Yung Bleu shared a deeply personal Instagram tribute after the death of his father, revealing the emotional toll the loss has taken on him.
The Mobile, Alabama, rapper poured his sorrow into a raw message to his followers, expressing the pain of losing what he called his “biggest supporter.”
“I been hoping I wake up and this is a bad dream,” he wrote. “I’ve been fighting anger and grief for the last 24 hours. I’ve been distant to my family. I pray I get better.”
The 31-year-old artist, known for his hit “You’re Mines Still,” continued to reflect on the emptiness left behind.
“I’ve lost so much and such a big piece of me I feel empty,” he said. “I lost my biggest supporter, I lost a great father. I’m still Mad at you!! Why would you leave me like this?”
His words painted a vivid picture of the emotional weight he’s carrying, revealing how the pain has distanced him from loved ones and left him questioning his strength.
“Please watch over me dad cuz I’m not as strong as I pretended to be. I had to stay strong for everybody. I had to be the strong structure that I never wanted to be,” he added.
In a follow-up post, Yung Bleu shared joyful memories with his father, posting videos that showed lighter moments from their time together. “Gone miss you so much pops ima remember these moments forever,” he wrote alongside the clips.
The Hip-Hop community quickly responded with support. Artists including Fabolous, Hitmaka and Anthony Hamilton offered condolences in the comments, standing in solidarity with Bleu as he navigates the loss.
Joyner Lucas is facing a federal lawsuit in California after reposting a VladTV interview clip to his social media without permission or credit, allegedly to boost his own visibility.
Vlad accuses the rapper of copyright infringement for sharing a video from VladTV’s interview series. The clip features comedian Aries Spears mocking British rap and was originally titled “Aries Spears Clowns British Rappers: That S**t Sounds Ridiculous! (Part 12).”
According to the lawsuit, Lucas uploaded the five-minute segment to his @joynerlucas account on X on July 6. The filing claims he cropped out the VladTV watermark before sharing it with his 1.5 million followers.
The post quickly gained traction, pulling in 4.4 million views, 2,800 reposts and 20,000 likes before X removed it in response to a Digital Millennium Copyright Act takedown request.
DJ Vlad, whose real name is Vlad Lyubovny, owns Hot In Here, Inc., the parent company of VladTV. His attorneys argue that Lucas knowingly used the copyrighted material to drive traffic to his account and promote his brand.
The lawsuit says Joyner Lucas “encouraged” others to share the video, which allegedly led to further unauthorized distribution. It also claims the rapper profits from increased engagement on his social media, using viral posts to promote music and merchandise.
Before filing the lawsuit, Hot In Here says it attempted to resolve the issue out of court. Vlad was willing to drop any potential legal action in return for an interview with Joyner Lucas. However, negotiations reportedly fell apart after Lucas’s manager, Dhruv Joshi, sent an “expletive-filled text message” to VladTV’s legal team from Joyner Lucas himself.
“Dear vlad…. Suck my d##k. Call your attorney and do whatever you have to do. I wasn’t ever doing an interview with you before in this lifetime and your def not a getting an interview now. So settle your legal matters however you want to settle them p##sy. I always thought you was a b##ch and this just confirms the kind of b##ch you are. No way in this lifetime or the next will I ever allow someone like you to try to extort me out of an interview. You got me all the way f##ked up.
Vlad is seeking up to $150,000 in statutory damages, legal fees and a permanent injunction blocking Lucas from using any VladTV content in the future. It also wants a full accounting of any profits Lucas may have earned from the post.
VladTV, which boasts over six million YouTube subscribers, is recognized for its in-depth interviews with artists, comedians, and Hip-Hop figures. The platform has become a major outlet for commentary and cultural discussion in the genre.
Joyner Lucas is a platinum-selling, Worcester, Massachusetts native known for collaborations with Will Smith, Chris Brown, Timbaland, Lil Baby, Future, Eminem and others.
50 Cent took another jab at Diddy Tuesday night (November 4), mocking reports that the incarcerated mogul is telling fellow inmates at FCI Fort Dix that Donald Trump will pardon him in early 2026.
“No he not pardoning you, you said some really nasty things,” 50 posted on Instagram, wasting no time ridiculing Diddy’s alleged optimism about clemency from Trump. “Stop crying your in PC in Jersey PUNK!”
The jab followed a TMZreport that claimed Diddy has been spreading word behind bars that he’s expecting a presidential pardon. According to prison sources, Diddy is bragging about Trump pardoning him in early 2026.
Diddy is currently serving a 50-month sentence at the low-security federal prison in New Jersey after being convicted on charges related to transportation for prostitution.
He was acquitted of more serious sex trafficking and racketeering charges. Combs was transferred to Fort Dix in October 2025 following over a year in federal custody at the Metropolitan Detention Center in Brooklyn.
Diddy Blasts Donald Trump In Past Remarks
Despite a rocky political history with Trump—including Combs’ endorsement of Joe Biden in 2020—his legal team has reportedly been in talks with some White House officials.
Trump has acknowledged he’s considering clemency, though some of his advisors are reportedly urging him to steer clear.
Back in 2020, Diddy made his stance on Trump crystal clear in both interviews and tweets.
“White men like Trump need to be banished. That way of thinking is truly dangerous,” he said in one interview.
He also tweeted, “The NUMBER ONE priority is to get Trump out of office. HE HAS TO GO. We can’t allow this man to continue to try and DIVIDE US.”
Still, Diddy seems confident that Trump might overlook the past. While he hasn’t made any public statements about a possible pardon, insiders at Fort Dix claim he’s been promising support to fellow inmates once he’s released.
50 Cent, never one to miss an opportunity to troll, recently mocked Diddy after new prison photos surfaced.
“He look happy to me, with all them handsome men around,” he wrote, continuing his long-running habit of needling Combs.
Even without a pardon, Diddy’s legal team has secured a fast-track appeal that could reduce his sentence.
If no changes are made, his earliest possible release date is May 8, 2028; however, this could be shortened with time served and participation in prison programs.
Malaysian rapperNamewee reported to Malaysian police in Kuala Lumpur after the death of Taiwanese influencer Iris Hsieh was upgraded to a murder probe tied to their video project.
The 42-year-old artist arrived at the Dang Wangi police headquarters early Wednesday morning, November 4, wearing a black face mask and his signature beanie.
Namewee, whose legal name is Wee Meng Chee, reportedly turned himself in after authorities reclassified the death of Iris Hsieh Yu-hsin as a homicide.
The 31-year-old social media personality—widely known online as the “nurse goddess”—was found unresponsive in a hotel bathtub on October 22.
She had traveled to Malaysia just two days earlier to reportedly collaborate with Namewee on a video project.
Police initially treated Hsieh’s death as sudden and unexplained. But on Tuesday (November 4), Kuala Lumpur authorities announced the case had been reclassified as murder following new developments in the investigation.
A magistrate approved a six-day remand order, holding Namewee in custody until November 10.
His attorney, Joshua Tay, confirmed that police had requested a seven-day detention, but the court granted one day less.
The rapper also faces unrelated charges for alleged drug possession and use, which he denies.
Hsieh, who had a background in nursing, built a strong online following through her modeling and lifestyle content. Her visit to Malaysia was scheduled to last from October 20 to October 24.
Namewee first drew national attention in 2007 when a controversial parody of Malaysia’s national anthem went viral.
Since then, he’s remained a divisive figure in the region’s music scene, known for politically charged lyrics and frequent criticism of governments, including China’s.
Investigators continue to review hotel surveillance footage, interview staff, and examine travel records. Toxicology and postmortem results are still pending as officials work to determine the cause of Hsieh’s death.
Spotify pushed back against a new class-action lawsuit filed in federal court that accuses the streaming giant of reviving payola through its controversial Discovery Mode feature.
The complaint, filed Tuesday (November 4) in Manhattan by New York resident Genevieve Capolongo, claims Spotify misleads subscribers by promoting algorithm-based playlists like “Discover Weekly” and its AI-powered “DJ” while allegedly allowing labels to pay for increased visibility through royalty discounts.
Capolongo alleges the platform “charges listeners for the privilege of being deceived,” arguing Spotify fails to disclose that some playlist recommendations are influenced by financial arrangements.
The lawsuit compares the practice to the well-known radio payola scandals of the 20th century and seeks restitution, punitive damages and a court order requiring Spotify to reveal when money or royalty deals factor into playlist placement.
In a sharp rebuttal, Spotify dismissed the accusations as baseless and riddled with errors.
“The allegations in this complaint are nonsense,” the company said. “Not only do they misrepresent what Discovery Mode is and how it works, but they are riddled with misunderstandings and inaccuracies.”
Spotify explained that Discovery Mode allows artists to highlight specific songs for algorithmic consideration in limited areas such as Radio, Autoplay and select Mixes.
The company emphasized that the tool does not influence editorial playlists or guarantee plays.
“Discovery Mode is a feature artists can use to flag priority tracks for algorithmic consideration in limited contexts: Radio, Autoplay, and certain Mixes. It doesn’t buy plays, it doesn’t affect editorial playlists, and it’s clearly disclosed in the app and on our website,” the statement continued.
Spotify also pointed out that the lawsuit misrepresents how Discovery Mode functions, noting it is not used in all algorithmic playlists, including “Discover Weekly” or “DJ,” as the suit claims.
“The complaint even gets basic facts wrong: Discovery Mode isn’t used in all algorithmic playlists, or even Discover Weekly or DJ, as it claims,” the company added.
The platform further rejected the idea that Discovery Mode favors major labels, saying the feature has been widely adopted by independent artists.
“It’s also wrong to suggest Discovery Mode only supports major label artists. In fact, it’s been widely embraced by the independent music community, many of whom have praised the program publicly,” Spotify said.
This lawsuit comes just days after another class-action complaint was filed by West Coast rapper RBX, who accused Spotify of turning a blind eye to fraudulent streams that inflate numbers for top-tier artists like Drake while reducing payouts for smaller acts.
Both legal challenges have intensified scrutiny of Spotify’s algorithmic transparency and its promotional practices. The Capolongo case was filed in federal court on November 4.
Chuck D called out the music industry’s leadership and Billboard‘s policies after rap vanished from the Top 40 for the first time in over three decades.
During an interview with Rock The Bells Tuesday (November 4), the Public Enemy founder didn’t hold back, blaming the genre’s absence on a broken system.
“Lack of curation, administration and caretaking,” he said, describing what he sees as the core issue dragging rap down.
His remarks came just days after Kendrick Lamar’s “luther” featuring SZA was removed from the Billboard Hot 100.
The track had spent 46 weeks on the chart but fell to No. 38, triggering a new rule that reclassifies songs as “recurrent” if they dip below No. 25 after 26 weeks.
That left NBA YoungBoy’s “Shot Callin’” stuck at No. 44, marking the first time since 1990 that no rap song appeared in the Top 40.
“When you have a cluster of people writing the same song, things are gonna fall on the floor,” Chuck D said, criticizing the genre’s creative repetition and lack of identity. He argued that many modern rap songs sound interchangeable and fail to stand out.
Chuck D Compares Hip-Hop To Rock Music
The 65-year-old trailblazer compared rap’s current state to rock music, which he believes has managed to stay relevant by embracing variety.
“Rock has it figured out, they have songs and acts that vary in subject matter,” he said. “We have that in Hip-Hop, and we had a lot more diversity in Hip-Hop before.”
Chuck D also pointed to a deeper issue—industry infrastructure. He reflected on a time when Hip-Hop had stronger support systems, with executives and managers who helped artists navigate the business and maintain visibility.
He referenced acts like Kwamé and D.M.C. as examples of how different styles once thrived under better guidance.
Still, he believes the genre hasn’t flatlined. “We will have songs [in the Top 40] again, right now it’s like the hole in the hurricane,” Chuck D said, suggesting the current drought is temporary.
The last time Hip-Hop was completely absent from the Top 40 was in 1990, when Biz Markie’s “Just A Friend” had exited the chart.
The current dry spell, however, was short-lived. Megan Thee Stallion’s “Lover Girl” debuted at No. 38 on the Billboard Hot 100 for the week of November 8, officially breaking the drought.
Chuck D closed with a message aimed at the next generation of artists and executives: “Art has to be fought for, but to fight for it you have to know what it is.”
Busta Rhymes is being accused of weaponizing the legal system to suppress his former assistant’s speech after a $6 million lawsuit alleged physical assault and workplace misconduct.
In a new court filing submitted to the U.S. District Court for the Eastern District of New York, Dashiel Gables pushed back against the Hip-Hop icon’s defamation countersuit, calling it a “retaliatory Strategic Lawsuit Against Public Participation,” or SLAPP.
Gables claims the countersuit was filed to punish him for speaking out and exercising his “constitutional right to petition for redress of grievances.”
Gables, who worked for Rhymes between July 2024 and January 2025, maintains that all his public statements and legal claims are accurate and protected by law.
“Truth is an absolute defense to defamation under state and federal law,” his legal team wrote in the filing.
The dispute stems from an incident on January 10, 2025, when Gables alleges Rhymes punched him in the face during an argument in the lobby of the rapper’s Brooklyn residence.
Gables claims he was later fired for reporting the incident to the police and has since suffered emotional distress, unpaid wages, and professional blacklisting.
His attorneys argue that Gables made false and damaging claims to the media and at a press conference, including accusations that Rhymes spat on staff, made threats, and forced another assistant to unclog a toilet with his bare hands.
Busta Rhymes’ legal team is seeking damages and a retraction.
Gables argues that the countersuit is not only meritless but also an attempt to silence him through intimidation.
“The statements in Plaintiff’s Complaint are protected by the First Amendment to the United States Constitution,” his attorneys stated.
He also contends that his claims involve “matters of public interest,” such as workplace safety and alleged violence by a public figure, which he believes should receive “heightened constitutional protection.”
The former assistant is asking the court to dismiss Rhymes’ counterclaim entirely, award him attorney fees, and impose sanctions on the rapper for what he calls a “frivolous and retaliatory counterclaim.”
The court has not yet ruled on the motion to dismiss the countersuit.
DJ Premier expressed outrage after mourners violated the privacy wishes of D’Angelo’s family by sharing funeral content on social media platforms, including Instagram and Twitter (X).
The legendary Gang Starr producer took to video to condemn attendees who disregarded explicit instructions to keep the November 1 Virginia service private. According to Premier, guests were required to complete applications for attendance and specifically told not to film or post any material from the viewing or burial ceremony.
“You got to fill out an application to get in and get approved,” Premier stated in his emotional response. “And before you submitted it as a thing at the bottom that said, ‘Please don’t post, please don’t film. And let’s keep it private for the viewing and the service.'”
Despite these clear guidelines, footage and images from the neo-soul icon’s final farewell began circulating online, including program details and cemetery location information. The producer of classics like “Above the Clouds” expressed his disappointment at witnessing such disrespect.
“People are running amok all over there, and they’re posting sh*t, posting the program with the whole service, and even the cemetery,” Premier continued. “That shows that fake love is even at your funeral, man, but it is what it is.”
The Hip-Hop veteran acknowledged that while discussing the service was acceptable, violating the family’s trust by sharing private moments crossed a line. He praised D’Angelo’s relatives for their strength during the difficult time, particularly highlighting speeches given by the singer’s children and brothers.
Premier concluded his message by honoring the late artist: “Michael Eugene Archer, we love you, my dude, D’Angelo. Forever, man. And to Infinity, you already know the love is real over here.”
The controversy highlights ongoing issues with social media etiquette at private events, particularly when families explicitly request discretion during their most vulnerable moments.
D’Angelo died at age 51 on October 14, following a prolonged and private battle with pancreatic cancer. His family confirmed his passing in a heartfelt statement, reflecting on his courage in facing the disease and expressing gratitude for the legacy of music he leaves behind.
D’Angelo was laid to rest in Virginia and is remembered as a trailblazer who reshaped the landscape of soul and R&B with acclaimed albums like Brown Sugar, Voodoo and Black Messiah. Tributes poured in from across the music world, celebrating both his immense talent and the profound influence of his work, as fans and fellow musicians mourned his loss and honored the indelible mark he made on modern music.
50 Cent didn’t mince words after Zohran Mamdani clinched the mayoral seat in New York City on Tuesday (November 4), using Instagram to vent his frustration.
The Hip-Hop mogul posted a photo of a New York Yankees cap tossed in a storage bin with the caption: “New York is over pack it up, let’s go! THE MAN’S First job is Mayor MAMDANI run New York.”
He also tagged his liquor brand and added, “I need a drink!”
The reaction came hours after Mamdani made history, becoming the city’s first Muslim mayor and its youngest in over 100 years at age 34.
Mamdani triumphed over former Governor Andrew Cuomo, who ran as an independent, and Republican Curtis Sliwa. The election drew more than two million voters—the highest turnout in over five decades, according to NBC News.
50 Cent has been a vocal critic of Mamdani’s platform, particularly the proposed tax increase on high earners and changes to public safety strategies.
He previously warned that Mamdani’s policies could push wealthy residents out and destabilize the city.
Zohran Mamdani Responds To 50 Cent
Mamdani, appearing on MSNBC’s The Beat with Ari Melber, addressed the rapper’s critique with a mix of humor and policy explanation.
He said he learned about his own salary from a viral Instagram post that joked, “50 Cent offers Mamdani $258,000 and a first-class one-way ticket out of New York.” Mamdani said he found it funny.
The new mayor defended his plan to raise taxes by 2% on individuals earning over $1 million annually. He argued the money would go toward improving essential services like libraries and sanitation.
He emphasized that even wealthy New Yorkers would benefit from a more efficient city.
On public safety, Mamdani clarified that he does not support abolishing the NYPD. Instead, he wants to establish a Department of Community Safety to handle non-criminal emergencies such as mental health crises. His plan includes expanding the B-HEARD program, which deploys social workers and EMTs to mental health-related 911 calls.
Despite their political clash, Mamdani admitted he still listens to 50 Cent’s music. “Many Men” remains on his playlist.
Cher dismissed public judgment and praised her relationship with Alexander “AE” Edwards during a sit-down with Gayle King on CBS Mornings, where the music legend promoted her latest business move—a line of gelato.
The 79-year-old icon, who turns 80 next May, didn’t shy away from discussing her three-year romance with the 39-year-old Hip-Hop executive. When asked about their bond, Cher lit up.
“We laugh all the time, you know? I just love him,” she said. “I think he’s beautiful. He’s really talented. He’s one of the most talented persons I’ve ever met.”
Critics have long questioned the couple’s 40-year age difference, but the “Believe” singer made it clear she’s not losing sleep over anyone’s opinion.
“Whatever,” she said bluntly. “They’re not living my life. Nobody knows what goes on between us, but we just have a blast.”
Cher also spoke warmly about spending time with Edwards’ six-year-old son, whom he shares with Amber Rose, calling the child “smart, funny” and “a delight.”
“I used to say, ‘God, give me a toddler and a man,’” she added. “Exactly” what she got, she joked.
This isn’t the first time Cher has addressed the age gap. On The Kelly Clarkson Show in December 2022, she acknowledged the difference but brushed it off.
“Well, on paper it’s kind of ridiculous,” she said. “But in real life, we get along great. He’s fabulous, and I don’t give men qualities that they don’t deserve.”
Cher’s new gelato line was the original reason for the CBS interview, but her relationship with Edwards took center stage, once again proving that the pop legend lives life unapologetically on her own terms.
GloRilla delivered the ultimate retirement gift to her father, Edwin C. Woods Sr., this past weekend, presenting him with a gleaming white Jaguar during an emotional celebration in Memphis.
The 26-year-old Hip-Hop sensation organized an elaborate retirement party on November 3 to honor her father’s completion of a 29-year career with the United States Postal Service.
Video footage from the event shows the “F.N.F.” hitmaker addressing the gathered crowd before leading her father outside for the surprise vehicle presentation.
The emotional moment captured Woods Sr., visibly moved as his daughter revealed the luxury automobile, marking another milestone in their close relationship.
The gesture comes during a banner year for the Memphis native, who was recently crowned Billboard’s Top Female Rapper of 2024. GloRilla’s career trajectory has been nothing short of remarkable since her breakout in 2022.
Her debut studio album, Glorious, released in October 2024, peaked at No. 2 on the Billboard 200 and earned placement at No. 25 on Rolling Stone’s Best Albums of 2024 list. The project solidified her position as one of Hip-Hop’s most promising talents, with industry observers noting her rapid ascent from underground artist to mainstream powerhouse.
Currently a three-time Grammy nominee with five Top 40 hits, GloRilla has transformed from a budding church singer into a chart-topping artist with endorsement deals from Adidas and Fenty.
Her appearances on Saturday Night Live and performances at major festivals, such as Coachella, have solidified her status in mainstream culture.
The 2025 Grammy nominations are expected to be announced on November 7, with industry insiders anticipating that GloRilla’s “Glorious” album will receive recognition.
A$AP Rocky is facing a $1.1 million lawsuit after a contractor working on his $11 million New York City condo allegedly caused a “catastrophic” flood that left his downstairs neighbor’s apartment “completely uninhabitable.”
The lawsuit blames the December 23, 2024, incident on “negligence of the putative owner of Unit 5N, Rakim Athelaston Mayers (a/k/a A$AP Rocky),” and local contractor ADE Pro Painting, according to court documents obtained by The Independent.
The Hip-Hop star’s sumptuous, full-floor home features a private elevator, and the 3-bedroom, 3.5-bath loft boasts oak floors and custom ceiling beams.
Unit 4NF, which sold in 2021 for $6.5 million, “suffered damage and destruction” to its “fixtures, furnishings and improvements,” as well as to “furniture, clothing, and personal items,” of at least $700,000, the suit contends.
The apartment’s residents have spent some $200,000 on alternate living arrangements since the incident.
The unit’s ceilings, walls, floors and electrical circuitry had to be “torn apart and replaced,” and the space “remains uninhabitable,” according to the suit.
“I want to say that I signed an NDA with the rapper, so that prevents me from providing certain details,” the owner of ADE Pro Painting told The Independent in an email. “I want to say that we are also affected from this situation, and we did not get pay [sic] for certain services provided.”
The flood can be traced back to the evening of December 23, 2024, when “several hot water pipes in and around Unit 5N… burst,] causing a deluge of water to cascade from Unit 5N into and around Unit 4NF below, the complaint states.
A third-party contractor discovered that crucial radiator supply valves had been left closed and that no return valves had been installed, the complaint continues.
Kang and Chez Ni LLC are now seeking a minimum of $900,000, an additional $200,000 from the condo board, and $42,000 for remediation.
The rapper was previously sued by a former landlord in 2016 for allegedly turning a Lower Manhattan apartment’s “custom made walk-in wardrobe” into a recording booth and leaving the unit “in a generally filthy state with dirt, huge piles of debris, and garbage throughout” the residence.
Earlier this year, a Los Angeles jury acquitted Rocky on felony assault charges after allegedly shooting at A$AP Relli during a 2021 dispute.
Blueface wasted no time throwing down the gauntlet for a boxing showdown with Jake Paul during his first post-prison interview, declaring himself ready to step into the ring after gaining 60 pounds behind bars.
The “Thotiana” rapper appeared on DDG‘s livestream just hours after walking free from Lancaster State Prison on November 3, where he served 21 months for a probation violation stemming from a 2021 assault case.
The Los Angeles native revealed his dramatic physical transformation was completely intentional – he deliberately bulked up by gorging on mashed potatoes and oatmeal until he vomited, using his own commissary funds to fuel the weight gain.
When DDG asked about returning to professional boxing, the rapper immediately set his sights on the biggest name in celebrity combat sports.
“That Jake Paul fight, I can retire off that. I heard you had that bag. I’m ready and I Got. It might be so good, he won’t take it,” Blueface explained to DDG.
The timing couldn’t be more perfect for the challenge.
Jake Paul‘s promotional company, Most Valuable Promotions, announced the cancellation of the Davis bout due to legal complications surrounding a civil lawsuit filed against the lightweight champion.
The Netflix-streamed event was expected to be one of the year’s biggest celebrity boxing spectacles before imploding just days before the scheduled date.
The rapper’s boxing ambitions aren’t entirely new – he previously stepped into the ring for exhibition matches before his incarceration; however, he has never faced an opponent of Paul’s caliber or promotional reach.
Paul, who most recently defeated Mike Tyson in a highly publicized bout on Netflix, has built his boxing career on high-profile celebrity matchups and social media feuds.
The YouTube star-turned-professional boxer has consistently sought opponents who can generate maximum buzz and pay-per-view buys, making Blueface’s fresh-out-of-prison narrative potentially appealing for promotional purposes.
While Paul hasn’t responded to Blueface’s challenge, the timing creates an intriguing opportunity for both fighters.
Jake Paul needs a replacement opponent after the Davis debacle, while Blueface seeks to rebuild his public profile following his two-year absence from the spotlight.
Cam’ron stayed silent when pressed about his lawsuit against J. Cole during a preview of the upcoming “Talk With Flee” podcast, sidestepping direct questions about the ongoing legal dispute over their collaboration “Ready ’24.”
In a teaser clip from the episode, which drops Wednesday (November 5), co-host Sen City wanted answers from Cam.
“You suing J. Cole? Because I got questions about that,” he asked. Cam’ron didn’t respond.
Sen City kept pushing. “J. Cole, that’s the prodigal son from North Carolina. Why are you suing J. Cole, my n####? He don’t bother nobody.”
Still, Cam’ron said nothing.
Trying again, Sen City asked if Cole’s rising status in Hip-Hop might change Cam’s mind. “Aight, you don’t wanna answer. Well, just answer this: he’s on his way to being a rap legend. That don’t make you just wanna be like, ‘Nah. You know what…let bygones be bygones’ or whatever the case may be?”
Cam finally broke his silence. “I think J. Cole definitely gonna be a rap legend. 100 percent. Definite.”
However, when asked, “But he don’t get a pass,” Cam’ron clammed up again.
Sen City ended the exchange with a sigh: “Aight, man. Y’all see, I be trying.”
The lawsuit, filed earlier this year, accuses J. Cole of breaching an agreement tied to “Ready ’24,” a track featured on Cole’s 2024 mixtape, Might Delete Later.
According to court documents, Cam’ron claims he provided vocals and lyrics for the song but was only credited as a co-author of the composition—not as a performer.
Cam’ron also alleges that Cole agreed to either appear on his podcast It Is What It Is or deliver a guest verse on a Cam’ron record in return for the contribution. Neither happened, according to the suit.
After months of delays and no response from Cole, Cam’ron says he had no choice but to take legal action.
He’s seeking at least $500,000 in royalties and profits, along with official credit as a co-author on the sound recording and a full financial breakdown from Universal Music Group.
As of now, neither J. Cole nor UMG has responded publicly to the allegations.
Tion Wayne found himself at the center of a police response after his music video production caused traffic to come to a standstill in one of England’s most scenic locations.
The London-based Hip-Hop artist temporarily shut down Winnats Pass in Derbyshire’s Peak District on October 19 while filming scenes for his upcoming single “Streets a Lie.”
The 31-year-old rapper positioned a black Rolls-Royce Cullinan as the centerpiece for his video shoot in the National Trust-managed location. According to the BBC, law enforcement officers responded to the scene and successfully cleared the roadway.
The Winnats Pass filming wrapped up without further incident once police intervention resolved the traffic disruption.
Wayne later acknowledged the incident on his TikTok platform, stating he “locked off Peak District till the Feds came.” The artist also quipped, “Winnats Pass Gave Us A Pass” in reference to the filming experience.
The Edmonton native has established himself as a prominent figure in UK drill and rap music since overcoming early career setbacks.
His collaboration, “Body,” with Russ Millions achieved historic significance as the first drill track to reach number one on the UK charts, maintaining that position for eight consecutive weeks in 2021. The song earned Wayne and Millions the MOBO Award for Song of the Year.
Wayne’s recent Peak District adventure generated significant online engagement, with one video from the trip accumulating over five million views within days of posting.
The rapper’s career trajectory includes notable achievements such as his BRIT Award nomination and platinum-selling success with “Body.” His partnership with Russ Millions on tracks like “Keisha & Becky” helped establish his mainstream recognition beyond the UK drill scene.
The incident occurred during what appears to be an active period for the artist, who has maintained relevance in the competitive UK Hip-Hop landscape through strategic collaborations and viral social media presence.
The controversy is similar to an event in the United States, when Philadelphia rapper Armani White blocked the I-75 Interstate in Kentucky to shoot a music video.
In Armani White’s case, he ended up being cuffed and hauled off to jail.
Zohran Mamdani toppled political heavyweight Andrew Cuomo in a landslide Tuesday night (November 4) to become New York City’s first Muslim mayor and its youngest leader since 1892, flipping the city’s political order with a campaign rooted in progressive ideals and grassroots momentum.
The 34-year-old Zohran Mamdani emerged from relative obscurity as a Queens state assemblyman to claim the top job in America’s largest city, powered by a platform focused on housing reform, economic fairness and immigrant rights.
His win marks a sharp rejection of establishment politics and a generational shift in the city’s leadership.
“This is not just a victory for one campaign, but a victory for every New Yorker who believes our city can work for everyone, not just the wealthy few,” Mamdani told an energized crowd at his Brooklyn campaign headquarters.
He continued, “New York will remain a city of immigrants, a city built by immigrants, powered by immigrants, and as of tonight, led by an immigrant.”
Mamdani: "New York will remain a city of immigrants, a city built by immigrants, powered by immigrants, and as of tonight, led by an immigrant." pic.twitter.com/QF3up3c4k0
In a pointed moment during his victory speech, Mamdani took aim at Donald Trump, declaring, “We can respond to oligarchy and authoritarianism with the strength it fears, not the appeasement it craves. After all, if anyone can show a nation betrayed by Donald Trump how to defeat him, it is the city that gave rise to him.”
Mamdani: "We can respond to oligarchy and authoritarianism with the strength it fears, not the appeasement it craves. After all, if anyone can show a nation betrayed by Donald Trump how to defeat him, it is the city that gave rise to him." pic.twitter.com/mvGcsN01Xt
Mamdani’s campaign pledged rent freezes, expanded labor protections and free public services, including daycare and bus transportation. He also proposed city-run grocery stores to address food insecurity in underserved neighborhoods.
Born in Uganda and raised in New York, Mamdani’s path to City Hall is anything but conventional.
Before stepping into politics, he performed under the rap name “Young Cardamom” and credited the Hip-Hop group Das Racist as an early influence. His political journey began after discovering that Himanshu Suri, better known as Heems of Das Racist, was supporting a local council candidate — a moment that inspired Mamdani to get involved and ignited his passion for public service.
The son of filmmaker Mira Nair and academic Mahmood Mamdani, he faced accusations of being a “nepo baby,” but his campaign leaned heavily on door-knocking, community events and digital outreach to build support.
His track record as a foreclosure prevention counselor and state legislator helped him earn trust in his Queens district, where he’s been re-elected three times since 2018.
Mamdani’s vocal advocacy for Palestinian rights became a flashpoint during the campaign. His descriptions of Israel as an “apartheid regime” and the Gaza conflict as “genocide” drew criticism from some Jewish leaders.
Trump escalated the rhetoric on election day, calling Mamdani a “little communist” and “a proven and self-professed JEW HATER.”
You literally had dinner with Nick Fuentes — a Holocaust denier. Remember that before you start preaching. pic.twitter.com/IpI5GF72tL
Mamdani has consistently condemned antisemitism and Islamophobia, both of which he said he has personally experienced during his time in politics.
Cuomo, who stepped down as governor in 2021 amid sexual misconduct allegations, ran as an independent but failed to overcome Mamdani’s energized base of younger voters and progressive organizers.
The victory signals a broader shift in national Democratic politics, showing that candidates with unapologetically left-leaning platforms can win major races.
A$AP Rocky embraced his new role as a father to daughter Rocki Irish during an exclusive conversation at the 2025 CFDA Fashion Awards in New York City.
The Harlem-born rapper, whose legal name is Rakim Mayers, attended Monday night’s ceremony at the American Museum of Natural History, where he opened up about the joys of raising his first daughter with partner Rihanna.
The couple welcomed Rocki in September, adding to their family that includes sons RZA, 3, and Riot, 2.
When asked to define what being a “girl dad” means to him, Rocky offered a characteristically confident response. “A$AP Rocky in 2026, you know. Check me out,” he told People exclusively at the fashion industry’s premier awards ceremony.
The 37-year-old artist’s playful comment hints at his excitement about navigating fatherhood with a daughter after years of raising two boys.
Rocky’s appearance at the CFDA Awards comes just months after he was acquitted of felony assault charges in February 2025, with Rihanna standing by his side throughout the legal proceedings.
During a separate interview with Entertainment Tonightat the same event, Rocky expanded on his feelings about his newest family member. “Rocki is cuter than ever. You know, she’s my baby twin, so it’s amazing,” he shared. “I’m happy to be a girl dad at this point.”
The rapper acknowledged that his sons might experience some sibling rivalry with their new sister.
“I think they might get a little jealous from time to time, but they ain’t got to be,” Rocky explained. “It’s a lot of love to go around, but it’s going to probably take some getting used to. Shout out to my boys and my baby girl, man. Daddy love y’all.”
Rocky’s comments came on a significant night for both him and Rihanna in the fashion world. The couple was both honored at the ceremony. Rocky received the Fashion Icon Award, matching the same recognition Rihanna earned in previous years.
The Fashion Icon Award recipient has been balancing his music career with his growing family responsibilities.
Assata Shakur’s life and legacy are being brought to the screen through a new documentary and scripted series from filmmakers Giselle and Stephen Bailey, just weeks after the activist and former Black Liberation Army member died in exile in Cuba at age 78.
The sibling duo, known for HBO’s Seen & Heard: The History of Black Television, received full authorization from Shakur’s daughter, Kakuya Shakur, to tell the story of one of the most polarizing figures in American history.
The Baileys’ work includes Netflix’s Ladies First: A Story of Women in Hip-Hop and HBO’s The Legend of the Underground.
Civil rights icon Angela Davis has signed on as executive producer for the projects under the Baileys’ Indigo Films banner.
“Assata’s story is important to all Americans as it reveals the powers that divide us and our capacity to heal,” the Baileys said in a statement to Variety.
The documentary has already secured backing from Sundance, Firelight Media, the Concordia Fellowship and Chicken & Egg Films. Netflix’s creative equity fund helped provide a key research and development grant.
Civil rights attorney Lennox Hinds, who represented Assata Shakur for decades, granted the filmmakers exclusive access to legal archives and personal materials.
Shakur’s influence on Hip-Hop culture stretches far beyond her political activism. Her godson Tupac Shakur became one of the most iconic voices in rap.
Chuck D famously shouted her out in Public Enemy’s 1987 track “Rebel Without A Pause” with the line “supporter of Chesimard!” and Common paid tribute in his 2000 track “A Song for Assata,” which drew criticism when he was invited to perform at the White House in 2011.
“Hip-Hop culture inherently speaks truth to power and tries to act against power,” Rosa Clemente, a longtime grassroots organizer and Hip-Hop activist, told The Grio.com. “Assata Shakur, through her life and her freedom, not only speaks against power, she escaped from the most powerful military empire in the world.”
In a 2000 interview, Assata Shakur reflected on Hip-Hop’s potential to raise awareness, saying, “Hip-Hop can be a very powerful weapon to help expand young people’s political and social consciousness. But just as with any weapon, if you don’t know how to use it, if you don’t know where to point it, or what you’re using it for, you can end up shooting yourself in the foot or killing your sisters or brothers.”
Shakur remained a controversial figure throughout her life, with the FBI placing her on its Most Wanted Terrorist list in 2013. Despite the political firestorm surrounding her, she became a symbol of resistance and self-determination for generations of activists and artists.
Stefon Diggs turned a tight Patriots win and a touchdown grab into a lighthearted moment by poking fun at girlfriend Cardi B for her offbeat attempt at his end zone celebration during Sunday’s 24-23 victory over the Atlanta Falcons at Gillette Stadium.
The New England Patriots’ wide receiver hauled in an 11-yard score from rookie quarterback Drake Maye in the second quarter, helping New England build a 14-point cushion.
Watching from team owner Robert Kraft’s suite, Cardi B tried to mimic Diggs’ signature move—left hand over the face, right arm extended—but the execution didn’t quite land.
“It was alright. I think she was a little late, so I don’t know yet,” Diggs told reporters after the game. “I’ve got to do my homework. I’ve got to watch the tape on that one.”
The Houston native didn’t stop there. When asked about her dance form, he smiled and added, “She picked it up on her own. Dance moves are a little shaky, though, so I’ll look into that for y’all.”
The Grammy-winning rapper made her first public appearance at a Patriots game since the couple confirmed they were expecting their first child together.
Cardi B Celebrates Victory With Stefon Diggs
Cardi B, who is due before her February tour kicks off, leaned into her game-day experience, sharing Instagram videos from the suite and calling the celebration a “TD party.”
“We at the Gillette Stadium, as you can see, we’re out here in Boston having a little tea party,” she said in one clip. “A nice TD party, how about that? Big TD party.”
The Patriots narrowly escaped with the win after the Falcons missed a game-tying extra point with 4:40 left in the fourth quarter. New England ran out the clock to notch its sixth straight victory and keep its postseason hopes alive.
Cardi B’s stadium cameo marked her debut as a game-day partner for Diggs, who joined the Patriots earlier this season.
Their pregnancy reveal aired during a CBS News interview in September.
New England heads to Tampa Bay next Sunday to face the Buccaneers, where Diggs will look to extend his scoring streak—and maybe see a sharper version of Cardi’s dance routine.
Big U‘s son Daiyan Henley honored his murdered brother with a standout NFL performance just 48 hours after the Halloween night shooting outside a South Los Angeles smoke shop.
Daiyan Henley took the field Sunday (November 2) with a heavy heart and a mission.
The 25-year-old Los Angeles Chargers linebacker turned personal tragedy into professional focus, racking up seven tackles, a sack and a pass deflection in a 27-20 win over the Tennessee Titans—just two days after his older brother was shot and killed.
Henley’s brother, Jabari “Baby Uiie” Henley, was gunned down late Friday night near the corner of 69th Street and South Figueroa Street in South L.A. Witnesses say he was approaching a vehicle when someone inside opened fire.
After sacking Titans rookie quarterback Cam Ward, Henley paused, looked toward the sky and offered a silent tribute.
“I just wanted to talk to my brother one more time,” Henley told reporters after the game. “It was just an emotional moment for me just to be able to make a play on a day like this, just losing him so soon. Like I said, it’s been a long year for me, so I had to just send a prayer up and hopefully he heard it.”
The linebacker described Jabari as more than just a sibling.
“That’s like my best friend,” he said. “I called him a protector. One thing, he was a protector of our family.”
The murder of his brother is the latest blow in what Henley called the most difficult year of his life. His father, Eugene “Big U” Henley, a former Rolling 60’s Neighborhood Crips figure turned Hip-Hop executive, was arrested earlier this year on a sweeping federal indictment.
He faces 43 charges, including murder, kidnapping, extortion and fraud. He has denied all allegations.
Daiyan Henley Reflects On Big U’s Support From Behind Bars
Despite the emotional weight, Henley said his father encouraged him to stay locked in on the game.
“I had a lot of pain, man, a lot of pain,” Henley said. “I just wanted to go out there and just let it out, whatever I had to get out.”
“As traumatizing as all this is, I got a job to do,” he added. “For me, it was coming out here and handling a job first and then being emotional after, and everything hit me pretty hard.”
“It’s probably been the worst year of my life, to be quite honest with you.”
Henley also shared a deeply personal message on Instagram alongside a carousel of family photos.
“2025 has brought me more pain than joy and this one has been by far the biggest hit,” he captioned the post. “My family gone stand through the storm because thats who we are I’m gone make sure we straight big bro!!! I got nephew don’t even worry bout it Love you ALLAH BLESSED me with one more night with my big brother didn’t know you’d be gone the next day …. forever Uiie. Thank you all for the love and condolences; they truly mean the world to me and my family. We fighters”