Paul Wall signals a new chapter as the veteran rapper released a reflective single Friday to preview his upcoming album Fortune & Glory and show his continued evolution.
The Houston mainstay returned with the new song and D. Will directed visual as the latest preview of his next full length project, scheduled to arrive June 5 through ONErpm. The release follows earlier singles “Limitless” featuring Slim Thug and Lil Keke and “You Can’t See Us,” which have already begun generating attention in his hometown and beyond.
“RIP Old Me” presents a more introspective side of the artist long known as The People’s Champ. The record centers on personal development, leaving behind old habits and moving with renewed focus while maintaining the personality that helped define his career.
More than 20 years removed from his commercial breakthrough, Paul Wall remains one of Houston’s most recognizable Hip-Hop figures. His 2005 album The People’s Champ debuted at No. 1 on the Billboard 200 and later reached platinum status, securing his place in Southern rap history during a period when the region was gaining national dominance.
His influence continues to show through both music and culture. His recent feature on “Johnny Dang” with That Mexican OT and Drodi reached platinum certification, marking his 10th RIAA award across gold and platinum releases. The song also reflects his longstanding relationship with jeweler Johnny Dang, whose grill business became synonymous with Houston Hip-Hop style.
With Fortune & Glory approaching, Paul Wall appears focused less on nostalgia and more on progression. “RIP Old Me” serves as both a personal statement and a preview of what he intends this next phase to represent.
Lizzo just hit a major milestone in her personal wellness journey, announcing she’s been two months without alcohol after transforming her entire lifestyle.
The Grammy-winning artist posted the update on her Instagram Story using a TikTok meme that perfectly captured her vibe, making it clear she’s serious about this new chapter.
What started as an intentional weight release journey in late 2023 has evolved into a complete overhaul of how she approaches her body and mind.
The numbers tell the story. She’s shed 60 pounds through a combination of disciplined training and dietary changes that she’s been transparent about sharing with her fanbase.
According to the Daily Mail, her routine includes training three times weekly, daily sauna sessions, and consistent cardio work that’s become non-negotiable in her schedule.
She’s also completely restructured what she eats, bringing animal protein back into her diet and hiring a personal chef to handle meal prep, while cutting out sugary Starbucks drinks, full-fat sodas, and processed snacks that used to be regular parts of her day.
What makes her approach different is that she’s maintained her anti-fatphobia stance throughout the entire process.
When she appeared on Jay Shetty’s On Purpose podcast in April 2025, she emphasized that her transformation wasn’t about judgment or shame, but about intentional personal choice.
She’s been hiking, playing pickleball, walking on the beach, dancing, and staying hydrated as part of a holistic wellness philosophy that goes way beyond just the scale.
Her boyfriend, Myke Wright, a musician and comedian she’s been dating since 2022, has been part of this journey as well.
The sobriety announcement adds another layer to what’s clearly been a comprehensive life reset.
Earlier this week, she revealed on the Friends Keep Secrets podcast that she lost her virginity just six years ago, explaining she’d wanted to win a Grammy first.
She achieved that goal in January 2020, and now she’s checking off other personal milestones on her own timeline.
Gucci Mane was robbed and kidnapped at gunpoint by rappers Pooh Shiesty and Big30 at a Dallas recording studio on January 10, according to federal authorities.
The Department of Justice announced the arrests of eight suspects in the case with a ninth suspect still being pursued. U.S. Attorney Ryan Rabel revealed the details during a press conference.
“This week, nine individuals, including well-known musical artists, kidnapped and robbed at gunpoint numerous victims at a music studio in Dallas, Texas. Eight of the nine were arrested yesterday in Dallas, Memphis, and Nashville.”
The incident began when three music industry professionals traveled to Dallas for a business meeting arranged by Pooh Shiesty, who is signed to Gucci’s 1017 label.
The meeting was supposed to discuss contract terms with one of the victims. Once inside the studio, the situation turned violent. Rabel explained.
“As alleged, once these three men were inside the recording studio, [Pooh Shiesty] and eight co-conspirators, several of whom traveled from Memphis, Tennessee, executed a coordinated armed takeover. As alleged, [Pooh Shiesty] produced an AK-style pistol and forced one of the victims to sign a release from the recording contract at gunpoint. The remaining conspirators displayed firearms and robbed the other victims of Rolex watches, jewelry, cash, and other high-value items.”
The violence escalated beyond the robbery.
According to Rabel: “One of the victims was actually choked by one of the defendants to the point of near unconsciousness. Defendant [Big 30] barricaded the studio door with his body to prevent the victims from escaping.”
The suspects arrested include Pooh Shiesty, Big30, Kadarius Waters, Demarion Gibson, DeMarcus Glover, Corday Johnson, Darian McDaniel, and Pooh Shiesty’s father Lontrell Williams Sr., who allegedly helped plan the attack.
Terrence Rodgers remains at large. What made the case even more serious was Pooh Shiesty’s status at the time.
Rabel stated: “The ringleader of the conspiracy, Lantrell Williams Jr., was on home confinement at the time of the offense, as alleged for a prior firearms conspiracy charge and conviction out of the Southern District of Florida. His father, Lantrell Williams Sr., is alleged to have helped plan and execute the federal kidnapping as charged in the complaint.”
Pooh Shiesty had been released from prison last October after serving three years for a gun charge. He had pleaded guilty to conspiring to possess firearms in furtherance of crimes of violence and drug trafficking.
The suspects made a critical mistake by posting their stolen goods online.
Rabel revealed: “Within hours of leaving the Dallas studio, a number of the defendants were on social media displaying some of the items that appeared to be the jewelry that had been robbed from the victims.”
Federal investigators used multiple forms of evidence to build their case, including electronic monitoring data placing Pooh Shiesty at the crime scene, cell phone records, license plate reader data, rental car records, surveillance footage, fingerprint evidence, and Greyhound bus records showing defendants traveling from Dallas to Memphis the day after the offense.
The charges carry serious penalties. Sentencing could range from zero to life imprisonment depending on criminal history and other factors.
The fact that Pooh Shiesty committed the crime while on home confinement is considered an aggravating factor.
Pooh Shiesty rose to fame with his 2020 breakout hit “Back in Blood” and signed to Gucci Mane’s 1017 label. Big30 is known for various collaborations in the rap scene, including 2021’s Neighbors with Pooh Shiesty.
Kanye West’s comeback show turned into an unexpected street theater production when a completely naked man threw down outside SoFi Stadium in Inglewood on Wednesday night.
The unclothed brawler was caught on camera delivering punches and kicks to another man at an intersection just beyond the venue’s perimeter, with onlookers frozen in disbelief as the chaos unfolded.
A third person wearing a yellow safety vest tried stepping in to break things up, but the situation had already spiraled into pure madness.
According to TMZ, the 29-second clip shows the naked fighter going absolutely wild, throwing hands with serious intent while the crowd watched the whole thing play out.
The incident happened right outside where Ye was performing inside the stadium, making it the kind of bizarre moment that’ll get clipped and shared for years.
Nobody’s entirely clear on what sparked the whole thing or whether the nearby pedicab had anything to do with it.
Ye’s return to the stage after five years came with its own technical headaches.
The show faced unexpected lighting issues that had him visibly frustrated, and he made his feelings known to the crew working the equipment.
Despite the problems inside and the street fight outside, the sold-out crowd got to witness his first major U.S. performance since the industry turned its back on him.
The whole night felt like a test of whether Ye could actually pull off a comeback in this climate.
His return to performing has been controversial, but the SoFi show proved people still want to see him perform, even if the evening came with unexpected drama both inside and outside the building.
Ye has another show scheduled at the same venue for tonight, April 3rd, which means round two is about to happen.
Is Dreamville Festival Really Coming Back? Rumors…SAY YES!
The last time we heard from J. Cole and the Dreamville Festival, many of us thought that chapter of the movement had closed. When the final J. Cole-led version of Dreamville Festival took place in 2025, it felt like the end of something special. Cole had reportedly sold the asset, and fans showed up knowing it might be the last one under his direct vision.
And what a run it was.
Dreamville Festival became more than just a concert. It was a wonderful cultural gathering. Thousands of young Black fans came together peacefully to enjoy Hip-Hop, community, food, parties and good energy. It felt intentional. It felt safe. It felt like it belonged to the culture.
After the sale, many assumed the festival as we knew it was over. Not quite…here come the rumors.
Now here we are deep into 2026, and there has been very little noise about Dreamville. Meanwhile, other festivals are already announcing lineups and dates. Yet the one J. Cole built from the ground up has been noticeably quiet. That silence has fans in North Carolina especially wondering what is going on.
From what we understand, Live Nation took over operations. That alone brings questions. The company manages some of the biggest festivals in the world, but they are also dealing with ongoing legal scrutiny, including federal antitrust lawsuits tied to their dominance in the concert industry. That could easily complicate timelines and priorities.
Still, there may be hope.
Sources close to the situation tell me the festival is actually being planned for this year. The twist? It may not happen in the spring or summer like previous editions. I am hearing September is the target.
That raises some practical questions.
Fall festival timing could create challenges. College students, a major part of the Dreamville audience, will just be returning to campus. Budgets may be tight after tuition and moving expenses. It also places the event into a more crowded fall entertainment calendar.
But maybe the bigger question is this: can Dreamville still feel like Dreamville without J. Cole’s direct leadership?
We have seen what happens when culturally rooted festivals change ownership. AfroPunk is one example many fans point to. After corporate transitions, some longtime supporters felt the experience lost some of its original spirit. That does not always happen, but the concern is real whenever culture meets corporate restructuring.
At the same time, if Dreamville does return, even in a new form, that may still be good news. The brand is strong. The fan base is loyal. And Raleigh has benefited economically and culturally from the event’s presence.
So maybe the real question is not whether Dreamville comes back.
Maybe it is whether it can still feel like home.
What do you think? Can Dreamville Festival still hit the same without J. Cole fully steering the ship, or is the name bigger than the leadership at this point?
Meek Mill just put numbers on the board that’ll make your head spin. The Philly rapper revealed he’s banked over $80 million since his 2015 battle with Drake ended, and he’s still counting money as it rolls in every single month.
He’s firing back at Charlamagne Tha God after the Breakfast Club personality suggested on his Brilliant Idiots podcast that Meek never really recovered from that Drake beef, and Charlamagne clarifying what he meant.
Meek went off on Instagram in Loren Lorosa’s comment section and bragged about his incredible success as a rap star.
“You spoke like a battle ended me made like 80m since then still counting like 2ms on the schedule this month all rap money not counting other deals,” Meek wrote, making it crystal clear that his career didn’t stall after that beef.
He’s also been securing tech deals just by posting on X (formerly Twitter), which adds another revenue stream most rappers aren’t even tapping into.
“We cut from 2 different Worlds. He’s not qualified from working at no radio station to downplay my brand on these big platforms,” Meek stated, calling out what he sees as political bullying disguised as commentary.
Charlamagne later clarified that he wasn’t saying Meek was washed; he just said that he should’ve deleted Twitter and focused purely on releasing records instead of engaging online.
Meek’s got receipts beyond just rap money. He just scored a Grammy nomination for “Proud of Me” with Fridayy, proving his career is thriving on his own terms.
His project “Don’t Follow the Heathens” addresses exactly what he’s calling out: oppression through influence, lies, and power dynamics in the industry.
“Oppression with influence lies and power people who will steal your foodwith no remorseand wasn’t starving people that will wear a mask til death… people who do anything for money,” Meek said.
Beyond music, Meek co-founded the REFORM Alliance with Jay-Z, and that organization has raised over $50 million to restructure the probation system and change criminal justice laws across America.
There is a particular kind of disappointment reserved for moments when extraordinary opportunity collides with self-destruction. It is not just frustration with an individual decision, but a deeper exhaustion with a pattern. This continues to haunt Hip-Hop, especially – but not limited to -modern times. The young men who rise from its most difficult environments seem to be yanked back into the situations they once escaped.
The recent legal troubles surrounding Memphis rapper Pooh Shiesty represent more than another celebrity headline. They reflect a recurring dilemma about success, accountability and the fragile transition from street life to real, long-term stardom.
By nearly every conventional measure, Pooh Shiesty had positioned himself for longevity. Following his release from federal prison, his music immediately regained traction, demonstrating the kind of relevance many artists spend entire careers trying to achieve. His commercial potential was obvious: strong streaming numbers, a recognizable brand and a loyal fan base. They were waiting. And they were ready to support his next chapter. I was not a fan, but I could recognize he had enormous earning potential.
Pooh Sheisty
Why does what appears to be extreme success so often fail to save artists?
The easy answer is to blame individuals. But that explanation alone is incomplete. What we are witnessing is also the result of structural pressures and shortcomings unique to rap culture. There is this weird, insatiable expectation of authenticity. They are supposed to move as a “real one,” but also be ready to crash out at any moment. Stay among the people and also rise about their past circumstances too.
Hip-Hop still rewards proximity to danger.
Credibility has always been currency, especially to young up-and-comers. This also creates the trap. The transition from being respected in the streets to being responsible for a multimillion-dollar enterprise requires a mindset shift that few are prepared for. Even fewer are properly supported. It should be simple: make music, build business ventures and protect the opportunity.
But nothing about that transition is simple and when you are trying to appease the beast (fans, algorithms, the hood…etc, etc) it is far more complex.
What is often missing from these conversations is the role of infrastructure. Athletes entering professional leagues are surrounded by development teams, financial advisors, media trainers and psychological support systems. I remember artist development, A&Rs, responsible hood entrepreneurs, publicists and others that knew it was their job to protect the investment. They did not always see them as human, but now it seems like they are less than a cog in the machine.
When things go wrong, we do not refer to the system.
It feels like a generational curse.
But it is avoidable.
I remember way back in the day (Aug 7, 2009 to be specific), trying to mentor Soulja Boy when he was clearly going astray. I was not doing it for clout, I was doing it for real. And, it needed to be discussed. Not only did I not mentor the young rapper, but that editorial did not create a shred of industry change.
The conversation should move beyond jokes and toward prevention. That means labels investing in real artist development. It means mentors who emphasize business acumen as much as lyrical skill or monies generated. It means redefining what authenticity looks as you, the artists, move up. And out.
You need to recognize that the real victory is not making it out. The real victory is staying out.
You have to learn from tragedy in cases like Pooh Shiesty and so many others. This is not a game of legal jeopardy. Analysts are saying he’s lost 10’s of millions in possible earning, but it ain’t about lost revenue. It is the loss of life. It is the loss of momentum, the interruption of even the of possibility of ascension and the reminder much is required to stay the course. Discipline has to be stressed and evolution must be allowed.
Hip-Hop is literally synonymous with transformation, from the beats to the lives.
It almost feels like it is better to never get a chance.
Because it feels like when you get the chance, you cannot keep it.
Gucci Mane went live and didn’t hold back after federal authorities announced charges against Pooh Shiesty, Big 30, and seven others for allegedly kidnapping and robbing him at a Dallas recording studio.
The Atlanta rap mogul made it clear he’s not cooperating with police and plans to handle the situation his own way.
“The only thing I believe in is, don’t tell the police. Keeping it street is my only rule,” Gucci Mane.
The statement was a reference to the January 10 incident when Pooh Shiesty allegedly arranged a meeting at a Dallas studio under the pretense of discussing contract terms, then orchestrated an armed robbery instead.
According to the Department of Justice, Pooh Shiesty pulled an AK-style pistol and forced Gucci Mane to sign a document releasing him from his 1017 Records contract.
Pooh Shiesty’s arrest came just months after his early release from federal prison in October 2025.
He had served three years of a five-year, three-month sentence for firearms conspiracy charges related to a 2021 shooting at a Miami hotel.
When he got out, Gucci Mane posted on Instagram: “Welcome home @poohshiesty — the MainSlime is back.”
According to federal prosecutors, the kidnapping scheme was planned months in advance.
Pooh Shiesty had been on home detention at the time of the alleged crime, violating the terms of his supervised release. His father, Lontrell Williams Sr., allegedly helped plan and execute the robbery.
Big 30, who came up in the Memphis rap scene alongside Pooh Shiesty, faces serious federal charges for his role in barricading the door.
Within hours of the alleged robbery, multiple suspects posted stolen items on social media, essentially documenting their own crimes. The arrogance was stunning.
A Pharrell-backed luxury hotel project faces financial turmoil in Miami as a $150 million foreclosure lawsuit has threatened one of South Beach’s most talked about developments.
The Goodtime Hotel, a seven story 266 room property, has become the focus of a foreclosure complaint filed by CMMT, a Los Angeles affiliate of commercial real estate firm CIM Group. According to court filings cited by The Miami Herald, the lender claims the ownership entity Washington Squared Owner defaulted on a $152 million loan tied to the property’s development.
The lawsuit does not formally name Williams or Miami nightlife figure David Grutman as defendants, despite both being heavily associated with the project when it launched in 2021. Reports indicate both men have not been involved with the property since mid to late 2024.
Instead, the ownership group is controlled by Dreamscape Companies, a New York hospitality development firm led by CEO Eric Birnbaum. Pharrell is a minority owner, according to reports, but oftentimes reported as the face.
When the pastel colored property first opened its doors, it was marketed as more than just another boutique stay. Developers pitched it as a spark to revive Washington Avenue, a stretch long overshadowed by the busier Collins Avenue and Ocean Drive corridors. The hotel leaned into a party driven identity with rooftop pool gatherings, tropical aesthetics and nightlife energy designed to match the city’s image.
But the reality appears more complicated.
Tourism numbers and occupancy rates in Miami Beach have reportedly flattened, making it harder for the hotel to meet financial expectations. Meanwhile, vacant storefronts along Washington Avenue have continued to present challenges for the broader redevelopment effort.
Daniel Ciraldo, former executive director of the Miami Design Preservation League, described the original vision for the corridor.
“The goal was to bring in more retail,” Ciraldo said.
Instead, he added, “Goodtime ended up going the way of the party scene.”
According to the complaint, lenders have stepped in to cover operating expenses including payroll obligations and unpaid Florida sales taxes as losses mounted. The foreclosure action follows earlier legal friction between lenders and developers as both sides attempted to negotiate control of the property.
Another legal dispute reported byThe Real Dealclaims developers including Dreamscape and investor Michael Fascitelli were responsible for at least $10 million tied to operational losses but did not pay. In response, the developers argued the lender was attempting to take advantage of what they described as a drafting mistake in the loan agreement that expanded their financial exposure.
Court filings state the original loan could reach $164 million before later being reduced to $152 million. Lenders claim about $149.3 million remains unpaid, not including interest or additional costs.
Attorneys connected to the case either declined comment or did not respond to media inquiries.
Action Bronson brought his signature food-and-conversation energy to Brooklyn’s Yemeni restaurant Jannat Aden, where he sat down with NYC Mayor Zohran Mamdani for the latest episode of “F*ck, That’s Delicious” during Ramadan.
The two shared an iftar meal, breaking fast together in a moment that blended Hip-Hop culture with the city’s political landscape in a way only Bronson could pull off.
Mamdani started with the traditional dates and chai before the pair moved through a spread of grilled fish, lamb haneeth, salta, and chicken agda, each dish telling its own story about Yemeni culinary tradition.
What made the episode resonate with viewers wasn’t just the food or the casual vibe between two New York figures from completely different worlds.
Around the 11:30-minute mark, Bronson taught Mamdani the Albanian phrase “Të boftë mirë,” explaining it as the way Albanians wish someone a good meal.
The moment hit different for Albanian viewers online, who saw their culture represented in a space where hip-hop and politics intersected.
It was the kind of detail that felt authentic, not forced, and it stuck with people scrolling through their feeds.
Mamdani opened up about his journey from immigrant child to becoming the city’s 112th mayor, calling it a dream realized.
Born in Uganda in 1991 and arriving in New York at age 7, he’s now the youngest person to hold the office in over a century and the city’s first Muslim and African-born mayor.
Bronson, a Queens native himself, emphasized the importance of representing a city shaped by diversity and immigration.
“As a representative born and raised in New York City, I’m just hoping you do the best job you can,” Bronson said, keeping it real in that way he always does.
The episode captured something genuine about New York in 2026, where a rapper-chef and a mayor from Uganda can break bread together during Ramadan and talk about what the city means to them.
According to Atlantiku, the standout moment with the Albanian phrase quickly caught attention from the community.
Mamdani won his race with just over 50% of the vote, securing more than 999,000 votes against Republican Curtis Sliwa and former Governor Andrew Cuomo, with voter turnout reaching its highest level since 1969.
Floyd Mayweather just pumped the brakes on his NBA ownership dreams, and the timing couldn’t be more telling given his mounting financial troubles.
According to the Las Vegas Review-Journal, boxing legend told reporters Saturday at an MCM store event in Las Vegas that he’s no longer sure about pursuing a stake in a potential NBA expansion team, despite publicly expressing interest as recently as 2022.
His sudden hesitation comes as he’s drowning in legal battles and unpaid bills, painting a starkly different picture from the cash-stacked Instagram posts he loves to share.
Mayweather’s financial situation has deteriorated significantly over the past year.
He’s facing a $340 million lawsuit against Showtime Networks, alleging the company conspired with his former manager, Al Haymon, to steal hundreds of millions from his fight earnings through hidden accounts and unauthorized transactions.
According to the LA Times, Mayweather claims Haymon diverted portions of his earnings under false pretenses, putting fight revenues into secret accounts he couldn’t access.
Meanwhile, landlords at Manhattan’s Baccarat Hotel and Residences are suing him for over $330,000 in unpaid rent on his luxury penthouse after he stopped paying the $100,000 monthly lease in July 2025.
The stress of ownership clearly weighs on him.
When asked about the reported $7 billion to $10 billion expansion fee, Mayweather acknowledged the investment would be solid in the long term, noting that sports franchise valuations only climb higher.
But he then revealed his real concern, saying he’s watched NBA owners start out looking happy, only to age rapidly under the pressure.
“You see an owner get involved with the NBA, and he’s looking happy. Then as years progress, he’s looking older,” he explained.
That’s a telling admission from someone who’s already facing allegations of financial manipulation and multiple lawsuits.
Magic Johnson’s ownership group, the MAGI, is now actively bidding on the expansion team after NBA Commissioner Adam Silver announced the league is formally exploring Las Vegas and Seattle.
Mayweather praised Johnson as a “true legend” and “hell of a businessman,” but made clear he’s stepping back from the game.
Despite these troubles, Mayweather remains committed to Las Vegas, where he’s lived for three decades. He’s been a regular at Michelob Ultra Arena, supporting the WNBA’s Aces since their 2018 arrival, and continues to back the city’s professional sports expansion.
“I’m happy for the whole city of Las Vegas. I’m going to stand behind the city of Las Vegas and push Las Vegas to continue to be great,” he said.
The NBA expansion is expected as early as the 2028-29 season, but Mayweather won’t be part of the ownership group trying to bring it to life.
Comedy has changed. What used to live on stage now lives forever online. And for Chico Bean, navigating that reality is just part of the job.
The Wild ’N Out star-turned-modern legend recently sat down with AllHipHop’s Chuck “Jigsaw” Creekmur to talk about touring with Mike Epps, dealing with cancel culture, why comedians walk a dangerous line today and the wildest thing that ever happened to him on stage.
It turns out, that last one involves a prosthetic leg.
Watch the video for the full breadth of Chico Bean’s hilarity.
AllHipHop: Tell us about this tour you have going on with Mike Epps and what people can expect.
Chico Bean: The tour itself is amazing. To be able to travel with a legend like Mike and have him share the stage with us… he doesn’t have to do that. He’s already done all the things you would want to do in a comedy career.
He could do these venues alone, but he wanted to allow us to showcase our talent. Some of the young and up-and-coming guys. Even though we’ve been doing it for a while, compared to Mike we still up-and-coming.
When he opened the door for us we were excited. It’s really like family coming together figuring out how to make money while giving people a great product.
You get all these different styles of comedy. Different perspectives. Some people come to see each of us individually and some people never seen us before. It’s a great opportunity to grow your fanbase and introduce people to new acts.
AllHipHop: What’s the hardest part about being a comedian today?
Chico Bean: Probably what comes with what you do. One of my favorite comedians, Earthquake, says if you tell a joke and don’t offend at least one person, it ain’t funny.
You never want to be malicious, but you also want to stay true to your art. You gotta find that middle ground.
I’m going to say what I feel. If you feel disrespected maybe we can talk about it. But I’m always going to be true to my heart.
Now with how easy it is to get cancelled, that’s probably the hardest thing to navigate.
AllHipHop: Do you ever worry about being cancelled?
Chico Bean: No. Because I’m not malicious. I say what I feel, but I’m also smart enough to know everything isn’t for public consumption.
The internet changed the way we communicate. Everybody thinks their opinion belongs in public and a lot of things are private conversations.
Your opinion isn’t always needed. If it’s something you’re knowledgeable about then go for it. But if it’s just something you feel, sometimes it’s better to just feel it privately.
AllHipHop: Do you have plans outside of stand-up?
Chico Bean: I do all types of stuff. I’m about to drop an R&B album called Taking Showers In The Dark. Don’t worry about it. It’s going to change the game.
I’m about to start getting into all the things white people do. I’m about to start a dog walking business.
There’s a lot of avenues we ain’t tapped into. A lot of money left out there.
I’m about to flip the script completely. Orchestra… all types of Caucasian activities.
AllHipHop: What’s the funniest unexpected moment you’ve had on stage?
Chico Bean: Somebody took their prosthetic leg off and gave it to me on stage. That’s a true story.
First thing I said was, “Hey man… he said he was trying to kick it.”
It’s wild stuff like that. One day I’ll probably sit back and look at everything I’ve done and be amazed too. But right now I’m just adding to the book.
AllHipHop: Give me your personal Top 5 comedians.
Chico Bean: I always say there’s your personal list and then there’s the political list based on statistics.
My personal Top 5:
Earthquake Patrice O’Neal Martin Lawrence Eddie Murphy Richard Pryor
That fifth spot always tough though.
AllHipHop: Comedy actually helped me through depression. I salute what you do because it isn’t easy getting in front of people and saying “Make me laugh.”
Chico Bean: Thank you brother. I’m going to send you the bill for this therapy session though. It won’t be much.
Cardi B experienced a reality check that shifted her entire perspective on timing and opportunity.
Walking through a mall in Saudi Arabia, she was surrounded by fans who recognized her instantly, and the moment crystallized something she’d been thinking about for months.
The global reach of her fame isn’t permanent. Windows close. Moments pass. And if you’re not moving when the light’s green, you’re stuck at the intersection forever.
“I have to take advantage of this moment now. That’s another thing. People procrastinate too much. Don’t waste the moment. Don’t waste the time. You might not get the opportunity again,” she said in a recent interview.
The urgency in her voice wasn’t hype or motivation-speak. It was the sound of someone who’s watched opportunities slip away because of hesitation, because of waiting for the perfect conditions, because of overthinking.
Her Saudi Arabia experience drove the point home harder than any business lecture could.
“I went to the mall and everybody was just coming to me. And it’s like, wow, I’m really a big deal. So many people know me. I have to take advantage of this moment now. Like, I know that I’m famous, but it’s like, it’s even crazier when you go to a different country and you’ll be like, damn, I’m really, really famous. These people really, really know me.”
She is applying this philosophy to every decision now.
Her Grow Good hair brand launch, her business ventures, her creative projects—all of it’s happening now because she understands that procrastination is a luxury she can’t afford.
Cardi B’s message is simple: your moment is now, and you won’t know it’s your last one until it’s gone.
Donald Glover just put the “Community” movie rumors to rest with a direct confirmation that the project is moving forward right now.
The actor and creator sat down with Entertainment Tonight and made it crystal clear that production is actively happening, not stuck in development hell like everyone’s been joking about for years.
“We’re working on it right now,” Glover stated firmly. “I know everybody’s been saying that for forever, but I swear to you, I’m not lying about this. I really think that something is gonna happen soon.”
The beloved NBC sitcom ran for six seasons from 2009 to 2015 before wrapping up its run, leaving fans desperate for the promised movie that creator Dan Harmon has been developing with writer Andrew Guest.
Peacock officially greenlit the feature back in 2022, and the project received a major boost when California approved it as part of a $51.6 million film and television tax credit package in 2024.
The cast is locked in and ready to go, with Joel McHale, Alison Brie, Danny Pudi, Gillian Jacobs, Jim Rash, Ken Jeong, and Yvette Nicole Brown all confirmed to return for the reunion.
What’s been holding things up isn’t the script or the network support, it’s been scheduling conflicts with the ensemble cast spread across different projects.
The good news is that Glover revealed the cast has been staying connected through a group chat where they’ve been discussing the movie constantly.
“We were just on the text chain talking about it,” Glover explained. “It’s pretty lovey dovey, but when you’re on the other side of the world, you will wake up to 83 messages.”
The script has undergone multiple revisions to accommodate Yvette Nicole Brown’s character, Shirley, who wasn’t initially included in earlier drafts.
According to Deadline, the writers have been reworking the material to bring her back into the fold. The cast’s chemistry remains strong, and insiders suggest that once scheduling aligns, production could begin within months.
Glover’s commitment to the project signals that this isn’t just another Hollywood promise that gets forgotten.
Aaron Hall is facing serious legal consequences after ignoring a sexual assault lawsuit and failing to respond to court documents, resulting in a default judgment.
The R&B singer from Guy has been dodging legal accountability for years, but his luck finally ran out when a federal court ruled against him for his complete silence in the case brought by Liza Gardner.
The journey to get Hall served with legal papers reads like a legal thriller.
Gardner’s legal team, led by attorney Tyrone Blackburn, spent over a year trying to locate the singer through newspaper advertisements, private investigators, and multiple attempts at various addresses.
Aaron Hall essentially vanished from public view, making it nearly impossible for process servers to find him and deliver the lawsuit documents.
When the server informed Hall that he needed to deliver legal papers, Aaron Hall responded immediately and defiantly: “I ain’t doing that.”
He refused to accept the documents and attempted to close the door, but the server placed the papers at his feet, completing the service under civil procedure rules.
Despite being properly served with the Amended Complaint on February 2, Hall made a calculated decision to ignore the lawsuit entirely.
More than 21 days passed without any response, answer, or appearance from the singer.
Hall’s complete failure to engage with the legal process left Gardner’s team with no choice but to request a default judgment. The court granted the request on April 1, 2026, effectively ruling against Hall without requiring him to defend himself.
This is a devastating outcome because it means the court has already decided the case in Gardner’s favor based solely on his refusal to participate.
The default judgment carries serious ramifications for Hall. By ignoring the lawsuit, he’s essentially admitted to the allegations through his inaction.
The court can now proceed to determine damages without Hall having any opportunity to present his side of the story.
Pooh Shiesty and Big30 orchestrated an armed takeover at a Dallas music studio that left three victims robbed and traumatized, according to federal prosecutors who unsealed charges this week.
The kidnapping scheme involved nine total conspirators, with eight arrested across Dallas, Memphis, and Nashville on Wednesday after months of investigation by the FBI and DOJ.
The operation unfolded on January 10 when three music industry professionals arrived at the studio for what they believed was a routine meeting about recording contracts.
Pooh Shiesty had arranged the gathering, claiming he wanted to discuss terms with one of the victims.
Instead, he and his crew pulled guns and executed a coordinated robbery that left one victim choked to near unconsciousness.
Big30 physically barricaded the door to prevent anyone from escaping while his co-conspirators stripped victims of Rolex watches, jewelry, cash, and other valuables.
According to federal authorities, Pooh Shiesty pulled an AK-style pistol and forced one victim to sign a recording contract release at gunpoint.
The violation was particularly egregious because Pooh Shiesty was on home detention at the time, having been released from federal prison just months earlier after serving three years for firearms charges in Miami.
He’d pleaded guilty to conspiring to possess firearms in furtherance of crimes of violence and drug trafficking, yet here he was, allegedly orchestrating an armed robbery while under supervised release.
What makes this case even more damning is that Pooh Shiesty’s own father, Lontrell Williams Sr., allegedly helped plan and execute the kidnapping.
Within hours of the robbery, multiple suspects posted stolen items on social media, essentially documenting their own crimes.
The arrogance was stunning. Pooh Shiesty’s previous legal troubles had already cost him years behind bars, yet he apparently learned nothing about consequences.
Big30’s involvement as the door barricade shows how calculated this operation was. He wasn’t just present, he was actively preventing escape.
Both rappers now face serious federal charges that could result in decades of prison time.
Investigators are still pursuing additional suspects who remain at large.
Rising Baton Rouge rapper BBE AJ faces serious felony charges after Baton Rouge police arrested the 28-year-old rapper for allegedly opening fire on a vehicle on Plank Road.
According to WBRZ, the incident happened on March 22 when BBE AJ allegedly discharged a firearm at people inside a car as it was leaving the 4000 block of Plank Road.
No one was injured in the shooting, but investigators recovered 15 shell casings at the scene, indicating the intensity of the gunfire.
BBE AJ was booked into the East Baton Rouge Parish Prison on two serious charges: aggravated assault with a firearm and illegal use of a weapon.
These felony charges carry significant prison time if he’s convicted. The arrest marks a dramatic turn for the artist who’s been building momentum in the local rap scene with collaborations and independent releases.
BBE AJ has been making noise in Louisiana hip-hop circles, particularly through his work with established artists.
He collaborated with Boosie Badazz on tracks like “Baton Rouge Bounce” from Boosie’s 2021 album Goat Talk 3 and the remix version of “Doing My Dance,” which helped introduce him to a wider audience.
His music has been featured across major streaming platforms including Spotify, Apple Music, and YouTube, with tracks like “Leave With Ha,” “Party All Night,” and his Out of Nowhere Part 2 EP gaining traction among listeners.
According to local crime reports, firearm-related charges in Louisiana carry mandatory minimum sentences that could result in years of incarceration.
The East Baton Rouge Parish Prison booking confirms BBE AJ remains in custody pending his initial court appearance and bail hearing.
Charlamagne tha God isn’t backing down from his recent comments about Meek Mill’s career trajectory following his 2015 battle with Drake.
On a recent episode of the Brilliant Idiots podcast, the Breakfast Club host suggested that the Philadelphia rapper “never recovered” from the Drake feud, sparking a heated response from Meek.
During the podcast, Charlamagne explained his perspective on what he believes held Meek back.
“Like, something was just off after the battle,” Charlamagne said. “And he didn’t really recover. You know what it was with Meek, man? Meek’s Achilles heel, to me, was actually Twitter.”
Charlamagne pointed to Drake’s “Back to Back” diss track, which included the now-infamous line “Trigger fingers turn to Twitter fingers,” as a turning point.
Meek was furious, to say the least. He blasted Charlamagne for trying to ruin his brand for no reason and claimed the radio host was secretly gay.
Meek also detailed a breakdown of his post-Drake beef accomplishments, listing multiple platinum certifications and successful projects.
“Since Drake beef I drop tap 3x platinum… peta double platinum… blue notes 1 and 2 platinum… uptown vibes with legend from Brooklyn fab platinum,” Meek wrote, showcasing his commercial success over the years.
“We gotta keep a close eye on this cat I feel like he in the closet gay man that hates successful black men unless he doing biz with them but they promoted Im gay?? and I’m powering helping pop like 10 artist off on the east no cash gain for charity! I’m really the one but it’s some real propaganda on my brand and I want it investigated,” Meek said.
“I agree with Meek. The propaganda against Meek is strange. And it started with that battle. And at least on social media, the narrative around him hasn’t,” he said. “That’s why I’m not even mad. Uh, you know, he said I’m DL in that post because that’s just projection.
“The propaganda against him is strange and it started with that battle at least on social media, And the narrative around him on social media is what I mean when I say he hasn’t fully recovered.”
“I wish to clear up any misinformation regarding my upcoming bout against Floyd Mayweather.
From the beginning, my intention has been to give the fans what they truly want to see. A high-level, competitive sanctioned fight. I want to be very clear that the contract we signed is for a professional boxing match. This is not an exhibition; it is a real fight.
We are proud to partner with Netflix, a global platform that recognizes the magnitude of this event. Their announcement reflected the exact terms of our agreement. My team and I remain fully committed to the conditions of that contract and we are preparing for a professional-grade battle.
I am working hard now and started my gym training and I look forward to stepping back into the ring to prove that the fire is still there. Nothing has changed on our end and we expect the original terms of the agreement to be honored.” — Manny Pacquiao
Over the weekend of March 28–29, Mayweather told media (including Vegas Sports Today) that the bout is “not actually a fight, it’s an exhibition.” He compared it to his upcoming exhibition with Mike Tyson, stating he just wanted to “have a little fun and entertain the public.”
Now, let us move on.
I’m not really sure who cares about this, but I am hearing these rumors. So I might as well go ahead and talk about them.
As many of you already know, Floyd Mayweather recently made statements that sounded like he might be backing away from a potential fight with Manny Pacquiao. This immediately raised eyebrows because their original 2015 bout was one of the most heavily promoted fights in Boxing history. Dubbed the “Fight of the Century,” it ended with Mayweather winning by unanimous decision and preserving his undefeated record.
That fight was also controversial because many fans felt it happened too late, when both fighters were already past their absolute prime. Still, Floyd walked away 50-0.
Now it appears Pacquiao may want another shot. According to talk circulating in Boxing circles, he is interested in a real fight, not an exhibition. The key issue is Mayweather reportedly preferring an exhibition format, which would protect his undefeated record regardless of the outcome.
And that is where things reportedly get complicated.
Exhibition fights are typically not officially sanctioned professional bouts, meaning they do not affect a fighter’s official record. We recently saw this model used in events like the Mike Tyson vs. Jake Paul fight, which was promoted as an exhibition-style event despite heavy marketing and fan interest. These types of fights often focus more on entertainment than competition, even if the fighters still take them seriously.
If a bout was originally agreed upon as a sanctioned professional fight and later gets changed to an exhibition, that could potentially create legal issues depending on the terms of any agreements involved. I do not even know how that could happen. I want to be clear here: none of this has been officially confirmed publicly. This is what people around the situation are saying, not court-filed facts at this point.
There is also chatter that Mayweather’s other fights or exhibition appearances lined up conflict with the Pacquiao bout depending on scheduling and exclusivity clauses. Again, this is insider talk.
As for the money talk, people are speculating about advances and guarantees, and Mayweather’s presumed financial woes are documented. Despite internet jokes, he has continued to generate revenue through exhibitions, promotions, and business ventures. Whether any of that affects this situation remains unclear.
What does seem clear is that Pacquiao appears to be taking things seriously. At age 47, he continues to train intensely and has publicly shown that he stays in fighting shape. Anyone who knows Manny knows he does not play Boxing. His discipline has always been part of his legend.
Meanwhile, Floyd has always been calculated. He has built an entire career on minimizing risk while maximizing profit. Love him or hate him, that approach helped him retire undefeated and become one of the highest-earning fighters ever.
So now we wait to see what actually happens. Does this become a real fight? Does it become another exhibition? Or does it fall apart completely?
One thing is certain: Manny Pacquiao looks ready for war. Floyd Mayweather looks like he is still thinking like a businessman.
Kid Rock just watched his military buddies get a free pass from the Pentagon, and the internet’s absolutely losing it.
Two Apache helicopters from Fort Campbell hovered over his Nashville mansion on Saturday, and when the Army initially suspended the crews for the stunt, Defense Secretary Pete Hegseth stepped in Tuesday to kill the entire investigation.
“No punishment. No investigation. Carry on, patriots,” Hegseth posted, essentially telling the military that flying combat helicopters over a celebrity’s house for a photo op is totally fine as long as you’ve got the right connections.
The whole thing started when Kid Rock posted videos of himself saluting the helicopters while they hovered near his swimming pool.
The 101st Combat Aviation Brigade from Fort Campbell, Kentucky, about 60 miles north of Nashville, sent two AH-64 Apache attack helicopters to basically say what’s up to one of Trump’s most visible celebrity allies.
Kid Rock claimed he’d met members of the unit when he visited the base with Vice President JD Vance at Thanksgiving, so apparently that’s all the clearance you need to get military hardware to swing by your crib.
The Army’s initial response was by the book.
Major Montrell Russell said the four crewmembers were suspended while the service reviewed whether they’d violated FAA regulations and aviation safety protocols.
But Hegseth’s reversal came fast, and according to Politico, the decision sparked immediate backlash on social media.
People were furious that military resources were used for what appeared to be a celebrity stunt, especially since there were no consequences.
Donald Trump, when asked about it, basically shrugged and said, “I’m sure they had a good time,” which tells you everything about how seriously the administration is taking military discipline.
Kid Rock defended the whole thing by saying the helicopters just stopped by for a few seconds and that they regularly fly over Nashville anyway for football games at Nissan Stadium.
The optics are terrible, though. The Army’s supposed to maintain strict standards and professionalism, but when a defense secretary publicly kills an investigation into potential violations just to protect a celebrity, it sends a message that those standards don’t actually matter.
According to NBC News, the incident raised serious questions about favoritism and the politicization of the military.
Hegseth’s decision to lift the suspension without letting the investigation finish basically confirmed what critics have been saying all along.
The Army’s supposed to be independent from politics, but when the defense secretary personally intervenes to protect pilots who flew over a Trump ally’s house, that independence looks pretty compromised.
