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Cult Jam Discusses “Lies” In Lisa Lisa Movie, Full Force’s Erasure, New Album & More

By: Chuck Creekmur (@ChuckCreekmur)Category: Exclusives

All legends don’t fade. Some transform. Cult Jam, the iconic group that defined an era of Latin freestyle, R&B and even Hip-Hop, stands as a testament to endurance and reinvention. AllHipHop.com’s Chuck “Jigsaw” Creekmur sits down with founding member Mike Hughes and dynamic new lead singer Mystina Sol to unpack a journey that spans decades, controversies and a renewed creative passion.

The interview comes fresh on the heels of the Lifetime biopic Can You Feel the Beat: The Lisa Lisa Story. Cult Jam isn’t just revisiting history—they’re writing a new chapter. But, like Kendrick Lamar said, “You know we got some sh#t to address.” The Lifetime movie presented the world a story that has been met with controversy and contradiction. Hughes offers a first-hand take on the movie that was co-produced by Lisa Lisa and her now manager Toni Ménage. He talks the “lies” as well as the mysterious missing Full Force, the group that discovered, produced, wrote and sang for the group.

Cult Jam and Mystina continue to ride the wave of their latest album Love, staying focused on the music, but also correcting the narrative. This is not just about Lisa Lisa. This is about the complex origin story that includes Full Force, U.T.F.O, Howie Tee, Chubb Rock, Whistle and numerous others that exploded on the scene in the 1980s. They also explore the vibrant New York music scene that shaped them. Without member Alex “Spanador” Moseley, Mike Hughes and Mystina Sol open up about family, friendship, music and their new artistry.

AllHipHop: Cult Jam has been making music again. Can you tell us about your recent projects?

Mike Hughes: Yes! We released an album in 2023 called Gem Love, featuring our lead singer, Mystina Sol. Right now, we’re knee-deep in writing new music for 2025. It’s exciting because even though we have a legacy, it’s like we’re a new group again, proving ourselves to a new generation.

AllHipHop: Mystina, how does it feel to be part of such an iconic group?

Mystina Sol: It’s amazing! I grew up listening to Can You Feel the Beat, and as soon as I heard it, I knew Lisa Lisa was Puerto Rican, just like me. It was so relatable. Now, being part of Cult Jam, performing those songs—it’s surreal.

AllHipHop: Let’s talk about the Lifetime movie. Were you surprised when it was announced?

Mike Hughes: Oh, for sure. We found out about it just a month before it came out. At first, it was like, “Wow, someone thinks our story is interesting enough for a movie.” But then we thought—”Wait, if no one reached out to us, what’s actually in this movie?“

READ ALSO: Lisa Lisa Responds To Critics About Full Force’s Absence In Her Biopic

AllHipHop: What was your reaction when you watched it?

Mike Hughes: Shocked. At first, I thought they’d just show the back of our heads during performances. But no—they had actors playing us. And they got so many things wrong. Full Force, the group that literally created our music, was completely erased. That’s not just an oversight—that’s rewriting history.

AllHipHop: Why do you think Full Force was left out?

Mike Hughes: We’ve thought about that a lot. The movie’s creators said it was about Lisa Lisa’s personal journey. But the name of the movie is Can You Feel the Beat—a song written and produced by Full Force! If the film was just The Lisa Lisa Story, maybe it could’ve skipped some things, but they took a core part of our history and made it disappear. It’s just not right.

AllHipHop: Did anyone involved with the movie ever reach out to you or Full Force?

Mike Hughes: Not at all. No one asked for our input. And that’s the crazy part—we were there, we lived it, and yet they didn’t bother to consult us. If they had, they could have told a much more accurate and authentic story.

AllHipHop: What do you think of the way Tony, Lisa’s background singer and later manager, was portrayed?

Mike Hughes: They made it seem like she was there from the start. But she wasn’t. She joined years later. The movie blended Lisa Lisa’s early years with her solo career, which completely distorts the real story. They tried to make their friendship seem like the foundation of everything when that wasn’t the case at all.

AllHipHop: Some fans have said that Lisa Lisa herself should have spoken up about the inaccuracies. What are your thoughts on that?

Mike Hughes: That’s tough to say. I don’t know how much control she had over the script, but it would have been nice for her to say, “Hey, let’s get this right.” At the end of the day, this movie affects all of us, not just her. People now think that what they saw is the truth, and it’s not.

AllHipHop: Was there ever an effort to reunite Cult Jam and Lisa Lisa?

Mike Hughes: Yes! Lisa’s management, Snoop Dogg Entertainment, reached out to us about a reunion tour. We all got on a Zoom call—except Lisa Lisa wasn’t there. When Tony told us she wouldn’t be on the call, we knew right then—it wasn’t going to happen.

AllHipHop: Have you spoken to Lisa Lisa since the movie aired?

Mike Hughes: No. The last time I saw her was at her 50th birthday party. There’s no animosity on my end, though. She’ll always be my baby sister. I don’t think she personally did anything wrong—I think the wrong people told the story, and they just got it wrong.

AllHipHop: Mystina, have you ever met Lisa Lisa?

Mystina Sol: Nope! But I’d love to. Lisa, if you’re listening—Godmommy, please meet your goddaughter!

AllHipHop: Do you still perform the classic Cult Jam songs?

Mike Hughes: Absolutely! We still sing All Cried Out, Can You Feel the Beat, I Wonder If I Take You Home—those are part of our legacy. And Full Force still joins us on stage when they can.

AllHipHop: If you could say one thing to Lisa Lisa today, what would it be?

Mike Hughes: That she’ll always be my baby sister. We didn’t have a falling out. The movie just got things wrong. But Lisa will always be family to me.

Mystina Sol: And for me—Lisa, I’m still a fan. I’d love to meet you someday.

AllHipHop: Cult Jam has been through a lot, but you’re still here. What’s next?

Mike Hughes: More music, more performances, and keeping our legacy alive. From 1985 to 2025, we’re still here, still doing what we love, and still staying true to who we are.

Bhad Bhabie’s Boyfriend Le Vaughn Injured In Strip Club Shooting 

By: London JennnCategory: News

Bhad Bhabie‘s boyfriend, Le Vaughn—father of her child—was reportedly shot in the hand early Wednesday morning (March 5). 

The incident unfolded at Sam’s Hofbrau strip club near downtown Los Angeles, according to TMZ.  Sources told the outlet that a brawl erupted between two groups in the early hours, escalating into gunfire. 

Authorities reported that the violence continued outside the venue, where more shots were fired. Two people were struck in the chaos, including Le Vaughn. 

The second victim, a man, was shot in the shoulder. Both victims were transported to the hospital, where they were treated for non-life-threatening injuries. 

Police attempted to detain an unnamed suspect driving a white Mercedes G-Wagon, but the individual managed to evade capture. 

Le Vaughn is reportedly recovering from his injuries, and according to the outlet, he is expected to make a full recovery. Bhad Bhabie wasn’t at the strip club with Le Vaughn, instead she was on a livestream with DDG Tuesday night (March 4).

Bhad Bhabie and her boyfriend have made headlines recently amid a feud with Alabama Barker. 

The spat began when Bhabie accused Alabama Barker, Travis Barker’s daughter, of trying to “steal” Le Vaughn from her. 

The two women exchanged insults online, each releasing diss tracks aimed at the other. 

Last week, Bhabie released the visuals for her “Ms. Whitman” diss track, which samples Kanye West and Ty Dolla $ign’s song “Carnival.”  

The music video includes a lookalike of Travis Barker, who’s married to Kourtney Kardashian, the sister of West’s ex-wife. The track also makes several references to the famous family, subtly mentioning Kim Kardashian and suggesting that the blink-182 drummer was interested in her but ended up with Kourtney instead. 

Mike Epps Shares “Last Friday” Movie Update—Makes Plea To Chris Tucker  

By: London JennnCategory: News

Mike Epps is giving Ice Cube his flowers after confirming that the long-awaited fourth installment of the Friday film franchise has been greenlit while urging Chris Tucker to return as the beloved character Smokey. 

Epps, who played Day Day in the movie’s two sequels, announced the good news during an appearance on The Breakfast Club Tuesday (March 4). 

“Cube called me the other day and said, ‘We just finished the deal,’” he began. “So we doing Last Friday.” 

He continued, “I haven’t seen the script but I’m pretty sure it’s good. And we gonna bring in the new comics. We gonna bring the DC Young Flys and all of them in with the OGs and it’s gonna be a good ass time.” 

Mike Epps also shared his desire to bring Chris Tucker back to reprise his role for the first time since the original Friday movie. 

“We need to get Chris Tucker in that because people still love Chris Tucker,” he added. He’s still Smokey—he laid it down! He positioned me to do it. Chris, if you listening: we need ya, baby boy. Come on back!” 

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Chris Tucker previously indicated he’s open to reprising his role for Last Friday but only under the right circumstances.  

“I don’t know, it has to come back right,” he said during an interview in 2024. “Because, like I said, at this point, you know, I’m only doing stuff that I know that I could do my best and I can have a lot of fun, got to be right.” 

Meanwhile, last November, Ice Cube revealed he had a Last Friday script ready to go but studio executives rejected it.   

Cube revealed he struggled to get executives to approve the script, which would see the returns of fan favorites including Deebo, Smokey and Ezal.   

Elon Musk Wants Donald Trump To Consider Pardoning George Floyd’s Murderer Derek Chauvin  

By: London JennnCategory: News

Elon Musk is weighing in on a campaign urging Donald Trump to pardon Derek Chauvin, the former Minneapolis police officer convicted of murdering George Floyd. 

On Tuesday (March 4), Musk amplified a controversial post from right-wing commentator Ben Shapiro bizarrely claiming the “evidence demonstrated” that Chauvin “did not, in fact, commit the murder of George Floyd.” 

He claimed that Floyd was “high on fentanyl” and “had a significant pre-existing heart condition”  

He also said Floyd said he couldn’t breathe while inside the police car, not on the ground.  

Additionally, Shapiro argued that during large portions of the footage shown at trial, Chauvin had his knee on Floyd’s shoulder rather than his neck and that an autopsy concluded Floyd died from “excited delirium.” 

Floyd’s death sparked nationwide protests in 2020 after video footage circulated showing him pleading, “I can’t breathe,” while a Minneapolis police officer knelt on his neck for roughly nine minutes. 

The incident sparked months of protests against racial injustice and police brutality and contributed to the growth of the Black Lives Matter (BLM) movement. 

Musk reposted Shapiro’s proposal to pardon Chauvin on his X platform where he has 219 million followers, writing, “Something to think about.” 

While it was determined Floyd had a trace amount of fentanyl in his system, a coroner and medical experts confirmed it was Chauvin’s knee cutting off Floyd’s oxygen supply that killed him. The disgraced officer was later convicted of Floyd’s murder and sentenced to 22 years in prison. 

Musk’s tweet sparked outrage online, with some accusing him of supporting a racist agenda. 

However, even if Trump were to pardon Chauvin, he wouldn’t be freed because he’s concurrently serving 22 and a half years of a state sentence. 

In a statement, Minnesota Attorney General Keith Ellison affirmed “murdered George Floyd in front of the whole world.” 

Ellison told the Minnesota Star Tribune, “The only conceivable purpose would be to express yet more disrespect for George Floyd and more disrespect for the rule of law.” 

Rapper Offset also weighed in on the controversy, accusing Musk of “playing in black folks faces.” 

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Jim Jones Drags “Bad-Body” Ma$e In Heated Rant: “He Looks Terrible”  

By: London JennnCategory: News

Jim Jones has escalated his long-running feud with Ma$e by resorting to body-shaming in his latest attack.  

In an interview with XXL published on Tuesday (March 4), Capo also addressed the tension with Cam’ron, insisting that his former Dipset partner could never diminish his role in solidifying the group’s legacy. 

When asked about Ma$e’s legacy in Hip-Hop, Jim Jones didn’t hold back, criticizing the Harlem rapper’s health and physique. 

“Ma$e need to go on a diet,” Jones shot back. “He need to get his life together. He need to go to the doctor and get a physical.”  

However, Jones wasn’t done, adding, “He looks terrible. Bad-body, back-ass n####. N#### look big around the neck, waist look crazy. I’m body-shaming this n####. He need to get his s### together. Go on the treadmill, do some pushups, do somethin’. Especially if you’re playin’ with me.” 

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Jim Jones opened up about his strained relationships with Cam’ron and Ma$e during an interview earlier this year. He also discussed the origins of his feud with Ma$e, explaining that it stemmed from Ma$e’s behavior towards Cam’ron and others.  

“It started with Ma$e. He didn’t do the right thing,” Jones explained. “I watched Ma$e s### on Cam and everybody around him. Like all the time.”  

Jones said that he didn’t like how Ma$e treated Cam’ron and how Cam’s loyalty to Ma$e made him even more upset. 

“Cam enemies were my enemies,” he stated. “Anybody Cam didn’t like, I didn’t like. And I already see how [Ma$e] was handling Cam, so I definitely didn’t like him, ya dig. And then I seen how much love Cam had for him and how Cam was jumping out the window for him, which a friend should.” 

Tensions Boil Over As Trump’s Speech To Congress Ignites Protests & Congressional Chaos  

By: London JennnCategory: News

Donald Trump delivered his first address to Congress of his second term on Tuesday night, facing fierce resistance from Democrats, including walkouts, silent protests, and heckling as the speech unraveled into chaos. 

During his hour-and-40-minute speech—the longest ever delivered by a president to Congress—Trump emphasized significant spending cuts, a tough stance on immigration, and his economic vision from the early weeks of his administration. 

He reiterated his statement about “the dawn of the golden age of America” and claimed that his administration had “achieved more in 43 days” than most others accomplish in an entire four- or eight-year term.  

Trump also boasted about ending the “tyranny of so-called diversity, equity and inclusion policies,” insisting, “our country will be woke no longer.” 

Elsewhere in his speech, Trump threatened to implement “reciprocal tariffs” on other nations taxing the U.S. just hours after launching a trade war against Mexico, Canada, and China—America’s three largest trading partners. 

The speech was met with strong resistance inside the chamber. Rep. Al Green (D-Texas) was ejected after interrupting Trump in protest of Medicaid cuts.  

Other congressional leaders staged silent protests, with some wearing pink to oppose Trump’s policies on women and families, while others sported yellow and blue ties to show support for Ukraine following his hostile meeting with Ukrainian President Volodymyr Zelenskyy. 

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The NAACP strongly condemned Trump’s address on social media, calling it “full of arrogance, lies, and bigotry.”  

The civil rights organization also called out Trump on his DEI remarks, tweeting, “Claiming “America is back” while our democracy is backsliding, unemployment is rising, and #DEI is being stripped away is nasty work.” 

Additionally, several Democratic lawmakers, including Jasmine Crockett (D-Texas) and Sydney Kamlager-Dove (D-California), walked out in protest. 

Check out some of their responses to Donald Trump’s address to congress below.  

Slick Rick, Freeway & More Connect At Inaugural Hip Hope Ball To Raise Cancer Awareness

By: Kershaw St. JawnsonCategory: News

The Health, Hope and Hip Hop Foundation made history this February, hosting its first-ever “Hip Hope Ball: A Celebration to Ignite Change” on the final day of Black History Month. The star-studded event brought together Hip-Hop legends and healthcare advocates with a unified mission: raising awareness about multiple myeloma and other cancers in the Black community.

Founded by Oya Gilbert, who was diagnosed with multiple myeloma in December 2017 after experiencing symptoms for two years, the foundation has become a powerful voice for awareness. Gilbert’s journey from diagnosis to advocacy has positioned him uniquely to leverage Hip-Hop culture for critical health education.

Gilbert’s impact has not just been as a health advocate but also as a MC. Under the moniker Grand G, Gilbert laid groundwork that would influence some of Hip-Hop’s most significant architects, creating a ripple effect throughout the culture that many stars unknowingly benefit from today.

“He made it possible for all of us to believe and to dream,” Young Guru, ROC Nation’s acclaimed engineer and producer, said speaking directly to Gilbert during an emotional moment at the gala. “Whatever you need, I’m there for you. You know why? Because you influenced my life and put me on a path that would lead me to something great.”

In a revealing personal anecdote, Young Guru shared how Gilbert, known then by his rap moniker Grand G, had been an early inspiration.

“When I was 15 years old, I saw somebody that looked like me on the cover of an album,” Young Guru explained, referencing a compilation called Project X. The future Grammy winner recalled begging to visit the studio with Gilbert and his colleagues, an experience that would eventually shape his legendary career.

The evening’s performances elevated the celebration to another level.

Philadelphia’s own Freeway took the stage to thunderous applause, performing while also sharing his personal health journey as a kidney transplant recipient. His appearance was particularly poignant following his own medical challenges and the tragic losses of his son Jihad in 2020 and daughter Harmony in 2021.

The highlight of the night came when Hip-Hop icon Slick Rick “The Ruler” delivered an electrifying performance that transformed the fundraiser into what attendees called “a party with a purpose.”

Young Guru, who introduced the legend and revealed he’s working on Slick Rick’s upcoming project, helped bridge Hip-Hop’s past and future through the lens of health advocacy.

The event was sponsored by pharmaceutical giants including Pfizer (Platinum sponsor), along with the International Myeloma Foundation (Gold), Sanofi, and Kite: A Gilead Company. Notable attendees included Delaware Hip-Hop giants and AllHipHop.com founders Chuck Creekmur and Grouchy Greg Watkins, Dr. Joseph Mikhael of the IMF, Rob Ruckman from Pfizer and Briana McCloud of Johnson and Johnson.

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The foundation presented its “Posture of a Pearl” award to Shea Robinson, while Dr. Robert Winn delivered a powerful keynote speech about the importance of addressing health disparities in communities of color.

Multiple myeloma, a blood cancer affecting plasma cells, disproportionately impacts Black Americans, who are twice as likely to develop the disease. Rapper Guru from Gang Star and Roots bass player Leonard “Hubb” Hubbard both succumbed to the illness.

Through Gilbert’s leadership, the Health, Hope & Hip Hop Foundation is creating a new model for health advocacy that speaks directly to communities using cultural connections and authentic voices from within Hip-Hop.

As the inaugural ball concluded, it was clear Gilbert’s vision of uniting Hip-Hop’s influence with health education had successfully launched a movement that promises to save lives through increased awareness, early detection and continued research.

Travis Scott Allegedly Left WWE Wrestler With Busted Eardrum & Black Eye

By: Devon JeffersonCategory: Rumors

Travis Scott may have injured a professional wrestler while he was having the time of his life during his recent appearance at a WWE event with John Cena and The Rock.

According to wrestling journalist Dave Meltzer, wrestler Cody Rhodes, who faced off against Cena during the Elimination Chamber match, reportedly suffered a busted eardrum and black eye after Travis Scott struck him. Viral footage of the incident circulating on social media may capture that the moment the purported injury occurred.

The close-up shows Cena was holding Rhodes down before La Flame proceeded to pin him down by the neck, wind up his arm and deliver the blow directly to his face.

Scott, who at the time likely didn’t know of Rhode’s alleged injury, appeared to rave about his experience in footage of an exchange he had with WWE legends Triple H and The Rock after upon exiting the ring.

“Bro, bro, bro, bro,” Travis told Triple H. “This might be better than like low-key performance, bro. It was like a whole ‘nother vibe, man. Yo, it was so crazy because it was like, in the ring I was like, ‘Oh, y’all, I think we about to do like straight bad guys,’ And I was like, ‘oh, it’s about to hit’.”

Scott went on to reveal his plans to build wrestling rings at his homes in Houston and Los Angeles after being inspired by his experience during the match with Cena.

“I already seen it, just off that little rip, I know how it get real,” he said. “I’m already hooked. I’m going back to the H [Houston] tonight. What? I’m going to the ring tomorrow. What the f### you talking about? I’m about to build a ring in all the cribs. I don’t think y’all know.”

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Black Lives Matter Plaza May Be Replaced After D.C. Mayor Crumbles Under Republican Threats

By: Mike WinslowCategory: News

Washington, DC, mayor Muriel Bowser caved to congressional pressure and ditched the iconic Black Lives Matter Plaza in Washington, DC, after Georgia Rep. Andrew Clyde threatened federal funding cuts to the nation’s capital.

The nationally recognized Black Lives Matter plaza, famously painted in bold, towering yellow letters spelling “Black Lives Matter,” first appeared during the height of protests against police brutality in June 2020.

Situated just steps from the White House on 16th Street NW, the two-block stretch became a powerful symbol of civic activism and social justice, officially renamed “Black Lives Matter Plaza NW” by Mayor Muriel Bowser herself.

But now, with Republicans firmly back in control of Congress and the White House, Clyde’s ultimatum to rename the plaza “Liberty Plaza” and erase the mural altogether—under threat of withholding federal highway funds—seems to have forced Bowser’s hand.

On March 4, Bowser revealed that the plaza would transition into a broader artistic initiative commemorating America’s 250th anniversary.

Although she stopped short of announcing a new name, the shift clearly signaled the mayor’s reluctant surrender to political arm-twisting from Capitol Hill.

“We have long considered Black Lives Matter Plaza’s evolution and the plaza will be part of DC’s America 250 mural project, where we will invite students and artists to create new murals across all eight wards. The mural inspired millions of people and helped our city through a very painful period, but now we can’t afford to be distracted by meaningless congressional interference. The devastating impacts of the federal job cuts must be our number one concern. Our focus is on economic growth, public safety, and supporting our residents affected by these cuts,” Bowser said in a statement on March 4.

The Black Lives Matter plaza, which cost taxpayers $4.8 million to permanently install in October 2021, served as a rallying point for demonstrations, celebrations, and community gatherings, capturing national attention as a symbol of defiance and unity.

Clyde, however, viewed the plaza differently, pushing legislation that would roll back the mural and restore the street to its pre-protest appearance.

The Georgia congressman’s proposal aligns with a broader Republican agenda to reshape Washington, echoing President Donald Trump’s calls to “clean up” the nation’s capital.

Clyde argued the street should “go back to the way it was” before the mural’s existence, sparking controversy over federal interference in local governance.

Now, as Bowser pivots toward a less controversial, more patriotic artistic project, Washington residents await the plaza’s next chapter—still unnamed, yet clearly marked by political compromise.

In a city defined by its symbols, Bowser’s decision closes a dramatic chapter on Black Lives Matter Plaza, leaving questions about activism, autonomy, and the delicate dance between local pride and federal power.

Hot Boy Turk Says Media Exaggerated Birdman’s “Nodding Off” Incident During Reunion Show

By: Devon JeffersonCategory: Rumors

Hot Boy Turk is doing his part to clear the air when it comes to rumors circulating about Birdman’s recent appearance at a reunion concert.

The Hot Boys’ reunion tour has been making waves amid an onslaught of footage from their electrifying performances circulating in droves on social media. However, a viral clip of a moment from a recent show had fans buzzing after Birdman appeared to doze off mid-set. In the video in question, Birdman appears to be slumped over and dozing off mid-performance, while Turk continues to rock the mic.

While social media ran wild with speculation, Hot Boy Turk has set the record straight, shutting down the noise in a recent interview with B High TV.

“I don’t know what be going on, man,” Turk said when asked about Birdman’s onstage pause. “I be on that muthafucka having Turk fun. I’ve been in Turk’s world doing what I’m doing.”

He believes media has a way of twisting narratives.

“They gonna always turn something into something that ain’t, you know what I’m saying?” he explained, adding that their performances include the use of a teleprompter on stage. “We have different little moments where we have to look down and see what’s going on.”

Teleprompter and all, Turk still distanced himself from the viral moment, claiming he was too locked into his own performance to know what Birdman was up to.

“Like I said, I don’t know what Stunna was doing, because, s###, on that part, I’m doing what I’m doing,” he said. “So I don’t know what he was doing.”

When asked if Birdman had addressed the controversy, Turk didn’t mince words.

“Baby don’t give a f###,” he declared. “Baby come right back out there the next day and talk some s### again.”

According to Turk, Birdman isn’t concerned about public perception.

“See, they put what they want to put out there,” he said. “Like he came and he talked, and he talked his s### again, you know, the next show. We’re in St. Louis, you know what I’m saying?”

Turk emphasized that Birdman’s unbothered nature is nothing new.

“He gonna always talk his s###, and he ain’t gonna give a f###,” he said. “That’s why he never really even say nothing about the s###. Like, man, it is what it is.”

EXCLUSIVE: Damon Dash Accused Of Ruining Director’s $4M Payday With Billy Bob Thornton

By: Nolan StrongCategory: Exclusives

Damon Dash found himself at the center of yet another costly controversy after his recent podcast remarks allegedly cost filmmaker Josh Webber a $4 million directing gig alongside Hollywood veteran Billy Bob Thornton.

The Roc-A-Fella co-founder, already entangled in legal pitfalls, faces fresh allegations from Josh Webber.

The director claims Dash’s March 30 appearance on the popular “Earn Your Leisure” podcast triggered the collapse of his lucrative film contract to helm the upcoming thriller “Fast Life,” featuring Thornton and Scott Eastwood.

Webber contends Dash’s enraged comments reignited old accusations against him, specifically that he and his associates had “stolen” the film “Dear Frank” from Dash.

The Hip-Hop mogul had previously been removed from that project amid allegations of disruptive behavior on set. He ultimately lost a 2022 court battle and was ordered to pay Webber and Muddy Water Pictures $805,000 in damages.

Yet Dash refused to move past the bitter feud.

During the podcast interview, he labeled Webber and his lawyer, Christopher Brown, as “d########” while doubling down on his claims.

Dash stated clearly, “What I lost was defamation because these guys trigger me and steal my s###… you think there is freedom of speech, it’s really not,” according to Webber’s latest lawsuit against the Roc-A-Fella founder.

Webber alleges that Damon Dash’s inciting remarks had immediate and devastating repercussions.

Just eight days after Webber inked a deal with Rebel Entertainment to direct “Fast Life,” the production company abruptly terminated the agreement.

Rebel Entertainment founder Rock Jacobs said an investor would pull funding if Webber stayed on board after viewing Damon Dash’s podcast remarks.

“While I haven’t had the opportunity to delve deeply into these allegations, initial online searches do not paint a favorable picture. As you can understand, our investor, being a family-oriented individual, is adamant about not associating his name or the project title with any controversial matters. Regrettably, based on the findings outlined above, I must officially terminate our agreement. Please accept this as formal written notification of our decision,” Jacobs emailed Webber.

With Dash already in default after repeatedly disregarding court deadlines, Webber’s legal team argues this terminated $4 million deal directly exemplifies the financial damages inflicted by Dash’s defamation.

Judge John F. Walter previously struck Dash’s legal response entirely from the record after multiple missed deadlines and a refusal to comply with mediation requirements.

Notoriously outspoken and unapologetic, Dash has not yet publicly addressed the latest accusations. The court will hear Webber’s motion for default judgment on April 7, 2025.

If the decision goes against Dash, the Hip-Hop entrepreneur could be saddled with another multimillion-dollar judgment, a costly price for words spoken without restraint.

Bad Boy Co-Founder Co-Signs Diddy’s Alleged Involvement In Tupac Shakur’s Murder 

By: London JennnCategory: News

Kirk Burrowes, the co-founder and former president of Bad Boy Entertainment, is making explosive claims about Sean “Diddy” Combs‘ alleged involvement in the death of Tupac Shakur in a new lawsuit.  

Burrowes accuses the disgraced mogul of sexual abuse, coercion, violence, intimidation, career sabotage and financial extortion spanning more than a decade.  

The filing also includes allegations about Diddy’s connection to the West Coast rap icon’s death. 

The lawsuit details Diddy’s alleged “unchecked jealousy” of Tupac Shakur’s rapid rise in the music industry, describing how the embattled mogul became increasingly insecure about Shakur’s influence, which posed a threat to his own dominance in the Hip-Hop world. According to Burrowes, Diddy engaged in smear campaigns against Shakur, fueling the rivalry to undermine the West Coast rapper’s credibility and career. 

Burrowes also recounts several instances of Diddy expressing frustration over Shakur’s success and his friendship with The Notorious B.I.G. These tensions are said to have pushed Diddy into taking “reckless” actions that contributed to the “dangerous environment” within the industry, eventually escalating to the violence that marked the infamous rivalry. 

The lawsuit further claims that prior to Shakur’s fatal shooting on September 7, 1996, Diddy had been in contact with a West Coast record executive and various street gang factions, discussing the ongoing East Coast-West Coast conflict.  

Burrowes alleges that a few days before the shooting, Diddy rented vehicles and instructed several men from Harlem to drive to Las Vegas, an unusual move given that flying would have been more practical. These men were reportedly not connected to the company, raising questions about the true purpose of their trip. 

Additionally, the lawsuit alleges that Diddy was involved in a deal with Duane “Keefe D” Davis, who is currently awaiting trial on charges of orchestrating Tupac Shakur’s murder. 

“Upon information and belief, Keefe D was expecting a payment of $1 million, which had not been received,” the filing reads. “Reports suggest that this sum was promised as compensation for facilitating actions that contributed to the assassination of Tupac Shakur.” 

Burrowes contends that tension arose between the two after the payment “failed to materialize.” 

The complaint alleges that Diddy ultimately paid a courier to deliver the money to Keefe D, but the transaction failed, further intensifying the dispute.  

Burrowes argues that Diddy’s involvement in the events surrounding Shakur’s murder may have been more than coincidental and questions the motivations behind his actions in the lead-up to the tragic shooting. 

Keefe D was arrested and indicted in 2023 in connection with Tupac Shakur’s death. He is the sole individual charged in the murder. 

In past interviews and his memoir, Keefe D admitted to being in the Cadillac involved in the shooting and claimed he passed the gun to the backseat, where his nephew, Orlando Anderson, allegedly fired the fatal shots. 

In 2023, audio surfaced of Keefe D revealing his struggles to get paid for Shakur’s murder after Diddy allegedly offered $1 million for the hit. 

Keefe D allegedly told Harlem gangster Eric “Von Zip” Martin to collect the money from Diddy days after the murder, but Martin allegedly avoided him. 

Years later, an associate claimed Martin had kept the payment for himself, which Keefe D said led to his confession. Keefe D also admitted to a failed attempt to confront Diddy at his Hollywood Walk of Fame ceremony in 2008.

Diddy’s former bodyguard, Gene Deal, also addressed the $1 million payment during a 2024 interview. 

Angie Stone’s Children Issue Statement Alongside Public Memorial Announcement

By: Mike WinslowCategory: News

Angie Stone tragically lost her life Saturday night (March 1) following a devastating collision involving her Mercedes-Benz Sprinter van and an 18-wheeler shortly after performing in Alabama.

The soulful R&B icon was just 63 years old. Stone’s two children, Michael and Diamond, and her two grandchildren are mourning the sudden loss and have shared an emotional statement.

The family took to Instagram, expressing gratitude for the outpouring of love and support from the public.

“It is with heavy hearts that the children of the R&B singer Angie Stone along with her extended family want to thank you all for your love and well wishes during what is an extremely difficult time,” the statement read.

The family highlighted Stone’s cultural impact and influential presence as a powerful role model, especially within the African-American community.

“Angie was an example for black women and girls everywhere. Angie also loved and championed for black men with her Number One Hit entitled ‘Brotha.’ Angie Stone was a pioneer of rap music that began with a female rap trio, The Sequence and ultimately led to her solo career that defined neo soul,” the statement continued.

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A post shared by Angie Stone (@theangiestone)

Michael and Diamond also asked respectfully for privacy as they navigate through their grief, writing, “Diamond and Michael, along with the rest of Angie’s family, want to thank you for reaching out, but also asked that you respect their privacy as they grieve the loss of their beloved mother.”

Beyond her celebrated musical career, Angie Stone was deeply committed to community service.

Through her charitable organization Angel Stripes, the Angie Stone Foundation, she sought to uplift those around her.

Recently, the singer embarked on a spiritual journey, enrolling in college ministry courses driven by a passionate desire to share her faith and inspire others toward Christianity.

“Angie Stone believed in giving back to her fans in the community with her foundation Angel Stripes, the Angie Stone foundation. Recently, Angie was also attending college for ministry. Her love of God and her faith led her to have a deep desire to share her belief in God and bring more people to Christ,” the family stated.

Plans for memorial services and funeral arrangements are still underway, with the family promising to keep the singer’s admirers informed so that they can celebrate her life and legacy.

“Currently funeral services are still being planned along with the memorial service so that Angie’s fans can honor her life, music, and legacy. Even though Angie is no longer with us physically her family wants you to keep her legacy alive,” the family’s statement concluded.

TikTok’s Future: The Potential Ban & Its Exponential Impact On Music Industry

By: AllHipHop StaffCategory: Opinion

Eric Azike takes a look at the future of music and tech.

For over half a decade, TikTok has been a dominant force in shaping music trends, launching artists into mainstream success, and redefining how music is discovered and consumed. The short-form video platform has played a pivotal role in breaking new talent, turning unknown artists into chart-toppers through viral moments and algorithm-driven discovery. With ongoing discussions about a permanent TikTok ban in the United States and the search for a potential buyer of the social platform, the music industry faces an unprecedented shift that could disrupt the way artists are discovered and how music marketing operates.

TikTok’s Role in Music Discovery

In an era where social media dictates cultural trends, TikTok has solidified its role as a powerhouse in the music industry. According to a recent report from TikTok, the platform has played a significant role in propelling songs to the top of the charts in both the United States and the United Kingdom. The data reveals that out of the 16 tracks that reached No. 1 on the U.S. Billboard Hot 100, 13 of them were in some way linked to a TikTok trend.

The platform’s influence extends beyond the U.S., with 10 of the 11 songs that topped the UK’s Official Singles Chart receiving a boost from TikTok popularity. These findings underscore TikTok’s growing dominance in music discovery and promotion. With viral challenges, dance trends, and user-generated content fueling song popularity, the platform continues to reshape the traditional pathways to chart success. As artists and labels increasingly tailor their marketing strategies to leverage TikTok’s algorithm, its impact on the music industry is more evident than ever.

TikTok has also revolutionized music promotion, making it one of the most effective tools for artist discovery in modern history. Unlike traditional methods—radio airplay, label-backed promotion, and streaming playlists—TikTok thrives on organic virality. Artists like Doja Cat, Doechii, and Tommy Richman have seen their careers take off thanks to the platform’s ability to push their music to millions of users within days.

Doja Cat’s rise to stardom can be traced back to her 2019 viral hit “Say So,” which gained massive traction on TikTok before becoming a mainstream success. Doechii leveraged the platform to boost her hit “What It Is” and also created a viral sound from her song “Persuasive,” while Tommy Richman’s “Million Dollar Baby” became a cultural phenomenon in 2024, thanks to widespread TikTok trends and user-generated content.

The Potential Ban: What’s at Stake?

With increasing scrutiny from lawmakers over data privacy concerns and national security risks, TikTok’s presence in the U.S. is under threat. If a ban were to be implemented, the impact on the music industry would be profound. Several key areas of concern include:

  1. Artist Discovery and Development
    Without TikTok, emerging artists lose a major gateway to virality. Many musicians, particularly independent and unsigned artists, rely on the platform’s algorithm to push their music to global audiences. TikTok’s ability to organically surface new talent levels the playing field in ways that traditional media and streaming algorithms have not.
  2. Music Marketing and Promotion
    Labels and artists have shifted a significant portion of their marketing budgets toward TikTok campaigns, influencer partnerships, and viral challenges. If the platform is banned, the industry will scramble to find alternative digital spaces that offer comparable engagement and discovery mechanisms.
  3. Streaming and Revenue Impact
    TikTok serves as a major driver of music streaming on platforms like Spotify and Apple Music. Viral TikTok hits often translate into millions of streams, leading to chart success and increased revenue for artists and labels. The removal of this ecosystem could stunt streaming numbers, affecting not just individual artists but also the broader music business.

What’s Next for the Industry?

If TikTok is banned, the music industry will need to pivot quickly to other platforms that can replicate its impact. Instagram Reels and YouTube Shorts offer similar short-form video capabilities, but neither has matched TikTok’s efficiency in creating viral music trends. Platforms like Triller and Snapchat Spotlight may also see renewed interest, but none have yet proven to be direct replacements as many of these social media platforms do not have the attention-grabbing addictiveness that TikTok has.

Additionally, record labels may invest in building their own digital ecosystems to encourage organic music discovery. However, this would require significant innovation and restructuring of current marketing strategies.

Final Thoughts

A TikTok ban would not just be a policy decision; it would be a seismic shift in the music industry’s digital landscape. The platform has democratized music discovery in ways that traditional gatekeepers never could. While artists and labels will undoubtedly adapt, the loss of TikTok would leave a void that could take years to fill. Whether through lobbying efforts, new tech innovations, or alternative platforms, the industry must prepare for a post-TikTok reality—one that could change the course of modern music consumption forever.

Cam’ron Says Katt Williams’s Raps, Flatulence & Closed Fist Punch Foiled His Dipset Ties

By: Devon JeffersonCategory: Rumors

Cam’ron has finally opened up about why Katt Williams is no longer affiliated with Dipset.

During a recent episode of his Talk With Flee podcast, the Harlem rap legend detailed a chaotic night that ultimately led to the comedian severing ties with the crew in dramatic fashion. According to Cam, he met Katt years ago in California, when he says the comedian reached out, to his surprise, because he was serious about becoming an artist.

“He wanted to rap,” Cam’ron recalled. “I’m like, this n####’s nice as a comedian… and you rap? Hell yeah.” With Dipset at its peak, Cam saw an opportunity to bring Katt into the fold. “Let’s make f###### Katt Dipset, hell yeah.”

However, Katt joined at an unfortunate time, when Dipset was in a the beginning stages of a disorganized state.

“Katt kind of got down with us when we was all starting to be dysfunctional,” Cam admitted. “So, Katt Williams never really got a chance to be part of Dipset as a crew when we was moving how we was moving.”

Making matters even more complicated, some Dipset affiliates Cam’ron wasn’t on good terms with had actually been staying with Katt in California.

“They actually was living with the n####,” he revealed.

Things took a turn when Cam and the estranged Dipset members reconnected with Katt at a concert in Philadelphia. After the show, they went backstage, where Cam witnessed Katt verbally tearing into his own team.

“He’s just going off on everybody, not me, like his staff, the other comedians, et cetera,” he said.

Despite the tension, Katt showed love to Cam by handing him an envelope with $30,000 inside.

“He’s like, ‘Yo, Killa, good looking, man, $30,000’,” he recounted. “I was like, Katt, ‘I ain’t come for your money, man. I don’t want your money’.” However, Katt insisted, saying, “’Cam, take the money. I love you, it’s your money’.”

The situation escalated when Katt suddenly turned on the Dipset members who had stayed with him.

“He kind of was rapping and flipping on them n#####, like, f### you, b#### ass n#####,” he recalled. Attempting to defuse the tension, Cam tried to calm Katt down, but the comedian had other plans.

“He said, ‘Cam, you want me to tell you what these n##### said when you wasn’t around?’” Cam wasn’t interested in hearing it, but Katt wouldn’t let it go.

Then, the night took a bizarre twist. Katt approached Cam with a wild accusation.

“He like, ‘Yo…’ let’s just call him Dipset X… he says, ‘Hey, yo, Cam, I think Dipset X farted on me’,” he revealed. Confused, Cam tried to brush it off. “I said, I don’t know if he farted on you.” But Katt was convinced, and apparently told Cam, “’Yeah, the n#### farted on me, man. I usually tag n##### behind s### like that.’”

To Cam’s shock, Katt started asking people in the room if they were responsible for the alleged fart. When no one confessed, he took matters into his own hands.

“So Katt come from across the room and punch Dipset X in the face,” he said. “Dumb hard.”

Cam’ron’s instincts immediately kicked in.

“Off instinct, just instinct, I grab Katt, flip Katt upside down, and slam Katt,” he said. Just as he was about to kick him, he snapped out of it.

“The reason, like I said, I even bugged out because it was just a reflex,” he said. “Dipset X is my man.”

What happened next solidified the falling-out. Katt’s security team, a group of FOI (Fruit of Islam) members, swarmed the room, separating Cam and Katt.

“Katt says, yeah, ‘Cam’ron, f### you too. And f### Dipset. Y’all n##### up in this s### for me’,” he said.

Katt then ordered Cam and Dipset to leave, with the FOI escorting them out of the arena. As they were being led out, Katt continued his tirade from behind the security.

“Yeah, f### y’all,” he recalled Katt yelling. “I’m like, ‘F### you n#####, man. I don’t give a f### about you’.”

Since that night, Cam’ron has had little contact with Katt.

“I actually seen him at 50 Cent in Shreveport, but we didn’t speak,” he said.

While Cam insists he has no hard feelings toward Katt, he remains unsure about how Katt feels about him. “I don’t know what was ever said behind my back to make Katt feel like that with them n#####.”

Watch the full video featuring Cam’s anecdote in the post above

Police Identify Suspect In Murder Of G$ Lil Ronnie & 5-Year-Old Daughter, Hunt On For Second Killer

By: Mike WinslowCategory: News

G$ Lil Ronnie went from enjoying a routine Monday morning car wash with his young daughter to becoming the tragic center of Forth Worth’s latest homicide scene.

The sudden burst of gunfire shattered what witnesses described as an otherwise quiet morning at the popular neighborhood spot Slappy’s Car Wash.

Now, authorities have named one suspect and intensified their search for another after the local Hip-Hop artist, whose real name was Ronnie Smith, and his 5-year-old daughter were fatally shot.

Lil Ronnie, 30, was reportedly cleaning his vehicle when two gunmen emerged from a white four-door Kia sedan and unleashed a barrage of bullets.

His young daughter, sitting innocently inside the car, was also struck and killed amid the chaos.

“We want some answers,” Smith’s aunt, Stella Houston, told WFAA Channel 8. “He was a good kid, y’know. He didn’t bother nobody.”

The slayings mark the third deadly shooting incident in the Forest Hill section of the city within the past two weeks, prompting heightened anxieties and calls for peace among residents.

In response to the tragedy, Slappy’s Car Wash management announced a temporary closure lasting at least two days to assist law enforcement with their ongoing investigation.

Forest Hill police continue urging anyone with knowledge regarding the shootings or the whereabouts of the second suspect to step forward immediately.

Billy McFarland Humiliated Again As Fyre Festival 2 Declared Nonexistent By Local Authorities

By: AllHipHop StaffCategory: News

Billy McFarland promised paradise and luxury on Mexico’s Isla Mujeres but now faces fresh doubts about the legitimacy of his planned Fyre Festival 2 after local tourism officials declared ignorance of the event.

“We have no knowledge of this event, nor contact with any person or company about it,” Edgar Gasca, representing Isla Mujeres’ tourism directorate, bluntly told The Guardian. “For us, this is an event that does not exist.”

McFarland, the infamous entrepreneur behind the original catastrophic Fyre Festival, had confidently announced the sequel would take place from May 30 to June 2, 2025, on the idyllic Isla Mujeres near Cancún.

He touted extravagant packages ranging from the relatively modest “Fyre Ignite” at $1,400 to the jaw-dropping “Prometheus God of Fyre” experience priced at $1.1 million.

Marketing materials promised “world-class accommodations,” boundary-breaking adventures, exclusive beach-side concerts, skateboarding demos and MMA training sessions, all in a dreamy Mexican setting.

Yet Gasca’s statement casts serious doubt on McFarland’s ambitious comeback attempt.

It echoes the disastrous 2017 event in the Bahamas that left festival-goers stranded with soggy cheese sandwiches, disaster-relief tents instead of luxury villas and not a single note from advertised headliners Blink-182 and Migos.

That fiasco left investors in financial ruin, losing a combined $26 million, while McFarland landed in prison for wire fraud.

Initially sentenced to six years, he served roughly four years behind bars before his early release in March 2022. The debacle also spawned multiple documentaries dissecting every detail of the disaster and nearly tanked the reputation of rapper Ja Rule, McFarland’s high-profile partner at the time.

Despite the skepticism, McFarland insists he’s learned from past mistakes and expressed confidence in the sequel before the Mexican officials’ statement, which has people thinking he is running another scam.

“I’m sure many people think I’m crazy for doing this again. But I feel I’d be crazy not to do it again. After years of reflection and now thoughtful planning, the new team and I have amazing plans for FYRE 2,” McFarland said last week. “The adventure seekers who trust the vision and take the leap will help make history. Thank you to my partners for the second chance.”

Without a confirmed lineup or even local awareness, the sequel risks repeating the original’s chaotic legacy.

Doja Cat Admits To “Flat” Oscar Performance Following Backlash

By: Mike WinslowCategory: News

Doja Cat hit the stage during the Academy Awards on Sunday night with a daring James Bond-themed performance alongside British sensation RAYE and K-pop superstar Lisa of BLACKPINK.

But she admitted afterward that nerves slightly dampened her delivery.

The “Paint the Town Red” artist took center stage at the iconic Dolby Theatre in Los Angeles to perform a dramatic cover of “Diamonds Are Forever,” originally immortalized by the legendary Shirley Bassey for the 1971 film.

Social media quickly buzzed with mixed reviews, with some critics noting that Doja didn’t quite hit all the lofty notes the challenging song demanded.

Addressing the commentaries head-on, the 29-year-old Hip-Hop star took to Instagram to share her reflections, acknowledging that her nerves crept into the spotlight with her.

“Thanks to the Academy Awards and Vanity Fair for having me. I never get to sing like that and what I did was brave and scary as f**k for me,” Doja wrote openly. “I know a lot of people didn’t like it but a lot of people did and I feel good that I pushed myself.”

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A post shared by Doja Cat (@dojacat)

She elaborated, revealing the intense preparation she invested in the Bond classic and her eagerness to tackle similar challenges in the future despite the imperfections.

“The song is a classic and I put a lot of work into it but the nerves got to me and a b**ch hit some flats. I can’t wait to do something like that again. What a blessing that was. I feel amazing about the whole thing. Bye,” she humorously continued before enthusiastically praising her fellow performers: “ALL the girls chewed down last night. God BLESS them all. Absolutely gorgeous performances from everyone.”

Away from the pressure of live vocals and the scrutiny of critics, Doja Cat also revealed a lighter side of her Oscar night experience, sharing an unexpected highlight from the Vanity Fair after-party.

The singer-rapper delightedly recounted that she danced with Emmy-winning actress Sarah Paulson, and revealed a personal cinematic favorite.

“I danced with Sarah Paulson last night also Flow is my favorite movie of all time cuz it’s a story about friendship (sic),” she added, referencing the acclaimed Latvian fantasy-adventure film that took home the Oscar for Best Animated Feature.

JAY-Z Sues “Soulless, Greedy” Jane Doe & Tony Buzbee Over $20M In Losses

By: AllHipHop StaffCategory: News

JAY-Z launched a blistering legal counterattack against the woman who previously accused him of sexual assault and her attorney, Tony Buzbee, filing a lawsuit in an Alabama courtroom that alleges a calculated scheme to extort millions.

Just weeks after the woman, known publicly only as Jane Doe, withdrew her accusations, the Hip-Hop mogul is striking back with allegations of malicious prosecution, abuse of process, civil conspiracy and defamation.

JAY-Z’s lawsuit contends that Doe and her lawyer concocted the allegations, costing him no less than $20 million in lost earnings and inflicting substantial reputational damage, a blow to his career and personal integrity.

In legal documents, the Roc Nation boss complaint pulls no punches, stating clearly that Doe and Buzbee “were soullessly motivated by greed, in abject disregard of the truth and the most fundamental precepts of human decency.”

The conflict started in December 2024, when Doe appeared in a televised NBC News segment with her identity concealed, publicly accusing JAY-Z of raping her at an MTV Video Music Awards afterparty in New York City in 2000, when she was just 13 years old.

The allegations sparked instantaneous controversy and widespread media coverage, placing the iconic rapper under intense scrutiny.

JAY-Z, in response, vehemently denied the allegations, stating that he was not even present at the mentioned afterparty. Doe eventually conceded publicly that her account contained “inconsistencies.”

“The false case against Jay-Z, that never should have been brought, has been dismissed with prejudice,” his lawyer Alex Spiro said after the lawsuit was dismissed. “By standing up in the face of heinous and false allegations, Jay has done what few can—he pushed back, he never settled, he never paid one red penny, he triumphed and cleared his name.”

“Today is a victory. The frivolous, fictitious and appalling allegations have been dismissed. This civil suit was without merit and never going anywhere,”* JAY-Z wrote on X. “The fictional tale they created was laughable, if not for the seriousness of the claims. I would not wish this experience on anyone. The trauma that my wife, my children, loved ones and I have endured can never be dismissed.”

JAY-Z’s lawsuit further alleges that Doe “voluntarily admitted” attorney Buzbee “pushed her towards going forward with the false story against Mr Carter” after an “extortionate demand letter failed to yield the financial windfall.”

The court filing specifically cites Doe stating, “Buzbee brought JAY-Z into it.”

JAY-Z, widely regarded as one of the most influential figures in Hip-Hop, has taken a firm stance to clear his name and hold accountable those he claims maliciously targeted him.

Chip Blasts Stormzy Over BRIT Award Win: “Mockery” Of UK Rap & Grime 

By: London JennnCategory: News

British grime legend Chip is reigniting his feud with Stormzy after the U.K. rap icon won a BRIT award amid weeks of controversy. 

Stormzy picked up the trophy for Best Hip-Hop, Rap & Grime Act at the 2025 BRIT Awards on Saturday (March 1), beating off stiff competition from the likes of Dave, Ghetts, Central Cee, and Little Simz.   

The award sparked backlash online from those who had already labeled Stormzy a “sellout” over his recent partnership with McDonald’s, citing the fast-food giant’s perceived stance on Israel. The criticism escalated as detractors alleged he deleted a pro-Palestine post before securing the deal. 

On Monday (March 3), Stormzy’s longtime rival, Chip, ignited controversy by unleashing a blistering social media rant aimed squarely at the “Vossi Bop” hitmaker. 

Chip criticized Stormzy’s BRIT award victory, calling it a “mockery” since Stormzy’s recent work includes a gospel album and a drum and bass single.  

“And had the cheek to say it’s done by votes,” he tweeted. “As if he beating Central [Cee] at that.” 

Chip Claims Stormzy Should Have Declared Central Cee The Rightful Winner

Chip claimed that Stormzy made no contributions to grime and criticized the BRITs for grouping the genre with Hip-Hop and rap. He went further, stating that the “best” move Stormzy could have made was to acknowledge Central Cee as the rightful winner during his acceptance speech. 

Chip also mocked Stormzy’s McDonald’s deal after previously promoting fitness.  

“I see everyone cooking him,” Chip continued. “I just laughed in my head and said a man went from Men’s health to Mc Donalds all in one instagram row. Lol.”  

He added, “But How do u win best HipHop, Rap & Grime act in BRITAIN… at a time when ur poster is being spray painted SELL OUT all over the country. Or are we not in Britain but in The Matrix.” 

The rivalry between the two British rap stars intensified in 2020, with both exchanging jabs through a series of diss tracks. The feud escalated further when Chip released a video allegedly showing Stormzy and his friends attempting to confront him at his home.