The Weeknd just made concert history as his After Hours Til Dawn Tour crossed the $1 billion threshold, becoming the highest-grossing tour by a male solo performer ever.
With more than 7.5 million tickets sold across 153 shows, the global trek has now reached a financial milestone few artists have ever touched.
The tour, which began in 2022, has spanned North America, Latin America, Europe, the UK and Australia.
The latest announcement of new 2026 dates in Mexico, Brazil, Europe and the UK has only added to the momentum. Produced by Live Nation and backed by Nespresso, the next leg begins April 20 in Mexico City at Estadio GNP Seguro.
The 2025 North American stadium run alone sold out over 40 shows, setting attendance and revenue records in major cities across the U.S. and Canada.
The Toronto native shattered records at Rogers Centre with six sold-out shows, the most ever by a male solo act on a single tour at the venue. It also marked the highest number of performances by any Canadian artist there.
In Los Angeles, The Weeknd set the bar at SoFi Stadium for most shows by a male solo act.
In Texas, he moved more tickets than any other artist this year. He also became the top-grossing Black male performer in the history of venues in cities such as New York, Seattle, Orlando, Montreal, and Houston.
The tour’s reach has gone beyond ticket sales. The XO Humanitarian Fund and Global Citizen have received more than $8.5 million in donations from The Weeknd’s efforts so far.
Additional proceeds from the upcoming 2026 dates are expected to continue supporting the World Food Program through Global Citizen. The tour has also set R&B attendance records in Boston, Denver, Edmonton and Orlando, further solidifying his place in live music history.
Remaining tickets for the 2026 leg are available now. The next shows kick off on April 20, 2026, in Mexico City.
Nicki Minaj done turned the United Nations into a MAGA pep rally, and I’m not even gonna pretend this is normal. Sis got up there acting like she’s the hood’s foreign ambassador when really she’s just the latest influencer in Donald Trump’s political street team.
Let me lay out every single way she’s playing people… because this is a masterclass in deception.
Nicki’s out here parroting Trump like she’s reading off his teleprompter
Everything she said at the UN? Straight out the MAGA starter pack. Christians “under attack.” Nigeria “in crisis.” Faith “being hunted.”
None of that lines up with actual data from people who live there. But it lines up perfectly with Trump’s fear-mongering script.
Sis is literally the lyrical version of Fox News at this point. Do these people even go to church?
She propped Trump up like he’s some savior of Africa
Thanking Trump for his “leadership”? WHAT leadership? He’s threatening to invade Nigeria like he’s auditioning for Call of Duty.
Nicki did everything but hand him a Grammy for “Best Humanitarian Cap.”
She’s laundering MAGA propaganda through celebrity clout
This is the dangerous part.
Trump says something inflammatory. No one outside his bubble cares. Nicki repeats it, suddenly it’s global.
She’s the hood’s favorite political weapon now. They using her like a Trojan horse in Louboutin heels.
She pretending she’s some kind of humanitarian when she’s being booked by Trump’s people
Let’s stop acting naïve.
Trump’s adviser personally arranged her UN appearance. She has been calling his name for months. This was a placement.
She didn’t “speak truth.” She delivered talking points. For Trump.
She’s amplifying lies proven false by experts and Nigerians themselves
Actual researchers, the Nigerian ones, said the violence is NOTreligious. It’s not “Christians under siege.” Both Christians and Muslims said, “This ain’t what’s happening.”
Nicki ignored ALL of that to boost Trump’s narrative.
That’s not activism. That is manipulation.
She using “faith” as a new costume for political clout
She claimed she’s always stood up for the persecuted.
Chick, stop. You have not been outside like that. You were not speaking up at any other point. You are no “warrior of the oppressed” and this arc suddenly popped up when Trump started winking at her online.
She’s dipping her toes in White House propaganda like it’s a kiddie pool
She reposted:
Trump’s Truth Social scare-posts
MAGA videos
xenophobic and transphobic clips
White House propaganda with her own music playing
But then hits the UN acting like she’s neutral…and natural?
This is recruitment and she is the latest rapper to cross the culture.
You can be confused when it comes to finding a cordless shop vacuum that actually uses power, offers flexibility, and has high abilities of smart cleaning. The old-fashioned shop vacs are heavy, noisy, and attached to the power supply; contemporary cordless products introduce new technologies of suction, smart sensors, and a smooth movement system. One of them is the Tineco FLOOR ONE S7 Pro, which is a sophisticated product. Loud sawdust in a workshop, mess in a garage, or daily spills, this vacuum will clear the place with an effective performance and medium, which makes it among the best in the competition. If you’re asking, “Is the best cordless vacuum out there from Tineco?” or “Is a Tineco wet dry vacuum worth the investment?”, keep reading — this article unpacks its strengths, how it compares to Shark, and why it might be the right premium smart cleaning tool for you.
Features Breakdown
This is what made the Tineco S7 Pro so powerful and intelligent:
Smart Sensor Technology
The S7 Pro is powered by an iLoop smart-sensor system by Tineco, so that suction power can be adjusted automatically. The vacuum increases its suction when faced with larger amounts of dust, debris, or buildup. In case the surface is in a relatively clean state, it will be released, which will preserve the battery life without decreasing cleaning performance.
Battery Runtime
This model is built to be used in real life, and with a full charge in normal mode, it will run up to 40 minutes. Suffice to say that this is sufficient to cover workshop areas, gallery floors, or even big open rooms, and then provides you with extended cleaning without the need to recharge very often.
Motor Type and Suction Power
S7 Pro Acceleration S7 Pro is constructed with a high-performance brushless motor that generates good airflow and suction that is sufficient to collect fine dust, chips, and general shop debris. Even though it is cordless, it competes with a number of corded machines in its daily cleaning strength.
Self-Cleaning System
The FlashDry self-cleaning mechanism is one of the most convenient features of this product. Once you have vacuumed, the internal path and roller are washed with clean water, then 85 °C of hot air is forced by the vacuum to dry the internals. This cycle is hands-free, which is hygienically maintained, and does not leave odors.
Brush Roller Technology
The brush roller has two layers of scrapers to avoid tangling. One scraper yanks out long hairs and threads, and another scraper removes trapped debris. This design maintains the performance and minimizes maintenance.
Water Flow System
In case of wet-dry work, S7 Pro has a balanced pressure water flow system which distributes fresh water in the roller at high frequency (450 times/min), leaving dirty water isolated. This ensures you’re always cleaning with clean water, making it a standout Tineco wet dry vacuum.
App Connectivity
It has a clear full-screen display that includes battery level, remaining run-time, and cleaning mode. Although this model might lack a complete smartphone application, the screen allows it to be easily controlled and track the cleaning process in real-time, providing you with intelligent feedback to do your job.
Comparison with Traditional Vacuums
Here’s how the Tineco S7 Pro stacks up against old-fashioned corded shop vacuums, and why it might be a modern replacement:
Feature
Tineco FLOOR ONE S7 Pro
Traditional Corded Shop Vacuum
Mobility
Fully cordless — no need to stay near sockets
Restricted by cord length, often cumbersome
Power Control
Adaptive suction via smart sensor
Fixed power, often too weak or too strong for some tasks
Maintenance
Self-cleaning with heated dry cycle
Manual brush cleaning, frequent filter washing
Multi-Surface Cleaning
Handles wet spills and dry debris
Often dry-only, limited for liquid messes
Noise
Moderate, optimized motor
Very loud, powerful motor
Portability
Lightweight and sleek
Heavy canister, often bulky
Comparison with Shark: Tineco vs Shark
To help you decide whether Tineco is better than Shark, here’s a direct comparison of how the S7 Pro stacks up against a typical cordless Shark wet/dry or shop vacuum counterpart (based on comparable features):
Feature
Tineco S7 Pro
Comparable Shark Model
Suction & Motor
High-efficiency brushless motor + smart sensor
Powerful motor, but usually fixed power settings
Battery Runtime
~40 minutes
Many Shark cordless vacs run around 20–30 minutes
Self-Maintenance
FlashDry self-clean + hot-air drying
Manual cleaning & filter maintenance required
Smart Cleaning
Automatic power adjustment and feedback
Basic power modes, less intelligent automation
Wet & Dry Capability
Balanced water flow + clean/dirty water separation
Available in some models, but less efficient water recycling
Ergonomics
Ultra-maneuverable with a slim cleaning head
Heavier, bulkier, and less nimble for tight spaces
From this, it’s clear that for users seeking a blend of power, smart automation, and hands-free maintenance, Tineco offers a compelling advantage.
Scenarios in Real Life Cleaning.
The following are some of the practical applications of the S7 Pro:
Sanding/Wood Cutting Workshop Cleanup: Once wood has been sanded or cut, the fine dust will fall over floors or benches. The intelligent sensor measures the level of dust and steps up suction to have a complete clean, which is a quick and efficient cleaning.
Home Garage: The cordless aspect allows you to clean up spacious open spaces without having to find electrical ports, whether it be on the car or in clearing up the tools.
Spills & Wet Messes: Accidental liquid spills, paint, or workshop rinse water are no cause for concern since they are easily drawn in. The wet-dry design implies that one will not need a separate mop.
Furniture & Corners: The low-profile head and agile form will allow you to access under benches or the wheels of the equipment. The smart sensor will not allow you to overpower delicate surfaces.
Maintenance Between Jobs: It cleans and dry cleans its inner tube automatically, and, therefore, you can leave the vacuum without any problems with mildew or musty smells, which is particularly convenient because his room can also be a place of work or residence.
Expert Recommendation
If you want a premium, high-performing cordless shop vacuum that feels like a serious tool rather than a toy, the Tineco FLOOR ONE S7 Pro is a top-tier choice. It’s thoughtfully engineered with smart sensor technology, a powerful motor, and a FlashDry self-cleaning system — delivering a level of convenience and performance that many traditional vacuums can’t match. For workshop users, DIYers, and even homeowners who value clean, dry floors, it’s arguably among the best cordless vacuum options out there. Its wet-dry capability also means it’s more than just a vacuum; it’s a versatile Tineco wet-dry vacuum that can handle both dust and liquid messes in an all-in-one, smart, and stylish design.
Conclusion
The Tineco FLOOR ONE S7 Pro combines intelligent design, cordless freedom, and powerful cleaning into a single, elegant package. With smart sensors that adapt suction, a long-lasting battery, and a self-cleaning system that flushes and dries its internals, it streamlines maintenance so you can focus on cleaning. Its dual-mode wet-dry functionality makes it more than just a vacuum; it’s a full-fledged workshop and surface-care solution. Compared to traditional corded shop vacuums, it offers modern mobility, quieter operation, and far better upkeep. When you want a premium, reliable, and powerful cordless shop vacuum that doesn’t compromise on performance, the S7 Pro deserves a hard look.
FAQs
1. Is the Tineco S7 Pro suitable for workshop dust and debris? Yes — its high suction, smart sensor, and durable brush make it ideal for sawdust and fine particles.
2. Can the S7 Pro handle liquid spills? Absolutely, it has a wet-dry cleaning system that handles both dry dust and liquid messes effectively.
3. How long does the battery last on a single charge? You can expect around 40 minutes of runtime, enough for most garage or workshop cleaning sessions.
4. Does the vacuum clean itself? Yes — with just a press, it runs a full self-cleaning cycle and dries itself with heated air, reducing maintenance effort.
5. How does it compare to a traditional corded shop vac? Unlike bulky, plug-in vacs, the S7 Pro is cordless, lighter, quieter, and smarter — while still providing strong performance.
Rising star JK22 has released his much-anticipated album, “Hollywood Madfocused,” marking a significant milestone in his artistic journey. This project offers listeners a deeper insight into his unique style and evolution as an artist.
“Hollywood Madfocused” stands out in JK22’s discography as a narrative that connects his life experiences with his evolving sound. Known for his charismatic presence and lyrical prowess, JK22 continues to be a formidable force in the music industry, blending various musical elements seamlessly.
A key feature of the album is its DJ connection, playing a crucial role in JK22’s artistic expression. It bridges his past influences with his current musical direction, offering fans insights into the creative forces behind his work.
Recorded by Theo and produced by UncleFoke, the album is a collaborative masterpiece. Each track reflects the dedication and passion invested in its creation.
As “Hollywood Madfocused” hits the airwaves, JK22 redefines artistry in today’s dynamic music scene. This release not only highlights his talent but also promises more groundbreaking work in the future. Music fans are encouraged to explore this album and experience JK22’s magic.
Nas and DJ Premier locked in Hip-Hop history with a long-awaited joint album announcement during a live show, revealing their first full-length collaboration will drop on December 12.
The news came straight from Premier himself, who surprised the crowd by confirming the project’s completion and its official release date during a tour stop in Scotland with The Alchemist.
The album marks the first time the Queensbridge MC and the Gang Starr producer have released a full project together, decades after their early studio chemistry helped shape the sound of 1990s East Coast rap.
Premier’s production helped define Nas’ 1994 debut, Illmatic, laying the sonic groundwork for three of the album’s most iconic tracks: “N.Y. State of Mind,” “Memory Lane (Sittin’ in da Park),” and “Represent.”
That early synergy between the two created a blueprint that still resonates across generations of Hip-Hop.
Their collaborative history didn’t stop there. Premier later contributed to “Nas Is Like” from 1999’s I Am…, “Come Get Me” off Stillmatic, and “Disciple” featuring Big Sean from Life Is Good.
Most recently, they reunited on “Define My Name” in April 2024, a track released to celebrate Illmatic’s 30th anniversary and tease what was to come.
The upcoming album lands during a high point in Nas’s career resurgence.
His King’s Disease trilogy with Hit-Boy earned widespread praise and Grammy recognition, while the Magic series showed he could still blend lyrical depth with modern production. At 51, Nas remains one of rap’s most consistent and relevant voices.
Premier, meanwhile, remains one of Hip-Hop’s most revered producers.
Known for his stripped-down beats and jazz-infused loops, he’s crafted classics for everyone from Jay-Z to The Notorious B.I.G. His influence is still felt in today’s production styles, and his work remains a benchmark for authenticity in the genre.
With the December 12 release date, the album is poised to close out 2025 as one of the year’s most talked-about projects.
IShowSpeed wrecked more than just a robot during a chaotic livestream in Texas—he allegedly crushed a startup’s shot at a significant partnership with MrBeast and a national TV appearance, according to a new $1 million lawsuit.
Social Robotics, LLC filed a lawsuit accusing the 20-year-old YouTube star of intentionally destroying their humanoid robot Rizzbot during a livestream on September 16.
The company claims the damage was so severe it derailed a planned collaboration with MrBeast and canceled Rizzbot’s scheduled segment on CBS’s “The NFL Today Show.”
Court documents describe IShowSpeed as becoming “angry and agitated” before he “intentionally assaulted” the robot.
The filings allege he grabbed Rizzbot in a chokehold, punched it twice in the face and continued to physically attack the machine, which weighs 77 pounds and stands about four feet tall.
Footage from the livestream appears to show IShowSpeed yelling at the cowboy-themed robot, shoving it onto a couch, then onto the floor. Images submitted in the case show visible damage to Rizzbot’s face and neck.
The robot, manufactured by China-based Unitree Robotics, is a G1 humanoid model equipped with artificial intelligence. It retails for around $13,500, but Social Robotics says the real loss goes far beyond hardware.
According to the lawsuit, the alleged attack caused “irreparable damage, resulting in total loss,” not only to the robot but to the company’s reputation and business prospects.
The company had invested heavily in Rizzbot’s development, aiming to showcase its AI capabilities through high-profile media appearances.
The MrBeast collaboration was expected to introduce the startup to the YouTuber’s massive audience of over 100 million subscribers. The CBS appearance would have brought Rizzbot to millions of football viewers nationwide.
Instead, Social Robotics is now trying to recover from the fallout, both financially and publicly. The company argues that IShowSpeed’s behavior wasn’t accidental or part of the content, but a deliberate act that cost them critical momentum.
Fabolous has kept us waiting for a very long time. And we’re like, “What is taking so long for him to drop music?” Well, he might the latest victim of “Industry Rule #4080.” First of all, he’s getting “walkthrough money.” That’s money that you get walking in the club, but not performing. The streets are saying Fab is not doing a lot of new music, because he’s stuck (or was stuck) in a prehistoric record deal.
This all bubbled up after a resurfaced a clip from Fab’s conversation with Jim Jones. The interview came out September 2, but Hip-Hop Wolf amplified it back to the front. Fab said, “I want my kids to eat off [music], not my record exec or the CEO’s kids.”
Once that hit, insiders started connecting dots. People are speculating that the structure of his old record deal does not fit the world Fab (all of us) is living in now. It was made for CDs, vinyl and that world when there were ringtone pagers. Now, we are talking streaming and TikTok.
Some say Fab might still be still tied to DJ Clue‘s Desert Storm in some form. Now, even Fab said he’s on Def Jam. So, is he really just talking about the House Russell Built? There has been a lot of shifting leadership at Def Jam. You know how many executives have cycled through that building? Every time someone new sits in the chair, the release slate resets. But, if you look at Fab’s last few YouTube videos, you know he’s killing it.
The big question now is whether Fab finally broke free of that deal or if he is still navigating it quietly. It may be a bit of both. His kids eat well – we know! But nobody knows who else is still eating at that table. .
President Donald Trump erupted online after Jimmy Kimmel delivered a pointed monologue on ABC that dragged the president into the Jeffrey Epstein scandal and mocked his administration’s latest moves.
The late-night host’s Tuesday segment warned viewers of “Hurricane Epstein” and asked, “what did the president know and how old were these women when he knew it?”
That line alone was enough to send Trump into a familiar spiral on Truth Social, where he demanded Kimmel be yanked off the air.
“Why does ABC Fake News keep Jimmy Kimmel, a man with NO TALENT and VERY POOR TELEVISION RATINGS, on the air?” Trump posted. “Why do the TV Syndicates put up with it? Also, totally biased coverage. Get the bum off the air!!!”
Kimmel’s monologue also took swipes at Trump’s recent political theater, including his signing ceremonies.
“Trump hasn’t been this nervous about signing something since Don Jr’s birth certificate,” he joked. The comedian also needled Trump’s bizarre claims about magnets, paper straws and even renaming the Gulf of Mexico.
The most stinging jab may have come when Kimmel mocked a White House dinner that included Elon Musk, Saudi Crown Prince Mohammed bin Salman, Pete Hegseth, Stephen Miller and JD Vance.
He likened the group to a comic book cabal, saying, “This group is so cartoonishly evil that we might actually need Austin Powers to defeat them.”
This isn’t the first time President Trump has tried to get Kimmel off the air.
Earlier this year, ABC briefly suspended Jimmy Kimmel Live! after the host made controversial comments about Charlie Kirk. Trump celebrated the move, calling it “Great News for America,” before the network brought the show back.
Their feud dates back to 2017, when Kimmel began regularly lampooning Trump’s presidency.
It intensified during the COVID-19 pandemic and escalated in 2018 when Trump reportedly urged Disney executives to rein in Kimmel’s commentary. Despite his repeated attacks, Kimmel’s audience has only grown. His return from suspension drew 6.3 million viewers and garnered 14 million YouTube views.
His persistent criticism of Trump’s policies has made him a consistent target of the president’s ire.
Doja Cat fired back at criticism over her Ma Vie World Tour launch in Auckland, New Zealand, dismissing complaints about low-budget visuals and outfit repetition by making one thing clear: she’s here to sing, not to stage a musical.
The Grammy-winning rapper and singer didn’t hold back after social media lit up with disapproval following her Tuesday night show.
Attendees called out the stripped-down production and said the performance felt too similar to her 2023 Scarlet tour. One user wrote the new show “just gives scarlet with different outfits,” while another hoped “she listens to the criticism.”
Her response was blunt. “I won’t and I don’t need you,” she replied to one detractor.
When a follower asked about the lack of wardrobe changes, she doubled down. “I’m singing my MUSIC for the people who want to hear me SING,” she wrote.
In another post, she added, “I make music for people who enjoy music. I’m not a Broadway act.”
You can’t do what I do and the more I do it the more it will bend you out of shape enough to go on the internet and write a think piece. You disappoint me.
The 30-year-old artist has long had a complicated relationship with her audience. In 2023, she lost around 250,000 Instagram followers after lashing out at fans who called themselves “Kittenz,” telling them to “get a job.” She later deleted the posts.
That wasn’t the first time she pushed back. In 2022, she briefly changed her social media handle to “I quit” after backlash from Paraguayan fans over a canceled concert.
Earlier this year, she opened up about uncomfortable encounters during meet-and-greets, saying she felt violated when people touched or kissed her without consent.
Despite the backlash in Auckland, some concertgoers praised the show’s choreography and vocal performance. One supporter called her “one of the greatest performers ever.”
The setlist included 27 tracks spanning her discography, from early hits like “Say So” to newer releases like “Jealous Type.” Her previous tour supported the Scarlet album and featured chart-toppers like “Paint The Town Red” and “Agora Hills.”
The Ma Vie World Tour resumes Saturday in Perth, Australia. She’ll head to Europe in May and June before wrapping up in the United States. South American dates are scheduled for 2026.
Throughout the online exchange, Doja Cat stayed firm in her stance. “Keep your… opinion to yourself,” she told one commenter. “You are not the artist, you are the watcher.
Who f###### cares I’m singing my MUSIC for the people who want to hear me SING. You’re not even at the f###### show.
When Salt-N-Pepa burst onto the scene in the mid-1980s, they didn’t just make noise — they proceeded to made history. As the first female Hip-Hop group to achieve platinum status, Cheryl “Salt” James, Sandra “Pepa” Denton, and DJ Spinderella (Deidra “Dee Dee” Roper) redefined what womanhood looked like in a culture that was largely dominated by men. Now, decades later, their induction into the Rock & Roll Hall of Fame cements what the streets, airwaves and fans have long known: Salt-N-Pepa open doors then they built a house. – S. N. Webb
Breaking Barriers with Beats and Boldness
Long before female empowerment became a marketing slogan, Salt-N-Pepa lived it. With hits like “Push It,” “Shoop,” and “Let’s Talk About Sex,” they fused confidence, sensuality and self-awareness into songs that made women feel seen, sexy and strong. They weren’t afraid to talk about love, desire or independence. And they did it in their own voices, their own way.
They dressed how they wanted. They rhymed how they wanted. And most importantly, they said what they wanted. Their outspoken nature wasn’t just entertainment — it was liberation. It told a generation of women, “You can control your narrative.” In doing so, they became the blueprint for artists like Lil’ Kim, Missy Elliott, Nicki Minaj, Cardi B, Megan Thee Stallion, and countless others who blend unapologetic swagger with unshakable power.
From the Bronx to the Hall of Fame
At the Rock & Roll Hall of Fame ceremony, the energy was electric — a celebration of sisterhood and survival. Hollywood stars like Missy Elliott, LL Cool J, and Mona Scott-Young gathered to pay homage. Missy summed it up best when she said, “These three women are the bricklayers to the foundation that holds Hip-Hop together.”
That moment wasn’t just about nostalgia, it was about recognition. Salt-N-Pepa’s journey represents the struggle and triumph of every woman who dared to step on the mic, challenge the norms, and demand her space. They represented Hip-Hop fully, reshaping it, blending sexy-street edge with mainstream appeal. Then the trio proved that women could be sexy and smart, bold and business-minded.
The Lasting Legacy
Nearly 40 years after their debut, Salt-N-Pepa’s legacy still pulses through the culture. Their influence can be seen in everything from the body-positive anthems of today’s chart-toppers to the fearless fashion and feminist storytelling that dominate the scene.
Their Hall of Fame induction isn’t just a personal victory. It’s a cultural milestone. It’s a reminder that the DNA of modern female Hip-Hop — the mix of confidence, creativity and control starts with them. They made it cool for women to own their voices, to talk their talk, and to do it all with style, humor, and heart.
In a genre that constantly reinvents itself, Salt-N-Pepa’s message remains timeless: be bold, be real, and never let anyone mute your truth.
Because before there was “Hot Girl Summer,” before there was “Bodak Yellow,” before there was “WAP” — there was “Push It.” And Salt-N-Pepa pushed it farther than anyone ever thought possible.
Tommie Lee allegedly turned a Zeus Network event in Houston into a hospital run after a shot glass she reportedly hurled from the stage struck a 20-year-old attendee in the face.
According to Davion Chambers, what was supposed to be a fun night out at the “Baddies” tour quickly spiraled into chaos when Tommie Lee, known for her time on Love and Hip Hop: Atlanta, allegedly reacted to objects being thrown at her by retaliating, only to hit the wrong person.
“Tommie was on stage performing. There were Baddies upstairs in the VIP section, and they were throwing things at Tommie. Tommie reacted, thinking it was the crowd, and she threw the shot glass at me,” Chambers told The Houston Chronicle.
Video footage from the event appears to show Lee tossing the glass into the audience.
Chambers was struck near his left eye, causing a deep cut that required emergency care and stitches. He said the impact was so sudden and disorienting, he initially thought he had been headbutted.
Chambers said he struggled to get help from event staff and performers as blood poured down his face. His pleas for assistance were largely ignored until he broke down in tears.
“Nobody gave attention to me until I started crying. I started tapping Baddies. I was tapping all of them, trying to get their attention to let them know this just happened to me,” he said.
Tommie Lee later posted a general apology on her Instagram Stories, addressing “Houston” but not naming Chambers directly. He has since filed a police report and plans to take legal action against both Lee and Zeus Network.
Representatives for Lee have not responded to requests for comment.
Lee’s role in the Baddies franchise is her latest TV gig following her run on VH1’s Love and Hip Hop: Atlanta.
This is not Tommie Lee’s first run-in with the law. According to the reality show personality, she has been arrested over 30 times.
In May of 2019, she was sentenced to ten years in prison for one count of cruelty to children in the first degree, three counts of simple battery, family violence, and one count of disrupting public school.
In that incident, she went to her daughter’s school, beat her up and shoved her head in a locker. She managed to avoid serving the prison time after attending a court-ordered residential recovery program.
WhoSampled was officially acquired by Spotify, marking a pivotal shift in how listeners discover the DNA behind their favorite tracks.
The London-based service is helmed by Nadav Poraz, who has brought together sample culture and streaming giants.
The platform, known for its deep archive of sampled music, cover versions and remixes, announced the deal this week, confirming it will retain its independent identity while gaining access to Spotify’s global infrastructure.
The acquisition promises to enhance the user experience with faster moderation, ad-free browsing and free access to its mobile apps.
“We are thrilled to announce that WhoSampled has been acquired by Spotify and is now part of the Spotify family!” the company said in a statement. “Through our recent discussions with Spotify, it became clear that we share a strong belief in the power of musical context – and a vision for helping listeners go deeper into the songs they love.”
Poraz, who launched WhoSampled in 2008 after earning his MBA from Imperial College Business School, built the platform out of a personal passion for Hip-Hop and sample-based music.
What started as a niche site has grown into a database used by over one million people each month.
The acquisition also paves the way for a new feature called SongDNA, which will embed WhoSampled’s technology into Spotify’s streaming service.
The tool will allow users to explore a song’s origins and connections as they listen, offering a richer understanding of music history in real time.
In a 2014 interview, Poraz explained the platform’s broader purpose: “We are much more than a glorified Excel spreadsheet. It’s an experience, with contextual recommendations, community aspects and the apps. The premise of the site was always about music discovery, and it’s great to see how that’s catching on.”
WhoSampled’s archive includes detailed annotations of samples, covers and remixes, each linked to original recordings with timestamps. With Spotify’s reach and resources, the platform is expected to accelerate its mission “to build the world’s greatest database of Music DNA.”
Poraz has long advocated for transparency and fairness in the sampling world.
“Sample-based music creates new value both to the sampling and sampled artist, as long as there is attribution and respect,” he said.
The partnership also addresses long-standing community frustrations, such as slow submission approvals and paywall access.
With the acquisition, WhoSampled will now offer its iOS and Android apps for free and eliminate all display ads, streamlining the user experience.
Drake is scrapping traditional album rollouts for his “Iceman” live stream series.
The Grammy-winning rapper ditched the usual album cycle, no teasers, no cover art countdowns, no lead singles, instead opting for cinematic live streams on YouTube that blend unreleased tracks with surreal storytelling.
The first episode, which aired July 4 from an ice warehouse in Toronto, ran nearly an hour and featured Drake dancing through the facility and measuring ice blocks before premiering “What Did I Miss?”
Drake told Complex that the idea for the live-stream format came from his dissatisfaction with the repetitive nature of modern album releases.
“I was asked by a creative partner what I love and hate about rolling out an album,” he said. “I expressed that I love the opportunity for a clean slate of thoughts and excitement and messaging when it comes to the music. What I hate is the redundancy of this formulaic approach that’s engrained in our brains from early label days. Single, video, single, video, album cover post, etc.”
His desire to stretch his creative limits played a significant role in the decision.
“I have been dying to act and have been dying for a challenge,” he said. “The game is extremely calm seas right now. Nobody is rocking any boat on the water and so once we discussed a live stream rollout, it just sounded like the perfect mix of risk and reward for me.”
The streams are ambitious in both scope and production. According to Matte Babel, chief brand officer at DreamCrew and part of Drake’s management team, Episode 3 in Milan required “20 cameras, over 100 crew, over 10 locations.”
Babel also revealed that tight timelines and international travel made it difficult to secure permits, leading to issues mid-shoot.
“We lost a couple cameras mid-shoot because the police were like you can’t shoot here,” he said.
Each episode weaves together narrative threads, including mysterious characters like a Pinocchio-inspired figure, and features cameos from artists like Central Cee and Yeat. The format also allows for real-time audience feedback on unreleased songs.
“It wasn’t something we spoke about, but it’s inherently a byproduct of this idea,” Drake said. “Being outside and getting a chance to interact with fans, and initiate audience participation as well as feedback has been amazing.”
Drake confirmed more episodes are on the way and teased a major finale.
Khloé Kardashian took the blame for igniting Kim Kardashian‘s belief that the 1969 moon landing was a hoax during a recent interview, admitting she helped fuel the conspiracy theory that has stirred headlines and online debate.
The confession followed Kim’s viral remarks during an October episode of The Kardashians, in which the SKIMS mogul claimed Neil Armstrong and Buzz Aldrin never made it to the lunar surface.
In a confessional, Kim said, “I don’t think we did. I think it was fake. I’ve seen a few videos (of) Buzz Aldrin talking about how it didn’t happen. He says it all the time now, in interviews. Why does Buzz Aldrin say it didn’t happen?”
“I don’t believe in the moon landing (either),” Khloé told People. “That’s very controversial. And I feel bad because I think I riled Kim up about it, and I’ve gotten her into a lot of trouble!”
Khloé, 40, said she and her brother, Rob Kardashian, played a role in shaping Kim’s view. “I don’t think it happened. I think me and my brother (Rob Kardashian), we’ve fed her a lot of information. I don’t know, I feel bad about that, but I’m going to die on this hill!”
NASA didn’t let the claim slide. The agency responded on social media, writing, “Yes, @kimkardashian, we’ve been to the Moon before… 6 times!”
The Apollo program, which ran from 1961 to 1972, included six successful crewed landings. The first, Apollo 11, took place on July 20, 1969, when Armstrong and Aldrin famously walked on the moon while Michael Collins orbited above.
Despite overwhelming scientific evidence, moon landing denial has persisted for decades.
A 2019 YouGov poll found that 10% of Americans either didn’t believe or weren’t sure the moon landing happened. Common claims include suspicions over the waving flag, lack of stars in photos and alleged inconsistencies in shadows, arguments long debunked by experts and NASA.
Khloé added that she doesn’t expect any official acknowledgment from the government.
“Because then if they admit that didn’t happen… I mean, there’s a long list of things you can look into, and some are too scary to talk about publicly because you don’t want anyone getting mad at you,” she said.
In the episode, Kim attempted to convince All’s Fair co-star Sarah Paulson of her theory.
Buzz Aldrin, now 95, has occasionally made ambiguous remarks in interviews that conspiracy theorists have seized on, though he has consistently affirmed that the moon landing was real.
Aldrin’s comments have often been taken out of context or misinterpreted.
Mystikal was denied bond on Tuesday in Ascension Parish, where a Louisiana judge ruled the rapper will remain in custody until his trial on rape and other felony charges begins in 2026.
The 55-year-old performer appeared in court as Judge Steven Tureau rejected his request for release, despite emotional offers from his mother and business manager to monitor him if granted bond, according to Louisiana First.
The trial is set to begin March 30, 2026, and is expected to last about a week. Tyler’s next court date is scheduled for January 21, 2026.
The decision marks yet another legal setback in a long history of criminal allegations against the Grammy-nominated artist, best known for early 2000s hits like “Shake Ya Ass” and “Danger (Been So Long).”
Tyler’s criminal record includes a 2003 conviction for sexual battery and extortion involving his hairstylist.
He served six years at Louisiana’s Elayn Hunt Correctional Center after pleading guilty to coercing the woman into oral sex while accusing her of stealing $80,000 in checks. A videotape of the incident was later found in his home, leading to a prison sentence despite expectations of probation.
After his release in 2010, Tyler registered as a sex offender but continued to face legal trouble. In 2012, he was arrested for domestic abuse battery, which landed him back in jail for violating probation.
In 2017, Tyler was charged with rape in Caddo Parish and held on a $3 million bond until 2019. Those charges were eventually dismissed, but his time out of custody didn’t last.
If convicted of first-degree rape in the current case, Tyler faces a mandatory life sentence under Louisiana law.
Max B returned to the spotlight with an announcement and a fresh mindset, revealing his upcoming mixtape Public Domain 7: The First Purge (Patient Zero) just days after walking free from a 16-year prison sentence.
The Harlem rapper was released in November 2025 after being convicted of felony murder, kidnapping and armed robbery in connection with a failed heist that ended in a man’s death.
Now, he’s channeling his energy back into music, setting November 28 as the release date for his first post-prison project.
The Public Domain series launched in 2006 and earned cult status in Hip-Hop during Max B’s incarceration, with Public Domain 3: Domain Pain often cited as a standout.
“This the new, grown and gorgeous Biggavel, this is the new and improved. This the new distinguished Biggavel. This ain’t the old Biggavel from before, so you gotta love it. This is what I think is attracting the people like, ‘Damn, we thought this n—a was gonna come out and do the same s—t. He’s a prime example of what you’re supposed to do when you come out. His reentry at its purest form. This man right here: Max Biggavel,” he told Billboard.
Max B didn’t waste time stepping back into public life either. He popped up at a New York Jets game shortly after his release and proposed to his longtime girlfriend, signaling a new direction both personally and professionally.
His music career began in 2006, but legal troubles quickly derailed his rise. Before his most recent prison term, he had already served seven years for armed robbery and drug charges as a teenager.
Public Domain 7, which features a whopping 24 tracks, marks his first significant release since regaining his freedom and is expected to reflect the growth and perspective he gained during his time away.
Kim Kardashian is under fire after casting her 12-year-old daughter, North West, in a new SKIMS holiday campaign in collaboration with Cactus Plant Flea Market, prompting critics to question the decision to spotlight a child in a brand known for adult shapewear.
The campaign, set to launch November 20, showcases North modeling a teddy bear-themed hoodie and sweatpants set, part of the upcoming SKIMS x Cactus Plant Flea Market collection.
While the outfit itself is age-appropriate, many online commenters took issue with the overall context, pointing out the brand’s association with lingerie and adult loungewear.
Social media users didn’t hold back. Some questioned why North wasn’t in school, while others criticized the heavy makeup she wore in the shoot.
“Am I the only one who remembers when Kim Kardashian photoshopped then EIGHT YEAR OLD (8!!!) North West’s waist in an instagram post to give her an hourglass shape? They will never make me like this woman!” one user snarled. Another wrote: “This doesn’t look 13 years.”
Kardashian previously responded to all of the criticism during an interview with Entertainment Tonight, saying, “I think it’s just in her blood and who she is and what she loves to do. So, it’s a fine line as a parent to figure that out together.”
This isn’t the first time Kardashian has been scrutinized for her parenting choices involving North.
In October, backlash erupted after the preteen appeared on TikTok sporting fake facial tattoos, colored contact lenses and faux piercings.
More recently, North showed off dermal piercings in her fingers, drawing concern from medical professionals who warned about the “high risk of complications” and questioned whether a child could handle the necessary aftercare.
Kim Kardashian previously addressed that criticism on the “Call Her Daddy” podcast, explaining her approach to parenting in the public eye.
She emphasized her support for North’s creative expression despite the constant judgment, saying she tries to balance encouragement with responsibility.
The SKIMS holiday collection drops November 20, 2025.
Bryan Michael Cox addressed his involvement in a failed business venture tied to Usher and a $1.7 million lawsuit, making it clear he had no hand in the disputed transaction and warning others to be cautious about whom they do business with.
The Grammy-winning producer, known for crafting some of Usher’s biggest hits like “Burn” and “U Got It Bad,” is named in a lawsuit filed by the R&B star in Fulton County Superior Court. The suit stems from a loan Usher provided in January for a restaurant project in Atlanta that never materialized.
Cox explained he had no operational role in the deal and emphasized that he was merely a minority shareholder in the company at the center of the dispute.
“I’m currently in the middle of a failed deal that I didn’t orchestrate, and while the situation has been disappointing, I know my name will be cleared by both sides,” he said. “It’s just unfortunate that this clarity didn’t come sooner.”
Usher’s complaint also names Keith Thomas, Charles Hughes and entertainment attorney Alcide Honoré.
Though Usher declined to invest directly, he agreed to fund the deal through a loan. The money was placed in a trust account, with the understanding that the property would be purchased promptly. But after months with no progress, Usher asked for the money back.
While $1 million was returned in August, the remaining $700,000 remains unpaid. Court filings allege Honoré admitted the funds had been used for “other purposes,” making repayment “not that easy.”
Usher’s legal team is seeking $4.9 million in damages, citing seven separate claims in the lawsuit. As of Tuesday, none of the defendants had filed a response.
Cox made it a point to separate the legal matter from his personal relationship with Usher, which has spanned nearly three decades.
“My legal team has also advised me of a lawsuit involving a company where I am only a passive minority shareholder,” he continued. “I was not a participant in that business transaction and have no involvement in the ongoing legal process. While I’m unable to share more details right now, I want to make one thing absolutely clear: my 27-year friendship with \@usher remains fully intact.”
He ended his statement by thanking those who have shown him support.
“I appreciate everyone who has reached out with concern. Thank you for the love, the patience, and the understanding.”
Sheff G says Marcy Correctional Facility crossed the line this week, accusing officers of rough treatment while he serves a five-year state prison sentence tied to his attempted murder and conspiracy case in New York.
The Brooklyn rapper, whose real name is Michael Kyle Williams, posted two Instagram Stories claiming officers dumped him in a handicap dorm, stripped him of his belongings and left him cuffed outside in the cold for hours.
“Marcy Correctional Facility is holding me and kicking me out general population and putting me in the handicap dorm It’s against my rights and they threatening me about being a rapper. They took all my s###, cuffed me for 2 hours outside in the cold with no reason and no explanation. I NEED HELP RESPECTFULLY,” the post to his official account read.
He told his followers to apply pressure by calling the facility directly.
“Everybody call Marcy Correctional Facility and let them know what they doing is inhumane and unjust (315) 768-1400.”
Sheff G began his sentence on October 1, 2025 after taking a plea deal that saved him from the 20-year sentence prosecutors originally pushed for.
He was hit with charges in a sweeping gang indictment that accused him of helping fund violence tied to members of the 8 Trey Crips and 9 Ways.
Prosecutors said the rapper used his career money to support gang activity, including paying people to carry out shootings, acting as a driver during an attack and rewarding others after gunfire.
Sheff G received a five-year prison term and will spend another five years on post-release supervision once he gets out. The rapper didn’t give details on what triggered the latest dispute inside Marcy, and the facility has not responded publicly.
His posts made it clear he expects more trouble, and he’s calling on supporters to help him push back.
