SZA Toasts AMA Wins With Champagne Balancing Act Inspired By Kim Kardashian

SZA celebrated her double win at the 2025 American Music Awards in Las Vegas by channeling Kim Kardashian’s infamous “Break the Internet” pose—complete with a champagne bottle perched on her lower back.

The “Saturn” singer posted a carousel of photos from the Monday (May 27) ceremony, but one cheeky image stole the spotlight.

In the photo, SZA beams while balancing a bottle of bubbly on her backside, a playful nod to Kardashian’s 2014 Paper magazine cover that once drove nearly 1% of all U.S. web traffic in a single day.

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The homage didn’t go unnoticed. Kardashian’s original pose, shot by Jean-Paul Goude, featured her pouring champagne into a coupe glass resting on her bare bottom. The viral image was inspired by Goude’s 1976 photo “Carolina Beaumont, New York.”

SZA’s version skipped the glass but kept the spirit, adding her own flair to the moment.

Alongside the champagne snap, she shared photos with Shaboozey and her parents, capturing the joy of the night.

SZA Scoops Two AMA Wins & Gives Kai Cenat His Flowers

The 2025 AMAs, hosted at Fontainebleau Las Vegas by Jennifer Lopez, saw SZA take home two major trophies: Favorite R&B Song for “Saturn” and Favorite Female R&B Artist.

While accepting Favorite R&B Song, she said, “Thank you for choosing the song. I’m so grateful for everyone that worked on this song, just for the energy that was cultivated just creating the song, it was so easy and I’m just grateful.”

When accepting Favorite Female R&B Artist, she gave a shoutout to Kai Cenat, who presented her with the award. “Thank you so much. Tell them about Streaming University, congrats to Kai, thank you so much. Yes, I’m so proud of you. I’m sorry, sorry, I be happy for my friends, okay.”

SZA also acknowledged the people who voted, saying, “this is like our first time like entering, fan won award, so like thank you for mobbing for us. I love you so much, just as much as you love me, probably more; you have no idea. Thank you, God bless y’all.”

Kevin Liles Exposes Alleged $30M “Extortion” Plot By Former Def Jam Rapper Lady Luck

Kevin Liles attempted to get ahead of a looming sexual assault allegation Tuesday (May 27) by releasing a statement accusing rapper Lady Luck of trying to extort him for $30 million.

The longtime music executive said he received a letter from Shanell Jones—known professionally as Lady Luck—and her attorneys demanding a multi-million dollar payout or she would publish a book and file a lawsuit accusing him of sexual misconduct.

Lady Luck allegedly threatened to claim that Liles groomed her 26 years ago, exposed himself and pressured her into oral sex while she was in his car.

Liles flatly denied the accusations and described them as a calculated attempt to damage his name. He even launched a website using Lady Luck’s name, ladylucksownwords.com, to combat the claims.

In addition to her social media posts, Liles and his team also decided to publish Lady Luck’s criminal records.

“None of this ever happened,” Liles wrote. “Her threatened allegations are totally false. And they are contradicted by Ms. Jones’s many public statements about me and her experience at Def Jam. Rather than pay her and her legal team, I am publicly addressing what I view to be an extortion attempt.”

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Liles said he signed Jones to Def Jam in 1999 and gave her opportunities to build a Hip-Hop career. He said her career didn’t meet expectations, and she was eventually dropped from the label.

He pointed to her criminal history, including felony convictions for armed robbery and heroin distribution and said she has publicly admitted to criminal behavior in interviews.

Despite her past, Liles said he continued to support her when asked, including helping her as recently as last year.

Liles cited past interviews and social media posts in which Jones praised him, referred to him as a mentor and maintained a close relationship with his family.

He also referenced her comments in podcasts from 2016, 2022 and 2023, where she denied any inappropriate sexual interactions with older men, which he said contradicted her current claims.

Liles said he believes Jones is motivated by money and frustration over her stalled career.

“Regardless of my empathy for Ms. Jones, I will not be extorted, nor will I pay a dollar to those that threaten to ruin my reputation or the legacy I intend to leave the culture I’ve spent my life serving,” Liles said.

Kevin Liles said he became concerned after seeing Jones appear intoxicated during recent media appearances where she discussed drug use and unusual spiritual beliefs.

Liles said his legal team will handle the situation and he plans to continue his work in the community despite the emotional toll of the accusations.

He’s also facing a separate civil lawsuit filed in 2025 by Jane Doe, who accuses him of sexual assault and harassment between 2000 and 2002.

That case also names Universal Music Group and Def Jam as defendants. The defense argues the claims are too old and were previously settled, while the plaintiff cites a New York law that temporarily allows old claims to be filed.

Motions to dismiss are pending.

The Psychology of Casino Music

Ever walked into a casino and noticed how you feel different almost immediately? The lights flash, the chips clatter, the slot machines ding and spin. Even an online casino can make you lose sense of your surroundings. That’s because there’s another invisible player at work: the music.

Casinos don’t just pump in background tunes for fun. The music you hear in a casino is carefully curated and deliberately designed to mess with your brain. Whether it’s upbeat pop, jazzy instrumentals, or mellow lounge music, every note has a purpose. Let’s take a peek into the psychology behind casino music and why it’s such a powerful tool.

Setting the Mood

First off, music sets the tone. 

Casinos want you to feel relaxed but alert, happy but not distracted, focused but not stressed. That can be a tricky emotional cocktail, and music helps mix it just right. Soft ambient music creates a comfortable environment where people feel safe spending time. Too much silence and people get anxious. Too much noise and people get overstimulated.

Some casinos go with jazzy instrumentals or classic pop hits from the ’70s and ’80s—nostalgic tunes that spark good memories and positive vibes. Others use subtle ambient tracks that fade into the background but keep the energy flowing. Either way, the goal is to make you feel like this is a place where good times happen—and where it’s totally normal to lose track of time.

Sense of Time

Have you ever noticed that casinos do not have clocks? There’s a reason for that. No windows either. That’s no accident. The idea is to keep you in a timeless, suspended reality where the outside world (and your responsibilities) don’t exist.

Music plays a role here too. Some casinos use continuous playlists with no breaks or distinct time cues, so you can’t easily tell how long you’ve been there. The vibe stays consistent, which helps create a sense of endless “flow”—that feeling of being so immersed in something that hours feel like minutes.

Tempo Tricks

Here’s where things get sneakier.

Studies have shown that music tempo—how fast or slow a song is—can influence behavior in all kinds of environments, including restaurants, shopping malls, and yes, casinos. Slow-tempo music tends to make people linger. Fast-tempo music increases activity.

So what does that mean in practice? Slot machine areas often feature faster-paced music, encouraging you to keep spinning. Table game zones might have slower, smoother music to encourage you to settle in, play a few extra hands, maybe order another drink.

It’s all about nudging you toward the behavior the casino wants. And often, you don’t even realize it’s happening.

The Reward Loop

Casinos are all about reward loops—you press a button, lights flash, sounds play, coins (or digital equivalents) clink into your tray. Even if you lose, you’re getting little bursts of stimulation that keep you hooked. And music is a big part of that loop.

Ever noticed how every win on a slot machine comes with a happy little jingle? That’s not just for fun. It’s classical conditioning 101. Just like Pavlov’s dog drooled at the sound of a bell, your brain starts to associate those cheerful tunes with positive outcomes. Even when you’re not winning, the background music keeps you in a pleasant emotional state, making it more likely you’ll keep playing.

This is the same for sweepstake casinos in the US found at Gambling.com. Despite players not playing with their own money, the casinos still utilise music and sounds for rewards when players win.

Customising the Experience

Some high-end casinos even personalise music for different areas or times of day. Mornings might feature light, cheerful music to get people in a positive mood early. Late at night, they might switch to more energetic tracks to fight fatigue and keep the party going.

There’s also some evidence that different types of music can attract different types of players. Younger gamblers may respond better to modern pop or EDM, while older players might prefer classic rock or easy listening. Casinos often analyze customer demographics and adjust playlists accordingly.

The Sensory Strategy 

Of course, music doesn’t work alone. It’s part of a larger sensory strategy that includes lighting, layout, sounds, smells, and even temperature. But music plays a unique role because it taps into memory, emotion, and subconscious patterns.

It’s one of the most powerful ways to create atmosphere and influence behavior—without being obvious. You don’t walk into a casino thinking, “Wow, this playlist is making me spend more money!” But your brain is reacting all the same.

Overall, casino music is more than just background noise. It’s a finely tuned psychological tool designed to shape your experience, influence your behavior, and keep you engaged. From tempo to tone, every element plays a part in crafting that “can’t-stop-won’t-stop” casino vibe.

Next time you’re in a casino and catch yourself tapping your foot while chasing a win, remember: the house might have the odds—but the music has your brain.

Migos Page Hijacked In $4.3M Bitcoin Blackmail Against Solana’s Raj Gokal

Migos had their official Instagram account hijacked Tuesday (May 27) in an apparent strange and public attempt to extort Solana co-founder Raj Gokal for 40 Bitcoin—roughly $4.3 million.

The compromised page posted at least seven images, including photos of Gokal holding his passport and driver’s license, with all personal details visible.

One image showed a woman, believed to be Gokal’s wife, holding her own ID.

The captions clarified the hackers’ intentions: “you should’ve paid the 40 btc” and “it was only 40 btc.. should’ve paid.”

The attackers didn’t stop there. They exposed Gokal’s phone number and email address, telling followers to “spam” him. The account bio was edited to promote a meme coin scam, and Telegram links and audio clips were also uploaded.

Former Migos rapper Quavo confirmed the breach on his Instagram Stories, writing, “Our Ig is hacked and will be back up shortly thanks.”

The posts remained live for about 90 minutes before being scrubbed. The account has since returned to normal.

Gokal had reportedly already raised red flags about suspicious activity a week earlier. On May 20, he warned that someone had been trying to gain access to his email and social media accounts, saying the attempts had been ongoing for more than a week.

Neither Gokal nor the Solana Foundation has issued a formal statement about the incident.

Once the account was restored, Migos fans wasted no time cracking jokes on the account.

“Well that was fun,” one person wrote.

Another chimed in, “dat nicca knew to pay that 40 btc.”

A third added, “Ngl kinda miss Raj. He was there to hack migos page & post nonsense when alot of things was gloomy. R.I.P RAJ you’ll never be forgotten.”

Kai Cenat Clashes With Kanye West Fan On AMAs Livestream

Kai Cenat wasn’t in the mood for Kanye West praise during a livestream at the 2025 American Music Awards on Sunday (May 18) when a man interrupted his broadcast to show love to the controversial rapper.

The Twitch star was initially laughing and chatting with a young girl accompanying the man, but things took a turn when the conversation shifted to Kanye West.

The man began, “Where’s Kanye at? We want to say — we love Ye. We love Ye for being outspoken, regardless, because it’s America, and I think it’s a great thing to live in a free country. Don’t you, Kai?… I think he’s a great guy… God bless you, Kai.”

Cenat didn’t hesitate to shut it down.

“So, you really hopped my stream, knowing my influence, to come on here and say that?” Cenat said, visibly annoyed.

The man tried to double down on his support for West, calling him a “great guy,” but Cenat wasn’t having it.

“I think I want to protect my energy. But I’m going to politely ask you, get out of here, guys. Please! All right, I get it, but I don’t want that,” he said, cutting the moment short.

Kai Cenat Cancels Kanye West Livestream

Cenat and West have a rocky history that’s played out publicly over the past year. The two met outside the 2025 Grammys, where Cenat recalled being impressed by West’s dramatic entrance in twin chrome Maybachs. “When he pulled up, he hopped out slow motion, I seen the aura,” Cenat said. “He had all black on with some boots. His teeth were bust down. He dapped me up and said, ‘I appreciate, bro. I’ll see you tonight.’ You know we’re gonna go to Tokyo. He said we gonna get on stream and see what happens.”

That stream never happened.

Cenat later pulled the plug after West posted a series of antisemitic messages in February 2025.

Addressing his audience, Cenat said, “I’m gonna go ahead and address the elephant in the room… I don’t know what’s going on, bro. I think it’s GGs.” He added, “I seen the tweets. I don’t know what’s going on. I think it’s [over]. It’s crazy… It’s just back to back to back.”

West didn’t take the cancellation lightly. He lashed out at Cenat, saying, “F### Kai Cenat,” and claimed, “I invented the streaming s### with Donda,” accusing Cenat of stealing his ideas.

The two had previously patched things up after West sent Cenat some Yeezy gear — which didn’t fit. 

Jennifer Lopez Kisses Female Dancer During 2025 AMA Performance

Jennifer Lopez kicked off the American Music Awards on Monday night (May 26) in Las Vegas with a six-minute performance that included 23 songs, a tribute to U.S. veterans and two onstage kisses that had the internet buzzing.

The actress and singer opened the show at the Fontainebleau with a rapid-fire medley of tracks like “Dance Again,” “Lose Control,” “Hot To Go” and “Die With a Smile.” But it wasn’t just the music that had people talking — it was the choreography.

Midway through the set, a male dancer leaned in and kissed Lopez on the lips. Moments later, a female dancer followed suit. A second woman then hovered inches from Lopez’s mouth, their faces nearly touching.

Lopez later explained the concept behind the performance, revealing it was her idea. “It was kind of like a narrative, a little story going on,” she told Variety. “The whole idea was around the mirrors and the reflections. We all take in this great music every year, and we go into our own world with the music, and that was the whole premise of the performance. Then, throughout it, everyone feels it differently. I like the idea of losing control.”

Comedian Tiffany Haddish added some levity after the set, joking, “Save a dancer for me, J.Lo. Damn! You ain’t the only one out here single.” The performance took place on Memorial Day and ended with Lopez honoring America’s veterans.

Lopez’s kiss-filled opener drew comparisons to the 2003 MTV Video Music Awards, where Madonna famously kissed Britney Spears and Christina Aguilera during a medley of “Like a Virgin.”

Jennifer Lopez was initially scheduled to be part of that performance but had to drop out due to scheduling conflicts. Aguilera stepped in to complete the trio.

Cardi B Gets Wild With Stefon Diggs At Miami Yacht Bash

Cardi B turned heads Monday night (May 26) as she danced, laughed and partied alongside Stefon Diggs aboard a yacht in Miami, letting off steam while her long-awaited sophomore album remains in limbo.

The Grammy-winning rapper was caught on camera living it up with a group of women, twerking and grinding while Diggs playfully slapped her backside during one particularly wild moment.

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Another clip showed bikini-clad women dancing on Cardi as she smiled and soaked in the attention.

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The Miami getaway comes as Cardi continues to vent her frustrations over delays tied to her next project.

Last month, she took to Instagram Live to air out her struggles with collaborators dragging their feet.

“I really need these f###### features,” she said. “And it’s like I’m not really trying to press or go crazy on these artists because I love them down. But it’s like, come on now! I need that! I need that right now! Helloooo! Y’all don’t want to miss this opportunity. I’ll sing this s### myself! But I really need y’all, and I need y’all to hurry up, and I love y’all. I feel like nobody want to miss being on this album.”

More recently, she pointed to marketing logistics as another holdup.

“Right now, it’s really, really, really not my fault,” she said. “Well, it kind of is, but it’s kind of not … I’m trying to get everything at the same time. This bundle s### be annoying, I’m not even gonna lie.”

She added that she dislikes relying on others and would’ve already announced the album if it were solely up to her.

Cardi B & Stefon Diggs Make Public Debut

While the music waits, Cardi’s relationship with the Buffalo Bills wide receiver continues to heat up.

The pair were first linked in October 2024 after being spotted together at a New York City nightclub. They spent Valentine’s Day 2025 together in Miami and made their first official public appearance as a couple on May 12 at a New York Knicks playoff game, where they were seen holding hands, whispering and sharing affectionate moments courtside.

Diddy’s Lawyers Demand Judge Toss Kid Cudi’s Car Bomb Testimony Over Claims He Lacked Proof

Diddy’s criminal defense team has moved to strike Kid Cudi’s explosive Porsche firebombing testimony from the record. The defense claims his sensational account is speculation with zero evidence to back it up.

The Bad Boy mogul’s attorneys filed new court documents that argue Kid Cudi’s account of the 2012 Molotov cocktail attack on his Porsche has no place in court. The entire narrative hinges on suspicion, not hard facts, according to TMZ.

READ ALSO: Former Day26 Star Que Claims He Was Drugged At Diddy’s Mansion: “I Thought It Was A Sacrifice”

Kid Cudi testified in court last week that he “knew” Diddy was behind the fiery destruction of his sports car. The incident allegedly occurred shortly after Kid Cudi stopped dating Cassie Ventura, Diddy’s then-girlfriend. But under oath, Kid Cudi admitted he had no witnesses, forensic proof or direct connection tying Diddy to the incident.

According to Cudi, when he later confronted Diddy about the car bombing, Diddy denied having any role. Despite the denial, Kid Cudi claims he didn’t believe him and recounted a later encounter where Diddy allegedly apologized for “all that bull##t.”

Diddy’s legal team says that’s not enough in court.

In their filing, Diddy’s attorneys argue the rapper’s personal belief about what happened isn’t admissible in court because it lacks concrete evidence. They’re calling the testimony “unfounded” and “highly prejudicial.” They implore the judge to strike the entire exchange from the official record.

The judge hasn’t ruled on the motion yet. If his defense is successful, this would wipe one of the more dramatic, damaging moments of the trial off the record.

More allegations are reportedly on the way.

T.I. Defamation Showdown With Sabrina Peterson Set – With Stipulation

T.I. and Sabrina Peterson are officially headed to court in Los Angeles after a judge locked in a trial date in the rapper’s defamation case stemming from a years-long legal feud.

The Hip-Hop artist filed a lawsuit against Peterson in December 2024, accusing her of spreading false and damaging claims online, including an allegation that he was under federal investigation for sex trafficking.

The case marks the latest chapter in a legal back-and-forth that began in 2021 when Peterson sued T.I. and his wife, Tameka “Tiny” Harris, for defamation, invasion of privacy and emotional distress.

Peterson’s original lawsuit alleged that T.I. pointed a gun at her and that the couple attempted to smear her publicly after she spoke out.

However, five of her seven claims were tossed by a judge in June 2023. Only the defamation and invasion of privacy claims remained.

After failing to pay nearly $100,000 in court-ordered legal fees to T.I. and Tiny, Peterson asked the court for a payment plan of $1,000 per month, citing financial hardship.

But by March 2025, her case was dismissed without prejudice due to inactivity and nonpayment. The contempt charge tied to her unpaid fees was also dropped once the case was closed.

With Peterson’s claims out of the way, T.I. launched his own legal action, alleging Peterson’s Instagram posts damaged his reputation and invaded his privacy.

Before the trial can begin, both parties must attend a settlement conference with a private mediator. The court has mandated that this meeting occur no later than Monday (November 24, 2025).

The case will not proceed to trial if either party fails to appear in person. The trial is scheduled to begin Tuesday (June 9, 2026) at 9 a.m.

Kim Kardashian Celebrates Son Psalm’s Birthday With Marvel-Themed Party

Kim Kardashian transformed an arcade into a superhero playground Sunday (May 26) to celebrate her son Psalm’s sixth birthday with a party inspired by Deadpool & Wolverine.

The SKIMS founder shared snapshots from the event on Instagram, showing off balloon arrangements, themed signage and a towering cake modeled after the Marvel characters portrayed by Ryan Reynolds and Hugh Jackman.

The cake, shaped like the two antiheroes, served as the centerpiece of the celebration. Kardashian captioned the post, “Psalms 6th Birthday Party (sic),” followed by a heart emoji.

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The party took place at a local arcade, where Psalm was seen darting around with a bubble gun and joining in on group games.

In one photo, Kim played a basketball arcade game, while another showed her posing with her mother, Kris Jenner, sister Khloé Kardashian, and nieces Dream Kardashian, 8, and True Thompson, 7.

Psalm is the youngest of four children Kim shares with her ex-husband Kanye West, including North, 11, Saint, 9, and Chicago, 7.

It remains unclear if the rapper attended the party.

The celebration comes just months ahead of the release of Deadpool & Wolverine, one of the most anticipated films of 2024.

Lil Wayne Producer Hits UMG With $3M Lawsuit Over “Tha Carter III” Royalties

Lil Wayne producer Darius “Deezle” Harrison is taking legal action against Universal Music Group (UMG) in Los Angeles over more than $3 million in unpaid royalties tied to his production work on Weezy’s Grammy-winning album Tha Carter III and Birdman’s Fast Money.

The Grammy-winning producer filed a lawsuit claiming UMG hasn’t paid him a dime in over ten years despite his credited work on hit records like “Lollipop,” “Mrs. Officer” and “Let the Beat Build.”

According to the complaint, Deezle is owed a 4% royalty rate for each track he produced on Tha Carter III and 3% for his contributions to Fast Money.

“Plaintiffs have not been paid any producer royalties associated with the YME producer agreement or CMR producer agreement for over a decade,” attorney Christopher L. Brown wrote in the filing, per Billboard.

Deezle previously sued Lil Wayne, Cash Money and Young Money in 2011 over the same royalty issues.

That case was settled in 2012, but the new complaint alleges UMG quietly stopped payments shortly after the agreement was reached.

The lawsuit also claims that UMG continues to benefit from the commercial success of the songs without honoring its contractual obligations. “The recordings in question are fully recouped, and over $3 million is owed to the plaintiffs,” the suit states.

Deezle’s case adds to a growing list of royalty disputes involving UMG. In recent months, artists like Salt-N-Pepa have also taken legal steps against the music giant over unpaid earnings.

Tha Carter III, released on June 10, 2008, was a commercial juggernaut. The album debuted at No. 1 on the Billboard 200, moved over a million units in its first week, and became the best-selling album of that year in the U.S. It has since been certified six times platinum by the RIAA.

The 5 Best Hip-Hop Tracks About Gambling and Casinos

Hip-hop artists often refer to gambling and use terms, metaphors, and allegories associated with it. Today we collaborated with Edward Howarth of DashTickets magazine to bring you some of the most prominent rap tracks that feature gambling activities.

Pokerface — Ghostface Killah

Pokerface opens with commentary from the World Series of Poker and is all about an exciting poker game. Its chorus, however, can be easily applied to everyday life as well, especially lines like “You gotta know how to play your cards, have a mean poker face” and “This is no limit hold ’em, you gotta know when to fold ’em”. 

The song is full of poker jargon that can only really be properly understood by players and also heavily references Rounders, which is probably one of the most iconic poker movies in history. 

Putting it simply, if you find poker fun and amusing, then this song is perfect for you.

Mo Money Mo Problems — The Notorious B.I.G

As you can guess from the title, Mo Money Mo Problems is all about the weight of responsibility and problems associated with owning huge sums of money, resulting in the key chorus line “It’s like the more money we come across the more problems we see”

Admittedly, it’s not the most relatable issue, but there is a reason why The Notorious B.I.G. is a rap legend — the track is simply great. The rap video shows a fun night in the casino, while lines like “We don’t play around, it’s a bet, lay it down” establish a gambling mood. 

I’m So Paid — Akon feat. Lil Wayne and Young Jeezy

I’m So Paid is all about being amazingly rich and living on the edge, which is the main selling point of the track. It is very 2008, which is good, and it works perfectly as an actual soundtrack to your casino night. An absolute banger for everyone who wants to relax and simply have fun while gambling.

It Was a Good Day — Ice Cube

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It Was a Good Day is a deeper track that tells the story of Ice Cube’s perfect day, which consists of getting a call from the girl he had been anticipating for a long time, getting ignored by the police patrol, and no need to use his AK. Not only that, but he also manages to win in craps several times in a row. 

While this track is much more nuanced and deep than the previous one on the list and might not be the perfect fit for your gambling session, it still absolutely deserves to be included in the list because of how influential and recognizable it is. Also, Ice Cube’s flow will get stuck in your head for days.

Life Is a Gamble — Big K.R.I.T.

Big K.R.I.T. places a huge emphasis on the risks and dangers of treating life as a gamble. He is rather direct in his lyrics, with lines like “Russian roulette table, I gotta bet safer” and “You gotta know when to fold your cards”. The message is clear and may feel a bit preachy, but the track is still amazing and definitely worth your attention. 

A$AP Rocky Got Schooled By Jeffrey Wright While Filming With Denzel Washington

A$AP Rocky leaned on Jeffrey Wright for acting guidance while filming Highest 2 Lowest, the Spike Lee-directed thriller that also stars Denzel Washington, revealing the veteran actor gave him on-the-spot coaching between takes.

The rapper told Variety that Wright became an informal mentor during production, often offering real-time feedback from inside their trailer.

“During Highest 2 Lowest, he was coaching me. I would do something, and he’d be like, ‘Nah, man, you got to do it like this,’ and ‘Say your line like that,’” A$AP Rocky said. “We would just kick it in the trailer. He would tell me what books to read and show me the old-school s**t he used to be in. He’s just an OG like that.”

The film, a modern English-language take on Akira Kurosawa’s High and Low, premiered at the Cannes Film Festival earlier this week and marks Rocky’s fourth acting credit.

While he’s no stranger to the camera, A$AP Rocky admitted Wright encouraged him to take his craft further — specifically to the stage.

“If I’m being totally honest, to be a better actor overall, theatre is the only way to do that. One of the best, wisest men told me that — Mr. Jeffrey Wright,” he said. “I don’t think I’m ready. I gotta be in one place, and that’s a lot to commit to.”

Rocky also opened up about working alongside Washington, saying he had to keep his cool around the Oscar-winning icon.

“Trust me, it was difficult to not fan the f### out every millisecond of the f###### duration. It was crazy — it’s f###### Denzel, man,” he said. “I’m never going to be too big to be able to say that I had to hold my composure from not fanning out.”

Memorial Day Was Black-Led Celebration Of Freedom That Racism Tried To Erase

Charleston’s Forgotten Memorial Day Roots Were Planted by Black Hands Honoring the Union Dead

Memorial Day might look like backyard barbecues and flag-draped parades now, but its earliest roots trace back to the ruins of the Civil War. And it all started with newly freed Black people who insisted the Union’s fallen be appropriately honored.

On May 1, 1865, just weeks after the Civil War ended, about 10,000 Black residents of Charleston, South Carolina, gathered at a former Confederate racetrack.

At this location, hundreds of Union soldiers had died and been buried in unmarked graves. The site had been a prison camp during the war. Over 257 Union troops, most succumbing to disease, were dumped into shallow pits behind the track.

Instead of letting those soldiers tumble into obscurity, a group of roughly two dozen Black people stepped in to ensure they were remembered. Believe it or not, they exhumed the bodies, laid them in organized rows and built a 10-foot-high white fence. The arch read “Martyrs of the Race Course” in black paint.

The tribute was no quiet affair.

It began with 3,000 Black schoolchildren marching around the graves with flowers, singing “John Brown’s Body.” Behind them came Black women and men representing various societies, pastors preaching sermons and about 30 speakers. It was organized by James Redpath, the Scottish immigrant, journalist and anti-slavery activist. Union regiments, both white and African Americans, drilled and paraded around the freshly laid graves. The entire day was filled with song, prayer and remembrance.

The Charleston Daily Courier and the New York Tribune reported on the event. The graves looked like “one mass of flowers,” per the Courier. The Tribune called it “a procession of friends and mourners as South Carolina and the United States never saw before.”

After finding a Tribune article in a Harvard archive, Pulitzer Prize-winning historian David Blight uncovered this largely forgotten story in 1996. His book, Race and Reunion: The Civil War in American Memory, argues that this Memorial Day predecessor was buried—pun intended—because it didn’t fit the narrative white historians wanted to tell.

In the decades after, Southern organizations like the United Daughters of the Confederacy and other racist groups denied knowledge of the event or shifted credit to white figures like Redpath. A 1937 book falsely claimed the ceremony occurred on May 30, the day General John A. Logan later designated as the official date for what would become Memorial Day in 1868.

Eventually, the Charleston racecourse was renamed Hampton Park after Confederate General Wade Hampton and the graves were moved to Beaufort National Cemetery. The memory of the Black organizers was all but erased.

But the truth still stands and will continue to be repeated. Before the government declared a national holiday and before white veterans made it official, Black Americans in Charleston created the first large-scale tribute to dead soldiers. They understood that freedom wasn’t free and simply wanted to thank them.

That Memorial Day story didn’t just honor the dead. It foreshadowed the centuries-long battle for recognition in the midst of racist erasure. This continues today.

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Former Day26 Star Que Claims He Was Drugged At Diddy’s Mansion: “I Thought It Was A Sacrifice”

Former Day26 member Que said he blacked out after taking a red pill allegedly handed to him by Dawn Richard and claimed he feared Sean “Diddy” Combs was trying to “sacrifice” him during a disturbing night at the music mogul’s Hamptons estate.

Que detailed the harrowing experience during an appearance on “Amy Robach and TJ Holmes Presents: Aubrey O’Day, Covering the Diddy Trial,” where he described waking up disoriented and screaming in a basement bedroom after accepting a pill he believed was ecstasy.

“Within 20 minutes, I had knocked out. I blacked out,” Que said, explaining that Richard told him the pill came from Diddy and that he trusted her because they had taken ecstasy together in the past.

Que said he regained consciousness in the bedroom of Diddy’s twin daughters, wearing only basketball shorts and surrounded by people filming him.

“I woke up out of my sleep screaming, very, very loud,” he said. “They were laughing as I woke up out of my sleep screaming.”

He remembered jumping into the pool at some point and described the entire episode as deeply unsettling.

“It felt very sacrificial. That’s what I meant when I said I felt like they were trying to hurt me, or Diddy was trying to maybe sacrifice me that night,” he said. “I thought they were trying to hurt me. It felt like someone was trying to hurt me or take me out.”

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Que Claims He Suffered Long-Term Psychological Effects Following Experience At Diddy’s Mansion

After the podcast aired, Que released a more detailed statement, saying the pill was not ecstasy but a horse tranquilizer. He claimed Richard gave it to him and said it was from her boss, Diddy.

“I take full accountability for what I allowed into my life—because in the end, I had a choice. But let me be candid: I genuinely believed I was taking something I’d tried before. It wasn’t ecstasy. It turned out to be a horse tranquilizer—given to me by my ex girlfriend, who claimed it was from her boss to give me,” Que wrote.

He said he collapsed within 20 minutes of taking the pill. According to Que, he woke up in a different part of the house with no memory of how he got there.

“I emerged from a deep, paralyzing sleep, screaming and sobbing, he added. “My body in shock, my mind spinning in confusion. The horror of realizing I’d been drugged with something far more potent than I was led to believe shattered me.”

Que said the experience left him with long-term psychological effects, including paranoia, memory loss and anxiety. “The pill had broken me—mentally, emotionally, and spiritually,” he said.

He also pointed out that Richard never took the second pill, which he said made the situation feel more like an experiment than a shared experience.

Richard has denied all allegations. “I want to be unequivocally clear: I have never drugged anyone,” she said in a public statement. Nor have I ever given anyone pills to take.”

She added that Que’s claims are inconsistent with his actions during and after their relationship.

“The suggestion that I did so is categorically false,” she added. “If such a belief were genuine, it would be inconsistent with the actions that followed—such as inviting me into your home, introducing me to your younger sisters and family, and continuing a relationship with me.”

Richard said she chose not to speak publicly about their relationship out of respect for Que and his family but felt compelled to respond now. 

Cannabis in Hip-Hop: From Lyrics to Lifestyle

The hazy recording spaces where hip-hop icons created their most memorable songs reveal just a portion of the narrative. Rap music and cannabis culture have been connected from the genre’s beginnings, forming an alliance that revolutionized both sectors. What started as genuine urban stories has grown into a lifestyle phenomenon worth billions that shapes everything from clothing to cuisine, demonstrating that this bond reaches well past the studio walls.

The Roots Run Deep

Performers started candidly sharing their marijuana experiences through their songs. This represented more than simple defiance; it constituted a genuine narrative that mirrored the circumstances of city neighborhoods where hip-hop and marijuana culture both flourished. Musicians discovered that marijuana boosted their artistic inspiration. It assisted them in working through complicated feelings, and offered comfort from urban life pressures.

Dr. Dre’s 1992 “The Chronic” release did more than launch Snoop Dogg’s career. It made marijuana mentions acceptable in popular hip-hop. The record’s name directly indicated premium cannabis, while songs such as “Nuthin’ But a ‘G’ Thang” incorporated marijuana symbolism into the storytelling. This represented a pivotal moment when marijuana shifted from a forbidden topic to an essential cultural communication.

Pioneers of the Movement

Cypress Hill represents arguably hip-hop’s most significant cannabis-promoting collective. Their first 1991 release included songs such as “How I Could Just Kill a Man” and “Stoned Is the Way of the Walk,”. This positioned them as bold advocates of marijuana culture. B-Real’s unique nasal vocal style became linked with stoner rap, while their advocacy contributed to making marijuana policy discussions acceptable within hip-hop communities. 

Snoop Dogg evolved from a new rapper into a cannabis cultural figure, creating a brand far beyond musical boundaries. His identity merged completely with marijuana culture, affecting the style, vocabulary, and lifestyle preferences of followers globally. Snoop’s method showed how performers could genuinely incorporate cannabis themes into their image while maintaining creative authenticity.

Modern Cannabis Entrepreneurs

Modern hip-hop musicians have transcended merely mentioning marijuana in their songs, they’ve transformed into savvy business leaders within the legal marijuana sector. Jay-Z’s cannabis industry investments via his venture capital company exemplify a wider pattern of hip-hop entrepreneurs viewing marijuana as a valid commercial venture. His partnership with Monogram, an upscale marijuana label, demonstrates how musicians can utilize their cultural impact to establish enduring enterprises.

The Khalifa Kush variety by Wiz Khalifa illustrates another progression in musician-marijuana collaborations. Through creating his unique marijuana genetics, Khalifa established a tangible link between his music identity and marijuana offerings, enabling supporters to genuinely participate in aspects of his way of life. This strategy has motivated numerous additional musicians to create their personal varieties and offerings.

The Lifestyle Revolution

Hip-hop’s cannabis culture has evolved beyond music into a complete lifestyle. Musicians frequently display cannabis-oriented apparel lines, smoking paraphernalia, and usage customs via social platforms, music videos, and concert appearances. This exposure has contributed to making cannabis consumption acceptable across varied demographics who may not have formerly identified with cannabis culture.

The emergence of cannabis-infused items has created fresh opportunities for audience interaction. Numerous fans now have an interest in crafting their personal cannabis experiences domestically, discovering how to make edibles: easy steps for cannabis-infused treats that replicate the items promoted by their preferred musicians. This do-it-yourself method enables supporters to engage directly in cannabis culture instead of staying inactive buyers.

Cultural Impact and Future Directions

As influential musicians publicly talk about cannabis advantages for artistic expression, pain relief, and stress reduction, they assist in dismantling years of harmful misconceptions and false information. This cultural transformation has bolstered wider legalization movements throughout America and globally.

The connection between cannabis and hip-hop keeps developing alongside expanding legalization. Musicians are adopting increasingly refined strategies, emphasizing premium products, social justice, and mindful usage communication. This growth mirrors hip-hop’s transformation from subculture to dominant cultural force.

Endnote 

With both sectors expanding, their convergence guarantees ongoing advancement in offerings, experiences, and artistic manifestations, securing cannabis’s position as a genuine component of hip-hop culture for future generations.

How Real-Time Tracking and Data Analytics Are Transforming Modern Football

Football today isn’t just about raw talent or a coach’s gut feeling. It’s a sport shaped by data, where GPS, AI, and advanced analytics influence almost every aspect of training and match performance. As digital experiences around football continue to grow, some fans are also showing interest in platforms like AviaMasters that offer additional ways to engage with the game. From optimising player workload to tactical decision-making, clubs are now using tech to stay ahead. Let’s explore how this digital revolution is redefining the modern game.

Smarter Training with Real-Time GPS and Wearables

Gone are the days when training was just about laps and drills. Today, most elite clubs outfit their players with GPS trackers and biometric wearables. These small, lightweight devices collect detailed data in real time — from distance covered to sprint speed and even heart rate variability.
Coaches and sports scientists use this data to tailor sessions to each player. It’s no longer about one-size-fits-all. If a defender is showing signs of fatigue, their load can be reduced. If a forward needs to build explosiveness, drills can be adjusted.

Key metrics tracked with GPS and wearables:

  • Total distance – Helps measure endurance and game involvement.
  • High-intensity sprints – Critical for monitoring explosive movements.
  • Acceleration/deceleration – Indicates responsiveness and recovery.
  • Heart rate zones – Used to control aerobic and anaerobic workload.
  • Positional heat maps – Reveal movement patterns on the pitch.

With this insight, clubs reduce injury risk, track rehab progress, and plan recovery. Real-time feedback allows immediate tweaks during training — a massive edge in modern player development.

AI in Tactical Analysis and Decision-Making

Artificial Intelligence isn’t just a buzzword — it’s embedded in how clubs approach tactics. AI-powered video analysis tools now break down thousands of match events in minutes. Coaches use them to understand patterns, identify weaknesses, and prep smarter for opponents.

What does AI do better?
It spots things human analysts might miss. For example, machine learning models can detect how often a team gets exposed during transitions or how their press fails under certain formations.

Common ways AI supports match preparation:

  1. Predictive modelling – Anticipates how opponents will react to different tactical setups.
  2. Video tagging automation – Cuts down on time spent manually reviewing footage.
  3. Custom dashboards – Visualise key stats per player, position, or phase of play.
  4. Scenario simulations – Tests what-if tactics before they hit the pitch.

AI helps backroom staff make evidence-based choices. Whether adjusting pressing triggers or altering build-up shapes, decisions are no longer driven purely by instinct.

Data Science in Match Day Performance and Scouting

Match day is where everything comes together. Data science now provides a 360-degree view — not just of what happened, but why it happened. Clubs overlay physical, tactical, and technical metrics to understand performance on a deeper level.

On match day, analysts track both live and post-match data. They feed this into models that evaluate efficiency, such as expected goals (xG), pass networks, or pressure regains. Coaches can react in real time — for example, swapping a player who’s dropped intensity or tweaking formation based on heat maps.

Beyond the pitch, recruitment has also gone digital. Scouts still watch games, but their shortlists start with algorithms.

How clubs use data in scouting:

  • Performance profiling – Builds player templates based on role-specific KPIs.
  • Injury prediction models – Assesses fitness history and potential future risk.
  • Market value tracking – Uses trend data to estimate real transfer value.
  • Contextual stats – Rates players in similar tactical systems or leagues.

This layered approach means signings are less risky. Clubs avoid relying on hype or highlight reels and instead focus on fit, form, and future potential.

Practical Benefits for Clubs and Players

It’s easy to think all this tech is only for big-name clubs. But the tools are scaling fast. Second-tier sides, youth academies, and even semi-professional setups now use basic GPS and video breakdowns.

Why it’s worth it:

  • Players get more tailored development.
  • Coaches work with hard evidence.
  • Medical staff catch red flags early.
  • Clubs make smarter investments.

Some practical takeaways:

  • Train smart, not just hard – Use GPS to avoid overtraining and optimise effort.
  • Use video and AI to fine-tune tactics – Don’t just react to opponents, predict them.
  • Make data part of scouting – Combine live watching with performance metrics.

Even small improvements can create long-term advantages. Marginal gains, tracked and repeated, become winning habits.

Conclusion: The Game Will Never Be the Same

Real-time tracking and data analytics are changing how football is played, coached, and managed. Clubs that embrace this shift are already seeing results — better performances, fewer injuries, and smarter decisions across the board. It’s not just the future of football. It’s already here, and it’s moving fast.

Diddy’s Twin Daughters Celebrate Graduating High School

Diddy has reason to celebrate.

Jessie and D’Lila Combs, known as The Combs Twins, have graduated from high school. The duo took center stage Friday (May 23) in Los Angeles and dropped an epic IG post to commemorate the occasion.

The 18-year-old twins, daughters of Diddy and the late Kim Porter, walked across the stage at Sierra Canyon School in Chatsworth. The pair matched in navy blue caps and gowns down to their teddy bears.

Their family and friends gathered for the epic moment.

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The milestone occured as their father, Sean “Diddy” Combs, remains on trial for alleged sex trafficking.

Despite the storm surrounding their father, the young women presented a unified and joyful front. 

Holding hands and waving their diplomas in the air, Jessie and D’Lila posed for snapshots with friends. They also smiled for videos, showing off class rings and flowers.

Their older brother, Justin Combs, gifted them both diamond necklaces and Van Cleef & Arpels bracelets to mark the occasion.

“Thankkkk u Justin we love uuuu,” the twins captioned their post. Meanwhile, Christian “King” Combs, 27, captured video from the ceremony and shouted, “It’s lit! Jessie and D’Lila we see you!”

The family’s youngest sibling, 2-year-old Love Sean Combs, was seen perched on adopted brother Quincy Brown’s shoulders.

Kim Porter passed away in 2018 from lobar pneumonia. The former model left behind a blended family of seven children—Christian, Jessie, D’Lila, Quincy, Justin, Chance, and Love.

The kids are the products of multiple households but often seen together in public moments of unity.

While Diddy’s legal troubles continue to make headlines with an ongoing federal probe into serious allegations, Jessie and D’Lila’s graduation offered a positive moment for the embattled mogul’s family.

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Bhad Bhabie Defends Le Vaughn—Claims She Was On Drugs When She Posted Abuse Clip

Bhad Bhabie got emotional while discussing her relationship with Le Vaughn and admitted she still hits him despite past abuse allegations.

Bhad Bhabie broke down during a raw interview while reflecting on her turbulent relationship with Le Vaughn, admitting she’s the one who gets physical and defending her decision to stay despite past cheating and public abuse claims.

The 21-year-old rapper and influencer got visibly emotional on the Camila Araujo podcast while discussing her relationship with the father of her daughter, Kali.

“I am so happy that I didn’t leave him,” she said through tears. “Because I would never find what I have with him in anybody else. And it’s gotten so much better; it’s like a whole different ball game. I always think about it like damn if I would have left, I’d be missing out on this…”

Bhad Bhabie, born Danielle Bregoli, also admitted she would be “distraught” if Le Vaughn ever walked away.

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Despite previously posting a video in July 2024 that appeared to show Le Vaughn physically assaulting her, she now says she released the footage out of fear he would take their daughter after she learned he was cheating on her with Alabama Barker.

“He told me he was gonna take Kali, she explained. “I was going through a drug problem at the time, and I felt like he did have that over me, and he could use that against me. So I posted the video to put it out there that, like, oh, maybe hopefully he can’t take her with this being public. My point was to even it out to keep my daughter, not for the world to attack.”

The now-deleted clip reportedly showed Le Vaughn pushing her to the ground and using his knee to pin her down.

She also posted photos of a swollen eye and bruises. At the time, she captioned the video, “This man think he gonna take my daughter from me!! Say whatever you want but tryna take my baby is crazy.”

Bhad Bhabie Responds To Calls To Leave Le Vaughn

When asked why she stayed with him despite the violence and infidelity, she responded, “Just cuz I had a black eye once and he cheated on me means I should leave him forever and break up a family?”

She also revealed that she knew about his involvement with Alabama Barker before it became public. “I had just learned how deep it was over the phone,” she explained. “While I’m in Florida and he’s in LA at her house in her bed.”

The conversation took another turn when the host urged them to stop putting their hands on each other.

Bhad Bhabie admitted the relationship is still physically aggressive. “I’ll be real. I still smack Le Vaughn up sometimes, because he be needing it,” she stated. “But I don’t hurt him.”

“The Boondocks” Could Return But Rodney Barnes Says Classic Faces Serious Challenges

Who remembers the good old days of The Boondocks?

Created by Aaron McGruder and originally debuting on Adult Swim in 2005, The Boondocks wasn’t just a cartoon—it was a revolution.

Bold, satirical and unflinchingly honest, the show tackled race, class, politics and pop culture with razor-sharp wit. For many, it remains one of the most intelligent and daring animated series in television history.

But could it ever come back?

Rodney Barnes, one of the key writers behind the series, recently sat down with AllHipHop at Fan Expo in Philadelphia to discuss the show’s legacy and whether there’s any real chance of a revival. While he didn’t outright shut down the idea, his insights point to a more complicated reality.

“Never say never,” Barnes told us. “But it’s a different time. When we were writing The Boondocks back in the early 2000s, social media wasn’t what it is now. These days, as soon as you offend someone, it’s all over X [formerly Twitter]. Corporations don’t like that.”

Barnes acknowledged the cultural shift around satire. In a climate of hyper-polarization, a show like The Boondocks, which thrived on provocation, may face challenges. Getting green-lit could be close to impossible and would likely struggle to sustain itself.

Still, that hasn’t stopped fans from hoping. In fact, a reboot of The Boondocks was announced in 2019 for HBO Max, with McGruder returning and Sony Pictures Animation backing the project. Two seasons were ordered, and anticipation soared. But after numerous delays and behind-the-scenes issues, the project reportedly stalled—and was quietly shelved by 2022.

READ ALSO: Producer/Writer Rodney Barnes Talks “Boondocks,” “Sinners,” Batman & More

Barnes didn’t mention that version directly, but his words make it clear: even if The Boondocks returned, it would need to evolve.

“There’s not a lot of satire now. People don’t always see that the joke is saying something bigger than what it’s literally saying,” Barnes said. “It’s just a different time.”

While that might sound like a soft “no,” it’s not the end of the road. With creators like Barnes and McGruder still active in the industry—and a fanbase that refuses to let go—The Boondocks could rise again in a new form, one more suited to today’s media ecosystem.

Until then, we’ll keep rewatching, reflecting and hoping that Riley, Huey and Granddad make a return worthy of their legendary legacy.