King Harris escalated his ongoing feud with 50 Cent by promoting cannabis products branded with the late Sabrina Jackson on the packaging.

T.I.’s son posted videos showcasing “Ms. Jack Pack” products and directed followers to purchase them online, marking another escalation in the family’s battle against the Queens rapper.

“Heard Dey Got Da Ms Jackson OG Packs Out Here Fa 50… just hit \@ms.jacksoncandyshop AND THIS MF BLOWINGGG \@50cent you want some On Me.”

The conflict between the Harris family and 50 Cent blew up after the rapper posted controversial content targeting Tiny Harris.

In response, both King and his brother Domani released diss tracks aimed at 50 Cent.

King Harris unveiled “Made Man” in February, while Domani countered with “Ms. Jackson” that same month, both records directly referencing 50’s deceased mother, who died in 1983. King also followed up with another track filled with insults titled “Droptop.”

50 Cent has responded indirectly through social media posts and his “Power Origins” theme song without directly addressing King’s latest move.

T.I. acknowledged that while he felt King was justified in defending his family, he felt uncomfortable with his kids’ targeting of 50’s mother.

Nevertheless, the feud shows no signs of slowing down as both sides continue to exchange jabs through music and merchandise.

A federal court has terminated a billion-dollar legal action filed by the parents of Kendrick Johnson, the Georgia teenager whose remains were discovered inside a rolled wrestling mat at his high school gymnasium in January 2013.

The dismissal came down on Monday, with the judge citing multiple grounds, including immunity protections and procedural violations.

Johnson’s parents, Kenneth and Jacquelyn Johnson, initiated their federal complaint in 2023 and subsequently amended it multiple times to include various defendants.

The case named the Georgia Bureau of Investigation, Lowndes County, the school district, the Valdosta-Lowndes Regional Crime Lab, newspaper publisher CNHI, and Gray Media as parties to the action.

The circumstances surrounding Johnson’s death have remained contentious for over a decade.

When his body was discovered at Lowndes High School in Valdosta, authorities initially characterized the incident as accidental.

The official investigation concluded that Johnson had climbed atop the wrestling mats, reached into an opening to retrieve a shoe, accidentally fallen inside, become trapped, and suffocated.

However, the family has consistently disputed this narrative.

The medical examination process became a central point of contention.

The initial autopsy performed by the GBI’s medical examiner determined that Johnson died from accidental positional asphyxiation, noting “no significant injuries.”

The family obtained an independent autopsy that revealed evidence of blunt force trauma, contradicting the official findings. A third autopsy later aligned with the original conclusion.

The Johnson family’s legal team argued that the initial GBI autopsy included unnecessary incisions designed to conceal injuries and that Johnson’s body was returned to the family without his brain and internal organs.

Additionally, they contended that law enforcement failed to properly preserve the crime scene and that the coroner reported a “very poor to worse” investigative climate upon arrival.

In 2021, Lowndes County Sheriff Ashley Paulk reopened the investigation following public pressure.

His 2022 synopsis reaffirmed the accidental death conclusion, stating that Johnson had climbed onto the mats, reached for his shoes, and became trapped.

Paulk expressed confidence in the findings, declaring, “I feel 100% sure there was no foul play.”

Kenneth and Jacquelyn Johnson filed an appeal to the dismissal on Wednesday, signaling their determination to continue pursuing the case through the appellate process.

Dr. Dre, Jimmy Jam, and Terry Lewis orchestrated a global music movement that proves artificial intelligence can serve humanity when wielded responsibly.

The trio produced “Someday Has Begun Part I,” a humanitarian anthem designed to mobilize resources for the 100 Billion Meals Challenge, which aims to feed 280 million people facing starvation across the next decade.

The production methodology represents a fundamental shift in how charity music gets made.

Jimmy Jam emphasized that the project remains fluid and evolving.

“This is a living, breathing thing that will continue to morph with new musical contributions while being a conduit to encourage financial contributions to feed the world,” he stated.

The production prioritized accessibility for artists, removing friction from the submission process.

Rather than gathering dozens of artists in a single studio, the team leveraged distributed recording technology to collect contributions from Stevie Wonder, Janet Jackson, Jon Bon Jovi, Chris Martin, H.E.R., Teyana Taylor, and more than 40 additional musicians worldwide.

Artists submitted vocals through voice notes, piano parts via video recordings, and guitar solos captured on personal devices.

This decentralized approach eliminated logistical barriers that would have prevented international participation.

The iHeart Theater hosted a live foundational session where Michael McDonald and Aloe Blacc will.i.am, Siedah Garrett, Taylor Dayne, and Giveon recorded the core chorus. Viewers accessed the session simultaneously through Zoom, creating real-time transparency around the creative process.

The entire production became documentary material, capturing how modern technology democratizes artistic collaboration.

AI functioned as a production tool rather than a creative replacement.

The software isolated vocals from background noise in video submissions, extracted guitar solos from voice note recordings, and aligned timing across disparate audio sources.

Jimmy Jam worked in Logic Pro while other contributors used their preferred digital audio workstations.

Everything eventually moved to Pro Tools, where Dre completed the final mix. This workflow respected each artist’s creative autonomy while enabling seamless integration.

Chris Martin submitted a piano part via voice note, which Jam and Lewis time-aligned and positioned after the bridge, layering children’s voices underneath.

Grace Bowers recorded her guitar solo on video, which producers isolated and embedded into the track.

Jon Bon Jovi sang over the piano track that Jam and Lewis sent him, allowing them to remove the instrumental and preserve only his vocal.

The 100 Billion Meals Challenge, co-founded by Tony Robbins and Nobel Peace Prize recipient Governor David Beasley, has already delivered 62 billion meals since its inception.

The organization targets vulnerable populations across the United States and globally, addressing the reality that one child dies from hunger-related causes every ten seconds.

Warner Music’s AI Revolution demonstrates how the industry increasingly embraces technology to expand creative possibilities.

This represents AI’s legitimate value when deployed ethically, respecting intellectual property while amplifying creative reach.