Cardi B reignited her long-running feud with JT on her latest album, Am I the Drama?, taking direct aim at the City Girls rapper on the track “Magnet” and throwing jabs at Lil Uzi Vert in the process.
It didn’t take long for JT to fire back though. In a since-deleted tweet, JT clowned Cardi and insinuated she has bad hygiene.
“Guitar body ho wasn’t talking about me,” she wrote. “Better be quiet before I tell them the real tea. B#### PH balance will fry a whole fish. YUCK. With that one flow lol.”
Cardi B snapped on JT in the second verse of the song “Magnet,” rapping, “All that dick ridin’, still ain’t get no feature-ass b####/She just mad she got a n#### she be sharin’ bags with/My n#### cheat, but I don’t stick no d##### in his ass, b####/You look a hot mess, easily impressed-ass b####/You never gave looks, you started getting dressed-ass b####/Ricky O the only fashion house you know-ass b####/You should’ve asked me, would’ve took you to the show, lil’ b####.”
The tension between the two artists dates back to 2022, shortly after the release of “Tomorrow 2” and the unraveling of City Girls. The friction has simmered online and in interviews, but Cardi’s new album appears to pour gasoline on the fire.
Cardi also used the album rollout to address Joe Budden, who questioned whether she writes her own lyrics. In response, she posted a behind-the-scenes video from July 2024 showing her crafting the verse for “Magnet.” Alongside the clip, she tweeted, “Don’t give me backhanded 10’s cuz I’ll always be able to prove my s###.”
Cardi B didn’t stop with JT. On the track “Pretty & Petty,” she took aim at BIA, continuing a streak of lyrical call-outs that have become a hallmark of her latest project.
Industry insiders project Am I the Drama? to debut with approximately 95,000 to 105,000 album-equivalent units in its first week, according to early estimates from HITS Daily Double. That would mark one of the strongest opening weeks for a female rapper in 2025.
Stunna 4 Vegas couldn’t hold back his emotions on as Monaleo made her way down the aisle during their wedding ceremony on Friday (September 19), wiping away tears in a moment captured on video and shared across social media. The ceremony was livestreamed for their fans on TikTok, allowing more than a million viewers to share their special day.
The North Carolina native, born Khalick Caldwell, stood at the altar visibly emotional as his bride approached in a pink gown.
“I have to be honest, I was getting ready to say, ‘I do,’ too,'” the officiant joked. “Moments later, when the best man handed Stunna the ring, he added, “Whew, somebody loves somebody in here.”
After saying “I do,” the couple lit a candle, jumped the broom, sealed it with a kiss and walked back down the aisle. An Instagram video shows Stunna using his hand to cover his face as he cried, overwhelmed by the moment. The caption read, “Not me tearing up watching @themonaleo walk down the aisle… this wedding is everything.”
Monaleo commented on the wedding in a separate TikTok video, saying, “Alright, y’all, I just got married… Look at my husband.”
Stunna replied, “Check the suit. I went [with a] tail ‘cause I’m showing my ass today.” The newlyweds were also surprised with a special performance from Bun B, who delivered his and Pimp C’s verses from UGK’s “Int’l Players Anthem (I Choose You).” Other guests included familiar faces like Kaliii, Paul Wall, BunnaB and Johnny Dang.
The couple, who share a child together, have kept much of their relationship out of the spotlight. Monaleo gave birth to their son in May 2023. The pair announced their engagement shortly after becoming parents, though they’ve remained relatively private about the details.
Their wedding, which appeared to be an intimate affair, drew praise online for its emotional sincerity. The clip of Stunna’s reaction quickly circulated, with many commenting on the rawness of the moment and the couple’s bond.
The ceremony marks a new chapter for both artists, who have each made their own waves in music business—Stunna through his collaborations with DaBaby and Monaleo through her breakout track “Beating Down Yo Block.”
50 Cent is facing a major legal counterpunch in his ongoing dispute over the horror film Skill House, with new court filings claiming he never had a binding contract to begin with.
The legal battle stems from a 2022 deal in which Kavanaugh sought to bring 50 Cent on board as both an actor and producer for Skill House.
Fif is suing, claiming that producers used his name, image, and voice without his permission or payment. He says he never signed a contract to act in, produce, or promote the movie, though his name was listed as a star and co-producer.
The lawsuit alleges trademark infringement, false advertising, and unfair competition. Later, 50 Cent alleged the producers breached a settlement agreement, prompting further legal action.
According to a motion to dismiss filed by Ryan Kavanaugh and his companies, the rapper’s lawsuit hinges on agreements that are either nonexistent or too vague to be enforced.
Kavanaugh’s team argues that 50 Cent and his legal team are trying to walk away from obligations after benefiting from the project for years.
Negotiations included emails and draft terms outlining his responsibilities, including social media promotion and marketing approvals.
By August 2022, 50 Cent had already filmed his scenes, approved promotional materials, and posted about the movie to his massive online following.
Court documents say Fif waited nearly three years before raising objections or claiming misuse of his name and likeness.
The motion to dismiss focuses on two key claims. First, 50 Cent references a June 26, 2022, email as proof of an agreement. Second, 50 Cent’s argument that a May 12, 2025, “settlement agreement” should be enforced also falls short.
The documents lacked clear terms, were missing final signatures and included conditions for future agreements that never materialized. The defense says that makes it too ambiguous to be legally binding.
Kavanaugh’s team is asking the court to toss the claims “with prejudice,” which would block 50 Cent from re-filing them later.
Earlier this year, 50 Cent tried to block the film’s release with a preliminary injunction.
Charlie Kirk’s memorial preparations were disrupted Friday (September 19), when a man carrying a firearm and a knife was arrested inside State Farm Stadium in Glendale, Arizona, after allegedly posing as a law enforcement officer.
The suspect, identified by Arizona authorities as 42-year-old Joshua Runkles, was taken into custody before the venue’s security perimeter had been finalized for Sunday’s memorial event. According to the Arizona Department of Public Safety, Runkles faces charges of impersonating a peace officer and bringing a weapon into a restricted area.
“The US Secret Service in coordination with local law enforcement in Glendale, Arizona, is investigating an individual who was observed exhibiting suspicious behavior at State Farm Stadium,” Secret Service spokesperson Anthony Guglielmi told Fox News Digital. “The individual is not a member of authorized law enforcement working the event and is currently in custody.”
A source familiar with the situation told the New York Times that Runkles was in possession of at least one firearm, a knife and presented “inactive law enforcement credentials.”
Runkles was released around 10 a.m. Friday, Arizona police confirmed.
The arrest comes as federal and local agencies ramp up security for the Sunday memorial, which has been classified as a Level 1 Special Event by the Department of Homeland Security — the highest designation for security risk, typically reserved for events like the Super Bowl or presidential inaugurations.
Kirk was fatally shot on September 10 during a stop at Utah Valley University on his American Comeback tour. His death has sparked national conversations about political violence and free speech.
The service, titled “Building a Legacy: Remembering Charlie Kirk,” is scheduled to begin at 11 a.m. local time Sunday (September 21), with doors opening at 8 a.m. Attendees are encouraged to wear red, white and blue and will be subject to metal detector screenings and pat-downs. Prohibited items include alcohol, weapons, drones, fireworks and clothing deemed indecent.
The event, organized by Turning Point USA — the conservative organization Kirk co-founded in 2012 — is expected to draw thousands. The venue, home to the NFL’s Arizona Cardinals, seats 63,400 and can expand to over 73,000.
Donald Trump, who reportedly requested the use of the stadium, is among the scheduled speakers. Others include Vice President JD Vance, White House Chief of Staff Susie Wiles, Secretary of State Marco Rubio, HHS Secretary Robert F. Kennedy Jr., Secretary of War Pete Hegseth, Director of National Intelligence Tulsi Gabbard, Donald Trump Jr., Tucker Carlson, White House advisor Stephen Miller and Sergio Gor.
Christian artists Chris Tomlin, Brandon Lake, Phil Wickham, Kari Jobe Carnes and Cody Carnes are also slated to perform. Glendale Police Chief Chris Briggs said his department is deploying “every available resource” and receiving support from nearby jurisdictions. Tactical units and bomb squads will be on standby.
Kirk’s body was flown from Utah to Arizona aboard Air Force Two on Thursday, accompanied by JD Vance, Second Lady Usha Vance and Kirk’s widow, Erika Kirk. He will be buried in Phoenix, where he lived with Erika and their two children.
Following her husband’s death, Erika Kirk vowed to continue his mission. “You have no idea the fire that you have ignited within this wife, the cries of this widow will echo around the world like a battle cry,” she said. “They should all know this: if you thought that my husband’s mission was powerful before you have no idea, you have no idea what you just have unleashed across this entire country
Hollywood’s elite turned out for a star-studded celebration marking the release of HIM, a gripping new psychological sports drama that’s already generating major buzz. The movie opens Friday nationally.
AllHipHop was at the invitation-only “After After” party took over LAVO Los Angeles, with a dazzling red carpet that welcomed cast members Marlon Wayans, Tyriq Withers and director Justin Tipping. Music maverick Tierra Whack delivered a special live performance. The night’s soundtrack was powered by international DJ Jae Murphy, keeping the energy electric well into the early hours.
Other celebrity guests included 2 Chainz, Affion Crockett, Anycia, Corey Calliett, Eric Bellinger, Donovan Carter, Dreezy, Lance Gross, NBA legend Paul Pierce, rising star 4Batz, and Ace Greene. The exclusive affair was presented by Peele’s MonkeyPaw, TAO Group, Casamigos and more.
The celebration capped off the release of HIM, a psychological sports drama that follows a promising young football player, played by Tyriq Withers. The ball player is invited to train under a legendary quarterback portrayed by Marlon Wayans. What begins as a once-in-a-lifetime opportunity turns into a bone-chilling tale about the costs of fame, power and the relentless pursuit of excellence.
HIM has been hailed as one of the fall’s most daring new releases. Tierra Whack’s performance at the party underscored the film’s blend of culture, music, and raw storytelling.
Below, check out some of the images from the night as film, music and sports icons coalesce under one roof. HIM promises to create conversation about ambition and sacrifice, but the after party was a smorgasbord of levity and fun.
Cardi B got all up in her feelings during a livestream while talking about her new album, Am I The Drama? and she cried, real tears.
The Grammy winner got raw with her followers while celebrating the release and it hit different coming from someone who usually flexes confidence on 100.
“What I’m most grateful about is how good people are receiving my music. Like I have seen so many beautiful compliments and that means so much to me coming from you guys. I put a lot of work in this in this album and I’ve had like a lot of feelings doing this album,” Cardi B said with tears in her eyes.
The album dropped Friday, and it’s already doing ridiculous numbers.
According to the Recording Industry Association of America, Cardi’s sophomore project went platinum in under 24 hours. No other female rapper’s second album has pulled that off this fast.
Am I The Drama? runs 23 tracks deep and is stacked with features from artists like Megan Thee Stallion, Janet Jackson, Lizzo and others.
“For you guys to be saying all these beautiful things about my album like it’s getting to the point there’s I don’t even know which which song I should do a music video to next because you guys have been receiving it so well,” Cardi B said.
The moment hit home for many people watching. Social media lit up with love, calling her moment “authentic” and “relatable.” It wasn’t just about the music; it was about the hustle.
“The numbers are doing amazing, but it’s expected for the numbers to do good because it’s such an anticipated album, but for people to say so many beautiful things about my art like that s### means a lot and I’m very, very thankful,” Cardi B added.
Cardi’s already plotting the “Little Miss Drama Tour” to follow the album’s success, with more than 30 arena stops locked in early next year – and she’s about to have Stefon Diggs’ baby.
Cardi B, JT and Lil Uzi Vert Are Caught In A Matrix Of Beef
Word on the street is Cardi B may have a major issue on the horizon now that AM I THE DRAMA? has splattered all over several rap queens. The Bronx superstar threw shade at City Girls’ JT on the track “Magnet.” And now the word on the street suggests Lil Uzi Vert, JT’s longtime partner, may be entering the arena. Picture that as an MMA fight of Jake Paul proportions.
A post on Instagram, the 1600 General seemed to warn Cardi she had “messed with the wrong one” and an online interaction suggested Uzi had the “green light” to respond. If I am correct, that was a fan that tagged Uzi. So, when Uzi liked the post with a heart emoji, it appeared to be a silent co-sign.
Now the speculation is running wild! As you know, homie is an eccentric one. Yes, that is an understatement of epic proportions. But imagine a beef that includes Lil Uzi Vert! He’s in plenty of trouble so it tracks. Fans of JT and Lil Uzi talk are now talking openly of “Operation Cardi B Career Collapse (OCCC),” but they should not hold their air. Cardi is already double platinum and on a tour of small, underserved communities that has her viral every second.
Still, fans frame it as the start of a new rap war. Cardi, JT and Uzi haven’t directly addressed the situation, but the songs and mini-smoke is out there. And where there’s smoke, Hip-Hop usually expects fire. JT and Uzi should do a song together and go back to back on the third verse. Free game!
People still want to know what is going on with Lil Uzi, because he was fried and fricasseed too. Cardi went hard!
Whether fizzles into nothing remains to be seen, but if I was them, I would be in the booth right now recording at least three songs for Cardi. But for now, the streets and internets are watching closely.
6ix9ine reignited his long-running feud with Trippie Redd during a VladTV interview by repeating serious accusations involving Bhad Bhabie and alleging that multiple rappers had sexual encounters with her while she was underage.
The “Gummo” artist took the conversation to another level after Vlad brought up a previous claim. “At this point you guys start going back-and-forth. You accuse him of having sex with Bhad Bhabie, who is a minor at the time,” Vlad said.
6ix9ine didn’t back down. Instead, he doubled down. “Look everybody f#####… Listen, apart from Trippie Redd — ‘there you go telling the truth again, there you go snitching’ — All these rappers f##### Bhad Bhabie while she was underage,” he said.
He continued by accusing the Hip-Hop industry of turning a blind eye. “But you know what, no, we like them, they can f### kids. They can f### kids, just don’t say nothing,” he added, claiming he’s the only one willing to speak out.
The rapper also pointed to a photo he previously posted online that showed Trippie Redd lying next to Bhad Bhabie, suggesting it supported his allegations. “Didn’t I upload the picture of him laying on her chest, underage? Want me to show it to you? I’m walking it down, that’s what I do,” he said. He added that people often accuse him of “snitching” when he brings up the issue.
The feud between 6ix9ine and Trippie Redd has been ongoing for years, frequently spilling onto social media and into interviews. This latest interview adds more fuel to their public animosity.
Bhad Bhabie, born Danielle Bregoli, has previously acknowledged receiving inappropriate attention as a minor, but she hasn’t confirmed any of 6ix9ine’s specific claims. His allegations remain unverified.
Meanwhile, Bhad Bhabie’s relationship with on and off boyfriend LeVaughn has been highly publicized and turbulent. Beginning in July 2020 after they met through mutual friends, their connection quickly became serious, with public displays like matching tribute tattoos in 2023 and the birth of their daughter, Kali Love, in March 2024.
Despite presenting a united front on social media, Bhad Bhabie increasingly used her platforms to share evidence of alleged abuse, including photos, videos and security footage showing LeVaughn physically assaulting her. She claimed to have endured abuse “at least 500 times” during their three-year relationship, with incidents escalating after her pregnancy, miscarriage and the birth of their child.
Recent viral altercations—such as Bhad Bhabie clinging to a car hood during an argument—intensified public scrutiny, leading her to announce in September that she was ending the relationship for good and would no longer tolerate what she described as toxic and abusive behavior. Throughout this saga, LeVaughn has denied some accusations and publicly disparaged her, while Bhad Bhabie insists that exposing his actions is a step toward accountability and her own healing.
Kehlani called out the music industry’s growing reliance on artificial intelligence after a digital R&B act reportedly landed a multi-million dollar record deal and charted a Top 5 album without ever stepping into a studio.
The Grammy-nominated singer didn’t hold back in a TikTok video posted this week, reacting to news that AI-generated artist Xania Monet—created by Mississippi songwriter Telisha “Nikki” Jones—secured a lucrative contract with Neil Jacobson and his label Hallwood Media.
“There is an AI R&B artist who just signed a multi-million-dollar deal, and has a Top 5 R&B album, and the person is doing none of the work,” Kehlani said.
Jones, who writes the lyrics, uses the AI platform Suno to generate the vocals and music for Xania Monet. The project has already pulled in millions of streams, according to Billboard.
Kehlani, 30, warned that AI’s growing role in music creation threatens the livelihood of working musicians. “AI can also make the entire f###### song. It can sing the entire song. It can make the entire beat,” she said.
Her harshest words were aimed at the industry’s willingness to replace human labor with machine-generated content.
“This is so beyond out of our control. Nothing and no one on Earth will ever be able to justify AI to me. Especially not f######AI in the creative arts, in which people have worked hard for, trained for, slept on the floor for, f###### got injuries for, worked their entire lives for. I’m sorry, I don’t respect it.”
The U.S. Copyright Office weighed in earlier this year, clarifying that while AI can be used as a tool to assist human creativity, works where “expressive elements are determined by a machine” are not eligible for copyright protection.
Marlon Wayans used the red carpet spotlight for his new horror film “Him” to speak out against what he sees as a blow to free expression after ABC yanked Jimmy Kimmel Live! off the air following the host’s controversial remarks about conservative activist Charlie Kirk’s death.
“This is America,” Wayans told Access Hollywood. “You know what we’re seeing is not something that me myself as a Black man has seen before. You know, um I just think it’s a shame, and I think every last single American loses because of this.”
The network’s decision came after Jimmy Kimmel delivered a pointed monologue Monday night, criticizing political reactions to Kirk’s September 10 shooting death at Utah Valley University.
Federal Communications Commission Chair Brendan Carr called Kimmel’s comments “the sickest conduct possible” and demanded an apology. Hours later, Nexstar Media Group announced it would pull the show “for the foreseeable future.”
In his segment, Kimmel took aim at the “Maga gang” for politicizing the tragedy and mocked Donald Trump’s reaction, saying, “This is not how an adult grieves the murder of someone he calls a friend. This is how a four-year-old mourns a goldfish.”
Wayans, 52, said the suspension sets a troubling tone for artistic voices.
“But there is no it’s not an ending,” he said. “Guys and artists and voices like Jimmy Kimmel. Um, we have to be courageous and it’s a new beginning. You can’t stop the dunk. You just you just made me create a new lane. That’s all.”
Kirk, 31, was shot and killed while speaking at the university. Prosecutors have charged 22-year-old Tyler Robinson with aggravated murder and are seeking the death penalty. The incident has sparked national debate over political rhetoric and media accountability.
Wayans, best known for comedies like “White Chicks” and “Scary Movie,” was in Los Angeles to promote “Him,” a psychological thriller produced by Jordan Peele’s Monkeypaw Productions.
In the film, Wayans plays a high school football coach grappling with a sinister presence.
“I love always love uh dark characters with sense of humor,” Wayans said. “Like I grew up on Freddy Krueger. I would love to reboot Freddy Krueger.”
The Kimmel controversy has drawn strong reactions across Hollywood. Ben Stiller called the suspension “not right,” while “Hacks” actress Jean Smart posted on Instagram that she was “horrified at the cancellation,” adding, “What Jimmy said was free speech, not hate speech.”
The Writers Guild of America condemned the move as an infringement on constitutional rights, and House Democrats accused Carr of “corrupt abuse of power,” calling for his resignation.
Former President Donald Trump applauded the suspension during a state visit to the United Kingdom, claiming Kimmel “is not a talented person” and was “fired because he had bad ratings.”
While Kimmel has not issued a public statement, a source told CNBC the host has not been terminated and discussions about his return are ongoing.
The shake-up comes as late-night television undergoes major changes. CBS recently announced it would end The Late Show with Stephen Colbert next year, citing financial reasons.
Machine Gun Kelly praised Megan Fox as a “phenomenal mom” during a heartfelt moment on The Jennifer Hudson Show, opening up about co-parenting their daughter, Saga Blade and reflecting on their emotional journey to parenthood.
Still, MGK had nothing but admiration for Fox’s role as a mother.
“I had it with a person who is the greatest partner, the greatest partner to have had a child with,” he told host Jennifer Hudson during the interview.
MGK also shared that baby Saga’s appearance is a constant debate between the two.
“We go back and forth on who she looks like,” he said. “Last month, she looked exactly like me and now she looks exactly like her.”
The rapper, who also shares a 16-year-old daughter named Casie with his ex Emma Cannon, explained the deeper meaning behind Saga’s name, which draws from his Norwegian roots.
“So we named her Saga because to get her on this earth through highs and lows, it truly was an epic story of love, pain, and a lot of magic,” he said.
Fox, 39, is also a mother to three sons—Noah, 12, Bodhi, 11, and Journey, 9—with her former husband Brian Austin Green.
Before she was Rian Wyld, she was a young girl in Poughkeepsie, New York, flipping through her father’s vinyl collection, falling in love with music. Then came the day that changed everything: her brother Ryan was killed by gun violence. In his absence, she took a variation of his name, turning the pain and trauma into purpose. Her journey has taken her from basement turntables to national headlines, unafraid to speak truth to power, challenging icons of the music industry while standing strong for women and independent artists overall.
In this AllHipHop interview, Rian Wyld tells Be’n Originalabout the memories, convictions and unshakable drive that keep her voice—and the loving memory of her brother—alive.
AllHipHop: You’ve said your stage name honors your brother, Ryan. How does his memory continue to shape your work and drive your music career?
Rian Wyld: Every time I think of giving up, I think of my brother. When he was here, he encouraged me and guided me to go for my dream. Knowing he’s not here and that his dreams were cut short, is my biggest motivation. I’m doing something positive to inspire change and hope for people in similar situations—people who’ve been through tragedies—to keep going.
He’s everything. Keeping his memory alive, feeling like he’s still here with me, is the biggest reason I continue. When I’m on stage, he’s with me. When I’m in the studio writing and rapping, he’s with me. I could never stop doing what I’m doing.
AllHipHop: Growing up in a basement surrounded by vinyl and turntables, what early moments stand out as turning points in your love for music?
Rian Wyld: I loved everything about it. Looking through the vinyl, dancing, and when my dad would let me play with his turntables. I remember feeling free and joyful. The memory that stands out most is simply the joy I felt hearing music and the inspiration it gave me.
AllHipHop: You studied classical piano in high school and later earned a music degree. How do those skills influence your approach to Hip-Hop and your “Rap Soul” sound?
Rian Wyld: Studying classical piano gave me core skills, music theory, discipline, melody and harmony. In college, I was assigned to practice piano three hours a day. I never quite got there, but it’s still a goal I’m working toward.
That training gave me structure, but in Hip-Hop, I had to abandon some of those rules. There are certain cultural freedoms in rap that don’t exist in the classical world, so I kept what worked and let go of what didn’t.
AllHipHop: How do you balance storytelling, melody and rhythm when creating new songs?
Rian Wyld: Honestly, it comes naturally. I think it’s because I’ve heard so much great music over the decades of my life. You flow to the beat, then the melody comes. Growing up, one of my favorite songs was “Love Is Blind” by Eve and Faith Evans. That mix of Hip-Hop and R&B is in my blood and soul.
AllHipHop: You’ve been open about using your music to process loss and personal challenges. What role does songwriting play in your healing process?
Rian Wyld: Songwriting is therapy for me. It doesn’t replace professional mental health therapy, but it’s close. It’s healing and empowering. I can be fully vulnerable in a song, and that keeps my healing moving forward. I know I need to see my therapist when I’m so sad I can’t write at all.
AllHipHop: Your recent response to criticism from Timbaland, including his AI-based record label and BeatClub platform, drew national attention. Why was it important for you to speak out?
Rian Wyld: As a woman, and as a Black woman, I’m going to speak up. Historically, we’ve been silenced. He dissed me first, saying my music wasn’t up to par. Then he started championing AI, which I see as a threat to real human artists. As a legacy producer, his pushing AI could hurt artists like me who love music and want to continue what was built before us. That’s why I spoke up.
AllHipHop: In your view, what are the biggest risks artificial intelligence poses to independent artists and the music industry?
Rian Wyld: The biggest risk is that there could be no need for human artists at all. We could lose our livelihood. Society would become more soulless. Since the pandemic, people have already felt less connected. Music brings people together, and letting AI replace that would harm not just the industry but humanity.
AllHipHop:Damion “Damizza” Young has also thrown shade your way. How do you respond to his remarks, and what do you think motivates them?
Rian Wyld: He said he was offended. He can be offended
But get my name right. It’s Rian Wyld.
As I say in my next single, “Next Move,” bum boys hate to see a woman be a boss. I think men sometimes get irritated seeing a woman fully in her power, not caring about their opinion, especially a female rapper. It bothers some legacy producers that they don’t hold the same power they once had, especially with the rise of independent artists.
AllHipHop: As an artist who blends Hip-Hop, soul, and classical elements, how do you see your sound evolving in the next few years?
Rian Wyld: I see myself going deeper into storytelling, maybe writing for movies or Broadway. I might explore other genres. Hip-Hop and soul are my heart, so I’ll never leave them behind. But maybe one day I’ll compose a classical piano album. Creativity has no boundaries.
AllHipHop: Beyond this controversy, what message do you hope listeners take away from your work?
Rian Wyld: That Hip-Hop is not dead. Hip-Hop is alive and well. I want people to take my music—songs like “Hold On,” “Poor Poet,” and “She Is Me”—with them in life.
AllHipHop: How do you navigate staying independent while competing in an industry dominated by major labels and streaming algorithms?
Rian Wyld: I focus on myself and my art. I learn from others when I can, and if I’m not learning, I let it go. Staying true to myself is how I’ve gotten this far, and I keep educating myself on the business side of music.
AllHipHop: You’ve said your plan is to “record, release, promote, and repeat.” What can fans expect from your next chapter?
Rian Wyld: Expect a lot of dope music—Hip-Hop with a lot of soul. My next single, “Next Move,” produced by Sha the Goddess, is coming soon.
Gavin Newsom used his official press office account on X to mock Kid Rock with a fake performance ban in California, blaming the rapper’s “horrific” music.
The California governor’s post read in all caps: “BECAUSE OF HIS HORRIFIC MUSIC, CALIFORNIA WILL INDEFINITELY SUSPEND KID ROCK FROM PERFORMING IN THE GOLDEN STATE. YOU’RE WELCOME!”
BECAUSE OF HIS HORRIFIC MUSIC, CALIFORNIA WILL INDEFINITELY SUSPEND KID ROCK FROM PERFORMING IN THE GOLDEN STATE. YOU’RE WELCOME! — GCN
The statement wasn’t a real policy or legal action. Instead, it was a satirical jab aimed at the MAGA-aligned rapper’s politics and public image, continuing a social media feud that began weeks earlier.
Over the last few months, Newsom’s office has mocked Kid Rock’s popularity and even joked about revoking his California residency. One post read that Kid Rock was “a threat to California’s eardrums” and suggested he “stay in Michigan if they still want him.”
In August, the governor’s social media account posted Trump-style all-caps rants, including “I HATE KID ROCK!!!” and a digitally altered image of Kid Rock endorsing Newsom, styled like a mock campaign poster.
The trolling is a political counterpunch that mimics Trump’s approach to online insults. Trump has previously targeted celebrities like Taylor Swift with a similar tone and tactics.
Kid Rock, who has been vocal in his support of Trump and conservative causes, fired back with crude remarks. He referred to Newsom as “Gavin Newscum” and posted, “The only support Gavin Newscum will ever get out of me is from DEEZ NUTZ.”
The only support Gavin Newscum will ever get out of me is from DEEZ NUTZ https://t.co/H67yDceIpf
The back-and-forth has played out entirely online, with no real consequences beyond social media engagement. As of the time of Newsom’s latest post, Kid Rock had not publicly addressed the fake suspension.
Diane Martel, the fearless visual architect behind Blurred Lines and All I Want for Christmas Is You, died earlier this week at Memorial Sloan Kettering Hospital in New York following a prolonged fight with breast cancer.
She was 63.
Her family confirmed her passing in a statement, saying she “passed away peacefully surrounded by friends and family.” Martel is survived by her aunt, Gail Merrifield Papp, the widow of Public Theater founder Joseph Papp and three cats.
Martel’s career spanned more than 30 years, starting in the early 1990s when she emerged from New York’s underground Hip-Hop scene. Her directorial debut came in 1992 with the gritty Throw Ya Gunz by Onyx, a video that set the tone for her raw, unfiltered aesthetic.
Her catalog includes both chart-toppers and deep cuts, from Nicki Minaj‘s Pills N Potions to Insane Clown Posse‘s Another Love Song.
In a 2003 interview with Vibe, Martel made her stance on creative integrity crystal clear:
“I’m concerned with how wack videos are right now. How fortunate are directors every time we’re given an opportunity to represent the culture? How dare we serve people weak s### when Hip-Hop was born of such strength.”
Her breakout moment came through her long-standing collaboration with Mariah Carey, directing eight of the singer’s videos, including the enduring holiday juggernaut All I Want for Christmas Is You, which has racked up nearly 900 million views on YouTube.
Martel’s reach extended far beyond Hip-Hop. She crafted iconic visuals for Christina Aguilera‘s Genie in a Bottle, Justin Timberlake‘s Like I Love You, Beyoncé‘s Best Thing I Never Had, and Alicia Keys‘ If I Ain’t Got You.
But it was in 2013 that Martel found herself at the center of a cultural firestorm. She directed two of the year’s most talked-about videos: Miley Cyrus’ We Can’t Stop and Robin Thicke’s Blurred Lines.
The latter drew intense criticism for its portrayal of women and sparked a broader conversation about consent in pop culture.
Years later, model Emily Ratajkowski accused Thicke of groping her during the Blurred Lines shoot. Martel backed her up, telling The Times, “I screamed in my very aggressive Brooklyn voice, ‘What the f*** are you doing, that’s it! The shoot is over!
“Your endless history will remain recognized. Sleep Peacefully,” DJ Premier said in a touching tribute, while EPMD’s Erick Sermon said, “my girl. This hurts.”
Kanye West, now performing under the name Ye, is bringing his globe-spanning tour to South Africa with a one-night-only concert set for December 13, 2025, at Ellis Park Stadium in Johannesburg.
The stadium, which accommodates over 62,000 people, will host Ye’s only scheduled performance on the African continent next year. The announcement, made through Ye’s official X account, drew immediate attention online and attracted a mix of excitement and skepticism.
Ticket registration will open September 23 via Ticketpro.co.za, though early technical issues delayed the original rollout. The event is being coordinated by the Monyake Group and Ellis Park Stadium, but concerns have surfaced over the promoter’s limited online presence and inactive website, prompting questions about the event’s legitimacy.
Despite the uncertainty, anticipation is high. This will mark Ye’s first major concert in South Africa since 2013 and industry observers expect a strong turnout given the exclusivity of the event.
Legit or a lie? Kanye West's X account claimed the rapper was coming to South Africa, but fans are sharing their 'red flags'…https://t.co/5Hz4lT3PCk
Some online users expressed concern, citing Ye’s unpredictable track record, including abrupt cancellations and erratic behavior. Others welcomed the announcement, eager to see the Hip-Hop icon return to the stage after a turbulent few years.
The Johannesburg date follows Ye’s recent performances in Asia, where he delivered two very different shows.
On July 26, Ye performed to a sold-out crowd of 50,000 at Incheon Munhak Stadium in South Korea. The show featured a stripped-down stage design, explosive visuals, and a surprise appearance by his daughter, North West, who joined him for choreography and rapping.
The performance received praise for its energy and emotional moments, including a crowd-wide singalong of “Heartless.”
Two weeks earlier, on July 12, Ye took the stage in Shanghai for his first full concert in China in 17 years.
That show, however, was marred by rain, sound issues, and delays. West arrived more than 40 minutes late, walked off stage multiple times and left before the final songs finished.
Many attendees demanded refunds, while some defended the performance, blaming the weather and praising the setlist.
The South African concert news also comes just days after the U.S. theatrical release of In Whose Name?, a documentary chronicling six years of Ye’s life.
Directed by Nico Ballesteros, the film compiles over 3,000 hours of footage and explores Ye’s mental health, political ventures and personal struggles.
The film premiered on September 19 and is currently playing in AMC, Regal and Cinemark theaters nationwide.
Cam’ron continued to discuss his bitter feud with Damon Dash by revealing on his talk show that Dame’s son, Boogie Dash, allegedly reached out for financial help and agreed to appear on Cam’s show in exchange for money.
According to Cam, the offer to appear on the show wasn’t a setup but a response to Boogie’s financial struggles.
The Harlem-born rapper addressed the controversy during an episode of Talk with Flee, claiming that Boogie Dash had contacted Cam’s producer, Larry, for money just weeks ago.
“If you want to know the truth, Dame, this is what happened. Your son, a few weeks ago, called Larry asking for money. He needed money. Not last month, not last year, not a couple years ago,” Cam’ron said.
Cam said Larry offered to pay Boogie to appear on the show, and Boogie accepted.
“He [Larry] said, ‘Yo, you want to come on the show? We’ll pay for it.’ He [Boogie] said, ‘yeah, I’ll come on the show,” Cam’ron explained. Cam’ron said he texted Boogie directly to ask what he wanted to discuss.
“I said, Boogie, what do you want to talk about? [Boogie said] ‘My movies and my music.’ I said, ‘All right, no problem.”
But things quickly escalated when Damon Dash accused Cam of trying to manipulate his son to avoid addressing their issues face-to-face.
Dame posted on Instagram, “Cam, this is a whole new level of low. You know, it’s just not proper conduct to bring children, or my children, or anyone’s children. And I know Larry made the call, but to try to divide a family and take advantage, manipulate my child, all because you’re too scared to have a direct conversation with me about the things you said about me. It kind of shows your pedigree of pettiness.”
Cam denied any malicious intent, saying the timing may have been unfortunate, but the offer was sincere.
“No, your son was broke. Hit Larry for some bread. Larry thought it’d be cool for you to come on the show,” Cam said. “Like I said, could have been bad timing. But no, I ain’t going to diss your son. Your son needed money.”
The fallout between the two Hip-Hop figures has been simmering for months. Their relationship fractured after Cam’ron criticized Dame for mishandling business opportunities.
Tensions flared when 50 Cent announced he had acquired the rights to Paid In Full and tapped Cam’ron as executive producer for a new series. Dame, who produced the original film, was not involved and wasn’t appreciative of the actions of his longtime friend.
Dame responded by calling Cam disloyal, especially over his interview with 50 Cent. Cam has also taken shots at Dame’s other son, Lucky, while Damon threw shots at Cam’s deceased mother.
Lizzo called out music sampling laws and their racial implications during a Million Dollaz Worth of Game interview, arguing the rules unfairly target Black creativity and the roots of Hip-Hop.
The “Truth Hurts” singer didn’t hold back when discussing how copyright enforcement has evolved to criminalize the very foundation of Hip-Hop’s sound.
“The first time people started sampling was who? It was rappers in the ’80s and ’90s,” she said. “They were sampling records because they didn’t have access to big studios. They didn’t grow up learning how to play bass and stuff like that. They created the genre of hip-hop through sampling records in their parents’ vinyls and stuff. There were no sampling laws back then.”
Lizzo argued that the crackdown on sampling is more than just a legal issue — it’s a cultural one.
“I just feel like the theft of it all, putting theft on Black culture, that’s the part that kind of turns me off,” she said. “Hip-hop’s medium was sampling. Sampling is a Black art that bred hip-hop. Hip-hop was born from sampling. And now sampling is synonymous with theft.”
She described the legal pursuit of artists over unlicensed samples as “policing Black art,” a phrase she repeated throughout the interview. While she acknowledged the need for some level of regulation, she criticized how copyright law is often applied.
“They had to regulate some sort of thing and there’s certain things that are fair and unfair,” she said. “I get it. But when you’re suing people off of a vibe, it’s like, man, that’s the vibe of my song.”
Sampling has long been a cornerstone of Hip-Hop, with early pioneers looping breaks from funk, soul and jazz records to create new sounds. However, as the genre evolved into a global phenomenon, the legal landscape underwent significant changes.
Lawsuits over unauthorized samples have become increasingly common, forcing artists to clear even the smallest snippets or risk litigation.
Martha Caradine Demoted As Ackerman’s First African American Woman Police Chief Sparks Echoes Of A Wider Pattern
Martha Caradine made history in September 2024 when she became the first African American woman to lead the Ackerman, Mississippi police force, rising from assistant chief . But in September 2025, she was demoted, and several officers resigned in protest. According to reports, there was one cop left on staff.
That move doesn’t just stand alone. It fits into a disturbing trend: Black women being pushed to the margins across federal and local jobs as the second Trump administration ramps up mass firings, cuts, rollbacks of DEI (diversity, equity, inclusion) efforts, and layoffs.
Since Trump re-entered the Oval Office, over 300,000 Black womenhave left or been forced out of the workforce. These insidious movies include layoffs, budget cuts or feeling unsafe and unsupported. It is all real and it has all happened since The Donald moved into that big, white house.
Caradine’s story sits nicely inside this ongoing turmoil. Her demotion isn’t just about one town. It reflects a system-wide issue where Black women who reach high level leadership roles seem especially vulnerable. Based on their qualifications, talent and even personalities they deserve none of this.
Her marriage to Lawrence Caradine, chief of police in nearby Eupora, adds another layer. This is in the home – not remote for her family. They have not commented, but they do have an active FB page where they bring to light those that support them.
Ackerman’s new mayor, who happens to be a white woman, has caused outrage, but she stands on her decision. But people are awake, watching and the support of the resigning police force shows true conviction. Martha Caradine’s demotion may seem local, but it resonates nationally. Black women’s job exits are trending upward, faster than most other groups. This happens despite their qualifications and education. This is the new battleground.
Caradine’s removal shows how fast “firsts” can be celebrated for a moment, but then systemically abandoned. Ackerman won’t be the only town watching this pattern. We’ll all be watching.
Phabian “S-Quire” Winfield found himself at the center of a national firestorm when a music video he released in March 2025 went viral—not for his lyrics, but for featuring an off-duty NYPD detective performing as a stripper.
Now, the federal Homeland Security officer is reclaiming the narrative with a documentary that reveals the secret life he kept hidden while working in law enforcement.
Titled The Making of a Moment, the film premieres on October 29 at Manhattan’s SVA Theatre and dives headfirst into S-Quire’s double life as a government agent by day and Hip-Hop artist by night.
The project also examines the fallout from his controversial video, “Doin That,” which went viral online.
The clip’s most talked-about element wasn’t S-Quire’s rhymes—it was the appearance of NYPD detective Melissa Mercado, who was off the clock and performing in a pole-dancing role.
The internet was abuzz with debate over whether law enforcement officers should be allowed to engage in side gigs that are perceived as provocative. What no one realized at the time was that the rapper behind the camera was also a federal agent.
“This film isn’t about hype—it’s about truth,” S-Quire said. “I stayed silent while the internet judged me, but now the full story comes out.”
Narrated by WBLS radio host Lenny Green, the documentary retraces S-Quire’s path from Hempstead, New York, through years of personal and spiritual battles, to the viral moment that nearly derailed both his careers. It also explores broader questions about identity, faith and the toll of living two lives under public scrutiny.
S-Quire operates through his company RITENOWMUZIC LLC and describes himself as a Hip-Hop artist, author, filmmaker and federal officer.
According to his bio, his work is designed to “inspire resilience, challenge perceptions of identity, and give voice to those navigating unseen struggles.”
The documentary arrives at a time when law enforcement agencies across the country are reevaluating how officers conduct themselves outside of work—especially on social media.
While rules differ by agency, federal employees often face stricter restrictions on outside ventures that could impact public trust or their security clearance.
The controversy surrounding “Doin That” raised questions about whether federal workers should be allowed to pursue creative careers that don’t directly interfere with their duties.
S-Quire’s film aims to address those concerns while offering a personal look at the man behind the headlines.
Following its New York premiere, The Making of a Moment will be distributed globally through streaming services, with a wider release planned for late fall 2025 via FilmHub.
Tickets for the October 29 screening are available on Eventbrite, and the official trailer is now live on YouTube.
Kneecap had their upcoming Canadian shows abruptly canceled after the federal government barred the Irish Hip-Hop trio from entering the country, citing alleged ties to extremist groups.
The decision, announced Friday by a top official, has ignited a tense standoff between the Belfast-based artists and Canadian authorities.
“Kneecap has engaged in actions and have made statements that are contrary to Canadian values and laws that have caused deep alarm to our government,” Gasparro said. He added that the group “have amplified political violence and publicly displayed support for terrorist organizations such as Hezbollah and Hamas.”
The group, known for its politically charged lyrics and use of the Irish language, responded swiftly.
“We do not, and have never, supported Hamas or Hezbollah. We condemn all attacks on civilians,” they said. On social media, they called the claims “wholly untrue and deeply malicious” and promised to “be relentless in defending ourselves against baseless accusations to silence our opposition to a genocide being committed by Israel.”
Kneecap—made up of Mo Chara, Móglaí Bap and DJ Próvaí—was scheduled to perform in Toronto and Vancouver next month. The ban has derailed those plans and prompted the group to explore legal action.
The controversy follows months of scrutiny over the trio’s political messaging.
Their Coachella performance earlier this year also drew backlash after they led the crowd in “Free Palestine” chants and projected messages accusing Israel of genocide.
Sharon Osbourne was among those who called for their US visas to be revoked.
Canada’s Immigration and Refugee Protection Act gives the government broad discretion to deny entry to foreign nationals suspected of promoting violence or terrorism.
Immigration lawyer Richard Kurland told CBC News that officials can act on “reasonable suspicion” without the need for a criminal conviction.
Jewish advocacy group B’nai Brith Canada supported the ban, saying, “Kneecap has repeatedly glorified violence and extremism. Their incitement is not just a danger to the Jewish community, it is a danger to Canadian values and to all Canadians.”
Despite the criticism, the trio has earned praise for revitalizing the Irish language through Hip-Hop. Formed in 2017, Kneecap belongs to the post-Troubles generation in Northern Ireland and often weaves political themes into their music.
“It’s impossible not to be political here [in Northern Ireland] if you’re going to speak Irish,” Mo Chara told NPR in 2023.
Their semi-fictional biopic won a BAFTA award earlier this year and they performed at Glastonbury despite pushback from UK Prime Minister Keir Starmer, who said their appearance was “not appropriate.”
The Canadian government’s move comes as Justice Minister Sean Fraser introduced legislation to criminalize the use of terror-related symbols in hate speech.