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Why Live Music Still Matters in the Age of Digital Streaming

Live music performances remain essential despite digital streaming bringing music to fans through an on-demand format. Live performances persist in attracting audiences because they create unique concert experiences which will never be duplicated by playlists or algorithms. It surpasses digital streaming platforms because it creates an unfiltered artist-audience bond within energizing packed venues which remind us about the essential role music plays in human connection and artistic expression.

The Unique Atmosphere of a Live Show

Streaming music is great because we can listen to songs anywhere. But there is nothing like a live performance. The sound, the lights, the visuals, and the collective experience of being in a room with fans who are passionate about the music is an experience that can’t be replicated in a digital format. The noise of a live performance — the reverberation of bass, the precision of guitar pedals used by musicians to create intricate sounds — has a visceral quality. Every moment feels monumental in a room full of energy, anticipation charged.

The Irreplaceable Connection Between Artist and Audience

The interaction between artist and audience at a live show is unique in a way that no other medium could compare. There is something that unites the crowd when the lights dim, the roar begins, and the first notes ring out. It’s a collective experience where everyone there is, at that moment, connected to the music and each other. There is no algorithm that can generate that height of emotional intensity. A bond that digital streaming cannot capture is forged between the artist’s energy, the spontaneous interactions with the crowd, and the raw emotion of the performance.

The Thrill of the Live Performance

The element of surprise is one of the most compelling reasons why live music still matters. When you go to a concert, something amazing can happen. The artist might extend a guitar solo, reinterpret a song in a new way, or share an unexpected story. The unpredictability of live performances makes every show feel new, no matter how many times you’ve seen your favorite band.

Live Music Fosters a Sense of Community

Live music is a chance to connect in a world where in person interactions are being replaced by digital ones. It is a microcosm of all walks of life gathering around to enjoy a band, a singer, or maybe a genre. It’s a celebration of humanity, singing together and celebrating the joy of listening to our favourite music together.

The Enduring Power of Live Music

Live music allows a sense of community that streaming services can never duplicate because it melds raw energy, human connection and emotional intensity. That is why live music is so popular. By transforming the act of listening into a common emotional experience, it brings people together through music. In an increasingly digital world, live performances serve as an effective reminder of how music can bring people together in genuine connection and community. Besides mere entertainment, live music shows the effect that human bonds have in bringing us together.

A Raw, Authentic Experience

Digital streaming may offer pristine sound quality, but live performances offer something that studio recordings can’t: authenticity. There is a rawness to seeing an artist play live, with all the imperfections. It’s a reminder that music is meant to be felt, not just heard, that it’s a living, breathing art form. And that’s all part of the real experience of seeing an artist perform, with mistakes, technical hiccups, and moments of vulnerability. That moment is not the time to be perfect; it’s the time for the real connection between the artist and the audience.

Donald Trump Clowns Taylor Swift After Super Bowl Boos

President Donald Trump seized the moment to mock Taylor Swift on Sunday night (February 9) after the pop superstar was met with jeers from the crowd at Super Bowl LIX in New Orleans.

Swift, attending the game at Caesars Superdome to support her boyfriend, Kansas City Chiefs tight end Travis Kelce, appeared on the jumbotron, only to be met with a chorus of boos.

Rather than reacting with frustration, the Grammy Award-winning singer handled it with her signature humor. A now-viral video captured Swift giving a dramatic side-eye before smiling at rapper Ice Spice, seated next to her, and asking another friend, “What’s going on?”

On his Truth Social platform, President Donald Trump shared a side-by-side clip comparing the crowd’s cheers for him to the boos for Swift.

“The only one that had a tougher night than the Kansas City Chiefs was Taylor Swift. She got BOOED out of the Stadium. MAGA is very unforgiving!” Trump wrote.

Trump’s comments added fuel to ongoing political tensions surrounding Swift, who endorsed Kamala Harris for president.

However, many speculated that the boos weren’t political but instead came from Philadelphia Eagles supporters, unwilling to cheer for the girlfriend of a Chiefs player after their team’s recent playoff loss.

After the Chiefs suffered a crushing 40-22 defeat, Kelce faced reporters in the locker room with a grim look.

“You don’t lose like that without everything going bad,” he admitted. “(We) just couldn’t find that spark, we couldn’t find that momentum.”

The Rising Trend of Gold Crucifix Necklaces in Hip-Hop

In hip-hop, where your look is as much about spinning a yarn as it is about looking fly, accessories have always been key players. From the massive gold chains back in the ’80s to the diamond-loaded watches of the 2000s, this music scene’s style has been a way to broadcast who you are, your standing, and your soul. Right now, there’s a clear revival of one standout piece of bling that’s resonating through the halls of hip-hop fashion – the gold crucifix necklace.

The Roots of the Rhyme

The crucifix ain’t new to the block; it’s been here since the days when Run DMC was setting the world on fire with their rhymes about their sneakers. They wore those pendants like a flag, showing off their faith while they grinded in the streets. Jump to the ’90s, and you’ve got legends like Tupac and Biggie, who wore their crosses like they were part of their DNA, each piece telling its own saga of faith amidst the urban struggle.

The Modern Revival

Now, we’re seeing artists like Drake give this piece a fresh spin. Mixing his Jewish and Catholic roots, he layers his crucifix with other chains, crafting a look that’s all about his journey. Kendrick Lamar has brought the crucifix into the spotlight too, especially with his “DAMN.” album cover, where he’s front and center with a crucifix, diving deep into questions of sin, salvation, and what it means to be human.

Wearing a crucifix in hip-hop these days? It’s like showing your heart to the world, letting fans in on what makes you, you, blending your faith with your culture.

Shout Out to the Pioneers

We’ve got to give respect where it’s due. Kanye, in his early days, was all about the crucifix, which later turned into something more lavish as he hit the big leagues. His influence is definitely behind this revival. Then there’s Travis Scott, bringing back those massive crucifixes with his Astroworld vibe, blending old-school with his out-of-this-world style.

New cats like Megan Thee Stallion and Lil Baby are jumping on this too. Megan’s style is bold, pairing her crucifix with outfits that challenge and redefine what we expect from hip-hop fashion. Lil Baby keeps it real, mixing street life with a touch of spirituality, showing how this piece can be as personal as it is stylish.

More Than Just Bling

This ain’t just about looking fresh; it’s about what hip-hop fashion says about us today. It’s about drawing a line from the past to the present, where every chain tells a story. In a world where bling can sometimes outshine the lyrics, the gold crucifix brings it back to what matters, back to storytelling.

It’s a reminder that in hip-hop, every piece of jewelry isn’t just an accessory; it’s a chapter of your life, reflecting your struggles, your wins, or your spiritual side. This trend has even started conversations about faith in fashion, showing how hip-hop can mix the sacred with the street, the old with the new.

The Influence on Hip-Hop Fashion

The gold crucifix necklace isn’t just sliding back into fashion; It’s not about chasing whatever’s trending; it’s about laying out your identity, your roots, and your story for the whole world to absorb. This revival isn’t just about the shine; it’s sparking a heartfelt discussion on hip-hop’s path – from where it kicked off, where it’s at now, to where the damn thing is going. In a time when keeping it real feels like it’s on life support, this necklace stands for holding onto your core.

Artists are grabbing this piece to shine a light on their distinctiveness, proving they’re not just another echo in the crowd; they’re writing their own chapter in this grand tale. It’s not about getting stuck in old times; it’s about grabbing the heart of what came before, mixing it with the pulse of today, and innovating. Hip-hop lives for progress, for deepening its roots while exploring new frontiers.

Wrapping It Up: A Cultural Statement

The revival of the gold crucifix in hip-hop? That’s not just a fashion statement; it’s a cultural revolution. It demonstrates how our scene is always on the move, honoring where it came from while challenging what fashion and music can be. As more artists adopt these symbols, we’re reminded that hip-hop transcends mere rhythms or rhymes; it’s about the tales, the bonds, and driving the culture forward.

So, keep your eyes on this trend because in hip-hop, where every note and word counts, the gold crucifix isn’t just about the glitter. It’s about the story, the faith, and the unyielding, vibrant spirit of our culture. It’s about wearing your heritage, your convictions, and your path around your neck, bold and clear for the world to acknowledge.

The gold crucifix necklace trend in hip-hop culture not only reflects a nod to the past but also exemplifies how deeply personal and narrative fashion can be in this genre. According to HotNewHipHop, this resurgence is more than just about adorning oneself with flashy jewelry; it’s a statement of identity, belief, and history. The trend has sparked a broader conversation about the intersection of faith and fashion, where artists like Post Malone have been spotted wearing large crucifixes, blending their personal style with religious symbolism. This comeback links today’s artists with hip-hop’s legends, making sure the stories and significance of each piece resonate just as powerfully as the rhythms they spit. It stands as proof of hip-hop’s knack for evolving while staying deeply rooted in the storytelling tradition of its culture.

Bianca Censori Pledges “Allegiance” To Israel After Kanye West’s Antisemitic Outbursts

Bianca Censori publicly expressed concern for her husband, Kanye West, following a string of inflammatory social media posts over the weekend that included antisemitic remarks and provocative imagery.

“Protect him from trouble and lead him toward understanding and respect for all people,” Censori wrote in a message shared on Twitter (X).

Kanye West, who now goes by Ye, stirred controversy once again by posting a flood of content that included praise for Adolf Hitler, a t-shirt design featuring a s####### and explicit video clips. His posts also showed support for Sean “Diddy” Combs, who’s currently awaiting trial on sex trafficking charges.

Censori, a former high-ranking executive at West’s fashion brand Yeezy, followed up her initial post with a prayerful statement, asking for guidance and patience as she continues to support her husband through his divisive behavior.

“Every religion has its allegiance, & mine is with Israel. I respect pple of all faiths, & while Ye’s words were triggered by many things, God knows his heart, he is a good man, though imperfect, like all of us. May wisdom and peace prevail,” Censori wrote.

“Lord, I lift up my husband to You with love and concern,” Censori added. “Soften his heart, guide his words, and fill him with wisdom and kindness. Despite our differences, I love him unconditionally. Strengthen our bond and help me be a source of patience and encouragement. I trust in Your grace to work in his heart. God Bless Israel and all the good Jewish people. Amen.”

The post makes it clear that while Censori remains loyal to West, she does not condone his antisemitic rhetoric. Late last week, she seemingly addressed her husband directly in another message emphasizing her stance.

“I respect that we may see things differently, but I personally cannot align with those antisemitic views,” she wrote. “I believe in kindness and inclusivity for all people. I got you even in your worst moments.”

West, known for his unpredictable statements and actions, has faced backlash for similar remarks in the past. His latest posts have ignited fresh controversy, further straining his public image and relationships within the entertainment industry.

Kodak Black’s Wild Response To Kanye West’s Offer Amid Viral Video Controversy

Kodak Black is responding to Kanye West after the Yeezy founder expressed concerns about the Florida native. 

On Sunday (February 9), West took a break from his offensive Twitter rants to reach out to Kodak Black after a viral video surfaced of the rapper sitting on the street, incoherently rambling while eating chicken. 

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Black responded on Instagram, showing love to West for reaching out while also making a bold claim of his own. According to Kodak Black, “the Feds” are allegedly preparing to seize Kanye West’s bank accounts due to his defense of Diddy. 

“I’m pretty sure the feds gone probably seize all that boy accounts,” he asserted. “Kanye just did some real s###. I wanna do a collab with you so bruh can get some money.” 

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Meanwhile, the rapper’s attorney, Bradford Cohen, took to Instagram on Monday morning (February 10) to explain the viral video.  

Cohen claimed Black was not randomly sitting in the middle of an Atlanta street but was, in fact, filming a music video.  

“I keep seeing these comments on a video shoot Kodak had the other day,” he wrote. “I spoke to him 20 min before, and he relayed he was shooting B roll for a video.” 

Cohen continued, noting, “In the video, you actually see his cameraman several times filming. Of course most of the online videos clip only 20 seconds to try and cut out his camera man. Lots of incorrect headlines.” 

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His statement divided fans in the comments, with many arguing Black needs help. 

“Don’t try to defend that video bro,” one fan wrote. “Kodak was tweaking if you really care about him then help em out and keep it 100.” 

“You guys gotta do a better job of checking on bruh,” added another. “At what point does anyone step in and get him some help.” 

Others still praised the attorney and blamed the media for demonizing Black.  

“This is what family suppose to do,” a third person noted. “Clear up a narrative even when we don’t care about what people think. Buddy won having you in his corner outside of business.” 

Donald Trump Booed At Super Bowl? Was Kendrick Lamar The Reason?

Donald Trump’s Super Bowl Appearance Wasn’t the Triumph He Expected—Here’s Why.

Congrats to the Philly Eagles! MVP Jalen Hurts did that!

Jalen Hurts

Let’s unpack this. Donald Trump. The Super Bowl. Kendrick Lamar. If that’s not a recipe for controversy, I don’t know what is.

Whether you like it or not, Trump became the first sitting U.S. President to ever attend a Super Bowl. Now, it’s not Black History, but it is history. Football has always been the one place where America can pretend politics don’t exist. It’s the great escape. Red states, blue states, MAGA hats, Black Lives Matter patches—it all gets thrown out when the game is on. But when Trump showed up, the energy shifted instantly.

Now, let’s talk about the real elephant in the room. Patrick Mahomes and Travis Kelce both showed excitement about playing for Trump. Kelce, who allegedly isn’t a Trump supporter, sure looked hyped to be in the mix. Jalen Hurts? The Eagles’ QB kept it short and sweet when asked about Trump’s presence, basically saying, “He can do what he wants.” Read between the lines.

Oh, and speaking of rolling out the red carpet, let’s talk about the crowd reaction. Trump walked into that stadium expecting adoration. Instead? A symphony of cheers and boos. Now, depending on who you ask, the boos were louder than the cheers, or maybe it was the opposite. Rumor has it, FOX muted or altered the chorus of boos that rained down on Trumpy. Even a hint of boos is enough to get under Trump’s skin. And I think it definitely did.

KENDRICK LAMAR BROUGHT THE HOUSE DOWN—AND TRUMP LEFT THE BUILDING

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Then came the halftime show. Kendrick Lamar did what Kendrick Lamar does—deliver a message. And this wasn’t just a performance. It was a politically-charged, avant-garde, protest piece wrapped in fire bars and a stadium-sized middle finger to the status quo.

Samuel L. Jackson took on the role of a Black Uncle Sam—one who looked hesitant about Kendrick’s setlist. And when it came time to perform “Not Like Us?” Oh, he went all in. And with every lyric, it felt like he was sending a message to a certain someone in the VIP box. By the way, Drake allegedly unfollowed Uncle Samuel on Instagram. He big mad!

In a shocking move, a pro-Palestine protester somehow made it on the field. He was running around like Patty Mahomes until the performance, already a clear resistance piece, became even bigger than the game itself.

Word is Trump was so furious after Kendrick’s performance that he left the Super Bowl before the game even ended. His chosen team, the Kansas City Chiefs, was getting MOLLY WOPPED, and the halftime show didn’t help. So, he left. No handshakes, no post-game locker room visit, just rolled after costing tax payers about $20 million.

WILL THE EAGLES GO TO THE WHITE HOUSE?

If history is any indicator, the Eagles probably won’t be checking in at the White House. When they won in 2017, they rejected Trump’s invitation. I don’t see them rushing to change that stance now that he’s in full dictator mode. The bigger question is whether Trump will even extend the invite at all. If the Birds get an invite, will they stand firm and decline again? It might be time to make another statement.

One thing is for sure—the refs didn’t decide this one. No controversial calls, no last-minute debates. Just an old-school beatdown, Eagles style.

Fly, Eagles, Fly.

Kanye West Vows To Help Kodak Black After Viral Video Sparks Concern 

Kanye West is offering to help Kodak Black after the Florida rapper sparked concern after a video surfaced online of him eating chicken in the middle of a street. 

On Sunday (February 19), a video of Black went viral, with social media users expressing concern over his well-being and mental state due to his disheveled appearance and erratic rambling. 

In the video, the “Super Gremlin” hitmaker sits eating takeout while passersby surround him, recording the moment on their cameras. 

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The video quickly went viral, catching the attention of Kanye West, who’s embroiled in his own controversy following a days-long incendiary Twitter rant.  

Ye shared a video expressing his concern for his Vultures 2 collaborator. According to West, while he “wouldn’t want nobody to like do an intervention on me,” he felt compelled to intervene after seeing Kodak Black wearing a Donda chain. 

“I’ve seen this video my brother Kodak and I feel a calling,” West stated. “He’s actually wearing this Donda chain. How he’s sitting here wearing this chain unless something saying to go and get my brother. And I thought about it before, I was like, ‘Man I should go down to Miami. Maybe I could be the person that could make a difference.’ That’s what I’m about to do right now.” 

Kanye West Rallies Atlanta Rappers To Support Kodak Black Despite Recent Remarks 

Once West realized Black was in Atlanta, he called on his peers in the city to disregard his recent comments and join him. 

“I know I said f### rappers and all that,” he added. “But right now, I need y’all man to like, really go and do something. I know I said a lot of s### man, just let me go down there and go help this man out. I’m about to get my flight right now.” 

This isn’t the first time Kodak Black has raised concerns over his bizarre antics. The rapper has been open about his long history of substance abuse and has multiple voluntary spells in rehab. 

In 2024, Kodak revealed he had previously consumed up to 100 Percocets daily, describing it as a low point in his life.  

Kanye West extending a helping hand to Kodak Black amid controversy over his recent offensive rants prompted a flurry of responses. Check out some of the reactions below. 

50 Cent Clowns Yung Buck Over Big Meech Warning  

50 Cent is firing back at Young Buck after his former G-Unit affiliate appeared to warn him to back off his feud with Demetrius “Big Meech” Flenory. 

The “Many Men” hitmaker has been throwing jabs at Big Meech, implying he’s a federal informant after the Black Mafia Family (BMF) co-founder linked up with Fif’s longtime nemesis Rick Ross ahead of a “Welcome Home” concert in Florida, later this month. 

Young Buck took exception to 50 Cent trolling Big Meech and took to Instagram on Sunday (February 9) with a PSA. 

“Shout out to Big Meech, welcome home,” he began. “Quit playing with dude, quit playing with dude. I’mma say that much.”  

However, 50 Cent caught wind of Young Buck’s warning and fired back on Instagram Monday morning (February 10). He shared a clip of Buck’s video alongside a photo of himself with Big Meech while trolling his former associate in the caption.  

“This fool fell out with me because he like boys,” 50 Cent wrote, repeating his past allegations about Young Buck. “I didn’t tell him to go loving on a Tranny he couldn’t resist like that Bussy.” 

Young Buck isn’t the only one of the former G-Unit cohort reacting to the 50 Cent and Big Meech drama. 

The Game Reacts To 50 Cent Trolling Big Meech

The Game also chimed in after Big Meech’s son, Lil Meech, who portrays his father on 50 Cent’s BMF series, got involved. 

“Just seen a text from Lil Meech to 50 that got me dying,” he wrote on his Instagram Story. “Hey Lil Meech, you were supposed to be like ‘F you, this BMF and I’m standing with my pops!’”

He added, “Now me and Fifth got our own issues, but them s#### on pause while I post this. Then Fifth said ‘what show lil [ninja emoji]’ & I damn near spit my water out. What happened to [ninja emoji]’s man? Big Meech, you can’t let 50 get at you like that!” 

Drake Fans Fume As Apple Music Accused Of Siding With Kendrick Lamar After Super Bowl Performance 

Apple Music is facing backlash and losing subscribers after appearing to take Kendrick Lamar’s side in his ongoing feud with Drake

The Compton native’s highly-anticipated Super Bowl Halftime Show performance on Sunday (February 9) was peppered with references to his dislike of the OVO Sound founder, none more so than his diss “Not Like Us,” which refers to Drake as a pedophile.  

It initially seemed like he might not perform the track, with K. Dot telling the crowd, “I want to perform their favorite song, but you know they love to sue,” and teasing the beat with several false starts.  

Nonetheless, Lamar electrified the Caesars Superdome when he finally delivered “Not Like Us.” 

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Social media users went wild after Kendrick Lamar performed the diss, which featured a cameo from Drake’s ex Serena Williams, who Crip-walked to the track. 

However, it wasn’t just individuals trolling the Toronto rap star. Halftime Show sponsor Apple Music joined in by sharing a post on its official social media accounts featuring the lyrics “Not Like Us,” written repeatedly. 

Drake Fans Reacts To Apple Music Posting “Not Like Us” Lyrics

The post sparked criticism from Drake fans, accusing the streaming platform of siding with Kendrick Lamar.  

“Picking sides is crazy,” said one Drake fan, who shared a screenshot showing they canceled their Apple Music subscription. 

“Switching to Spotify.” added another. “#StopTheDickRiding.” 

Others suggest Drake would pull his catalog from Apple Music or even sue the streaming giant.  

Some users pointed to Drake’s allegations that Spotify had artificially amplified the diss, suggesting that Apple Music’s post might lend credence to his lawsuit claims. 

Others still referenced rumors Drake reportedly dropped out as a potential co-owner of JAY-Z’s TIDAL just days before its launch in 2015, opting instead to align with Apple Music. 

The NFL official TikTok account also taunted Drake, posting a viral clip of Lamar’s “Not Like Us’ performance.

Check out some more reactions to Apple Music taunting Drake below.  

NFL Taunts Drake Over Kendrick Lamar’s “Not Like Us” Super Bowl Performance 

The NFL is laughing at Drake’s expense following Kendrick Lamar’s historic Super Bowl performance, trolling him with a clip from K. Dot’s “Not Like Us,” that refers to the Toronto rap star as a pedophile.  

Kendrick Lamar delivered one of the most highly anticipated performances in recent times on Sunday night (February 9), showcasing fan favorites like “Squabble Up,” “LOYALTY,” and “Peekaboo.” 

However, he had fans on the edge of their seats, eagerly waiting to see if he would perform his scathing Drake diss. The Pulitzer Prize-winning rapper teased the track while taking a jab at his rival, telling the crowd, “I want to perform their favorite song, but you know they love to sue.” 

Despite Drake’s recent lawsuit and the rumors Lamar was banned from performing the diss, K. Dot gave the crowd what they wanted.  

Clips of Kendrick Lamar locking eyes with the camera as he declared, “Say Drake, I hear you like ’em young,” quickly went viral, and the NFL joined in the trolling, reposting the clip on its official TikTok account. 

@nfl THEY NOT LIKE US #kendricklamar #nfl #superbowl #applemusichalftime @Apple Music @Roc Nation ♬ original sound – NFL

Fans flooded with comments, with many stunned at the NFL teasing Drake.  

“I just want to remind everyone that this is the Official NFL tiktok,” one person shared in the comments. “That means the media team decided to highlight this. Thats as wild as him looking into the camera.” 

Another added, “NFL is petty for posting this specific clip lmao.” 

“poor drake,” added a third. “Honestly, not only did the diss against him win FIVE grammys and almost every music artist at the grammys sung it, it was played at the superbowl and almost everyone there sang it too.” 

Snoop Dogg’s Live Reaction To Kendrick Lamar’s Super Bowl Show Is Hilarious 

Snoop Dogg was among the millions watching Kendrick Lamar’s Super Bowl Halftime Show on Sunday night (February 9), but took it a step further by livestreaming the performance on Instagram, complete with his signature commentary. 

The Death Row Records boss is no stranger to sports commentary, having showcased his skills during the Paris Olympics last year—but this event was right in his wheelhouse, as his fellow West Coast rap peer made history as the first solo rapper to headline the Big Game. 

“The West Coast is the s###, you hear me?” Snoop Dogg said as Lamar began his set. “Get ‘em Dot.” 

As he continued narrating, Snoop Dogg showered Kendrick Lamar with praise for his showmanship and artistry, hailing him as “The G.O.A.T. hands down,” and warning, “Leave him the f### alone” while giving K. Dot his well-deserved flowers. 

Like the rest of the audience, Snoop eagerly anticipated whether Lamar would deliver his explosive Drake diss, “Not Like Us.” In his eyes, that would cement Kendrick as the greatest Super Bowl performer ever—even surpassing Snoop’s own legendary set with Dr. Dre and company.

“Go head nephew! He just moved up,” Snoop declared. “He top three Super Bowl all-performers right now, he might be number one. If he do that record, he number one.” 

When Lamar finally delivered “Not Like Us,” Snoop lost it, shouting, “You better work, Dot!” 

He also hyped up Serena Williams, who made a surprise cameo, C-walking to the track that disses her rumored ex. 

Sharing his reaction on Instagram, Snoop sealed the moment with multiple goat emojis, solidifying Lamar’s performance as an instant classic. 

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Kendrick Lamar Ruins Drake’s Life With “Not Like Us” Super Bowl Performance

Kendrick Lamar made history on Sunday (February 9), when he became the first solo rap act to headline the Super Bowl. After the Philadelphia Eagles and Kansas City Chiefs ended the first half with a score of 17-0 (respectively), it was time for K. Dot to take centerstage. Rocking a diamond-encrusted lower case “a” chain, which had to be a nod to “A-Minor,” one of the most famous lyrics from the infamous Drake diss “Not Like Us,” and a pgLang jacket, Kendrick was introduced by Samuel L. Jackson dressed as Uncle Sam.

Kendrick began his set rapping from the top of a GNX before he was joined by several dancers dressed in red, white and blue. He proceeded to perform some of his most popular songs, including “squabble up,” “LOYALTY” and “peekaboo” before it was time for SZA to join him for “Luther” and “All the Stars.”

For a moment, it looked like he wasn’t going to perform “Not Like Us,” the biggest song of his career. He simply teased the beat and dissed Drake in the process, telling the crowd, “I want to perform their favorite song, but you know they love to sue,” a reference to Drake’s lawsuit against Universal Music Group.

Kendrick then surprised everyone by ending his epic performance with “Not Like Us” and looked directly at the camera when he got to the line, “Say Drake, I hear you like ’em young.” Kendrick was joined by the producer of the track, Mustard, and tennis star Serena Williams, who Crip-walked during the performance.

“Not Like Us” arrived in May 2024 during the one of the most highly publicized beefs in recent memory. It was followed by Lamar’s sixth album, GNX, which debuted at No. 1 on the Billboard 200 with more than 319,000 copies moved in its inaugural week.

On Sunday (February 2), “Not Like Us” went on to win multiple trophies at the 67th Grammy Awards, including Best Rap Song and Record of the Year. In total, Lamar walked away with five golden gramophones. Kendrick Lamar has been reveling in a stellar run since the whole beef with Drake kicked off in March 2024 with the release of “Like That” by Future and Metro Boomin. From the Grammys to the Super Bowl, there’s no telling what he’ll accomplish next.

Shaboozey Reveals Beyoncé’s Life-Changing Advice

Shaboozey, the genre-blending artist making waves in country and Hip-Hop, revealed the invaluable advice Beyoncé gave him while working on her album Cowboy Carter.

The rising star, whose real name is Collins Obinna Chibueze, admitted he felt overwhelmed in the presence of the music icon while recording his part for the track Spaghettii.

“When I was recording the songs on her album, (I was like), ‘Oh man, I can’t do these runs’ or ‘I am nowhere near the vocalist, performer or anything Beyoncé is.’ And I kind of got in my head about that,” he told People magazine.

But Beyoncé, 43, stepped in with a message that shifted his perspective. “What they told me was, ‘Hey, we brought you here for you to do you, for you to be yourself.'”

She personally reassured him, saying, “Just be confident in the fact that you are different, you are unique and that’s what people are going to resonate with.”

Her words resonated deeply with Shaboozey, 35, who has been carving out his space in music, balancing country storytelling with Hip-Hop influences.

This year, he earned five Grammy nominations, including Song of the Year, Best New Artist, and Best Country Solo Performance.

The musician recalled exactly where he was when he received the career-defining news.

“I was on tour with Jelly Roll,” he shared. “To have two people on the same tour nominated and just share a moment like that was really awesome.”

His song A Bar Song (Tipsy) became a breakout success, topping the Billboard Hot Country Songs chart and spending an impressive 19 weeks dominating the Hot 100.

Irv Gotti’s Death Highlights Another Glaring Problem In Music Business

Irv Gotti, co-founder of Murder Inc. Records, died on Wednesday (February 5) after suffering a second stroke. Just 54, the longtime music executive was robbed of the chance to truly grow old, a theme far too common these days, especially in Hip-Hop.

Shortly after his death was confirmed, Public Enemy’s Chuck D tweeted, “One day Hip-Hop will honor longevity and long life. The last century altered this BLACK strength of currency no matter what was poisoned our way. This short life respect was dripped into our culture. It’s wack. We may have been broke but never been so broken. scattered..shattered. Black History Month Salutes y’all. Damn the 28— it’s alive 365. Dig it.”


It’s a sentiment shared by many who have witnessed the ongoing epidemic impacting the community—people are dying far too young. We should be living into our 80s, even 90s, but we are seeing a shocking number of people barely making it into their 60s.

DJ Clark Kent, 58
Biz Markie, 57
Jimmy Spicer, 61
Bushwick Bill, 52
MCA, 47
Kangol Kid, 55
Craig Mack, 47
MF DOOM, 49
Fatman Scoop, 56
Irv Gotti, 54
Gift of Gab, 50

These are just a handful of Hip-Hop artists who’ve lost their lives to cancer, diabetes, strokes or heart attacks. As more and more continue to lose their lives, it seems to be a more urgent problem. Def Jam Recordings co-founder Russell Simmons, who adopted a wellness practice years ago, issued a PSA in the wake of Gotti’s death, specifically aimed at the Black population.

“Brothers and sisters, please don’t let Irv Gotti go without acknowledging the tragedy of his death and of black men’s and women’s health in America,” he began in an Instagram post. “This talented, beautiful, happy, curious enthusiastic spirit has left his body way too soon. I am sure God will receive him with love to the black men and women of America who are left here to face this health crisis.”

Food, Simmons says, is the biggest culprit.

“The epidemic of chronic diseases and illnesses are a result of Americas allowing food industry to poison you. You’re buying into the bad diets they sell and the normalized lack of self care. Again, they are poisoning you and you are dying much faster than your white counterparts Thankfully there is a wave amongst you. You are three times more likely to be vegan than your white counterparts .

“You are much more likely to use natural remedies than the rest of America. You are waking up. but not fast enough. Those of you who are taking directions from great nutritionists like Dr Sebi , you’re walking away from this group of chronic sicknesses. Help your brothers and sisters to take the same route that you are on. Rest in peace Irv you’re such a beautiful soul but gone too soon.”

 










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A post shared by Russell Simmons/Gdas (@unclerush)

We are losing Hip-Hop legends at a staggering rate. And while some of them are due to gun violence, many are a direct result of living an unhealthy lifestyle or suffering from some kind of disease. And who is paying for their health insurance? Not the record labels. Jimmy Spicer, for example, was diagnosed with advanced brain and lung cancer in 2018. Despite putting up a valiant fight, his condition took a drastic turn in August 2019 and he wound up passing away a month later.

Because he didn’t have a health plan or a 401K, the “Dollar Bill Y’all” rapper, who was among Simmons’ first artists at Rush Management, couldn’t afford the medical care he desperately needed. Consequently, his daughter Janel resorted to a GoFundMe to help pay for his medical costs. Over the years, his music was sampled by numerous Hip-Hop greats, including Wu-Tang Clan, Montell Jordan and De La Soul, yet he died never really seeing the fruits of his labor.

“I’m not making music right now,” he told me in 2018. “I was working as a porter, regular job just to support my family and now I can’t even do that. I applied for Social Security Disability and I don’t know if that’s gonna be accepted or rejected.”

It’s a common problem for artists. On Sunday (February 2), pop star Chappell Roan called out major labels during her Best New Artist acceptance speech, igniting a firestorm of debates.

“I told myself if I ever won a Grammy, and I got to stand up here in front of the most powerful people in music, I would demand that labels and the industry, profiting millions of dollars off of artists, would offer a livable wage and health care, especially to developing artists,” she said. “It was so devastating to feel so committed to my art and to feel so betrayed by the system and to be so dehumanized to not have healthcare.

“If my label would have prioritized artists’ health, I could have been provided care by a company I was giving everything to. Labels, we got you. But do you got us?”

A former Atlantic Records executive challenged Roan in an op-ed for The Hollywood Reporter shortly after, writing, ” If labels are responsible for artists’ wages, health care and overall well-being, where does it end and personal responsibility begin?” Roan fired back with, ““@jeffrabhan wanna match me $25K to donate to struggling dropped artists? My publicist is @biz3publicity let’s talk.”

It’s a sensitive topic. But in the interim, we can’t keep losing our legends at such young ages; we need to eat better, exercise, put down the drugs and alcohol and stop poisoning our bodies. I’ve been sober since 2006—not a drip of alcohol has gone into my body for nearly 20 years. I don’t smoke, do drugs or eat animals. I also started running a year ago and it’s been a transformative experience–not just physically but mentally. I’m staying on top of my doctor’s appointments, getting all the necessary tests, bloodwork and trying to drink more water (which is tough—just ask my bladder). I want to age gracefully. Most importantly, I want to live.

But this isn’t about me. It’s about our legends. It’s about people we care about and love. Let Gotti’s death serve a greater purpose.

The Weeknd Takes On Hollywood With Barry Keoghan & Jenna Ortega

The Weeknd knew from the start that Barry Keoghan was the perfect fit for Hurry Up Tomorrow, his upcoming psychological thriller inspired by his own music.

The “Blinding Lights” singer, whose real name is Abel Tesfaye, revealed that Keoghan wasn’t just an option—he was the only one he considered.

“He was always number one on my list for his role,” Tesfaye told Variety. “What makes him different from Jenna is that his talent is so raw, it just comes so naturally to him.”

The highly anticipated film, set for release in May, stars Tesfaye alongside Keoghan and Wednesday actress Jenna Ortega.

Co-written by Tesfaye, Waves director Trey Edward Shults, and Reza Fahim, the movie will explore the price of fame and the battle for identity, an extension of the themes in Tesfaye’s album of the same name.

Keoghan, best known for his roles in Saltburn and The Banshees of Inisherin, spoke about the unique collaboration with Tesfaye, who is transitioning from music to film.

“It’s so nice to collaborate with such a close friend, but also an artist who has expressed so much of himself through one medium and is now channeling it through another,” he said.

Tesfaye also had glowing praise for Ortega, recalling a moment on set when she completely took control of a particularly tricky scene.

“Jenna brought so much depth to the character,” Tesfaye said. “There was a scene where Trey and I looked at each other like, ‘On paper, this is just ridiculous—how is it going to translate on screen?’ And she said, ‘I have an idea.’ She led that whole scene—none of it was rehearsed, and a lot of my reactions in it are not acting.”

Though details about Hurry Up Tomorrow are scarce, Tesfaye’s involvement—as both an actor and a co-writer—signals an intimate, behind-the-scenes look at the kind of artistry and storytelling he’s been evolving toward.

Somebody Turned Kanye West’s Off-Kilter Tweets Into Sad Country Song—And It’s Glorious

First of all, nothing Kanye West says is remotely funny when it comes to racism, sexism or antisemitism. But one has to admit that his propensity for attention-seeking and ridiculous antics kind of are. He’s just absurd at this point, and it’s actually quite easy to tune him out.

Somebody with an incredible sense of humor decided to repurpose West’s recent string of outrageous (and now deleted) tweets into a country song—and it’s glorious. The track, presumably weaved together using artificial intelligence, started making the rounds on Saturday (February 8), roughly 24 hours into West’s latest social media rampage.

The lyrics used several of his out-of-pocket tweets, including, “I turned down 3 photos this week with Make-A-Wish kids in wheelchairs/I don’t take photos expect when I take photos/Puff, we love you/I love cutting the grass every couple of years/I don’t wanna go to your fancy restaurants/Ramen noodles and Doritos was made for a reason/If you see anyone around me know that they are providing a service/Friends are for kids/I just tweeted everything I could think of and I’m still alive.”

Kanye West’s most recent Twitter (X) explosion began earlier this week, with him professing his love for Adolf Hitler and claiming he controls his wife. He then turned his attention toward #MeToo Movement and Jewish people.

According to West, who called for Diddy to be released from jail over his alleged sex trafficking charge as part of his rant, it’s all extortion.

“Me too is a woke agenda,” he wrote. “Me too is extortion. If a n#### really taped you then it’s legal not financial. Can’t nobody see that. Puff got me too’d. So did I. Free Puff. Did Puff get me too’d cause of the fighting or because of the money? I never seen a broke n#### get me too’ed.”

Shortly after West’s all-caps diatribe about the #MeToo Movement, he reiterated his love for Adolf Hitler, said Dave Chappelle wasn’t funny and continued expressing his disdain for Jewish people. He then turned his attention to Donald Trump. Using a photo of the current president, he wrote, “ANY N#### DONT LIKE TRUMP IS A F#####.”

West didn’t expound on the topic, but he did add, “I HATE THE TERM ‘TRUMP SUPPORTER’ I NEVER HEARD THE TERM ‘BIDEN SUPPORTER.'”

Shaboozey Thinks He Might Be Next Snoop Dogg Thanks To Super Bowl Commercial

Shaboozey believes he might be on the path to becoming Hip-Hop and country’s next go-to commercial star after lending his voice to a Super Bowl LIX ad for Nerds Gummy Clusters.

“It’s cool. I was making a joke about, I think I might be like the next Snoop Dogg, like the next guy that’s in all of the commercials,” he said. “I love it, man, keep them coming.”

The commercial, which airs during the third quarter of Sunday’s game, features a reimagining of Louis Armstrong’s “What a Wonderful World.”

Set against the backdrop of New Orleans, the ad shows the city bursting to life with color, music, and, of course, candy. A teaser hinted at the spectacle, showing Shaboozey’s guitar magically turning into confectionery.

The full commercial takes it even further, unveiling a massive gummy creature leading a marching band through the streets. For Shaboozey, the commercial is just another highlight in what has been a dominant year in music.

His hit single “A Bar Song (Tipsy)” topped both the Billboard Hot Country Songs chart and the Hot 100, making him the first Black artist to achieve that feat.

The song held onto the No. 1 position on the Hot 100 for 18 weeks.

Beyond his music and Super Bowl commercial, Shaboozey also recently presented an NFL honor to Jaden Daniels, who plays for the Washington Commanders.

The moment was special for him not only as an artist but as a native of Virginia.

“I was able to do a Super Bowl commercial, which is like a blessing, with Nerds. I just presented an NFL honor to Jaden Daniels, which was cool because I’m from Virginia, so he’s, like, that’s the home team, the Commanders.”

OOPS! Lil Meech Thought His Post Was Private—But Somebody Snitched To 50 Cent

50 Cent and Lil Meech’s Tension Heats Up Over Rick Ross Drama!

50 Cent has never been one to let a slight go unchecked. Now, this matter with Lil Meech just got a little messier. Last week, the Hip-Hop mogul put the BMF star on blast by sharing text messages where Meech was practically begging 50 to ease up on his father, Big Meech. As you know, the Black Mafia Family boss (who is still technically incarcerated) was spotted kicking it with Rick Ross, 50’s enemy.

Rick Ross Teases BMF Movie, Slams 50 Cent’s “Lackluster” Series  

Ross and 50 have been locked in an eternal battle of pettiness well over a decade. So when Big Meech linked up with Rozay, it was basically an open invitation for Fif to get messy. Lil Meech may have caused his own issues, apart from his father’s stuff.

According to sources, the young actor posted a video of Rick Ross mocking 50 Cent on his Instagram Close Friends. That is the private section where people think their posts are safe. Uhhhhmmmm. Nothing stays secret. And sure enough, someone in Meech’s inner circle snitched, sending the screenshot straight to 50. These ninjas ain’t loyal!

The Game Clowns Lil Meech After 50 Cent Cuts Him Off Over Rick Ross Drama

This revelation changes the narrative. Initially, it seemed like 50 was just bullying Lil Meech for no reason, but if Meech really was clowning him, it makes sense. Curtis doesn’t let disloyalty slide.

Now the question is: will Lil Meech take this L in silence or bus a move? And more importantly, what does this mean for BMF? Meanwhile, the world is burning!

Here is that screen shot, by the way. 50 has eyes all over!

Rashida Nicole Calls Nikki Mudarris “A Racist” In Love Drama Over LiAngelo Ball

LiAngelo Ball is at the center of a messy love triangle after ex-girlfriend Nikki Mudarris publicly accused him of abandoning their family for another woman, Rashida Nicole.

The reality star went on Instagram to air her grievances, claiming Ball walked out on her and their two children, LaNiyah Nicole and LaVelo Anthony, to be with Nicole—who Mudarris alleges is now pregnant with his child.

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A post shared by Nikki Mudarris 🤍 (@missnikkiibaby)

Nicole wasted no time responding, hitting back at Mudarris in a fiery social media post where she called out what she described as victim-playing and hypocrisy.

“I wasn’t even going to address this but I’m tired of people playing victim on the internet,” Nicole said. “One, people move on, things change, yes it may not be updated or addressed to the internet because it’s not for y’all. People have private lives, we have real lives out here, you don’t know what’s going on.”

Mudarris, known for her time on “Love & Hip-Hop,” claimed in a series of social media posts that she and Ball were just recently planning family photos before he allegedly blindsided her and left without warning.

Her plea for prayers and healing quickly gained traction online. Nicole, however, dismissed the notion that Ball walked out on his responsibilities, claiming that Mudarris’s portrayal of events was misleading.

“So everybody coming for me and trying to shame me and woman shame me, I’m so sick of that narrative,” Nicole continued. “Like, y’all so quick to blame the woman, y’all don’t know what’s going on. People love to play victim for the internet. Half the time that lady don’t even have her kids, let’s be clear. There is no abandonment over here.”

Nicole’s response escalated further when she accused Mudarris and her family of harboring racist tendencies.

“The lady and her family are racist—I don’t care what anybody says—she always got the N-word in her mouth. You are not Black at all.”

The public fallout has turned social media into a battleground, with people weighing in on both sides. While some sympathize with Mudarris and her claims of betrayal, others argue that breakups aren’t always as simple as they seem.

As for LiAngelo Ball, he has kept quiet on the situation, letting the drama unfold without offering his side of the story aside from a selfie with Rashida Nicole.