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Rob49 Says “WTHelly” Single Impacted New York Knicks & Indiana Pacers Series

Rob49 To Blame For Knicks Loss?!?

Ok…so y’all not gonna believe this, but I think we’ve figured out why the Knicks took that L to the Indiana Pacers. And nah, it’s not Julius Randle’s injuries or Jalen Brunson running outta gas. According to emerging rap star Rob49, he’s the reason the Knicks are outta here.

Yeah. You read that right.

In a recent convo with AllHipHop, Rob49 jokingly took full blame for the Knicks losing—and honestly, there might be some truth to it. Let me explain.

If you’ve heard that viral heater “WTHelly” (the one produced by Helluva), Rob49 casually drops Tyrese Haliburton’s name at the end of the record. Real nonchalant too, right alongside LeBron, Halle Berry and a few others. But here’s where it gets spooky.

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Tyrese Haliburton turned into a straight-up MONSTER after that. Like something clicked. Dude went from respected baller to culture hero/villain almost overnight. You couldn’t go a day without seeing his name trending. It’s like Rob49 gave him that cosign power-up. People are talking.

Coincidence? Maybe. But in rap and b-ball, timing is everything.

Now Rob49 is running with it. In the interview, he told AllHipHop that the song has real staying power—like Cash Money 30 years from now kind of staying power. And honestly, he might not be lying. The joint is catching fire in the streets and on the court. Time will tell though.

So what now? Can Rob49’s magical name drops give the Pacers enough juice to handle OKC next? Hmm… I don’t know, fam. OKC isn’t playing and are favored heavily against everybody. But if Rob49 mentions Shai Gilgeous-Alexander in his next track, just know we might be watching the NBA Finals of his making. Rob49 is a basketball warlock…stay woke.

Diddy’s Ex-Bodyguard Takes Loss In $100M Defamation Suit

Diddy’s former bodyguard Joseph Sherman lost a high-stakes legal battle Tuesday (June 3) after a federal judge dismissed his $100 million defamation lawsuit against Thalia Graves, calling it “patently frivolous.”

The former bodyguard filed the suit in response to Graves’ explosive accusations that he and Diddy drugged, restrained and raped her in 2001 at Daddy’s House recording studio.

Sherman denied ever meeting Graves and claimed he left Diddy’s security team in 1999.

Sherman alleged Graves’ claims were “completely and utterly false” and said they caused reputational and emotional damage. He also accused her of trying to bribe her ex-boyfriend with $3 million to back her story.

But the U.S. District Court ruled Graves’ statements were protected under litigation privilege, according to Rolling Stone. The judge also found Sherman’s complaint included “several frivolous claims” beyond defamation.

Graves filed her lawsuit against Diddy and Sherman in September 2024, alleging she was 25 when she was drugged and sexually assaulted at the studio.

She said she was dating a Combs associate at the time and was given a drink that knocked her unconscious.

She claimed she woke up bound, naked and being raped by both men, and later learned in 2023 that the assault had been recorded and sold as pornography.

Graves said she suffered years of trauma and threats to stay silent.

Graves held a press conference with attorney Gloria Allred and demanded all copies of the alleged video be destroyed.

Diddy has denied the allegations and remains in custody on unrelated sex trafficking charges.

Sherman’s lawsuit also included alleged messages from Graves offering to exclude him from her case if he testified against Diddy.

The court also dismissed those claims.

The ruling marks a legal win for Graves, whose case continues to draw attention amid a wave of lawsuits against Diddy.

EXCLUSIVE: 50 Cent Asks Judge To Scrap “Skillhouse” July Release

50 Cent is making good on his word to trash the movie Skill House, filing a lawsuit to stop its release and accusing the film’s producers of using his name and likeness without a signed agreement.

The rapper and entrepreneur, along with his company, NYC Vibe, filed suit against Ryan Kavanaugh, Skill House Movie LLC and GenTV LLC in April 2025.

The rapper just followed up on the complaint filed in Los Angeles by asking the court to block the film’s release, which is currently scheduled for July 11, 2025.

50 Cent said he never finalized or signed any agreement to act in or produce the film and offered more context surrounding the dispute.

“In or about 2022, Ryan Kavanaugh, the entity Skill House Movie LLC and I entered into discussions about me potentially acting in and producing the Skill House film,” 50 Cent explained. “We began to negotiate a term sheet which, once finalized and signed by myself, G-Unit, and Skill House Movie, would serve as a placeholder pending a comprehensive agreement. The term sheet was never finalized, and neither I nor G-Unit signed the term sheet…Skill House Movie did not sign the term sheet either.”

Despite the lack of a formal deal, Fif and his minor son Sire filmed scenes for the project. He claims he did so based on what he believed were good-faith promises from Kavanaugh and his team.

He expected a formal contract would follow, but that never happened.

Now, 50 Cent claims that the defendants are promoting the film and the GenTV streaming platform using his name, image, and trademarks without permission.

He’s asking the court to stop them from using any of his intellectual property, including the “50 Cent” name, in connection with the movie or its marketing.

“Although [Kavanaugh] claims that I am a producer of the Skill House film, I was never given creative control over or input into the film,” 50 Cent said. “Moreover…neither I nor my son have been paid for our participation in the film.”

The lawsuit accuses Kavanaugh and his companies of trademark infringement, false advertising, unfair competition and violating Jackson’s right of publicity.

His legal team argues that the unauthorized use of his brand could cause lasting damage that money alone can’t fix. The court has scheduled a hearing on the preliminary injunction for July 3 in Los Angeles.

Mo3 Estate Gets Huge Win In Battle Over Rapper’s Music

Mo3 secured a posthumous legal victory in Dallas after a federal jury ruled that his estate holds full rights to his unreleased vocal recordings, thereby ending a dispute with his former sound engineer over control of the late rapper’s music catalog.

The verdict found Ray G. Bollin Jr. liable for copyright infringement, conversion, tortious interference, unauthorized use of name and likeness, and a violation of the Digital Millennium Copyright Act.

According to the Dallas Morning News, The jury awarded Mo3’s estate $5,000 in damages—$2,500 for the DMCA violation and $2,500 for the unauthorized use of his image and name.

The lawsuit, filed in August 2023, accused Bollin of refusing to return unreleased music files following Mo3’s death in a targeted shooting on Interstate 35 in Dallas in November 2020.

The estate claimed Bollin withheld the recordings and attempted to exploit them without permission, prompting the legal action.

Jurors needed just two hours to reach a unanimous decision, affirming the estate’s exclusive control over the late rapper’s vocal work. The case adds another layer to the legal fallout surrounding Mo3’s murder, which authorities have linked to a murder-for-hire scheme.

Dallas rapper Yella Beezy has been charged in connection with the killing.

The ruling also highlights broader concerns in the music industry about the handling of intellectual property after an artist’s death.

Similar disputes have surfaced in other high-profile cases, including those involving Prince’s estate, as well as the estates of DMX and Nipsey Hussle.

Aryee The Gem Teams Up With Mick Jenkins

Singer-songwriter Aryeè The Gem is taking it back to the roots of what love songs used to feel like, with a modern edge. Her new single “RAW” released by Saint & Citizen Music, features acclaimed lyricist Mick Jenkins

Drawing inspiration from Anita Baker’s legendary track “Sweet Love”, Aryeè flips the narrative, bringing fresh energy to a classic feeling: what it’s like to fall for someone who’s real, intentional, and emotionally grounded.

“In a time where a lot of music tears down masculine energy, I wanted to do the opposite,” Aryeè shares. “This record was inspired by a moment of genuine admiration—meeting someone who’s purpose-driven, self-aware, and actually present. That kind of man deserves to be acknowledged.”

With smooth vocals over an unconventional, hypnotic Trakmatik & Hvstle beat, “RAW” glides effortlessly between soul and alternative R&B. It’s vulnerable, feminine, and full of grown-woman perspective. The message? Love doesn’t need to be perfect to be powerful.

Enter Mick Jenkins, who brings his signature depth to the track with a verse that’s grounded, reflective, and real. His feature doesn’t just complement Aryeè—it builds with her. It’s a true collaboration where both voices hold space for honesty, chemistry, and mutual respect.

“RAW” is the kind of record that doesn’t try too hard—it just feels right. It’s a mature love song that skips the surface-level games and gets straight to the heart of what makes a real connection hit different.

Coming off recent performances and brand collabs, Aryeè The Gem continues to carve out her space as an artist to watch. If “RAW” is any sign of what’s next, she’s only getting started.

Listen to “RAW” featuring Mick Jenkins—now streaming on all platforms.

https://aryeethegem.komi.io/music/raw

Follow Aryeè The Gem:
@aryeethegem | www.aryeethegem.com

The Return Of Monsieur Belange: “Jack In The Box” Scores Soundtrack To Survival Story

Part confessional and part resurrection, “Jack in the Box” is more than just a single; it represents a dramatic score reflecting an artist’s narrow escape. In this track, Monsieur Belange converts trauma into a tense lyrical confrontation with themes of fame, faith and fate. This release transcends the definitions of a debut or even a comeback; it embodies an act of survival. 

Like a lost reel from a noir thriller, “Jack in the Box” immerses listeners in the quiet paranoia and internal struggles of a man who has faced an assassination attempt, public scrutiny, and the heavy burden of being both visible and pursued. The song is cinematic in its content and structure, characterized by moments of smooth defiance and spiritual urgency.

About Monsieur Belange

Los Angeles-based artist Monsieur Belange is a singer-songwriter known for blending soulful vocals, rap and controversial lyrics. Inspired by the ’90s Hip-Hop sound and soulful modern artists like Chris Brown, Monsieur Belange’s music explores love, freedom, culture, and hope themes. In doing so, he creates a unique sonic narrative, offering a completely different take on Hip-Hop.

Belange’s ultimate goal is for his music to contribute to moving the culture forward without engaging in unnecessary beef. Instead, his music spotlights lyrical prowess, rhythm and flow.

LA Shadows and the Price of a Voice

Shortly after releasing his debut single, “For the Ransom’ Monsieur Belange began to be stalked, was robbed twice, and lost nearly everything. For months, he couldn’t even stay at his place of residence due to death threats. 

Monsieur Belange found the entire process to be equivalent to psychological torture, leaving him in a constant state of anxiousness. From this tumultuous period in his life, Jack in the Box” doesn’t just emerge; it erupts.

The Sound: Grit Wrapped in Velvet

“Jack in the Box” showcases what Monsieur Belange does best as a musical artist, bringing distinct vocal rifts to his sonic sound. The track blends silky vocals with sharp, precise bars, creating a rhythmic tension between his delivery and his message. 

Furthermore, while other artists go over the top with gratuitous production techniques, “Jack in the Box” often feels deliberately sparse, pulling the listener into a more emotionally volatile and creative space alongside Monsieur Belange.

The Subtext: Faith and the Phantom

While Monsieur Belange’s music may not be gospel in sound, it certainly has spiritual components in his lyrics. Through his tracks, he is testifying, and his new single is a perfect example of this. “Jack in the Box” has themes of divine timing, love, ambition and the clarity that only trauma can deliver. Monsieur Belange’s refusal to retaliate or indulge in industry beef becomes a radical act in a genre that rewards noise over nuance.

What’s Next in the Belange Universe?

With an album in the works and a global vision taking shape, Monsieur Belange isn’t just building a brand—he’s building a body of work. The visuals, the tone, and the story all signal an artist who sees himself as an entertainer.

“Jack in the Box” is now streaming on all platforms. Follow Monsieur Belange on Instagram and Spotify for the full story in motion. This isn’t just a track—it’s a trailer for the storm to come.

Fyre Festival Organizers Back Already After Latest Flop

Fyre Festival organizers are pushing a new pop-up getaway in Honduras just weeks after canceling their planned 2025 festival in Mexico amid backlash over its location.

The latest venture, called Fyre Coral View, is a week-long travel experience scheduled for September 3–10, 2025, at the Coral View Beach Resort in Utila, Bay Islands.

The event is being promoted as a boutique-style escape for “adventurers, creators, and the curious,” with beachfront rooms, chef-made breakfasts, snorkeling, ATV rides and nightly bonfire parties.

“After rumors swirled about the FYRE brand being up for sale, organizers received an unexpected proposal from the island of Utila: bring the name that once burned headlines back to life with an intimate, off-the-grid adventure. They accepted,” the announcement reads.

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The Fyre Festival team is working to separate this event from the disaster that made the brand infamous.

“The ​FYRE Coral View Pop-Up is not FYRE Festival 2,” the website states. “It’s FYRE returning to its roots—the spark that started it all—before things got out of control.”

A statement from the organizers added, “We’re not chasing luxury. We’re chasing stories.”

The new event comes on the heels of the canceled Fyre Fest 2, which was initially scheduled for 2025 in Mexico.

Tickets for that event were priced as high as $7,999, but it was quietly scrapped after concerns arose over the venue following officials in Cancun, Mexico, claiming that there was no official agreement to host the festival.

The original Fyre Festival, launched in 2017 by Billy McFarland, was marketed as a luxury music experience in the Bahamas.

Instead, it collapsed into chaos, with stranded attendees, inadequate food and shelter and no performances. McFarland was later convicted of wire fraud and sentenced to six years in prison.

He was released in 2022.

Earlier this year, McFarland said he was stepping back from the brand and looking to sell it. Despite its history, the Fyre name continues to resurface.

The Coral View event marks the latest attempt to rebrand the legacy of one of the most infamous failures in festival history.

Rapper Ca$h Out & Mom Stand Trial For Rape, Sex Trafficking Charges

Diddy is not the only rapper facing sex trafficking charges as rapper Ca$h Out and his mother are heading to trial in a Fulton County courtroom.

The Atlanta rapper, born John Michael Hakeem Gibson, and his mother, Linda Smith, known publicly as “Mama Ca$h Out,” are both accused of running a criminal enterprise that involved rape, trafficking and prostitution.

Prosecutors allege the pair used manipulation and coercion to force women into sex work between 2018 and 2021. The accusations include rape, racketeering, aggravated sodomy and enticing women into prostitution.

Ca$h Out was first arrested in March 2022, following a lengthy investigation by the Atlanta Police Department and the Fulton County District Attorney’s Office.

According to AllHipHop, authorities claim he used his celebrity status to lure women with promises of fame and financial gain.

The indictment also names his mother as a key figure in the alleged operation. Authorities say she helped manage the women and collect money from their activities.

The Fulton County District Attorney’s Office described the case as a “deeply disturbing” example of abuse of power and influence.

Investigators say the women were often isolated, threatened and financially controlled. The charges stem from incidents that allegedly occurred at multiple locations across the Atlanta area, including apartments and hotels.

Ca$h Out rose to fame in 2012 with the hit single “Cashin’ Out,” which peaked at No. 36 on the Billboard Hot 100.

He was later signed to Epic Records under the guidance of L.A. Reid and collaborated with artists such as Wale and Akon. Despite his early success, Ca$h Out’s career stalled in recent years. His legal troubles have now taken center stage.

The trial is expected to last several weeks. If convicted, both Ca$h Out and Smith could face decades in prison.

Their trial began Monday (June 2). Both have pleaded not guilty.

Jimmy DaSaint Breaks Down Latest Release “Still A Hustler,” Loss Of LGP Qua & More

Jimmy DaSaint, born James Mathis, has lived one of the most dramatic second acts in Hip-Hop. Raised in the streets of Philadelphia, he once ran deep in the drug game until the FBI arrested him in 2000 on federal trafficking charges.

He served a ten-year prison sentence—but instead of folding, he found his voice behind bars. DaSaint became one of the first federal inmates to land a three-book publishing deal while incarcerated, launching a literary career that would eventually produce over 25 bestselling novels, including the gritty Black Scarface series co-written with Freeway Rick Ross.

Since his release, DaSaint has evolved into a multimedia force, writing, directing, and producing more than ten feature films, including The Trap, The Karma Effect and American Hustler, now streaming on Amazon Prime.

He’s the founder of the Philly Hip-Hop Awards, the CEO of both DaSaint Entertainment and Urban Celebrity Magazine, and the current VP of Urban Music at Ruffhouse Records. As a promoter, he’s worked with Philly legends like Meek Mill and Gillie Da Kid, and his debut album Tears of a Hustler marked his official entry into rap.

Through it all, his mission stays rooted in authenticity—using his art to reflect real street life, mentor youth, and push back against the cycles of violence he once knew too well.

After the success of his last two albums Tears of a Hustler and Diary of A Hustler, Jimmy DaSaint is back with a powerful new release, Still a Hustler.

AllHipHop: This new album, Still a Hustler, is creating a lot of buzz. How do you feel about the project?

Jimmy DaSaint: I feel great. After the success of Diary of a Hustler, I was inspired to create more music.

AllHipHop: The album has a lot of deep songs on it. Where did your inspiration come from?

Jimmy DaSaint: Life. Everything I rap about is real-life situations that I’ve been through.

AllHipHop: What are some of your favorite tracks on the album?

Jimmy DaSaint: I have a few favorites—“Forgive Me,” “Pressure Makes Diamonds” featuring Son of the 215, and “Imagine.” I love all those songs.

AllHipHop: You’re a man of many talents—books, films, music. How do you keep it all going?

Jimmy DaSaint: I’m a hustler. I was blessed with a God-given talent to write, so I do it all.

AllHipHop: Your music feels so real. Where does that come from?

Jimmy DaSaint: It’s just passion mixed with a lot of pain. I recently lost two good friends—LGP Qua and North Philly Meech. Growing up in Philly, we are constantly surrounded by poverty and death. So I write from a real place. Check out my songs “Imagine” and “F##### Up World,” and you’ll see where my pain comes from.

AllHipHop: Who are the features on your new project?

Jimmy DaSaint: I had to get my friend Son of the 215—he’s one of the hottest artists in Philly. Plus, I got the talented singers Fitch Means, Hashim Ali, and Deejay the Singer.

AllHipHop: Will there be any more music in the near future?

Jimmy DaSaint: I’m sure there will, but right now I’m just focused on Still a Hustler. I believe it’s my best album.

AllHipHop: You’re also a bestselling author and film director. Any new books or films coming out?

Jimmy DaSaint: Yes, I just released two films on Tubi—A Target on My Opps and Breakdown. This summer, I’ll be releasing three new films: The Wrong B####, The P#### Trap, and God or Guns, all on Tubi.

AllHipHop: Good luck with all the new projects. Any last words?

Jimmy DaSaint: Just keep supporting my movement. I don’t just do it for myself—I do it for my people and my city. Also, follow me on Instagram @jimmydasaint1.

Pusha T & Clipse Weren’t Dropped By Def Jam—They Were Forced To Pay Their Way Out

Pusha T dropped a few bombs during his recent interview with GQ. Among them was his decision to part ways with Def Jam Recordings, where he’d been signed as a solo artist for the last 15 years and where Clipse had planned to drop their upcoming album, Let God Sort ‘Em Out.

According to Push, the label wanted him to cut a verse from Kendrick Lamar on the song “Chains & Whips” over both artists’ beef with Drake—and King Push wasn’t having it. Instead, he and the Universal Music Group-owned company parted ways.

In an interview with Billboard, Pusha T’s longtime manager, Steven Victor, revealed he and Clipse weren’t dropped by Def Jam—they had to pay their way out.

“‘Find another deal, and let’s figure out a business,'” Victor said they were told. “They didn’t drop us. They were like, ‘Pay us this money’— which was an exorbitant amount of money, a s—t ton of money — ‘and we’ll let you out the deal.’ That’s what happened. We paid them the money, an insane amount of money. It wasn’t, like, $200,000. It was a lot of money for an artist to come up with. They bought themselves out of the deal.”

And it wasn’t cheap—Victor confirmed it was seven figures. But luckily for them, JAY-Z and Roc Nation were onboard to release the project, and they had a new deal in less than 24 hours, although they still had to give Def Jam a portion of the sales from the record.

“We had to give them a cut also, which is insane,” Victor added. “But the good thing about it is that Pusha is in control of his future. Now he has three deals in three different places. At the beginning of his solo career, we put out records independently with Mass Appeal; he owns those records.

“Then we did the deal with G.O.O.D. Music/Def Jam; when Kanye left Def Jam, we worked out an agreement with him where he gave Pusha his masters back on the G.O.O.D. Music side. And now we did this deal with Jay. Pusha is having way more success creatively, financially and professionally, than he did at the peak of his career, which was when [Clipse’s] “Grindin’” came out. Smart and steady wins the race.”

Pusha T cosigned Victor’s statements with a tweet that read “No Lies Told.”

Drake is currently suing Universal Music Group, so the label felt uncomfortable with a Kendrick Lamar and Pusha T collaboration, suggesting it would only exacerbate the situation. UMG has an entire team that dissects lyrics.

As Victor explained, “UMG has this department where they review lyrics. So it was that department. The real reason [that department] is there is to protect the artists and the label from lawsuits for copyright infringement. They do it for all the labels. Some labels adhere to it closer than others. Let’s say you interpolate somebody else’s song. [That department] is there to make sure that the song is properly cleared. It’s not meant to be like, ‘You said XYZ about XYZ artist, so we’re not going to release this music.'”

Let God Sort ‘Em Out is expected to arrive on July 11. Listen to the lead single, “Ace Trumpets,” above.

Ghostface Killah’s Nearly Mythical Album “Supreme Clientele 2” Gets Release Date

It looks like Ghostface Killah will release Supreme Clientele 2 on June 19, his long overdue sequel to the 2000 original. It will arrive as part of the Legend Has It…album series presented by Mass Appeal.

Supreme Clientele 2 has been a topic of anticipation for nearly a decade, while Supreme Clientele remains a Hip-Hop classic, applauded for its artistic innovation and revitalizing impact on the Wu-Tang Clan’s solo legacy. Ghostface’s up-tempo, stream-of-consciousness lyricism, paired with RZA’s cohesive and soulful production, created a sound that was at once nostalgic and forward-thinking. The album debuted at No. 7 on the Billboard 200 and quickly achieved gold status, although its influence extended far beyond commercial success.

Widely regarded as Ghostface’s best work and one of the greatest solo projects from any Wu-Tang member, its dense, abstract wordplay and vivid imagery set a new standard for lyrical creativity. The album’s use of soul samples and cinematic storytelling inspired a generation of producers and rappers, with figures like Kanye West and Just Blaze citing it as a direct influence on their own work, particularly in shaping the sound of early 2000s Hip-Hop. Critics lauded the album for its authenticity and emotional depth, with many noting how it helped shift the genre away from commercial trends toward a more raw, expressive approach.

Wu-Tang Clan is embarking on their highly anticipated final tour, Wu-Tang Forever: The Final Chamber, with Run the Jewels as special guests. The tour kicks off on June 6 in Baltimore, Maryland, and will span 27 dates across North America, including major stops in Los Angeles, Atlanta, Chicago, New York, Toronto and more, before concluding in Philadelphia on July 18.

All surviving original members—RZA, GZA, Raekwon, Ghostface Killah, Method Man, Inspectah Deck, U-God and Masta Killa—will be joined by Cappadonna and Young Dirty Bastard, ensuring a full-force Wu-Tang experience for fans.

RZA has described the tour as a special opportunity to celebrate Wu-Tang’s legacy, promising a show unlike anything fans have seen, with deep cuts, classic hits, and songs never before performed live. Run the Jewels’ inclusion adds an extra layer of excitement, bringing their high-energy performances to the stage alongside Wu-Tang’s legendary catalog.

Key dates include June 21 in San Diego at Pechanga Arena, July 7 in Chicago at United Center, July 16 at Madison Square Garden in New York, July 17 at Prudential Center in Newark and the finale on July 18 at Wells Fargo Center in Philadelphia.

EXCLUSIVE: Sean Kingston’s Mom Wants To Be Sentenced Same Day As Son, Judge Has Other Plans

Janice Turner wanted to stand beside her son Sean Kingston on sentencing day in their high-profile federal fraud case, but a Florida judge shut that plan down.

U.S. District Judge David S. Leibowitz denied Turner’s request to move her sentencing to August 15—the same date Kingston is scheduled to learn his fate.

Turner, who was convicted in March for her role in a luxury goods scam, had filed an unopposed motion asking to be sentenced on the same day but at a different time than her son. Despite no objection from prosecutors or the probation office, the court refused the change.

Her sentencing remains scheduled for July 11 at 9 a.m.

Turner, 61, was found guilty on March 28 after a federal jury determined she and Kingston orchestrated a scheme to obtain high-end items using fake wire transfers and forged documents.

According to AllHipHop, the mother-son duo posed as wealthy buyers and used Kingston’s celebrity status to convince vendors to hand over expensive goods without upfront payment.

Among the items fraudulently acquired were a $285,000 jewelry order from a Fort Lauderdale jeweler, a $150,000 home theater system allegedly tied to a fake Justin Bieber promotion, a $160,000 bulletproof Cadillac Escalade, and an $86,000 custom luxury bed.

The pair also defrauded Bank of America out of more than $200,000 and First Republic Bank for over $100,000.

The fraudulent activity spanned from April 2023 to March 2024, during which Turner handled logistics and sent fake payment confirmations while Kingston acted as the face of the operation.

Turner was immediately taken into custody after the verdict due to a prior 2006 conviction for bank fraud. Kingston, meanwhile, is currently under house arrest and fitted with an ankle monitor.

So far, Turner’s sentencing will proceed as scheduled on July 11. Both face up to 20 years in prison.

50 Cent Expands G-Unity Lab To Help Shreveport Teens Build Wealth

50 Cent brought his business hustle and Hollywood vision to Shreveport with a bold expansion of his G-Unity entrepreneurship program.

On Monday (June 1), the rapper-turned-mogul confirmed the move on Instagram.

“This is my entrepreneurship program In SHREVEPORT,” he wrote alongside classroom photos. “I don’t care if you like this I’m excited about it. I noticed you only like when I post b#######!”

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The G-Unity Foundation’s Business Lab, which launched in Houston in 2021, is now heading to northwest Louisiana.

The year-long course teaches high school students in underserved areas how to build businesses, develop leadership skills and pursue long-term financial stability.

The curriculum leans on 50 Cent’s book, Hustle Harder, Hustle Smarter, and includes mentorship from local business leaders, hands-on labs and a focus on conscious capitalism.

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The program’s expansion is part of a larger three-phase plan 50 Cent announced for Shreveport in September 2024. Along with the Business Lab, the plan includes affordable housing and economic development initiatives.

The move comes after 50 Cent locked in a 30-year lease on a sprawling 985,000-square-foot property in Shreveport. The site will house G-Unit Studios, a production hub that will also offer job training and youth programs in film, television and the arts.

Meanwhile, 50 Cent’s G-Unity Business Lab has already made an impact in Houston. It operates in six high schools—Kashmere, Wheatley, Worthing, North Forest, Booker T. Washington and Yates—and runs a 28-week after-school program with twice-weekly sessions.

Students pitch business ideas, receive coaching and compete for seed funding. In 2025, Worthing High School’s team took home $100,000 at the annual Hustle Tank event.

The Shreveport rollout is expected to follow a similar model, with a focus on community collaboration between educators, parents and local service providers.

Diddy’s $100K Cash Bribery Plot For Cassie Assault Video Exposed In Testimony: “Don’t Make Any Big Purchases”

Diddy allegedly handed over $100,000 in cash to a hotel security worker in Los Angeles to bury surveillance footage showing him violently attacking Cassie Ventura in 2016, according to testimony Monday (June 3) in his ongoing federal racketeering and sex trafficking case.

The government’s witness, Eddy Garcia, took the stand to describe how he and a supervisor at the InterContinental Hotel negotiated the hush deal after reviewing disturbing footage of Diddy assaulting Ventura in a hallway.

Garcia said the mogul personally pressured him to retrieve the video, calling him “Eddy My Angel” and warning that the footage could ruin his career.

Garcia testified that he initially received a call from Kristina Khorram, then an employee of Diddy, who asked if he had access to the video.

After Garcia told her to speak with hotel management, she went to the property in person. Garcia said he eventually revealed to her, off the record, that “it’s bad.”

Garcia said Diddy later called him directly, pleading for the footage and offering help in return.

When Garcia said he didn’t have access to the server, the disgraced mogul allegedly responded that he believed Garcia could “make it happen” and promised to “take care of” him.

Garcia said he then contacted his supervisor, Bill Medrano, who agreed to retrieve the video for $50,000. Garcia said he relayed the offer to Khorram, who patched in Diddy. The music mogul allegedly responded, “I knew you could do it. Let’s do it right away.”

According to Garcia, Medrano entered the server room, returned with a USB drive, and handed it to him.

Garcia said he then arranged to meet Diddy at a high-rise in West Los Angeles, where he was greeted by a bodyguard and eventually brought upstairs to meet him.

Inside the apartment, Garcia said Diddy asked if it was the only copy. Garcia said he believed it was. Diddy then FaceTimed Ventura, who appeared in a hoodie and said she had a movie coming out and didn’t want the video to surface.

Garcia said Diddy requested identification from everyone involved, including a responding officer. He then presented non-disclosure agreements with $1 million in liquidated damages.

Garcia said he was earning $10.50 an hour at the time and did not receive a copy of the non-disclosure agreement (NDA).

Garcia testified that Diddy counted the money using a machine, stacking $10,000 at a time until it reached $100,000. The cash, he said, was handed to him in a brown paper bag. Diddy allegedly told him not to make any large purchases and walked him to his car.

The video in question—first aired by CNN in 2023—shows him kicking, dragging and throwing objects at Ventura in a hotel hallway. It has since become a central piece of evidence in the federal case, which includes charges of sex trafficking and racketeering conspiracy.

Diddy has pleaded not guilty. His legal team argues the video was manipulated and that all sexual encounters were consensual.

Ventura’s 2023 lawsuit against Diddy was settled for $20 million the day after it was filed.

Testimony continues.

Donald Trump Loves Kid Rock “MAGA Friendly” Restaurant After Ice Controversy

Kid Rock opened the doors to his latest Nashville venture, The Detroit Cowboy, with a glowing endorsement from President Donald Trump.

President Trump praised the restaurant as a “very friendly MAGA establishment” following controversy over immigration enforcement at one of the rapper’s other eateries.

The upscale dining spot, located in downtown Nashville, is a collaboration between Kid Rock and Detroit restaurateur Joe Muer. The venue is a nod to both Motor City and Music City.

Trump shared his support on Truth Social, writing, “Congratulations to my friend, Kid Rock (I call him Bob!), on the Grand Opening of his new Nashville restaurant, ‘The Detroit Cowboy.’ I hear it is a very friendly MAGA establishment, and look forward to going there sometime soon!”

The launch comes just months after Kid Rock’s other Nashville property, Kid Rock’s Big Ass H#### Tonk Rock’ n’ Roll Steakhouse, was caught up in a high-profile ICE operation in May.

The enforcement sweep led to nearly 200 arrests across the city and prompted several restaurants, including Kid Rock’s, to send undocumented workers home mid-shift.

According to multiple reports, managers at the steakhouse told employees without legal status to leave during a packed Saturday night service to avoid potential detention.

The move was a direct response to the ongoing ICE crackdown in the area. Kid Rock distanced himself from the daily operations of the steakhouse and called the media coverage “clickbait.”

He emphasized his support for legal immigration and deportation of undocumented individuals, aligning with Trump’s immigration stance.

He said that he supports “deporting people here illegally” and wants “legal immigration to be easier and faster.”

T-Pain Teases Retirement In Bombshell Video: “This Might Be It”

T-Pain left longtime fans stunned Monday (June 2) after sharing a reflective video on social media hinting he may be stepping away from music after two decades in the game.

The clip, which features a montage of career milestones and shows the Grammy-winning artist dressed in a tuxedo staring pensively out a window, ends with the words: “This might be it.”

Overlay text in the video reads: “Been at this for 20 years. I’m talking it over with my family and team. Got a big decision to make.”

The caption accompanying the post added fuel to the speculation.

“I gave you all everything for 20 years,” T-Pain wrote. “I’m grateful to each of you for making this such a great ride. Right now I just need some time to think about what’s next and what’s best for me.”

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Though he hasn’t confirmed retirement outright, the tone of the message has prompted widespread concern about whether T-Pain’s preparing to exit the spotlight.

Despite the uncertainty, he is still scheduled to perform at upcoming shows, including “Back to Wiscansin Part IV” on June 14 in Milwaukee.

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The comment section on his post quickly filled with emotional reactions. One user wrote, “Man I know u ain’t talking bout hanging up the music, knaw man, if this is really it, THANK YOU, you changed the game, the Music was amazing, I’ll live off what you’ve created forever man.”

Another added, “AND WE GOT YA BACK ON WHATEVER THAT NEXT MOVE IS BROTHER.”

T-Pain, whose Auto-Tune-infused sound helped reshape the sound of 2000s Hip-Hop and R&B, has not provided a timeline for when a final decision might be announced.

50 Cent Shuts Down $20M Abuse Lawsuit With Bankruptcy Ruling

50 Cent scored a legal win in Connecticut after a bankruptcy judge approved his motion to seal court documents containing abuse allegations tied to a $20 million lawsuit, citing the potential for economic and reputational damage.

The ruling, issued under Section 107(b)(2) of the bankruptcy code, allows courts to restrict access to records containing “scandalous or defamatory matter,” Bloomberg Law reports.

The judge agreed that the materials in question could harm the rapper if made public.

The allegations stem from a civil lawsuit filed in New York state court by a woman named Rodriguez, who accused 50 Cent of abuse.

However, the rapper’s legal team argued that the claims were already discharged as part of his 2017 bankruptcy reorganization plan, which wiped out all pre-bankruptcy debts.

According to court documents obtained by AllHipHop, 50 Cent’s attorneys said the plaintiff was aware of the discharge but continued to pursue legal action. In response, 50 Cent requested that the court reopen the bankruptcy case to enforce the discharge order and prevent the lawsuit from proceeding.

He also requested sanctions against Rodriguez for allegedly violating the discharge and asked that all sensitive filings be submitted under seal.

The judge agreed, stating the documents would remain sealed “due to their potential to cause economic and/or reputational harm to the Debtor.”

50 Cent’s legal team emphasized the financial toll the ongoing litigation has taken, noting he has already spent a “significant” amount defending himself and urged the court to act swiftly to prevent further loss.

The court initially discharged Rodriguez’s claim in 2017 when it approved 50 Cent’s bankruptcy reorganization plan.

Pusha T Calls Out Drake Over UMG Lawsuit—Says He’s Done With Subliminals

Pusha T delivered a scathing critique of Drake’s lawsuit against Universal Music Group, calling the legal move “bigger than some rap s###” and saying it “cheapens” the art of Hip-Hop beef.

Sitting down with GQ alongside his brother Malice to promote their upcoming Clipse reunion album Let God Sort ‘Em Out, Pusha took direct aim at Drake’s decision to take legal action, suggesting it undermines the spirit of lyrical competition.

“I don’t rate him no more. The suing thing is bigger than some rap s###,” he said.

“Damn, it’s like it just cheapens the art of it once we gotta have real questions about suing and litigation. Like, what? For this?” he added.

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Pusha T Claims His Drake Diss “The Story of Adidon” Was Supressed

Pusha, who’s been locked in a long-running feud with Drake since the early 2010s, said the lawsuit is likely tied to the fallout from 2018’s “The Story of Adidon,” the diss track where he revealed Drake had a son.

He added, “If [Drake] is adamant to have a lawsuit, it’s only because he knows all the things that they did to suppress everything that was happening around ‘Adidon’ and the verses and the records and things that were happening back then.”

The Clipse rapper also revealed that UMG tried to pressure him into censoring Kendrick Lamar’s verse on the new album.

“They wanted me to ask Kendrick to censor his verse, which of course I was never doing,” he explained. “And then they wanted me to take the record off. And so, after a month of not doing it, Steve Gawley, the lawyer over there was like, ‘We’ll just drop the Clipse.’ But that can’t work because I’m still there [solo]. But [if] you let us all go…”

Eventually, Def Jam agreed to release both Pusha T as a solo act and the Clipse group, clearing the way for them to sign with Roc Nation.

As for whether he’d ever return to trading bars with Drake, Pusha said, “Considering everything that has transpired, I believe there’s nothing left to say subliminally ever again.”

Still, he left the door cracked open: “Man, I would only engage again if I felt like it.”

The Clipse dropped their lead single, “Ace Trumpets,” last week. Let God Sort ‘Em Out is set to release on Thursday (July 11).

Drake Announces Surprise 2025 UK & EU Tour After Six-Year Break

Drake is heading back across the Atlantic with PARTYNEXTDOOR in tow for a summer 2025 arena tour that marks his first run through the UK and Europe in six years.

The tour, titled $ome $pecial $hows 4 UK/EU, was revealed Tuesday morning (June 3) and will include a three-night headlining slot at Wireless Festival in London from July 11-13, where both artists will perform each night.

The announcement comes just months after the duo released their joint album, $ome $exy $ongs 4 U, on February 14.

“FOR THE FIRST TIME IN 6 YEARS, DRAKE PERFORMING THE HITS, OLD AND NEW, ACROSS THE WATERS,” Drake wrote in all caps, confirming the long-awaited return.

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The tour will hit major cities across the continent, including Amsterdam, Antwerp, Zurich, Cologne, Stockholm, Copenhagen, Milan, Berlin, Munich and Hamburg. PARTYNEXTDOOR will appear as the special guest for every show.

Tickets for the tour go on sale Friday (June 6) at 12 p.m. local time.

The announcement follows the commercial success of their collaborative album, which debuted at No. 1 on the Billboard 200.

The 21-track project moved 246,000 album-equivalent units in its first week, including 25,000 in pure album sales.

It marked Drake’s 14th No. 1 album in the U.S. and PARTYNEXTDOOR’s first chart-topping release.

The album, released via OVO, Santa Anna and Republic Records, also broke the first-day streaming record for an R&B/Soul album on Apple Music.

Tracks like “Crying in Chanel” and “Somebody Loves Me” were teased by Drake ahead of the release and quickly became fan favorites.

Drake’s last European tour was the Assassination Vacation Tour in 2019.

Jermaine Dupri Announces DVSN As First Official So So Def X HYBE Signing

DVSN locked in a multi-album agreement with Jermaine Dupri’s So So Def Recordings and HYBE America, marking the first official signing since Dupri revived the iconic label under a global distribution deal with HYBE.

The R&B duo—comprised of Daniel Daley and producer Nineteen85—will now have their creative direction steered by So So Def while HYBE handles international distribution.

Their first single under the new partnership is scheduled to drop later this year.

“After working with the group on their last album and going to their shows, seeing how much their fans love them, and then when I heard they had just become free agents, I had to sign them and make Dvsn my first signing at So So Def/HYBE,” Dupri said in a statement.

DVSN reposted Dupri’s message on Instagram Stories, adding, “4 everyone wondering what’s been going on and where’s the new music…. now you know. its [on the way].”

They followed up with another post quoting Dupri: “he said ‘Just do what Y’ALL so and let me help shine a light on it’” and closed with “The new Chapter.”

Before this new chapter, DVSN was signed to Drake’s OVO Sound in partnership with Warner Records.

They released four studio albums during their time there: Sept. 5th (2016), Morning After (2017), A Muse In Her Feelings (2020) and Working On My Karma (2022).

The So So Def and HYBE alliance is expected to expand the reach of both legacy artists and new signings, such as DVSN, through HYBE’s global infrastructure.