s Senior Vice President of Global Business Development.
Lampcov added, “From what they accomplished with Wu Wear to RZA’s work in film and television, and numerous other endeavors, the group has showcased their shrewd business acumen time and time again. It’s no wonder that their legacy has remained as strong today as it’s ever been. We look forward to collaborating with them on many creative projects; the possibilities are endless.”
(AllHipHop News) Gucci Mane join forces with Audiomack. The Atlanta rapperand streaming platform’s partnership is producing ”17 Bars From 1017.”
The series involves Gucci inviting an artist signed to his 1017 label to freestyle over some of the Georgian’s classic songs for 17 bars. A new video will be released weekly for the next five weeks.
Episode one of “17 Bars From 1017” features Pooh Shiesty rhyming over Gucci’s “Lemonade.” Today (September 10), Big Shiesty will also take part in an Instagram live Q&A interview hosted by Audiomack.