Donald Trump became the first U.S. president convicted of a crime on Thursday (May 30). A New York jury found him guilty of 34 felony counts of falsifying business records.
Prosecutors said Trump falsely and illegally categorized reimbursements to his former lawyer Michael Cohen to cover up a $130,000 payment to adult film star Stormy Daniels. Cohen paid off Daniels to keep her silent about an alleged affair with Trump ahead of the 2016 presidential election.
The hush money trial began in April. It was the first of Trump’s four criminal cases to go to trial.
“This was a disgrace,” Trump said. “This was a rigged trial by a conflicted judge who was corrupt … The real verdict is gonna be November 5 by the people. And they know what happened here. Everybody knows what happened here. You have a [George] Soros-backed D.A. and the whole thing—we didn’t do a thing wrong. I’m a very innocent man. And it’s okay. I’m fighting for our country.”
He added, “This was done by the Biden administration in order to hurt an opponent, a political opponent. And I think it’s just a disgrace. And we’ll keep fighting. And we’ll keep fighting till the end and we’ll win because our country’s gone to hell. We don’t have the same country anymore.”
Trump, who is running for president, faces up to four years in prison for each count of falsifying business records. He is scheduled to be sentenced on July 11.
Judge Juan Merchan will handle the sentencing. If Trump receives time behind bars, he will likely serve his sentences for each count concurrently.
Trump awaits trial in three more criminal cases. Two of the cases are related to election interference. The other has to do with his mishandling of classified documents. Trump pleaded not guilty to all of the charges.
As a grand jury is determining whether Diddy should face charges following disturbing allegations of abuse, Cassie Ventura’s former makeup artist, Mylah Morales, is coming forward with more horror stories about the embattled mogul.
Speaking to CNN, Morales recalled an unsettling incident in 2010, revealing what she described as signs of physical abuse inflicted by Diddy.
“I have kept this secret for like 14 years,” she said. “I mean, the first time I experienced it was in 2010, and I was in the hotel room when Puff broke in. They went into the bedroom and shut the door, and all I could hear is screaming and yelling.”
Morales recalled the moments after the incident when she saw Ventura with visible injuries: “When she came out of the room, she was badly beaten… knots on her head, black eye, busted lip.”
Morales expressed fear of confronting Diddy due to his powerful influence.
“We didn’t know what to do at that point because, you know, Puffy is a very powerful person. And we were quite terrified,” she said.
Morales conveyed her long-standing devastation and frustration, balancing loyalty to her friend and a responsibility toward the truth.
The recent revelations are the latest in a series of accusations against Diddy, who faced a lawsuit from Ventura in November 2023 alleging years of physical and sexual abuse.
The suit detailed an incident in 2016 at Los Angeles’ InterContinental Hotel, where Diddy allegedly attacked Ventura, leaving her with a black eye. He reportedly followed her into the hallway, grabbed her and hurled glass vases at her when she attempted to leave.
While the lawsuit was settled the day after it was filed, with Diddy’s attorney clarifying it wasn’t an admission of guilt, the legal battle leaves lingering questions about accountability.
Earlier this month, CNN procured and released exclusive surveillance footage corroborating Ventura’s claims. The video shows Diddy violently manhandling Ventura in the hotel hallway, further backing the lawsuit’s claims. Ventura’s attorney noted the footage is proof of Diddy’s “disturbing and predatory behavior.”
Although Diddy initially denied the allegations, he apologized when the footage emerged, acknowledging his “inexcusable” actions and accepting “full responsibility.”
“I’ve been devastated since the court cases came out and how, you know, he mistreated Cassie,” Morales said. “Because it’s a very small industry and we all know each other… people are afraid to speak up about it. The only reason why I am is because I’m a friend of Cassie’s, and I really care about her very much.”
Although no criminal charges have been filed, federal investigators seem to be taking the allegations seriously by potentially presenting evidence to a grand jury for indictment.
As Morales reflects on the industry’s widespread silence, she emphasizes her desire for this to be a catalyst for change.
“It is frustrating and hurtful even for me because I know what goes on behind the scenes, and I just can’t imagine why nobody’s speaking up,” she said.
Despite the pervasive fear, Morales hopes her courage will inspire others to break their silence.
Bill Pruitt, a former producer of NBC’s The Apprentice, claimed he heard Donald Trump use the n-word on the show’s set in a piece written for Slate. Pruitt said Trump’s comments were caught on tape, adding to longstanding rumors of Trump using the slur while filming The Apprentice.
“Would America buy a n#### winning?” Trump said, per Pruitt.
Trump allegedly used the n-word to refer to Kwame Jackson, a Black contestant on the first season of The Apprentice. Jackson was the runner-up to Bill Rancic, the first winner of the Trump-hosted reality competition.
Pruitt spoke out more than 20 years later due to the expiration of a nondisclosure agreement.
“I was one of four producers involved in the first two seasons,” he wrote. “During that time, I signed an expansive nondisclosure agreement that promised a fine of $5 million and even jail time if I were to ever divulge what actually happened. It expired this year.”
Trump denied using the n-word in the past. His campaign reiterated the denial in response to Pruitt’s article.
“This is a completely fabricated and b####### story that was already peddled in 2016,” Trump campaign spokesperson Steven Cheung said in a statement. “Nobody took it seriously then, and they won’t now, because it’s fake news. Now that Crooked Joe Biden and the Democrats are losing the election, they are bringing up old fake stories from the past because they are desperate.”
The Apprentice creator Mark Burnett previously claimed he cannot release tapes from the show. Pruitt believed the tapes would “never be found.”
“MGM owns Mark Burnett’s production company and The Apprentice is one of its properties,” MGM and Burnett said in a joint statement in 2016. “Despite reports to the contrary, Mark Burnett does not have the ability nor the right to release footage or other material from The Apprentice. Various contractual and legal requirements also restrict MGM’s ability to release such material.”
Trump, who is running for president once again, awaits a New York jury’s verdict in his hush money trial. Prosecutors charged Trump with 34 felony counts of falsifying business records. The jury began its deliberations on Wednesday (May 29). UPDATE: Trump was found guilty on all 34 counts.
The hush money case is one of four criminal cases against Trump. He is the first U.S. president to be charged with a crime.
This isn’t a good rumor, but I have to say it. I’m hearing word that organizers of a recent jazz festival aren’t happy with a recent performance from André 3000, known widely to be half of Outkast. The performance at the Atlanta Jazz Festival was all good until Three Stacks performed as the closer. And word is, they’re p#####.
According to Atlanta News First, many fans were excited to see Three Stacks live, because he’s among the G.O.A.T. But André was there to play his new flute-based instrumental album, New Blue Sun. Soon, the chatter turned sideways. André immersed himself in his new passion for woodwind instruments and then it got loud.
André said from the stage, “Everything we’re doing — the same way that New Blue Sun was made with me and my brothers, we’re completely making everything up as we go along. We never know what the night is gonna sound like. Twitter was really vocal as one person said they feel like he should be rocking in a locale with better acoustics and not outside. Someone else said they were all confused and they didn’t know how to take the vibes. They were also quick to note that The A is used to different music.
On top of this, some wonder if he was playing a flute or clarinet. Does it matter? YEP. I wish he would get back to rap, and specifically with Big Boi—give us an Outkast album before we all die.
Hacking group ShinyNation claimed they breached the security of Ticketmaster. The hackers allegedly stole the data of 560 million customers.
ShinyNation said they obtained names, addresses, phone numbers, emails, order information and partial credit card data. The hackers offered to sell the 1.3 terabytes of data for $500,000.
Australian officials are investigating the alleged data breach. The FBI reportedly offered to help with Australia’s investigation.
“The Australian Government is aware of a cyber incident impacting Ticketmaster,” an Australia Home Affairs Department spokesperson told CBS News. “The National Office of Cyber Security is engaging with Ticketmaster to understand the incident.”
According to the U.S. Justice Department, ShinyHunters stole data from more than 60 companies between 2020 and 2021. The alleged breach of Ticketmaster’s data added to the company’s troubles. The Justice Department sued the prominent ticket seller and its parent company Live Nation for “monopolization and other unlawful conduct.”
“We allege that Live Nation relies on unlawful, anticompetitive conduct to exercise its monopolistic control over the live events industry in the United States at the cost of fans, artists, smaller promoters, and venue operators,” Attorney General Merrick Garland said. “The result is that fans pay more in fees, artists have fewer opportunities to play concerts, smaller promoters get squeezed out, and venues have fewer real choices for ticketing services. It is time to break up Live Nation-Ticketmaster.”
The antitrust lawsuit accused Live Nation and Ticketmaster of engaging in “a variety of tactics to eliminate competition and monopolize markets.” The Justice Department said the company restricts artists’ access to venues and threatens venues for working with competitors, among other allegations.
Dan Wall, Live Nation’s executive vice president of corporate and regulatory affairs, claimed the lawsuit was “absurd.”
“DOJ is not helping consumers with their actual problems,” Wall said. “This is why the government has never been less popular—because they pretend they are fixing your problems when instead they are pandering to a narrow set of political interests.”
The Justice Department’s lawsuit sought structural changes. Successful litigation may result in separating Live Nation from Ticketmaster.
The Notorious B.I.G.’s mother Voletta Wallace condemned Diddy in response to multiple allegations of abuse and sexual assault against the Hip-Hop mogul. Wallace revealed her desire to slap the Bad Boy Records founder, whose real name is Sean Combs, in a conversation with Rolling Stone.
“I hope that I see Sean one day and the only thing I want to do is slap the daylights out of him — and you can quote me on that,” Wallace said. “Because I liked him. I didn’t want to believe all the awful things, but I’m so ashamed and embarrassed.”
Earlier this week, Rolling Stone published a damning report exposing decades of alleged abuse at the hands of Diddy. The article traced Diddy’s violence back to his days at Howard University in the late ‘80s.
The story also explored how he exploited The Notorious B.I.G.’s death. Biggie was supposedly on the verge of leaving Bad Boy Records before the rapper was murdered in 1997.
Rolling Stone’s report emerged less than two weeks after CNN released surveillance footage of Diddy brutally assaulting his ex-girlfriend Cassie Ventura at a Los Angeles hotel in 2016. The video corroborated allegations in Cassie’s since-settled lawsuit against Diddy.
“I’m sick to my stomach,” Wallace said. “I’m praying for Cassie. I’m praying for his mother. I don’t want to believe the things that I’ve heard, but I’ve seen [the Cassie assault video]. I pray that he apologizes to her.”
Wallace added, “He needs to apologize to his mother. I hope to God he sits her down and spills his guts and apologize to her.”
Multiple women have sued Diddy for sexual assault, among other allegations, since November 2023. The two latest lawsuits were filed in May.
Producer Lil Rod sued Diddy in February. Lil Rod accused Diddy of leading a “widespread and dangerous criminal sex trafficking.”
Diddy is the subject of a federal investigation. Homeland Security raided his homes in March. The feds are reportedly preparing to bring his accusers before a grand jury to seek an indictment.
The schedule for FIFA’s upcoming global event has been announced, marking a historic moment as Toronto, Drake’s hometown, will be one of the host cities at the 2026 FIFA World Cup. The World Cup will be held in Canada for the first time, beginning on June 12, 2026. Excitement is mounting across the country, with preparations already in full swing.
Canada will co-host the 2026 World Cup alongside the United States and Mexico. Grammy Award winner Drake is expected to be present when the Canadian Men’s National Team (CANMNT) plays on home turf.
Speaking with FIFA president Gianni Infantino, Drake expressed his enthusiasm: “There is passion in many things, but the passion for the World Cup is unmatched. We will welcome everyone with open arms. The blend of passion, competitive spirit, and the love for the game will fill the streets with energy. Canada will be ready for you.”
Responding to Drake’s excitement during a star-studded schedule reveal that included Kim Kardashian and Kevin Hart, Infantino praised the musician: “Drake was incredible. He is a true soccer fan.”
Canada has previously appeared in the FIFA World Cup finals in 1986 and 2022, where Bayern Munich star Alphonso Davies scored their first goal at the last event in Qatar. The team has never progressed past the group stage but is determined to make history in 2026.
Some things just belong together: peanut butter and jelly, movies and popcorn… and rap music and weed. Want to know the soundtrack to your next smoke session? Unlock the 30 dopest rap anthems that have been setting the mood for decades, brought to you by LAX CC dispensary, where Los Angeles’ finest cannabis meets the chillest vibes. Get ready to elevate your high with this essential playlist for every cannabis connoisseur.
“Bars” is a track from the collaborative album “Welcome 2 Collegrove” by 2 Chainz and Lil Wayne, released in 2023. The song features both artists showcasing their lyrical skills and wordplay over a hard-hitting beat.
Notable aspects of the track:
Lyrical prowess: The song is filled with braggadocious and witty rhymes, typical of both artists’ styles.
Production: The beat is simple yet effective, complementing the aggressive delivery of the verses.
Reception: “Bars” has been well-received by fans and critics alike, with many praising the chemistry between the two artists and their impressive lyrical performances.
29. Kid Cudi – I just wanna get: 90k views
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“I JUST WANNA GET” is an instant classic in the stoner rap genre, boasting a trippy vibe and hazy lyrics that perfectly capture the essence of the high life.
Here’s why it’s a standout stoner rap anthem:
The Beat: The laid-back, psychedelic production creates a mellow atmosphere, ideal for unwinding and getting lost in the groove. The mesmerizing melody and hypnotic rhythm complement the lyrical themes of altered states and blissful relaxation.
The Lyrics: Kid Cudi, Layzie Bone, and Krayzie Bone deliver verses that celebrate the joys of cannabis, with references to getting high, feeling good, and embracing the carefree nature of the experience. The lyrics are filled with vivid imagery and playful metaphors that resonate with anyone who enjoys indulging in a little herbal therapy.
The Collaborations: The combination of Kid Cudi’s signature style with the legendary flow of Bone Thugs-N-Harmony creates a unique and captivating sound that is both nostalgic and fresh. Their voices blend seamlessly, enhancing the overall vibe of the song.
The Message: “I JUST WANNA GET” isn’t just about getting high; it’s a celebration of freedom, self-expression, and the pursuit of happiness. The song encourages listeners to let go of their worries and embrace the present moment, making it a perfect soundtrack for those seeking a mental escape.
The Impact: Since its release, “I JUST WANNA GET” has become a favorite among cannabis enthusiasts and music lovers alike. Its infectious energy and relatable themes have solidified its place in the stoner rap hall of fame.
Whether you’re a seasoned smoker or simply enjoy the laid-back vibes of stoner rap, “I JUST WANNA GET” is a must-listen. So roll one up, press play, and let the good times roll!
The song “Who Wanna Smoke” by Afroman, featuring Kid Lennon, directly references the theme of cannabis enjoyment. It’s a part of Afroman’s larger body of work, which often revolves around marijuana themes. Afroman, known for his stoner classic “Because I Got High,” continues this motif in “Who Wanna Smoke,” blending humor and laid-back beats to celebrate cannabis culture.
“Furley Ghost” by Nef the Pharaoh featuring LaRussell is a compelling track that delves into the celebration of cannabis culture, intertwined with narratives from their lifestyles in the Bay Area. This song is a vivid portrayal of their day-to-day experiences and the prevalent cannabis culture within their community. The lyrics are richly layered, offering a mix of playful exchanges and deeper reflections on their personal journeys and the broader social environment they navigate.
The music video for “Furley Ghost” starts with a creatively staged scene that immediately sets the tone for the song’s theme. LaRussell and Nef the Pharaoh are depicted sitting in separate cars, a setup that feels both casual and cinematic, capturing a moment that feels authentically rooted in their everyday lives. The interaction begins with Nef rolling down his window and a straightforward exchange that underscores the song’s central theme: LaRussell asks Nef if he has any wraps, to which Nef responds by inquiring if LaRussell has the weed. This opening sequence not only introduces viewers to the laid-back, conversational style of the track but also cleverly nods to the recreational use of marijuana as a normal, unremarkable part of their routine.
Throughout the song, the lyrics and the video together paint a picture of what it’s like to live and thrive in the Bay Area’s vibrant, culturally rich setting. The celebration of cannabis is not just about recreational use but is also a part of a larger narrative about community, identity, and artistic expression. The song captures the essence of Bay Area rap, which often includes themes of resilience, community ties, and a strong sense of place, all while maintaining a spirit of fun and freedom that is palpable in both the lyrics and the visuals. “Furley Ghost” stands out as a lyrical homage to this lifestyle, making it a notable piece in both artists’ discographies.
26. LaRussell – Baggage Claim: 272k views
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“Baggage Claim” by LaRussell is a rap song that encapsulates the essence of hustle and perseverance in the pursuit of financial success, with a brief nod to the artist’s recreational use of marijuana. LaRussell, a talented rapper and producer from the Bay Area, is known for his compelling storytelling and motivational themes in music. His work often reflects his personal experiences and cultural background, resonating with a broad audience that appreciates authenticity mixed with smooth beats.
In “Baggage Claim,” LaRussell crafts a narrative that’s primarily focused on the grind and the relentless effort to “get that bag”—a popular colloquialism for earning money. The song’s vibe is upbeat and energizing, designed to motivate listeners to pursue their financial goals with the same fervor. Amidst verses about making money and achieving success, there’s a casual mention of smoking weed. This isn’t central to the song’s message but serves as a nod to a lifestyle choice that’s part of the broader cultural tapestry in which LaRussell operates.
This mention of marijuana is brief and doesn’t dominate the song’s theme. Instead, it adds a layer of personal authenticity and relatability, acknowledging the recreational use of cannabis without making it the focal point. The song, therefore, remains a vibrant anthem about economic ambition and success, embodying the hustle culture prevalent in much of rap music, especially from the Bay Area’s vibrant scene. LaRussell’s “Baggage Claim” is a testament to the multifaceted lives of individuals hustling for their dreams, where making money takes precedence, but personal freedom and choices are equally acknowledged.
25. Chief Keef – Treat Myself: 664k views
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“Treat Myself” is a track by Chief Keef from his album “Almighty So 2.” The song, like many of Chief Keef’s works, features his signature drill music style. “Almighty So 2” is a continuation of the themes and styles Chief Keef has been known for, blending aggressive lyrics with distinct beats. This track, along with others on the album, showcases his ongoing influence in the hip-hop genre.
24. Doobie – Love 2 Smoke Weed: 713k views
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Doobie is an Ohio-based rapper and producer who blends elements of rock and hip-hop in his music. He self-describes as a “modern day Kurt Cobain,” known for expressing his personal struggles through his lyrics. Doobie started rapping at the age of eight and taught himself music production in his teens due to financial constraints. His career gained traction when DJ Hylyte discovered him and signed him to the independent label SCFMG. Doobie’s 2015 mixtape, “Cocaine Christmvs,” which featured the track “Hopeless,” helped him build a significant online following. His 2017 self-produced hit “When the Drugs Don’t Work” further propelled his fame, accumulating over 80 million streams across various platforms. In 2019, he released his debut album “Faithfully Faded,” featuring artists like Yelawolf and Clever.
The song “Love 2 Smoke Weed” by Doobie, as suggested by its title, revolves around the theme of cannabis enjoyment. The official video for this track was filmed in Amsterdam, The Netherlands, a location known for its liberal cannabis culture, which complements the song’s theme.
23. Kid Ink – No Sticks No Seeds: 959k views
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“No Sticks No Seeds” is a song by American rapper Kid Ink, released in 2014 on his mixtape “Wheels Up”. The song is an anthem for marijuana smokers, with the title referencing the absence of stems and seeds in high-quality cannabis.
The lyrics boast about smoking only the best strains of marijuana and describe the experience of being high. The song also touches on themes of partying and living a carefree lifestyle. The beat is laid-back and catchy, with a trap-infused sound typical of Kid Ink’s style.
“No Sticks No Seeds” gained popularity among marijuana enthusiasts and contributed to Kid Ink’s growing reputation in the hip-hop scene. It has been praised for its relatable lyrics, catchy melody, and smooth flow.
22. The Dogg Pound Snoop Dog – Smoke Up: 1 million views
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“Smoke Up” is a song by Tha Dogg Pound featuring Snoop Dogg, released in April 2024 as a single from their upcoming album W.A.W.G. The song celebrates the group’s legacy and longevity in the hip-hop industry, addressing rumors of a breakup and asserting their continued dominance. It features classic West Coast hip-hop production with laid-back beats and a catchy chorus by Snoop Dogg.
The lyrics touch on themes of loyalty, perseverance, and authenticity, dismissing those who doubted their success or tried to imitate their style. The song also references their connection to their roots and the streets, emphasizing their credibility as artists from the West Coast.
The music video for “Smoke Up” showcases the group’s camaraderie and features cameos from other notable figures in the hip-hop community. It ends with a preview of their upcoming album, generating anticipation among fans for their return to the scene.
21. Logic – Weed Song: 1 million views
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“Logic – Weed Song (Bone Thugs Cover)” is a cover version by Logic of the original “Weed Song” by Bone Thugs-n-Harmony. Logic’s rendition maintains the chill, laid-back vibe that’s characteristic of the original, which celebrates the enjoyment and relaxation found in smoking weed. The original song by Bone Thugs-n-Harmony is known for its smooth flow and harmonious lyrics, focusing on the peaceful feelings brought by cannabis. Logic, known for his lyrical skill and ability to adapt different styles, brings his own flavor to this cover, likely keeping the essence of the original while injecting his unique perspective and vocal style.
20. Curren$y – High: 1.3 Million views
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“High” is a song by Curren$y, the third release from his 2021 album “Still Stoned on Ocean.” Produced by Smitty Beats and 808-Ray, with mixing by “Cool” of the famous “Cool and Dre” production team, “High” is a quintessential Curren$y track, featuring his signature laid-back flow over a mellow, atmospheric beat. The song’s lyrics touch on themes of success, perseverance, and enjoying the fruits of one’s labor.
19. Lil Wayne – Blunt Blownin: 1.9 million views
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“Blunt Blowin'” is a track from Lil Wayne’s highly anticipated 2011 album, “Tha Carter IV.” Known for its catchy hook and Wayne’s characteristic wordplay, the song is a quintessential Lil Wayne anthem that showcases his lyrical prowess and unique style.
The track features a slow, pulsating beat that allows Wayne’s lyrics to take center stage. The production is layered with a haunting synthesizer melody that creates a slightly eerie yet compelling backdrop for his verses. Lil Wayne’s flow is relaxed yet assertive, fitting the mood of the song perfectly.
Lyrically, “Blunt Blowin'” serves as a declaration of independence and a reflection on Lil Wayne’s status in the rap game. He discusses themes of freedom, success, and resilience, asserting his dominance and brushing off criticism. The chorus, “I’ma blunt blowin’, Polo drawers showin’, I don’t give a lovely m######### ass n####, with my teeth blowin’,” is both a celebration of his success and a dismissal of his detractors.
The reference to “blunt blowin'” is not just about cannabis use but also symbolizes Lil Wayne’s laid-back yet untouchable demeanor. Cannabis, in this context, represents both a leisure activity and a metaphorical nod to his ability to stay calm and focused amid the chaos of fame and the music industry. This song is emblematic of Lil Wayne’s confidence and creativity, further cementing his status as a leading figure in hip-hop.
18. Young Dolph – Smoke My Weed: 2.3 million views
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“Young Dolph – Smoke My Weed” is a track that captures the quintessential vibe associated with Young Dolph’s style—unapologetic, relaxed, and straightforward. This song, like many of Dolph’s tracks, revolves around themes of self-reliance, success, and enjoying the fruits of one’s labor, with a particular emphasis on the pleasure and relaxation derived from smoking weed.
The production on “Smoke My Weed” is typically smooth with a laid-back beat that complements the leisurely theme of the song. The instrumental might include elements like a deep bass line and melodic hooks, which are staples in many of Dolph’s tracks, providing a solid foundation for his rhythmic and charismatic delivery.
Lyrically, Dolph uses this track to celebrate the stress-free moments life offers, particularly through the ritual of smoking weed. He often integrates his experiences and lifestyle choices into his music, and “Smoke My Weed” is no exception. In this song, Dolph portrays weed smoking not just as a recreational activity, but as a deserved break—a way to unwind after the demands of his career and life.
17. Boosie Badazz “Marijuana” – 3.6 million views
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Boosie Badazz released the song “Marijuana” in 2019 as part of his album “Badazz 3.5.” This track is a candid and personal exploration of Boosie’s relationship with marijuana, reflecting both the solace and escapism it provides him. The song is characteristic of Boosie’s style, combining straightforward lyrics with emotional depth, set to a relaxed and introspective beat.
In “Marijuana,” Boosie discusses how cannabis serves as a form of relief from the stresses and pains of life, including his battles with diabetes and his experiences in the legal system. The lyrics convey a deep sense of how integral marijuana is to his lifestyle and coping mechanisms, suggesting it as almost therapeutic.
The tone of the song is both celebratory of the freedom and peace he finds in marijuana use, but also contemplative about the broader impacts of his life and struggles. As with many of Boosie’s tracks, “Marijuana” offers a blend of personal anecdote and broader social commentary, providing listeners with a window into his world.
16. Schoolboy Q – iBetiGotSumWeed: 3.9 million views
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“iBetiGotSumWeed” is a track by ScHoolboy Q from his debut studio album, “Setbacks,” released in 2011. This song is a laid-back, relaxed anthem that blends elements of jazz and hip-hop, reflecting on everyday life, leisure, and the enjoyment of smoking weed. It showcases ScHoolboy Q’s mellow side, differing from his more intense and aggressive tracks.
Lyrically, “iBetiGotSumWeed” is straightforward and uncomplicated. It’s essentially about chilling out, hanging with friends, and the assurance that ScHoolboy Q always has some weed. The track captures a vibe of carefree days, with lyrics that emphasize a life free from stress where one can just sit back and take things easy.
The production features a smooth, jazzy beat that complements the relaxed theme of the song, making it perfect for laid-back listening sessions. It remains a fan favorite for its authentic portrayal of ScHoolboy Q’s lifestyle and personality, representing the calmer, more introspective moments that contrast with the intensity of his other works.
15. Mac Miller – Jet Fuel: 5.7 million views
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Mac Miller, an American rapper known for his introspective lyrics, often explored his personal struggles in his music. His song “Jet Fuel” from the album Swimming is a notable example. The title “Jet Fuel” references a potent cannabis strain, symbolizing the high and temporary escape Mac found in smoking weed. In the song, he raps about feeling elevated and detached from his problems, using cannabis as a metaphorical fuel that keeps him in a transient state of peace.
However, Mac Miller’s relationship with substances was complex. While “Jet Fuel” presents a chill and relaxed vibe, it also hints at the broader context of his battle with addiction, particularly with more harmful substances than cannabis. His music candidly addressed these issues, offering insight into both the temporary solace and the limitations of substance use.
Tragically, Mac Miller passed away at the age of 26 from an accidental overdose, emphasizing the serious consequences of addiction. “Jet Fuel” remains a reflective piece within his discography, showcasing his talent for blending personal reflection with artistry. His legacy continues to resonate, serving both as an inspiration and a cautionary tale. Rest in peace, Mac Miller.
14. MGK – Roll The Windows Up: 6.4 million views
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We encourage listening to this song while not driving. Nonetheless, this is another 420 inspired banger. “Roll The Windows Up” is a song by Machine Gun Kelly (MGK), an American rapper, singer, and actor known for his versatile music style that spans across genres like hip hop, punk rock, and pop. This track was released as part of his mixtape “100 Words and Running,” which came out in 2010. The song captures MGK’s early style, which was heavily influenced by the rapid-fire delivery and intense energy characteristic of Midwest hip hop.
In “Roll The Windows Up,” MGK raps about the rebellious and carefree lifestyle associated with youth, including themes like partying and casual drug use. The song’s chorus, which mentions rolling the windows up to smoke weed in a car, is both a literal activity and a metaphor for shutting out the outside world and societal expectations, creating a private space of defiance and freedom. This track showcases MGK’s gritty lyricism and his ability to convey a raw, unfiltered view of street life.
13. Whiz Khalifa – Love to smoke: 7.4 million views
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Wiz Khalifa’s “Love to Smoke,” released last year, stands out as a quintessential anthem within the stoner music genre, reinforcing his reputation as an artist who frequently draws inspiration from cannabis culture. Known for his cannabis-centric lyrics, Wiz Khalifa celebrates the ritual of smoking weed not just as a habit but as a lifestyle, imbuing his music with a sense of camaraderie and joy that resonates with cannabis enthusiasts.
“Love to Smoke” is crafted with a relaxed, laid-back beat that complements the act of smoking. The smooth flow and mellow vibes create an ideal soundscape for lighting up a joint or blunt. This song isn’t just background music; it’s a part of the experience, enhancing the mood with its upbeat and positive rhythms. Wiz Khalifa’s lyrics in this track celebrate the act of smoking weed in a proud and open manner, offering a lyrical nod to the pleasure and relief it brings.
The artist’s skillful blend of catchy hooks and a chill tempo makes “Love to Smoke” a perfect track for those moments of leisure and relaxation. It’s a musical invitation to unwind, reflecting the communal and joyful aspects of cannabis culture. Wiz Khalifa’s unabashed endorsement and celebration of marijuana through his music helps to normalize and destigmatize its use, making “Love to Smoke” not only a staple in stoner playlists but also a significant cultural marker in the ongoing dialogue about cannabis.
12. Eminem – Must Be The Ganja: 13 million views
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“Must Be The Ganja” from Eminem’s 2009 album “Relapse” indeed reflects a different tone. This track showcases Eminem’s playful and creative side as he delves into his experiences with cannabis, blending it with his unique style of humor and sharp lyricism.
The song features a lively beat that complements Eminem’s energetic delivery. He uses inventive rhymes and vivid imagery to describe the euphoric and altered states of mind induced by cannabis. The lyrics, “It must be the ganja, it’s the marijuana that’s creeping upon me while I’m so high,” playfully attribute his creative spurts and intense feelings to his use of cannabis, highlighting its impact on his artistic process.
In “Must Be The Ganja,” Eminem explores the role of cannabis in enhancing his creativity and providing a form of relief, even as he touches on his broader experiences with other substances. The song, with its catchy chorus and engaging verses, serves as a celebration of the ways cannabis influences him, set against the backdrop of his larger narrative of dealing with fame and personal challenges.
This track is characteristic of Eminem’s complex relationship with substances, where he acknowledges the upsides such as enhanced creativity and stress relief, while also navigating the challenges they present.
11. Trippie Redd – Holy Smokes: 15 million views
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“Holy Smokes” is a track by Trippie Redd featuring Lil Uzi Vert, released in 2021 as part of Trippie Redd’s album “Trip At Knight.” This song showcases Trippie Redd’s signature melodic rap style blended with energetic and vibrant production, typical of the contemporary trap sound.
The collaboration between Trippie Redd and Lil Uzi Vert brings together two artists known for their unique approaches to music and their flamboyant personalities, both adding a dynamic energy to the track. The production features a high-paced beat with heavy bass and synth elements, creating an intense and immersive listening experience.
Lyrically, “Holy Smokes” discusses themes of success, wealth, and living a luxurious lifestyle, which are common in much of Trippie Redd’s work. The song includes references to extravagant spending, partying, and the use of drugs as part of that high-flying lifestyle. The lyrics are brash and confident, reflecting both artists’ public personas and their journey in the music industry.
The title “Holy Smokes” itself can be seen as a playful expression of astonishment at their own success and the surreal life they lead, which often seems larger than life. This track is a celebration of their achievements and a testament to their place in the rap game, characterized by a carefree and indulgent attitude towards life’s pleasures.
10. Styles P – Good Times: 19 million views
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“Good Times” by Styles P, also widely known by its refrain “I Get High,” is a track from his debut solo album, “A Gangster and a Gentleman,” released in 2002. This song became one of Styles P’s most notable hits, largely due to its candid portrayal of cannabis use, serving as an anthem for marijuana enthusiasts.
The track samples “Could I Be Falling In Love” by Syl Johnson, giving it a soulful and smooth backdrop that complements Styles P’s gritty lyrical delivery. The production, with its mellow beat and relaxed vibe, sets the perfect stage for the theme of the song, which celebrates the use of marijuana for relaxation and escape from the pressures of daily life.
Lyrically, “Good Times” is straightforward and focuses on Styles P’s personal experiences with smoking weed. He articulates the sense of relief and peace he finds in cannabis, mentioning it as a way to cope with the stress and hardships he faces. The chorus, “I get high, high, high,” is a catchy and repetitive hook that resonates with the listener, making it a memorable and iconic stoner track.
9. Young Thug – Stoner: 21 million views
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Young Thug – Stoner” is a single by Atlanta rapper Young Thug, released in 2014. The song was a commercial success and became one of Young Thug’s breakout hits, helping to establish his unique style in the rap industry. Produced by Dun Deal, “Stoner” is known for its distinctive, eccentric production and Young Thug’s idiosyncratic vocal style.
The term “stoner” in the song is a nod to cannabis culture, and the lyrics reflect themes of cannabis use, partying, and living a carefree lifestyle. Young Thug mentions various drugs and boasts about his ability to consume them, which is a common theme in his music, often reflecting the hedonistic aspects of his life.
The production of the song features a mix of heavy bass, quirky electronic sounds, and catchy melodic elements, creating a trippy, atmospheric vibe that fits the theme of being a “stoner.” Young Thug’s flow and vocal delivery are unpredictable and innovative, which has been a hallmark of his artistic persona.
Overall, “Stoner” is emblematic of Young Thug’s approach to music: unconventional, bold, and pushing the boundaries of traditional hip-hop aesthetics. The song not only highlights his unique talent but also resonates with a broad audience, particularly those who identify with the stoner culture or appreciate the creative expression in contemporary hip-hop.
8. Rae Sremmurd Not So bad 34 million views
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Rae Sremmurd’s song “Not So Bad” captures attention right from the beginning with lyrics that subtly nod to cannabis culture. The line “3.5 clouds up my window” refers to 3.5 grams, a common quantity of cannabis often purchased for personal use, and sets a relaxed, hazy scene as the smoke fills the air, clouding up the car window. This imagery is familiar to those versed in cannabis culture, symbolizing a moment of escape and enjoyment.
Furthermore, the phrase “Outdoor smoking indo” continues this theme. “Indo” is slang for high-quality cannabis, originally derived from “indoor” grown marijuana, which is often considered superior due to controlled growing conditions. However, in the context of the song, “outdoor” refers to smoking in the open air, possibly adding a layer of freedom and connection with nature to the experience.
These lyrics not only set the tone for the song but also connect with listeners who share similar lifestyles or appreciate the references. Rae Sremmurd manages to weave these elements seamlessly into their music, enhancing the song’s vibe and authenticity while resonating with their audience on a personal level.
7. Juice WRLD – Stay High: 50 million views
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“Stay High” is a song by American rapper Juice WRLD, released posthumously on his 2020 album Legends Never Die. The song delves into Juice WRLD’s struggles with substance addiction and mental health, a recurring theme in his music.
In “Stay High,” Juice WRLD describes using drugs as a coping mechanism to numb his pain and escape from his problems. He acknowledges the destructive nature of his addiction but feels trapped in a cycle of self-medication. The lyrics are raw and emotional, offering a glimpse into the artist’s inner turmoil.
Despite its dark subject matter, “Stay High” resonated with many listeners who related to Juice WRLD’s struggles. The song’s popularity highlights the importance of addressing mental health and addiction issues, particularly among young people.
6. Nicki Minaj – Ganja Burn: 56 million views
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“Ganja Burn” is a song by Nicki Minaj from her 2018 album, Queen. It’s a mid-tempo track with a reggae-infused beat and a catchy hook. While the title and chorus reference marijuana (“ganja”), the song’s lyrics primarily focus on Nicki’s resilience, overcoming obstacles, and rising above her haters.
Here’s why some people might enjoy listening to it while smoking weed:
Chill Vibe: The song’s laid-back beat and melodic flow create a relaxed atmosphere, which can complement the mellow mood often associated with smoking weed.
Empowering Lyrics: The lyrics celebrate self-confidence and overcoming adversity, which can resonate with listeners seeking motivation or a boost in mood while smoking.
Catchy Hook: The repetitive chorus, “Ganja burn, ganja burn, ganja burn,” is easy to sing along to and can get stuck in your head, adding to the enjoyment of the song while high.
Nicki Minaj’s Delivery: Nicki’s unique vocal style and confident delivery add to the song’s appeal, making it an engaging listen for her fans, particularly those who enjoy her music while smoking.
5. Post Malone – Chemical: 56 million views
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“Chemical” is a song by Post Malone released in April 2023 as the lead single from his upcoming fifth studio album. It blends elements of pop and rock with Post Malone’s signature vocal style.
Here’s why it’s popular for listening to while smoking weed:
Catchy Melody: The song has a simple but effective melody that’s easy to sing along to and get stuck in your head. This can enhance the overall listening experience, especially when combined with the effects of marijuana.
Relatable Lyrics: The lyrics explore themes of toxic relationships, addiction, and the struggle to let go. This can resonate with listeners who use weed to cope with similar emotions or experiences.
Energetic Vibe: While the lyrics touch on darker themes, the song’s overall vibe is upbeat and energetic, thanks to its fast tempo and driving guitar riffs. This can create a sense of euphoria and excitement that complements the effects of marijuana.
Post Malone’s Appeal: Post Malone has a massive fanbase, and many of his fans enjoy listening to his music while smoking weed. His unique blend of genres and raw, emotional lyrics appeals to a wide audience, including those who use marijuana recreationally.
Nostalgic Sound: The song’s sound is reminiscent of 2000s pop-rock, which can evoke feelings of nostalgia for some listeners. This can create a comforting and familiar atmosphere, especially when paired with the relaxing effects of marijuana.
4. Future & Lil Uzi Vert – Drankin N Smokin: 65 million views
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“Drankin N Smokin” is a song by Future and Lil Uzi Vert from their collaborative album, “Pluto x Baby Pluto,” released in 2020. The song quickly became a fan favorite and a popular choice for listening while smoking weed.
Here are some of the reasons why it’s popular for that activity:
Relatable Theme: The song’s title and lyrics explicitly reference drinking and smoking, activities often associated with recreational marijuana use. This creates an immediate connection with listeners who partake in similar activities.
Catchy Beat: The song features a trap beat with a hypnotic rhythm and melody that can be easy to get lost in while under the influence. The repetitive nature of the beat and the artists’ flows can enhance the overall listening experience.
Laid-back Vibe: The song’s overall mood is laid-back and chill, perfect for relaxing and unwinding while smoking. The artists’ voices blend together seamlessly, creating a smooth and enjoyable listening experience.
Lyrics: While the lyrics primarily focus on partying and indulging in vices, they also touch on themes of escapism and dealing with personal struggles. This can resonate with listeners who use weed to unwind or cope with stress.
Collaborative Energy: The combination of Future and Lil Uzi Vert’s unique styles and voices creates a dynamic and engaging track. Their chemistry is evident throughout the song, making it an enjoyable listen for fans of both artists.
3. Metro Boomin – Space Cadet: 76 million views
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“Space Cadet” is a hip hop song released in early 2019. The track was produced by Metro Boomin, an American record producer, and features a vocal performance by the rapper Gunna. It appeared as the second single from Metro Boomin’s debut album, which came out in 2018. The song discusses themes related to the artists’ lifestyles and experiences.
Key points about the song:
Production: The song is primarily produced by Metro Boomin and Wheezy, with additional production by Allen Ritter. The track features a spacy, synth-filled instrumental that complements Gunna’s melodic flow.
Lyrics: Gunna’s lyrics focus on his lavish lifestyle, success, and wealth. He makes numerous references to luxury cars, designer clothes, and expensive jewelry. The song’s title, “Space Cadet,” is a metaphor for Gunna’s elevated status and out-of-this-world experiences.
Reception: “Space Cadet” was well-received by critics and fans alike. It peaked at number 53 on the Billboard Hot 100 chart and was certified platinum by the Recording Industry Association of America (RIAA). The song’s music video, directed by Zac Facts, has also amassed over 75 million views on YouTube.
2. Vibes DaBaby: 112 million views
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DaBaby’s “VIBEZ” is considered a great rap song to listen to while smoking weed for a few reasons:
Catchy Beat and Flow: The song has an upbeat tempo and an infectious energy that complements the uplifting feeling often associated with smoking weed. DaBaby’s distinctive flow and delivery further enhance the listening experience.
Relatable Themes: “VIBEZ” touches upon themes of enjoying life, partying, and indulging in personal pleasures, which resonate with many people who listen to music while smoking weed.
Storytelling Aspect: While “VIBEZ” isn’t necessarily a deep dive into DaBaby’s life story, it does offer glimpses into his lifestyle and experiences. The lyrics paint vivid pictures of partying, celebrating success, and navigating the challenges of fame. For some listeners, this storytelling element adds an extra layer of enjoyment when paired with the introspective mood often induced by smoking weed.
Overall Vibe: The song’s confident and braggadocious tone creates a sense of empowerment and excitement, which can enhance the enjoyment of smoking weed for some individuals.
1. Nipsey Hussle – Double Up Ft. Belly & Dom Kennedy: 238 million views
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“Nipsey Hussle – Double Up Ft. Belly & Dom Kennedy” is a track from Nipsey Hussle’s highly acclaimed album, “Victory Lap,” which was released in 2018. The song features a laid-back, smooth beat typical of West Coast hip-hop, with lush synths and a deep bass line that complements the reflective and aspirational lyrics. The collaboration with artists Belly and Dom Kennedy adds depth and variety to the track, enhancing its appeal.
Lyrically, “Double Up” is about Nipsey Hussle’s journey from his earlier days of struggle to his success in the music industry and entrepreneurship. The song speaks to themes of perseverance, loyalty, and the rewards of hard work. Nipsey reflects on his past, the risks he took, and the people he’s lost along the way, while also celebrating his achievements.
Regarding references to cannabis, “Double Up” includes a few subtle nods to weed, which aligns with the laid-back, reflective nature of the song. Such references are typical in hip-hop as a part of the culture and lifestyle often depicted in the genre. Cannabis, in this context, is often associated with relaxation, creativity, and a form of escape from the stresses of life, which complements the overall vibe of the song.
Nipsey Hussle, being from Los Angeles—a city with a significant cannabis culture—incorporates these elements in a way that feels natural and authentic, reflecting his and many others’ real-life experiences. The references are woven into the broader narrative of his life’s story, adding a layer of personal touch and realism to his music.
GloRilla added another Hip-Hop star to a new version of “Wanna Be” with Megan Thee Stallion. The Ehhthang Ehhthang mixtape creator enlisted Cardi B as a feature on the remix.
“Y’all been asking for this so here it is!! Wanna be remix featuring @theestallion and @iamcardib coming THIS FRIDAY!!” GloRilla tweeted on Wednesday (May 29). She also posted the cover art for the track.
Additionally, Cardi B promoted the upcoming collaboration on her social media accounts. The Bronx-bred rapper tweeted, “AHHHH [smirking face emoji] Wanna Be Remix out Friday!!”
GloRilla’s original “Wanna Be” dropped on April 5, 2024, with the release of Ehhthang Ehhthang. The Collective Music Group-backed single peaked at No. 11 on the Billboard Hot 100 chart.
Megan The Stallion shocked fans by sharing the stage with GloRilla and Cardi B during her sold-out Hot Girl Summer Tour stop in New York City’s Madison Square Garden. Glo teased “Wanna Be Remix” at that May 21st show.
Previously, GloRilla and Cardi B collaborated on 2022’s 2x-platinum “Tomorrow 2” record. Cardi also worked with Megan Thee Stallion for “WAP” in 2020 and “Bongos” in 2023. “WAP” debuted at No. 1 on the Hot 100 and earned 8x-platinum certification from the RIAA.
Nicki Minaj will hit more North American locations on the second leg of her global tour. The Hip-Hop superstar added 22 more shows.
After traveling through Europe, Nicki Minaj returns to the United States for a date in Philadelphia on September 4. She will also perform in cities such as New York, DC, Los Angeles and Las Vegas.
Leg 2 of the “Pink Friday 2 World Tour” closes out in Minaj’s hometown of Queens, New York on October 11. Her next scheduled appearance is on Thursday (May 30) in Manchester, United Kingdom.
Pink Friday 2 landed on December 8, 2023. The “FTCU” rhymer’s fifth studio LP debuted at No. 1 on the Billboard 200 album chart with 228,000 first-week units.
Minaj recruited J. Cole, Lil Wayne, Drake, Lil Uzi Vert, Future, 50 Cent, Monica, Keyshia Cole and others as collaborators for the deluxe version of Pink Friday 2. The original, 3x-platinum Pink Friday album came out in 2010.
In addition, Nicki Minaj heads into the 2024 BET Awards as the second-most nominated person. Her fellow Young Money/Cash Money alumnus Drake leads the way with seven nominations, followed by Minaj with six.
Kendrick Lamar either feels no shame, or is truly reverting back to his default mode of going ghost, despite Top Dawg Entertainment president Punch trolling his flicks from his Chanel shoot with references to his rap beef with Drake.
It obviously didn’t take long for images of Lamar posing for Chanel, shot by photographer Malick Bodian, to begin trending and circulating on social media. Like, be for real—Kendrick Lamar just took a photo, someone put it in National Geographic right now. Nah, I’m kidding, but on a real note, these were some striking frames.
In the black and white shots, the West Coast MC poses with his head resting within the palm of his hand lackadaisically while giving the camera a stoic, wide-eyed look. As the photos gained traction on Twitter (X), Punch couldn’t help but give Lamar a hard time for fully leaning into his model moves.
Punch responded to a thread of the photos with a reference to Lamar’s chart-topping Drake diss track, “Not Like Us,” with “Certified Loverboy lol.”
Punch followed up with another tweet of an exchange he shared with Lamar regarding the shoot, which revealed how the Compton native truly felt about the flicks.
“What you doing dawg,” Punch questioned in a text stamped with a crying laughing emoji.
Though he didn’t reply by writing “b###h I’m attractive,” Lamar’s response was similar in nature as he wrote, “I think I’m cute on there man. Couldn’t resist.”
“What are you doing with them dreamy eyes n**ga?” Punch followed up, to which Lamar, responded, “I’m crying dawg.”
I gotta admit, I’m a little surprised K. Dot’s reply didn’t embrace his “Rich Spirit” lyrics, considering fans have since decoded it as a dry sneak diss toward Drake following their record breaking rap beef. However, upon thinking about it, the response he gave definitely makes sense.
For one, we could give Lamar the benefit of the doubt and assume he may not have seen Punch’s CLB tweet. But given the way Punch was trolling him, it would seem like he would’ve told Lamar about the swipe on his own. And then again, in a world where his “Not Like Us” diss is quickly becoming a summer anthem and gaining on streams at bar mitzvahs and OVO brick and mortar stores, Lamar is likely unbothered right now.
It’s hard to believe though, that the same self-proclaimed “old-school Gemini” told Drake he should die during their rap beef, is letting something like this slide. Even if it’s a running joke with the homies. But then again, Lamar has folks walking the streets shouting “A minor” and trespassers pulling up to Drake’s Toronto home like every other day right now, so it seems like he doesn’t really have a point to prove anymore.
Could it be that the beef is truly over? Or will a future dust-up or sly remark from one of his associates force Lamar’s hand do dig even deeper into the stash of diss tracks, which he reportedly recorded 10 of in one studio session, to wreak even more havoc on Drake. I guess we’ll just have to f##k around and find out!
Bow Wow and Chris Brown’s paths have crossed in the past. The two former child stars could be headed towards another partnership soon.
On Wednesday (May 29), Bow Wow shared a post that mentioned Chris Brown. The 37-year-old rapper also teased a month and year for a possible new collaboration with the R&B singer.
“Bow Wow x Chris Brown June 2024 [eyes emoji],” the entertainer also known as Shad Moss wrote on the X social media platform. More than 3,500 accounts liked Bow’s tweet.
Previously, Bow Wow teamed up with Chris Brown for singles such as 2006’s “Shortie Like Mine” and 2010’s “Ain’t Thinkin’ ‘Bout You.” Bow and Brown reached the Billboard Hot 100’s Top 10 with “Shortie Like Mine.”
Chris Brown released his eleventh studio album, 11:11, on November 10, 2023. A 35-track deluxe version of the project dropped on April 11, 2024. The 11:11 song “Summer Too Hot” scored a Best R&B Performance nomination at the 66th Annual Grammy Awards.
Bow Wow has not released a full-length solo LP since 2009’s New Jack City II. The reality television personality did connect with Soulja Boy for 2016’s Ignorant S### joint mixtape. Moss has also appeared in films like F9 in 2021.
Lil Mama broke out as a recording artist with “Lip Gloss” in 2007. Since the launch of her career as a rapper, the native New Yorker moved into the beauty business.
Brown Girl Grinding host Loren LoRosa spoke to Lil Mama about her lip gloss line with Vaniteaset Cosmetics. When asked about the lack of support for her in the cosmetic industry, Mama referenced other celebrities like pop star Taylor Swift and reality television star Kylie Jenner.
“I think that the opportunities that people like the Taylor Swifts or the Jenners would get was an opportunity to actually build out a full cosmetic line that would be a representation of who they are,” Lil Mama stated. “How they see fashion, how they see the world of beauty, and kind of speak to that audience while I was singlehandedly being the face of fashion and beauty for a really large community, which I would have to say is the African-American community.”
Lil Mama’s “Lip Gloss” became a Top 10 hit on the Billboard Hot 100 chart. She later served as a judge on MTV’s America’s Best Dance Crew and played Lisa “Left Eye” Lopes in VH1’s CrazySexyCool: The TLC Story.
Lino3x, producer at Judgemental Records, drops his debut single “I Ain’t Average” in pursuit of being Delaware’s leading music producer.
With collaborations featuring Hip-Hop titans like Jahlil Beats, The Beat Bully, and Black Metaphor, and appearances on “Beat Talk” with Grammy-winning Cool from Cool N Dre, Lino3x’s portfolio is gaining traction.
He’s also received guidance from renowned producer and engineer Young Guru.
“I Ain’t Average” showcases the innovative spirit of this Delaware-native producer.
The track blends harmonic soundscapes and thundering 808s, setting a distinct tone.
To bring the vision to life, Lino3x enlisted local Delaware videographers Mscenefilms and 4kivisions, along with up-and-coming photographer LeekBanks.
The visual story unfolds in front of Gallery302, a local sneaker consignment store that embodies Delaware’s cultural essence.
The emerging producer’s discography includes notable works such as “N.O. A Goodfellas Cadence” produced by Lino3x, and “GK Black Mobb,” co-produced with the Beat Bully
Additional collaborations include “NOGK Fire & Ice.”
The single “I Ain’t Average” is now available across all major streaming platforms.
For more of Lino3x’s work, visit Judgemental Records’ official websites and social media channels.
Check out “I Ain’t Average” and dive into Lino3x’s innovative soundscapes:
Sean “Diddy” Combs continues to face multiple sexual and physical abuse civil lawsuits. The Bad Boy Entertainment founder is also reportedly under federal investigation for sex trafficking.
Diddy’s legal troubles seem to be affecting his family members as well. For instance, TMZ reports the 54-year-old recording artist/record executive could miss his 17-year-old daughter’s high school graduation.
Chance Combs attended Sierra Canyon School in Los Angeles, California. She recently shared photos with her prom date, 18-year-old Branson Bailey, on Instagram. Bailey also uploaded photos to his Instagram page.
In November 2023, Cassie Ventura sued Sean Combs under New York state’s Adult Survivors Act. The R&B singer accused her ex-boyfriend of rape, sex trafficking, and physical abuse. The case was settled out of court for an undisclosed amount.
CNN recently released surveillance footage from 2016 of Diddy assaulting Cassie Ventura in a Los Angeles hotel. He later issued a public apology for his behavior in the video without mentioning Ventura by name. Ventura also released a statement.
Joe Budden believes Drake didn’t resurrect his iconic “timestamp” series during his beef with Kendrick Lamar because he might have lost access to the writing team he created the songs with.
The series, which includes “4 PM in Calabasas” and “7 AM on Bridle Path,” is said to feature some of Drake’s best rapping. However, while K. Dot released a “6:16 in LA” diss, Drake didn’t drop a track from the series.
During the latest episode of his podcast, which arrived hot on the heels of the recent alleged reference track leaks, Joe Budden discussed how far back they go.
“I still think that I haven’t heard timestamp Drake in quite a long time. It does beg the question, why is that now?” Budden said.
His co-hosts suggested that Drake might have lost the writing team he worked with to create the series.
“If you looking at it through that lens, it looks like somebody that was important in them sessions is not there anymore and we not getting that. Why would you fail to get in that bag going against Kendrick? It just don’t make sense,” Budden continued.
“And now, he’s teasing his next project, he took a picture with Gordo,” he added. “So, that says we getting that same Honestly, Nevermind, feel maybe, right?”
Joe Budden really knows ball. He said Drake’s audience went from women to red pillers. I said the same thing a few years ago! pic.twitter.com/AfGcGf25nK
Drake has worked on multiple songs with producer and longtime friend Gordo. They teamed up for two tracks on For All The Dogs last year, following their six songs on Honestly Nevermind in 2022.
Travis Scott went viral last week after getting into a fight with Cher’s boyfriend and Tyga’s friend Alexander “AE” Edwards and producer Southside in Cannes.
Footage surfaced online showing Scott and Southside fighting Edwards at an afterparty on May 24, with Scott reportedly the aggressor. However, according to Edwards, the brawl was no big deal, describing the fight as a “healthy fade.”
New video of Travis Scott's altercation involving Tyga's camp, Alexander "AE" Edwards & Southside
TMZ reports that a fight broke out after Richie Akiva gave props to both Travis Scott and Tyga on stage. Travis seemed upset about being associated with Tyga, possibly due to their… pic.twitter.com/Uzw9sRmOvc
TMZ caught up with Edwards on Wednesday (May 29,) asking if he and Scott resolved their issues.
“It’s all good,” Edwards replied and joked about the fight. “He aint have to work that night,” he said of his bodyguard. “But shout out Southside, that’s my n####. I know he was just defending his boy and doing what he was supposed to be doing as his boy.”
Edwards said there’s “no hard feelings,” between them, adding, “It is what it is, it went how it went.”
He also insisted, “I don’t wann fight. I don’t initiate that s###,” and claimed he was defending himself. “I’m a protect myself and my people.” Edwards had no words for Scott following the fight, saying, “No message. They got the message.”
Describing the altercation as “just n##### being n#####, at the end of the day,” Edwards claimed, “It’s a healthy fade, that’s what it is.”
According to reports, the fight began after Travis Scott allegedly snatched the mic when party host Richie Akiva shouted out Tyga and Edwards at the event. Tyga is the ex-boyfriend of Kylie Jenner, the mother of Travis Scott’s children.
“Travis was the aggressor,” a source told Page Six. “He and his team were being neurotic, erratic and crazy. He was there looking for a fight with anyone to be honest.”
She posted clips from her set, walking out to perform her latest single, “Sunday Service.” However, while many fans raved about Latto and her looks, others were less kind.
“My bestie and I were just talking about how it’s rare that people look better with a BBL. Latto is not one of those people,” one person wrote on X (formerly Twitter).
“Side of effects of bbl ladies take [note] not a good look,” added another. “Ladies please stop getting bbl it looks terrible,” stated a third user.
Latto caught wind of the criticism and clapped back with a carousel of images on Instagram.
Meanwhile, over on X, Latto addressed the haters, insisting that her mystery man has no complaints.
“F### what these hoes saying,” she wrote. “Cuz my n#### say I’m perfect ANYWAYS.”
Latto also shared an update about her new album after revealing she dislikes her existing catalog.
“I guess yall deserve new music [soon],” she wrote. Earlier this month, Latto responded to fans debating what style to expect from her third studio offering.
“All these songs suck,” she said. “Album otw & it will be washing these -big mama.”
Latto opened up about getting BBL and liposuction during an interview with Cosmopolitan last year.
“I got a BBL in 2020. I also got 360 lipo. That’s on my stomach, back, sides, and whole torso,” she explained “But then you’ve got to maintain it. So I just hired a trainer.”
Pam Grier has very fond memories of her Bones co-star Snoop Dogg!
The legendary actress took a walk down memory lane during her appearance on The Jennifer Hudson Show, revealing the Death Row Records boss was a great kisser. Hudson showed Grier a clip of Snoop recalling their first meeting on the Bones set in 2000.
“Oh my God, and he can smooch!” Pam Grier said of Snoop Dogg. “Let me tell ya, let me tell ya.”
While Snoop impressed Grier with his kissing skills, their initial encounter was memorable for very different reasons.
During his January appearance on Hudson’s show, Snoop Dogg admitted that he fainted after meeting Pam Grier for the first time.
“Pam Grier walked up and just sat right next to me and started talking. My heart beat fast,” Snoop Dogg recalled. So I’m like, ‘Okay, I hear what you’re saying. Pam, give me a minute.”
The Doggfather tried to collect himself with the visit to the men’s room, but it didn’t work.
“I go to the bathroom and faint,” he added. “I fainted, I’m laying on the ground. My security comes in there like, ‘Get off this nasty floor. Man, what are you doing?’ I looked up, and I said, ‘I just met Pam Grier.’”
Meanwhile, last month on Watch What Happens Live, Pam Grier shared her reaction to Snoop Dogg fainting.
“I was so upset that they cleaned him up and brought him back out and we sat together. I didn’t know I had that effect on him. He’s such a lovely person, I just couldn’t imagine him lying in urine,” she told Andy Cohen.
Future is getting a taste of what Drake has been going through recently as a result of multiple leaks of artist reference tracks for their fan-favorite records making their way to social media.
On the heels of Drake being exposed for working with both Vory, who recorded the reference for “Mob Ties,” and PARTYNEXTDOOR, who laid down “Ratche Happy Birthday” for his 2018 Scorpion album, Future is catching heat for receiving help on his 2019 EPSAVE ME.
In particular, fans have uncovered video corroborating theories that artist-producer Bobby Raps crafted the melodic and hazy masterpiece that turned out to be Future’s “XanaX Damage.”
Though it’s clear from the official video above there were a number of tweaks made to the track, the main components of the reference track Bobby Raps recorded appear to still be intact in the version Future released. And going a level deeper, a user on Twitter pulled up receipts of Bobby Raps’ work on Future and Metro Boomin’s WE DON’T TRUST YOU collab album in the form o co-writing and production credits for a number of records.
“we still don’t trust you out now thank you for believing in me Pluto… appreciate you always I helped with Drink N Dance, Luv Bad B######, Mile High Memories and Beat It,” Bobby Raps wrote in an Instagram post last month.
Does the fact that Future himself even “hired some help” to “get rid of you n###as” change the way you view him as an artist? Or is the Drake ghostwriter effect a double standard that doesn’t affect Pluto and only Drizzy?
Check out the reference track below.
Another reference track has SURFACED, this time we can see “Bobby Raps” in the studio making what we now know as “XANAX DAMAGE” by future from the “Save Me” EP pic.twitter.com/Dutl66lqc2
