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EXCLUSIVE: Mikey D Says Pregnant Wife Saved MC Serch From Beatdown

Mikey D Talks MC Serch, Main Source and His Next Chapter

Hip-Hop history is full of behind-the-scenes battles, and Mikey D has lived through more than a few. The Queens MC came up the rough way. He battled the likes of LL COOL J and Melle Mel. But, he had a historic turn as part of Main Source. He’s now gearing up to drop new music that blends nostalgia with growth. But he has some unfinished business. Recently, Mikey D has been back in headlines over his issues with MC Serch, a name tied to both classic Hip-Hop and controversy. Serch has been accused by Mikey of twisting history, misrepresenting his name and damaging his reputation in ways that couldn’t be ignored.

In an exclusive interview with AllHipHop, Mikey D breaks down the real story about his issues with Serch, details explosive incidents from the ’90s and explains why he’s ready to unleash “Mikey Destruction” once again. With his new album on the way, a diss track loaded and new energy for the mic, Mikey D is making it clear—the truth always prevails.

Check out an edited Q&A with the full video interview below.

AllHipHop: First off, thanks for joining me. You’ve always been one of the dopest MCs, past and present. How you feeling right now?

Mikey D: I’m good, man. I appreciate you. Back in the day [being the best] meant a little bit more, you know. But today I’m back on that. With this new album, you’re going to hear that nostalgic Mikey D. I’ve been on some mature, almost educational music, but I missed the old me., so I had to unleash some of that.

AllHipHop: I noticed some grumblings online recently, especially around you and MC Serch. What’s really going on there? Somebody I talked to stressed to me “your name is your name.”

Mikey D: Not only did he mispronounce my name, he dragged my reputation along with Main Source. He villainized us, made himself the victim and fabricated a story. None of it matched up. Serch is somebody people listen to, so when he twists history, it hurts my name. Folks were even asking if I was running some Death Row-type situation. That’s crazy.

AllHipHop: For those who don’t know, what incident are we talking about?

Mikey D: This goes back to when I joined Main Source. Large Professor had gone solo, and we still owed Wild Pitch Records another album. At the time, Serch was vice president of marketing there.

When I first got down, Serch pulled me into his office. He said, “I don’t trust those guys [Main Source], I don’t trust their manager. You’re my man, so I’ll hook you up with the same lawyer I got Large Pro with.” Then he said, “If this conversation leaves this office, I’m going to deny everything. And remember, Mikey, I know people.”

“Serch told me, ‘If this conversation leaves this office, I’m going to deny everything. And remember, Mikey, I know people.’ I took that as a threat.”

I took that as a straight threat. I let it slide because I didn’t want to mess up the opportunity, but I never forgot it.

AllHipHop: And then things spilled over?

Mikey D: Yeah. There were situations in California. We were supposed to perform two songs on Soul Train. We only got to do one because Serch was sticking Nas and Main Source stickers on audience members during the taping. Don Cornelius wasn’t having it.

“Don Cornelius was not happy when Serch started sticking Nas and Main Source stickers on the Soul Train dancers.”

He also twisted up stories about a club incident. He claims he was in the car scared with some program director, but I was standing next to the dude with the shotgun. Redman was with me that night. We dipped out because it got real. Serch wasn’t even in the mix like that.

And then there was the Wild Pitch press conference. He tells this story about guns being pulled, women crying, all that. None of that happened. What did happen was I had my Twin Towers [his massive security-like homeboys] with me, and yeah, we kicked his office door down after all that slick talk.

He was so shook he literally tried to climb over a sheetrock divider near the window. His pregnant wife was there, and out of respect for her, I stopped it right then.

“If anything, Serch needs to thank his pregnant wife that day—she saved him from the beatdown.”

AllHipHop: That’s a wild visual. So for you, this was about correcting the record?

Mikey D: Exactly. I gave him 48 hours to make it right. I even apologized to him on Instagram years back for my ignorance in those days. I have a heart. But he cut me deep by twisting my history. People from our era knew not to say my name lightly. He crossed a line with lies, and I can’t let that stand.

AllHipHop: So what’s the next move?

Mikey D: The bars are coming. I’m dropping a track called “F.U.N.” That stands for “F##k U Now.” I’m about to “Serch” and destroy.

This isn’t clout chasing, this is just me being me. Truth always prevails. And here’s the kicker: Serch actually reunited me with K-Cut through this. So you’re about to hear Main Source 2.0.

AllHipHop: When will we hear this record and your album?

Mikey D: The album’s done. It’ll drop in November for Hip-Hop History Month—vinyl, CDs, MP3s, the whole thing. I got two singles out now: “Legends Don’t Die” and “Keep Them Shook.” But that Serch joint? By the end of this week it’s game over.

AllHipHop: Final word for Serch?

Mikey D: It’s all love. I don’t wish him harm. I just wish he cleared my name like a man. But since he didn’t, now I’m going to do what I do. This is Hip-Hop.

“You can kill your ops without guns. You can kill your ops with truth and bars.”

That’s what I’m about to do.

DHS Faces Outrage After Pokémon-Themed Immigration Raid Video

Department of Homeland Security drew intense backlash Monday (September 22) after releasing a Pokémon-themed video on social media that paired immigration arrests with animated clips from the beloved children’s franchise, prompting civil rights groups to call for a United Nations investigation into alleged abuses.

The video, posted to DHS platforms, opened with the iconic phrase “Gotta Catch’ Em All” and cut between footage of federal agents conducting immigration raids and the Pokémon series’ opening sequence.

It also included digital “trading cards” showing mugshots of arrested individuals, along with accusations such as homicide, child endangerment, molestation and manslaughter.

The post immediately drew criticism from lawmakers and advocacy groups, who accused the agency of trivializing serious law enforcement actions and using cartoon imagery to target Latino communities.

“When people are targeted because of how they look or the language they speak, the government is absolutely failing,” Rep. Maxine Waters said, condemning the raids as “ethnic cleansing.”

Waters joined a coalition of civil rights leaders Monday in filing a petition with the United Nations, urging the international body to investigate the U.S. government for possible human rights violations.

The petition, submitted by attorney Luis Carrillo, was filed on behalf of four U.S. citizens, including a pregnant woman allegedly shackled and dragged by federal agents.

The document accuses agencies, including DHS, ICE, Border Patrol and the FBI of engaging in “kidnapping arrests, prolonged detentions without due process of law and the brutal excessive use of force.”

The video surfaced as the Trump administration continues to ramp up immigration enforcement.

Since taking office in January 2025, ICE has arrested more than 65,000 individuals, including 2,288 alleged gang members from groups like MS-13 and Tren de Aragua, according to agency data.

Federal officials have launched large-scale operations in cities such as Chicago, where “Operation Midway Blitz” led to mass detentions. Over 10,000 military personnel have also been reassigned to assist with border enforcement.

The administration has also leaned heavily on artificial intelligence to track migrants and prioritize deportations, a move that immigration advocates say has fueled an unprecedented expansion of enforcement efforts.

The Pokémon-themed video marks a stark departure from traditional government messaging and has raised concerns about the use of children’s entertainment to promote law enforcement actions.

Kanye West Asks Judge To Dismiss Sexual Assault Lawsuit As Attack On Free Speech

Kanye West pushed back against sexual assault accusations tied to a 2010 music video shoot by asking a judge to toss a lawsuit filed by Jenn An, a former contestant on America’s Next Top Model, who claims the rapper attacked her during filming.

In court documents filed in August, West’s legal team argued that An’s lawsuit is an attempt to punish him for his public statements, not a legitimate legal claim, Us Weekly reports.

They pointed to her references to his past antisemitic remarks and controversial takes on sexual assault survivors as evidence of ulterior motives.

“These alleged quotations bear no relevance to the claims in this case and are presented without meaningful context,” West’s attorney wrote. “Their inclusion should be considered as facts to support arguments regarding [An’s] motive to bring this lawsuit — to silence [West] for his controversial speech on matters of public concern.”

An filed the suit in November 2024, alleging that West took over directing duties during the shoot for La Roux’s “In for the Kill” remix and assaulted her on camera.

She claims he ordered her to sit, then choked her and shoved his fingers down her throat while declaring, “This is art. This is f###### art. I am like Picasso.”

According to the complaint, the incident lasted more than a minute, during which An says she struggled to breathe. She also alleges that someone on set encouraged the behavior rather than intervening.

West’s legal team countered that the video involved physical interaction between performers and that An never voiced discomfort or attempted to leave the set.

“At no point during the production did [An] object to her role, express a lack of consent to participate, nor attempt to leave the performance,” the filing states.

They also warned that allowing the case to move forward could set a dangerous precedent for artists and directors working on provocative content.

“To permit such claims to proceed would mean that every actor, director, and artist involved in provocative film, theater, or music video productions — whether depicting violence, sexuality, or both — could face retroactive criminalization,” the response reads.

An’s attorney, Jesse Weinstein, dismissed West’s argument that the act was artistic expression.

“While Ye is certainly entitled to defend himself in this suit, we refuse to adopt his idea that sexually assaulting Ms. An was somehow justified as ‘art,'” Weinstein said. “This was an unscripted moment that he took it upon himself to create, much to the dismay and shock of nearly everyone around him.”

The lawsuit adds to West’s mounting legal issues. In June 2024, his former assistant Lauren Pisciotta amended a separate complaint accusing him of sexual assault, battery and sex trafficking.

Other lawsuits from ex-Yeezy staffers and Donda Academy employees remain active.

An, who appeared on season 13 of America’s Next Top Model in 2009, is seeking damages for emotional distress. West is asking the court to dismiss the case entirely.

The Ultimate Guide to Online Obstacle Course Games: Jump, Run, and Conquer

Online obstacle course games, often called “obbies,” are browser-based platformers where you navigate a series of challenging jumps, traps, and puzzles to reach the finish line. They are incredibly popular because they are free, require no downloads, and offer a satisfying test of skill and patience.


The internet is buzzing with a genre that has taken the casual gaming world by storm: online obstacle course games. You might know them as obbies, a term popularized by the creative community on Roblox. These aren’t sprawling RPGs or complex strategy titles. Instead, they offer pure, unadulterated platforming action directly in your web browser.

These free to play platformers strip gaming down to its core essentials: timing, precision, and perseverance. If you’re looking for a challenging jump and run experience that you can start playing in seconds, you’ve come to the right place. This guide will break down everything you need to know about the addictive world of browser parkour games.

What Exactly is a “No Download Obby”?

At its heart, an obby is a digital obstacle course. The concept is simple: get your character from Point A to Point B. The execution, however, is anything but. The path is littered with disappearing platforms, spinning lasers, treacherous jumps, and moving walls. One wrong move, and you’re sent back to the last checkpoint-or, in the most punishing games, right back to the start.

The beauty of the no download obby format is its accessibility. You don’t need a high-end gaming PC or gigabytes of free space. You just need a web browser and an internet connection. This low barrier to entry has made them a go-to for quick gaming sessions during a break or for players on less powerful devices.

The Rise of Roblox-Inspired Obbies

You can’t talk about modern obbies without mentioning Roblox. The platform became a breeding ground for user-generated content, and Roblox inspired obbies were one of its biggest success stories. Creators built incredibly inventive and difficult courses, fostering a massive community dedicated to conquering them.

The most famous example is undoubtedly Tower of Hell. The concept of a procedurally generated tower with no checkpoints that you must climb as high as possible became a phenomenon. Many players now actively search for a Tower of Hell online free experience, and browser-based developers have answered the call, creating games that capture that same frantic, high-stakes energy.

Expert Tip: In tower-style obbies, patience is more valuable than speed. Rushing leads to simple mistakes. Take a moment to observe the obstacle’s pattern before you jump. Most traps are on a simple timer, and learning the rhythm is the key to success.

Why Are We All Hooked on Browser Parkour Games?

The massive appeal of these games boils down to a few key factors. They hit a sweet spot that many other genres miss.

  • Pure Challenge: In a world of hand-holding tutorials, obbies are refreshingly direct. They present a difficult task and trust you to figure it out. Beating what feels like the hardest browser platformer provides a genuine sense of accomplishment.
  • Instant Gratification: The gameplay loop is fast. You try, you fail, you instantly respawn and try again. This makes them incredibly addictive, as the “just one more try” mentality kicks in immediately.
  • Social Competition: Many of these games feature leaderboards or live player counts, turning a solo challenge into a race. These multiplayer obstacle challenges add a competitive edge, as you see other players succeeding (and failing) alongside you.
  • Accessibility: Many are designed as unblocked parkour games, making them playable on school or work networks where other gaming sites might be restricted.

Finding the Best Fun Browser Obbies

With so many options out there, finding high-quality courses can be a challenge in itself. Many sites host a mix of great and not-so-great games. For a curated experience focused purely on the best fun browser obbies, you can find a dedicated collection of titles ready to play instantly.


Commercial Break

Tired of searching? Jump straight into the action. The web’s best collection of challenging and fun obstacle course games is waiting for you at https://playgama.com/category/obby. Find your next favorite platformer today!


More Than Just a Game: The Skills You Build

While they seem simple, these games are excellent for sharpening cognitive skills. Successfully navigating a difficult obby requires sharp reflexes, pattern recognition, and problem-solving. You learn to analyze a challenge, formulate a plan, and execute it with precision. These are the same foundational skills needed in more complex fields. For instance, many online courses like those on programmirovanie.skysmart.ru teach that coding is about breaking down a large problem into smaller, manageable steps-exactly what you do when you face a tough sequence of jumps in an obby.

Expert Tip: Don’t be afraid to change your camera angle. Many browser obbies have a fixed perspective, but those that allow you to rotate the camera give you a huge advantage. A different angle can reveal the true distance of a jump or the timing of a trap you couldn’t see before.

Obby Game Types Compared

Not all obbies are created equal. They generally fall into a few distinct categories, each offering a different kind of experience.

Obby TypeCore ConceptBest ForExample
Linear CourseA traditional start-to-finish course with checkpoints.Players who enjoy progression and seeing the end.Classic Obby
Tower ClimbAn endless, often randomly generated vertical course.Players who love high scores and intense challenges.Tower of Hell
Themed AdventureAn obby built around a specific theme, like escaping a volcano or exploring a candy land.Players who enjoy atmosphere and creative level design.Escape the Dungeon Obby
Multiplayer RaceCourses designed specifically for players to race against each other.Competitive players who want to prove their skills.Obby Blox Parkour

Q&A: Your Obby Questions Answered

Q: What are online obstacle course games?
A: They are typically free-to-play browser games where the main goal is to navigate a character through a series of jumps, traps, and puzzles to reach a finish line. They are often called “obbies” and focus on platforming skill and timing.

Q: Can I really play these games for free with no download?
A: Yes. The vast majority of browser parkour games are completely free and run on HTML5 or similar technology, meaning they play directly in your web browser like Chrome, Firefox, or Edge with no installation required.

Q: Are there multiplayer obstacle challenges available?
A: Absolutely. Many modern obbies are designed with multiplayer in mind. You can often see other players attempting the course at the same time, and some games are structured as direct races to the finish.

Ready to Jump In?

Online obstacle course games offer one of the most direct and rewarding experiences in casual gaming. They are a testament to the idea that a game doesn’t need a massive budget or complex story to be compelling. All it needs is a solid challenge and gameplay that respects the player’s skill. So next time you have a few minutes to spare, why not test your reflexes? The top of the tower is waiting.

A$AP Rocky Blasts Drake’s UMG Lawsuit As “Not Part Of The Game”

A$AP Rocky didn’t mince words when asked about Drake’s decision to take legal action over a rap beef, calling the move out of bounds for Hip-Hop and distancing himself from the drama in a new interview published Tuesday (September 23).

“It was healthy for Hip-Hop,” Rocky told ELLE, referring to the clash between Drake and Kendrick Lamar. “The battle was between Kendrick and Drake, not Drake and everybody else who might have said something at that time, and that’s mainly why I fell back. I just hate the way it’s turning out with [Drake] suing and all that. What part of the game is that? What type of s### is that? That’s none of my business, I guess.”

The Harlem rapper’s comments come after Drake filed a defamation lawsuit in January 2025 against Universal Music Group.

The suit claims UMG, which represents both Drake and Lamar, helped distribute and promote Lamar’s diss track “Not Like Us,” which Drake says falsely accuses him of being a pedophile and encourages violence against him.

Rocky’s remarks also arrive amid lingering tension between him and Drake, which reignited after Drake’s 2023 track “Fear of Heights” was widely interpreted as a jab at Rihanna, Rocky’s longtime partner.

A$AP Rocky responded with a verse on Future and Metro Boomin’s “Show of Hands,” while Drake clapped back on “Family Matters.”

Despite the back-and-forth, Rocky has kept his distance from the full-blown feud, saying he has “bigger fish to fry.”

Still, he’s taken subtle digs at Drake during recent performances and is expected to address the situation more directly on his upcoming album Don’t Be Dumb.

Drop’s New Album ‘Swipe’ Shows Why Baton Rouge Stays Winning

Baton Rouge Starlet Drop Makes Her Breakout with Swipe

Louisiana has given hip-hop some of its most dynamic voices, from Lil Wayne to Boosie to NBA YoungBoy. Now, Baton Rouge rapper Drop—born Davion Andrews—is carrying that legacy forward with her new project Swipe, a fearless statement of resilience, reinvention, and raw Southern street energy.

Known for her unapologetic delivery and magnetic stage presence, Drop makes music that hits as hard in the club as it does in the streets. “When you hear Drop, you’re gonna want to dance, you’re gonna want to vibe, you might even want to throw some money,” she says. “It’s exciting, it’s electric—you don’t have a choice but to feel it.”

But Swipe is more than just an album—it’s a movement. Shaped by her own struggles and survival, Drop has created her alter ego Swipeiana, a persona designed to spark empowerment and entrepreneurship in women. “Swipe is so powerful because it represents me, my story,” Drop explains. “It represents my past and my future. I’ve been through a lot, but now I’m using my skills and my music to inspire women to think outside the box, to get money the right way, and to move beyond a life of crime. I want women to know you don’t have to settle for survival mode—you can be a boss.”

The lead single “Baddies” is already turning heads. A sharp nod to Houston legend Lil’ Troy’s Wanna Be a Baller, Drop flips the classic into an anthem for today’s women. “One day in the studio I told myself, ‘I want to create something new,’” she recalls. “I wanted to give women a record that felt classy, powerful, and fun. That’s how Baddies came about. I piggybacked off what Lil’ Troy did in my own way. Everybody wants to be that woman—the one who’s confident, respected, and unstoppable—and Baddies captures that.”

Drawing influence from NBA YoungBoy, Lil Wayne, and Juicy J, Drop is carving out her own lane while staying true to Baton Rouge’s raw tradition of storytelling and authenticity. But unlike many chasing viral fame, she’s clear about her mission: “I don’t want to be known for just one hit,” she says. “I want to be legendary. I want to make music that lasts forever.”

With Swipe, Drop is positioning herself not just as Baton Rouge’s next breakout, but as a voice for women everywhere who are ready to rewrite their stories.

NBA YoungBoy Concert Cancellation Sparks Chaos Among Fans In Chicago

NBA YoungBoy saw his Chicago concert pulled at the last minute by the United Center on Tuesday (September 23) with no explanation, cutting short a major stop on his 45-date MASA Tour and leaving ticket holders scrambling for refunds.

The venue posted a brief notice on its website, stating it had “made the decision to cancel” the Wednesday night show, offering no further details. “If you purchased through Ticketmaster, refunds will be issued automatically,” the statement read. “If you purchased from a third-party reseller, please reach out to your point of purchase.”

The 25-year-old rapper has not publicly addressed the cancellation. His team addressed the cancellation, with YoungBoy’s manager, Alex Junnier, responding to the news on his Instagram Story.

“United Center b###### out,” he wrote. “Shout out to Joe Myhra at United Center. He didn’t want us to have fun scary.”

Junnier also addressed the United Center deactivating comments on their latest post following heated backlash from NBA YoungBoy fans in the replies.

Speculation quickly swirled online, with some pointing to long-standing tensions between NBA YoungBoy and Chicago’s drill scene, including Lil Durk and his Only The Family collective, as a possible reason for the abrupt decision. However, no official link has been confirmed.

The scrapped performance was part of YoungBoy’s MASA (Make America Slime Again) Tour, his first headlining run in five years.

YoungBoy’s latest album, also titled MASA, dropped in July and has been supported by a string of high-energy shows that have gone off without major issues—until now.

The United Center has not said whether the concert will be rescheduled.

Diddy Begs Judge To Let Him Go Home After Year Behind Bars

Sean “Diddy” Combs made a final push for leniency Monday (September 22) as his legal team urged a federal judge in New York to impose a 14-month sentence — which amounts to time served — following his conviction on lesser charges tied to transporting individuals for prostitution.

The 380-page filing from Diddy’s attorneys argues he should be released immediately after spending over a year behind bars. “It is time for Mr. Combs to go home to his family,” the defense wrote in the court submission.

Earlier this year, a jury found the 55-year-old music executive guilty of moving consenting adults across state lines with the intent to engage in prostitution. He was acquitted of more serious allegations, including sex trafficking and racketeering.

Diddy’s sentencing is scheduled for October 3.

His legal team accused prosecutors of attempting to impose a punishment disproportionate to the actual conviction. “Mr. Combs must be sentenced for what the jury convicted him of—interstate transportation of fully consenting adults with intent to engage in prostitution. But it would be unlawful, and a perversion of justice, for the Court to sentence him as if the jury had convicted him of sex trafficking and RICO, or to increase his sentence based on the Court’s own findings about force or coercion or racketeering.”

Calling the prosecution’s stance “draconian,” the defense likened the government’s approach to the Queen of Hearts from Alice in Wonderland, writing, “Verdict be damned—lock him up and throw away the key.”

The defense also highlighted Diddy’s personal history, describing him as “an extraordinary person who has made monumental professional and personal contributions throughout his 55 years.”

The filing referenced the deaths of his father, longtime friend Christopher Wallace (The Notorious B.I.G.), and Kim Porter, the mother of four of his children, as major emotional blows that contributed to his struggles with substance abuse, anger and anxiety.

“These events were devastating, and for decades Mr. Combs struggled with serious substance abuse issues, anger and anxiety,” the filing stated, adding that he only began to confront these issues during his current incarceration.

Diddy’s attorneys also emphasized that he did not profit from the acts in question. They said the case involved “threesomes where fully competent adult men and women voluntarily crossed state lines and had consensual sex with each other.”

They claimed he arranged encounters involving Cassie Ventura and male escorts for his own viewing, but did not financially benefit.

Some women involved have challenged whether the encounters were truly consensual.

The U.S. Probation Office’s sentencing recommendation remains sealed, but Diddy’s team believes it suggests a five-year prison term.

Diddy has been in custody since his arrest last year.

Donald Trump Accused Of Spreading Dangerous Autism Misinformation

Donald Trump reignited controversy Monday (September 22) by warning pregnant women against using Tylenol, claiming the over-the-counter pain reliever could be tied to autism—a statement that drew immediate and forceful pushback from medical professionals across the globe.

“Suggestions that acetaminophen use in pregnancy causes autism are not only highly concerning to clinicians but also irresponsible when considering the harmful and confusing message they send to pregnant patients,” said Steven Fleischman, president of the American College of Obstetricians and Gynecologists.

Trump, speaking during a public appearance, said women who can’t “tough it out” without Tylenol should limit their intake.

He was backed by Health Secretary Robert F. Kennedy Jr., who stated the decision by the FDA to update labeling on acetaminophen was based on “clinical and laboratory studies” suggesting a “potential association” between prenatal acetaminophen exposure and neurodevelopmental issues, including autism.

But the medical community wasn’t having it.

The Society for Maternal-Fetal Medicine issued a statement clarifying that “a thorough review of existing research suggesting a potential link between acetaminophen use during pregnancy and an increased risk of autism and attention deficit and hyperactivity disorder (ADHD) in children has not established a causal relationship.”

International health agencies also weighed in. The United Kingdom’s Medicines and Healthcare products Regulatory Agency (MHRA) said there is “no evidence” connecting Tylenol to autism. Australia’s health department also confirmed the drug remains safe for use during pregnancy.

Kenvue, the manufacturer of Tylenol, issued a firm rebuttal: “Acetaminophen is the safest pain reliever option for pregnant women as needed throughout their entire pregnancy.” The company added, “We believe independent, rigorous science clearly indicates that taking acetaminophen does not result in autism. We firmly oppose any contrary suggestions and are extremely concerned about the health risks this poses for expectant mothers and parents.”

Tylenol’s official social media account also responded, stating “credible, independent scientific data continues to show no proven link between taking acetaminophen and autism.”

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Dr. Monique Botha, a researcher at Durham University, pointed to a 2024 Swedish study involving 2.4 million births that “found no relationship between exposure to paracetamol in utero and subsequent autism, ADHD or intellectual disability.”

Trump’s remarks follow a long history of promoting debunked theories about autism.

During his 2016 campaign and presidency, he repeatedly claimed vaccines were responsible for the disorder, despite overwhelming scientific consensus disproving that claim.

The American Psychiatric Association issued a reminder that “autism is a complex disorder” and warned against suggesting “that a handful of studies have established causation.”

Doctors fear Trump’s comments could lead pregnant women to avoid necessary treatment, potentially putting both mother and child at risk.

Yung Miami Defends Diddy In Court Letter Calling Him “A Good Man” Ahead Of Sentencing

Yung Miami vouched for Sean “Diddy” Combs in a character reference letter submitted ahead of his sentencing, describing the embattled music mogul as “loving” and “supportive” while urging the judge to see the man she personally knew—not the headlines.

Writing under her legal name, Caresha Brownlee, the former City Girls rapper told the court she could not speak on past allegations against Diddy but wanted to share her personal experience from their three-year relationship.

I want to be clear that I cannot speak on or defend anything that may have happened before I met Sean Combs,” she wrote in the letter, which was published by The Shade Room, adding, ” I do not condone any wrongdoing. I can only speak from my personal experience and the man I’ve come to know over the past four years.”

The letter, filed Monday (September 22), also highlighted Diddy’s charitable side. Miami recalled the two feeding the homeless together on Thanksgiving in 2022 and said he often gave back privately.

She also pointed to his efforts to improve himself, writing, “He made the choice to check himself into anger management, start therapy, and commit to physical healing… He didn’t do it for show—he did it because he wanted to grow and to become a better person.”

Miami closed her letter with a direct appeal to the judge: “In my personal experience, Sean is not a danger or a threat to the community. He is a man of God, someone who uplifts, supports, and inspires those around him… But more than anything, he’s a father and his kids are the ones who look up to him the most. They need him.”

She ended with a simple plea: “Judge… That’s a good man.”

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Yung Miami Claims She Never Witnessed Diddy Abuse

Yung Miami has previously stated she never experienced abuse during her relationship with Diddy. “I can’t speak on something that wasn’t my experience,” she said last August. “I can’t speak on something I don’t know…that wasn’t my experience.”

Diddy is set to be sentenced on October 3 after being convicted of two federal charges related to transporting individuals for prostitution. The charges carry a maximum of 20 years in prison.

His legal team is requesting 14 months in prison followed by supervised release. Federal prosecutors are expected to recommend a sentence between 51 and 63 months. They must submit their recommendation by September 29.

Damon Dash Begs For Truce, 50 Cent Responds With Brutal Clapback

50 Cent briefly entertained Damon Dash’s call for peace on Tuesday (September 23) after Dash posted a video urging him and Cam’ron to squash their feud — but the G-Unit mogul quickly snapped the olive branch.

Dash, who recently filed a $300 million defamation lawsuit against Cam’ron, took to social media with a video plea for unity.

“50, Cam, me, if together we show that we could be beefing, pause, and then come together and maybe do a TV show together, something different, or a movie or something, just showing the world that we can work together, then we would prove everyone wrong,” Dash said in the clip. “They love us tearing each other down, and I’m not doing that s###. I apologize to my OGs for embarrassing y’all, but I just wanted to talk to them. [Cam’ron] finally replied when I hit him with the lawsuit.”

He also extended an invitation to both men for a sit-down, captioning the post, “Let’s show the world that Black people can work together challenge… I’m not doing this corny s### no more. I got work to do. Let’s just resolve this and move forward collectively. Let’s show the world that they can’t divide us over b#######. that jig is up.”

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50 Cent Claims Cam’ron Rejected Truce Offer

Initially, 50 Cent appeared to be on board, reposting the video with a caption that started on a positive note. “I agree with Dame [100] percent it’s better to work together,” he began. “We should sit down and figure out how to move forward. I believe we can create a path to more success.”

Then came the curveball. “Oh wait. CAM just said f### Dame and his fake chat GPT law suit. so it’s f### you Dame,” 50 added, abruptly shutting down the idea of any truce.

The tension between Dash and Cam’ron reignited after 50 Cent announced Cam’s involvement in a new TV adaptation of Paid In Full.

Dash’s lawsuit accuses Cam’ron of defamation and other claims stemming from public remarks that Dash says harmed his reputation and business ventures.

A demand letter made public detailed Dash’s complaints, including Cam allegedly dragging Dash’s wife and children into their feud.

Cam’ron responded with a diss freestyle, escalating the situation further and making it clear he had no plans to reconcile.

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Memphis Rapper Finesse2tymes Arrested In Smith County Drug Bust

Finesse2tymes landed in legal trouble again in Tyler, Texas, after a routine traffic stop led to drug charges for the Memphis rapper and a passenger in his car.

The rapper, born Ricky Hampton, was pulled over while driving a red Corvette on Claude Street for not wearing a seatbelt. Officers said they smelled marijuana and noticed a hand-rolled cigar in the ashtray.

When they began searching the vehicle, passenger Shugga, born Halie Buckingham, allegedly grabbed a bag from the floorboard, prompting a deeper search.

Inside the bag, police discovered 0.7 ounces of marijuana, 12 oxycodone pills and 7 methylphenidate pills, according to the Smith County Sheriff’s Office.

Finesse2tymes was booked for possession of marijuana. Buckingham was charged with two counts of possession of a controlled substance and one count of marijuana possession. Both were released on bond by 4:50 A.M. Saturday.

The arrest came shortly after Finesse2tymes performed at a local concert in Smith County.

He has had repeated run-ins with the law. Finesse2tymes served six years for aggravated robbery beginning in 2010, and in 2017, he received a five-year federal sentence on weapons charges. He was released from prison in July 2022.

Last summer, Houston police issued a warrant for Finesse2tymes’ arrest over an unreturned rental car, but those charges were later dropped.

Taylor Swift’s Boy Toy Travis Kelce Hit With Massive Fine For Lewd Behavior During Eagles Game

Travis Kelce landed in hot water with the NFL after a groin-directed celebration and sideline outburst during the Kansas City Chiefs’ home loss to the Philadelphia Eagles on September 14, resulting in a $14,491 fine for unsportsmanlike conduct.

The tight end’s penalty came after he hauled in a 23-yard pass from quarterback Patrick Mahomes, then turned toward the Eagles’ bench and made a crude gesture near his waist.

Moments later, Kelce ripped off his helmet and slammed it to the turf, visibly frustrated. Cameras caught him yelling, “I’m sick of this s###.”

The league handed down the fine, citing the behavior as a violation of its conduct policy. Kelce, 35, wasn’t the only player penalized from that matchup.

Saquon Barkley, the Eagles’ running back, was slapped with a $46,371 fine for “use of the helmet” after lowering his head before a collision with Chiefs defensive back Chamarri Conner.

The Eagles edged out the Chiefs 20-17 in the primetime showdown.

This isn’t Kelce’s first run-in with the league’s disciplinary arm. He was previously fined $11,255 during last season’s AFC Championship game against the Buffalo Bills for “taunting” Damar Hamlin.

The fine arrives just weeks after Kelce and pop icon Taylor Swift confirmed their engagement, following a two-year relationship that’s drawn heavy attention from both sports and entertainment media.

Sylvia Rhone Steps Down At Epic Leaving Major Label System With No Women CEOs

Sylvia Rhone closed out her legendary six-year stretch as chair and CEO of Epic Records on Sunday, stepping down from the top job at Sony Music’s label after a career that repeatedly reshaped the music business and shattered industry ceilings.

“It’s been an extraordinary journey: eleven years since my promotion to President of Epic Records and six years since my appointment as Chairwoman and CEO,” Rhone wrote in a farewell memo obtained by The Hollywood Reporter. “And today, I am moving on from this historic role at Epic and I’m very excited about the future.”

Her departure leaves Epic without its longtime leader and the major label system without a single woman CEO.

Rhone, 72, exits with a résumé that includes firsts no one else has matched: the first woman and first Black executive to run multiple major record companies under Fortune 500 ownership.

During her time at Epic, Rhone helped shape the sound of modern Hip-Hop and pop, guiding the careers of Travis Scott, 21 Savage, DJ Khaled, Future, Meghan Trainor, Madison Beer, and Camila Cabello. Her influence helped Epic maintain relevance in a rapidly changing landscape.

Sony Music Group chairman Rob Stringer, who tapped Rhone for the CEO role in 2019, praised her leadership.

“It’s been our honor to work with a true icon,” he said. “In an industry defined by its constant evolution, Sylvia has adapted and embraced change, time and time again.”

Before her Epic chapter, Rhone led a series of major labels, beginning in 1990 when she became CEO of Atlantic’s EastWest Records. Four years later, she was appointed chair and CEO of Elektra Entertainment Group, where she built a genre-spanning roster that included artists such as Missy Elliott, Busta Rhymes, AC/DC, Metallica, and Björk.

She called the Elektra era “a cultural renaissance” and her impact continued at Motown, where she worked with Stevie Wonder on his final studio album and helped push Lil Wayne, Nicki Minaj, and Drake into global superstardom through Cash Money’s distribution deal.

Rhone’s path began at Buddha Records as a secretary after graduating from The Wharton School. She rose through the ranks, eventually becoming senior vice president of Black Music at Atlantic Records.

Her decades in the business earned her numerous honors, including an honorary doctorate from Berklee College of Music.

“I have worked in our industry since vinyl ruled, and women were rarely, if ever, in line for C-level or even vice-presidential roles,” she wrote in her memo. “I am proud of my achievements, and of my commitment to those who take inspiration from them.”

No successor has been named.

SIGNS: NYC Teacher’s Aide Fired For Freak Offs With Student During Lunch

Ocean Valentine was working at Urban Assembly Early College High School of Emergency Medicine when she kicked off a totally inappropriate fling with a teenage student back in May 2022.

She was 22. He was 17. And they weren’t exactly hiding what they were up to.

According to an official report, it all started when Valentine told the student she was active on Instagram. He hit her up, they swapped numbers, and things escalated fast.

The student told investigators that they had sex at his parents’ crib during lunch breaks, while school was still going on. It wasn’t just a one-time thing either. It happened at least three times during school hours.

Then there was another hookup at Shark’s pool club for his 18th birthday.

The whole thing blew up when a female classmate saw some wild texts and a hotel receipt on the guy’s phone. A school staffer overheard her talking about “staff members having sex with students” and flagged it.

Valentine was yanked from the school, suspended without pay, and eventually fired. Her salary was supposed to be $34,415 in 2023, but she only pocketed $15,250 before getting the boot.

Between 2018 and 2024, over 100 school employees in New York City have been accused of hooking up with students, per reports.

Meanwhile, the same school is now digging into another case involving a male staffer who allegedly had sexual contact with a female student and jacked $5,000 from her.

TyFlash Faces His Shadows in Powerful New Single “Demons”

Rising alternative rap artist TyFlash has returned with a gripping new single, “Demons”, now available on Apple Music, Spotify, and all major streaming platforms. The track, released through Tyhughes Entertainment LLC, is a dark, introspective record that taps into personal struggles and emotional battles many listeners will find deeply relatable.

STREAM “Demons” EVERYWHEREhttps://album.link/demons_tyflash

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At just over a minute long, “Demons” delivers a concentrated burst of emotion. The minimalist production and haunting lyrics create a moody atmosphere, leaving a lasting impact that lingers long after the song ends.

“Demons isn’t just a song — it’s a reflection of the battles we all face, whether we speak about them or not,” says TyFlash. “It’s about confronting the things we hide from, and realizing that vulnerability is a form of strength.”

This release follows a series of tracks that have helped TyFlash carve out a unique space in Atlanta’s alternative rap scene. With each project, he continues to push boundaries, blending personal storytelling with cinematic production.

About TyFlash:
TyFlash is an Atlanta-based artist known for his raw, emotionally charged music that blends rap, alternative sounds, and deeply personal narratives. His work reflects the highs and lows of self-discovery, mental health battles, and life in the modern world.

FOLLOW TyFlash FOR MORE@tyflash_

Spotify:

Dv4d’s “Romantic Homicide” Sees Spotify Surge After Dead Teen Girl Found In His Car

D4vd’s breakout hit “Romantic Homicide” climbed to No. 8 on Spotify’s U.S. daily chart Monday (September 22), marking its highest position in years, just weeks after police discovered a decomposing body in a vehicle registered under his name.

The 18-year-old singer, born David Anthony Burke, has seen a sharp rise in streaming numbers since the Los Angeles Police Department confirmed on September 8 that a body was found in an impounded car tied to him. Before the discovery, “Romantic Homicide” wasn’t charting on Spotify at all. Since then, the song has steadily gained traction, breaking into the Top 10 over the weekend.

Other tracks from D4vd have also seen a boost. “Feel It” landed at No. 38 and “Here With Me” followed at No. 39 on Spotify’s chart as of Monday. He also reached a new peak on the platform’s artist chart, climbing to No. 42, up from No. 121 on September 7—the day before the body was found.

The momentum extended beyond Spotify. On YouTube, “Romantic Homicide” ranked No. 5 on the music video chart Saturday (September 20). On Apple Music, the track held the No. 46 spot on the U.S. chart.

Originally released in July 2022, “Romantic Homicide” became a viral sensation on TikTok and later reached No. 33 on the Billboard Hot 100. The song’s lyrics explore emotional detachment after a breakup, with D4vd singing, “In the back of my mind, I killed you/And I didn’t even regret it/I can’t believe I said it, but it’s true/I hate you.”

In a Genius interview, he clarified, “I didn’t kill her physically, but in the back of my mind, she died.”

The body found in the car was identified as 15-year-old Celeste Rivas, who had been reported missing from Lake Elsinore, California, in April. The Los Angeles County Medical Examiner stated her remains were “severely decomposed” and “appears to have been deceased inside the vehicle for an extended period of time before being found.”

The Los Angeles Times reported that Rivas and Burke appeared to have matching tattoos on their fingers reading “Shhh…”. Police have not named a suspect, and Burke has not been accused of any crime. Investigators searched a Los Angeles home reportedly linked to Burke last week and collected several items for analysis, though authorities have not disclosed what was taken.

Burke has not addressed the situation publicly. He canceled the remaining dates of his U.S. tour, including shows in San Francisco and Los Angeles, and postponed an album release originally scheduled for this month.

Cardi B’s Chart Dominance With “Am I The Drama?” Sparks Streaming Controversy

Cardi B’s Album Sparks Debate Over Chart Success And Streaming Rules

Cardi B has ignited the music world again with her latest release, and this time the conversation stretches beyond just how good the music is or isn’t. The Bronx native dropped Am I The Drama? to widespread praise, with many declaring it a sharper, more polished effort than her previous project and the kind of album the mainstream side of rap has been waiting for.

READ ALSO: JT Suggests Cardi B Has Horrible Hygiene In Response To “Am I The Drama?” Diss

While critics and listeners alike have applauded the album’s energy and range, a heated debate has surfaced around how its chart performance is being measured. The controversy centers on Cardi’s decision to include blockbuster singles like “WAP” on the tracklist. Those songs were global smashes when they first dropped but never officially appeared on an album until now.

Industry observers point out that under current rules, when older singles are added to a new album, their massive streaming numbers count retroactively toward the project. This, I never knew. In Cardi’s case, the billions of streams attached to those past hits suddenly appear as part of her new album’s data. That has reportedly supercharged Am I the Drama? on the charts, creating what some see as an advantage that doesn’t reflect its real-time reception.

Critics are calling this a loophole, arguing that it gives artists with huge back catalogs an easy way to inflate first-week numbers. Some are even pushing for labels, the RIAA and even streaming services to revisit their formulas. Some argue this creates an uneven playing field for artists without megahits.

Honestly, fans appear less concerned with loopholes and more focused on the music itself. Social media has been buzzing. People are praising Team Cardi and their ability to balance commercial appeal with street sensibility. For everyday listeners, the debate is somewhat moot and just muddies the water.

In business, the stakes are high. Chart positioning impacts revenue—period. Labels lean heavily on those numbers when negotiating brand deals, festival bookings and more. These older hits make the money move and funds the big budget artistry we praise. So there’s that.

READ ALSO: Cardi B Bolts To No. 1, Breaking Nicki Minaj’s Speed Record

The ripple effect also touches Cardi’s foes and that may not be an issue. Nicki Minaj previously held a speed record for fastest jump to the top of the chart. Well, that milestone has been surpassed by Cardi’s totals under the current rules. The competitive nature of rap means these numbers matter…to everyone.

Whether the system changes or not, Am I the Drama? has cemented its place as one of the year’s most talked-about releases. Put a dot at the end of that. We also can see that, after seven long years, she had the goods to make a worthy project. For fans…they hope it doesn’t take another seven years for the next album.

Cardi B Says Offset Demanding Millions, Wants Her To Pay His Taxes, Holding Her Hostage

Cardi B’s divorce drama hit a whole new level after she said Offset is trying to squeeze her for millions, make her pay his taxes, and won’t let her walk away from their marriage unless she coughs up a house.

During a convo on X Spaces, Cardi didn’t sugarcoat what she’s been dealing with.

“The only way I can get out of my marriage if I pay for somebody else’s taxes, even though I pay for my own, and give them one of my properties. I’m not, I’m fighting for that,” she said.

Cardi said she’s feeling trapped but vowed that Offset would never stop her from living her best life.

“I’m not gonna stop living my life because I’m practically still married because somebody want to held [sic] me hostage if I don’t give them millions of dollars to get out of it. So that’s what I’m going through in life.”

The Bronx-born rap queen filed for divorce from Offset on July 31, 2024, in New Jersey after seven years tied up in marriage. They jumped the broom back in 2017 and now have three kids together — Kulture, Wave and baby Blossom, who Cardi gave birth to during the divorce process.

She’s also pregnant again, this time with her fourth child, her first with Stefon Diggs, whom she’s been dating since late 2024. The baby is due before her “Little Miss Drama” arena tour kicks off in early 2026.

Offset, on the other hand, has three other kids from previous relationships. And while cheating rumors have followed him for years, Cardi hasn’t forgotten. She filed for divorce once before in 2020, but ended up calling it off.

Now, she says the split has been anything but smooth.

“I don’t like broken homes, but guess what? My Kids? They don’t give a f###. You wanna know why my kids don’t give a f###? Because they, life have not changed,” Cardi B fumed.

Offset dropped a breakup track called “Move On,” which Cardi said made her laugh. She clapped back publicly, telling him to “just sign the papers.”

She’s asking for child support and primary custody, but the divorce still isn’t final. She’s hoping Offset can grow up for the kids’ sake, but in the meantime, she’s not letting him bully her into writing a fat check to walk away.

Jimmy Kimmel Returns To ABC Following Backlash Over Controversial “Suspension”

Jimmy Kimmel will be back behind the desk on Jimmy Kimmel Live! Tuesday (September 23) after ABC axed the show “indefinitely” last week following intense criticism over his remarks about conservative commentator Charlie Kirk.

The network confirmed the late-night program’s return after what it described as “thoughtful conversations” with its parent company, Disney. The move comes days after the show was abruptly pulled from the air.

“Last Wednesday, we made the decision to suspend production on the show to avoid further inflaming a tense situation at an emotional moment for our country. It is a decision we made because we felt some of the comments were ill-timed and thus insensitive. We have spent the last days having thoughtful conversations with Jimmy, and after those conversations, we reached the decision to return the show on Tuesday,” an ABC spokesperson said.

The controversy began after Kimmel addressed the killing of Charlie Kirk during his monologue last week. “We hit some new lows over the weekend with the MAGA gang desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and with everything they can to score political points from it,” he said.

The statement triggered swift backlash. FCC Chairman Brendan Carr called on ABC to take action, saying, “find ways to change conduct, to take action, frankly, on Kimmel, or there’s going to be additional work for the FCC ahead.” He also described Kimmel’s comments as “some of the sickest conduct possible.”

Within hours, Nexstar Media Group, which owns dozens of ABC affiliates, announced it would “preempt Jimmy Kimmel Live! for the foreseeable future” due to its “strong objection” to Kimmel’s remarks. Sinclair Broadcast Group followed with a similar stance.

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Disney then opted to halt the show, prompting days of internal discussions between the network and Kimmel as public pressure mounted from across the political spectrum.

High-profile entertainers including Tom Hanks and Meryl Streep condemned what they called “government threats to our freedom of speech.” Tatiana Maslany, who stars in Disney+’s She-Hulk: Attorney at Law, encouraged viewers to cancel their Disney subscriptions.

Kimmel’s fellow late-night hosts—Stephen Colbert, Jimmy Fallon, Seth Meyers and John Oliver—voiced their support, as did former hosts David Letterman, Conan O’Brien and Jay Leno.

Even Sen. Ted Cruz, a Republican and chair of the Senate Commerce Committee, which oversees the FCC, weighed in. He warned that silencing speech through government pressure could set a dangerous precedent. “Democrats, when they next enter the White House, could use the precedent to silence conservatives,” he said.

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