50 Cent Celebrates As Ambitious Shreveport Project Officially Greenlit By Council

50 Cent has sealed a major deal after the Shreveport City Council approved a 30-year lease agreement with his company, G-Unit Film & Television, for the Stageworks Building.

The rapper-turned-media mogul unexpectedly appeared at Tuesday’s council meeting (March 25), surprising city officials and attendees. According to the Shreveport-Bossier City Advocate, 50 Cent playfully addressed the council members, remarking, “I’m looking at all these faces and wondering who won’t be voting for me.”

Under the terms of the agreement, G-Unit will pay Shreveport a modest monthly rent of $200 for the use of the Stageworks facility. 

The lease includes an option to renew for an additional 15 years. 50 Cent’s company will also be responsible for the building’s maintenance and operational expenses.

50 Cent admitted to feeling unusually anxious about the council’s decision despite his extensive experience performing in front of large crowds. 

After the successful vote, he confessed, “You know, I’ve been in places with a lot of people. And I’ve never been this nervous before.”

The Stageworks Building will be transformed into a multi-purpose venue hosting various events, including professional and amateur sports competitions, mixed martial arts and boxing matches, car exhibitions, conventions, and seminars. 

The ambitious project is part of 50 Cent’s vision to establish Shreveport as a significant entertainment hub.

The lease will begin seven days after the mayor signs off on the agreement.

50 Cent Vows To “Overdeliver With Shreveport.”

50 Cent expressed genuine enthusiasm for his growing connection to the city, stating, “I just want to say, in a short period of time, I’ve come to like the people of Shreveport in a different way like it feels like a home away from home for me and it will eventually be home because I have so much work here.”

He further pledged to exceed expectations, promising the community, “I promise I will overdeliver with Shreveport.”

Following the council’s approval, 50 Cent took to Instagram to celebrate the news.

“All Roads Lead to shreveport!” he wrote. “Stop hating its show time.”

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Nelly Reveals Why “MTV Cribs” Was “Worst Thing” He Ever Did & How It Affected His Mom

Nelly has explained why he has regrets about his appearance on one of MTV’s most beloved, now defunct, original series in the early 2000s.

During a recent interview with The Cruz Show, Nelly opened up about his appearance on MTV Cribs and why he considers it a major misstep in his career. According to the St. Louis-bred lyricist, after his episode aired in 2002 amid the fourth season of the hit show, the opportunity to flaunt his lavish lifestyles turned into somewhat of a cautionary tale—in hindsight.

“Hell yeah, that one was real,” Nelly confirmed when asked if his episode of the show accurately reflected his home at the time. “I sold it. I had to get rid of it. It was the worst thing I did.”

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Nelly explained that showcasing his home on national television made it a target for unwanted attention, leading to an incident that directly impacted his family. The house, located in a historic area in in his hometown, was built in a prime lakeside spot with no gated protection. This lack of security led to an alarming situation involving his mother.

“People were pulling their boats up to the dock—my mom was out by the pool,” he recalled. “Muthaf***as pulled a boat up on the dock. Walk up the dock. And y’all don’t know my mom, but my mom is off the chain. She started, ‘Yo, what the? Get your ass—’ you know what I’m saying?”

Nelly soon realized the house was no longer a safe place for him and his family, leading him to install gates and eventually sell the property. Looking back on the move, the “Grillz” rapper explained he was using the in-home studio for his artists at the time and had even invested sentimental value into the property before letting it go.

“I thought I was going to be there forever,” he admitted. “I never knew. I was like, ‘This is it. This is fly.
I’m going to be here forever’. No, I won’t be here another year.”

Now, with a new chapter in his life alongside his wife and mother of his child, R&B singer Ashanti, Nelly is considering a move out of California in search of a quieter, more spacious environment.

“We’re looking to probably move down to Tennessee or some s###,” he admitted. “No state tax. Love an old Nashville right about now. Somewhere quiet. Some acreage.”

While he appreciates Los Angeles, he finds the lack of privacy frustrating.

“You can’t p### off your balcony without hitting the neighbor,” he joked. “We’re on top of each other out here. It’s insane.”

As for other relocation options, Las Vegas is off the table for Nelly due to his gambling habits.

“I gamble too much. I’m not going to lie to you,” he admitted. “I think I’m a winner. I’m going to fight. To the end. To the very end.”

Watch the full interview clip in the video above.

NLE Choppa Compares “Gay Baiting” Controversy To Michael Jackson & Prince Scandals

NLE Choppa believes his struggles with public perception and speculation about his sexuality connect his experience with fame as an entertainer to icons such as Michael Jackson and Prince.

On Tuesday (March 25), the Memphis rap star made the comparison during an appearance on The Breakfast Club while promoting his upcoming role in the film Black Heat starring Dream Doll, Jason Williams and more.

In the midst of discussing several topics, NLE Choppa and the hosts of the show got caught up keke’ing about the “S### Me Out” rapper’s appearance on Kai Cenat’s stream last year.

While Charlamagne Tha God was giving him a hard time about the viral moment, when he raps his vulgar “let me nut on your butt” lyrics while sitting next to Cenat, the conversation shifted to the “gay baiting” backlash NLE Choppa has been receiving for years now. He started off addressing the scrutiny he receives by explaining his belief that “the greats” always had something negatived pinned to them—often times by those who they effectively represent.

“Hey, you want to know something?” NLE Choppa questioned rhetorically. “What I realized was, like, with the greats, everybody thought it was something with them. They said Prince was gay. They said MJ [Michael Jackson] touched kids. Some people thought he was gay.”

NLE Choppa appeared to suggest the cause of the judgement against him is rooted in prejudice instilled in people, especially within the Black community, as a result of the damaging affects of slavery.

“Bruh, everybody that’s great, especially that’s of melanin color, we get crucified the most,” he said. “And it’s really by our own community a lot of times. It was like, we ain’t innocent until proven guilty no more. We guilty, for real. And that’s like something that’s been instilled in us since slavery, I guess.

Choppa continued, “It’s just like something that we ain’t really broke out of. Like, I feel like n##### would have been hating on me for s### back in the day if I got promoted to house n####. Like, how you mad at me? Because I’m finna be in the house chilling.”

NLE Choppa’s latest comments follow a scandal earlier this year which prompted him to speak out after being accused of pandering to the gay community. In a string of tweets, he offered his direct response to a user’s claims that he’s “gay baiting” due to a revealing photo circulating of him wearing designer underwear.

“Never been gay baiting,” NLE Choppa wrote flat out in the tweet. “It’s me showing freedom. Anything now a days is called gay or it’s baiting. In reality I’m comfortable enough, and have the upmost confidence in how good God designed me head to toe. Call me what you want but a straight man comfortable in my skin, I AM.”

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Sauce Walka Suggests Weed Partially Responsible For Sayso P’s Death

Sauce Walka has revealed what he believes were the final moments that transpired before his collaborator and friend Sayso P was fatally shot in Memphis earlier this month.

On Tuesday (March 25), the Houston rapper shared a tribute post on Instagram featuring a lengthy caption dedicated to the deceased signee of his record label, The Sauce Factor (TSF), who was fatally shot on March 22. Sauce Walka also sustained shots to his leg.

While the video in the post showcased the bond he and Sayso P shared via a variety of images and positive memories, the caption of the post was far from joyful. According to Sauce Walka, Sayso P’s stubborn personality may have been his fatal flaw when it comes to how the situation transpired.

“Words or tears can’t explain the loss I feel!” Sauce Walka wrote in the post.

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Sauce Walka detailed how multiple TSF members, including himself, attempted to sway Sayso P from smoking what would end up being his last blunt, solely for the purpose of moving safer rather than sorry.

“Splatt I wish your fat ahh listened to me and stayed in the room,” he said. “I told u we could smoke that blunt after security and the rest of our familia pull up.. SOSAMAN TOLD U F .. dat weed wait til we leave an hit superior first.. You always so hardheaded blood but u kno ima ride wit u regardless we come together we leave together.”

Sauce Walka also expressed his regret over the situation, seemingly placing part of the blame on himself because Sayso P could’ve been on vacation out of the country had he not agreed on the trip to Memphi, which was apparently years in the making.

“Wish u just went DR wit shimmy and shot off and skipped this trip to Memphis but u was to excited i finally agreed to come to da M..” he remarked. “Its been 4 years since @tsf1punch_10100 brought u to the familia did everythingi could to help u change ur lifestyle from miami to all 50 states we been mashing and splashing together.. I learned a lot from u young spilla and I thankful for all the loyalty and support city to city hood to hood wit them sticks RAP HUSTLING”

He added, “U left earth as a RICH YOUNG BOSS U left this earth happy an successful ima make sure the world knows that who u really are. But unfortunately most our kings and bosses are at war with each other. I hope one day we all STOP TAKING LIVES from our communities and actually start to enjoy and build better futures for our cultures. But the streets are the streets so ℹ accept what came with being your big brother. I love u Splatt #TSFMemphis #tsfbidnezz #TheBiggest #SplattMafia”

Sauce Walka’s tribute post arrives as new surveillance camera footage of the deadly shooting began circulating on social media. Memphis Police Department officials confirmed the shooting was not random.

“So we’re convinced that vehicle has fled the downtown area. Certainly want everybody to be on the lookout for this white vehicle. We put out a citywide broadcast on that vehicle,” MPD Assistant Chief Don Crowe told WREG. “Currently, we have detectives from the homicide unit. We have detectives from the CSI unit on the scene conducting the investigation. Hopefully, we’ll be able to develop suspect information real quickly.”

Vic Mensa Recalls Terrifying Mob Encounter That Ended His Drinking Days

Vic Mensa revealed an intense run-in with the Italian mob helped convince him to finally quit drinking during a candid social media post on Sunday (March 23).

The Chicago native recounted the chaotic evening, which began on his tour bus after he’d already consumed alcohol. Mensa said he arrived drunk at a friend’s DJ performance, only to find his friend caught up in a heated confrontation.

“I’m a nut, so I already had the bottle of Ace of Spades in my hand. Boom, I crashed his ass,” Vic recalled. “Immediately, this s### turned into a melee. I told you, I only got one friend in the building. Now this s### not going well. I’m getting punched up, down like a cartoon, fists in a cloud.”

The situation quickly escalated, leaving Mensa outnumbered.

“I’m getting wrestled by eight n##### at one time, no Diddy. Next thing I know, I, too, am getting choked out of the club. I’m dolo in the alley. I see a black Suburban truck. I’m thinking this s### a fairy tale. I’m thinking this m########### is sent by God to save me. This not my car at all. I try to open the door, the n#### locked the door on me,” Mensa said.

The rapper later revealed he had to fork out $10,000 to ensure his safety for his performance the following night.

He explained the incident was one of the key reasons he decided to quit alcohol altogether.

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Mensa has been open about his struggles with mental health and substance abuse, regularly sharing his experiences on his social media platforms. 

Vic Mensa Talks Sobriety

In a separate Instagram video, Mensa disclosed he attended his second Alcoholics Anonymous meeting on March 20, 2025, marking nearly four years of sobriety.

During the AA session, Mensa said he realized his substance abuse issues were rooted in “a lifetime of depression.” 

Ultimately, Mensa found relief through mindfulness practices, stating: “Meditation is like my medication.”

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Meanwhile, alongside his sobriety update, Mensa recently released his own spin on Doechii’s “Anxiety” freestyle. Check it out below.

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Dead Prez Celebrates 25th Anniversary Of Their Revolutionary Debut “Let’s Get Free”

Dead prez, the iconic revolutionary rap collective, will bring their legacy back to Brooklyn as they celebrate the 25th anniversary of their groundbreaking debut album, Let’s Get Free. The special celebration is hosted by BRIC’s renowned Stoop Share platform on March 28. Established in 1979, BRIC Arts Media, a non-profit arts organization, is based in Brooklyn.

Brooklyn is synonymous with Hip-Hop’s rebellious roots, and it’s exactly this spirit legendary duo dead prez intends to revive at BRIC House in a conversation titled “Music, Message, Movement: dead prez’s Liner Notes on Liberation.”

The duo will explore the intersections of their activism, music, and cultural influence. M-1, half of dead prez, told AllHipHop he was excited for the event.

“Hey, I mean, look, in Brooklyn, we touching back in the hometown and ground zero, the center point of where we created a lot of this legacy that dead prez carries in Brooklyn,” he said. “So it’s only right that we bring it to BRIC, you know what I mean? Supporting this art and so many other arts in these ways. So on March 28, we going to pull up on that g###### stage man and do what we do best, man. Twenty-five years! It’s that time, man. And I can’t believe we here.”

The free public conversation, which begins at 8 p.m. local time, will delve into the group’s politically charged mantra, highlighting their influence as well as those that they have influenced like Fela Kuti, Bob Marley, Nipsey Hussle and more.

At 10 p.m., the evening transitions to a concert showcasing dead prez’s discography in partnership with Jill Newman Productions. dead prez is politically charged, conscious Hip-Hop. Their seminal albums, Let’s Get Free (2000) and RBG: Revolutionary But Gangsta (2004), set a new standard for rebel music.

As dead prez prepares to ignite Brooklyn once more, their 25th anniversary becomes a powerful reminder of music’s timeless ability to spark change.

The group also has new music coming, which will be part of our forthcoming full interview with AHH‘s Chuck Jigsaw Creekmur. Revolutionary rapper M-1 celebrates dead prez’s milestone in Brooklyn, highlighting their enduring impact on socially conscious Hip-Hop.

To secure your free ticket, click here.

Blueface Slams Allegations As Woman Exposes Secret Five-Year Romance

Blueface brushed off cheating allegations after a woman threatened to expose their supposed five-year relationship on social media.

The controversy ignited when an unidentified woman posted a video online accusing the rapper of secretly maintaining a relationship with her for half a decade. 

In the footage, she expressed frustration over Blueface’s alleged infidelity and deceptive behavior.

“Imagine talking to a rapper for five years, thinking y’all have something,” she began. “Meanwhile, he has multiple girlfriends, getting married in jail, yet still in your DMs, texting you from a fake page.”

She continued her criticism, questioning, “Why do men, in general, think they can just spin the block, and you’re married.”

Wrapping up her message, the woman offered a blunt takeaway on men’s inability to fully let go of past connections.

“Moral of the story: men never move on,” she concluded. “No matter how famous, how locked up, how committed they claim to be.”

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Blueface, however, appeared unfazed by the accusations. He responded with a dismissive jab on his Instagram Story. 

Sharing the woman’s video, he captioned it, “New circus character unlocked ‘bozo.'”

Chrisean Rock & Jaidyn Alexis Clash Over Blueface

This drama unfolded amid ongoing tension between the mothers of Blueface’s children, Chrisean Rock and Jaideyn Alexis, who recently clashed publicly on social media. 

Rock, who previously announced she had married Blueface during a prison phone call, now says she’s finished with the rapper.

“Are you ok do u need attention?” Rock tweeted directly to Alexis. “Nothing have to do with his beautiful kids u crashing out bout Blueface again. He’s not the prize if its community penis. I don’t trust him. I’ve decided to disassociate/to leave that man alone and focus on my career and the purpose Jesus called me for in the first place. I took risk and that risk ran it’s course.”

Meanwhile, Blueface remains behind bars after violating probation related to a 2021 assault charge. He is expected to be released later this year.  

Omarion’s Angry Outburst At Millennium Tour Sets Internet Ablaze

Omarion exploded at audience members who refused to stand during his Millennium Tour 2025 performance in Louisville, Kentucky, causing a viral stir online.

Video footage circulating widely on social media captured the R&B star visibly annoyed and scolding the crowd for remaining seated during his set at the KFC Yum! Center on March 7, 2025.

“All y’all get your a#### up, what the f###!” Omarion yelled into the microphone while pointing at the crowd. “Get up! It’s a concert! Get the f### up!”

The incident quickly became a trending topic, with fans debating whether the singer’s reaction was justified. 

The Millennium Tour 2025, headlined by Omarion alongside fellow R&B and Hip-Hop heavyweights Trey Songz and Bow Wow, is scheduled to run from early March through late April. The tour will stop in 24 cities across the United States, promising a nostalgic experience with a blend of romantic ballads, club-friendly hits and rap classics.

Joining the headliners on the road are popular acts from the 2000s, including Jeremih, Lloyd, Sammie, Plies, Boosie, Ying Yang Twins, Ray J, Bobby V, Pleasure P and Nivea. Rap mogul Rick Ross will also make special guest appearances at select tour stops.

Trey Songz Makes Headlines On Millennium Tour

Omarion isn’t the only Millennium Tour performer making headlines for confrontations with concertgoers. Fellow headliner Trey Songz recently went viral himself after getting into a heated exchange with a fan onstage.

Despite the controversy, the Millennium Tour 2025 continues its nationwide run, with upcoming performances at major venues, including the MGM Grand Garden Arena in Las Vegas on April 25. 

The tour will wrap up on April 27 at the Kia Forum in Los Angeles.

As Omarion’s outburst continues to spark debate online, the Millennium Tour remains one of the most talked-about concert events of the year, combining throwback hits with headline-grabbing moments.

The tour concludes April 27, 2025, in Los Angeles at the Kia Forum.

Game Reschedules Dublin & Oslo Concerts Due To Health Concerns

Game has postponed two major stops on his European tour after falling ill and performing multiple shows without a voice.

The Compton rapper, who’s currently traveling across Europe to mark the 20th anniversary of his debut album The Documentary, pulled the plug on performances in Dublin and Oslo after battling flu-like symptoms and vocal strain.

“This video is for my fans in Dublin, I was supposed to be with ya’ll today, killing the show tonight,” he told fans on social media. “But all these different climate changes and the toll that the tour’s been taking on my body, it’s been draining.”

Game revealed he had been pushing through performances in Manchester, London and Paris despite losing his voice.

“I did my last 3 shows in London, Manchester & Paris with absolutely no voice & still killed every single one,” he said.

The 3Olympia Theatre show in Dublin has been rescheduled for April 9, 2025. The Oslo show at Sentrum Scene is now set for March 30, 2025.

“I have given 100% of myself to my fans & this tour and any single person that has been to these shows will attest to the energy in these buildings night after night,” he said. “In life we must prioritize our health even when our heart of hearts tell us to push through.”

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Despite the temporary setback, Game promised to finish every show on the tour.

“I promise to not leave Europe until every single show on this tour is done,” he said.

His next stop is Thursday in Stockholm, Sweden, where he expects to be fully recovered.

The Documentary was released in January 2005 and is widely considered a defining West Coast rap album. He is planning on releasing The Documentary 3 sometime in 2025.

The remaining shows on The Documentary 20th Anniversary Tour include:

  • Mar 27 – Stockholm, Sweden
  • March 29 – Helsinki, Finland –
  • March 30 – Oslo, Norway – Sentrum Scene (rescheduled)
  • Apr 1 – Tallinn, Estonia
  • April 2 – Riga, Lativa
  • April 3, Vilnius, Greece
  • Apr 4 – Brussels, Belgium – La Madeleine
  • Apr 5 – Tirana, Albania,
  • April 6, Athens Greece
  • April 9 – Dublin, Ireland – 3Olympia Theatre (rescheduled)

Sexyy Red Claims “Hidden Agendas” Fuel Industry Hate Against Her

Sexyy Red declared herself the “most hated female rapper” during a recent sit-down on “Big Boy’s Neighborhood” radio show, addressing the mixed reactions she regularly receives from the public.

The St. Louis-born rapper, known for her straightforward persona and unapologetic style, didn’t hold back when discussing the negativity she encounters. 

“I feel like I’m the most hated female rapper,” she explained. “Like, they hate on me the most. I get a lot of love, but I know when they be hating on me. They be hating on me. It be like little inside s###.”

Sexyy Red also hinted at behind-the-scenes drama that fuels her belief that she’s targeted more than her peers. 

She then speculated about hidden motives behind the negativity, suggesting industry insiders might be involved. 

“They trying to put me down. I be feeling like, ‘Is y’all sending people to comment under here?'” she added. “I feel like it’s some hidden agendas…It could be labels…I just be feeling like they don’t like seeing me win.”

Sexyy Red first gained attention back in 2019 with her track “Ah Thousand Jugs,” but it was her 2023 viral sensation “Pound Town” that catapulted her into mainstream recognition. 

The remix, “Pound Town 2,” featuring Hip-Hop icon Nicki Minaj, landed Sexyy Red her first Billboard Hot 100 entry. Her momentum continued with the successful mixtape “Hood Hottest Princess,” further solidifying her rising status in the industry.

In 2025, Sexyy Red teamed up with pop superstar Bruno Mars for the single “Fat Juicy & Wet,” which climbed to No. 17 on the Billboard Hot 100 chart. Her growing popularity has led to performances at major music festivals and multiple award nominations, marking her as one of Hip-Hop’s notable rising stars.

Trey Songz Clowned After Awkwardly Squaring Up With Stage-Crashing Fan

Trey Songz became the butt of online jokes after squaring up against a stage-crashing concertgoer during his Millennium Tour performance in Greensboro, North Carolina, over the weekend.

The R&B singer was midway through his hit “When We Make Love” when an overly enthusiastic male admirer suddenly stormed the stage, attempting to sling an arm around Songz. 

Song’s reaction was instant, pushing the intruder away. Security was quick to intervene, tackling the fan and hauling him offstage. 

Despite the interruption, Songz didn’t miss a beat and continued his performance as if nothing had happened. 

Nonetheless fans roasted Trey Songz after footage of the incident circulated on social media. 

One user wrote, “The stance is one thing but to keep singing is even more crazy,” adding, “I needed this laugh today.”

Another joked, “This is not what Kendrick meant when he said ‘squabble up.'”

However, other commenters referenced Songz’s controversial past. 

One stated wrote, “He must not be used to squaring up with men, bc what was that,” alluding to the singer’s history of assault allegations.

Trey Songz has faced numerous accusations of misconduct in recent years. Allegations include sexual coercion at a 2015 house party, a 2016 rape lawsuit dismissed due to statute limitations, and a $20 million lawsuit filed in 2018. Actress Keke Palmer notably accused Songz of “sexual intimidation” in 2017, and former athlete Dylan Gonzalez also publicly accused him of inappropriate behavior.

Most recently, Songz was charged with assault stemming from a 2024 incident at a bowling alley. A separate sexual assault investigation in Las Vegas from 2022 was ultimately dropped without charges.

Trey Songz attempted to laugh off the situation, posting a Power Rangers meme backed by Lamar’s “Squabble Up” on his Instagram Stories.

Nia Long Posts Cryptic Message Amid Sherri Shepherd’s Confrontation Claims

Nia Long addressed rumors of a confrontation with Sherri Shepherd after Shepherd detailed a recent tense encounter with an unnamed celebrity on her talk show Monday (March 24).

The drama unfolded on Sunday (March 24) at the Broadway opening of Othello, starring Hollywood heavyweights Denzel Washington and Jake Gyllenhaal. 

Shepherd recounted the incident to her audience, describing how an unidentified celebrity physically grabbed her arms, spun her around, and accused her of throwing subtle insults on her show.

“I’m standing there talking. Somebody grabbed my arms, and they forcefully turned me around,” Shepherd told viewers. “So I’m in a good mood, so I go, ‘Hi, what’s going on?’ ’cause I know her. And she says to me, she goes, ‘You’ve been shading me a lot.'”

Shepherd, visibly irritated, denied the accusations and expressed her frustration openly on air.

“I was mad. I was really mad. And I said, you know what, you don’t freaking get to do that to me,” Shepherd explained. “So I went to the bathroom during intermission. I stood there for minutes waiting for a meeting in the ladies’ room, OK? I stood there.”

Though Shepherd chose not to reveal the celebrity’s identity, speculation quickly swirled online, with Page Six suggesting actress Nia Long as the possible mystery woman involved. 

Long responded indirectly to the rumors shortly after the incident. 

She posted a cryptic selfie on Instagram captioned simply, “About last night…[kissing face emoji].” 

The ambiguous post quickly fueled speculation that she was indeed the unnamed celebrity Shepherd referenced.

Neither Sherri Shepherd nor Nia Long has explicitly confirmed or denied the other’s involvement, leaving the public to piece together clues from social media and entertainment gossip.

Nelly Admits He Married Ashanti Quickly To Avoid “Baby Mama” Label

Nelly revealed he rushed to marry Ashanti to avoid the “baby mama” label.

During a conversation on the Bootleg Kev podcast, the “Hot in Herre” rapper opened up about their wedding, giving the public a glimpse into their rekindled romance.

T.I. got real about his decision to tie the knot quickly after discovering Ashanti was expecting their child, explaining he wanted to solidify their family status before life got too hectic.

“But I was like, ‘Yo, you know what. Let’s just knock this out because we’re gonna be doing so much and everything’s moving so fast,'” Nelly explained. “And I didn’t want her to be a baby mama. Because we already knew where we were in life and if we’re back like this, this must be what this supposed to be.”

The couple quietly exchanged vows in December 2023 in a private ceremony held in St. Louis County, Missouri, keeping their nuptials under wraps from the media spotlight.

Their love story began two decades earlier, in 2003 when they first crossed paths at a Grammy Awards press event. Their relationship soon became a fixture in the Hip-Hop world, marked by a decade-long rollercoaster of breakups and makeups before finally calling it quits in 2013.

Nelly On Viral Verzuz Hug With Ashanti

The flame reignited in September 2021 during the Verzuz battle between Fat Joe and Ja Rule. A viral hug between the former flames sent social media into overdrive, fueling speculation that reconciliation was in the cards.

“I just went over, you know, we got a hug,” Nelly recalled. “Break the ice and boom. And we didn’t talk for probably another almost eight to nine months. But everything happens for a reason.”

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Fast forward to 2023, the duo officially rekindled their romance, and by April 2024, Ashanti shared the joyful news of their engagement and pregnancy. She described Nelly’s proposal as “beautiful and intimate,” with tears, hugs and kisses.

Their journey culminated in July 2024 when Ashanti and Nelly welcomed their first child, a son named Kareem Kenkaide Haynes.

T.I. & Tiny Harris Victorious After Judge Dismisses Explosive Defamation Lawsuit

T.I. and Tiny Harris scored a legal victory after a federal judge dismissed a defamation lawsuit against them in Los Angeles because the accuser failed to progress her claim.

Sabrina Peterson accused the rapper and his wife of defamation, intentional infliction of emotional distress, and invasion of privacy. Peterson claimed the celebrity couple smeared her reputation after she publicly accused T.I. of threatening her with a firearm.

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Peterson appeared in a Los Angeles courtroom for a contempt of court hearing on Monday (March 24), per Rolling Stone.

“There’s a possibility of you going to jail. Anything you say could be used against you,” Los Angeles County Judge Michael Shultz warned Peterson.

She testified that she did not intend to violate court orders when she failed to pay over $96,000 in legal fees to T.I. and Tiny.

Peterson explained that the $96,000 judgment represented half of her yearly earnings.

However, Los Angeles County Judge Michael Shultz dismissed the entire case, stating: “It’s been four years and 24 days. The court finds that plaintiff has failed to prosecute this case.”

Peterson initially filed suit in March 2021. She alleged that after accusing T.I. of holding a gun to her head, the couple retaliated by publicly attacking her credibility. 

She claimed the Harrises orchestrated a social media campaign to discredit her, causing emotional harm and damage to her reputation.

Peterson also insinuated that the couple was involved in drugging and sexually abusing multiple women. 

Additionally, Peterson alleged the couple made defamatory statements about her character and mental health.

T.I. Serves Sabrina Peterson With Defamation Lawsuit

Meanwhile, T.I. has filed a separate lawsuit against Peterson in federal court, alleging she made false statements about him being “under federal investigation for sex trafficking of women.”

At a hearing in that case earlier this month, A federal judge warned T.I. that the lawsuit could be dismissed if he did not properly serve her with court documents.

However, the rapper’s attorney told the court at Peterson’s criminal contempt hearing Monday that he had served with the defamation lawsuit that day.

Diddy’s Civil RICO Case Filed By Lil Rod Gets Dismissed – But He’s Not In The Clear Yet

Sean “Diddy” Combs just scored a courtroom victory in his high-profile legal brawl with Rodney “Lil Rod” Jones—after a federal judge in Manhattan dismissed five major claims in the explosive lawsuit that accused the Hip-Hop mogul of everything from racketeering to emotional torment.

In a 31-page ruling, Judge J. Paul Oetken gutted Jones’ sprawling 402-paragraph complaint, tossing out some of the most severe allegations leveled against Diddy, including the claim under the Racketeer Influenced and Corrupt Organizations Act (RICO)—a major blow to Jones’ legal team.

“Jones fails to address any of these arguments in his opposition brief,” the judge wrote, chiding Lil Rod’s attorney for not backing up their own lawsuit. “While the Court prefers to decide issues on the merits, it should not be necessary to root around a 402-paragraph complaint to contrive novel arguments on Jones’s behalf.”​

Diddy’s defense team had slammed the suit as a “garden variety breach of contract” – a simple legal disagreement – disguised as a federal RICO case—and the judge agreed.

“Jones’s effort to convert a ‘garden variety … breach of contract case into a RICO suit therefore fails,” the ruling stated, officially dismissing the racketeering allegations against Combs, Combs Global, and his longtime Chief of Staff Kristina Khorram​.

The judge also dismissed two counts of intentional infliction of emotional distress, one claim of negligent infliction of emotional distress and a breach of contract allegation. On top of that, the judge tossed out Jones’ human trafficking claim—filed under the Trafficking Victims Protection Act—against Combs Global.

That still leaves 14 causes of action standing, including several sexual assault-related allegations and a TVPA claim against Diddy himself.

The lawsuit, originally filed in February 2024, alleges a yearlong pattern of abuse, sexual coercion, and psychological manipulation during the production of Diddy’s Love album, where Jones served as a producer.

The ruling clearly exposes Jones’ legal strategy weaknesses, especially with the judge’s warning to attorney Tyrone Blackburn, who filed the suit. Still, this doesn’t mean Diddy is off the hook entirely.

The core of the case—particularly the sex trafficking and abuse claims—survives for now. However, with RICO out of the picture, one of the heaviest legal hammers has been laid down.

Diddy’s federal trial on criminal RICO charges is set to begin on May 5.

Wiz Khalifa Thinks Staggering Amount Of “Blunts” He Smokes Per Day Offset By Gym Regimen

Wiz Khalifa has revealed how he has organically integrated an abundance of time to indulge his love for weed within his daily routine.

During the Taylor Gang general’s recent appearance on a Twitch stream with streamer RaKai, Khalifa Man dropped a a jaw-dropping estimate on how many blunts he smokes per day. Moments after RaKai expressed bewilderment over the massive jar of trees Khalifa had with him in the studio, he not only casually confirmed he would be smoking all of it by himself in one sitting, but also revealed that his daily intake on any given day.

“A day, probably like 20,” Khalifa initially responded before quickly correcting himself. “Nah, more than that, because I live far as hell now. And I gotta drive to the gym, so it’s like more like 30, 30, 30 to 40.”

Despite the heavy consumption and notion that Khalifa primarily and notoriously only smokes joints, he made it clear that he doesn’t let his smoking habit slow him down.

“But I get a lot of work done though,” he assured. “I wake up super duper early. I got two kids and I got three dogs. I wake up super early and get fried.”

As the conversation turned toward cannabis culture, Wiz caught RaKai off guard when the young streamer referred to the classic “wake and bake” term popular with stoners across generations.

“How do you know that?” he said before teasing RaKai, saying “You know some stoners,” to which the streamer confirmed while also denying he’s ever smoked before.

Beyond his playful interrogation, Wiz also dropped some insight into his relationship with smoking.

“Nah, I broke that habit,” he said. “Because I work out. I got to the gym everyday. So, you gotta be able to put the weed down and pick the weed back up, you know what I’m saying.”

He concluded by explaining why he choses to partake at a near constant rate, even though he says he could function without it.

“I could definitely eat without smoking,” he said. “I could sleep without smoking—I could do all that stuff. But I just choose to smoke a lot of weed because I love pot.”

This isn’t the first time Wiz has thrown out sky-high numbers when talking about his cannabis use. In an appearance on Shannon Sharpe’s Club Shay Shay podcast last year, he estimated that he spends $10,000 dollars worth of joints filled with his personal Khalifa Kush strain only lasts him about a week.

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EXCLUSIVE: Lil Rod’s Lawyer Riles Up Federal Judge With “Unsettling” Filings In Diddy Lawsuit

The federal judge overseeing Rodney “Lil Rod” Jones’ civil case against Sean “Diddy” Combs issued a strong warning to Lil Rod’s attorney, Tyrone Blackburn, accusing him of making “shocking” legal claims, using inappropriate language, and taunting opposing lawyers in official court filings.

U.S. District Judge J. Paul Oetken of the Southern District of New York wrote that Blackburn’s filings were “replete with inaccurate statements of law, conclusory accusations, and inappropriate ad hominem attacks.”

The judge called the conduct “unsettling” and warned Blackburn that any further behavior of this kind could result in sanctions or even a formal referral to the court’s disciplinary committee.

Blackburn wrote in one of the most eyebrow-raising filings, “Defendant Sean Combs and the Combs RICO Enterprise are presumed guilty of being a RICO criminal organization.”

Judge Oetken responded bluntly, stating that “any licensed member of the bar [who] would espouse such an absurd understanding of the law is not just disturbing, but shocking.”

The court also criticized Blackburn for including personal attacks in his filings.

When defense attorneys pushed back on his language, Blackburn fired off a bizarre retort: “It is clear [that defense counsel] are obsessed with me, and although initially flattering, their obsession has become creepy.”

This isn’t Blackburn’s first brush with controversy. Earlier in the same case, he filed claims against Universal Music Group, CEO Lucian Grainge, Motown Records, and other executives—accusing them of funding Diddy’s alleged misconduct.

Those claims were later withdrawn after UMG’s attorneys threatened to seek sanctions.

The judge declined to impose penalties at the time but noted Blackburn’s behavior was “incompetent” and referenced an ongoing referral to the Southern District’s disciplinary committee for “repeated failure to investigate basic elements of his cases.”

In the new ruling, Judge Oetken clarified that the misconduct would not be held against Lil Rod but emphasized that Blackburn’s role as an attorney comes with clear responsibilities.

“Blackburn has a professional obligation, both to the Court and to his client, to state the law accurately, to collaborate in a respectful and constructive manner with fellow lawyers, and to allow this litigation to proceed efficiently,” the court said.

Lil Rod filed his suit against Diddy in February 2024, accusing the Hip-Hop mogul of sexual assault, drugging, trafficking, and racketeering.

Disrupting the Beat: Top Trends in Hip-Hop Production (2025 and Beyond)

There’s a raw energy in the air—a palpable, jittery anticipation as the old guard of hip-hop production gets tossed aside by the relentless force of technological innovation and cultural upheaval. Welcome to 2025, where the rules are being rewritten and the soundscape of hip-hop is evolving at breakneck speed. This isn’t your grandma’s boom-bap or even the polished trap of a decade ago. It’s a clash of the analog past and hyper-digital future, where every beat, every snare, every warped vocal sample is a declaration of defiance. And if you’re looking for a one-stop hub to dive deeper into these changes, check out Beats To Rap On—your new gateway to a world where independent production meets raw creativity.

Step into the chaos of modern production, where the ghost of the 808 still haunts the studio, but new players have entered the game: artificial intelligence, blockchain, and hyper-interactive plugins that blur the line between musician and machine. In a world where algorithms determine what gets heard, what becomes a hit, and who’s even allowed to be a producer, the independent spirit of hip-hop is fighting back. It’s messy, unpredictable, and unapologetically raw.

The Rise of AI in Beat Crafting

AI in hip-hop production isn’t just a buzzword—it’s a revolution. But here’s the catch: technology that was supposed to democratize music is now as much a tool for creative empowerment as it is a potential chain, locking producers into a never-ending cycle of data-driven formulas. Machine learning algorithms are now capable of generating beats that mimic the styles of legends—from the dusty soul of J Dilla’s off-kilter drum patterns to the futuristic synth landscapes of modern trap. Yet, amid this digital wizardry, there’s a danger. When your production assistant is an AI that suggests chord progressions and drum loops based on billions of streamed data points, does creativity become homogenized? Are we trading the spark of human error for the sterile precision of machine logic?

Some purists scoff at the idea, insisting that no algorithm can capture the raw, unpredictable heart of hip-hop. But then, look at the numbers: more independent producers than ever are leveraging AI to break through the noise. The appeal is undeniable—a tool that can churn out a full beat in minutes, leaving more time for the creative soul to focus on lyrical fire and emotional resonance. It’s a paradox where technology designed to save time might also be stealing the very unpredictability that birthed the genre. Every glitch, every unexpected twist in the algorithm’s output is being celebrated as a new form of “human-machine collaboration.”

Blockchain and the Decentralization of Sound

Parallel to the AI uprising is the seismic shift brought on by blockchain technology. This isn’t just about cryptocurrency or NFT art; it’s about redefining ownership and collaboration in an industry long shackled by middlemen. For too long, the labyrinthine contracts and opaque royalty splits have left independent artists and producers scrambling for scraps. Now, blockchain promises a radical overhaul—a transparent, decentralized system where every beat, every sample, every collaborative effort is recorded on an immutable ledger.

Imagine a future where producers can share their work, and every time a track is streamed, every collaborator gets paid automatically without the maze of traditional record label deals. It’s a seductive vision of artistic freedom and financial fairness. But here’s the rub: as with any technological leap, the devil is in the details. Early adopters are grappling with the complexities of smart contracts and digital rights management. There’s an underlying tension between the ideals of decentralization and the reality of a system that, ironically, can replicate the very hierarchies it seeks to dismantle.

Sampling in the Era of Digital Reanimation

Sampling has always been the soul of hip-hop—an alchemical process of transforming forgotten sounds into incendiary hooks. But today’s sampling scene is a battlefield. With digital archives at every producer’s fingertips, the line between homage and theft is thinner than ever. When the internet makes every obscure record available, the art of digging through crates is replaced by a click-and-drag routine. Yet, even in this hyper-accessible era, true connoisseurs still seek that raw, unfiltered sound—a crackling vinyl snippet or a half-forgotten jazz solo—that carries the weight of history.

The challenge now is legal as much as it is creative. With lawsuits looming large over unlicensed samples, many producers are either paying through the nose for clearance or, in a rebellious act of defiance, opting to manipulate sounds beyond recognition. The digital manipulation of samples—slicing, pitching, reversing—is a double-edged sword. It can free a snippet from its original context, transforming it into a brand new narrative, or it can strip away the soul of the original performance. The debate rages: is the digital reanimation of samples an act of artistic liberation, or is it a shortcut that sanitizes the rawness of human expression?

The Analog Renaissance in a Digital World

Just when you think hip-hop production is being overtaken by the shiny allure of the digital, there’s a counter-movement: the analog renaissance. In a world dominated by virtual instruments and digital workstations, a surprising number of producers are turning back to vintage gear. The warm hum of an old synthesizer, the unpredictable character of a tape machine, the raw power of a classic drum machine—they’re all making a comeback as symbols of authenticity and rebellion against digital perfection.

This isn’t about rejecting technology; it’s about reclaiming the tactile, imperfect nature of sound. There’s a raw, visceral quality to analog that digital samples can’t replicate—a certain unpredictability that invites experimentation. It’s the sound of human imperfection, of creative mistakes that lead to genius. And while digital tools promise precision, they often strip away the grit that makes a beat memorable. The resurgence of analog gear in modern studios is a testament to the enduring appeal of imperfection—a refusal to let the polished sheen of digital audio erase the soul of hip-hop.

Collaborative Platforms and the Rebirth of Community

At the heart of every revolutionary shift in hip-hop production is community. Today’s digital platforms aren’t just about sharing music—they’re about building networks of creative insurgents. Gone are the days when collaboration meant physical proximity in a smoky basement. Now, it’s a global network where producers, rappers, and instrumentalists can connect via Discord, Zoom, or specialized apps that allow real-time co-production. For artists seeking to plug into this vibrant ecosystem, Beats To Rap On’s Artists Hub offers a curated space to connect, collaborate, and globally showcase their work. 

This hyper-connectivity is a double-edged sword. On one hand, it democratizes access to talent, allowing underground artists from remote corners of the globe to contribute to tracks that might otherwise have been siloed. On the other, the sheer volume of voices can lead to oversaturation. With every aspiring producer uploading their latest beat to platforms like Splice or BeatStars, standing out becomes a Herculean task. The community is vibrant but chaotic—a digital mosh pit where genuine connection often gets lost in the noise of likes, shares, and monetization schemes.

Yet, even amidst this digital cacophony, there’s a persistent undercurrent of solidarity. Independent artists are finding new ways to mentor, collaborate, and support each other—a grassroots movement that bypasses traditional gatekeepers. These online communities are incubators for innovation, where the exchange of ideas is as free-form as a freestyle cypher. In this reimagined digital arena, collaboration is as much about networking and mutual support as it is about crafting the perfect beat.

Breaking the Mold: Hybrid Production Techniques

The future of hip-hop production is hybrid—melding the best of both worlds: the precision of digital workflows with the unpredictability of analog warmth and the human touch of live performance. Producers are no longer confined to a single methodology; instead, they’re embracing a fluid approach that shifts seamlessly between digital manipulation and live instrumentation. Picture a session where a producer starts with a meticulously programmed drum machine pattern, layers it with digitally reanimated samples, and then invites a live musician to drop in a raw, impromptu guitar riff. The result is a sonic collage that defies classification—part digital futurism, part analog grit, entirely unpredictable.

And while you’re experimenting with those new tools, don’t miss out on innovations like the Audio Stem Splitter—a free resource that’s transforming how producers dissect and reassemble tracks. This isn’t just a technical gimmick; it’s a game-changing tool that lets you deconstruct your sounds down to the minutest detail, all while keeping your creative spark alive.

The Globalization of Sound: Cross-Cultural Fusion

Hip-hop has always thrived on cultural exchange, and in 2025, that spirit is more alive than ever. Borders that once separated musical traditions are dissolving in the face of global connectivity. Producers draw inspiration from an astonishing array of sources—from the pulsating rhythms of Afrobeat and the hypnotic melodies of Middle Eastern music to the intricate percussion of Southeast Asian gamelan ensembles.

This cross-cultural fusion is producing tracks that are as innovative as they are unpredictable. It’s not uncommon to hear a hard-hitting trap beat layered with traditional instruments from across the globe, creating a tapestry of sound that challenges the listener to rethink what hip-hop can be. But with this fusion comes tension. There’s a fine line between respectful homage and cultural appropriation—a line that is constantly redrawn in the heat of creative collaboration.

The Dark Side: Monetization, Metrics, and the Art of the Hustle

Let’s not kid ourselves—while these technological and cultural shifts offer unprecedented creative freedom, they also usher in a new era of hyper-commercialization. The pressure to perform in an environment driven by likes, streams, and viral moments can be soul-crushing. Every beat becomes a commodity, every sample a potential asset to be monetized. Independent producers, once the outsiders of the music industry, are now forced to play a dual role as both artists and savvy entrepreneurs.

There’s an ongoing tension between art for art’s sake and art as a product. With algorithmic playlists and data analytics dictating what’s “in,” the risk of creativity being whittled down to what’s marketable is ever-present. Producers are challenged to maintain their authenticity while engaging in the digital hustle—a balancing act that often leaves them questioning whether the chase for clicks and streams is diluting the raw, rebellious essence of hip-hop.

Yet, in the midst of this relentless pursuit of digital validation, some of the most innovative work is emerging. It’s found in the late-night sessions where independent producers defy the metrics, focusing on the integrity of their craft rather than chasing the next viral trend. These moments—raw, unfiltered, and utterly human—are the lifeblood of hip-hop.

Contradictions and Confluences: Where the Old Meets the New

As we hurtle toward a future as uncertain as it is exhilarating, the landscape of hip-hop production stands as a battleground of contradictions. On one hand, there’s a democratization of tools and platforms—a leveling of the playing field where anyone with a laptop and a vision can potentially break through. On the other, there’s a concentration of power in the hands of tech giants and algorithmic overlords that threaten to standardize what is inherently unstandardizable.

The energy of hip-hop has always been rooted in its rebellious spirit—a refusal to conform, to be tamed by the neat categories of commercial success. Today, that same energy courses through every digital corner of production. Producers remix not just samples, but the very notion of what it means to create music in a global, interconnected age. They are hybrids—part analog nostalgics, part digital futurists—all united by a fierce commitment to keeping hip-hop’s unpredictable soul alive.

Uncertain Futures: A Call to Creative Insurgency

What does the future hold? No one can predict it with certainty. But one thing is clear: the trends emerging in hip-hop production for 2025 and beyond are a testament to the enduring power of creative rebellion. They are a call to arms for anyone who believes that art should be messy, unpredictable, and unyielding. It’s a future where the boundaries between genres, cultures, and technologies blur into a vibrant, chaotic tapestry of sound.

Independent producers and artists are at the forefront of this evolution, challenging assumptions and exposing contradictions at every turn. They’re asking hard questions: Who benefits from the digital transformation of music? Who gets left behind in the race for clicks and streams? And what happens when the tools meant to democratize creativity become instruments of homogenization?

The answers aren’t simple, and perhaps they never will be. But in the very act of questioning, in the relentless pursuit of innovation, lies the heart of hip-hop. It’s in the struggle, the tension, and the unbridled passion that the future is being forged. And while the digital landscape may be riddled with pitfalls and paradoxes, it also offers a canvas as expansive as the human imagination.

Final Beats: Embracing the Chaos

As we stand at the cusp of this brave new world, the call is clear: embrace the chaos. The trends in hip-hop production for 2025 and beyond are not a neatly packaged blueprint for success—they’re a wild, ever-shifting terrain where every misstep is as valuable as every triumph. They’re a reminder that true innovation lies in the courage to disrupt, to question, and to create without fear of falling into a predetermined mold.

The future is open, messy, and electrifying. It belongs to those who dare to mix analog grit with digital precision, who find beauty in the tension between tradition and technology, and who are unafraid to let their art be as unpredictable as the streets that birthed it. This is more than just a trend report—it’s a manifesto for the modern producer, a call to rewrite the rules of what hip-hop can be.

In a world that’s constantly trying to package creativity into neat, marketable units, the most revolutionary act is to remain raw, unfiltered, and unapologetically real. Let the beats drop, let the samples twist and turn, and let every track be a testament to the enduring power of artistic rebellion.

The digital revolution in hip-hop production is here, and it’s not waiting for anyone. Whether you’re a veteran producer clinging to the analog warmth of a bygone era or a fresh face harnessing AI and blockchain to sculpt the sound of tomorrow, the game has changed. The question is: are you ready to rise with it, or will you be left echoing in the digital void?

This is the era of top trends that challenge assumptions, expose contradictions, and force us to reckon with the very nature of art in a hyper-connected world. It’s a time when the spirit of hip-hop—raw, rebellious, and unyielding—remains the heartbeat behind every innovative beat, every fresh collaboration, and every new sound that defies convention.

So, let the conversation continue. Let the beats evolve, the samples reanimate, and the analog souls shine through the digital haze. In the clash of technology and tradition, of commercial pressure and creative freedom, one truth remains: hip-hop is alive, unpredictable, and ready to lead us into an uncharted future.

Keep pushing the boundaries, keep questioning the norms, and above all, keep making noise. The future of hip-hop isn’t written in spreadsheets or dictated by algorithms. It’s carved out in the gritty backrooms of creativity, in the raw, unfiltered moments when passion and innovation collide. And as long as there are those who dare to create on their own terms, hip-hop will continue to be the unpredictable, transformative force that redefines our cultural landscape.

For more insights, resources, and tools to fuel your creative revolution, explore Beats To Rap On and join the movement. Welcome to the next chapter of hip-hop production—messy, defiant, and utterly electrifying.

Janelle Monáe Flames “Bully” Donald Trump

Janelle Monáe delivered a pointed jab at former President Donald Trump while accepting the Equality Award from the Human Rights Campaign at the Fairmont Century Plaza in Los Angeles on Saturday.

The “Make Me Feel” artist and “Glass Onion” actress didn’t mince words as she addressed the audience at the LGBTQ+ advocacy group’s annual gala. Although she avoided mentioning Trump explicitly, Monáe’s message was unmistakable.

“Bullies only win when we let them think they can. Here’s the truth, bullying doesn’t stop when we grow up. It doesn’t end when we leave school. It just gets bigger. It rebrands itself. The bully gets elected president,” Janelle Monáe said.

Monáe’s remarks clearly pointed toward Trump, whose presidency sparked controversy over executive actions affecting marginalized communities. Monáe reaffirmed her support for groups impacted by those policies, including immigrants, transgender and nonbinary individuals.

“Let’s make it clear. We will challenge the giant,” she said, concluding her speech to enthusiastic applause.

Monáe has never shied away from voicing her political opinions. Earlier this year, she openly criticized rapper Nelly for performing at one of Trump’s inauguration events.

During a freestyle rap at a Grammy Awards after-party in February, she directly called out the rapper, saying, “F### you Nelly. I used to like Nelly, but then he went to perform for Donald Trump. I care about women, I care about Hispanics. I care about Mexicans, I care about gay people. F### you Nelly, you sold out. I used to think you was cool. But now you look like a m############ fool.”

Sauce Walka Visits Memphis Restaurant In Honor Of Sayso P Days After Fatal Shooting

Sauce Walka paid homage to The Sauce Factory (TSF) record label’s deceased artist Sayso P by paying a visit to one of his former collaborator’s favorite Memphis-based eateries.

On Monday (March 24), Sauce Walka appeared in an Instagram video promoting PK’s Trap Shack in honor of the memory of Sayso P. Just days after Sayso P was fatally shot in Memphis—a tragedy that also left Sauce Walka wounded—the Houston lyricist followed through on a long-standing promise to visit the restaurant and the owner.

“TRUE STORY MY BRO SAID HE WAS GO MAKE SURE I GET TO MEET SAUCE WALKA N HE FA SHO DID DAT,” the caption of the post read in part. “SAUCE WALKA A REAL [one finger emoji] FA SHO U SUPPOSED TO BE HERE MY DAWG DIS S### WAS SO UNEXPECTED I APPRECIATE CHA FA LIFE MY DAWG WE GO KEEP DOING WHAT U WANTED US TO DO GOOD N#### GONE TO [soon text emoji].”

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Standing inside the restaurant on crutches and donning a hospital gown with loose gauze dressing exposed showing the wounds his leg sustained during the shooting, Sauce Walka expressed his deep connection to Sayso P and the commitment he made to visit PK’s Trap Shack in the video.

“I’m out here in Memphis man, you know what I’m saying, the only way is with my n#### PK, you know what I’m saying, this s### don’t stop,” Sauce Walka began. “You gotta keep drippin’ sauce in peace my brother Sayso P splash that mafia R.I.P. my brother. My n#### wanted me to make sure I get some food for PK before I leave. You know what I’m talking about, exquisite taste. Midtown and downtown is where it’s going down.”

Sayso P had previously publicly vouched for the quality of PK’s Trap Shack from as early on as 2023. Additionally, he had been releasing music through the time of his death on March 22 under the TSF imprint since 2022.

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In a sense, Sayso P’s ties to the restaurant and its ownership are nearly as deep as his allegiance to TSF, underscoring the importance of Sauce Walka’s visit to the establishment.

“He [Sayso P] was talking to me for months and putting me on FaceTime with you, brother,” he said to the owner, “So, I had to do that in the name of my brother—I love y’all, man.”

Sauce Walka further paid tribute to Sayso P, reaffirming his loyalty and dedication to keep his legacy alive even in his afterlife. “Sauce in peace, my brother Sayso P,” he said. “B####, I got you, bro, you told me to come. Anywhere you told me to go, I gotta go to. And I love you, n####. We’re going to make sure we keep your m############ name alive, n####.”