Tory Lanez is adjusting to life behind bars after being sentenced to 10 years earlier this month after being found guilty of shooting Megan Thee Stallion.
The Canadian crooner is housed at Los Angeles County Jail where he will remain until he’s transferred to prison to complete his sentence. While there, Tory Lanez is being segregated from the general population inside the jail and is only allowed out for a minimal time, TMZ reports.
According to the outlet, Lanez is allowed out of his cell for 2 hours each day but must spend his time alone. He is allowed to venture outside for recreation time, but only for up to three hours a week.
Law enforcement sources also told TMZ Tory Lanez is set to be transferred to an intake center within the next month. From there, authorities will determine which prison he will serve the remainder of his sentence.
Tory Lanez broke his silence last week for the first time since his sentencing hearing. He refused to apologize to Megan Thee Stallion while maintaining his innocence. Lanez’s attorney Jose Baez announced plans to appeal his conviction.
“We’re extremely disappointed that Tory did not get the sentence that we had certainly hoped for. I think the sentence handed down was incredibly harsh,” Baez explained to the press after the hearing.
He called the decade-long sentence “extreme” and claimed Tory Lanez was unfairly punished.
“To get a ten-year sentence is extreme,” Baez added. “And really just another example of someone being punished for their celebrity status. And someone being utilized to set an example.”
The music industry is a vast landscape, filled with a diverse array of artists who create their own unique ripples. Amidst this vast sea of creativity, there emerges individuals whose journeys transcend the ordinary and leave an indelible mark. One such remarkable artist is Magg-1, a gospel drill rapper whose trajectory from humble beginnings to becoming a revered figure in the music scene is nothing short of awe-inspiring. With an unwavering faith, unyielding determination, and a profound musical talent, Magg-1’s career stands as a testament to the power of belief and dedication.
A Transformative Path to Triumph
Magg-1’s ascent to prominence is a narrative of transformation against all odds. Emerging from a background of tireless effort and relentless perseverance, Magg-1 not only etched a space for himself in the music industry but also embraced the role of an entrepreneur. Yet, amidst his rapid rise, Magg-1 remained grounded, acknowledging that his accomplishments and blessings were a divine gift.
The evolution of Magg-1 from a tenacious entrepreneur to a gospel drill phenomenon is a story that resonates deeply. His unwavering faith, his ceaseless commitment to his craft, and his resolute determination to spread the message of God through his music have firmly established him as an influential artist.
Awakening of Spirit and Divine Calling
What sets Magg-1 apart is his steadfast devotion to his faith and his unshakeable conviction in a higher purpose. Through his unwavering dedication to worship, praise, and the study of God’s word, Magg-1 experienced profound spiritual awakenings, including visions and dreams. It was on that significant day, June 15th, 2020, that Magg-1 encountered a life-altering revelation – the Holy Spirit endowed him with a clear purpose and direction: to proclaim the gospel through his music.
This divine calling fundamentally altered the trajectory of Magg-1’s artistic journey. Recognizing that his talents were a conduit for something beyond personal achievement, he embraced his role as a messenger of faith and inspiration. His music transformed into a medium through which he could convey profound spiritual truths to a wider audience, bridging the gap between the sacred and the contemporary.
Inspiration Through Musical Expression
Magg-1’s music transcends the boundaries of mere songs; it serves as a wellspring of inspiration for those in search of meaning and purpose. Through his poignant storytelling, Magg-1 shares his own expedition through faith, struggles, and victories, extending an invitation to listeners to embark on their own voyage of self-discovery and spiritual growth. His music operates as a vessel of optimism and hope, a testament to the compatibility of faith and artistic creativity.
What elevates Magg-1’s artistry is the authenticity woven into his lyrics and the raw emotions that permeate his music. His creativity transcends the realm of entertainment; it serves as a conduit for introspection, empowerment, and motivation. In extending the boundaries of the gospel drill genre, he employs his platform to address genuine challenges and offer spiritual guidance.
A Luminary’s Path Forward
As Magg-1 progresses as an artist, his influence on both the industry and his audience is poised to expand even further. His distinctive amalgamation of faith-driven messaging and contemporary musical style resonates with individuals from all walks of life, forging connections between diverse communities through shared values and aspirations.
Magg-1’s journey underscores the potential of music as a transformative force – capable of touching souls, altering lives, and instilling hope. His commitment to spreading the gospel through his music attests to the potency of faith and the profound impact artists can effect when they channel their talents for a higher calling.
In a world where genuine messages often struggle for audibility amidst the cacophony, Magg-1 emerges as a symbol of authenticity and motivation. His music bears a divine message of optimism and salvation, beckoning us to introspect on our own journeys, embrace our faith, and strive for greatness. So, keep an ear attuned to Magg-1’s transformative rhythms and inspiring verses, for his melodies convey more than mere entertainment – they carry a divine message of hope and redemption.
For those eager to experience the fusion of faith and musical ingenuity, Magg-1’s album can be explored here: Listen on Spotify
Drake shared a heartwarming father-and-son moment with Adonis during the little boy’s first time at his superstar dad’s show.
The 5-year-old watched on in awe as his father made his entrance at Inglewood, California’s Kia Forum Saturday night (August 12). Drake then joined Adonis mid-performance, sweetly serenading his son, who bobbed his head to the track.
Meanwhile, earlier in the evening, Drake warned concertgoers to keep it “real PG” while his son was in the stadium. After previously requesting fans only throw their bras and not other objects onstage, the “Rich Flex” hitmaker asked the audience for a family-friendly show this time.
“Hey, look, imma be honest with you,” Drake said to the crowd after a concertgoer threw their bra at him. “I can’t talk about t###### tonight in L.A. because my son is at the show for the first time ever.”
He added: “So we have to keep this real PG tonight. Y’all keep them bras on.”
Drake told the crowd last night to keep it PG & keep their bra’s on cause Adonis was there 😭 pic.twitter.com/QgrhX1iUX9
Despite his hectic touring schedule, Drake has been making the most of his time with Adonis. He recently shared an image of him doing his son’s hair which drew a hilarious response from Lil Yachty.
“It’s no way your sitting here acting like your braiding his hair for the internet,” Yachty trolled in the comments section. Drake quickly hit back at his good friend’s jab with an amusing shot of his own. “I was unbraiding it b####,” Drizzy replied. “Your son said you ain’t hit him in 6 months on his finsta he said he need some Jordans and a backpack for school.”
Papoose paid tribute to the legendary DJ Kay Slay during a posthumous street-naming ceremony in Harlem during a weekend of celebrations for Hip-Hop’s 50th birthday.
The honorary street sign was unveiled Sunday (August 13) in the DJ’s native Harlem. Family and friends gathered to see the big reveal alongside fellow NYC icons Busta Rhymes, Papoose and Remy Ma, among others.
The head of Hip-Hop at TuneCore honored his longtime friend and collaborator DJ Kay Slay and promised to carry on his legacy during an uplifting speech at the unveiling.
“I just want to recognize his achievements and all of the great things he did and what he stood for,” Papoose began. “I’m definitely here to carry on the legacy of my brother because I know he would have did the same thing for me.”
He then thanked LL Cool J for allowing him to take over Slay’s iconic radio show The Drama Hour. The show relaunched on the Rock The Bells station Friday (August 11).
Papoose continued, praising DJ Kay Slay for launching and revving rappers’ careers on The Drama Hour.
“When their career was on that respirator and they needed to get hot again they had to come back to Slay. Because they know he was authentic,” he added. “Slay didn’t play that popularity contest, he didn’t care about politics. That’s why he was who he was.”
Papoose Confirms DJ Kay Slay’s “Rolling 200 Deep”
Elsewhere during his tribute, Papoose confirmed Kay Slay the rumor DJ Kay Slay had been curating a follow-up to his 2021 mega-posse cut Rolling 110 Deep. Pap announced Rolling 200 Deep, featuring a mind-blowing 200 MCs, will be released next month.
“He wanted to see that 200 Deep come out,” Papoose explained. “Slay gave me my first opportunity. Now that I’m head of Hip-Hop at TuneCore I’m going to make sure that happens. September 15th, we releasing 200 Deep.”
Checkout a clip of Papoose’s speech below and watch highlights from the ceremony at the end of the page.
Drake has announced the return of British crime drama Top Boy which will return to Netflix this fall.
The highly acclaimed show has built a cult global following, and is frequently praised for its authentic portrayal of life on an East London housing estate while tackling pressing social issues, including mental health, racism and poverty.
On Sunday night (August 13), Top Boy Executive producer Drake revealed the show will return for a third and final season next month. He previewed a dramatic teaser for the finale on Instagram, promising to leave “No.Loose.Ends.”
“Top Boy, The Final Chapter. September 7th,” Drake penned in the caption. Check out the gripping trailer below.
Drake called for the show to be revived after two seasons of the original Channel 4 series, which aired between 2011 and 2013, and joined as executive producer for the subsequent three series.
While fans called for Drake to make a cameo on Top Boy, cast members revealed that he was once slated to appear in the first series of the Netflix show. However, his role was axed for fear of harming the show’s authenticity.
“I don’t think it would be right,” Micheal Ward who plays “Jamie” explained to Cosmopolitan. “Because, you’ve gotta remember, Top Boy is quite authentic. So as soon as you see someone like Drake’s face, who is so huge in what he does … it might take you out. So I feel like just having it with the people from next door sort of vibe, it’s just better that way.”
Boosie Badazz is singing R. Kelly’s praises again, championing the disgraced R&B singer, who he claims cannot be beaten in a Verzuz, not even by the likes of Michael Jackson.
The Baton Rouge Louisiana native shared his thoughts during an Instagram Live chat with his fans Sunday (August 13). According to Boosie, R. Kelly has so many hits he could take on an entire streaming platform and still be victorious.
“Nobody got more hits than R. Kelly,” Boosie insisted. “You gone’ have to put him in a Verzus with Spotify.
He then brought up the King of Pop, Michael Jackson, claiming R. Kelly would “smoke” Michael Jackson in a head-to-head clash. “Hit for hit, he would blow Michael Jackson,” Boosie stated before questioning who has more hits.
“How many Michael Jackson songs you know and how many R Kelly songs you know?” he continued. “Aint nobody got more hits than Kellz. Y’all don’t wanna keep it real ‘cause he in the position he in.”
Boosie Says R. Kelly Should Be Allowed To “Make A Difference”
While many social media users pushed back against his claims, Boosie is a firm supporter of the Chicago-bred singer. He called for a lower sentence when Kelly was given 30 years following his 2021 conviction on sex trafficking and racketeering charges, claiming the singer could come out and warn young girls about predators.
“People getting 15/20 years for murder n he get 30,” Bossie tweeted after Kelly’s sentencing. “Yes he was wrong af for manipulating young girls n sexing them but he didn’t kill anyone, aggravated rape anyone .N no blame on the parents who knew everything. Resentence this man College professors get probation for this s###.”
Boosie continued. “Get this man some help n some jail time but don’t give him a death sentence ,30 years Maybe he can one get out one day n warn these young girls about older predators n make a difference ?but 30 years like Come on world.”
Timbaland’s former rap partner and Missy Elliott affiliate, Magoo, has reportedly died. News of his death started pouring in on social media late Sunday night (August 13) and quickly became a trending Twitter topic. Digital Black of Playa expressed his sorrow with an Instagram post that read simply, “Man can’t believe this RIH Magoo damn big bro wasn’t ready for this at all #superfriends.”
At the time of publication, Timbaland, Missy Elliott nor any one from their respective camps have commented on his passing. No cause of death has been revealed either.
Hailing from Norfolk, Virginia, Magoo began his collaborative journey with Timbaland in 1989 after meeting as teenagers. During their formative years, Magoo and Timbo were part of a group called SBI (Surrounded By Idiots) that included Larry Live and a then-unknown Pharrell Williams. Timbo was referred to as “DJ Timmy Tim,” while Pharrell was called “Magnum the Verb Lord.”
But their debut album as Timbaland & Magoo, 1997’s Welcome to Our World, yielded their highest-charting single, “Up Jumps Da Boogie.” After releasing two more studio albums as a duo—2001’s Indecent Proposal and 2003’s Under Construction Part II—they pivoted to working with fellow Virginia native Missy Elliott and, ultimately, Aaliyah.
In August 2021, Blackground Records—the label that launched Aaliyah’s career, solidified a distribution partnership with Empire Distribution. Under the new deal, Timbaland & Magoo’s catalog was introduced to a more contemporary audience with multiple re-releases.
Naturally, tributes are exploding on social media. Check some of them out below. (This is a developing story.)
Rapper Lil Durk’s concert at the United Center was abruptly halted Saturday night following a false report of an active shooter.
As panic ensued, attendees rushed for the exits, leading to a chaotic scene. The Chicago Police Department later confirmed that the report was a false alarm.
According to TMZ, the United Center stated they are collaborating with authorities to investigate the incidents from the WGCI Summer Jam show.
“We are working closely with authorities to investigate all incidents from last evening at the WGCI Summer Jam show. It became apparent for all involved that ending the show early was in everyone’s best interest as the safety of our guests and employees is a priority. We are thankful that initial incident reports were false and that guests exited the facility safely,” a rep said in a statement.
An active shooter alert at Lil Durk’s concert last night. Instead of running for their lives, many for the loot.
As some concertgoers left the venue, they seized the opportunity to grab merchandise, with Lil Durk later acknowledging these fans on social media. Fortunately, no injuries were reported, and no arrests have been made in connection with the incident.
Despite the disruption, Lil Durk took to social media, urging fans not to “believe the hype” and expressing gratitude to Chicago.
He also humorously addressed those who took merchandise during the commotion, asking them to tag him so he could repost their actions.
Next Durk concert I go to, I’m paying for meet and greet if they have it. Idc how much it is😭
Hip-Hop celebrated its 50th anniversary on Friday (August 11) with a slew of block parties that touched every borough in New York City. Beginning at 12 p.m. ET, Mill Pond Park in the Bronx—the same area where the Universal Hip-Hop Museum will open its doors in 2025—erupted with pillars and purveyors of the culture eager to participate in the momentous occasion.
Following a champagne toast at the museum’s future site—attended by Walker Wear founder April Walker, famed photographers Glen E. Friedman, Martha Cooper and Vikki Tobak, DJ Chuck Chillout, original Def Jam Recordings president Bill Stephney, Def Jam’s first publicist Bill Adler, Chuck D, Flavor Flav, MC Shan, Coke La Rock and dozens of others—everyone headed over to the park for Van Silk’s “RAPAMANIA” showcase.
Sponsored by Red Bull BC One, the UHH and AARP, the event boasted art by graffiti legends such as Lady Pink and Queen Andrea, a b-boy open cypher and music by Fearless 4, Freedom Williams, Sweet Tee and many more. One of the highlights included a performance from Chuck D, Flavor Flav, Melle Mell and Scorpio, who converged for a medley of classic rap anthems, including “The Message” (Grandmaster Flash & the Furious Five) and “Fight The Power” (Public Enemy).
“This event was historical and celebrated 50 years of Hip-Hop,” organizer Van Silk tells AllHipHop. “To have 27 acts perform, including Public Enemy, Melle Mel and Scorpio (Furious 5) was historical. Along with the Universal Hip Hop Museum, Red Bull and AARP, we did it. The culture of Hip-Hop will only evolve if you represent Hip-Hop. Being a rapper in today music is not really Hip-Hop. But times change and it is what it has become.”
At one point, Chuck D—who was mobbed by people wanting to get their photo taken with the Public Enemy frontman—addressed the crowd. He delivered an impassioned plea to “free Kidd Creole.” The Kidd Creole (real name Nathanial Glover), one of the original members of the Furious Five and Melle Mel’s brother, was arrested for the 2017 fatal stabbing of a homeless man named John Jolly. In May 2022, he was sentenced to 16 years in prison, a sentence many deemed entirely too harsh. Creole was convicted of first-degree manslaughter, roughly four years after his initial arrest.
Attorney Scottie Celestin vowed to begin the appeal process. As he told Rolling Stone at the time, “I think today’s sentence is egregious and extreme. While I am disappointed, I continue to have faith in our judicial system. My focus is now on the appeal process. There are many appealable issues, specifically the denial of Mr. Glover being able to assert the justification of self-defense, despite the fact that he was retreating and the victim followed behind him.
“While some may be happy with the the presumed victory of the acquittal on the top charge of Murder, we don’t view it as win. I believe the 16 years given are heavy handed, and motivated not by the evidence and mitigating facts but by external factors.”
Kidd Creole was on his way to work when the violent run-in with Jolly took place. He told police, “He approached me. I got a little nervous. So then I tried to back up a little bit, and he moved forward, and then I just took the knife and stabbed him … I wish I never would have seen him. It’s all my fault, because I chose to stab him. I have to take responsibility for that.”
Celestin has always maintained Kidd Creole acted in self-defense and believed “his fear for his life was reasonable.” There were also various accounts suggesting Jolly didn’t actually die from the stab wounds. Instead, some think he died from a dose of the sedative benzodiazepine that was given to him at a hospital. There’s no update on whether the appeal process has begun.
Busta Rhymes has explained how Hip-Hop and becoming a father helped him become a man.
During an interview with Men’s Health, the 51-year-old rapper opened up about how Hip-Hop, as well as becoming a father, “forced” him into “becoming a man.”
The musician welcomed his first son, T’Ziah, now 30, in 1993 with his ex-girlfriend Joanne Wood. Since then, he has had four more children; Mariah, 25, T’Khi, 24, Cacie, 24, and Trillian, 22.
“Hip-Hop provided the means for me to be a man, a father. The bittersweet part was that Hip-Hop demanded time away from my baby,” Rhymes, real name Trevor Smith Jr., continued. “In order to be a good provider, I had to miss magical moments with my baby.”
Busta Rhymes noted that he did not have the skills to get a 9-5 job to support his child.
“My skill set wouldn’t allow me to be home with my child and still be able to provide in the way that they needed to be provided for, right?” he explained. “I didn’t have a nine-to-five skill set. Being able to wake my son up, give him breakfast, dress him, take him to school, go to work, come home at five, help with his homework, read him a bedtime story – I didn’t have a skill set that allowed me to deliver in that way.”
Hip-Hop pioneer Richard “Crazy Legs” Colón explained why he’s retiring from breakdancing in an interview with AllHipHop. The legendary b-boy said years of wear and tear from dancing finally caught up to him.
“I do the element of Hip-Hop that your body dictates when it’s over,” he told AllHipHop. “It’s the only element in Hip-Hop your body says it’s done, you’re done. So, I actually have to get a knee replacement surgery. I’m 57, bro. I’m not trying to be out here getting hurt. I get hurt easier. It takes longer to heal, all that s###.”
Crazy Legs performed for the final time at Hip-Hop 50 Live at Yankee Stadium. The longtime Yankees fan loved the idea of ending his career at the team’s ballpark.
“I just felt like it was a good opportunity to be on a stage within the world that I wanted to be in in the first place,” he said. “When I was a kid, I wanted to be a boxer or baseball player … I wanted to be on the Yankees … So, for me to end up where I really wanted to be in the first place for my last show is pretty dope.”
Check out Crazy Legs’ chat with AllHipHop’s Chuck Creekmur and DJ Thoro below.
The estate of the late Texas rapper Mo3 is locked in a tense legal standoff with recording engineer Ray Gene Bollin.
At the heart of this dispute lies a cache of unreleased vocal tracks, which Bollin allegedly refuses to relinquish, coupled with his audacious attempts to monetize them, according to the lawyer repping Mo3’s estate, R. Buck McKinney.
Despite his early death, Mo3 left behind a lucrative body of work. His 2013 debut single, “Hold Ya Tongue,” amassed almost 10 million views on YouTube. This success led to the birth of his record label, “H$M Music,” and affiliations with the San Francisco-based record label Empire Distribution.
Ray Gene Bollin, now at the epicenter of the controversy, owns the North Texas digital recording studio Absolut Production Recording Studios.
Mo3 frequently recorded at Bollin’s studio. However, the estate emphasizes that Bollin’s involvement was purely technical, saying that his role during recording sessions was limited to “setting up a microphone and pushing the record button,” all under Mo3’s “specific direction, guidance, and control.”
In October 2020, one month before his death, Mo3 instructed his manager to retrieve all his music files from Absolut Studios. Bollin had initially concurred. But following Mo3’s death, the onus to recover these files shifted to a court-appointed administrator, Daniel L. White, Esq.
The estate portrays Bollin’s posthumous behavior as evasive and opportunistic.
While he initially conveyed sympathy and assured the family of returning the music files, he soon became elusive. When he did resurface, he changed his tune, asserting he would only release the files to the estate’s administrator.
Mo3’s mother, Nichole Noble, says Bollin had the nerve to send her a Mother’s Day text to which she replied: “If you want to [make] me happy please give me my son’s music. I am having to go through too much as is.”
McKinney said Bollin’s response was cold and calculated: “Peace Nichole. I would like to give you the files, however there is some unfinished business,” the lawyer explained.
Bollin’s audacity became even more evident when he approached Empire with a proposal to “sell” a series of unreleased Mo3 recordings.
Initially claiming unpaid studio fees of $10,000 to $20,000, Bollin’s demands soon ballooned. He sought over $600,000 in “licensing fees” for previously released songs, a 25% royalty interest, and other compensations.
The estate’s perspective is unequivocal. They view Bollin as an “opportunistic interloper,” aiming for a multi-million-dollar windfall from recordings that are integral to Mo3’s legacy.
Kim Kardashian recently disclosed that she fractured her shoulder.
Sharing the news on an Instagram Story, the entrepreneur behind SKIMS informed her followers that her gym absence was due to a shoulder injury sustained “a few weeks” prior.
“I broke my shoulder and tore my tendon so I’ve been out of the gym a few weeks but I’m back!” she captioned a video of her reuniting with her personal trainer, Melissa Alcantara.
She further shared, “Melissa had the same thing happen to her, so we’re starting our rehabbing today and our workouts ’cause I’ve got to get back in the gym. Nothing’s gonna keep me down.”
Reflecting on her motivation, Kim mentioned in an episode of “Keeping Up with the Kardashians,” “I’m going to start a really crazy diet. I was looking on Instagram and this body builder popped up on my page and she had gained 70 pounds in her pregnancy,” Kim recalled.
“Melissa is a trainer I found. She’s super inspiring to me and I really want to meet up with her and see if she could train me. She could help direct my food and really get me on an amazing path…If I was 10 per cent like her, it would be life-changing. Like my whole arms and back. It’s mostly food. I gotta have this lifestyle. I gotta try.”
In the dynamic world of music, few artists manage to capture our attention with a perfect blend of catchy tunes and meaningful lyrics. Queens, NY-based singer, songwriter, and producer Aaron Reflex is one such artist who has recently taken the music scene by storm. Following his viral success with the single “On,” Reflex now presents a new cinematic visual for his track “Bank.” In this blog post, we dive into the captivating elements that make “Bank” an engaging and impactful addition to the artist’s repertoire.
A Visual Masterpiece:
With his latest music video, Aaron Reflex proves that he’s not only a skilled musician but also a visual storyteller. The video for “Bank” is a feast for the eyes, featuring fast-paced cuts and surreal shots that keep viewers on the edge of their seats. The bright and vibrant visuals provide a striking contrast to the song’s message, creating an engaging viewing experience that perfectly complements the energetic vibe of the track. A Catchy Fusion of Styles:
“Bank” isn’t just a song—it’s an infectious fusion of hip-hop and melody that showcases Reflex’s versatility as an artist. His seamless transition between rapping and singing adds a dynamic layer to the track, keeping listeners hooked from start to finish. The smooth, melodic inflections in his delivery give the song an undeniable charm, making it impossible to resist grooving along to the beat.
Staying Focused and Inspired: Beyond the catchy beats and vibrant visuals, “Bank” carries a powerful message about perseverance and determination. Aaron Reflex draws from his own life experiences to convey the importance of staying focused and working hard to achieve one’s goals. Growing up in a single-parent household and overcoming challenges, Reflex’s personal journey adds depth and authenticity to the song’s lyrics.
In “Bank,” Aaron Reflex delivers more than just a musical experience; he presents a journey of resilience and triumph. The combination of catchy melodies, engaging visuals, and a meaningful message makes this single a stand out in his discography. As Reflex continues to captivate audiences with his unique blend of talents, we can only anticipate more groundbreaking releases from this Queens sensation. Whether you’re a fan of hip-hop, catchy melodies, or meaningful storytelling, “Bank” by Aaron Reflex is a must-listen that checks all the boxes. Don’t miss out on experiencing the energetic fusion of sound and visuals that this talented artist has to offer.
Hip-Hop trailblazer Melle Mel of the Furious Five has issued a statement regarding his recent Eminem diss. On Saturday (August 12), as New York City continued its Hip-Hop 50 celebrations across all boroughs, Melle Mel more or less apologized for his response to Eminem, which was mercilessly ridiculed online.
“In light of the 50th anniversary of Hip-Hop, my original intention was to contribute an engaging and enjoyable endeavor to enrich the cultural landscape,” the statement, sent to AllHipHop, reads. “Regrettably, my response fell short in its execution, and I accept full responsibility for the misjudgment. I acknowledge that my perspective was ill-conceived and I am prepared to take ownership of this oversight. It has become evident that Eminem’s dedicated and passionate fan base stands unwaveringly by his side, which is a testament to their genuine admiration and loyalty—a truly commendable aspect.”
The back-and-forth began in March when Melle Mel told the Art of Dialogue that Eminem wouldn’t top anyone’s Top 5 list if he wasn’t white, something he also addressed.
“From the onset, I have consistently recognized Eminem’s exception prowess as an emcee, without reservation,” he continued. “My unfortunate choice of words, suggesting that his success is solely attributed to the color of his skin was in no way reflective of my genuine beliefs. It was an attempt, albeit misguided, to engage competitively within the emcee sphere.
“It is important to acknowledge that the dynamics of Hip-Hop have evolved over distinct eras, and it is inevitable that not everyone will resonate with my perspective, just as I may not fully comprehend others. Throughout my involvement in shaping the Hip-Hop landscape, the cornerstone has been built upon a foundation of mutual respect, even when personal preferences may differ.”
The statement arrived just hours after Melle Mel and fellow Furious Five member Scorpio performed both at a Universal Hip-Hop Museum event at Mill Pond Park in the Bronx and at Yankee Stadium on Friday (August 11), Hip-Hop’s official 50th anniversary. It also followed Rahiem’s apology to his Furious Five brethren Melle Mel and Scorpio, which likely influenced his decision to make peace.
“Moving forward, my paramount commitment is to foster an environment characterized by respect in every facet of my endeavors,” he added. “With utmost sincerity, I convey my best wishes and extend heartfelt appreciation to Eminem for the recognition extended to me during his Rock & Roll Hall of Fame induction speech.
“In conclusion, I am keenly aware that Hip-Hop encompasses diverse epochs, and my objective remains focused on promoting a spirit of respect, as we collectively celebrate the 50th anniversary of this influential cultural phenomenon.”
Eminem waited four months to respond to Melle Mel’s controversial interview, but his comments arrived via EZ Mil’s latest single, “Realest” in which he spits, “I’m only Top 5 ’cause I’m white […] my skin color’s still working against me.” He continued, “Shoutout to Furious Five and Grandmaster Flash, but boy/There’s someone who really is furious/ Stay out his path, his wrath avoid/ I’ll be the last to toy with a juice head whose brain is half destroyed, like a meteor hit it/ Now with Melle Mel, he lost his ass to ‘roids.”
Melle Mel fired back but evidently feels it didn’t measure up. Revisit it below.
Today we’re diving into the awesome world of Cameron Justin Collett, aka CammyTheKid. Get ready as we take you on a journey through beats, challenges, and an artist who’s doing things his own way.
Starting off in New York City, CammyTheKid’s story is pretty cool. He loved sports, especially baseball, and traveled around a lot for it. But guess what? He also loved music! When he was 17, he decided to give music a shot, and that’s when the adventure began. Life’s not always easy, even for artists. CammyTheKid had a tough time in a not-so-good relationship, but he turned that pain into something powerful—his music. He turned his emotions into songs that tell his story.
CammyTheKid’s music is like a rollercoaster of emotions, stories, and growth. With “CJC Baby,” he’s inviting you into his world. So, whether you’re chilling at home or out and about, give his tunes a listen. CammyTheKid’s journey is just beginning, and his music is the soundtrack.
This mark a new chapter in his musical odyssey. The release promises to be an anthem of growth, creativity, and boundless ambition.
In the vast world of music, few artists shine as brightly as 98Priest (@98Priest), a rising star hailing from San Antonio, TX. His music not only showcases immense talent but also an unapologetic vulnerability that captivates listeners. 98Priest, born Nijewl Priest, blends the soulful vibes of the ’70s with modern storytelling, creating a sound that resonates across eras and genres.
The artist’s name carries a profound meaning, symbolizing his birth year (’98) and his mother’s last name (Priest). This fusion connects him deeply to his roots and sets the tone for his unique musical journey.
“Let Love: In,” a poignant three-track EP, marks a significant chapter in 98Priest’s career. Released on August 4, 2023, this project reflects his personal experiences and journey. The EP dives into the themes of love and self-discovery, each track unraveling a different facet of these emotions. From realization to redemption, 98Priest lays bare his soul, inviting listeners to join him on an introspective voyage.
His most recent music video, “Growing Up,” serves as a vivid glimpse into 98Priest’s world. The video encapsulates his growth as an artist and an individual, mirroring the themes of his music. Through powerful visuals and introspective lyrics, the song resonates with anyone navigating the complexities of life and maturation.
98Priest’s sound is a fusion of ’70s grooves and contemporary storytelling, spanning RnB/Soul to Rap. This fusion of eras and genres underscores his ability to captivate audiences with his depth and authenticity.
Inspired by music legends like J. Cole, Kendrick Lamar, and Drake, 98Priest aspires to create music that transcends boundaries and touches hearts universally. His journey from shyness to embracing vulnerability through music has propelled him to profound personal and artistic growth.
Looking ahead, 98Priest plans an exciting collaboration with his brother NEM6 (NEMO) after the “Let Love: In” project. His ultimate goal remains to craft music that resonates globally.
Intriguingly, “Let Love: In” and the compelling music video “Growing Up” invite fans to witness 98Priest’s evolution. His music acts as a mirror for self-discovery, extending an invitation for listeners to introspect alongside him. To experience this transformative journey, watch the “Growing Up” music video and explore “Let Love: In” on Spotify.
For more of 98Priest’s captivating musical odyssey, connect with him on social media:
Boosie Badazz has just received some bad news regarding his recent gun charge. According to the San Diego Union-Tribune, a San Diego judge has denied his request to have the weapons charge dismissed. His attorney tried to use his constitutional right to bear arms, granted in the 2nd Amendment as a viable reason for the case to be dropped.
His lawyers went on to invoke the Supreme Court’s landmark 2022 Bruen decision, which states that it’s unconstitutional to prohibit a convicted non-violent felon from possessing a firearm.
The judge decided there’s no past example in the Southern District of California or the 9th Circuit that supports allowing people with criminal records to have guns and go against existing laws that control this.
“Nothing in Mr. Hatch’s motion persuades this Court that these holdings are incorrect or that the Court otherwise has the right to disregard binding Ninth Circuit precedent here,” District Judge Cathy Bencivengo wrote in her order denying the musician’s motion.
His attorney Damon Alimouri said he believes his client is being singled out because he’s famous. He also said the recording artist’s big voice is an issue for the court.
“I think some of this has to do that he’s quote outspoken on social media,” Alimouri said. “Ultimately, Boosie has a First Amendment right.”
Jennifer Hough is seeking to amend her complaint against Kenneth Petty, husband of rap superstar Nicki Minaj, in an ongoing legal battle centered around a rape incident in 1994.
Hough alleges that Petty, who had previously pleaded guilty to attempted rape in the case, violated his plea deal’s terms for allegedly intimidating or harassing her.
Hough’s move to amend her complaint and introduce new evidence aims to strengthen her case against Petty, asserting that the proof provided by the Queens District Attorney’s Office from the incident in 1994 only supports her claims.
After reviewing long-awaited records from the incident, Hough aims to bolster her case by adding a cause of action for attempted rape and according to court documents obtained by AllHipHop.
When someone files a lawsuit, they typically include one or more causes of action in their complaint, the initial legal document that starts the case. Each cause of action outlines the specific elements that must be proven to establish the defendant’s liability and the plaintiff’s right to a legal remedy, such as monetary damages.
The evidence submitted by Hough includes chilling exhibits such as photographs of the knife used during the incident, images of the room where she alleges the assault occurred, bruises on her side, and pictures of her neck where she claims Petty choked her.
Additionally, the evidence includes legal documents related to Petty’s arrest and plea and social media posts allegedly tied to Petty and his associates.
While Nicki Minaj has been dismissed from the lawsuit, the legal battle between Hough and Petty continues as the court reviews the shocking old evidence.
Lizzo, the acclaimed “Truth Hurts” artist, has recently been embroiled in a whirlwind of controversy.
The fuss began when Lizzo’s ex-dancers, Arianna Davis, Crystal Williams, and Noelle Rodriguez, filed a lawsuit against her, her production company, and dance captain Shirlene Quigley.
The dancers alleged that they faced a hostile work environment filled with abuse, racial discrimination, sexual harassment, weight shaming, and more during their tenure with Lizzo.
As accusations against Lizzo continue to mount, Grimes, also known as Claire Elise Boucher, took a moment to highlight the consistent kindness she’s observed from Lizzo over the years.
Grimes shared on X/Twitter, “Lizzo was kind to me and others for a decade before she was ‘cool’, and she checked in on me when no one cared. I’ve only ever seen exemplary behavior from her, especially when everyone was hating on me and she was on top of the world. There was no reason for her to check in, besides to be a good person. Just my two cents.”
I love Lizzo. Not saying I don't believe ppl when bad things happen, but I had dancers mistreated on my watch in ways I didn't find out about until way later. Mebe s### is bad. But loyalty matters to me. Lizzo was kind to me and others for a decade before she was "cool", and…
Lizzo, in her defense, has categorically denied any wrongdoing.
She stated, “Usually I choose not to respond to false allegations, but these are as unbelievable as they sound and too outrageous to not be addressed. These sensationalized stories are coming from former employees who have already publicly admitted that they were told their behavior on tour was inappropriate and unprofessional.”
Ron Zambrano, the attorney representing the three dancers, mentioned that his firm is currently vetting additional allegations that emerged after the initial lawsuit was filed.
The new set of allegations primarily come from individuals who toured with Lizzo and those who worked on the reality series “Lizzo’s Watch Out for the Big Grrrls.”
Zambrano stated, “We have received at least six inquiries from other people with similar stories since we filed the complaint. Noelle, Crystal, and Arianna have bravely spoken out and shared their experiences, opening the door for others to feel empowered to do the same. Some of the claims we are reviewing involve allegations of a sexually charged environment and failure to pay employees. However, it’s too early to determine their validity.”
