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Erykah Badu Shares Story Behind Her First Encounter With D’Angelo’s Music

Erykah Badu recounted how a Dallas coffee shop and a D’Angelo album unexpectedly launched her music career during a revealing appearance on The New York Times’ Popcast.

While speaking with hosts Jon Caramanica and Joe Coscarelli, the neo-soul singer detailed the moment she first encountered the late D’Angelo’s debut album Brown Sugar while working at Grinders, a coffee shop on Greenville Avenue in Dallas.

“I first met D’Angelo’s music… I was working at a coffee shop in Dallas, Texas, called Grinders,” Badu recalled. “Somebody was playing D’Angelo’s new album, Brown Sugar. It was so refreshing to me, because I was working on music and really wanted to meet him and make something with him.”

Iinspired by his sound, she handed her demo to a contact at SXSW, which ultimately reached D’Angelo’s manager Kedar Massenburg—setting her on the path to her music career.

“At that time, I really thought I was on the right path,” she explained. “I didn’t have anyone to kill the dream. I just believed the things I believed and kept them to myself and they just began to happen, one thing after the other.”

She later opened for D’Angelo at the Caravan of Dreams venue in Fort Worth. By the end of the night, she had secured a record deal with his manager, Kedar Massenburg.

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The podcast episode, which was recorded before D’Angelo’s death earlier this month, offered a rare glimpse into Badu’s early years.

Erykah Badu Gives D’Angelo His Flowers

Badu paid tribute to D’Angelo shortly before his passing, writing on Instagram “I had never heard or seen anything like this in this world. He had an old thing that had been hidden , buried for a long time , I recognized it right away.”

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The Grammy-winning artist is currently preparing new material under her label Control FREAQ Records. Her long-awaited collaboration with The Alchemist, titled Abi & Alan, was postponed in August 2025 just hours before its expected release.

Badu is currently on a global tour celebrating the 25th anniversary of her 2000 album Mama’s Gun, while working on her first studio LP since 2010’s New Amerykah Part Two: Return of the Ankh.

Turk Replies To Birdman’s Insults During No Limit Vs. Cash Money Verzus

Turk fired back at Birdman after being publicly mocked during the Cash Money vs. No Limit Verzuz battle in Las Vegas.

During the high-profile Verzuz event, Birdman took a jab at Turk for not showing up, calling him out in front of the crowd.

“Shout out to Turk, you little b####, you ain’t here but f### you, we gonna f### with you and we wanna f### with you, you heard me?” Birdman said. “We gonna f### with that b#### and we wanna f### with him. You leave, we gonna still multiply and Cash Money ain’t gonna never die. Long as I’m alive, Cash Money ain’t gonna never die.”

Turk, who was noticeably absent from the stage, responded online with sharp words of his own. He claimed Cash Money “lost the Verzuz ‘cause they needed Turk” and blamed the group’s lack of preparation and unity for what he said was an underwhelming performance.

In a separate statement, Turk addressed Birdman’s comments directly, saying, “I don’t kiss no ass, bruh. I wish them dudes well. But man, I wish myself more well, man. You know what I’m talking about? That’s just what it is.”

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The tension between Turk and the Cash Money camp has been brewing since mid-2025, when Turk was removed from the Cash Money Millionaires’ 30th Anniversary Tour.

According to Turk, he was initially promised $400,000 for the full tour but was later offered a reduced rate for shows in Cleveland, Chicago and Detroit.

After refusing the cut, Turk said he was dropped from the lineup and labeled a “security risk” by the tour’s promoters, Artist by Artist Agency and Dope Shows Inc., allegedly due to his ongoing issues with fellow Hot Boy BG. Turk believes that reason was fabricated and retaliatory.

Turk later filed a lawsuit in Broward County, Florida, seeking over $300,000 for breach of contract. His wife and manager, Erica “Emani” Virgil, called the move “a blatant retaliatory act” tied to financial disagreements, not safety concerns.

Turk clarified that Cash Money and Birdman were not responsible for his removal, stating that outside promoters handled his booking. He also issued a cease-and-desist letter to the promoters, accusing them of using his name to sell tickets after cutting him from the tour.

Lil Baby Doubles Down On Music Output With Surprise Drops As Album Delays Fuel Speculation

Lil Baby dropped his second surprise single in three days Saturday night with “Plenty,” a collaboration featuring Memphis newcomer YTB Fatt and Atlanta’s own YFN Lucci, as questions continue to swirl around the status of his long-teased album The Leak$.

The track, released without warning on YouTube, follows Friday’s unexpected drop of “All On Me” featuring G Herbo. Both records pair him with artists from different corners of the Hip-Hop map.

“Plenty” links Baby’s polished delivery with YTB Fatt’s raw Memphis energy and YFN Lucci’s smooth Atlanta melodies.

The back-to-back releases arrive amid growing chatter about Baby’s future in music.

In September, Wolf Pack Global Music—an affiliate of his management—posted cryptic messages that hinted at a possible retirement. That buzz intensified when The Leak$ missed its September 5 release date, after already being pushed from its original August 15 target.

Adding to the speculation were canceled European tour dates and a lack of official updates about the album, which was expected to feature high-profile guests like Young Thug, Playboi Carti and Lil Yachty.

Despite those delays, Baby previously said he intended to release multiple projects in 2025.

But his recent activity tells a different story. During a studio session earlier this year with PlaqueBoyMax and Veeze, Baby mentioned plans to drop two albums back-to-back, suggesting his creative engine is still running.

The decision to debut “All On Me” and “Plenty” exclusively on YouTube also marks a shift in strategy. By bypassing traditional streaming platforms, Baby is steering the conversation and building anticipation for what might come next.

So far, there’s no word on whether “Plenty” or “All On Me” will be part of The Leak$ or if they’re standalone singles. The Leak$ still has no confirmed release date as of late October.


D’Angelo’s Farewell: Grand Homegoing Planned For Neo-Soul Icon

D’Angelo’s name still rings through the hearts of those who cherished his sound. I’m hearing the world may get one last chance to honor him properly. The enigmatic singer, songwriter and producer—born Michael Eugene Archer—left fans mourning deeply after his quiet passing earlier this month. Now, I hear plans are underway for a homegoing ceremony worthy of his genius.

While details remain tightly held, sources tell AllHipHop that organizers are crafting something extraordinary for D. I’ve been told they are going to somehow formulate a version of D’Angelo in death. It’ll be something that brings him to life, but I’m not sure if they are talking about AI or some other sort of art.

This has sparked curiosity. We don’t know what it is,but it could be possibly blending music, visuals and spiritual symbolism to break tradition. For some reason, I feel The Roots will be at the center of whatever they do.

The exact location and date haven’t been confirmed, but many expect the event to be public, similar to DMX’s 2021 homegoing at Brooklyn’s Barclays Center. AS a Virginia native, I am thinking it could be in Richmond. It only makes sense to include fans.

D was famously private. He didn’t speak publicly and did not explain his creative process. Over just three albums, Brown SugarVoodoo and Black Messiah, he reshaped R&B.

His death stunned the world because few knew he was ill. After word got out, tributes flooded social media from peers, producers and fans.

“D’Angelo gave so much to the world with his music,” one longtime admirer said. “Even when he disappeared from the spotlight, you could still feel his spirit moving through every artist who followed.”

Rest in peace to a true Black genius.

EXCLUSIVE: Pharrell Goes To War With Coogi Over Famous Sweater Design

Pharrell Williams and his creative direction at Louis Vuitton have caused a legal dispute with Australian fashion label Coogi, which is accused of lifting the brand’s signature knitwear style for the luxury house’s Fall/Winter 2025 menswear collection.

The lawsuit alleges that Louis Vuitton’s colorful sweaters and jackets closely resemble Coogi’s trademark multicolored, textured patterns—designs famously worn by The Notorious B.I.G. and deeply tied to Hip-Hop culture.

Coogi asserts that the collection “mirrors” its iconic visual identity.

In response, Williams and Louis Vuitton say that Coogi is attempting to “monopolize an aesthetic.” The filing states, “you cannot infringe a style,” and claims that Coogi’s design lacks the specificity required for legal protection under trademark or trade dress law.

The motion also points out that Coogi’s legal argument is based on a single copyrighted design from a 2014 Rag & Bone sweater—an artwork registered only earlier this year.

Louis Vuitton maintains that its designs are original, incorporating the brand’s distinct monogram and damier motifs, and structured layouts that differ from Coogi’s more organic and asymmetrical knit patterns.

The legal confrontation stems from Louis Vuitton’s January 21, 2025, runway show in Paris, where Williams debuted a heavily knit-focused menswear line.

Online commentary quickly labeled the collection “Coogi-flavored,” a description Coogi now cites as evidence of consumer confusion over the designs’ origins.

Louis Vuitton’s legal team dismissed such claims as speculative, calling them “press chatter” that lacks legal weight. They argue that public commentary doesn’t prove deception or misrepresentation.

Louis Vuitton also says Coogi’s description of its knitwear—”colorful threads, intricate textures, and abstract patterns”—is too vague to be protected. “There is no monopoly on multicolored sweaters,” their filing states.

Coogi’s cultural relevance plays a major role in the case. The brand became a staple in Hip-Hop fashion during the 1990s, largely thanks to The Notorious B.I.G., who wore the sweaters in music videos and referenced them in lyrics.

The brand’s aesthetic became synonymous with luxury and street credibility in rap circles.

Williams, who stepped into his role as Louis Vuitton’s men’s creative director in 2023, has made a point of blending Hip-Hop influences with high fashion.

His legal team argues that drawing inspiration from cultural icons is not the same as copying.

The court will now decide whether Coogi’s claims are strong enough to move forward or will be dismissed before trial.

Ex-No Limit Artist Mercedes Calls Out Verzuz After Being Denied Performance

Mercedes didn’t hold back when she took to Instagram Live following the highly anticipated Cash Money vs No Limit Records Verzuz battle on October 25, 2025, in Las Vegas.

The former No Limit Records artist, born Raquel Miller, expressed her frustration after allegedly being denied the opportunity to perform her classic hit “It’s Your Thing” featuring Master P during the ComplexCon showdown.

The track, which peaked at No. 4 on the Hot Rap Singles chart in 1999, was one of the biggest successes from her album Rear End.

“I wasn’t allowed to perform my own song,” Mercedes stated during her Instagram Live. “I am sick and tired of being played. I am supposed to be here, just like everyone else. I don’t know how to f### someone else got to sing my song…This s### is f##### up…I promise I got something for everyone. I swear to God I got something for everyone,” Mercedes fumed.

The controversy has added another layer of drama to what was already being billed as the return of the popular music battle series after a three-year hiatus.

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Mercedes made her mark in the late 1990s as one of the few female artists on Master P’s No Limit Records roster.

Her collaboration with the label’s founder on “It’s Your Thing” became a defining moment in her career, showcasing her skills alongside the New Orleans Hip-Hop mogul during the label’s golden era.

But now, she may become better known for suing Master P and Verzuz for not letting her on the stage.

“I got a whole f###### wristband, and these b###### didn’t let me go on. That sound deliberate. It’s cool, though, because y’all can expect a lawsuit, because I did not give permission for anybody else to perform my song,” Mercedes promised.

The Verzuz battle marked the first showdown since June 2022, when Omarion faced off against Mario.

The Cash Money vs. No Limit matchup was highly anticipated by Hip-Hop fans, representing a clash between two of the most influential Southern rap dynasties that shaped the music landscape in the 1990s and early 2000s.

No Limit Records, founded by Master P, was home to artists like Mystikal, Silkk the Shocker, and C-Murder, while Cash Money Records boasted talents including Lil Wayne, Juvenile, and the Hot Boys.

Her Instagram Live session has since gone viral, with fans expressing support for the veteran rapper’s position.

EXCLUSIVE: Kool Rock Ski Credits Dr. Dre’s “The Chronic” For Igniting Hip-Hop Sales

The impact of Dr. Dre’s 1992 solo debut, The Chronic, on West Coast Hip-Hop can’t be understated.

During the Paid in Full Foundation’s 2025 Hip-Hop Grandmaster Awards at the Bellagio Hotel and Casino in Las Vegas on October 18, the subject was justifiably top of mind.

Parliament-Funkadelic’s Chief Architect of Funk, George Clinton, was on deck to receive the foundation’s inaugural Quincy Jones Award. The group’s music was the building blocks for The Chronic, with Dre incorporating samples of “Mothership Connection (Star Child),” “Atomic Dog” and “P. Funk (Wants to Get Funked Up),” among others, into his G-Funk formula.

Speaking to AllHipHop on the black carpet, The Fat Boys’ Kool Rock Ski praised The Chronic for its role in popularizing Hip-Hop with a mainstream audience.

“I gotta be 100 percent honest with you,” he said. “I saw the lack in the sales and the music around ’91 and thought it would just go strictly back to the streets. Nobody was really putting out nothing big. We had a lot of artists putting out big radio hits and stuff like that, but it wasn’t until The Chronic came out and opened up the doors again for Hip-Hop sales, and the popularity came again.”

“When I heard it, a lot of people didn’t know about the Funkadelic music. Of course, we came from a musical background, so everything we heard was like, ‘Oh, that’s from Funkadelic.” But at the same time, it was blended so lovely with Hip-Hop, Snoop Dogg’s voice…I mean, it had an entourage of artists. It was smooth.

He continued, “The Lady of Rage and The D .O .C. was on it. I was stoked when they did that, but it brought back the sales, too. Because remember, by that time, it was Vanilla Ice and Hammer, who was the only ones who were selling that many records, but they weren’t considered street Hip-Hop.”

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On the black carpet, former Yo! MTV Raps host Fab 5 Freddy, also caught up with Kool Rock Ski, Geto Boys’ Scarface, Ludacris, Roxanne Shanté and several other Hip-Hop legends, who were in Sin City to honor this year’s Hip Hop Grandmaster Award recipients, Kool G Rap and Brand Nubian’s Grand Puba as well as Kool Rock Ski, one of two recipients of the new Contributor Award. (The other, Whodini’s Jalil, was unable to attend in person.)

Dr. Dre surprised the crowd by joining a panel moderated by Quincy Jones III, who was interviewing Clinton about his indelible contributions to music. Dre went on to praise Clinton for his influence on him and countless others.

“George Clinton is one of my main motivations and what I grew up to,” Dre said. “Forty years this year, I started in 1985. This summer marks 40 years that I’ve been doing this thing. In the beginning of my career and my childhood and everything was based on this man right here. Everything that I’ve done, studied… all the drums and all the instruments that this man did inspired me to do what I’m doing right now, and I’m just so appreciative. It’s all love.”

The evening was marked by several performances, including from Nas, Kool Moe Dee, Clinton, Mobb Deep’s Havoc and more.

And if you haven’t seen George Clinton roll up on a motorized before…you’re welcome.

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Lil Wayne Misses Out As Mia X Shines In Cash Money Vs. No Limit Vegas Verzuz

Lil Wayne and Las Vegas should’ve been a perfect fit. The highly anticipated Verzuz between Cash Money and No Limit went down Saturday night (October 25), bringing two of New Orleans’ most iconic rap empires head-to-head. It looks like it was great, but the biggest headline was about who didn’t show up.

Wayne, the crown jewel of Cash Money, was in Vegas—yep, physically there—but decided not to pull up. The internet detectives tried to find out why he skipped it. This is underscored by his loudness about not getting his proper shine during the Super Bowl festivities. Is this self-sabotage or “Lil Wayne being Lil Wayne?” I don’t know. Either way, it was a missed opportunity to remind the world why he’s one of rap’s greatest live performers.

By the way, Lil Wayne is on the new Master p album. Read about that here.

Meanwhile, the No Limit side came ready for war. Mia X, the First Lady of the tank, lit up the stage like it was 1998 again. Shout out to her. After all that chatter about her missing Essence Fest, she made sure there were no excuses this time. She delivered pure energy, commanding the crowd with veteran confidence. If you didn’t know, you were educated on why she’s still one of the fiercest lyricists to ever hold a mic at No Limit.

READ ALSO: Mia X Talks No Limit Records, Her 1979 Rap Vision, Mastering Cooking & How AllHipHop Helped

And here’s a twist. Turk somehow won, too. His relationship with BG and the Cash Money camp has gone south. Social media gave him his flowers. Fans said his absence was felt in a real way. Sometimes, not showing up says more than being there. But, he had his own celebration with his wife and it looks like they had a ball.

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But the wildest, weirdest moment came courtesy of Tamar Braxton. The singer popped up to support her brother-in-law Birdman, who’s been tied (married) to her sister Toni for years. The thing is, Tamar was caught rubbing on Birdman’s bald head onstage. And the internets did not let that slide. Uh, was this some odd family love or something fishy? Regardless, she had the crowd talking. By the way, she said it was no biggie, just taking her sister’s place.

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Then, there was the other thing…

At the end of the night, Birdman closed things out with a speech that was equal parts tough love and stunter energy. He reportedly sent shots at Turk but also threw in a few words of admiration for his old buddy. You gotta love it. Word is Birdman skipped over Master P when it was time to shake everybody’s hand. WOW.

Find some highlights below.

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Time for me to watch some football. Wait—here’s some more.

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Lincoln University Homecoming Ends In Mass Shooting Tragedy

A deadly outbreak of gunfire disrupted Lincoln University’s homecoming celebration Saturday night in Pennsylvania, leaving one person dead and six others wounded.

The shooting unfolded just before 9:30 P.M. outside the International Cultural Center during YardFest, an annual outdoor party on the Lincoln University campus in Lower Oxford Township.

What started as a spirited weekend of school pride and alumni reunions ended in panic as shots rang out and crowds scattered.

“We don’t have a lot of answers about exactly what happened,” Chester County District Attorney Christopher de Barrena-Sarobe said during a press briefing Sunday morning. “What I will tell you is that today we’re operating as if this is not an incident where someone came in with the design to inflict mass damage on a college campus.”

The chaos sent students and visitors sprinting for cover, some diving behind cars and others dropping to the ground. Witnesses described the confusion and fear that swept through the crowd.

“We heard them (the gunshots) and people started running,” one attendee told NBC10.

Authorities detained one person found with a firearm, but de Barrena-Sarobe said investigators believe more than one shooter may have been involved.

“It is a very real and distinct possibility,” he said.

The university immediately went into lockdown, which remained in effect until Sunday morning. Officials later confirmed there was no ongoing threat to the campus.

The FBI joined Chester County detectives in the investigation. Pennsylvania Gov. Josh Shapiro said he had been briefed and pledged the state’s full support.

“Please avoid the area, continue to follow the guidance of local law enforcement, and join Lori and me in praying for the Lincoln University community,” Shapiro posted on social media.

The motive behind the shooting remains unclear as authorities continue combing through evidence and interviewing witnesses.

Founded in 1854, Lincoln University holds the title of the first degree-granting historically Black university in the United States.

It also operates a second campus in Philadelphia’s University City section.

Louvre Heist Suspects Arrested in $100M Crown Jewels Theft

Two suspects were arrested Saturday night (October 25) in connection with the audacious $100 million crown jewels heist at Paris’ Louvre Museum, with one nabbed while attempting to board a flight to Algeria.

The men, both in their 30s from Seine-Saint-Denis, a rough suburb north of Paris, were detained as part of an investigation into “organized gang robbery” and “conspiracy to commit a crime.” Police received a tip Saturday about one suspect planning to flee the country and arrested him at Paris-Charles de Gaulle Airport as he prepared to board a plane bound for Algeria.

The second suspect was arrested shortly afterward in Paris. Two other suspects remain at large.

The arrests come exactly one week after the Hollywood-style heist that shocked the art world. On October 19, four thieves dressed in yellow vests and motorcycle helmets executed the brazen daylight robbery in less than four minutes. Using a cherry picker, they scaled the museum’s Apollo Gallery and broke into glass displays with chain saws as horrified tourists watched.

The crew made off with eight pieces from France’s Crown Jewels collection, including a sapphire diadem, necklace and single earring linked to 19th-century Queens Marie-Amélie and Hortense. They also stole Empress Eugénie’s diamond diadem and her large corsage-bow brooch.

One piece of stolen jewelry—Eugénie’s emerald-set imperial crown containing more than 1,300 diamonds—was later found outside the museum, damaged but recoverable.

The thieves descended using the same cherry picker before attempting to burn the bucket truck during their escape, fleeing on two scooters parked nearby.

According to Le Parisien, the alleged thieves are known to police for past robberies and are believed to have conducted the high-profile heist on commission. Officials collected nearly 150 traces of DNA, fingerprints and hair samples from the scene.

Hair believed to belong to the first thief was found in a motorcycle helmet discarded near the scene. The two arrested men are being held at police headquarters, where they can be detained for up to 96 hours without charges being filed.

Police have not yet recovered the stolen jewelry or publicly identified the other two suspects or the mastermind behind the operation.

Since the heist, security has increased around France’s cultural institutions. Museum officials moved the remaining French Crown Jewels to an ultra-secure Bank of France vault.

A preliminary report by France’s Court of Auditors found the world’s most visited museum had inadequate video surveillance systems and security spending was much lower in 2024 than two decades earlier.

France’s Minister of the Interior Laurent Nuñez celebrated the arrests Sunday morning (October 26) on Twitter, writing: “I extend my warmest congratulations to the investigators who have worked tirelessly as I requested and who have always had my full confidence.”

However, Paris prosecutor Laure Beccuau criticized media leaks about the arrests, stating: “This revelation can only hinder the investigative efforts of the 100 or so mobilized investigators, both in the search for the stolen jewelry and for all the perpetrators.”

Hip-Hop Mourns Freestyle Fellowship Rapper P.E.A.C.E.

Los Angeles-bred MC P.E.A.C.E., a member of Freestyle Fellowship along with Myka 9, Self Jupiter and Aceyalone, has died. Social media tributes started pouring in on Saturday (October 25).

Freestyle Fellowship posted from their official Instagram account, writing, “Rest well brother P.E.A.C.E 🕊️🕊️🕊️🕊️ You had a great heart and you were authentic. One of West coast Hiphop royal treasures. You will be surely missed my friend.”

Condolences from fellow members of the Los Angeles Hip-Hop community peppered each post—from Daddy Kev and Exile to the Visionaries and DJ Rhettmatic.

No cause of death has been revealed. AllHipHop has reached out to members of Freestyle Fellowship for more information.

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P.E.A.C.E. grew up mostly in L.A. and, after exploring instruments like the accordion and double bass, started rapping during high school years. Much like his crewmates, he honed his skills at The Good Life Cafe, a local open-mic venue South Central L.A.

Freestyle Fellowship’s first album, To Whom It May Concern…, was released in 1991 and highlighted their individual rhyming styles. Their second album, Innercity Griots, has been described as “an acknowledged underground masterpiece.”

P.E.A.C.E. released his first solo album, Southern Fry’d Chicken, in 2000 and followed up with Megabite in 2004.

In 2008, he was also featured in the award-winning documentary This Is the Life, which chronicled The Good Life Cafe’s impact on underground West Coast Hip-Hop.

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P.E.A.C.E. and his Freestyle Fellowship brethren played a groundbreaking role in shaping West Coast underground Hip-Hop by steering L.A. rap away from gangsta narratives toward a more experimental, lyrical and jazz-infused sound. Their aforementioned albums established the blueprint for West Coast alternative rap, influencing artists such as The Pharcyde, Hieroglyphics and even Bone Thugs-n-Harmony with their experimental cadences and harmonized flows.

In an era dominated by G-funk and commercial gangsta rap, Freestyle Fellowship helped build the foundation of L.A.’s underground Hip-Hop community, later embodied by the Project Blowed collective, their artistic home and one of the longest-running open mic workshops in the genre’s history.

AllHipHop sends our condolences to all of P.E.A.C.E.’s loved ones.

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Joey Bada$$ Opens Up About Mental Health Struggles Behind Dark Aura Tour Cancelation

Joey Bada$$ made the difficult decision to prioritize his mental well-being over his career when he canceled his highly anticipated Dark Aura Tour just weeks before it was set to begin.

The Brooklyn rapper sat down with the Earn Your Leisure podcast to address the cancelation for the first time, choosing what he called “raw honesty” despite advice from others to handle it differently. The tour, which was scheduled to feature Ab-Soul and Rapsody as special guests, left fans disappointed, but Joey explained his reasoning went far deeper than logistics.

“My honest truth why I canceled this tour is that my mental health was just not aligned with it,” Joey revealed during the podcast appearance. “I did not feel mentally fit enough to embark on this journey. I got my five-month-old son. We’re trying to figure out vaccinations and all this stuff. It’s just such a critical time. My energy level was at an all-time low.”

The “BK’S FINEST” rapper also addressed widespread speculation that poor ticket sales were behind the cancellation. “I seen a lot of people talking about, ‘Oh, yeah, obviously, the tour tickets didn’t sell,'” he said. “Listen, I’ve been touring for a long time. Tickets sell. This goes back to freedom. I had to choose me.”

Joey’s decision came at a significant financial cost, as he acknowledged walking away from money that was already on the table. However, the support from his team ultimately reinforced his choice to prioritize his mental health.

“And I’m really, sincerely sorry about all of my fans that I’ve disappointed and let down who was excited in seeing me,” Joey continued. “Y’all money has been refunded, I seen that… I was excited to see y’all too. But I just did not have the bandwidth myself. I had to choose me.”

The rapper revealed he initially planned to push through with the tour despite knowing he would be “suffering inside” but opening up to a team member about his struggles led to the supportive response that helped him make the final decision.

“They really made me feel supported,” he concluded. “I really do appreciate that. It’s not like there wasn’t money on the table that I was walking away from. But I had to choose me. My mental health is important to me, and I just had to choose me. The honest to God truth is that I just couldn’t do it.”

Rapsody had previously denied rumors about low ticket sales being the reason for the cancelation, supporting Joey’s version of events. The tour was set to promote Joey’s recent album, Lonely At The Top, which despite strong hype, failed to chart upon its release.

“Love & Hip Hop: Miami” Gets New Home For Season 7

BET Network officially welcomes Love & Hip Hop: Miami to its Monday night lineup as the hit reality franchise makes its network debut with Season 7 on November 4 at 8 P.M. ET/PT.

The Miami-based series transitions from VH1 to BET, marking a significant shift for the popular Hip-Hop reality franchise. The move positions BET to capitalize on the show’s loyal fanbase while expanding its Monday night programming with proven content.

Season 7 centers on Miami’s dynamic music scene and the personal dramas of its cast.

Amara La Negra returns as a central figure, juggling motherhood responsibilities while navigating a brewing feud that threatens her personal peace.

The Afro-Latina artist continues to build her music career while navigating the complexities of raising her children in the public eye.

Trick Daddy steps into entrepreneur mode, expanding his Sunday’s Eatery restaurant empire throughout South Florida.

However, his business success contrasts with personal complications as former romantic interests resurface, creating tension in his current relationships.

Miami’s self-proclaimed “Diamond Princess,” Trina finds herself revisiting a past romantic connection that stirs controversy within her close-knit circle of friends and associates. The veteran rapper’s personal life becomes a focal point as old relationships create new drama.

Comedian Michael Blackson and his fiancée, Rada Darling, navigate their unconventional relationship dynamic, bringing humor and unpredictability to the season’s romantic storylines.

The season also highlights Shay Johnson’s spiritual journey as she balances faith with single motherhood, while Miami Tip attempts to transform personal vulnerability into professional strength.

New mother Chyng Diamond struggles to balance her career comeback with the demands of raising a newborn.

Powerhouse music manager Rahki Giovanni, rapper Kent Jones, and Asian Goddess Cat add additional layers of music industry drama and mysticism to the season’s narrative.

Returning favorites include Bobby Lytes and Eliza Reign, alongside viral sensation Pinkydoll, who transitions from NPC internet fame to pursuing rap stardom under Trick Daddy’s mentorship.

Songwriter Sonyae also joins the cast, stepping out from behind-the-scenes songwriting to pursue center-stage recognition.

The network move represents BET’s strategy to strengthen its reality programming slate with established franchises that resonate with its core demographic.

The Love & Hip Hop brand has consistently delivered strong ratings across multiple markets, making Miami’s addition a strategic programming decision.

Toronto Rapper Da Crook Beats $6.5M Watch Heist Charges After Judge Destroys Prosecution’s Case

Rising Toronto rapper Da Crook walked out of a Toronto courtroom a free man this week after Justice Sheila Ray systematically destroyed the prosecution’s case against the Hip-Hop artist known as Da Crook in a $6.5 million luxury watch heist.

The 31-year-old was accused of participating in an armed robbery at a Spadina Avenue watch dealer on October 30, 2023, where masked suspects made off with 150 watches — mainly Rolexes — valued at $6.5 million and $250,000 in cash.

The brazen daylight robbery was captured on surveillance cameras and showed one suspect posing as a FedEx delivery driver to gain entry to the sixth-floor office.

According to the Toronto Star, prosecutor Mark Friedman had presented what he called 10 “extraordinary” coincidences linking Collins to the crime, including DNA evidence on a balaclava and COVID-19 mask found at the scene, walkie-talkies purchased by Collins four days before the robbery, and $23,000 in cash found at his home during his arrest six months later.

But Justice Ray wasn’t buying it. In her acquittal decision, she methodically addressed each of the Crown’s 10 points, offering her own 10 reasons to dismiss them.

“It was entirely plausible and reasonable that Collins bought walkie-talkies for use in his music videos,” Ray found, rejecting the prosecution’s claim that the communication devices tied him to the robbery.

The judge was particularly skeptical of the DNA evidence, noting it was “unlikely the perpetrators of such a carefully planned robbery would take incriminating evidence to a crime scene.” She suggested the items in the box were simply discarded at some point rather than deliberately left behind.

When it came to physical identification, Ray delivered perhaps her most pointed rebuke: “There are thousands of people in Toronto who look like him. There are thousands, maybe more, (Black people) in Toronto who are light-skinned people — we see them every day.”

The prosecution had also tried to use Collins’ rap lyrics against him, playing his song “First Day Out” in court.

In the track, Collins raps: “Google is telling me my net worth is seven million, s—, oh really, guess I been getting busy” while standing in front of a white Rolls-Royce SUV.

“That’s this case, right, that’s the watches that you stole,” Friedman challenged Collins during cross-examination.

“I disagree,” Collins replied, explaining the lyric referenced “inaccurate” and “crazy” things people were saying about him online.

“All my music videos have nice cars in them,” he testified. “Even if a rapper is broke, he’s going to rent a vehicle or put nice clothes on to make it look like he’s doing good. No one wants to see a Honda Accord parked behind him.”

Defense lawyer Alison Craig called the Crown’s use of rap lyrics “stereotypical, inappropriate… and a dangerous submission to be making.”

Justice Ray ultimately found that even considering all the prosecution’s arguments collectively, along with “very weak eyewitness identification,” the Crown failed to prove beyond a reasonable doubt that Collins was one of the robbers.

Ksoo’s Dad Faces November Sentencing After Testifying Against Son & Sending Him To Prison For Life

Abdul Robinson Sr. faces a November 21 sentencing date after making the devastating decision to testify against his own son, Jacksonville rapper Ksoo, in a murder trial that ended with life sentences.

The 54-year-old father agreed to a plea deal requiring him to take the stand against Hakeem “Ksoo” Robinson in the Charles “Lil Buck” McCormick murder case.

During his testimony, Robinson Sr. identified his son as the shooter and admitted to helping burn the clothes worn during the crime.

“My son,” Robinson Sr. said after a long hesitation when asked to identify the shooter in dash camera footage shown to jurors.

The video captured McCormick being shot to death, and Robinson Sr. told the court he recognized his child in the footage because “he knows his kids.”

The plea agreement came with Robinson Sr. hoping for a reduced sentence so he could return to his younger children.

He told the court about his 8-year-old daughter wanting him to attend a dance and his 6-year-old wishing to play football together. Health concerns, including diabetes, failing kidneys and congestive heart failure, also motivated his cooperation.

Ksoo received life in prison for McCormick’s murder, along with his cousin Leroy “ATK Scotty” Whitaker. Robinson Sr.’s other son, Abdul Robinson Jr., was sentenced to 12 years on an accessory charge related to the same murder.

The sentencing hearing is scheduled for 9 A.M. on November 21, where Robinson Sr. will learn his fate after choosing family survival over family loyalty in one of Jacksonville’s most high-profile Hip-Hop murder cases.

Lil Marlo’s Dad Slams Atlanta Police Over Son’s Cold Murder Case

Lil Marlo‘s family is demanding answers from authorities, five years after the rapper was brutally gunned down, with no one ever being charged for the crime.

Now, his father, Rudolph Johnson, is demanding answers since the cops have not made a single arrest related to the homicide.

The Hip-Hop artist, born Rudolph Simmons Johnson IV, was only 30 when police found him shot to death inside a wrecked car on Interstate 285 near the Benjamin E. Mays Drive overpass on July 11, 2020.

Investigators believe he was targeted, but five years later, the case remains open, with no suspects in custody.

“We haven’t had closure yet,” Johnson told FOX 5 Atlanta. “It’s been a hard five years.”

The Quality Control Music signee had been in the studio the night he was killed. Around 11:30 P.M., someone opened fire as he drove, causing his vehicle to crash. His death left behind three children, now between the ages of 8 and 12.

“His mother called me and said, ‘Rudy is gone. He’s gone! He’s gone!’” Johnson said. “I wouldn’t want to believe it. I didn’t believe it and I couldn’t believe it.”

Lil Marlo, whose music was gaining traction in Atlanta’s Hip-Hop scene, had ambitions beyond music. According to his father, he wanted to use his platform to uplift his neighborhood and provide for his family.

“He wanted to use that to make things better, not just for him and his family, but also his community where he was from,” Johnson said.

Despite the case’s high profile and repeated media coverage, the investigation has stalled.

FOX 5 Atlanta reported that the Atlanta Police Department did not respond to multiple inquiries this week about the case’s status.

“We’re not gonna let this situation slide under the rug,” Johnson said. “I’m gonna get out and do whatever I can to make noise so that this case can be solved.”

The Fulton County Medical Examiner confirmed the rapper’s death, but the lack of movement in the case has left Johnson frustrated. His call for justice echoes the voices of many families across Atlanta still waiting for answers in unsolved killings.

“I just don’t understand how or why,” Johnson said.

He continues to urge anyone with information to come forward and contact Atlanta police, hoping that someone will finally break the silence.

Battle Rap Legend Pat Stay’s Killer Gets Harsh Sentence Over Senseless Murder

Pat Stay received justice as his killer was sentenced to serve at least 17 years behind bars before becoming eligible for parole.

Adam Drake, 34, was convicted of second-degree murder in June for fatally stabbing the legendary battle rapper in a downtown Halifax bar in September 2022.

Justice Scott Norton of the Nova Scotia Supreme Court set Drake’s parole ineligibility on Friday, describing the murder as “inexplicable, needless, senseless and gratuitous.”

The Crown had requested 20 to 23 years, while Drake’s defense suggested 13 to 15 years.

“Mr. Drake is a dangerous man,” Crown prosecutor Carla Ball told the CBC outside court. “He walks in the community and causes grave threat to our society and that’s demonstrated by his criminal history, and the judge ruled in accordance with that.”

Drake’s sentencing is complicated by his previous conviction for first-degree murder in the 2016 shooting death of Tyler Keizer.

That conviction carries an automatic life sentence with 25 years minimum before parole eligibility. Drake must serve both sentences concurrently, meaning he’ll serve approximately 25 years total.

Stay’s widow, Malyssa Burns, attended Friday’s hearing along with family and friends who packed the courtroom. She had posted on social media that she would not speak at the hearing because she could not address Drake directly.

The battle rap community continues mourning the loss of Pat Stay, who was regarded as one of the greatest battle rappers of all time.

His career spanned multiple leagues, including KOTD, URL, RBE, Don’t Flop and UDubb, where he consistently delivered must-see performances that elevated the entire culture.

Pat Stay was one of the most decorated battle rappers in Hip-Hop history.

The Dartmouth, Nova Scotia native was a three-time King of the Dot champion and headlined the league’s World Domination event six times – more than legendary battlers like Dizaster and Arsonal, who each appeared four times.

Stay’s influence on battle rap culture was immeasurable.

His performances on Elements Battle League caught the attention of Drect, who credited Pat Stay as inspiration for creating Grindtime in 2008.

The Canadian battle rap icon defended his KOTD championship title against elite competitors, including Dizaster, Daylyt, Charron and Illmac.

His championship reign featured some of the most legendary battles in the league’s history, with his Dizaster battle considered a legitimate contender for best battle of all time.

Armani White Criticizes Media Portrayal Following Disorderly Conduct Charge

Armani White refuses to let media outlets paint him as a criminal after his October 12 arrest for filming a music video on Interstate 75 in Kentucky.

The Philadelphia rapper was arrested for disorderly conduct when police found him dancing on the concrete median of I-75 in Newport, Kentucky, while filming content with his tour crew.

The 29-year-old artist was touring with Grammy-winning singer T-Pain when the incident occurred.

TMZ covered the arrest extensively, releasing Tolbert’s mug shot and police bodycam footage while making comments about his appearance in the booking photo. The coverage prompted White to address the situation during a packed concert in Birmingham, Alabama last weekend.

“I smiled in that mugshot because I refuse to let anyone paint me as a criminal. Or tell a story about me thru images that falsify who I am and the legacy I’m leaving behind for kids looking up to me or watching me. I laugh with the world as much as possible but that still doesn’t allow y’all to play with my castle.” Armani White said.

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According to police citation records, officers responded to reports of people running on the highway. When they arrived, they found White and his crew filming on the interstate’s concrete median, disrupting traffic.

White gained international recognition in 2022 with his viral hit “BILLIE EILISH,” which sampled The Neptunes and sparked a massive TikTok challenge that reached millions of users.

The track’s success led to a collaboration with its namesake, Billie Eilish, who joined him for a live performance in 2023.

The rapper has been building his career since the 2010s, earning a spot at Jay-Z’s Made In America festival in 2018 after years of attending as a fan.

Earlier this year, White performed his first NFL halftime show during the NFC Championship Game between the Philadelphia Eagles and the Washington Commanders.

White released his debut album “Keep In Touch” in 2019, followed by the EP “Things We Lost in the Fire,” which referenced a tragic house fire that claimed family members when he was young.

This week, he dropped a music video for “MOUNT PLEASANT,” teasing his upcoming album set for October 31 release.

The arrest has not derailed White’s tour schedule, as he continues performing alongside T-Pain across the country.


Master P Drops Surprise LP With Lil Wayne Ahead Of No Limit Vs. Cash Money Verzuz

Master P emerged from musical semi-retirement to announce “The No Limit 5K Mix: Lost Tapes,” a 25-track project featuring collaborations with Lil Wayne, NBA YoungBoy, and Gucci Mane.

The Hip-Hop mogul revealed the album was inspired by his upcoming Verzuz battle against Cash Money Records at ComplexCon 2025.

The New Orleans native had stepped back from music since 2018’s “Tony Montana” tape, focusing on his role as President of Basketball Operations for the University of New Orleans and various business ventures.

However, when Swizz Beatz approached him about participating in Verzuz, the conversation reignited his creative spark.

“I just started looking through what I had. And I had all these songs. I’m like, man, I never really did nothing with these songs. Didn’t make no videos, didn’t do nothing,” Master P told Complex. “And then the song I did with Lil Wayne, I feel like that inspired me because we’re both from New Orleans and this a celebration.”

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The project showcases Master P’s ability to attract A-list collaborators, featuring appearances from YoungBoy Never Broke Again, Gucci Mane, Jeezy, 2 Chainz, Kevin Gates, Meek Mill, Yo Gotti, and the late Nipsey Hussle.

Master P’s return comes at a pivotal moment in Hip-Hop culture.

The 54-year-old entrepreneur built No Limit Records into a multi-million-dollar empire in the 1990s, pioneering independent distribution and artist-ownership models that influenced countless rappers.

His business acumen extended beyond music into sports management, real estate, and entertainment.

“I’m giving it to the fans where they could get the music. I mean all my No Limit Soldiers—everybody got their camo on now. The tanks is out and we just giving them good music,” Master P explained. “Those diehard fans and the new fans, the younger fans that probably didn’t get a chance to really feel my music. They could get a chance now to see where we at and see where we was at back then.”

The album represents more than just a musical comeback—it’s a celebration of New Orleans Hip-Hop culture and the lasting impact of both No Limit and Cash Money Records.

Master P emphasized that the Verzuz battle should be viewed as a celebration rather than a competition, highlighting the success of two neighborhood-based labels that achieved global recognition.

Alongside the album, a documentary will be released highlighting No Limit’s cultural legacy and lasting impact on Hip-Hop.

The Verzuz battle will stream live on Apple Music starting at 8 P.M. ET on Saturday, October 25.

Cardi B Ignites Worldwide Korean Food Frenzy With Single Instagram Live

Cardi B turned a casual Instagram Live session into a global Korean food revolution after her enthusiastic reaction to gochu tuna sent millions scrambling to recreate her meal.

The Bronx rapper recently went live on Instagram to share her latest culinary discovery after shopping at H Mart, the largest Korean grocery chain in America.

During the broadcast, she mixed Korean gochu tuna with rice and mayonnaise, then wrapped the combination in gim (Korean seaweed sheets) while delivering her unfiltered commentary.

“Koreans are crazy,” she marveled during the live stream, adding, “The combination of gochu tuna and gim is perfect.”

Her genuine excitement over the simple yet flavorful dish resonated with viewers worldwide. The edited version of her mukbang session exploded across social media platforms, racking up over 4 million views on YouTube alone.

The moment birthed the #GochuTunaChallenge hashtag, with fans and food enthusiasts recreating her exact recipe combination.

The viral moment delivered immediate business results for Korean food companies. Dongwon F&B, riding the wave of international attention, expanded gochu tuna exports to 28 countries, including the United States, Japan, Vietnam and China.

This marks the second time this year that Cardi B has inadvertently boosted Korean food sales.

In March, she posted a TikTok video praising Korean red ginseng, declaring, “It works better than coffee. I feel awake all day.”

That clip surpassed 1 million views within two weeks, creating what industry experts called an “overseas red ginseng craze.”

The rapper joins a growing list of celebrities whose food endorsements have transformed Korean exports.

BTS members’ love for Buldak spicy ramyeon and Chacharoni helped establish these products as global K-food ambassadors.

BLACKPINK’s Jennie mentioned Banana Kick as her favorite Korean snack on “The Jennifer Hudson Show” earlier this year, resulting in a 69% jump in U.S. export volume the following month.

Korean food exports have experienced remarkable growth, reaching $7.02 billion last year, according to the Korea Chamber of Commerce and Industry.

The gochu tuna phenomenon demonstrates how authentic celebrity reactions can drive consumer behavior across cultural boundaries, transforming a simple grocery store purchase into a global food trend.