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Kodak Black Establishes Scholarship In Memory Of Parkland Student Killed In Massacre

Rapper Kodak Black has paid tribute to a Parkland school shooting victim by establishing a scholarship in her name.

The “Tunnel Vision” star spent his Valentine’s Day on Sunday (February 14th) in Parkland, Florida attending a memorial to mark the third anniversary of the mass shooting at Marjory Stoneman Douglas High School in 2018, when 17 people were killed.

Among the victims was student Meadow Pollack, who was a big fan of Kodak, and, following the commutation of his prison sentence by former U.S. President Donald Trump last month, the rapper decided to pay his respects in person at the event.

While there, he announced plans to launch a $100,000 scholarship fund in Pollack’s memory at the Nova Southeastern University Law School in Florida, where her brother, Hunter, is a student, with the money benefiting those wanting to study justice reform.

Hunter was present at the emotional gathering and expressed his gratitude to Kodak by giving him a big hug, before they jointly lit a candle for the victims of the Parkland shooting.

It’s Kodak’s latest act of kindness since walking free from prison – he also recently offered to cover the costs of college tuition for the young children of two Federal Bureau of Investigation agents killed in the line of duty in his native Florida.

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LifeTrav – “Hard To Dance”

Perseverance is one of the key factors of success and that is something that Peekskill, NY native LifeTrav knows very well. Having been raised in a public housing project known as Bohlman Towers, the youngster was abandoned by his father, forcing his mother (who died suddenly in 2020) to raise him and his brother by her lonesome. Trouble soon came knocking as LifeTrav was ordered to remain on house arrest for 6 months at the age of 17. With nothing but time on his hands, he decided to pour all of his energy into music with the goal of becoming rap’s next big superstar. Now 25-years-old, his YPF Crew & Management company has signed an exclusive joint venture and partnership with JMBG Music to distribute all of his music along with his YPF artist signed to his label. Backed by support from Hot 97’s DJ Drewski, his manager YPF-Quasia and a bevy of music industry veterans such as Dale “Rage” Resteghini, Jonathan Michael (Ruff Ryders, First Priority Music), Ben Goldman (Epic, Columbia), and Jason Jordan (Symphnoic), the sky is truly the limit for LifeTrav. Set to release new music to the masses in 2021, he kicks things off with the music video for his high energy single “Hard to Dance,” which is directed by Rage. Check out the video above!

 

Audiomack Announces Pooh Shiesty As The Company’s Latest #UpNow Artist

Memphis-bred rapper Pooh Shiesty’s 2021 is off to a great start. The Atlantic Records/1017 Records artist is already an early contender for Hip Hop rookie of the year as the performer continues to collect acknowledgments from his peers and his music continues to amass millions of streams.

Pooh Shiesty’s budding success led to Audiomack selecting him as its latest #UpNow artist. He will receive a major push from the streaming service which includes covering the #UpNow playlist as well as being featured on platform-wide channels with tailored marketing, social media support, custom videos, and more.

Pooh Shiesty stated, “Thank you to Audiomack for consistently supporting me and my music. It feels great to be recognized, and I appreciate all of the love. It’s only up from here.” Gucci Mane’s musical protégé joins previous UpNow artists such as Rod Wave, Sheff G, and Omah Lay.

“We are excited to partner with Pooh Shiesty and highlight him as the next artist for our UPNow program. We have been strong supporters of Pooh before he was signed, and it is amazing to see his growth over the last few months,” said Jason Johnson, Audiomack’s VP, Marketing & Brand Strategy.

Johnson added, “We look forward to continuing to work with him and his team to help create more opportunities to connect with his core fans, expand his fan base, and get his music heard globally.”

According to the company, Pooh Shiesty has totaled more than 40 million streams on Audiomack. His breakout hit “Back In Blood” featuring Lil Durk is one of the most-streamed records on the platform at the moment. Pooh Shiesty also worked with Audiomack for his “17 Bars with the New 1017” freestyle over Gucci Mane’s classic “Lemonade” track.

Watch The Trailer For Netflix’s Estate-Approved ‘Biggie: I Got A Story To Tell’ Documentary

Christopher “The Notorious B.I.G.” Wallace is one of the most documented figures in the history of Hip Hop culture. Countless fictional and non-fictional motion pictures, television shows, and podcasts have been produced about the Brooklyn-born music icon.

Netflix is set to present its own 98-minute documentary covering the life of The Notorious B.I.G. on March 1. Biggie: I Got a Story to Tell has the backing of the late emcee’s mother Voletta Wallace, the Christopher Wallace Estate, and Bad Boy Entertainment founder Sean “Diddy” Combs (aka Puff Daddy).

A synopsis for Biggie: I Got a Story to Tell reads:

In the wake of The Notorious B.I.G.’s landmark induction into the Rock and Roll Hall of Fame, and ahead of what would have been his 50th birthday, Biggie: I Got A Story To Tell offers a fresh look at one of the greatest, most influential rappers of all time by those who knew him best. Made in collaboration with Biggie’s estate, I Got A Story To Tell is an intimate rendering of a man whose rapid ascent and tragic end has been at the center of rap lore for more than twenty years. Directed by Emmett Malloy, this intimate documentary features rare footage filmed by his best friend Damion “D-Roc” Butler and new interviews with his closest friends and family, revealing a side of Christopher Wallace that the world never knew. I Got A Story To Tell is executive produced by Sean Combs, Voletta Wallace, Mark Pitts, Stanley Buchthal, and Emmett and Brendan Malloy.

Prior to his still-unsolved murder in 1997, The Notorious B.I.G. rose to become the hottest rap star on the planet. His 1994 album Ready to Die is often cited as a Hip Hop masterpiece partly because of the New Yorker’s ability to craft a project that seamlessly blended the radio-friendly Bad Boy sound with East Coast street anthems.

Ready to Die is now certified 6x-Platinum by the Recording Industry Association of America. Biggie’s 1997 classic, Life After Death, surpassed the commercial success of his debut album by earning 11x-Platinum status. Even though only two official studio LPs were created while he was alive, B.I.G. managed to influence generations of musicians that came after him.

Diddy posthumously inducted The Notorious B.I.G. into the Rock and Roll Hall of Fame as part of the 2020 class along with performers Depeche Mode, The Doobie Brothers, Whitney Houston, Nine Inch Nails, and T. Rex. Christopher Wallace was just 24 years old when he was killed in Los Angeles during a drive-by shooting.

Lil Tjay’s “Calling My Phone” Featuring 6lack Jumps To No. 1 On Streaming Platforms

The current top trending song in America does not belong to Taylor Swift, The Weeknd, Ariana Grande, Justin Bieber, Cardi B, Chris Brown, or Drake. A 19-year-old rapper from the Bronx is dominating the most popular streaming services at the moment.

Just in time for the Valentine’s Day weekend, Lil Tjay released his new song “Calling My Phone” featuring 6LACK on February 12. As of this morning (January 16), the single sits at #1 on Spotify’s daily Top 200 United States chart and Apple Music’s daily Top 100: USA chart.

Plus, the Cam Busby-directed music video for “Calling My Phone” racked up more than 8 million views on YouTube since the visuals debuted last Friday. A snippet of the record was also featured in over 100,000 fan-created Tik Tok vids.

 

If Lil Tjay’s latest single keeps the same streaming pace it could end up debuting high on Billboard‘s Hot 100 chart. A Top 10 placement would be a career-best for the teenager born Tione Jayden Merritt. He previously peaked at #11 on the Hot 100 as a guest of Polo G’s “Pop Out” in 2019.

Atlanta’s 6LACK is looking to score his highest Hot 100 entry with “Calling My Phone” as well. The Spillage Village collective member has yet to have a Top 40 hit. Khalid, Ty Dolla Sign, and 6LACK’s “OTW” rose as high as #57 in 2018.

Neither Lil Tjay nor 6LACK dropped a studio album over the previous 12 months. Tjay’s platinum-certified True 2 Myself LP hit DSPs in 2019. He did release the 7-track State of Emergency in May 2020. 6LACK’s most recent full-length project was 2018’s East Atlanta Love Letter. The LVRN representative also let loose the 6pc Hot EP last June.

Moneybagg Yo Apologizes For His Comments About The COVID-19 Pandemic

The number of COVID-19 infection cases and hospitalizations are currently falling across the country. However, the year-long pandemic has caused many families to deal with extensive emotional, physical, and financial pain.

Throughout the crisis, several celebrities have made public statements about topics connected to coronavirus that they later had to walk back. Moneybagg Yo is the latest famous/rich individual that felt the need to offer his fans a mea culpa.

“Not gone lie I made a couple Ms in da pandemic, ion want it to end [Smiling face with open mouth with cold sweat emoji, hundred points emoji, man shrugging emoji],” tweeted Moneybagg on Monday afternoon. He added, “I feel like the pandemic [helped] a lot of people.”

Many of the Twitter replies in response to Monybagg’s pandemic tweets pointed out that more than 480,000 people in the United States died because of COVID-19 and millions more lost their jobs as a result of the widespread public shutdowns. The 29-year-old Memphis native returned to Twitter an hour later to express remorse.

“I apologize to everybody I offended my comment was very insensitive it was not my intent to hurt anyone [raising hands emoji, hundred points emoji],” posted Moneybagg Yo on Monday evening. The “Time Today” rapper did not delete his original tweets about the COVID-19 pandemic.

https://twitter.com/MoneyBaggYo/status/1361432809601179650?s=20

https://twitter.com/MoneyBaggYo/status/1361434062775287808?s=20

Did Megan Thee Stallion Address Alleged Fight With Rumored Boyfriend Pardison Fontaine?

Megan Thee Stallion celebrated her 26th birthday on January 15. The Houston-raised rapper gifted her fans with a new Southside Forever Freestyle” video, but that was not the only footage supposedly connected to Meg that spread across the internet yesterday.

Overnight, an Instagram Live clip began circulating online that had many social media users believing Megan was involved in some sort of altercation with a man. There is speculation that the male voice heard in the video is Meg’s rumored boyfriend Pardison Fontaine, but none of that information has been confirmed.

“Tell Megan to come to the door,” screams the man as sounds of someone banging on a door can be heard in the background. “I don’t give a f### what y’all talking about. Tell Megan to come to the door. Y’all got five seconds before I come through this s###.”

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Even though, as of press time, there is no confirmation that Megan nor Pardison were the actual people in the video, Megan threw fuel on the fire of the gossip with a single tweet. The “Body” performer did confirm that she is in a romantic relationship and her significant other was recently upset with her for an unnamed reason.

“I’m healthy, I can take care of myself, my friends & family love me, my boo love me (he mad at me [right now] but he still love me) shiddd Beyoncé love me, I’m just happy and blessed lol,” tweeted Megan Thee Stallion on Monday night. She later added, “One thing [about] me … I’m gone laugh [face with tears of joy emoji].”

Rumors about Megan The Stallion and Pardison Fontaine being an item began last December when the “Backin’ It Up” rhymer was seen wearing a face mask from Meg’s Fashion Nova collection. The talk of them being a couple ignited further after the two recording artists began leaving comments about each other on Instagram posts.

Bow Wow To Start Training To Be A Pro Wrestler With WWE Legend Rikishi

It appears Shad “Bow Wow” Moss is really serious about stepping into a World Wrestling Entertainment ring. Last week, the 33-year-old rapper got into a Twitter spat with some WWE superstars after claiming he wants to become a wrestler.

Now, Bow Wow is letting his followers know that he has actually begun the process of one day going head-to-head with an opponent in the squared circle. He tweeted, “I have officially decided to train with my boy @TheREALRIKISHI at his gym in California to get ready for the @wwe. LOCKED IN.”

Rikishi (born Solofa F. Fatu Jr.) is a member of the WWE Hall of Fame Class of 2015. The former Intercontinental Champion is part of the famous Anoaʻi wrestling family and the father of current WWE wrestlers Jey and Jimmy Uso.

After Bow Wow posted about wanting to start training, Rikishi quote-tweeted the Growing Up Hip Hop: Atlanta star. The master of the Stink Face move tweeted, “Let’s go to work uce!! @SamoanDynasty1 legacy WE WELCOME you to our @KNOKXPRO wrestling academy in LA.”

WWE has already begun working with Puerto Rican rapper Bad Bunny. The El Último Tour Del Mundo album creator made his in-ring debut at this year’s Royal Rumble event in January, and the current 24/7 champion has appeared on the company’s Raw program on Monday nights.

Bow Wow recently expressed that he would be open to facing off against Bad Bunny at the upcoming WrestleMania 37 in Tampa which is scheduled to take place April 10–11. There have also been rumors that Hip Hop recording artist Cardi B could also show up at WrestleMania after she jokingly called out WWE CEO Vince McMahon last month.

Legacy Rapper Oran Juice Jones II Is Primed And Ready For Greatness

Oran Juice Jones II, formerly known as Mookie Jones, is on his way. You can feel it. The energy is different. The swagger of the Houston-based emcee has grown into his own.  The son of DefJam recording artist ‘Oran Juice Jones’, Juice II has found that his one-time privilege has not held up over time and he now walks in his own shoes.

He jump-started his own career through battle rap at the age of 14 years old and managed to win the National Freestyle Competition in Houston, the youngest ever. Over 15 years, Juice II has released several albums. He has worked with the likes of Redman, BunB, Lil Jon, Mannie Fresh, Cory Mo, Harry Fraud, Smoke DZA, Big Krit, ScottyATL, Trae Tha Truth and many more. 

He recently released NOTHING RHYME$ WITH ORANGE with collaborations with 38Spesh, RJ Payne and even his father Oran ‘Juice’ Jones, Sr. 2021 is likely to produce even more wins for Juice, as his new song “Still” is rapidly getting attention of rap aficionados. 

Check out this conversation between Oran Juice Jones II and AHH’s Chuck “Jigsaw” Creekmur as Juice II lays out everything from his Top 5 DOA to his ultimate plan.

W!LL- “GLT” Ft. Caleb Minter (Video)

With two Billboard placements already under his belt, 2021 promises to build upon an already impressive trajectory for R&B newcomer W!LL.

In addition to performing, his presence is felt throughout much of the recording process, as writing, production and engineering are among his many artistic credits.

In 2014, W!LL released the EP ‘Purpose’, which featured the single “Next to You.” He followed with ‘Take Me Home’ and ‘H’ in 2018, and a fourth project is scheduled for Spring 2021.

While discussing his music industry goals, W!LL said his passion pushes him to strive for nothing less than greatness.

“I want to be known for being one of the most influential musicians in history.” He explains. “I’m a baritone with a classic style who still sounds current. When it’s all said and done, I’ll be one of the faces of R&B music for this and the next generation.”

Outside of his own work, W!LL has served as background singer for several gospel artists including Mary Mary, Travis Greene, Earnest Pugh and Tasha Cobb Leonard.

His early inspirations include such iconic voices as Marvin Gaye and Stevie Wonder. The single “GLT” will lead his forthcoming EP, and is currently available on major streaming platforms. Check out the video for the single above.

 

AllHipHop EXCLUSIVE: Rock Group Wants To Put The Brakes On D-Nice’s Ford F-150 Ad Campaign

D-Nice’s popularity soared during the pandemic, thanks to his Club Quarantine on Instagram live.

Club Quarantine shattered viewership records early on in the pandemic, drawing millions of viewers including Michelle Obama, Rihanna, Drake, and even President Joe Biden, came to party with D-Nice to escape the stress of the pandemic.

So it only made sense when Ford tapped D-Nice for an advertising campaign promoting the new Ford F-150, which is the best-selling vehicle in the United States.

The campaign features D-Nice, and the sonic backdrop to the commercial utilizes his best-known, #1 hit song “Call Me D-Nice.”

But members of the 1960’s rock group The Turtles are putting the brakes on Ford’s commercial, claiming they are being ripped off.

Turtles group members Mark Volman and Howard Kaylan own a company called Flo & Eddie Inc. (FEI), which controls the rights to the pop song’s the group created, including “Happy Together,” “”She’d Rather Be With Me,” and other well-known tunes.

The rockers claim “Call Me D-Nice” samples large portions of their song “Buzzsaw,” and that they have been completely cut out of the money Ford splashed around for the commercial.

Back in 1990, FEI cleared the sample so D-Nice could use it to make “Call Me D-Nice.” That agreement specified that if “Call Me D-Nice” was re-used and commercially exploited, a fee was to be negotiated in good faith, to re-use “Buzzsaw.”

But Sony never even bothered to reach out to The Turtles, who were totally surprised to hear their music prominently featured in the commercial for the Ford F-150.

“Sony failed to negotiate with FEI in any manner whatsoever as to the fee for the Commercial, as specified in the Agreement, and failed to even inform FEI that a major commercial involving Ford’s F-150 truck was “in the works.” Sony has never contacted FEI about the Commercial whatsoever,” according to the complaint.

The Turtles also claim they haven’t received any royalty reports on “Call Me D-Nice” since 2010, and they are demanding an accounting of earnings from streams of the song now too.

The Turtles are seeking a full accounting of the earnings Sony has received from “Call Me D-Nice,” and they want at least $100,000 in damages.

 

Pacman Jones Says Fight Started As Bouncer Stopped Him From Requesting Songs By Young Thug, Lil Baby And DaBaby

Former NFL star, sometimes rapper/Hip-Hop label exec Adam “Pacman” Jones is back in trouble.

According to WCPO Channel 9 in Cincinnati, Pacman was collared early this morning (February 15th) after a vicious assault at the Clutch OTR nightclub.

Pacman said his issues with a security guard who is known for having a bad attitude. Pacman told The Pat McAfee Show that one of his bouncer friends had thrown the bodyguard out of a competitive club last week, for being sloppy drunk, so he thinks the guy was out for revenge.

Pacman said he was at the DJ booth requesting songs by Young Thug, DaBaby, Lil Baby and Jaquees when thing jumped off. According Pacman, the bouncer told everyone it was time to leave the club, as had his back turned, talking to the DJ.

When turned around, the bouncer and Pacman’s little brother were already on the floor scrapping.

“When I turn around they already on the floor. So I separate them and he said ‘hey y’all want a m############ fight? Before you say ‘y’all want a m############ fight’ that’s when punches and chairs, whatever they were throwing. And personally Pat, I’m done fighting bro like unless somebody want to pay me and I’m cool with it. I’ll fight any celebrity 169,170, but man I got kids, I got so much other s### that I’m working on besides me beating a m########### up the club,” Pacman Jones explained.

The security guard reportedly lost consciousness during the fight. The former NFL pro was immediately arrested, and charged with a misdemeanor assault.

He denied he was drunk, and noted he was not charged with public intoxication, because he was sober.

Pacman played for the Tennessee Titans, the Dallas Cowboys, the Cincinnati Bengals, and the Denver Broncos before he retired in May of 2019. He also has a lengthy criminal record, over incidents in Nashville, Tennessee, Las Vegas, and Cincinnati.

 

Pacman’s last run-in with the law happened in 2019 when he was busted for disorderly conduct at the Rising Star Casino in Indiana after he was accused of cheating at a table.

In addition to being a standout NFL player, Pacman launched his own Hip-Hop label national Street League records, in 2007. He was in a group on his record label, named Posterboyz.

In 2014, Pacman threatened to beat up Ludacris, after the Atlanta rapper posted a pic on IG that included a photo of a plus-sized woman on a man’s shoulder in a pool, a shot of Jones in a neck brace, and a caption that read, “#nowthatsludicrous.”

Jones didn’t appreciate Ludacris’ jokes, because he suffered a serious neck injury in 2010. He replied: “nice post, now when I see you I’m beat your a## … Now post that #p###y.”

Machine Gun Kelly Rocks A Necklace Filled With Megan Fox’s Blood

Machine Gun Kelly wears a drop of girlfriend Megan Fox’s blood around his neck.

The rapper took to Instagram to share a snap of his unusual necklace, which featured a transparent casing with a smudge of red seen inside.

“i wear your blood around my neck,” the “My Bloody Valentine” star captioned the image, as well as some other pictures of himself and Megan.

Of course, Kelly isn’t the first celebrity to have opted to wear his partner’s blood. Angelina Jolie previously revealed that she and Billy Bob Thornton wore vials of each other’s blood as necklaces during their three-year marriage in the early 2000s.

Meanwhile, Megan also shared a Valentine’s tribute to her other half, who she started dating last summer following her split from husband Brian Austin Green, sharing a selfie to Instagram and writing: “there goes my heart, manifest outside of my body, draped in the towering silhouette of a most unusually handsome boy, magical and haunted, kinetic and tortured, ethereal and dangerous, cosmic, lawless, eternal, creative genius, the journey will likely be perilous, but there is no destination without him.”

She concluded: “happy valentine’s day rehab barbie.”

 

Pharrell Williams Escapes Perjury Charge After “Blurred Lines” Comments

A judge has ruled that Pharrell Williams didn’t commit perjury in his copyright infringement legal battle over his Robin Thicke collaboration “Blurred Lines.”

The two artists were sued by Marvin Gaye’s heirs in 2015, claiming they copied the late singer’s 1977 track “Got to Give It Up” for “Blurred Lines.”

Williams and Thicke denied the accusations, but they lost the case, and the Motown legend’s estate officials were initially awarded a massive $7.4 million reward before it was later reduced to $5.3 million.

Williams opened up about the high-profile fight in an interview with GQ magazine published in 2019, in which he told revered producer Rick Rubin that when he finds a song he likes, he “reverse engineers” the feeling he gets from listening to that tune.

“I did that in ‘Blurred Lines’ and got myself in trouble,” he admitted.

Marvin Gaye’s relatives jumped on the remark, arguing it proved Williams perjured himself after previously declaring of the creation of “Blurred Lines,” “I did not go in the studio with the intention of making anything feel like, or to sound like, Marvin Gaye.”

The Gayes demanded the judge overseeing the case reconsider the amount of attorneys’ fees to which they are entitled, but Williams fought back – insisting his GQ comments are consistent with evidence he previously gave to the court.

And on Friday (February 12th), U.S. District Court Judge John Kronstadt ruled that Williams hadn’t committed perjury with the GQ interview.

“The statements by Williams during the November 2019 Interview were cryptic and amenable to multiple interpretations,” Judge Kronstadt wrote. “For example, it is unclear what Williams meant by ‘reverse-engineer(ing).’ Read in context, Williams statement about ‘reverse-engineering’ could be interpreted as a process in which he remembers his feelings when listening to particular music, and then attempts to recreate those feelings in his own works. This is not inconsistent with his deposition testimony, in which he claimed that he realized after creating Blurred Lines that the feeling he tried to capture in the song, was one that he associated with Marvin Gaye.

“For these reasons, the Gaye Parties have not shown by clear and compelling evidence that there are sufficiently material inconsistencies between Williams’ statements in the November 2019 Interview and his sworn testimony, to support a finding of perjury.”

Pharrell Williams has yet to respond to the ruling.

Rapper BO$$ Suffers From A Stroke; Family Launches GoFundMe

All prayers are going out to 90s recording artist BO$$.

According to a GoFundme page set up by the “Laws of a Boss” fundraising team, the Def Jam West rapper suffered from a stroke and is in need of support.

The Detroit femcee released her debut album Born Gangstaz in 1993, which hit the Billboard Top R&B/ Hip-Hop Albums at number 3.

Signed by Russell Simmons, BO$$ was the first woman to be released on the label, and can boast that her singles “Deeper” and “Recipe of a Hoe,” landed in the number one spot on the Billboard Hot Rap Tracks chart. 

For all purposes, she ushered in a new identity for the female rapper — just as tough as the guys she rocked the mic with.

However, recently her health has been challenged. In May 2011, BO$$ made the public aware that she needed a new kidney because of severe renal disease. 

Six years later, the original female rapper put on by DJ Quik suffered a stroke and seizure. To this day, she has not received the proper support to save her life.

Now, her family and friends are asking for the support of her fans. 

A costly ask, the idea is that through crowdfunding she might receive the $15,000 for a procedure to help her during these trying times. The procedure is a prerequisite for her to be eligible for a kidney transplant in the future.

As of this publishing, her GoFundMe has a total of less than $1,500. 

 

From Killer Mike To T.I. To Jeezy: How Hip-Hop Helped Flip the Senate Right Over!

On November 20, 2020, less than two weeks after networks announced President Joe Biden’s victory, millions of rap fans tuned into the highly anticipated Gucci Mane vs Jeezy Verzuz rap battle at Atlanta strip club Magic City. But before Gucci dropped his diss records, viewers got a surprise sixty second commercial: it was Democratic superstar and community organizer Stacey Abrams, beaming in virtually to remind Georgians to vote in the upcoming Senate runoffs.

Due to a highly unusual set of circumstances unlikely to be replicated, Georgia’s two runoff elections in early January 2021 would determine whether Republicans or Democrats would have control of the United States Senate for the next two years. Democrats feared a repeat of the Obama years, when Republicans held the majority in the Senate and were able to block many of his initiatives.

In order to gain the Senate majority and give incoming President Biden and Vice President Harris a fair chance to bring about change, Democratic organizations took an all-hands-on-deck approach. In Atlanta, long a Hip Hop mecca, it was only natural that the Hip-Hop would be a part of the campaign. “Our culture runs this city,” T.I. told CNN. “[We can] use that influence as leverage to support the right people who have a genuine interest in helping the people in our communities.”

Many politicians in Atlanta have worked closely with the Hip-Hop community, including the current mayor Keshia Lance Bottoms. She gained national recognition this past summer when she, joined by Killer Mike and T.I., issued a televised announcement pleading with Black Lives Matter protestors to remain peaceful to effectively get their message across. The previous mayor, Kasim Reed, could be seen canvassing the West Side with T.I. during his successful campaign.

Leading up to the runoffs, 2 Chainz performed at an Ossoff & Warnock rally which featured a special appearance from President Obama. Monica performed a free “get out the vote” Parking Lot Concert. Offset appeared at a Biden event. Rick Ross performed at a “Joy To The Polls” holiday concert. Jermaine Dupri hyped up the crowd in the Atlanta suburb of Conyers. Common graced the stage at Reverend Warnock’s campaign events in Savannah and Austell, offering up a custom freestyle dropping Warnock and Ossoff’s names. Killer Mike hosted a roundtable discussion with the candidates at popular coworking venue The Gathering Spot. Michelle Obama’s When We All Vote organization sponsored a drive-in concert with Rick Ross, Common, Jeezy, Monica, DJ Drama, and more. T.I. posted on Instagram, “We need to Move Mitch Out The Way by electing (Raphael Warnock) and (Jon Ossoff) to the US Senate .. The World is watching.”

Jeezy penned an editorial for Rolling Stone, with the disclaimer that he isn’t a politician, just someone who cares about his community. “If the right people are not in the Senate, it’s gonna make it hard for the Biden-Harris administration to do anything they need to do and that they promised to us,” he said. “What we did see by Georgia turning blue [in the general election] … it was about people mobilizing. So here with this runoff, we have to continue to do the same thing, because we can’t fight half the battle and then not finish the war.”

Despite the controversy surrounding Lil Wayne’s embrace of President Trump, his daughter Reginae hosted an Ossoff and Warnock campaign event in DeKalb County which also featured performances from J.I.D., Tokyo Jetz, and Shelley f/k/a DRAM. Moneybagg Yo and Mulatto offered a free concert for voters headed to the polls in downtown Atlanta. During the final weekend of the campaign, Jeezy and Ne-Yo graced the stage along with Kamala Harris and Joe Biden to encourage Georgia voters to make it to the polls. Jermaine Dupri and D-Nice, joined by Mayor Keshia Lance Bottoms, performed a special rendition of the Ludacris record, tweaking it as “Move, Mitch, Get Out The Way!”

When the runoff date of January 5th finally arrived, exhausted Georgia voters had been bombarded for weeks with reminders to vote: nonstop television commercials, phone calls, texts, DMs, mailers, and handwritten postcards. But it worked. The runoff election turnout nearly reached the same levels of the general election, with an especially strong turnout among black voters helping to tilt the race in the Democrats’ favor. Ultimately both Warnock and Ossoff would emerge victorious over their incumbent Republican opponents.

“Minus the Hip-Hop involvement, we might have had a different outcome,” Killer Mike told CNN. “I don’t know of one person in hip-hop who did not do something, from Migos to Lil Baby. I’ve seen everyone from our community take part in some way.”

Phillana Williams, who served as Surrogates Director for the Warnock campaign, has a close relationship with the Hip Hop community. She previously worked at legendary record label LaFace and managed singer Ciara. Although she was influential in recruiting many of the artists to perform at the campaign events, she also recognizes that they have more to offer.

“Oftentimes [politicians] call musicians just to perform, but they’re more than that,” she told Rolling Stone. “They’re people, too. They have mothers and fathers; they’re parents. They care about health care. They have family that have regular nine-to-five jobs, even if [musicians] don’t. [Entertainers are] being affected by the pandemic – actually more than any other business group. The entertainment business has taken the hardest hit, and will be the last one to come back.”

“[When we recruit entertainers, it’s] more than just, ‘Hey, can you get on the stage and sing?’” she added. “They need to be talking, because they have organic audiences. Not that politicians don’t, but politicians talk a certain way. Musicians are very open and honest about their lives.” With this in mind, Phillana helped bring together Killer Mike, Common, T.I., Jermaine Dupri, and Big Tigger for a livestreamed roundtable discussion with the candidates. In it, the artists challenged Ossoff and Warnock to provide specific details for their plans on issues such as prison reform and gun control.

Meredith Lilly, a senior advisor on the Warnock campaign, also took a hands-on approach working with entertainers such as Common. After their campaign event in the Atlanta area, Reverend Warnock and Common were spotted at a nearby church handing out generous Christmas gifts such as bicycles and televisions to needy children, with Ms. Lilly on hand to give assistance.

Lucky guests who snagged an exclusive ticket to the final campaign events with Kamala Harris in Savannah and Joe Biden in Atlanta were treated to DJ sets by D-Nice, who was recruited by Reverend Warnock’s Director of Advance, Laurence Wilson. Planning campaign events in 2020 was compounded by the additional complication of the coronavirus pandemic, but the Warnock team was up to the challenge. Rain or shine, they held socially-distant drive-in rallies outdoors, taking all precautions to ensure attendees’ safety.

A St. Louis native, Mr. Wilson once had dreams of becoming a filmmaker, but fell in love with politics as a teenager. Knocking on doors on behalf of his older cousin/mentor, Congressman William Lacey Clay, would eventually lead him to a college internship in Washington D.C. and a life-changing encounter with then-Senator Barack Obama. “I sat behind him for an hour and a half [in a meeting with the Congressional Black Caucus],” Laurence recalls. “I was amazed by [the thought that] ‘Wow, this could be the first black president. This is historic.’”

After graduating from HBCU the University of Arkansas at Pine Bluff, Wilson worked on Hillary Clinton’s campaign but suffered a career setback with her unexpected loss. He rebounded by working with the Parkland shooting survivors’ March for Our Lives Tour and a successful City Council race in Atlanta for candidate Antonio Brown. “That’s when I got my political spark back and I realized, ‘Maybe I’m still good at this,’” Mr. Wilson recalls.
Mr. Wilson took some time out of his schedule to explain the importance of getting Hip Hop artists involved in political campaign events and describe some of the behind-the-scenes experiences.

AllHipHop: When did you get involved with the Biden/Harris campaign?


Laurence Wilson: In August 2019 I was hired to work on now-President Biden’s campaign. I was the National Advance Associate, a role which basically had me traveling the country setting up events not only for President Biden but also for First Lady Jill Biden and Vice President Kamala Harris.

AllHipHop: What’s an average day like on the road?


Laurence Wilson: It’s crazy. You might fly into a city, rent a car, go look at sites that could potentially be used for a rally. You’re doing walk-throughs with the Secret Service [for security purposes], drawing diagrams for the staging, working with the production team, building out the infrastructure so that when [the politician] comes to town it will be a successful rally. And then you go to the next city. So you’re living out of a suitcase. I did that for fifteen months [with the Biden campaign] and then went straight into the [Senator Raphael] Warnock campaign.

AllHipHop: What are some of the qualities you’ve seen in these politicians that makes them successful?

Laurence Wilson: For me it’s about how driven they are and how active they are in the community. I really believe in people who are down to earth and really want to make a difference. That’s evident in the people I’ve worked for who share the same views as me. I never want to see anybody struggle. I always want the next person to be able to have a seat at the table and have opportunities. Those opportunities aren’t always afforded to you as an African-American man, you know, we always have to strive harder, and I don’t want that to be the case. That’s why I was always [supportive] of President Biden from the beginning because [I’ve seen how] he was able to sympathize and empathize with people. He’s really [the type of] person who wants to see everybody succeed. That’s what I do every day: try to have a seat at the table and bring other people into the equation.

AllHipHop: After Biden’s victory was confirmed, was that just a natural transition for you into working with Reverend Warnock’s campaign?


Laurence Wilson: I knew what I had done for President Biden’s [campaign] and I knew [Warnock] needed the help, so I felt like I was in a unique position to help continue saving democracy. I felt indebted to Joe [Biden]. I know the inner workings of politics and I understand that governing and campaigning are two different things. When I got the call to help Reverend Warnock’s campaign, I knew I could add that flavor, not only with planning the events, but also making sure I’m elevating him [on all platforms]. When we’re going across the state we have him on livestreams, promoting him [on social media], and a lot of people told me, “On the event side, you really operated Reverend Warnock’s campaign [as if] it were a presidential campaign.” That’s basically what I set out to do. I felt indebted to [Biden] to continue answering the call of service and make sure we could rewrite [the direction of] history after, you know, the story of the last four years.

AllHipHop:  We saw during the campaign that a lot of hip hop artists got involved, like Jeezy and Jermaine Dupri and D-Nice. Is it difficult to walk that line of finding artists who are appealing but not too controversial in a way that might cause problems for the politicians? How did those situations come about?


Laurence Wilson: I had a hand with Vice President Harris in [planning some of those performances at her events] and I was on the trip calls with her office, so, yeah, that definitely can be [an issue]. I remember talking to one of my colleagues and I was pushing for artists like Lil Baby, who is influential with the younger generation, to perform. But we do have to go through a vetting process when we’re bringing in artist. We have to look at their lyrics and the image that we’re putting out to the public. For example we did have Common perform. Common is an artist who caters to a wide audience and he’s also impactful with all the work he’s put in helping the communities. Jeezy has done that too. I actually was able to bring D-Nice to Georgia through a mutual friend. That really elevated the whole campaign experience, having D-Nice [DJ] in Savannah, Augusta, and Albany [on the campaign tour stops]. That’s one of my proudest moments because he [was so influential in 2020] keeping everybody rocking during the covid pandemic while we all had to quarantine at home. He’s also for the people. So you can bring the political side but in order to have far reaching [impact], we wanted to include musical artists in that equation.

AllHipHop: Do you think your presence can help open doors for more African-Americans and minorities in politics and help combat the perception that entertainment and sports are the only routes to success?


Laurence Wilson: A lot of people [tell me] that they’re inspired by looking at my social media. On Election Day I had at least 20 messages from people telling me “Congratulations” and telling me, “If it wasn’t for you posting every day about Joe Biden and Kamala Harris, I wouldn’t have voted. This was my first time voting, because I saw someone who looked like me in the inner circle with these [politicians].” So people telling me that I’m the reason they went to vote for the first time, I think that really carries weight. During Reverend Warnock’s campaign, I was really putting my brand on it, posting pictures and videos from [the campaign trail]. So even for people who don’t know me personally, for them to see the level of access that I have and the situation that I’m in, it’s something I’m very grateful for and I hope it helps other people achieve [their goals]

 

Rakim Explains Why He Regrets Treating Other Rappers As His Enemies

Even in 2021, three decades after his debut on the scene, the god-emcee Rakim is growing into a more profound rapper and distinguished gentleman.

On Saturday, February 13th, Rakim served as the special guest speaker at the annual Black Book Fair sponsored by the ladies of Delta Sigma Theta Sorority, Inc. (Brooklyn Alumnae Chapter) and their new community partner, Usher’s New Look. 

While breaking down his life and legacy as communicated in his memoir, “Sweat the Technique: Revelations on Creativity from the Lyrical Genius,” he spoke about his regret for not joining in community with rappers in the 80s & 90s.

During the interview portion of the fair, UNL’s Chief Operating Officer Geoff Street posed a question, “One thing that really stood out, was when you said you really didn’t feel like you were competing with anybody but yourself.”

“Also at that time because of that competitive energy that was out there, a lot of emcees in your era didn’t really hang out. So you talked about your evolution over time. I’m just curious to see how do you feel … watching the younger generation and how they’re socializing [with each other] as emcees?”

“That’s a really good question,” Rakim shared. “Because for years I used to beat myself up because I was that dude. I wouldn’t conversate with too many other emcees. If I did, it was ‘What up, peace!,’ ‘Thank you,’ ‘Later,’ type of thing.”

“All I knew were the streets and I kind of incorporated what I knew from the streets into Hip-Hop. I didn’t let nobody get close to me. I drew that line in the sand and dared somebody to step over it. That’s all I knew.”

But the reflective legend went on to talk about who he is now as a 53-year-old man, “I beat myself up for years when I grew up and matured and realize that you know these brothers are not really my enemies. I treated him like that for years.”

“A lot of the brothers that I came up with in my era, I have a lot of respect for. And it took me a while to learn how to express that to them.”

Evidence of this revelation being put into practice comes into how he views LL Cool J, who arguably was the biggest “pop star” rapper of his time.

“I remember one day I saw LL in Cali. You know me and L, we used to go on tour. We used to speak, but we used to bump heads a little bit too,” he said, talking about his relationship with the Queens rapper.

 “So you know… not seeing him in a while and seeing him in California … I’m on this new Ra’ thing … you know what I mean? I wanna get out and say, ‘What’s up?’ to this brother and let him know that I love him.” 

“So I guess you look a little crazy … So, L is coming out of a record store so I see L … so we passed turn back around … he might have seen us go by …. then come back because he was looking like ‘Who was just pulling up?’ So we pulled up on him. I get out of the car and say, ‘What’s up to him?’ A couple of my people get out of the car … but through the hectic … whatever was going on … I tried to say, ‘Yo, L ! Man, you out here doing your thing. Keep doing your thing. I got a lot of love for you!’”

 “Well, he might have looked at me like …” The R tilts his head to the side as if LL was questioning his intentions.

“I just left for that. ‘Yo, L … peace and love, man. Keep doing your thing.”

Rakim was at ease at the book fair, wholly honest and an example of an expanded idea of manhood, competition, and focus.

“I was going through my … ‘Ra … man it’s alright. You can take your foot off they neck. It’s not like that. You know, L is doing this thing. Big Daddy Kane. EPMD. Slick Rick. All these brothers that I came up with, it wasn’t like they all were against Ra.

 “I just realized, growing and maturing … I just wanted to make things right. And let these brothers know, regardless so you know what we’ve been through or what I might have said … or vice versa … I have a lot of love and respect for them. To this day, EPMD, Kane, and KRS-One… there is nothing but love,” Rakim said.

Other authors who spoke during the Black Book Fair were as follows: Candace McDuff (“50 Rappers Who Changed the World”), A.D. “Lumkile” Thomason (“Permission to be Black: My Journey with Jay-Z and Jesus), former AllHipHop.com staff writer, Clover Hope ( The Motherlode: 100+ Women that Made Hip-Hop.” 

The sorority, whose chapter president is Shawna Green Myles, also spotlighted 42 Black authors in the following genres: Children’s Lit, Self-Care and Inspiration, Fiction, Non-Fiction, and Professional Development.

For the full video, please see the Brooklyn Alumnae Chapter of Delta Sigma Theta Sorority, Inc.’s Facebook.

“Supervillain” Director Says Tekashi 69 Is A Horrible Human Being And “Mastermind”

Tekashi 69 may be the most loathed rapper in Hip-Hop history, but he’s a “mastermind” of social media according to the director of an upcoming Showtime documentary called “Supervillain.”

The rapper showcased his uncanny ability to draw headlines and clicks over the weekend, after he had a run in with Philadelphia rapper Meek Mill in Atlanta.

Tekashi 69 approached Meek in a parking garage – phone in hand and camera rolling – and unloaded a barrage of curse words at him during the argument, which quickly went viral after both rappers posted videos to their social media.

“Supervillain” director Karam Gill said these types of calculated stunts have made Tekashi 69 infamous and hated. 

“The public and media hates him because he is truly a horrible human being who has done terrible things,” Karam Gill told The New York Post. “And from an overall perspective, he loves to instigate and aggravate which is something that naturally sparks a reaction.”

But Gill said these types of stunts are not done by accident, and that the rapper is very calculated in order to spark a reaction and get people talking about him – good or bad – mostly bad.

And the confrontation quickly moved beyond Tekashi 69 and Meek Mill, after Game’s manager Wack 100 weighed in.

Wack called out Meek for targeting “civilian” Safaree Samuels for a beat down over Nicki Minaj, but not living up to his boastful gangsta rap lyrics after he was confronted by “the rat” aka Tekashi 69. 

Wack’s comments drew an immediate reaction from Meek, who claimed the West Coast Piru Blood gang member was jealous of him.

“It’s sad you out here tryna mislead the youngins on the net… You run up on me if you wanna set a example….I think you a Fed also!” Meek Mill said. 

Soon, fans started weighing in, divided on Meek Mill’s reaction to Tekashi 69 running up on him unexpectedly, ready for a fight.

According to Karam Gill, he learned how potent Tekashi 69’s marketing abilities were as he researched for “Supervillian.” 

And, the back and forth between Tekashi 69 and Meek Mill proves that the Brooklyn rapper is a genius when it comes to working social media. 

“I was surprised to find out how much of a social media mastermind [Tekashi] truly was. His understanding of how human beings operate on these platforms is incredible,” Karam Gill said. 

“Supervillian” is a three-part docuseries that will air on Sho on February 21st.

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Offset And Cardi B “Even” On Expensive Gifts After Pricey Valentine’s Day Getaway

Offset listened when Cardi B urged men to be more generous on Valentine’s Day – he whisked his wife and their daughter off to “paradise”.

The romantic Migos rapper also splashed out on roses, a huge teddy bear, and heart-shaped balloons, which filled the couple’s luxurious suite, complete with a four-poster bed he had covered in rose petals in the shape of a heart.

Cardi gave a tour of the suite on her Instagram Story and asked her husband, “You did this? You did that? You did that for me?”, to which he replied, “I did that for you.”

The “Up” hitmaker then gushed, “You did that for me? Well, I don’t even know what to say.”

The couple then enjoyed an alfresco breakfast of fresh fruit, eggs, and bacon. Offset’s grand gestures came hours after his spouse urged men to be particularly generous on Valentine’s Day. Cardi thanked Offset for helping her realize the importance of taking a break, and slowing down from her fast-paced lifestyle being one of the world’s top rappers.

“Sometimes I gotta slow down and live a little. I have such a New York mentality I’m always thinking about the work and chasing that money but when you think fast you’re mind might crash .Being a artist comes with more then just music and videos it comes with a business .Thank you for setting me up for the right path for me not to f### up ever again,” Cardi B said.

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In a series of Twitter posts, Cardi wrote: “Yes! Men do deserve to get gift as well for Valentine’s Day, but the gift have to be less expensive then the girls gift (sic). Soo if he buys you flowers you buy him grass (sic).”

The rap star was subsequently accused of hypocrisy, with fans pointing out that she has been very generous towards Offset over the years – buying him luxury cars and expensive jewelry in the past – but Cardi was quick to fire back, tweeting: “Ok so due to my Vday tweet men came on my twitter roasting me sayin ‘but you bought your man a lambo but remember… I got 550K ring on my left hand, 400k ring on my right, Thousands of dollars In Birkins, soo much jewelry, a lambo truck and rolls Royce truck… so we even in gifts.

 

“So if ya don’t like the flowers & grass comparisons let me give ya one that make men happy. If you buy her thousand dollars Louboutin heels she should buy you a ps5 that’s around 550$. It’s fair… now if you think your gift should cost more then ur girl gift you are just a b**ch.”

 

“Judas and The Black Messiah” Is A Necessary Movie About America’s Dark, Murderous Past

“Judas and the Black Messiah” tells the story of Fred Hampton (Daniel Kaluuya) who was the chairman of the Chicago branch of the Black Panther Party in the 1960’s. Hampton and the Black Panther Party become one of the key targets of investigation by the FBI, led by J. Edgar Hoover (Martin Sheen), under the now infamous COINTELPRO directive that began in 1956. This was a program under the FBI designed to investigate, infiltrate, discredit, and disrupt domestic political organizations who championed civil rights that were deemed too radical according to the government. Some of the program’s tactics involved wire tapping, anonymous mailings, covert surveillance, illegal activity, police harassment & brutality, false imprisonment and even murder.

As the story unfolds, we witness Fred Hampton as a gifted speaker and leader to the party who is dedicated to building up and protecting his community. Hampton has the desire to build a community medical center, organizes breakfast programs for the youth, health clinics and free workshops for the community at large. Despite these beneficial programs and initiatives, Hampton is viewed as an immediate threat due to his ability to galvanize and organize alliances with other organizations, those regarded as “gangs.” These organizations consist of a white southern based group known as the “Young Patriots”, a Puerto Rican based group known as the “Young Lords”, and a fictionalized gang known as “The Crowns” which was the cinematic amalgamation of several different gangs that joined Hampton’s “Rainbow Coalition” in real life.

In an effort to get closer to Hampton, gain more intel and plot out his next move, an FBI agent (Jessie Plemmons) utilizes a recently arrested criminal named William “Bill” O’Neal (Lakeith Stanfield). O’Neil’s task is to infiltrate the Panthers’ ranks, win them over, and get close enough to Hampton to become one of his right hand men. O’Neil, who avoids prison for his own crimes and is paid as an informant for the agency, successfully infiltrates the ranks, even becoming the Party’s head of security for the Chicago Chapter. Through his knowledge of the inner workings of the Party, O’Neil feeds information to the FBI which allows them to pull off arrests, raids, and even murders of the associates who befriended and placed their trust in him.

Produced by Ryan Coogler, “Judas and the Black Messiah” is the directorial debut of Shaka King who does a incredible job co-writing and directing the material presented here. The film was masterfully directed, beautifully shot, well scored, and features a slew of great lead & supporting performances throughout. At times it acts as a thriller, at other times like a cinematic documentary identifying the Panthers cause & struggle, and at other times, a short biographical character study of Hampton. All the while, the film never shys away from the internal challenges Hampton faced within the party and the lengths the FBI went to in order to infiltrate these organizations. The material here will take you through a range of feelings throughout, and though I was already familiar with the real life events that transpired, seeing them play out still hit me on an emotional level.

The last aspect of the film I have to point out is the performances on display by Daniel Kaluuya as Fred Hampton and Lakeith Stanfield as Bill O’Neil. All of the supporting cast do a wonderful job here, but simply put, Kaluuya and Stanfield give career best performances in these roles. Specifically regarding Daniel Kaluuya, he gets completely lost in the role of Fred Hampton and does an phenomenal job with his mannerisms, emotion, inflection, diction, intensity and overall presence in every scene he is in. Kaluuya’s performance is mesmerizing. Lakeith’s performance depicts his character’s inner struggle of toeing the line, becoming influenced by Hampton and wanting out of his situation, yet still willing to betray Hampton and the Panthers in an effort to free his own self from the FBI’s hold over him. Both men give powerhouse performances here and deserve the recognition that is sure to come their way.

Ironically enough, as the title states, this film tells the tale of the overarching story of betrayal that took place. While the film features the Black Panther Party and depicts the efforts of Fred Hampton, a large portion of the film centers around Lakeith’s character as he continues to rise in the ranks of the Party as a paid informant while attempting to convince the FBI to let him out. The movie doesn’t treat him as a sympathetic figure by any means, but does focus more on him than on Hampton as the center of the story. I can see how this could be viewed as dissapointing as an in-depth look at Hampton’s background, make up & ideology takes a back seat here in favor of the story of betrayal that ultimately led to the film’s outcome.

However, overall I feel “Judas and the Black Messiah” is a powerful & emotional film that provides a glimpse at this turbulent time in American history and displays this snapshot of the era with powerful performances, a sharply written screenplay, and superb direction by Shaka King. I highly recommend checking this film out if you haven’t already.