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Daz Dillinger Sets Record Straight On Snoop Dogg’s Alleged Diss

By: London Jennn Updated Category: News
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Daz Dillinger ignited buzz over his upcoming album and a pointed promo targeting Death Row Records, but he insists it’s not a personal jab at Snoop Dogg.

The Dogg Pound rapper sparked rumors of a rift after teasing his upcoming project, Retaliation, Revenge, and Get Back 3, set to drop Thursday (September 11).

The graphic shows a bullet-riddled Death Row logo with the words “F**k Death Row Records, Sincerely Yours Cuzzn Daz.”

It also refers to Snoop as “Snoop Knight,” a mashup of Snoop Dogg and Suge Knight that had people assuming Daz was reigniting old beef with his cousin and longtime collaborator.

But according to Daz Dillinger, that’s not the case.

“It ain’t that,” Daz told TMZ when asked if the album was a full-on “f### Death Row” project. “It’s just retaliation, revenge and get back,” he said, echoing the title of his 1998 solo album.

Daz made it clear the message is aimed at the brand of Death Row, not Snoop personally.

“We good,” he said of their relationship, brushing off the idea of any lingering tension, stating that his issue is with “the past Death Row.”

The promo, however, had many online assuming otherwise. The phrase “Snoop Knight” in particular raised eyebrows, with some interpreting it as a dig at Snoop’s current role as head of Death Row Records.

The label, once run by Suge Knight, has long been a source of frustration for Daz, especially over royalty disputes and creative control.

Daz and Snoop’s history runs deep. As cousins and founding members of Tha Dogg Pound, the two helped shape West Coast Hip-Hop in the ’90s. Their bond has seen its share of ups and downs, but Daz emphasized that any personal drama is behind them.

The album continues Daz’s long-running critique of the Suge Knight era and his own complicated history with the label.

Despite the aggressive tone, Daz says the project is more about closure than conflict.

Retaliation, Revenge, and Get Back 3 is scheduled to release Thursday (September 11).

Masta Ace Talks Eminem Comparisons, Juice Crew & His Hip-Hop Play “The Falling Season”

By: Chuck Creekmur (@ChuckCreekmur) Updated Category: Features
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Masta Ace and his many, many worlds. Chuck “Jigsaw” Creekmur and DJ Thoro talk to Ace and all that he’s got going on— past, present and future possibilities. Eminem, Juice Crew, Born to Roll, Fat Joe and “The Falling Season.“

Masta Ace is one of Hip-Hop’s most respected lyricists, a quiet giant whose influence spans decades. From his early days in the legendary Juice Crew to cult classics like Disposable Arts and A Long Hot Summer, Ace has remained consistent, creative and deeply authentic. He’s one of us.

In an exclusive interview with AllHipHop, Masta Ace opens up about his new stage play, The Falling Season, why he never chased gimmicks, the origins of “Born to Roll” and viral debates about whether Eminem borrowed his flow.

Jigsaw: Let’s jump right in. A lot of people online say Eminem might have borrowed from your flow. What’s your reaction when you hear that?

Masta Ace: I’ve seen those posts, and honestly, I don’t repost that stuff because I think it’s disrespectful. As artists we all feed off each other. Early on, I even sounded like Rakim. We’re all finding our way. Eminem has said himself he was influenced by a lot of people—Redman, Kane, Onyx, Grap, a long list. I might have been one of those names, but he took it to a whole different plateau. I respect him, and he respects me. He’s influenced me too—with the courage to say things you might not expect a rapper to say, and the way he rhymes words you wouldn’t think of.

Jigsaw: Speaking of influence, Disposable Arts and A Long Hot Summer are classics. You’re now bringing characters from those albums into your play The Falling Season. Can you tell us about that?

Masta Ace: Yeah, the play is influenced by three albums: Disposable Arts, A Long Hot Summer, and The Falling Season. I pulled characters from the skits—like Lisa from Disposable Arts and Fats Belvedere from A Long Hot Summer—and built them into full characters. The play follows a 17-year-old in high school, mixing in parts of my real life with those album storylines. It’s Hip-Hop theater, but authentically Hip-Hop—not just rapping like Hamilton, but something DJs, producers and MCs can truly connect with.

Jigsaw: You’ve got one of the most consistent catalogs in rap, but you’ve said labels didn’t always see your vision. What happened with “Me & the Biz”?

Masta Ace: That was Warner forcing my hand. I wanted “Music Man” as my first single. They told me flat out, “If ‘Me & the Biz’ isn’t first, don’t expect a second single.” As a new artist, I couldn’t push back. The label made it into a novelty record, even with the puppet. That wasn’t me. But the lesson I learned pushed me to make Slaughtahouse gritty and hard. That album wouldn’t have sounded the way it did without that experience.

Jigsaw: And then came “Born to Roll,” which blew up. How close was that to never happening?

Masta Ace: Real close. “Born to Roll” was actually the remix to “Jeep Ass N###a.” Delicious Vinyl didn’t even want to release it—they were already pushing “Slaughterhouse.” I fought to get it tacked onto the B-side. Radio stations in the Bay and L.A. started playing it instead of the A-side, and it spread nationwide. That’s when the label scrambled and said, “We need a video.” That record set everything off.

DJ Thoro: Looking back at the Juice Crew—“The Symphony,” G Rap, Kane, Biz, Shan—what was that environment like?

Masta Ace: The bar was set very high. You had to sink or swim. We weren’t as close personally as people think—we’d mostly see each other at the label or shows—but the competition was real. I knew it’d be hard to stand out, but it shaped me. Funny thing, I wasn’t even signed to Cold Chillin’ when “The Symphony” dropped. They didn’t even plan an album for me until “Letter to the Better” blew up in the U.K. That’s when they finally said, “OK, we’ll do an album.”

Jigsaw: You’ve been in the game since the ’80s. What keeps you motivated?

Masta Ace: The fans. When someone like Thoro tells me a song helped him keep going, or fans come up to me at the merch table and say my music got them through something—that makes it worthwhile. Awards are nice, but knowing I’ve impacted lives is what really counts.

Nas Announces Posthumous Mobb Deep Album “Infinite” Coming Soon

By: London Jennn Updated Category: News
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Nas dropped a major teaser Monday (September 8) for a new Mobb Deep album titled Infinite, giving Hip-Hop heads a reason to look forward to 2025 with a posthumous project honoring the late Prodigy.

In a short video posted to Instagram, Havoc reflects on the creative process behind the album.

“We didn’t have no choice but to make ill songs,” he says in the clip. “We really dug deep and was like, ‘Aight, let’s do it, man, with these lyrics, the beats.'”

Nas captioned the post, “@mobbdeepqb Against The World #Infinite coming soon.”

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A post shared by Nasir Jones (@nas)

The upcoming release marks Mobb Deep’s first album since 2014’s The Infamous Mobb Deep and their first since Prodigy’s death in 2017.

The project is entirely produced by Havoc and The Alchemist, who both confirmed earlier this year that the album is complete.

“This s### is official,” Havoc said during a recent appearance on Drink Champs. “It’s done. S### is mixed, mastered, ready to go.”

The Alchemist echoed the sentiment in an earlier interview, praising the depth of Prodigy’s lyrics.

“They did so much work, it was insane,” he said. “You could just peel back layers in Prodigy’s rhymes. He was ahead of his time.”

Infinite is part of Mass Appeal’s Legend Has It… series, a curated slate of releases from Hip-Hop legends, including Nas & DJ Premier, Ghostface Killah, Raekwon, De La Soul, Big L and a still-unnamed surprise artist.

The series was announced in April and will roll out through the end of 2025.

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A post shared by Mass Appeal Records (@massappealrecs)

The album also coincides with the 30th anniversary of Mobb Deep’s 1995 classic The Infamous, a cornerstone of East Coast Hip-Hop that painted a stark portrait of life in Queensbridge.

While no official drop date has been confirmed, Nas’ post signals that Infinite is on the horizon.

Dame Dash & Cam’ron Trade Shots Over 50 Cent’s “Paid In Full” Revival

By: London Jennn Updated Category: News
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Damon Dash took a swipe at Cam’ron on Monday (September 8) after 50 Cent announced plans to turn Paid in Full into a television series and bring Cam’ron on board, amid a long-simmering rift between the former Roc-A-Fella collaborators.

Dash, who reportedly lost control of the Paid in Full rights during bankruptcy proceedings, weighed in on the topic after Cam’ron confirmed his involvement in the upcoming project.

Cam posted on Instagram, “So we’ve been talking about this for a few months now, and it’s almost time. Thx @50cent for the opportunity my n####. We gonna burn this s### down!!”

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A post shared by @mr_camron

Dash reposted Cam’s announcement with a caption that read, “Smh stay tuned,” followed by, “damn.. the real Rico @mr_camron so this is what this is all about.”

He then escalated the situation with a video message aimed directly at Cam’ron: “I want to congratulate him for making 50 his new boss. So congratulations Cam, 50 is now your new boss, and you’re proud of it.”

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A post shared by Dame Dash (@duskopoppington)

Cam’ron Taunts Damon Dash

Cam’ron didn’t let that slide. He fired back in the comments, writing, “U really turned into a chatty patty damn..tagging me every post.”

He then threw in a jab referencing a line from the original Paid in Full film. “N#### get cut out of tv series everyday B, u be ight,” he added. “U only doing this for clicks, this the most action u got in ya Chanel EVER. You welcome. For now on my lil n####. Lolol . Go to the store for me real quick.”

The tension between the two escalated over the weekend when Dash accused Cam’ron of crossing a line by reaching out to his son, Boogie Dash.

According to Dash, Cam tried to set up a paid interview with Boogie through a third party, which Dame called “a new level of low.” He said Cam was “scared” to speak to him directly and criticized him for dragging family into their personal issues.

50 Cent, who now claims to hold the rights to Paid in Full, has yet to comment on the back-and-forth.

The original film, released in 2002, starred Cam’ron as Rico and was produced by Dash under Roc-A-Fella Films.

Travis Hunter’s Wife Flexes Post-Baby Bod & Results Are Unreal

By: Mike Winslow Updated Category: AHHplus
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Travis Hunter’s wife, Leanna Hunter, pulled up to her hubby’s big NFL debut in Jacksonville looking like a whole event, rocking a custom fit that had folks doing double takes at EverBank Stadium.

One week after giving birth, she stepped out in a white bodysuit from Pretty Little Thing, featuring her man’s name iced out in blue crystals across the back, courtesy of MVPBae.

But the real scene-stealer was her boots, and not just any boots — these knee-highs were literally made from Hunter‘s jersey, designed by Jessica Martini.

“The star of the show,” Leanna said on TikTok, clearly showing love for her flashy footwear. Travis Unter co-signed the drip in her comments with two simple words: “The boots.”

@leannalenee6

♬ original sound – Cambree

Leanna gave birth to their son barely a week before the game and she wasn’t shy about showing out. She posted pics of the outfit with the caption, “No revenge bc this is my body 1 week PP.”

Travis Hunter and Leanna tied the knot in May and by August 27, they had already posted a YouTube video introducing their newborn.

But it hasn’t all been love and likes. Leanna has been dragged online by folks calling her everything from a “gold digger” to “disrespectful” during public appearances.

One emotional video of her crying went viral, sparking all kinds of wild rumors about their relationship and even divorce talk.

She clapped back in a nearly 8-minute TikTok, saying, “I truly love that man,” and shut down the gold digger label.

Freddie Gibbs Taunts Gunna At VMAs & It Backfires Fast

By: London Jennn Updated Category: News
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Freddie Gibbs took a verbal swipe at Gunna during the 2025 MTV Video Music Awards, labeling him a “rat bastard” in a video that quickly made the rounds online—but the backlash came just as fast when viewers noticed he never actually approached him.

Gibbs posted the clip to social media, where he’s seen sitting beside a friend. He captioned it, “2 n##### that never ratted.”

In the video, he says, “I see you, boy. He’s tryna hide,” before calling Gunna a “rat bastard.”

The moment was clearly meant to be a jab at Gunna’s 2022 Alford plea deal in the YSL RICO case, which Gibbs has repeatedly criticized.

But instead of praise, many online called out Gibbs for not confronting Gunna directly.

“N#### did this and didn’t say a word to him,” one user commented. “N##### hoes man.”

Another added, “Back in my days we used to fight if we felt away about a dude, kinda soft my guy.”

Gibbs didn’t let the criticism slide. He clapped back at one commenter with, “lol n#### f### u.”

When another user posted a meme saying, “Someone tell Freddie mind his business” and “Go and help that b#### with those kids,” Gibbs fired back with, “Tell yo daddy that b####.”

Freddie Gibbs Calls Out Gunna On Latest Album

The tension between the two rappers isn’t new. On his recent project, Alfredo 2 with The Alchemist, Gibbs reignited the feud on the track “Lavish Habits.” He raps, “Gunna dissed me and took a plea, he a rat bastard.”

Gunna, meanwhile, has remained relatively quiet on the matter, though he’s been under renewed scrutiny following leaked jailhouse footage and audio from Young Thug in late August.

In one clip, Thug named an associate during police questioning, which led to fresh accusations of snitching. Thug denied the claims saying he was simply helping a friend and had not testified in court.

The irony wasn’t lost on observers, who pointed out that Thug had previously criticized Gunna for allegedly cooperating with law enforcement, only to now face similar accusations himself.

In a leaked jail call, Thug reportedly said Gunna took the deal to get out of jail for a woman. He also made it clear he no longer associates with him.

Pro-Palestinian Banksy Art Pops Up On London’s Royal Court, Security Scrambles To Cover It

By: Mike Winslow Updated Category: News
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Banksy unveiled a provocative new mural on the walls of London’s Royal Courts of Justice on Monday morning, depicting a judge striking a protester with a gavel, before it was quickly concealed by court staff.

The anonymous artist confirmed the piece as his own by posting a photo of the mural on Instagram. The image shows a black-robed judge towering over a protester lying on the ground, clutching a white placard stained with what appears to be blood.

The artwork appeared on the Queen’s Building, part of the court complex, and is widely believed to reference recent pro-Palestinian protests in London. On Saturday, nearly 900 demonstrators were detained during rallies opposing the UK government’s ban on the activist group Palestine Action.

Court security tried to block onlookers from photographing the mural as more staff arrived with materials to cover it. By midday, the piece had vanished beneath a fresh layer of paint.

A spokesperson for HM Courts and Tribunals Service said the mural was removed because the building is protected under heritage laws. “The court is a listed building and officials are obliged to maintain its original character,” the spokesperson said.

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A post shared by Banksy (@banksy)

The Queen’s Building, completed in 1964, is a Grade II-listed structure, meaning it holds national importance and is legally protected from alterations that could affect its historical value.

Banksy’s latest work adds to his long-running history of politically charged street art.

In 2005, he painted seven murals on Israel’s West Bank barrier, describing the wall as turning “Palestine into the world’s largest open-air prison.”

The 38-foot-high barrier separating Israeli and Palestinian territories has since become a site for anti-occupation graffiti and protest art, much of it inspired by or directly contributed to by Banksy.

In May, the elusive artist posted another politically themed piece in Marseille, France, depicting a lighthouse alongside the words “I want to be what you saw in me.”

Despite his global fame, Banksy’s identity remains unknown. His work continues to appear without warning and often disappears just as fast, especially when it lands on protected or controversial sites.

A$AP Relli Spent $500K On Lawyers, Now He’s Representing Himself In High-Stakes Case Against A$AP Rocky

By: Mike Winslow Updated Category: News
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A$AP Relli is now going toe-to-toe with the legal system solo after burning through half a million dollars on lawyers in his ongoing defamation battle with A$AP Rocky, a case that could leave him owing tens of thousands more if he loses.

During a tense hearing Monday at the downtown Los Angeles courthouse, Judge Randolph M. Hammock urged Relli to rethink his lawsuit before it backfires financially.

“I would urge you to contact the other side and see if a deal can be made,” the judge said, according to Rolling Stone. “Maybe in exchange for dismissing the lawsuit, they’ll drop their claim for fees. … Maybe it’s time to cut your losses.”

Relli, who appeared by phone without legal representation, told the court he’s already sunk over $500,000 into the case. The defamation suit stems from a 2021 incident in Hollywood where Relli accused Rocky of shooting him with a semiautomatic weapon.

Rocky denied the claim and was acquitted in February 2025 after a three-week criminal trial. Jurors heard testimony that the firearm used was a movie prop loaded with blanks. Audio recordings presented in court captured Relli allegedly demanding $30 million from Rocky and offering to disappear “on an island” if paid.

After the not guilty verdict, Rocky leapt over the courtroom barrier to hug his partner Rihanna, who had attended parts of the trial.

Relli’s defamation suit, filed in 2023, claims Rocky and his attorney Joe Tacopina painted him as a liar and extortionist in public statements.

Rocky’s legal team is now pushing to have the case dismissed under California’s anti-SLAPP statute, which protects free speech.

If successful, Relli could be on the hook for Rocky’s legal fees—estimated at around $50,000. A separate civil assault case filed by Relli against Rocky is scheduled for trial in January.

Fyre Festival Disaster Coming To Broadway As Musical Thanks To Rita Ora

By: Mike Winslow Updated Category: News
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Rita Ora and her husband, Taika Waititi, are diving into the chaos of Fyre Festival and Broadway in one bold swing to produce a stage musical based on the infamous 2017 disaster in the Bahamas.

The project, titled Fyre Fest The Musical, will chronicle the life of Billy McFarland, who orchestrated the rise and spectacular collapse of the fraudulent luxury music festival.

According to The Hollywood Reporter, production is being written and directed by Bryan Buckley, best known for his Super Bowl commercials, with music by Grammy-winning producer Paul Epworth and set design by Broadway veteran David Korins, who worked on Hamilton.

Waititi described the concept as “exciting, weird, and potentially disastrous, which seems apt and is how I like to work.”

The original Fyre Festival was marketed as an elite getaway for influencers and wealthy millennials, promising luxury accommodations and performances by top-tier artists.

Instead, attendees arrived to find FEMA tents, cold cheese sandwiches and no live music. The event was abruptly canceled, stranding many on the island.

Fyre Festival Cheese Sandwiches

McFarland, who spearheaded the event, pleaded guilty to wire fraud in 2018 and was sentenced to six years in prison. He was released in March 2022.

According to the FBI, he agreed to forfeit $26 million in restitution. Federal prosecutors called him “the consummate con artist.”

In July, McFarland sold the intellectual property rights on eBay for $245,300.

The winner of this digital yard sale now owns everything from the Fyre name to its social media accounts, domain names, trademarks, and marketing files.

The musical’s creative team has not revealed an opening date or confirmed whether it will head to Broadway.

However, the production will kick off with a launch event on Monday, featuring a 100-foot barge docked in Brooklyn, as well as art installations throughout the week.

Two documentaries about the failed festival—one from Netflix and another from Hulu—debuted in 2019, both highlighting the scale of deception and mismanagement.

Diddy’s Push For Early Acquittal To Be Decided By Judge In Mere Weeks

By: AllHipHop Staff Updated Category: News
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Diddy will return to federal court this fall as a judge prepares to rule on his motion for acquittal following a partial conviction in his high-profile criminal case involving prostitution-related charges.

U.S. District Judge Arun Subramanian scheduled a hearing for Thursday, September 25, 2025, to focus on post-trial motions filed by Diddy’s legal team. They argue that the government failed to prove he operated a criminal enterprise.

The seven-week trial ended with a split verdict.

Jurors found Diddy guilty on two counts of transportation for prostitution involving accusers Cassie Ventura and a woman identified as “Jane.”

However, he was acquitted of more serious charges, including racketeering and sex trafficking, which carried potential life sentences.

Prosecutors painted Diddy as the architect of a sprawling criminal network that used his music and business empire to conceal illegal activity.

Their case leaned on testimony from 34 witnesses, including former partners, assistants and security staff. They described a pattern of coercion, drug use and threats designed to silence victims and protect Diddy’s public image.

Witnesses alleged that Diddy’s employees helped arrange drug-fueled sex parties with male escorts, and that some women were forced into these encounters.

Prosecutors said the operation was systematic and aimed at maintaining control through fear and manipulation.

The defense countered that prosecutors exaggerated consensual relationships and blurred the line between unconventional lifestyle choices and criminal conduct.

Diddy’s attorneys argued that no credible evidence showed he conspired with anyone to commit crimes. They emphasized that his staff carried out routine tasks, not criminal acts.

They also challenged the reliability of prosecution witnesses, pointing to inconsistencies in their testimony. The defense did not call witnesses but relied on cross-examinations and documents to dispute the government’s claims.

The jury deliberated for about 13 hours over three days before returning its verdict.

Diddy remains in custody after the judge denied his bail request.

Each of the two counts for which he was convicted carries a maximum sentence of 10 years and he is slated to be sentenced on October 3, unless the judge dismisses those convictions or grants him a new trial on the charges he is contesting.

Snoop Dogg Working On New Horror Flick “Don’t Go in That House, B####!”

By: Mike Winslow Updated Category: News
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Snoop Dogg is diving back into horror with director Eli Roth for a haunted house thriller titled Don’t Go in That House, B####!—a gutsy genre mashup that blends Hip-Hop with supernatural scares.

The West Coast rap icon is not only producing the film but also crafting its original soundtrack, marking his return to horror since starring in Bones (2001) and Hood of Horror (2006). Roth, who will direct the project, described the concept as a wild idea that instantly clicked with Snoop.

“There are some ideas that are so ridiculous they don’t let you sleep. I have always wanted to make the ultimate haunted house movie, but something unlike any we’ve seen — something full-on insane and over the top,” Roth told Deadline. “When I shared the idea with Snoop, he got it immediately and it was a no-brainer to make this film together.”

The two had previously worked together over a decade ago, when Roth directed Snoop’s 2012 music video, “La La La.” Now, they’re teaming up again under the banners of Media Capital Technologies and The Horror Section, with Christopher Woodrow and Raj Singh producing.

“Snoop loves horror movies, and I want this to be the ultimate collab, bringing out the craziest from both of us,” Roth added. “Just don’t say we didn’t warn you.”

While plot specifics are still under wraps, the film is being billed as “the ultimate haunted house movie.”

Roth’s horror resume includes cult classics like Hostel, Cabin Fever, and the recent slasher Thanksgiving. Production details and release dates have not been announced yet.

Rapper Dave Funds His Mother’s Dream To Help Elderly Patients

By: Mike Winslow Updated Category: News
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Dave backed his mother’s mission in London and Surrey hospitals by funding the Juliet O Foundation, a charity she created to help elderly patients return home safely after being discharged.

The rapper and actor—known for his Brit Awards and role in Top Boy—helped launch the initiative, which provides free discharge packs to vulnerable patients.

The kits include essentials such as soap, toothpaste, tea, coffee, non-slip socks, and infection prevention items, all designed to ease the transition from hospital to home and reduce the risk of readmission.

“I’m incredibly proud of my mum and everything she’s built with the Juliet O Foundation. It means a lot to be able to support her in such a meaningful and impactful mission,” Dave told the BBC.

The foundation was established two years ago when Juliet Omoregie, a retired NHS health and social care worker with over 35 years of experience, identified a recurring problem—elderly patients leaving hospitals without their essential medications.

“In my last job, I noticed most of my elderly patients were really stressed when they were going home because they didn’t have the basic essentials they needed,” Omoregie said.

The program recently expanded to Epsom Hospital in Surrey and works in partnership with the St George’s, Epsom and St Helier Hospitals and Health Group.

The foundation’s goal is to reduce complications that often lead to emergency readmissions, particularly among patients aged 65 and older.

According to the BBC, more than 219,000 emergency hospital admissions in England last year were caused by falls in that age group.

“My son is very proud of me for doing this,” Omoregie added.

50 Cent’s Bold Movie Takes “Paid In Full” Rights, Possibly Teams With Cam’ron

By: Houston Williams Updated Category: News
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Dame Dash and Paid in Full are back in the spotlight, but this time the news cuts deep for the Harlem-bred mogul. The cult classic he once called his crown jewel is no longer under his control, according to reports. After filing for bankruptcy and giving up key assets, Dame now faces the reality that his biggest film accomplishment has landed in the hands of someone else. 50 Cent.

READ ALSO: Damon Dash Slams Cam’ron For Dragging Son Into Ugly Feud: “I’m Just Disgusted”

50 has seemingly acquired the rights to Paid in Full and is plotting to spin it into a television series. And, the G-Unit general wants to include Cam’ron, star of the original movie and Dame Dash’s former friend.

On Instagram, 50 outlined his plot. “I now have the rights to PAID IN FULL, im developing it into a premium Tv show. if you like God Father of Harlem your gonna love this,” he said. “Cam set to Executive produce along side me, if you want in get at him I’m out of the country.”

READ ALSO: EXCLUSIVE: Damon Dash Files For Bankruptcy To Get Breathing Room From $25M In Debt

The move fits his formula, with the success of shows like Power and BMF proving he knows how to turn gritty street tales into mainstream hits. Given Paid in Full’s place in Hip-Hop culture, this next chapter is already massive.

Cam’ron, once signed to Dame’s old Roc-A-Fella brand, has not become an adversary. Their falling out years ago was messy, and this partnership seems to be a proverbial nail in the coffin.

Released in 2002 through Roc-A-Fella Films and Dimension Films, Paid in Full starred Wood Harris, Mekhi Phifer and a young Cam’ron. The film dramatized the real-life rise of Harlem street legends Azie Faison, Rich Porter and Alberto “Alpo” Martinez. It wasn’t a box office juggernaut, but it became a cultural staple, quoted endlessly in rap lyrics and a celebrated piece of cinema. It told a tale of loyalty, greed and betrayal in the drug game. For Dame, it was proof he could expand his influence into Hollywood.

READ ALSO: 50 Cent Unveils Gritty Crime Series That Exposes Real Investigations

Now, with 50 and Cam holding the reins, the story is set to be retold in serial form. Now, Dame is left to chart his next move. He has publicly stated he has a plan to bounce back, but the details remain unclear.

Dame helped immortalize Harlem hustlers on the big screen, but is seemingly forced to the sideline. And his one-time friend and his longtime foe join forces to control the story. Paid in Full as a series is likely to draw attention far beyond Harlem.

EXCLUSIVE T.D. Jakes’ Lawyer Invokes Fat Joe In Quest To Sanction Controversial Lawyer

By: Grouchy Greg Watkins (@GrouchyGreg) Updated Category: News
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T.D. Jakes is pushing a federal judge to hit attorney Tyrone Blackburn with a $76,000 penalty, pointing to Fat Joe‘s lawsuit as fresh proof of what he calls a “disturbing pattern” of AI misuse and legal negligence.

In a filing submitted Monday (September 8), Jakes’ legal team notified the court that Blackburn was again accused of submitting a court brief filled with “AI hallucinations”—this time in Fat Joe’s defamation case against his former hypeman.

Fat Joe’s lawyer blasted Blackburn last week, just weeks after Blackburn claimed to have completed 11 hours of continuing legal education on artificial intelligence and ethics.

The bishop’s attorneys argue that the new allegations in Fat Joe’s case bolster their demand for sanctions stemming from Blackburn’s earlier filings in Jakes’ defamation lawsuit against Duane Youngblood.

According to U.S. District Judge William Stickman, those documents were filled with “wholly fabricated quotations from caselaw” and “inaccurate statements of law.”

Jakes’ team claims it took over 140 hours to unravel Blackburn’s misleading submissions, which they say were generated by AI tools and left unchecked.

They’re asking the court to make Blackburn or his client pay $76,000 within 30 days.

AllHipHop broke the news that Fat Joe’s legal team accused Blackburn of using fake citations in a motion to dismiss the rapper’s defamation suit.

The filing allegedly included at least ten fabricated legal references. Fat Joe’s lawyers described the document as “fundamentally untrustworthy” and said it followed a “pattern” of misconduct.

“It is time, once and for all, for Blackburn to be sanctioned for his flagrant disregard of his duties,” Fat Joe’s attorneys wrote in their motion.

Blackburn, who represents both plaintiffs in the Jakes and Fat Joe cases, has admitted to using flawed AI-generated content but blamed the errors on new features in LexisNexis and Westlaw. He warned that the $76,000 penalty could “put him out of business,” citing his work with abuse survivors and low-income clients.

In his defense, Blackburn told the court, “I have taken full ownership of those citation errors,” and asked for a less severe punishment, such as additional CLE hours. He also referenced his family’s military background to emphasize his commitment to accountability.

Judge Stickman previously noted that Blackburn “doubled down” on the false filings, even after being confronted, which further heightened the court’s concern.

The court has not yet ruled on the sanctions or Blackburn’s request for leniency.

Mariah Carey Got Her First VMA While Roasting MTV

By: Mike Winslow Updated Category: News
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Mariah Carey finally claimed her first MTV Video Music Award on Sunday (September 7) night after decades of nominations and iconic performances, then doubled down by receiving the Michael Jackson Video Vanguard Award from Ariana Grande.

The 56-year-old legend took home the Moon Person trophy for Best R&B Video for her sultry single “Type Dangerous,” marking a long-overdue win after eight previous nominations. But it was the Vanguard honor that brought the night full circle for Carey, who has been part of several unforgettable VMA moments over the years.

“Thank you so much for MTV for giving me the Vanguard Award. I can’t believe I’m getting my first VMA tonight,” Carey said during her acceptance speech. “I just have one question: What in the Sam hell were you waiting for? I’m kidding. I love you.”

Carey, known for her chart-topping vocals and cinematic music videos, reminisced about her past appearances at the VMAs, including presenting the same award to LL Cool J in 1997 and opening the show with Whitney Houston in 1998.

“Being here brings back amazing memories, like when I presented LL Cool J for his Vanguard Award. Or, when Whitney Houston and I opened the show with a faux standoff where we both had our dress and we were like, ‘Try it on me.’ It was a moment,” Mariah Carey said.

She also reflected on the creative freedom music videos have given her over the years, from playing her alter ego Bianca in 1999’s “Heartbreaker” to living out a fantasy escape in 1997’s “Honey.”

“Music videos are my way of life, of bringing music to my own life. Many movies visualizing the sheer fantasy of it all. And let’s be honest, sometimes there’s just an excuse to bring the drama and do things I wouldn’t do in real life,” she said. “Well, that one really wasn’t much of a stretch, but you know, it happened anyway.”

Before accepting her awards, Carey lit up the stage with a medley of her biggest hits, including “Fantasy,” “Obsessed,” “We Belong Together,” and her latest single “Sugar Sweet.”

The Grammy winner closed her speech with gratitude for her devoted supporters, affectionately known as the Lambily.

“After all this time, I’ve learned that music evolves, videos evolve, but the fun that is eternal. Thank you, MTV for playing my videos, and to my fans, the Lambily, I love you so much,” she said.

Carey’s next studio album, Here for It All, is scheduled to drop September 26.

Donald Trump Goes To War With Chicago, Vows To “Hurt” Criminals

By: Mike Winslow Updated Category: News
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Donald Trump lashed out at Chicago’s leadership and launched “Operation Midway Blitz” as part of a federal intervention after a violent weekend left six people dead and a dozen others wounded.

On Monday (September 8), President Trump took action after escalating his rhetoric around crime and immigration enforcement in Democratic-led cities.

“6 people were murdered in Chicago this weekend, 12 others were shot, and in serious condition. This would mean that over the past number of weeks, approximately 50 people were killed, and hundreds were shot, many expected to die,” President Trump posted on Truth Social.

The former president criticized Illinois Gov. JB Pritzker and Chicago Mayor Brandon Johnson, accusing them of failing to protect residents. He claimed he wants to help the city, but made it clear who he believes should suffer.

“Governor Pritzker just stated that he doesn’t want Federal Government HELP! WHY??? What is wrong with this guy, and the 5% in Polls Mayor. I want to help the people of Chicago, not hurt them. Only the Criminals will be hurt! We can move fast and stop this madness. The City and State have not been able to do the job. People of Illinois should band together and DEMAND PROTECTION. IT IS ONLY GOING TO GET WORSE!!! ACT NOW, BEFORE IT IS TOO LATE!!! Thank you for your attention to this matter. President DJT,” Trump wrote.

The post came as Chicago braces for the influx of federal agents and troops. Trump’s Border Czar, Tom Homan, told CNN that cities with sanctuary policies should expect enforcement soon.

“You can expect action in most sanctuary cities across the country,” Homan said. “President Trump prioritized sanctuary cities because sanctuary cities knowingly release illegal alien public safety threats to the streets every day.”

Over the weekend, community organizers in Chicago distributed flyers to inform residents of their rights in the event of immigration raids. Several public events were canceled as anxiety grew over a potential federal operation.

Trump stoked that tension further by posting a photo of himself with the city skyline behind him, captioned: “Chicago about to find out why it’s called the Department of WAR.”

Gov. Pritzker didn’t hold back in his response. “This is not normal. Donald Trump isn’t a strongman, he’s a scared man. Illinois won’t be intimidated by a wannabe dictator,” he posted on X.

Trump previously deployed the National Guard to Washington in August and later declared the city a “CRIME FREE ZONE.”

Now, he’s turning his attention to other major cities like Chicago, New Orleans and Baltimore.

Busta Rhymes Makes Raunchy Plea To Mariah Carey During VMAs After-Party

By: Brxton Lee Updated Category: News
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Busta Rhymes took center stage at a raucous after-party following the 2025 MTV Video Music Awards on Sunday (September 7) in New York City, where he stunned the crowd by making an explicit and unscripted pitch to Mariah Carey during his impromptu mic grab.

The Hip-Hop icon didn’t hold back when he addressed Carey directly in front of the packed room. “You ain’t got a husband no more, I wanna hump on your leg,” Busta said into the mic, drawing a mix of gasps and laughter from the crowd. He doubled down moments later, adding, “You ain’t got no husband no more, no fiancés around. Let me hump on your leg, like a nasty dog.”

Carey, who had just been honored with the Michael Jackson Video Vanguard Award earlier that evening, appeared caught off guard. Though the video doesn’t clearly capture her response, she pointed at Busta and shouted something back, prompting more cheers from the crowd. Busta, amused by his own remarks, laughed as he repeated the line again.

The moment came hours after Carey delivered a high-energy performance of her hits, including “Sugar Sweet,” “Fantasy” and “Obsessed,” during the VMAs ceremony. Her medley followed her acceptance of the prestigious Vanguard Award, which recognizes artists with a lasting impact on music videos and pop culture.

Busta also had a major moment during the awards show, becoming the first recipient of the Rock the Bells Visionary Award. The honor, presented by LL COOL J, celebrated Busta’s decades-long influence on the genre and his boundary-pushing artistry.

The VMAs after-party, already buzzing from the night’s performances and awards, hit another level when Busta made his unfiltered comments. While Carey’s exact reaction remains unclear, the moment quickly spread online, with social media users weighing in on the rapper’s bold approach.

Lizzo Fires Back At Racism & Fat Shaming On New Track

By: London Jennn Updated Category: News
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Lizzo came out swinging on Tuesday (September 5) with her new track “IDGAS” from the deluxe version of her mixtape, using the song to push back against accusations of racism, fat shaming and Ozempic use.

The chorus wastes no time setting the tone: “Tell me somethin’ they don’t know about me already / F### that, I don’t give a s### / If I gave a f###, you would know by now.”

On the verses, Lizzo calls out the contradictions in the criticism she’s received. “How can I fat-shame? I’m fat / How am I racist? I’m Black.”

She also shuts down speculation about using Ozempic and clout-chasing online.

Then she doubles down with a final declaration: “Long as I’m livin’ in this country, I’ma pop my s###, I’ma act country.”

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The track appears on the expanded edition of her mixtape, My Face Still Hurts From Smiling, which dropped Tuesday (September 5).

The original version, My Face Hurts From Smiling, came out on June 27 and included 13 songs.

The deluxe adds nine more, including new collaborations with Tierra Whack on “Internet” and Lil Jon on “S###.”

Lizzo introduced the project with a bold message: “LET FEMALE RAP FALL BEGIN.”

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Kendrick Lamar Snags Second Emmy For Super Bowl LIX Halftime Show Performance

By: London Jennn Updated Category: News
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Kendrick Lamar added another trophy to his growing collection after winning the Emmy for Outstanding Music Direction for his Apple Music Super Bowl LIX Halftime Show.

The win, announced during Sunday (September 7) at the Creative Arts Emmys at the Peacock Theater in Los Angeles, marks Lamar’s second career Emmy.

His first came in 2022 for the Super Bowl LVI halftime performance alongside Dr. Dre and Snoop Dogg. This latest honor further cements his reputation as a creative force not just in Hip-Hop but across the entertainment world.

Lamar’s Super Bowl LIX set was hailed for its bold visuals and layered musical direction, earning praise for blending performance art with his signature lyrical depth.

Though he didn’t attend the ceremony, he shared the award with music director Tony Russell.

The Creative Arts Emmys spotlight behind-the-scenes excellence in television, including live events and music specials. Lamar’s halftime show stood out for its ambitious staging and musical execution.

That same night, Lamar also made waves at the 2025 MTV Video Music Awards, where he scored two technical wins for his “Not Like Us” video—Best Cinematography and Best Choreography.

He had 10 nominations overall, second only to Lady Gaga, who led the field with 12.

Despite being up for Artist of the Year, Lamar lost to Gaga. His album “GNX” also fell short in the Best Album category, which went to Sabrina Carpenter for “Short n’ Sweet.”

His duet with SZA on “Luther” was nominated for Best Collaboration, while Ariana Grande took home Video of the Year for “Brighter Days Ahead.”

Lamar’s Emmy win brings him closer to EGOT status—he now holds both Emmy and Grammy awards. He’s previously won Grammys for Album of the Year, Best Rap Album and Best Rap Performance.

Drake Teases “Doghouse” Single With Julia Wolf & Yeat

By: London Jennn Updated Category: News
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Drake lit up social media Monday (September 8) with a cryptic post teasing his new single “Doghouse” featuring Julia Wolf and Yeat, confirming the track will drop later tonight as part of his ongoing Iceman album rollout.

The Toronto rapper posted a photo of Wolf with the word “Doghouse” scrawled across the image, tagging both Wolf and Yeat.

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The post quickly sent his followers into a frenzy, especially after Los Angeles-based DJ and producer Zack Bia confirmed the track’s release for Monday night.

Wolf, clearly overwhelmed, jumped into the comments, writing, “this is the craziest day of my life.”

She later doubled down on her Instagram Stories, adding, “genuinely cannot believe this.”

In another clip, she filmed herself reacting to the song with friends, captioning the video, “What the hell. How am I on a song with Drake and Yeat???”

Drake, Yeat and Bia were seen having dinner together over the weekend in Paris, fueling speculation that something was brewing.

Drake previewed the collab during Episode 3 of his Iceman livestream series, which aired Wednesday (September 4).

“Doghouse” is the latest teaser from Iceman, Drake’s ninth studio album, expected to arrive in late 2025.

The album rollout has been anything but traditional—Drake has been unveiling new material through a series of stylized YouTube livestreams titled Iceman, each packed with cinematic visuals and unreleased music.

The first episode showed Drake behind the wheel of an Iceman-branded truck in Toronto, ending with a performance of “What Did I Miss?” and snippets of tracks like “Supermax.”

Episode 2 introduced “Which One,” featuring Central Cee and included surreal visuals involving a Pinocchio puppet.

Episode 3, where “Doghouse” made its debut, also included “Somebody Loves Me Pt. 2” with Cash Cobain.