Lil Durk is the latest celebrity to show love to the athletes of the WNBA, pulling up to support as the Chicago Sky took on the Indiana Fever on Sunday (June 23).
The Chicago rapper previously welcomed Angel Reese on her arrival to the team and was on hand to see her fight for a win against Caitlyn Clark’s Fever.
The match proved to be one of the most intense of the season so far, with the Sky catching an 88-87 win. Lil Durk sat courtside as Reese scored 25 points and snagged 16 rebounds. Reese put in her best performance yet as a pro and secured her first win over Clark in the WNBA.
After the game, Chicago Sky coach Teresa Weatherspoon welcomed Lil Durk into the locker room to celebrate with the players. Durkio posed for photos with Angel Reese before congratulating the Chicago Sky on their win. He also promised to return to cheer on the sporting stars.
“I said I really want to meet him,” Coach Weatherspoon said as she embraced Lil Durk. “I want to bring him in the fold with us.”
She then gave Durk the floor to address the victorious team. “We looked in now,” he said. “Y’all had a good game today and I’m gonna be at more of the games supporting y’all.”
However, once footage of the Chicago Sky locker room chat hit social media, users honed in on Lil Durk’s fit. His small stature compared to the glamazon athletes also caused a ruckus.
He came in like the Count of Montenegro,” one person joked.
He came in like the Count of Montenegro 😂.
— Mr.Backlogged Gamer (@backloggedgamr) June 23, 2024
“Pulled up rocking the fresh floor mat,” another person tweeted.
Drake fans are catching heat online after claiming Kendrick Lamar is “doing too much” following his battle with Drake.
Although the dust had settled on his clash with the OVO founder, K. Dot kicked up a storm with his epic L.A. concert, quickly followed by a Compton video shoot.
During his electrifying performance at The Pop Out” JKen & Friends, Lamar infamously brought back his battle-ending diss, “Not Like Us,” a whopping five times with the audience rapping along to every word.
Kendrick Lamar’s crowd performed "Not Like Us" for him at “The Pop Out: Ken & Friends Concert” 😭 pic.twitter.com/woi0Fsu6KV
— Hip Hop Community (@hiphop_communit) June 20, 2024
Additionally, Lamar made headlines for attempting to bridge the gap between rivals L.A. gangs at his unifying Juneteenth concert. Snoop Dogg passed K. Dot the torch, crowning him “King of the West Coast,” while Ice T declared, “A Potential Gang Truce in LA is like a Cure for Cancer for us.”
Furthermore, his Compton “Not Like Us” video shoot drew giant crowds, turning into a mass community celebration.
The Way Kendrick Brung The City Out Need To Be Studied!! Bompton For Da Win🥳 THEY NOT LIKE US🤪 pic.twitter.com/ALwYMqMuzS
Nonetheless, OVO stans are still licking their wounds following the battle and want K. Dot to fall back. While Lamar went viral over the weekend, Drake fans took to social media to protest.
“Kendrick is really milking this Beef,” one person wrote. “Drake really changed that brother’s life.”
However, other users were quick to mention Drizzy’s antics after his battle with Meek Mill. “Drake couldn’t shut up about what he did to Meek after their beef, and the stans were loving it,’ one user shared. “But now he’s lost to Kendrick apparently a music video is “doing too much” LMAOOOO.”
Drake couldn’t shut up about what he did to Meek after their beef and the stans were loving it but now he’s lost to Kendrick apparently a music video is “doing too much” LMAOOOO https://t.co/WDwyN2Hysm
Kendrick really said “back to back I like that record ima get back to that for the record” and did Drake exactly how he did meek but people still tryna say Kendrick’s doing too much 🤣 https://t.co/MYNLtBYiYf
Kendrick really said “back to back I like that record ima get back to that for the record” and did Drake exactly how he did meek but people still tryna say Kendrick’s doing too much 🤣 https://t.co/MYNLtBYiYf
Teyana Taylor took center stage at the star-studded Vogue World Paris show at Place Vendôme over the weekend.
On Sunday (June 23), the multi-hyphenate artist walked the runway for the fashion magazines’ celebration of 1960s style for their homage to 100 years of fashion and sport in the city.
Vogue declared Teyana Taylor “didn’t miss a beat,” as she strutted her stuff in a homage to the space-age looks of the genre, popularized by Courrèges and Paco Rabanne.
After emerging with an entourage of dancers clad in fencing gear, Taylor transformed the cobblestone runway into a dance floor.
Iconic athletes, the Williams sisters, Venus and Serena, were also on hand while Ciara graced the runway, dazzling in a neon custom Givenchy creation.
Teyana Taylor’s appearance for Vogue comes as her messy split from Iman Shumpert looks set to be finalized.
A judge has given the former couple a deadline to submit the terms of their divorce settlement, according to TMZ. After arguing the case in court for months, they must file a parenting plan and child support agreement by June 27.
The couple share two daughters, Iman “Junie” Shumpert Jr., 8, and Rue Rose Shumpert, 3. Taylor secretly filed for divorce in January 2023, eight months before publicly announcing their separation. Once the divorce became public, accusations of cheating, drug-taking and mental abuse came to light. Their financial affairs also became a matter of contention.
If they fail to meet the June 27 deadline, the case will be removed from the judge’s docket. However, they can bring the divorce back to court.
Snoop Dogg is gearing up to cover the 2024 Olympics next month, but he’s getting a head start, reporting live from the Olympic Track and Field Trials.
The Death Row Records boss is headed to Paris next month as a special correspondent for NBC and Peacock after his coverage of the 2020 Olympics with Kevin Hart provided some memorable moments.
On Sunday (June 23), Snoop Dogg reported live from the Olympic Track & Field Trials at Hayward Field, Oregon. While the men’s 100-meter final was the main event, Snoop Dogg had all eyes on the men’s 3,000-meter steeplechase after going viral with his unique commentary.
“What we bout to see right now,” Snoop Dogg said as the athletes began the race. “They bout to get to dipping, ripping, riding, slipping and hopefully not sliding.”
He added some hilarious sound effects as the runners jumped over the “tippy top” of the obstacles. “Oh, they coming behind him seven, eight deep like horses. I love it,” he added.
Social media users couldn’t get enough of Snoop’s amusing report, with many telling the network they got the right man for the job.
“I NEED Snoop Dogg to be the official #ParisOlympics steeplechase correspondent!” one person wrote. “Snoop would in fact be the person who could help me understand steeplechase,” added another.
snoop would in fact be the person who could help me understand steeplechase https://t.co/ggfnoZ5nTW
Snoop Dogg will head off to Paris next month, where he’ll meet the “crip-walking” horse from his viral commentary from the 2020 Tokyo Olympics. He told Jimmy Fallon how much he’s looking forward to seeing the horse in action during an appearance on The Tonight Show last month.
“I’m going to meet the horse in real life,” Snoop Dogg revealed. “He’s the returning champ. So I got to go meet him — you know what I’m saying? — and let him know I’m a big fan.”
Stay updated with the latest releases and news from the Roc Nation Label. This summer, Roc Nation artists are setting the stage on fire with new music and exciting announcements.
Highlights from Roc Nation
Rapsody’s “3” Dominates R&B Radio
Rapsody’s latest single “3,” featuring Erykah Badu, has become the #1 most added song at R&B radio stations. Don’t miss out on this track that’s capturing hearts and airwaves.
Maeta has released a new EP titled “Endless Night,” produced by Kaytranada. The EP is already making waves and promises to be a summer hit. Stream it now and enjoy Maeta’s latest work.
Infinity Song has announced their “Metamorphosis” North American tour dates. This tour is highly anticipated and fans are eager to see them perform live. Stay tuned for more details and ticket information.
KenTheMan has released a new single titled “BDK.” This track showcases KenTheMan’s unique style and lyrical prowess. Make sure to stream “BDK” and add it to your playlist.
To stay up-to-date with the latest from Roc Nation, follow us on our social media channels and subscribe to our newsletter. Don’t miss out on exclusive content, new releases, and special promotions.
Jermaine Elliott makes music for the ladies, and he wears his heart on his sleeve with each release.
Hailing from Long Island, New York, the rising star grew up listening to all the greats—from Michael Jackson to USHER to Omarion. What started as making music in his bedroom eventually turned into releasing music, resulting in immense positive feedback from his peers. It was his junior year in high school when he realized music would be his end-be-all.
Most recently, Elliott has been vibing in Los Angeles, tapping in with the likes of Jeremih, Hit-Boy, and Wiz Khalifa. In fact, over the weekend he had the pleasure of being on site at Jeremih, Chris Brown, and Bryson Tiller’s music video shoot in Malibu… just another testament to the great company he’s surrounded by.
AllHipHop caught up with Jermaine Elliott in downtown Los Angeles to discuss his recent studio sessions with Jeremih, new music, his take on love, goals and more.
AllHipHop: How’s L.A. treating you this time around?
Jermaine Elliott: L.A.’s good, very productive. Tapping in with a lot of people, talented people. It’s really good.
AllHipHop: How did you and Jeremih meet?
Jermaine Elliott: It’s so crazy, one of my boys, his name is Retro, fire producer. He tapped in and said, “Jeremih’s looking for some producers and people to work with.” We tapped in and ever since then, we built a good bond. That’s bro right now, that’s family.
AllHipHop: Are you producing for him, or are y’all making music?
Jermaine Elliott: Producing, just working on a bunch of s###.
AllHipHop: Because I know you’re an artist too.
Jermaine Elliott: Mmhmm. Sometimes, you gotta be a team player. In order for you to get where you need to go, you need to be a team player. So definitely a team player.
AllHipHop: Jeremih is the GOAT in R&B. What are the vibes in the studio?
Jermaine Elliott: Yeah definitely. It’s always genuine vibes. Always good vibes. We bounce off each other well. We know how to make fire songs. He’s very eclectic, so we always make good vibes.
AllHipHop: Talk about shooting a music video with Chris Brown, out in Malibu?
Jermaine Elliott: Aw yeah, that was crazy. I was there, shooting the “Wait On It” video. Make sure y’all wait on that! It was crazy. It should be coming out soon, very soon. It was dope though, definitely a good experience.
AllHipHop: Is that a song with him and Chris Brown?
Jermaine Elliott: Him, Chris Brown and Bryson Tiller. It’s definitely good for R&B. It’s going to be definitely innovative for R&B.
AllHipHop: Were the vibes? What do you mean by innovative?
Jermaine Elliott: It’s just good. You never really see… R&B people don’t really support other R&B people. So the fact that these three came together to make something special, that was innovative to me. Something you really don’t see a lot.
AllHipHop: Those are three GOATs!
Jermaine Elliott: You know what I’m saying? It’s that vibe!
AllHipHop: It’s funny, I sent my intern to the Bryson Tiller show. In the video she sent me, the girls were screaming!
Jermaine Elliott: Right, that’s crazy. Me and Bryson Tiller had a talk too. We were chopping it up. He was telling me about how he’s working on his game, his gaming console. So make sure y’all look out for that too.
AllHipHop: How’s New York been?
Jermaine Elliott: New York has been great. I’m not going to lie, it’s a stomping ground. That’s the place where I grew up, so it’ll always come with the vibes. Especially with the sexy drill and everything going on, Cash Cobain.
AllHipHop: Sexy drill? I ain’t hip. Jermaine Elliott: Yeah, it’s going crazy right now. For sure.
AllHipHop: Do you make that type of music today?
Jermaine Elliott: A little bit. I’ve been working on a couple of little vibes. I’m always true to myself. I’m an artist, so I can’t be boxed into one thing. I’m trying to get to everything.
AllHipHop: You recently dropped “Secure.” Who or what inspired this one?
Jermaine Elliott: I feel like in relationships, or women in general, they want to feel secure. That was a song to express how a woman should feel. I don’t care about certain things about what other people say, I just want you to feel how you’re supposed to feel.
AllHipHop: What’s your type?
Jermaine Elliott: What’d Rae Sremmurd say? “I ain’t got no type!”
AllHipHop: But you make music for the ladies, right?
Jermaine Elliott: Right, of course. Always. Not even just for the ladies, for the people in general. Whoever’s going through something that I’ve been through. If I could say something that could inspire somebody, or help them get through a situation, that’s where I’m going with my music.
AllHipHop: Are you single? Are you in a relationship?
Jermaine Elliott: Next question. [laughs]
AllHipHop: When did you “Used 2 Be” in love?
Jermaine Elliott: I mean, what is love?
AllHipHop: Come on!
Jermaine Elliott: [laughs] What is love?
AllHipHop: It’s giving toxic.
Jermaine Elliott: Toxic? [laughs] For real, I’m toxic? What does love mean to you? Whatever love means to you. Obviously, love has a definitive word to it. But what does love mean to you?
AllHipHop: Being in love to me would be locked in with a significant other, and loyal. No cheating. Mmhmm, right.
AllHipHop: What about you?
Jermaine Elliott: [laughs] Everybody has a love language too. That’s the same thing what love means to me, is somebody that you could feel a genuine connection with. Somebody that makes you feel like you could be yourself and not be judged. That person’s down for you 100%.
AllHipHop: Is there another edition of Toxic Radio?
Jermaine Elliott: Yeah, there’s some s### coming right now. Definitely.
AllHipHop: What inspired your latest project, S2D2, Vol 2?
Jermaine Elliott: S2D2, Vol 2. Just a little playlist, when you want to throw on something. It’s something different. You always want to have that drive to play list. You know when you scroll through music like what’s hot right now? Something you could throw on, get you through your day.
AllHipHop: Who are you listening to right now?
Jermaine Elliott: I’m listening to a bit of everything, so many different artists. I listen to the homies a lot. Allen Ritter, October. I’m listening to myself. A little bit of Drake. 4 Batz. This kid Destin Conrad A little bit of Cash Cobain. You know, stuff that’s going on right now.
AllHipHop: How’d you get in with H.E.R.? She’s such an angel.
Jermaine Elliott: Yeah, Gabi is definitely mad cool. We got in at the beginning of her career. Super genuine, super sweetheart. Worked on some songs, and we won a Grammy for that. That was definitely a good experience.We’re going to tap in with Camper, another producer.
Jermaine Elliott: That’s my boy, I just saw him recently at a writing camp. He’s such a genius and a pleasure to work with you.
AllHipHop: How did it feel to win that Grammy?
Jermaine Elliott: It felt good. It’s time to go to the next stage.
AllHipHop: How are you so nonchalant about a Grammy?
Jermaine Elliott: Sometimes it’s not about… you gotta thank God for the opportunities he’s blessed you with and remain very humble. In this industry, it’s not about what you’ve done. It’s what you’re doing right now.
AllHipHop: You seem very humble.
Jermaine Elliott: I don’t think I’m humble, I feel like I’m grounded. I’m more grounded than humble.
AllHipHop: Where does that come from?
Jermaine Elliott: Just my background. My parents, how they raised me. I’m not above anybody, next to
people.
AllHipHop: Any goals for yourself as an artist at this point in your career?
Jermaine Elliott: A lot of goals. My goal’s to be the number one. The number one artist, number one producer. I’m the underdog right now, so I’m coming back with vengeance.
AllHipHop: Do you enjoy recording more or producing more?
Jermaine Elliott: Both. I can’t stay away from — it’s hand in hand. If I’m not producing, I’m recording. But I was forced to record myself, because I know my sound. So I have to be able to get to it.
AllHipHop: How was Hit-Boy’s birthday?
Jermaine Elliott: It was good. Hit-Boy’s birthday was fire, we had fun. A lot of people turning up. It was definitely a dope vibe. They had some good food over there. I forgot the name of the person that made the food, but that food was crazy.
AllHipHop: Who has better food: LA or New York?
Jermaine Elliott: It depends on who you’re asking. If you’re coming to New York for Spanish food and different things, I’ll say New York. I’m pretty sure they got soul food, stuff like that. If you coming to LA for certain things, you gon’ get what you… you know what I mean? Tacos, this and that. It’s a variety.
AllHipHop: What can we expect next?
Jermaine Elliott: I’ve got some exciting projects in the works! There’s a single featuring Jeremih on the way, as well as a collaboration with Jack James and one with Che Cru’ Plus, there’s a bunch of other crazy stuff in the pipeline, including some solo work. Definitely expecting a lot of good vibes. Recently, I’ve been in the studio with Sevyn too.
AllHipHop: What inspires you the most?
Jermaine Elliott: My son. I have a son, he inspires me the most.
AllHipHop: Does he love your music?
Jermaine Elliott: He does. I just called him earlier, he was in school. I’m on FaceTime with him, his friend was like, “Oh, I love your music!”
AllHipHop: Anything else you want to let the people know?
Jermaine Elliott: I’m back. Make sure you got your weapon on you, ‘cause I’m shooting. [laughs]
All signs point to a violent, hot summer in Jacksonville, Florida, after the death of rapper Julio Foolio.
Just hours after Foolio’s Tampa murder, his main rival, Yungeen Ace, dropped a video for his latest track, “Do it.” While “Do it” doesn’t mention Foolio by name or his death, the video for the song is eerily reminiscent of the events that unfolded at the local Holiday Inn early Sunday morning (June 23).
Foolio was celebrating his 26th birthday in the city at an Airbnb, when he was asked to leave because he had violated the occupancy rules and ended up at a nearby Holiday Inn.
Around 5:00 a.m. local time, Foolio was reportedly ambushed in the parking lot. He and three other people were shot, but Foolio was the only one to succumb to his injuries.
Hours after the news of Foolio’s death was released to the public via his lawyer, Yungeen Ace dropped “Do it.” He raps, “Every car I’ve been these b****** tinted/Choppers and killers in it/Catch his ass and do his ass you know he finished/He with his baby do it/He with this b#### do it/With his mama do it.”
The accompanying visuals for “Do It” feature several masked individuals mowing down a man in what appears to be a hotel parking lot.
Yungeen Ace, Foolio and their respective gangs, Ace’s Top Killers (ATK) and Kill Them All (KTA), have been feuding for almost a decade.
At least seven Jacksonville rappers have been killed, and both Yungeen Ace and Foolio were shot at various times during the war.
On June 5, 2018, Yungeen Ace and three others, including his brother Trevon Bullard, were celebrating a birthday when someone opened fire on their car.
Bullard and two others were killed—including Ace’s brother—while Yungeen Ace managed to survive after being shot eight times. Then in 2021, Foolio was grazed by a bullet and targeted in another shooting last year. He was hit in the foot and, in fact, was still in a walking boot in recent Instagram photos.
Foolio didn’t survive the latest shooting. So far, police Tampa police have yet to release information on possible suspects. Yungeen Ace’s Instagram account promoting the “Do It” video is flooded with responses.
“yea they fasho did it,” one user wrote while another said “Ace don got his favorite opp.”
Chuck D is arguably the most revolutionary voice Hip-Hop has ever witnessed. From Fear of a Black Planet to It Takes a Nation of Millions…to Hold Us Back, Public Enemy defined what it meant to be Black in modern America, beginning in the 1980s. Decades later, Chuck is still a cultural leader and continues to challenge the system.
More recently, Chuck D made some comments on Twitter (X) that both highlighted his hardworking nature and reason for not rapping about street life like so many of his peers.
“Some stupid daft mfucker tried to make me feel ashamed about my wage,” he wrote. “laughed. Told this cat I had 17 jobs from 1977-1986. From cleaning warehouses, moving furniture, changing tires, loading full trucks of mailbags etc. Minimum wage 1977 $2.30 & went to school 6 years to get a 4 year degree.
“I dug working as a young dude opposed to doing nothing and street sht. It NEVER appealed to me. At a young age and I knew I wasn’t gonna be doing that level forever. So at 26 in 1986 I knew everything from that point was ARTainable on my own terms. You must design your LiFE.”
He continued, “I rePEat i was never moved by STREET sht in real time as it was happening in the 80s . 90s 2000s . I wasn’t a kid. Saw that bulsht coming. The fact that people praised street lyrics as the best was bulsht to my blackness. I never dissed my fellow rappers because it was what some only claimed to know. But every damn body? Not. To this day it’s the most attractive deal getter in Hollywood.. our worst nightmare stories and it goes downhill from there. About US.”
I rePEat i was never moved by STREET sht in real time as it was happening in the 80s . 90s 2000s . I wasn’t a kid. Saw that bulsht coming. The fact that people praised street lyrics as the best was bulsht to my blackness. I never dissed my fellow rappers because it was what some…
Chuck D also revealed he wrote Public Enemy’s debut album, Yo! Bum Rush The Show, while working a blue collar job.
“There is no laughable JOB,” he added. “It ain’t a friendship. You audition for the job you interview for simple as that . They tell you what you will get paid in exchange for the tasks at hand. You can quit. If you work the task and they DONT pay you then its a serious problem. On them. I knew every job I went for.
“I knew I could not cook somebody else’s food so I didn’t interview for those. Factory and delivery jobs were more for me. I wrote Yo Bum Rush The Show delivering goods across Long Island in 1985.”
Public Enemy formed in 1985 and released Yo! Bum Rush the Show in 1987 via Def Jam Recordings, setting the stage for the group’s groundbreaking 1988 album, It Takes a Nation of Millions… to Hold Us Back. The album, featuring hits like “Bring the Noise” and “Don’t Believe the Hype,” cemented Public Enemy’s status as a powerful voice against racial injustice and systemic inequality. Chuck D’s commanding presence and insightful commentary have not only influenced the Hip-Hop genre but have also made him a significant figure in the broader cultural and political landscape.
Beyond his work with Public Enemy, Chuck D has also pursued multiple solo endeavors, erected his own network RAPstation, collaborated with other artists and written books. His contributions to music and activism have earned him numerous accolades, including induction into the Rock and Roll Hall of Fame in 2013. Chuck D continues to be a vocal advocate for social change, using his platform to address issues such as racism, police brutality and the importance of voting and political engagement.
Louis “Uncle Louie” Gregory is a unique proposition as it relates to Hip-Hop and he has released a book to chronicle his journey to leadership. “America’s Front Line: From Hip-Hop to Homeland Security” weaves his life stories and insights on leadership, from his formal upbringing to his dynamic career in New York. But, who is he? Gregory has worked in the country’s largest government agency, managed talent in sports, and is affiliated with some of the biggest names in Hip-Hop.
The book includes tales of working with Billy Joel, producing hits with J-Lo, LL Cool J, and Mary J. Blige, and forging bonds with Prince Markie Dee of The Fat Boys and Eric B of Eric B. & Rakim. He navigated the wrestling world with WWE Champion Goldberg, received business advice from mentor Michael Strahan, and appeared on national TV in “The Goldbergs.” He even advised Andrew Yang’s presidential campaigns and enhanced U.S. Customs and Border Protection’s communication strategy.
A former officer and director at the U.S. Department of Homeland Security, Gregory served for 20 years, since the 9/11 attacks. Gregory chased drug smugglers by night and helped produce platinum albums by day. Now, he talks to AllHipHop about his path. Read on.
AllHipHop: How do you reconcile being affiliated with law enforcement and existing within Hip-Hop?
Uncle Louie: Great question. I don’t think the two are necessarily opposing forces. I think first responders are there to keep us safe. I grew up with my dad in jail but that didn’t make me hate law enforcement. For me, individually, I put on a badge and uniform to prevent terrorism. I would hope all good people would be in favor of that. I left hip-hop and put my dreams and aspirations aside after 9/11 to put that mission first. I felt like that sacrifice needed to be made for the better of all, not just me. Sometimes I look back and wonder what I missed; what could I have accomplished if I had focused just on me and my career and not on being in law enforcement. It’s a big what-if.
AllHipHop: What made you write the book in the first place?
Uncle Louie: so much has happened in our world and my life. I really wanted to share my story, encourage others, and also be true about the fact that nobody and no organization is entirely perfect so it’s up to us to work towards fixing things and improving situations whether that be culturally, musically, or even in law enforcement. I was recently inducted into the Suffolk Sports Hall of Fame and as they read my accomplishments, they mentioned my service to the country and in the background, they played Eric B and Rakim. At that moment everything seemed to come circle. Without my book, how could I share such a complex body of work? I am hoping somebody will read this book and want to make a film about my life!
AllHipHop: Tell people about your history with classic acts like The Fat Boys and Eric B & Rakim. How has Hip-Hop shaped who you are?
Uncle Louie: In my book, I share details of my story as a rapper who became a producer who became a federal agent who became a pro sports agent who became a TV actor who became an inventor and an entrepreneur. It’s a story most people wouldn’t and don’t believe at first. I credit a lot of it with early guidance from Prince Markie Dee and continued guidance from mentors like Eric B and Michael Strahan. It took me over 40 years to learn that the key to my success was doing less, not more. By being single-scope focused I was able to create something amazing. A collectibles empire called America’s Front Line. That massive success only came after gaining the confidence to do so. I credit Strahan with instilling that confidence in me. Being awarded an inventor’s patent was a huge accomplishment for me. It felt like a platinum record!
AllHipHop: What about being in Homeland Security? What made you delve into that?
Uncle Louie: At first, it was just another adventure. It was never supposed to be a career, just a fun and exciting experience. The lore of that gold badge and gun. It seemed like the ultimate hustle. One day I was making records with Nas and the next I was in Basic Training to be a Federal Agent. The tragic events of 9/11 made it much more than simply an adventure though and it became a responsibility; something I had to stick with for 2 decades. I was ultimately promoted 9 times and event became Chief and then finally, Director. But in my book, you’ll learn about racism I battled to end within my agency and you’ll learn about prejudices I dealt with. It was by no means a perfect situation.
AllHipHop: Do you think Rap and Law Enforcement are in a better space now?
Uncle Louie: I think some parts of rap are broken and similarly, so are some parts of law enforcement. To fix both, we all have to come together and admit that. We have to innovate, communicate and develop plans to correct the shortcomings. I think that’s certainly possible but to do so, we have to remove the politics. We can’t fix these things by going left or by going right, we must move forward. Civil rights like freedom of speech and the right to expression without censorship are huge to me. I have had to fight for those rights as an artist and as the book explains, it wasn’t always easy.
AllHipHop: J-Lo, LL Cool J, and Mary J. Blige are in your bio. How was it working with those celebrities as a producer?
Uncle Louie: one of my fondest memories was actually of working in the studio with Slick Rick and Nas. It was a time that I often replay in my mind. It’s when I truly learned how music is made. Working with Wyclef was a great experience too, even if it was to help produce a diss record of LL Cool J who was very important to me and to Markie Dee. We would often eat dinner on Francis Lewis Boulevard with L. LL gave Markie a gig on Rock the Bells before Markie’s passing and that was a tremendous gesture. I am very grateful for that and I wish more people would look out for those who built the foundation. I have funny memories of working with J-Lo and of course, Diddy was around during that time speaking of hip-hop and law enforcement. Markie was most proud of the Mary project and What’s the 411 was one of his greatest production accomplishments.
AllHipHop: Talk about your famous mentors.
Uncle Louie: Throughout my career, I have had a very diverse group of mentors. For 30 years Eric B has guided me and been a big brother and a mentor. I discuss this theme quite a bit in my book. As I mentioned earlier, Michael Strahan has given me invaluable guidance as well. I also learned a lot from working with WWE Star Goldberg and when I was President of Legends of Wrestling, I learned when to walk away from something that I felt wasn’t a good fit for me even if it was fun and successful.
I’d also like to mention how much I learned working with Daymond John. He isn’t a mentor in the true sense of the word but having worked on many projects with him and developed products with him and Simone Newbolt for Black Entrepreneur Day events and Shark Group companies taught me a ton about working with a Shark.
AllHipHop: Final words? What do you want people to take away from this book?
Uncle Louie: I want people to gain confidence from this book. As a kid who grew up with his dad behind bars, I dreamed big. My dreams were unrealistic to most but I continue chasing them and I continue doing my best to leave the world a better place than how I found it. Loving rap music ain’t never going to change for me. I’m also going to always love America. There is no reason those things must be mutually exclusive. I loved serving on America’s Front Line and I can’t wait for what’s next! I’m thankful to Chris R. Vaccaro for writing this book with me. This project took more than 3 years to finish. I hope hip-hop fans will love it!
Charleston White has become a sounding board for pop culture moments—whether people like it or not. Hours after the news broke that Florida rapper Julio Foolio—or simply, Foolio—had been fatally shot at Holiday Inn in Tampa, White hopped on Instagram to weigh in on the incident and, par for the course, some of his comments have proven to be controversial.
For starters, White said nobody should mourn Foolio’s death because of the way the rapper carried himself and how “hard” he tried to die, a reference to the multiple times he’d already been shot.
“I knew they was going to get him ‘cause the boy worked hard to die,” White said. “That boy worked hard to get shot on. Man, he shot his foot off last year givin’ his partner [inaudible]. N#### got his foot shot off, he’s not supposed to be bouncing around on his birthday. Man, get somewhere and sit down and rest that foot and work your hips, n#### […] Then I’m thinking, ‘At the Holiday Inn?’ What the f###?
“There ain’t no protection on a n#### at a Holiday Inn. They ain’t even got valet parking! Man, that n#### worked hard to die. S###, he earned it. Should nobody be sad. The way the n#### lived and talked gangsta, should nobody be sad for what happened to Julio Foolio. One thing we know about him, he didn’t go to heaven.”
Foolio—an alleged member of the Bully Gang—was caught up in the ongoing gang wars in his hometown of Jacksonville, Florida. Over the last few years, Jacksonville has received a lot of media attention nationwide from Foolio’s beef with Yungeen Ace, a member of the ATK.
Last year, Foolio and other members of Bully Gang went to a cemetery to film a video for Bully Gang rapper Jake Jhitt and posed for photos in front of the burial site of Royale De’Von Smith Jr. Smith—or “23” as he was known.
Smith was in a car with Yungeen Ace and two other teens celebrating Smith’s birthday at a restaurant at the St. Johns Town Center in June 2018, when their car was riddled with bullets. Smith and two other men—including Ace’s brother—were killed.
White referred to the incident at one point in the video, saying, “He had all the time in the world to apologize to them people. He was going to the graveyard, rapping at the graveyard and making mamas cry. So some people are relieved.”
Foolio was shot on Sunday (June 23) after being ambushed in the hotel parking lot. Despite first responders’ best efforts to save him, Foolio succumbed to his injuries. His attorney, Lewis Fusco, confirmed the tragic news, saying, “Yes, I have been his attorney for many years. He was shot and killed in Tampa. I cannot make any statements at this time other than confirming he was killed outside of a Holiday Inn hotel while celebrating his birthday in Tampa this weekend.”
Fusco explained Foolio had been in Tampa all weekend to celebrate his birthday, where he initially stayed at an Airbnb but was asked to vacate the property due to the number of people at the residence. He then booked a room at a local Holiday Inn, where he was evidently ambushed in the parking lot.
“All of this information has been released by law enforcement,” Fusco added. “However, I am unable to comment on anything else at this time until it becomes public record.”
Houston rapper Lil Flip is locked in a legal war with his former record label, Suckafree Records, and tensions are bubbling over due to the rapper’s soda business.
Suckafree’s CEO, Duane “Hump” Hobbs, filed a copyright infringement lawsuit against Exotic Pop OG, the soda brand owned by rapper Lil Flip.
The lawsuit alleges that Exotic Pop has been using the Leprechaun artwork on its beverage bottles and other merchandise without acquiring proper authorization.
The complaint, submitted to the U.S. District Court for the Southern District of Texas, claims that Suckafree Records holds the copyright for Leprechaun, which debuted in January 2000.
The label asserts ownership of the album’s production, music, lyrics, and artwork.
The suit alleges that the beverage company created and sold merchandise featuring the album cover’s likeness and illegally distributed songs from Leprechaun through third parties.
Additionally, the record label contends that Lil Flip and Exotic Pop have been using the internet to sell their products, which include bottled drinks, cereals, and other consumables.
Suckafree Records suspects that these unauthorized uses of its copyrighted material may also be occurring internationally.
One of the primary allegations is that Exotic Pop’s products use QR codes that reportedly direct consumers to purchase songs from the Leprechaun album through third-party websites.
Suckafree Records estimates it has suffered $2 million in damages due to these alleged violations.
In an interview with Houston rap legend Willie D of The Geto Boys, Lil Flip addressed the accusations before the lawsuit was formally filed.
“The most important thing is the stealing part cause everybody knows me man. I don’t steal… for you to get on here and say I’m stealing which is defamation of character for starters,” Lil Flip remarked.
Lil Flip also brought up his own grievances concerning royalties and payments.
“You ain’t been paying me for the Leprechaun album… you still selling hard copies of the HSC… I have never got a check from him ever,” he claimed. “He collected some money from Sony like $100,000 or $200,000 which was for the recording budget of my album… he took some money from my budget for the album and I never got none of it.”
Lil Flip emphasized his ownership of various trademarks, including his name, Clover G Records, Hustler Stacking Ends (HSE), and even Suckafree.
Suckafree Records is seeking a court injunction to halt Exotic Pop’s alleged infringements, along with all profits made by Exotic Pop from the misuse of the album artwork and songs and an assessment of losses suffered by Suckafree.
Produced entirely by Dr. Dre, the project is apparently on schedule to drop in July. The album serves as the follow-up to Snoop’s 1993 debut solo album, Doggystyle. The duo talked about the project as they were in Montreal on tour with Snoop Dogg.
When asked if they were going to tour with their latest album, W.A.W.G. (We All We Got), Kurupt replied, “We in Canada now, but when we get back home, Dogg got something prepared for us to do an American tour to promote the album and to rock out, give the people good music and a great show. Dogg is also going to the Olympics first. He’ll be in France.
“And he got a new album coming out in July. He got a new album coming out, produced by Dr. Dre, the whole album, Snoopy and Dr. Dre. It’s called Missionary. His first album was Doggystyle, so we gave it to you from the back. Now he’s older now, so he’s doing Missionary [laughs]. He wants to see your face.”
Missionary may be nearly complete and on its way, but Snoop Dogg still has a lot of work to do. As Kurupt mentioned, Snoop Dogg is set to bring his unique sense of humor to the 2024 Paris Olympics as a commentator for NBCUniversal. The role follows his viral success during the Tokyo Olympics, where his humorous commentary, particularly on equestrian events, garnered millions of views.
Snoop’s involvement in Paris will include on-the-ground reporting from various events and interactions with athletes, infusing his laid-back, entertaining style into the coverage. He expressed excitement about the opportunity to be part of the Olympics, celebrating the athletes’ skills and dedication while promising to “bring that Snoop style to the mix.”
The announcement of Snoop’s new role was made during an interview with The Tonight Show Starring Jimmy Fallon and further detailed in a press conference. Snoop, known for his vibrant personality and love for sports, vowed to make the coverage unforgettable with his commentary, highlighting memorable moments and engaging with fans worldwide. He even mentioned looking forward to meeting Mopsie, the viral “Rave Horse” from the Tokyo Olympics.
As for Tha Dogg Pound, they’re not only celebrating their current album and touring the world with Snoop Dogg, they’re also back on Death Row Records.
“When Snoop said go, it was a solid go,” Daz said. “He was fitting it in his schedule. And once he got around us, he wouldn’t let us go. The chemistry never left.” Kurupt added, “We was knocking down 45 records a day! Dogg has this aura about him. We Snoop’s first group ever, Tha Dogg Pound, so Dogg already knows where to go with us. All he asked was for us to just follow his lead.
“Daz ain’t produce a record on there, and that was very difficult for Daz ’cause he’s a producer. This is what he does. And Daz said, ‘I’m following your lead, Dogg.’ I’m very proud of Daz for doing that right there ’cause he never gives up that position, but he did for the Champ and for the team. And the Champ led us to the championship. He had ideas, he’d lay ’em and me and Daz executed them.”
Buzzing Philadelphia rapper OT7 Quanny threw his support behind former President Donald Trump Saturday during a campaign stop.
The two were nearly inseparable throughout Trump’s visit to the Liacouras Center at Temple University.
A notable highlight of the day was Trump’s unexpected detour to Tony and Nick’s Steaks in South Philadelphia with Quanny in tow.
The rapper proudly displayed his allegiance by donning a MAGA hat.
The former president left a $500 tip and wrote “no taxes on tips” on the receipt, emphasizing his latest campaign pledge to eliminate tax on service industry gratuities.
Nicky Lucidonio, co-owner of the famed sandwich shop, described Trump’s visit as “unbelievable.”
Lucidonio highlighted Trump’s willingness to engage with the restaurant’s patrons and sign memorabilia, making the surprise visit a memorable event for those present.
Trump’s speech at Temple University’s Liacouras Center aimed to resonate with Hispanic and Black voters.
The 85-minute address criticized his opponents and articulated his vision for restoring security if re-elected.
Donald Trump acknowledged Quanny during his speech, lavishing praise on the rapper.
“We have a Philly rapper, he’s going places, I’ll tell you. He’s got so much cash he doesn’t know what to do with it. OT7 Quanny, OT7, where are you? And I love that hat on you. That [MAGA] hat looks great. Thank you. Great honor to have you,” Donald Trump said.
Quanny, seizing the moment, showcased his involvement with Trump’s campaign across social media platforms.
His Instagram story featured videos of the duo walking around Philadelphia and mingling with supporters.
It even included a shot of the rapper aboard Trump’s private jet, where the president personally thanked him for his participation in the campaign.
The rapper’s endorsement adds to a growing roster of Hip-Hop artists backing Donald Trump, including Kodak Black, Sexyy Red, Sada Baby, Icewear Vezzo, Lil Pump, Sheff G, Sleepy Hallow, and Philadelphia’s own Amber Rose.
Julio Foolio, a prominent rapper from Jacksonville, Florida, was shot and killed on Sunday (June 23).
According to local news outlets, Foolio (real name Charles Jones) was killed in Tampa, where his vehicle was riddled with bullets during the attack.
Despite first responders’ best efforts to save him, Foolio succumbed to his injuries. His attorney, Lewis Fusco, confirmed the tragic news, saying, “Yes, I have been his attorney for many years. He was shot and killed in Tampa. I cannot make any statements at this time other than confirming he was killed outside of a Holiday Inn hotel while celebrating his birthday in Tampa this weekend.”
Fusco explained Foolio had been in Tampa all weekend to celebrate his birthday, where he initially stayed at an Airbnb but was asked to vacate the property due to the number of people at the residence. He then reportedly booked a room at a local Holiday Inn, where he was evidently ambushed in the parking lot.
“All of this information has been released by law enforcement; however, I am unable to comment on anything else at this time until it becomes public record,” Fusco added.
Foolio had a history of surviving violent confrontations, including a notable incident in 2021 where he was targeted in a shooting that saw his vehicle hit multiple times. He did, however, manage to escape unscathed. In a 2021 interview with AllHipHop, he talked about getting shot at age 15.
“I done been through real deal, the worst wars,” he said at the time. “I done everything I wasn’t supposed to see, did everything I wasn’t supposed to do. From getting shot to going to jail, everything. I was young. I was 15 so damn, that s### f##### my head up. Because when you a jit, you don’t know that you can die for real. [I was shot] in my hip. It broke my hip, I was good though. I was in the hospital for 2 or 3 weeks to a month, I was good.”
The recent attack proved fatal. Fans and fellow artists have expressed their shock and sorrow over his untimely death, highlighting the relentless cycle of violence that often surrounds the rap community—particularly in Jacksonville. The city’s most notorious beef is between 6-block (or Bully Gang), which was made famous by Foolio, and the ATK.
During the last few years, Jacksonville has received a lot of media attention nationwide from Foolio’s beef with Yungeen Ace, a member of the ATK. Many members of ATK also claim a gang called NHG, which stands for No Hospital Gang. NHG and ATK are also closely aligned with a set called Backstreet.
In 2023, Foolio and other members of Bully Gang went to a cemetery to film a music video for Bully Gang rapper Jake Jhitt and posed for photos in front of the burial site of Royale De’Von Smith Jr.
Smith—or “23” as he was known—was in a car with Yungeen Ace and two other teens in June 2018 celebrating Smith’s birthday at a restaurant at the St. Johns Town Center when their car was riddled with bullets. Smith and two other men—including Ace’s brother—were killed.
Hometown hero Kendrick Lamar overtook the streets of Compton on Saturday (June 22) as he shot the music video for the Mustard-produced hit single, “Not Like Us.”
The event drew a drove of excited fans, who seized the chance to witness Kendrick Lamar in action. With the Los Angeles County Sheriff’s Department enhancing security, the video shoot transformed into a spontaneous community celebration, highlighting the shared excitement and unity of the people of Compton.
Kendrick Lamar, dressed variably in a vintage Martine Rose track jacket and a black leather outfit with cargo pants, collaborated with Mustard, the mastermind behind the song’s production.
Kendrick Lamar’s deep-rooted connection to Compton brought an authentic layer to the video shoot, with a diverse mix of people from all walks of life in tow. He shot the video at multiple locations around Los Angeles, including Nickerson Gardens and the historic Tam’s Burgers on Rosecrans Avenue.
Several celebrities from Compton and Los Angeles, including YG, Big Hit and Roddy Ricch, were spotted supporting Kendrick Lamar during the video shoot.
Adding to the intrigue, celebrity influencer Bobbi Althoff was inexplicably spotted wandering around a Compton park with YG, sparking speculation that she might be making a surprise appearance in the video.
“Not Like Us” is part of Lamar’s broader feud with fellow artist Drake.
Just days prior, Kendrick Lamar held his “The Pop Out: Ken and Friends” concert at the Kia Forum in Inglewood with an unprecedented five consecutive live performances of “Not Like Us.”
Queen Latifah’s early career fears about body image nearly halted her journey in music and acting, the 54-year-old said during the Cannes Lions event in France.
Despite selling millions of records and earning accolades, including Grammy and Oscar nominations, Queen Latifah struggled to envision herself succeeding in Hollywood because of societal beauty standards.
Recalling the pervasive image of beauty she grew up with, Latifah, known for her roles in “Chicago” and other hit films, shared, “I watched this idea of what beauty was supposed to be – size two, blue-eyed. That was being pushed on everyone as I was growing up. I thought that was a bar I was never going to meet.”
Queen Latifah reflected on the pressures of fitting into Hollywood’s narrow definitions of attractiveness, stating, “Can I move into Hollywood in a way I would like to, and accomplish what I would like to in this business, being me? It was about finding people who understood that was the vision.”
Throughout her career, she encountered significant resistance, citing entrenched perceptions among producers and colleagues who had their own experiences and biases regarding weight and beauty.
Queen Latifah also noted Oprah Winfrey’s influence on the conversation around body image.
“When I think of her and what she’s been through on that journey, I love the idea that someone will not have to endure the same journey today, that they will be able to walk into their doctor’s office and just have a conversation.”
Kim Kardashian is struggling to deliver a compelling performance in her debut lead movie role, according to the latest episode of “The Kardashians,” where the reality star’s journey into film was chronicled.
Initially reported last November, her movie project “The 5th Wheel” saw multiple studios vying for it.
Kim Kardashian, along with screenwriters Paula Pell and Janine Brito, ultimately chose Netflix after all five studios responded within 20 minutes with offers.
As excitement from Hollywood executives grew, Kardashian revealed her anxiety about meeting expectations.
During a dinner with friends, she expressed her doubts, stating, “The offers they’re bringing my way, I’m like, ‘You think I can do that? I can’t do that.'”
She then voiced concerns about performing emotional scenes, asking, “How am I gonna cry? How am I gonna be scared out of my mind?”
In a candid confessional segment, Kardashian shared her rising apprehension.
“How do they know I can do it? Now the pressure’s on because I’m like, ‘Oh s###\*\*, this is happening,'” she admitted, adding, “I’m tripping the f###\*\* out low-key because I have to really do this and I have to deliver.”
Acknowledging the challenge, she continued, “I’m really nervous about it ’cause I have to f###### deliver. It’s such a challenge for me and I want to welcome a challenge, and I’m like, every year I want to do something that makes me so uncomfortable that I really have to challenge myself.”
Before this significant role, Kardashian took a serious step into acting with her appearance in “American Horror Story: Delicate” last year.
Her acting career shows no signs of slowing down as she is set to produce and star in “The 5th Wheel” and portray a divorce lawyer in Ryan Murphy’s upcoming legal drama series.
Reflecting on the unexpected trajectory of her career, the 43-year-old Skims founder highlighted her limits for roles, pointing out, “I feel like you need less Botox for more emotion and I don’t have it. I’m not gonna be gaining 500 pounds for a role… that’s not where I need to be.”
Kardashian also mentioned that comedian Amy Schumer is interested in joining the film, which she described as a fusion of “The Hangover,” “Bridesmaids,” and “The First Wives Club.”
It looks like the beef between Kendrick Lamar and Drake is escalating. Top5 isn’t playing around. I’ve heard that he’s a member of the Triple G (GGG) gang in Toronto. This gang was allegedly responsible for snatching DJ Drama’s chains last year, though I can’t confirm that. Top5 has reportedly implemented a “No Fly Zone” in Toronto (do they still call it T-Dot?).
Why? I don’t think there was a lot of disrespect directed at the city. However, it is what it is. A lot has changed since back in the day, but historically, there has been mutual respect between Canada and the States when it comes to hip-hop. Anyway, this feud has turned everything upside down.
This “No Fly Zone” targets people and rappers who have sided with Kendrick Lamar. So, they might be referring to people like YG. I don’t think they are too concerned about this right now. Besides, it’s pretty hard to get into Canada if you have a record, so many of these guys aren’t really worried about it. On the flip side, this attitude might make it difficult for them to stay out of California.
What do you think about this?
Drake has pledged his undying fidelity to Chubbs. We’ll see if Chubbs reall crash something.
Denzel Washington’s career could soon see a major shift as the acclaimed actor hinted at a potential move away from acting during a panel discussion at the American Black Film Festival in Miami.
At 69, Denzel Washington, who made his screen debut in the 1977 TV movie “The Wilma Rudolph Story,” has graced viewers with his presence for decades, but it seems he may now be setting his sights on projects behind the scenes.
Fans have eagerly anticipated his role in the Roman Empire drama sequel “Gladiator II,” sharing the screen with Paul Mescal and Pedro Pascal.
However, the double Oscar winner’s recent comments suggest this could be one of the last times audiences see him in front of the camera.
“The things that are going on for me professionally behind the camera are as important to me now as in front of the camera. I think there’s less and less time I’ll be spending in front of the camera,” he said at the festival.
Washington’s illustrious career, marked by Oscars for Best Supporting Actor in 1990’s “Glory” and Best Actor in 2002’s “Training Day,” includes notable nominations.
His performances in “Malcolm X” and “Flight,” along with his dual nomination for Best Actor and Best Picture for “Fences,” demonstrate his consistent excellence and influence in Hollywood.
The star also expressed his pride in his son’s accomplishments.
Malcolm Washington, a director, and AFI graduate, leads the upcoming Netflix film “The Piano Lesson,” a project produced by his father.
“I’m not saying this because he’s my son, but he’s very talented. He went to the American Film Institute. He graduated number one in his class,” Denzel said, highlighting his son’s prowess and potential in filmmaking.
Ludacris recently revisited his experience working on a classic early 2000s film by sharing a nostalgic Instagram post for Throwback Thursday, in which he reminisced about the nerve-wracking moment he auditioned in front of his acting G.O.A.T., Don Cheadle.
On Thursday (June 20), the rapper and actor shared a personal anecdote about the high-pressure audition that landed him his breakout role in the 2004 film Crash. In his role as the character Anthony, Ludacris, is a thief and the right hand man to Tate’s character Peter. The pair factor into a multi-layered and deeply stratified storyline where the lives of multiple characters in the city of Los Angeles clash in the face of heightened racial tension within a 36-hour timeline.
According to the caption in his post, a key part of Ludacris landing his role was contingent on how well he did during a script read with the film’s star, Don Cheadle, whose character was the racist womanizer Detective Graham.
“True Story, I Had To Read In Front Of @doncheadle For This Role,” Ludacris began his caption of the post featuring a clip of a scene from the film. “I Remember Being Nervous as F##k Because I Look Up To Him So Much As An Actor. But I Can Only Assume It Didn’t Affect My Audition Too Much Cause I Ended Up Landing The Role.”
Despite the nerves, Ludacris says his experience during the audition left a lasting impression, and continued by revaling his thoughts on the significance of the opportunity he got in working closely with Tate during the production.
“Then It Was A Dream Come True To Work Besides Another Actor I Was Inspired By, My Virgo brother @larenztate Who Became My Best Friend Throughout This Process,” he said.
As he concluded, Ludacris highlighted the monumental success of Crash, noting its achievement in securing the Academy Award for Best Picture in 2004.
“Add That To The Fact This Movie Went On To Secure An Academy Award For BEST PICTURE in 2004 THE REST IS F##### HISTORY,” he wrote.
Tate responded in the comment section of the post, writing, “Truth! Brotherhood Unbreakable! Classics.”
Ludacris’ portrayal of Anthony in Crash served as a pivotal moment in his acting career and helped establish him as a versatile performer capable of handling complex roles. Following Crash, Ludacris expanded his filmography with roles in high-grossing films such as the Fast & Furious series, where he played Tej Parker, contributing to the franchise’s global box office earnings exceeding $6 billion. His role in Fast & Furious 6 alone saw earnings of $788 million worldwide . Additionally, Ludacris has starred in other notable films like Hustle & Flow and New Year’s Eve, where his performances have been both critically and commercially successful.
His growing filmography has not only diversified his career but also significantly increased his earning potential. Ludacris has secured lucrative contracts, with reports indicating he earned up to $1 million per film for supporting roles and significantly higher for starring roles.
