Los Angeles-bred MC P.E.A.C.E., a member of Freestyle Fellowship along with Myka 9, Self Jupiter and Aceyalone, has died. Social media tributes started pouring in on Saturday (October 25).
Freestyle Fellowship posted from their official Instagram account, writing, “Rest well brother P.E.A.C.E 🕊️🕊️🕊️🕊️ You had a great heart and you were authentic. One of West coast Hiphop royal treasures. You will be surely missed my friend.”
Condolences from fellow members of the Los Angeles Hip-Hop community peppered each post—from Daddy Kev and Exile to the Visionaries and DJ Rhettmatic.
No cause of death has been revealed. AllHipHop has reached out to members of Freestyle Fellowship for more information.
P.E.A.C.E. grew up mostly in L.A. and, after exploring instruments like the accordion and double bass, started rapping during high school years. Much like his crewmates, he honed his skills at The Good Life Cafe, a local open-mic venue South Central L.A.
Freestyle Fellowship’s first album, To Whom It May Concern…, was released in 1991 and highlighted their individual rhyming styles. Their second album, Innercity Griots, has been described as “an acknowledged underground masterpiece.”
P.E.A.C.E. released his first solo album, Southern Fry’d Chicken, in 2000 and followed up with Megabite in 2004.
In 2008, he was also featured in the award-winning documentary This Is the Life, which chronicled The Good Life Cafe’s impact on underground West Coast Hip-Hop.
P.E.A.C.E. and his Freestyle Fellowship brethren played a groundbreaking role in shaping West Coast underground Hip-Hop by steering L.A. rap away from gangsta narratives toward a more experimental, lyrical and jazz-infused sound. Their aforementioned albums established the blueprint for West Coast alternative rap, influencing artists such as The Pharcyde, Hieroglyphics and even Bone Thugs-n-Harmony with their experimental cadences and harmonized flows.
In an era dominated by G-funk and commercial gangsta rap, Freestyle Fellowship helped build the foundation of L.A.’s underground Hip-Hop community, later embodied by the Project Blowed collective, their artistic home and one of the longest-running open mic workshops in the genre’s history.
AllHipHop sends our condolences to all of P.E.A.C.E.’s loved ones.
Joey Bada$$ made the difficult decision to prioritize his mental well-being over his career when he canceled his highly anticipated Dark Aura Tour just weeks before it was set to begin.
The Brooklyn rapper sat down with the Earn Your Leisure podcast to address the cancelation for the first time, choosing what he called “raw honesty” despite advice from others to handle it differently. The tour, which was scheduled to feature Ab-Soul and Rapsody as special guests, left fans disappointed, but Joey explained his reasoning went far deeper than logistics.
“My honest truth why I canceled this tour is that my mental health was just not aligned with it,” Joey revealed during the podcast appearance. “I did not feel mentally fit enough to embark on this journey. I got my five-month-old son. We’re trying to figure out vaccinations and all this stuff. It’s just such a critical time. My energy level was at an all-time low.”
The “BK’S FINEST” rapper also addressed widespread speculation that poor ticket sales were behind the cancellation. “I seen a lot of people talking about, ‘Oh, yeah, obviously, the tour tickets didn’t sell,'” he said. “Listen, I’ve been touring for a long time. Tickets sell. This goes back to freedom. I had to choose me.”
Joey Badass says the reason he canceled his tour with Rapsody and Ab-Soul was to protect his mental health:
“My honest truth why I canceled this tour is my mental health is not fit enough to embark on this journey, my energy is at its lowest everybody talking about tickets sales… pic.twitter.com/ihbqjweila
— Ahmed/The Ears/IG: BigBizTheGod 🇸🇴 (@big_business_) October 24, 2025
Joey’s decision came at a significant financial cost, as he acknowledged walking away from money that was already on the table. However, the support from his team ultimately reinforced his choice to prioritize his mental health.
“And I’m really, sincerely sorry about all of my fans that I’ve disappointed and let down who was excited in seeing me,” Joey continued. “Y’all money has been refunded, I seen that… I was excited to see y’all too. But I just did not have the bandwidth myself. I had to choose me.”
The rapper revealed he initially planned to push through with the tour despite knowing he would be “suffering inside” but opening up to a team member about his struggles led to the supportive response that helped him make the final decision.
“They really made me feel supported,” he concluded. “I really do appreciate that. It’s not like there wasn’t money on the table that I was walking away from. But I had to choose me. My mental health is important to me, and I just had to choose me. The honest to God truth is that I just couldn’t do it.”
Rapsody had previously denied rumors about low ticket sales being the reason for the cancelation, supporting Joey’s version of events. The tour was set to promote Joey’s recent album, Lonely At The Top, which despite strong hype, failed to chart upon its release.
BET Network officially welcomes Love & Hip Hop: Miami to its Monday night lineup as the hit reality franchise makes its network debut with Season 7 on November 4 at 8 P.M. ET/PT.
The Miami-based series transitions from VH1 to BET, marking a significant shift for the popular Hip-Hop reality franchise. The move positions BET to capitalize on the show’s loyal fanbase while expanding its Monday night programming with proven content.
Season 7 centers on Miami’s dynamic music scene and the personal dramas of its cast.
Amara La Negra returns as a central figure, juggling motherhood responsibilities while navigating a brewing feud that threatens her personal peace.
Trick Daddy steps into entrepreneur mode, expanding his Sunday’s Eatery restaurant empire throughout South Florida.
However, his business success contrasts with personal complications as former romantic interests resurface, creating tension in his current relationships.
Miami’s self-proclaimed “Diamond Princess,” Trina finds herself revisiting a past romantic connection that stirs controversy within her close-knit circle of friends and associates. The veteran rapper’s personal life becomes a focal point as old relationships create new drama.
Comedian Michael Blackson and his fiancée, Rada Darling, navigate their unconventional relationship dynamic, bringing humor and unpredictability to the season’s romantic storylines.
The season also highlights Shay Johnson’s spiritual journey as she balances faith with single motherhood, while Miami Tip attempts to transform personal vulnerability into professional strength.
New mother Chyng Diamond struggles to balance her career comeback with the demands of raising a newborn.
Powerhouse music manager Rahki Giovanni, rapper Kent Jones, and Asian Goddess Cat add additional layers of music industry drama and mysticism to the season’s narrative.
Returning favorites include Bobby Lytes and Eliza Reign, alongside viral sensation Pinkydoll, who transitions from NPC internet fame to pursuing rap stardom under Trick Daddy’s mentorship.
Songwriter Sonyae also joins the cast, stepping out from behind-the-scenes songwriting to pursue center-stage recognition.
The network move represents BET’s strategy to strengthen its reality programming slate with established franchises that resonate with its core demographic.
The Love & Hip Hop brand has consistently delivered strong ratings across multiple markets, making Miami’s addition a strategic programming decision.
Rising Toronto rapper Da Crook walked out of a Toronto courtroom a free man this week after Justice Sheila Ray systematically destroyed the prosecution’s case against the Hip-Hop artist known as Da Crook in a $6.5 million luxury watch heist.
The 31-year-old was accused of participating in an armed robbery at a Spadina Avenue watch dealer on October 30, 2023, where masked suspects made off with 150 watches — mainly Rolexes — valued at $6.5 million and $250,000 in cash.
The brazen daylight robbery was captured on surveillance cameras and showed one suspect posing as a FedEx delivery driver to gain entry to the sixth-floor office.
According to the Toronto Star, prosecutor Mark Friedman had presented what he called 10 “extraordinary” coincidences linking Collins to the crime, including DNA evidence on a balaclava and COVID-19 mask found at the scene, walkie-talkies purchased by Collins four days before the robbery, and $23,000 in cash found at his home during his arrest six months later.
But Justice Ray wasn’t buying it. In her acquittal decision, she methodically addressed each of the Crown’s 10 points, offering her own 10 reasons to dismiss them.
“It was entirely plausible and reasonable that Collins bought walkie-talkies for use in his music videos,” Ray found, rejecting the prosecution’s claim that the communication devices tied him to the robbery.
The judge was particularly skeptical of the DNA evidence, noting it was “unlikely the perpetrators of such a carefully planned robbery would take incriminating evidence to a crime scene.” She suggested the items in the box were simply discarded at some point rather than deliberately left behind.
When it came to physical identification, Ray delivered perhaps her most pointed rebuke: “There are thousands of people in Toronto who look like him. There are thousands, maybe more, (Black people) in Toronto who are light-skinned people — we see them every day.”
The prosecution had also tried to use Collins’ rap lyrics against him, playing his song “First Day Out” in court.
In the track, Collins raps: “Google is telling me my net worth is seven million, s—, oh really, guess I been getting busy” while standing in front of a white Rolls-Royce SUV.
“That’s this case, right, that’s the watches that you stole,” Friedman challenged Collins during cross-examination.
“I disagree,” Collins replied, explaining the lyric referenced “inaccurate” and “crazy” things people were saying about him online.
“All my music videos have nice cars in them,” he testified. “Even if a rapper is broke, he’s going to rent a vehicle or put nice clothes on to make it look like he’s doing good. No one wants to see a Honda Accord parked behind him.”
Defense lawyer Alison Craig called the Crown’s use of rap lyrics “stereotypical, inappropriate… and a dangerous submission to be making.”
Justice Ray ultimately found that even considering all the prosecution’s arguments collectively, along with “very weak eyewitness identification,” the Crown failed to prove beyond a reasonable doubt that Collins was one of the robbers.
Abdul Robinson Sr. faces a November 21 sentencing date after making the devastating decision to testify against his own son, Jacksonville rapper Ksoo, in a murder trial that ended with life sentences.
The 54-year-old father agreed to a plea deal requiring him to take the stand against Hakeem “Ksoo” Robinson in the Charles “Lil Buck” McCormick murder case.
During his testimony, Robinson Sr. identified his son as the shooter and admitted to helping burn the clothes worn during the crime.
The video captured McCormick being shot to death, and Robinson Sr. told the court he recognized his child in the footage because “he knows his kids.”
The plea agreement came with Robinson Sr. hoping for a reduced sentence so he could return to his younger children.
He told the court about his 8-year-old daughter wanting him to attend a dance and his 6-year-old wishing to play football together. Health concerns, including diabetes, failing kidneys and congestive heart failure, also motivated his cooperation.
The sentencing hearing is scheduled for 9 A.M. on November 21, where Robinson Sr. will learn his fate after choosing family survival over family loyalty in one of Jacksonville’s most high-profile Hip-Hop murder cases.
Lil Marlo‘s family is demanding answers from authorities, five years after the rapper was brutally gunned down, with no one ever being charged for the crime.
Now, his father, Rudolph Johnson, is demanding answers since the cops have not made a single arrest related to the homicide.
Investigators believe he was targeted, but five years later, the case remains open, with no suspects in custody.
“We haven’t had closure yet,” Johnson told FOX 5 Atlanta. “It’s been a hard five years.”
The Quality Control Music signee had been in the studio the night he was killed. Around 11:30 P.M., someone opened fire as he drove, causing his vehicle to crash. His death left behind three children, now between the ages of 8 and 12.
“His mother called me and said, ‘Rudy is gone. He’s gone! He’s gone!’” Johnson said. “I wouldn’t want to believe it. I didn’t believe it and I couldn’t believe it.”
Lil Marlo, whose music was gaining traction in Atlanta’s Hip-Hop scene, had ambitions beyond music. According to his father, he wanted to use his platform to uplift his neighborhood and provide for his family.
“He wanted to use that to make things better, not just for him and his family, but also his community where he was from,” Johnson said.
Despite the case’s high profile and repeated media coverage, the investigation has stalled.
FOX 5 Atlanta reported that the Atlanta Police Department did not respond to multiple inquiries this week about the case’s status.
“We’re not gonna let this situation slide under the rug,” Johnson said. “I’m gonna get out and do whatever I can to make noise so that this case can be solved.”
The Fulton County Medical Examiner confirmed the rapper’s death, but the lack of movement in the case has left Johnson frustrated. His call for justice echoes the voices of many families across Atlanta still waiting for answers in unsolved killings.
“I just don’t understand how or why,” Johnson said.
He continues to urge anyone with information to come forward and contact Atlanta police, hoping that someone will finally break the silence.
Justice Scott Norton of the Nova Scotia Supreme Court set Drake’s parole ineligibility on Friday, describing the murder as “inexplicable, needless, senseless and gratuitous.”
The Crown had requested 20 to 23 years, while Drake’s defense suggested 13 to 15 years.
“Mr. Drake is a dangerous man,” Crown prosecutor Carla Ball told the CBC outside court. “He walks in the community and causes grave threat to our society and that’s demonstrated by his criminal history, and the judge ruled in accordance with that.”
Drake’s sentencing is complicated by his previous conviction for first-degree murder in the 2016 shooting death of Tyler Keizer.
That conviction carries an automatic life sentence with 25 years minimum before parole eligibility. Drake must serve both sentences concurrently, meaning he’ll serve approximately 25 years total.
Stay’s widow, Malyssa Burns, attended Friday’s hearing along with family and friends who packed the courtroom. She had posted on social media that she would not speak at the hearing because she could not address Drake directly.
The battle rap community continues mourning the loss of Pat Stay, who was regarded as one of the greatest battle rappers of all time.
His career spanned multiple leagues, including KOTD, URL, RBE, Don’t Flop and UDubb, where he consistently delivered must-see performances that elevated the entire culture.
Pat Stay was one of the most decorated battle rappers in Hip-Hop history.
The Dartmouth, Nova Scotia native was a three-time King of the Dot champion and headlined the league’s World Domination event six times – more than legendary battlers like Dizaster and Arsonal, who each appeared four times.
Stay’s influence on battle rap culture was immeasurable.
His performances on Elements Battle League caught the attention of Drect, who credited Pat Stay as inspiration for creating Grindtime in 2008.
The Canadian battle rap icon defended his KOTD championship title against elite competitors, including Dizaster, Daylyt, Charron and Illmac.
His championship reign featured some of the most legendary battles in the league’s history, with his Dizaster battle considered a legitimate contender for best battle of all time.
Armani White refuses to let media outlets paint him as a criminal after his October 12 arrest for filming a music video on Interstate 75 in Kentucky.
The Philadelphia rapper was arrested for disorderly conduct when police found him dancing on the concrete median of I-75 in Newport, Kentucky, while filming content with his tour crew.
The 29-year-old artist was touring with Grammy-winning singer T-Pain when the incident occurred.
TMZ covered the arrest extensively, releasing Tolbert’s mug shot and police bodycam footage while making comments about his appearance in the booking photo. The coverage prompted White to address the situation during a packed concert in Birmingham, Alabama last weekend.
“I smiled in that mugshot because I refuse to let anyone paint me as a criminal. Or tell a story about me thru images that falsify who I am and the legacy I’m leaving behind for kids looking up to me or watching me. I laugh with the world as much as possible but that still doesn’t allow y’all to play with my castle.” Armani White said.
According to police citation records, officers responded to reports of people running on the highway. When they arrived, they found White and his crew filming on the interstate’s concrete median, disrupting traffic.
White gained international recognition in 2022 with his viral hit “BILLIE EILISH,” which sampled The Neptunes and sparked a massive TikTok challenge that reached millions of users.
The track’s success led to a collaboration with its namesake, Billie Eilish, who joined him for a live performance in 2023.
The rapper has been building his career since the 2010s, earning a spot at Jay-Z’s Made In America festival in 2018 after years of attending as a fan.
Earlier this year, White performed his first NFL halftime show during the NFC Championship Game between the Philadelphia Eagles and the Washington Commanders.
White released his debut album “Keep In Touch” in 2019, followed by the EP “Things We Lost in the Fire,” which referenced a tragic house fire that claimed family members when he was young.
This week, he dropped a music video for “MOUNT PLEASANT,” teasing his upcoming album set for October 31 release.
The arrest has not derailed White’s tour schedule, as he continues performing alongside T-Pain across the country.
Master P emerged from musical semi-retirement to announce “The No Limit 5K Mix: Lost Tapes,” a 25-track project featuring collaborations with Lil Wayne, NBA YoungBoy, and Gucci Mane.
The Hip-Hop mogul revealed the album was inspired by his upcoming Verzuz battle against Cash Money Records at ComplexCon 2025.
The New Orleans native had stepped back from music since 2018’s “Tony Montana” tape, focusing on his role as President of Basketball Operations for the University of New Orleans and various business ventures.
However, when Swizz Beatz approached him about participating in Verzuz, the conversation reignited his creative spark.
“I just started looking through what I had. And I had all these songs. I’m like, man, I never really did nothing with these songs. Didn’t make no videos, didn’t do nothing,” Master P told Complex. “And then the song I did with Lil Wayne, I feel like that inspired me because we’re both from New Orleans and this a celebration.”
The project showcases Master P’s ability to attract A-list collaborators, featuring appearances from YoungBoy Never Broke Again, Gucci Mane, Jeezy, 2 Chainz, Kevin Gates, Meek Mill, Yo Gotti, and the late Nipsey Hussle.
Master P’s return comes at a pivotal moment in Hip-Hop culture.
The 54-year-old entrepreneur built No Limit Records into a multi-million-dollar empire in the 1990s, pioneering independent distribution and artist-ownership models that influenced countless rappers.
His business acumen extended beyond music into sports management, real estate, and entertainment.
“I’m giving it to the fans where they could get the music. I mean all my No Limit Soldiers—everybody got their camo on now. The tanks is out and we just giving them good music,” Master P explained. “Those diehard fans and the new fans, the younger fans that probably didn’t get a chance to really feel my music. They could get a chance now to see where we at and see where we was at back then.”
The album represents more than just a musical comeback—it’s a celebration of New Orleans Hip-Hop culture and the lasting impact of both No Limit and Cash Money Records.
Master P emphasized that the Verzuz battle should be viewed as a celebration rather than a competition, highlighting the success of two neighborhood-based labels that achieved global recognition.
Alongside the album, a documentary will be released highlighting No Limit’s cultural legacy and lasting impact on Hip-Hop.
The Verzuz battle will stream live on Apple Music starting at 8 P.M. ET on Saturday, October 25.
Cardi B turned a casual Instagram Live session into a global Korean food revolution after her enthusiastic reaction to gochu tuna sent millions scrambling to recreate her meal.
The Bronx rapper recently went live on Instagram to share her latest culinary discovery after shopping at H Mart, the largest Korean grocery chain in America.
During the broadcast, she mixed Korean gochu tuna with rice and mayonnaise, then wrapped the combination in gim (Korean seaweed sheets) while delivering her unfiltered commentary.
“Koreans are crazy,” she marveled during the live stream, adding, “The combination of gochu tuna and gim is perfect.”
Her genuine excitement over the simple yet flavorful dish resonated with viewers worldwide. The edited version of her mukbang session exploded across social media platforms, racking up over 4 million views on YouTube alone.
The moment birthed the #GochuTunaChallenge hashtag, with fans and food enthusiasts recreating her exact recipe combination.
The viral moment delivered immediate business results for Korean food companies. Dongwon F&B, riding the wave of international attention, expanded gochu tuna exports to 28 countries, including the United States, Japan, Vietnam and China.
This marks the second time this year that Cardi B has inadvertently boosted Korean food sales.
In March, she posted a TikTok video praising Korean red ginseng, declaring, “It works better than coffee. I feel awake all day.”
That clip surpassed 1 million views within two weeks, creating what industry experts called an “overseas red ginseng craze.”
The rapper joins a growing list of celebrities whose food endorsements have transformed Korean exports.
BTS members’ love for Buldak spicy ramyeon and Chacharoni helped establish these products as global K-food ambassadors.
BLACKPINK’s Jennie mentioned Banana Kick as her favorite Korean snack on “The Jennifer Hudson Show” earlier this year, resulting in a 69% jump in U.S. export volume the following month.
Korean food exports have experienced remarkable growth, reaching $7.02 billion last year, according to the Korea Chamber of Commerce and Industry.
The gochu tuna phenomenon demonstrates how authentic celebrity reactions can drive consumer behavior across cultural boundaries, transforming a simple grocery store purchase into a global food trend.
Chauncey Billups landed in the middle of a sprawling FBI investigation into mafia-run poker games in New York and his legal team is punching back hard against the accusations.
The Portland Trail Blazers head coach was arrested Thursday in Portland as part of a federal crackdown on illegal gambling operations allegedly tied to four notorious crime families.
Attorney Chris Heywood wasted no time defending his client’s reputation.
“Anyone who knows Chauncey Billups knows he is a man of integrity; men of integrity do not cheat and defraud others,” Heywood said in a statement to ESPN. “To believe that Chauncey Billups did what the federal government is accusing him of is to believe that he would risk his hall-of-fame legacy, his reputation, and his freedom. He would not jeopardize those things for anything, let alone a card game.”
The arrest is not tied to any NBA games or coaching decisions.
Instead, federal agents allege Billups took part in high-stakes poker games that were rigged using high-tech cheating devices, including X-ray tables and contact lenses.
The operation was reportedly backed by the Bonanno, Gambino, Genovese and Lucchese families. Heywood emphasized that Billups never compromised the sport he dedicated his life to.
“Furthermore, Chauncey Billups has never and would never gamble on basketball games, provide insider information, or sacrifice the trust of his team and the League, as it would tarnish the game he has devoted his entire life to,” he said.
After his arraignment, Billups was released and seen leaving a federal courthouse in Portland.
The NBA placed him on immediate leave, and assistant coach Tiago Splitter was named interim head coach of the Trail Blazers.
In total, 34 individuals were indicted — 28 for the mafia-linked poker ring and six for alleged manipulation of NBA games and insider betting.
Heywood closed his statement with a clear message that Billups intended to challenge the charges.
“Chauncey Billups has never backed down. He does not plan to do so now. He will fight these allegations with the same tenacity that marked his 28-year career. We look forward to our day in court.”
Drake celebrated his 39th birthday on October 24 with a career milestone that extends his dominance in Hip-Hop history.
The Toronto superstar received 16 new RIAA certifications, including six coveted diamond plaques, bringing his total to a record-breaking 15.
The most significant achievement came with his 2011 album “Take Care,” which earned diamond status, making Drake the first artist to have a diamond-certified album after selling over 10 million units.
The project joins diamond singles “Nice for What,” “The Motto” featuring Lil Wayne, “Headlines,” “Passionfruit,” and “Nonstop” in the latest wave of certifications.
Drake now holds an unprecedented 16 total diamond certifications, cementing his position as the most diamond-certified artist in RIAA history.
The achievement comes as other albums received significant upgrades, with “Views” reaching 9x platinum, “If You’re Reading This It’s Too Late” hitting 5x platinum, and “For All the Dogs” earning 3x platinum status.
Several tracks climbed certification levels, including “Chicago Freestyle” (5x platinum), “Rich Baby Daddy” (3x platinum), and “Rich Flex” with 21 Savage (5x platinum). The certifications reflect Drake’s sustained commercial power across different eras of his career.
Drake’s father, Dennis Graham, shared Instagram photos from what appeared to be an OVO birthday trip to the Bahamas, writing, “Happy Birthday to my baby boy, what a time to celebrate with the ones you love.”
Former NFL quarterback Johnny Manziel, who spent time with Drake this week, teased the rapper’s upcoming “Iceman” album in a social media post.
“Caught a flight to the Bahamas cause it’s Iceman time and the baccarat tables were calling my name,” Manziel wrote, hinting at new music on the horizon.
The milestone arrives during a pivotal period for Drake, who recently saw his defamation lawsuit against Universal Music Group over Kendrick Lamar’s “Not Like Us” dismissed by a federal judge.
Despite legal setbacks, the RIAA’s achievements demonstrate Drake’s enduring commercial appeal and chart dominance.
Industry observers note the significance of “Take Care” reaching diamond status, as the album helped establish Drake’s signature sound, blending rap and R&B.
The project featured collaborations with Rihanna, Lil Wayne, and The Weeknd, producing multiple chart-toppers that continue generating streams over a decade later.
With 16 diamond certifications now in his collection, Drake will need more space in his trophy room to accommodate the growing hardware. The achievement reinforces his status as one of Hip-Hop’s most commercially successful artists, with no signs of slowing down as “Iceman” approaches.
The University of Delaware alum and author of 11 books sat with AllHipHop’s Chuck “Jigsaw” Creekmur at WoWorld Studios to unpack how a suburban kid who loved Public Enemy and Big Daddy Kane became the author who spent three years and hundreds of interviews chasing the full story of Tupac Shakur.
Pearlman speaks openly about askingfor guidance, getting checked by Pac’s sister and learning that curiosity without humility can get you burned. He talks openly about Afeni Shakur as a bold, brilliant American revolutionary who also battled addiction. Lastly, and perhaps most significantly, the New York Times best-seller made the choice between crafting a fan-pleasing biography or a historic record. The truth is elusive in Hip-Hop, but Pearlman’s penchant for digging has unearthed some shocking revelations.
Watch the interview below or read part of a Q&A with Creekmur.
Jeff Pearlman: Am I your first non Hip-Hop white guest?
Chuck “Jigsaw” Creekmur (AllHipHop): Yes.
Jeff: I will take it. I am Jewish. Am I your first Jewish guest?
AllHipHop: No, we have had plenty of Jewish guests. Nah, seriously Jeff, thanks for coming through.
Jeff: Of course. We go way back. We both went to the University of Delaware.
AllHipHop:About three or so years ago when you started kicking it around, we talked and it almost felt like you were asking permission, because Kevin Powell was on your mind.
Jeff: I was looking for guidance, for someone to say this is not a horrible idea. I have a lot of respect for Kevin Powell as a journalist. I have read him for years. I did something dumb. He had on his website for years that he was working on a Tupac book. I had wanted to write about Tupac for a long time. I got his number and texted him, because no one answers phones anymore. I introduced myself. He was not happy to hear from me. I wrote clumsily that he had it on his site for a long time and I assumed he was not doing it, so I decided to do it. Looking back, that was not cool.
Jeff (cont.): He wrote back about white privilege and whatever, and I cannot argue with what he said. I have had a very privileged career. I wanted to write this book for a long time and he was not doing it. Did he tell me he was not doing it? I do not think so. He emphasized he is a poet now. He might still do it, but I wanted to do the book, and by that point I was into it. Even if he had said he was working on it, I probably would have kept going.
AllHipHop: Shout out to Kevin Powell.
Jeff: One hundred percent. Kevin Powell wrote some of the best stuff about Tupac ever.
AllHipHop: Let me ask you this because you are a white guy and you see things differently than someone like me or other Hip-Hop aficionados. What is your perspective on Tupac overall, from when you started to now?
Jeff: Over the years I really got into Tupac. I loved the music and was fascinated by the story. I wanted to read the great Tupac book and did not feel it was out there. I went in as a curious guy, acknowledging I do not have your background in Hip-Hop. I tried to be a blank slate and told people, this is who I am. I am a white guy from rural New York, and you will never find anyone more interested to listen. That is a superpower. I will listen to everything you say.
Jeff (cont.): After six hundred fifty interviews in three years, when I talk about Tupac I get profoundly sad. His life was full of trauma and pain. When I sat with his sister, Sekyiwa, she told me two things. In therapy, the first thing she told her therapist was about rats running through their Baltimore row house. The sound still haunts her. There was also a moment that was important for me as a white journalist. I asked, “What was it like when you moved from Baltimore to Marin City.” She said, “That is your white privilege. We did not move. We were relocated.” There is a huge difference. That hit me. It is one thing to say someone was poor, but hearing “we were relocated” changes your understanding.
AllHipHop: When I read the book cover to cover, I could not put it down, which is rare in our distraction world. I was moved by the first half where the trauma plays out. I had no clue. I was almost speechless. What did you learn from those beginnings?
Jeff: The trauma is unbelievable. Tupac had something unique happen to him that most of us do not experience. My hero was my dad. He was my role model. He was not perfect, but he was great. Tupac’s hero, his mother Afeni Shakur, became a crack addict before his eyes. Afeni should be taught in American history. Panther 21, representing herself in court as a twenty one year old pregnant woman without a high school degree, turning down an attorney, winning her case. It is insane. Everywhere Tupac went, he bragged about his mom.
At Dunbar High School and later at the Baltimore School for the Arts, he talked about his mom, the Black Panther. At the same time, he watched her plummet into addiction. She was not home. She was chasing the high. At one point she tried aborting a pregnancy by taking even more crack. Imagine your hero also being the person whose decline you witness. That was his being. It fueled his art and his pain.
AllHipHop: I have no comment because it is mind blowing and sad. You interviewed so many people. There are a few notable things. We will get into some of them.
Jeff: The thing about a biography like this is important. You have a decision to make. Am I writing a definitive look at the full life, or a book for fans that reinforces everything they want to believe. Or am I writing a book that might be hard to read but aims to be the true historic record. I am not saying I succeed or fail, but you try to do right. You have to make choices as a journalist.
AllHipHop: In Hip-Hop we walk a very tight rope. It is tough to tell the absolute truth. Truth is murky.
Jeff: I have gotten some death threats. It is new to me. I did something stupid. A couple months before the book came out I was on a podcast. It was not about Tupac. They asked me about him. You get used to talking sports. In sports you can BS and toss off takes about the Jets or Justin Fields. I answered flippantly. I do not remember my exact words. Something like a lot of it was an act, he was not great with a gun, and he was not a great fighter. On one hand, there is research behind parts of that, but it was flippant. The recognition for me was that this is not a subject a white outsider sports writer can be flip about. Period. I was not thinking. I got blowback. You do not get that in sports the same way. In Hip-Hop it happens. When I was on Fox News I got similar negativity. It hurts. People say do not read it. It is not that easy. Hopefully no more death threats.
AllHipHop: That said, in the book there is the Parker Meridian case which led to prison. There is also another sexual assault allegation you surfaced. Tell that story.
Jeff: People will say you just want to sell books. If my goal were only to sell books I would not include this. It is painful and it sucks. I found a redacted police report about a woman who, four months before the Parker Meridian situation in New York City, accused Tupac and some guys he rolled with of rape. She filed a full report. I later found the unredacted version and reached out. It was her twenty first birthday. She was with friends at a club. Tupac and four other guys were there. She danced with Tupac. She thought it was cool to dance with him. She had a boyfriend, a USC football player, not at the club. Her friends were ready to leave. She said, give it a few minutes. She went outside and they left.
These guys saw her upset. This was pre cellphone and pre rideshare. They asked if she needed a ride. She said yes. She told me she thought she would be safe because he was famous. Instead of driving her home, Tupac said they needed to stop by his place near the club. She said she would wait in the car. He said come in. He said come into the bedroom. According to her and the report, he sexually assaulted her. According to her he invited a friend into the situation. She started screaming. He told his friend to take her home. The friend started driving, then said he would only drive her home if she performed a sexual act. She did. She got home to her boyfriend, screaming and crying. He wanted to round up teammates and handle it. She said no, I want to file a police report. She filed. The documents say she was bleeding from the rectum, had blood in her. The authorities decided not to pursue it. The report says she had a chance to run away at 71st Street and did not, therefore they would not pursue it.
Jeff (cont.): I found her. She did not want to talk at first. I tried twice. She asked if I had the report. I showed it to her. She was angry, because it reminded her that they did not pursue it and after everything she put into it. She read it. She told me she could not tell me everything, but she believes the other woman, because he did the exact same thing to her. Do I like recording that? No. Will people hate me for recording it? Maybe. But what are you supposed to do when you write biography and the Parker Meridian is a huge piece, the reason he went to Clinton. You check, you call, you have the redacted and unredacted reports. You know what allegedly happened. I interviewed the woman. She said, I am 52, do not use my name. I did not use it. She is an alleged rape victim, married with kids. Why would she make this up all these years later?
AllHipHop: Here is a question for Hip-Hop. Is there any possibility that some of the things you unearthed are wrong or incorrect?
Jeff: In biography you rely on memory often. In this case I had documentation, but in general you rely on people. I talked to Jim Belushi because of Gang Related, and to Lela Rochon who was awesome. She told me a great story. There was a delay on set. Tupac said, let’s go to a movie, not as a date, just a movie next door. She said, “I am not going with you.” He asked why. She said, “I do not want to get shot.” Is it possible she said something else, or made up a headache? It is possible. It was 30 years ago. As a biographer you rely on memories and hope they are accurate. You double and triple check the important details. For smaller set anecdotes, you are more willing to rely on memory.
AllHipHop: What was your favorite part of the book to report? What did you enjoy?
Jeff: Marin City. I love his time there. It was painful for him. This is the best job in the world even when it is painful. Tupac spent his senior year of high school in Marin City. He was devastated because he loved the Baltimore schools. He met Jada (Pinkett) and learned how to act there. He moved to Marin City. His mom was addicted to crack. Someone told me to talk to a crack dealer in Marin City who is still there. I called him, told him who I was, and drove nine hours to talk. We sat in the front seat of his car and he explained what it was like dealing crack in Marin City and what a young Tupac was like. The fish out of water part of this job is the best. I can sit next to a former crack dealer and ask exactly what it was like.
AllHipHop: Would you consider Tupac a chameleon? He seemed to shape shift at every stage.
Jeff: Exactly. Wherever he was, he learned to adapt.
Kim Kardashian credited one of her family’s most public transformations—Caitlyn Jenner‘s transition—as a pivotal moment that fueled more seasons of Keeping Up with the Kardashians, joking that it practically wrote the next chapter of their reality empire.
While appearing on The Graham Norton Show to promote her new acting project All’s Fair, Kardashian reflected on the longevity of her family’s reality TV dominance and how real-life events have kept the cameras rolling.
“We shot the pilot and had no idea what it would turn into, but 20 years on, it is still going. The shows write themselves,” Kardashian said. “Once, when we wondered what might happen next, my stepdad turned into a woman and there were two more seasons right there!”
The Kardashian-Jenner family has remained a fixture on television since 2007, first with Keeping Up with the Kardashians on E!, which wrapped in 2021, and then with The Kardashians on Hulu, which launched in 2022.
Jenner’s 2015 public transition was widely covered and marked a significant moment in both pop culture and the family’s storyline.
Kardashian, 45, appeared on the talk show alongside Sarah Paulson to discuss All’s Fair, a legal drama that marks Kardashian’s first significant acting role. The series also stars Glenn Close and Naomi Watts.
“Working with a cast like this, I wanted to make sure I was completely prepared. What I could control was absolutely knowing my lines, being on time and being super professional. These women are the greatest at what they do, and I just watched and learned every day,” Kardashian said.
Balancing her businesses, reality show obligations and raising four children, Kardashian admitted the experience stretched her limits.
“I’ve learned you can. It was mentally challenging having to do it all, but I loved it,” she said.
Kardashian also shared that her long-term goal may take her away from the spotlight altogether. After six years of studying law, she’s awaiting her bar exam results and considering a full-time legal career.
“I will be qualified in two weeks,” she said. “I hope to practice law. Maybe in 10 years, I think I’ll give up being Kim K and be a trial lawyer. That’s what I really want.”
All’s Fair is currently in production, and Kardashian expects to receive her bar exam results in two weeks.
Hit-Boy x N3on x AllHipHop: Inside the Wild Two-Day Music Camp That Crashed the Internet
People always like to consider Hip-Hop street music, but the culture has thrived most when it collides with technology and innovation. From park jams and producers to the internet to Twitch dominance, the innovators move the goal posts.
Producer Hit-Boy has helped define a whole modern wave with his ability to bridge the gap between eras, worlds and even egos. Streamer N3on built a massive audience by turning the camera into an arena where fans make things happen in real time. Now the worlds collide in one creative event.
A two-day recording camp blended a carnival atmosphere with a recording studio. Six studios ran at once. Seventeen records in a single day. A seven hour stream that let viewers act like A&Rs. Empire Records. Alchemist, Hit-Boy and an album called Goldfish. This was more like a playground than a studio with all the trappings. Devon Jefferson sat down with Hit-Boy and N3on to unpack how they pulled it off.
AllHipHop: Day two of the camp and you already knocked out 17 songs on day one. How did that even happen?
Hit-Boy: We had six studios going. I was moving room to room putting collaborations together on the spot. Dave Blunts in one room. 03 Greedo on the other side. Dave cut a joint. We walked it right over to Greedo. He knocked it out. It was crazy and organic.
N3on: The stream went seven hours and it was fire. Outside felt like a festival. Inside felt like a playoff run. People flew in for part two. Today might be even more intense.
AllHipHop: Whose idea was the carnival vibe with a live stream and full studio production at the same time?
N3on: Our teams came together with a wild idea and we built it out. He is producing the music. I am producing the stream. That is the formula.
Hit-Boy: Everything is production. You produce a fit. You produce the couch. You layer each piece until it locks into place. This camp is layers done right.
AllHipHop: Talk about the EMPIRE connection and how it powers this run.
Hit-Boy: EMPIRE has been catching independent heat for a minute. Platinum and even diamond moments. They empower creators and stay out the way. On Goldfish with Alchemist they let us take the creative lead. That is real fuel.
N3on: I am doing my debut project with Empire and Hit-Boy is executive producing. The infrastructure lets the creativity go full speed.
AllHipHop: N3on, you went viral in January with that tunnel snippet. Now you are cutting an album with a Grammy giant. Was that always the vision or did the moment force the plan?
N3on: It is bigger than me. I built a network of clip pages and community from the days when I had a few hundred viewers. They helped push the music. Streaming lets us test things in real time. If it is good the people run with it. I want it natural. No forcing. Working with a legend makes sense. We are making it big and organic at the same time.
AllHipHop: Give us the on the ground snapshot. Day one had big names in the building and seventeen cuts finished. What was the workflow?
Hit-Boy: It felt like a party and a factory at once. I have been in label set ups that were not half as productive. This is a new frontier. People thought folks would waste time on the mechanical bull. Instead they worked and fed off the energy. Unlimited creativity.
AllHipHop: How do you two decide what sticks and what gets scrapped when the volume is that high?
N3on: The chat is a focus group with real power. If they flood W’s and fire emojis we know it is a keeper. If they are not feeling it we pivot. We will run streams where we play records and let the people help us pick.
Hit-Boy: Yesterday we walked into a room with Pressa. The energy was right. N3on threw ad libs on the spot. The room went up. That is a yes in real time.
AllHipHop: Are we going to hear a full N3on record out of this or only features and ad libs?
Hit-Boy: We are going to build records that live on their own and records that connect the camp. The goal is a complete statement, not only moments.
AllHipHop: Are you grabbing songs from the stash or building from scratch with a theme?
Hit-Boy: Day one was pure feel. Play beats and see who catches a vibe. Now that we have a batch we will get strategic. Place the right features on the right records. Make the most collaborative version of each idea.
AllHipHop: We heard about more talent flying in. Any surprises you can tease?
N3on: We have people coming through today. Iggy is flying in. I want to cook up something special for the ladies if the vibe is right.
AllHipHop: The industry keeps blending genres. Country leans into bounce and slap. Pop pulls drums straight from rap kits. Where do you see the sound going?
Hit-Boy: Boundaries are wide open. You hear Hip-Hop patterns in every lane. That means you go create with no box. If the record is undeniable people rock with it.
AllHipHop: Advice for small creators who want to build what you are building at scale?
N3on: It is harder than ever because everyone streams. I used to believe quantity over quality. Now I say focus on the product. Do not copy the biggest people. Study what works and make it better in your own voice. Streaming daily to two viewers with mid content does not move the needle. Be different. Be precise. Build community that believes in your product.
AllHipHop: Appreciate greatness while it is right in your face.
Misty Copeland dazzled Lincoln Center with grace and grit Wednesday night (October 22) as she delivered her final performance for American Ballet Theatre, closing a 24-year chapter that reshaped the face of classical dance.
The Copeland farewell unfolded during ABT’s Fall Gala at the David H. Koch Theater, where the 43-year-old icon took her last bow in her decade-long stint as the company’s first Black female principal dancer.
The evening was filled with tributes, ovations and a crowd that spanned generations and backgrounds—proof of her far-reaching influence.
Oprah Winfrey and Debbie Allen honored Copeland with emotional speeches, with Winfrey declaring she “didn’t just perform ballet” but “changed it.”
The program featured three performances that showcased Copeland’s range. She opened with the balcony pas de deux from “Romeo and Juliet” alongside Calvin Royal III, ABT’s first Black male principal in over 20 years.
They followed with Kyle Abraham’s “Wrecka Stow,” a contemporary duet, before she closed the night with Twyla Tharp’s “Sinatra Suite” alongside longtime partner Herman Cornejo.
The most personal moment came after the final curtain, when Copeland’s 3-year-old son Jackson walked onstage in a tuxedo and hugged her as gold confetti fell from the rafters.
The gesture spotlighted the five-year break she took from ABT to raise him with husband Olu Evans.
What a beautiful cap off to a historic tenure with the American Ballet Theater. Misty. Copeland !!! Deserving of every flower.
Her son coming out to give her a bouquet is so damn precious 😭 how beautiful ! pic.twitter.com/ou7PX0PHch
Born in Kansas City and raised in San Pedro, California, Copeland’s road to ballet stardom was anything but traditional. She began dancing at 13 while living in a motel with her mother and siblings.
Despite the late start, she earned scholarships to the San Francisco Ballet School and later joined ABT’s corps de ballet in 2001.
When Misty Copeland was a teen, she, her five siblings, and their mother were living in two rooms at a motel in Gardena, California. Copeland would practice ballet on the railing outside their rooms, imagining it as her private studio. She hadn’t been back in nearly two decades —… pic.twitter.com/o4V76735J1
It followed her acclaimed debut in “Swan Lake” at the Metropolitan Opera House, which drew a more diverse audience than the company had ever seen.
Since launching the Misty Copeland Foundation in 2022, she has focused on expanding access to dance education for children of color through her “Be Bold” afterschool program.
The initiative aims to remove barriers that have long kept ballet out of reach for many underserved communities.
Copeland’s publishing work also continues. Her second installment of the “Bunheads” children’s book series dropped in September, and her memoir “The Wind at My Back” remains a staple in conversations about inclusion in the arts.
Her retirement leaves ABT without a Black female principal dancer for the first time since 2015. Copeland called the situation “concerning” but expressed hope that her foundation will fuel long-term change.
“There’s only so much that visual representation can do,” she told The Associated Press in June. “I feel like it’s the perfect timing for me to be stepping into a new role, and hopefully still shaping and shifting the ballet world and culture.”
The night ended with the traditional ballet send-off—bouquets from colleagues, mentors and loved ones. Copeland curated much of the gala herself, ensuring her final performance reflected her vision and legacy.
NBA YoungBoy found himself at the center of controversy after the New Orleans Police Department was forced to address swirling rumors about the Baton Rouge rapper being banned from future performances in the Crescent City.
The drama unfolded following NBA YoungBoy’s two-day concert series at the Smoothie King Center on October 20-21, 2025, which had city officials on edge about potential safety concerns.
While Live Nation footed the bill for additional police security during the shows, the concerts wrapped without major incidents—though reports surfaced of overzealous fans forcing their way into the venue.
The real problem came after the concerts when online chatter exploded with claims that NOPD Superintendent Anne Kirkpatrick had personally banned the “Outside Today” hitmaker from performing in New Orleans again.
The allegations centered around NBA YoungBoy allegedly violating a key condition in his contract with Live Nation and the Smoothie King Center – he was supposed to leave town immediately after each show.
Instead, the 25-year-old rapper was spotted getting mobbed by fans on Bourbon Street following his Monday night performance, clearly still in the city when he should have been long gone.
NOPD moved quickly to shut down the speculation, releasing an official statement that read: “Whether or not NBA YoungBoy performs future concerts in Louisiana is a matter solely between his promoters and the management of the Smoothie King Center, who negotiate and execute those agreements. The New Orleans Police Department has no authority or involvement in determining which artists are permitted to perform in the city.”
The statement continued with a telling confirmation: “On Monday, October 20, 2025, Superintendent Anne Kirkpatrick confirmed to Smoothie King Center management that NBA YoungBoy did not leave town following either of his two concerts — in accordance with the agreement established between Smoothie King Center management and Live Nation, the artist’s promoter.”
The contractual violation adds another layer to NBA YoungBoy’s already complicated relationship with live performances.
The rapper has faced venue cancellations in other major cities, including Atlanta, where his shows were scrapped after reported issues with his entourage at VIP entrances.
While NOPD maintains they have no say in future booking decisions, the confirmation that NBA YoungBoy breached his contractual obligations could complicate future negotiations with venues and promoters who may view him as a liability.
Dave dropped his third studio album, The Boy Who Played the Harp and revealed a 2026 tour across the UK and Europe, ending a four-year solo hiatus with a project packed with heavyweight features and personal reflection.
The South London rapper’s 10-track release includes appearances from Nigerian vocalist Tems, genre-blending producer James Blake, UK rap legend Kano and rising talent Jim Legxacy.
Announced in October 2025, the album marks Dave’s first full-length solo project since 2021’s We’re All Alone In This Together.
In an emotional Instagram post announcing the project, Dave reflected on the journey that led to its creation, writing, “After a few years of soul searching to arrive at this point I want to say thank you to everyone who made this possible… my mum who raised me and gave me my name and destiny.”
He also thanked his fans for their unwavering loyalty during his time away from music, saying, “Over this time I have been away you have genuinely saved my life… I wake up and think about you and I write and I pray for you and I speak life into your lives every day I walk this earth.”
The 27-year-old rapper described the project as deeply spiritual and purpose-driven, adding, “I want to thank God for taking a scared little boy trying to navigate the world and giving him the chance to help others and for protecting us all.”
Dave’s past releases have earned critical acclaim and commercial dominance.
His 2019 debut, Psychodrama, won the Mercury Prize and topped the UK Albums Chart. His sophomore album also hit No. 1 and went platinum. In 2023, his joint single “Sprinter” with Central Cee broke multiple records and became the longest-running No. 1 UK rap single.
Away from music, the 27-year-old artist stayed active in philanthropy. In December 2023, he helped raise more than $633,000 for children impacted by conflict in Palestine, Sudan and Congo.
He also supported his mother’s Juliet O Foundation, which provides care for elderly patients in London and Surrey hospitals.
Dave Announces UK & Europe Tour
Dave is set to return to the stage in February 2026 with multiple shows across the UK and Europe as part of his upcoming tour.
The performances will be his first major concerts since shifting focus to acting and charity work during his extended break from releasing solo music.
Jack Schlossberg blasted Donald Trump for gutting the White House Rose Garden planted by his grandmother, Jackie Kennedy, accusing the former president of replacing her legacy with concrete in a scathing Instagram post.
The grandson of the former First Lady posted side-by-side images of the garden before and during construction, slamming Trump for stripping away the floral design Jackie helped create during her time in the White House from 1961 to 1963.
“My grandmother saw America in full color – Trump sees black and white,” Schlossberg wrote. “Where she planted flowers, he poured concrete. She brought life to the White House, because our landmarks should inspire and grow with our country.”
In July, Trump announced plans to expand the White House grounds to accommodate a new venue for formal events, such as state dinners.
Though the Washington Post previously reported the renovation would include a ballroom addition, it remains unclear whether the original Rose Garden will be restored once the project is complete.
Despite the removal of the flowers, Schlossberg, Caroline Kennedy’s son, emphasized that his grandmother’s influence endures.
“Her Rose Garden is gone, but the spirit of the Kennedy White House lives on – in the young at heart, the strong in spirit, and in a new generation answering the call to service,” he added. “A year from now, we’ll get our last chance to stop Trump. History is watching. We need leaders with courage, conviction and who actually care.”
Neither Donald Trump nor the White House has issued a public response to Schlossberg’s remarks.
Rick Ross is parting ways with his sprawling South Florida estate, listing the luxury property in Landmark Ranch Estates for $6.5 million as he continues expanding his business portfolio.
The 14,000-square-foot mansion, located in the gated community of Southwest Ranches, features six bedrooms, seven bathrooms and a long list of high-end amenities.
Kimberly Knausz, who is handling the sale, describes the property as “Grandeur. Sophistication. THE BIGGEST kind of luxury. Because big dreams deserve an even bigger address.”
Built for both comfort and showmanship, the home includes marble flooring, a custom bar, a soundproof movie theater and a resort-style pool complete with a waterslide.
The primary suite offers a spa-style bathroom, a custom walk-in closet and a private sitting area.
A nine-car garage adds to the appeal, built to accommodate Ross’s extensive car collection. The estate sits on 2.3 acres in a private equestrian neighborhood known for attracting celebrities.
Ross originally bought the home from former NBA star Amar’e Stoudemire for $3.5 million. Since then, he’s added a new roof and stamped his signature double-R logo into the driveway.
This Florida property is separate from Ross’s massive Georgia estate, dubbed the “Promise Land,” which includes 109 rooms and has served as a backdrop for major productions like “Coming 2 America” and his annual car show.
The sale comes as Ross continues to diversify his business ventures.
In 2025, he became a co-owner of BitFortune, a digital currency platform launched in partnership with Gamma.
He has also grown his Wingstop franchise portfolio to over 30 locations across the United States, generating millions in annual revenue.
In the health and beauty space, Ross launched “Smiles by Mario Montoya,” a dental brand focused on porcelain veneers. He also remains active in the cannabis industry through his Collins Avenue brand, with investments in both California and Michigan.
Ross’s decision to sell the Florida property is part of a broader strategy to streamline his real estate holdings while continuing to scale his business empire.