Chrisean Rock officially signed with XRumble Fighting Championships on Wednesday, marking her transition from reality television back to competitive athletics, where she first made her mark as a Junior Olympics track competitor.
The Baltimore native signed a professional boxing deal alongside her manager, Kimberly Ross, and XRumble promoter Damon Feldman, positioning herself for the organization’s inaugural female Super Middleweight Championship.
Rock’s athletic foundation runs deeper than many realize: her competitive sports career began at age 12, when she started training for track and field events.
She competed in sprints and relays throughout her teenage years, eventually reaching the Junior Olympics level before attending Arundel High School in Maryland, where she continued her track career.
After high school, Chrisean Rock earned a spot as a Division I student-athlete at Santa Monica College in California, where she studied Kinesiology and Exercise Science while competing in track and field.
Athletic records show she became one of the top track runners in her conference, specializing in sprint events and relay races, showcasing the speed and agility she now plans to bring to the boxing ring.
Her recent boxing preparation gained attention in December 2025 when she trained with professional boxer Ryan Garcia during a viral sparring session on social media.
Garcia accidentally connected with a light punch during their training, demonstrating the intensity of Rock’s commitment to learning proper boxing techniques from established professionals.
Chrisean Rock will train in Baltimore under the guidance of Calvin Ford, the respected coach who previously worked with undefeated boxer Gervonta Davis throughout much of his professional career.
Ford’s experience developing elite fighters gives Rock access to championship-caliber training methods as she prepares for her professional debut.
XRumble Fighting Championships is actively seeking opponents for Rock in the 160 to 170-pound weight range, with promoter Damon Feldman expressing confidence in her preparation and natural athletic ability.
The XRumble Fighting Championships contract officially launches Rock’s professional boxing career.
Her first opponent is expected to be announced within the coming weeks as the organization finalizes the championship card for Saturday, April 25, 2026, at Harrah’s Philadelphia Casino in Chester, Pennsylvania.
Kevin Hart made a major business move, positioning himself alongside entertainment’s biggest brand builders, by announcing his strategic partnership with Authentic Brands Group.
The comedian and entrepreneur becomes both a co-owner of his brand and a shareholder in the company that manages more than 50 global brands, collectively worth $32 billion in annual retail sales.
The partnership puts Hart in the same league as Shaquille O’Neal and David Beckham, who have built massive wealth through similar deals with Authentic Brands Group.
Hart’s agreement gives him co-ownership and management control of the Kevin Hart brand while expanding his reach through Authentic’s global infrastructure that reaches nearly one billion social media followers worldwide.
“This partnership is about acceleration, growth and diversification,” Hart said in the official announcement. “I’ve spent years building businesses and creating opportunities, and joining Authentic gives me the platform and global infrastructure to take my brand to the next level.”
Hart brings serious star power to the deal with 292 million social media followers and films that have grossed over $4.23 billion globally.
His existing business portfolio includes Hartbeat Productions, Gran Coramino tequila, and partnerships with major brands such as Qatar Airways, Netflix, NBCUniversal, JPMorgan Chase, DraftKings, Verizon, SharkNinja, and C4 Energy.
“I want the Hart name to live on for generations to come and be something that my grandkids and their grandkids will be able to be proud of,” Hart explained in his statement about the partnership.
Authentic Brands Group CEO Jamie Salter praised Hart’s business instincts and cultural impact in announcing the deal.
“Kevin is one of the most dynamic entertainers and entrepreneurs of our time,” Salter said. “His creative vision, business instincts and cultural impact are unmatched.”
The partnership follows a proven model that has created massive wealth for other celebrity partners. Corey Salter, Authentic’s President of Entertainment and International, highlighted Hart’s potential for global expansion.
“Kevin represents the future of entertainment-driven IP, and together we will expand his brand across new categories and geographies, strengthening the entire Authentic network,” he said.
The partnership gives him control over his intellectual property while providing the resources to scale globally through Authentic’s platform.
Authentic Brands Group manages an impressive roster of brands, including Elvis Presley, Muhammad Ali, Marilyn Monroe, Sports Illustrated, and major retail brands such as Brooks Brothers, Nautica, and Eddie Bauer.
The company’s digital-first approach has created a powerful ecosystem that generates revenue across multiple channels. The financial terms of Hart’s deal were not disclosed, but the structure mirrors successful partnerships that have created substantial wealth for other celebrity shareholders.
Shaq became Authentic’s second-largest individual shareholder through his 2015 deal and has built significant wealth as the company has acquired brands such as Champion, Reebok, and Forever 21.
A man accused of jacking Beyoncé’s music and setting off a nationwide crisis entered a not guilty plea to charges stemming from the theft of Beyoncé’s unreleased music and tour materials during her Cowboy Carter tour stop in Atlanta last summer.
Kelvin Evans appeared virtually in Fulton County court on Wednesday morning from Sumter County Prison before Judge Paige Reese Whitaker for his plea and arraignment on charges of entering an automobile with intent to commit theft and criminal trespass.
The 30-year-old defendant said very little during the brief court session, speaking privately with his attorney in a separate virtual room before returning to formally enter his plea through his legal counsel.
Police reports indicate the stolen items included jump drives containing unreleased music, detailed show plans for the tour, two laptops, AirPods, a MacBook Pro, and designer sunglasses valued at thousands of dollars.
The theft occurred just two days before Beyoncé performed at Mercedes-Benz Stadium as part of her highly anticipated Cowboy Carter tour, raising significant security concerns for the production team.
Atlanta police linked Evans to the crime through digital tracking of the stolen electronic devices, which led investigators to multiple addresses across metro Atlanta in late August 2025.
Evans was initially arrested on August 26, 2025, on an unrelated parole violation, but investigators did not publicly name him as a suspect in the Beyoncé case until September, when they had gathered sufficient evidence.
He was released from Fulton County Jail in October 2025 after posting a $20,000 bond, allowing him to remain free while the case moved through the court system.
The next hearing is scheduled for February 11, 2026, when the court will address case management issues and may set a trial timeline.
Cardi B is facing serious budget concerns just weeks before her highly anticipated return to Saturday Night Live as the musical guest alongside first-time host Alexander Skarsgård on January 31, 2026.
During a candid Instagram Live session on Wednesday, the Bronx rapper revealed that her upcoming Little Miss Drama tour has gone significantly over budget, admitting she’s “over a couple of million” dollars on production costs.
“I’m over a couple of million on my tour budget,” Cardi said during the livestream while discussing rehearsals for the tour that kicks off February 11, 2026, in Palm Desert, California.
The budget overrun comes as Cardi prepares for what will be her second appearance as an SNL musical guest, following her 2018 debut while pregnant with daughter Kulture.
Skarsgård, known for his roles in Big Little Lies and The Northman, will make his hosting debut on the January 31 episode, marking a significant moment for both performers as they prepare for their respective 2026 projects.
The timing of Cardi’s budget revelation adds pressure to an already packed schedule that includes her SNL performance and the launch of her Little Miss Drama tour just eleven days later.
Despite the financial concerns, Cardi reassured fans during the Instagram Live that she remains committed to delivering a high-quality show experience, suggesting she might use her own money to cover the budget shortfall.
The tour announcement comes amid ongoing speculation that Cardi might join Bad Bunny as a surprise guest during his Super Bowl LX halftime show performance on February 8, 2026, at Levi’s Stadium in Santa Clara.
Industry sources have pointed to the success of their 2018 collaboration “I Like It,” which topped the Billboard Hot 100 and went 11-times platinum, as evidence of their strong working relationship.
While neither Cardi nor Bad Bunny has confirmed any Super Bowl collaboration, the timing of her tour launch just three days after the big game has fueled speculation among fans and industry insiders.
Cardi’s SNL appearance will serve as a major promotional opportunity for the Little Miss Drama tour, which represents her first major touring venture since becoming a mother of four.
Her return to SNL also comes during a period of increased visibility, as she was named AllHipHop’s Rapper of the Year for 2025 after a successful year of music releases and public appearances.
Ray J was rushed to a Las Vegas hospital Tuesday night after experiencing severe chest pain and being diagnosed with pneumonia, marking another devastating blow in what has become the worst period of his life.
The 44-year-old singer remains hospitalized, where doctors are conducting X-rays and an echocardiogram to determine the extent of his heart issues, according to sources who spoke with TMZ.
This health emergency comes just six weeks after Ray J’s explosive Thanksgiving Day meltdown that resulted in his arrest for allegedly pulling a gun on his estranged wife, Princess Love, during a livestreamed argument at their home.
The November 27 incident began when Ray J went live on social media, immediately ranting that he was having “the worst Thanksgiving in the world” as Princess Love attempted to take their two children from his house.
Viewers watched in horror as the livestream captured Ray J becoming increasingly agitated while holding what appeared to be a firearm, with Princess Love holding their young daughter nearby during the confrontation.
Los Angeles police arrested Ray J at 4 A.M. that morning after Princess Love called 911, telling officers he had threatened her and their children with the weapon.
The Los Angeles City Attorney’s office has since hit Ray J with six misdemeanor charges, including brandishing a firearm, use of force, and child endangerment, each carrying potential jail time.
A judge extended the restraining order against Ray J through the holidays, preventing him from seeing his children during Christmas and New Year’s celebrations with his family.
Ray J’s legal team has filed multiple motions attempting to modify the restraining order, arguing that the separation from his children is causing him severe emotional distress and affecting his mental health.
The singer has maintained his innocence, claiming in recent interviews that he never pointed the gun directly at Princess Love but was trying to protect his children from being taken from his home.
Medical experts say the combination of legal troubles, financial pressure, and family separation can create a perfect storm of stress that manifests in physical symptoms like chest pain and compromised immune function.
The stress can also trigger cardiovascular symptoms, including chest pain, elevated blood pressure, and heart palpitations, particularly in individuals with existing risk factors.
This marks the second time Ray J has battled pneumonia in recent years, having been hospitalized in Miami in 2021 with a non-COVID case that was so severe he feared for his life.
During that previous illness, Ray J required oxygen support and had to use an inhaler for weeks while recovering from the respiratory infection.
Ray J’s next court appearance regarding the restraining order modification is set for January 15.
It’s always wild to watch people who once called each other brothers slowly turn into adversaries. Time has a way of doing that, especially in Hip-Hop. Just a few days ago, Cam’ron was online saying he had no beef with Jim Jones. Ironically, saying there’s no beef often felt like the clearest sign that there actually is some. Now, we can confirm it. They have beef!
What makes this situation even stranger is how unclear the origin point is. One minute things seemed cool, the next minute Cam was cracking jokes about someone not having heat in their house or studio. No names were mentioned, but the message landed exactly where it was meant to. Jim Jones.
From there, it got bad fast. Jim fired back on Instagram, and suddenly we were watching a Dipset royal rumble. I cannot lie, it gave me secondhand embarrassment.
That “heat” comment might have seemed harmless on the surface, but context matters. Lately, there’s been chatter tied to 50 Cent, suggesting unresolved money issues and lingering debts connected to Jim. Cam’s remarks appeared to tap directly into those rumors and some reality. We did not know what it meant until Jim spoke up.
Jim’s response was blunt and dismissive. Two words did most of the damage: “U soft.” From that point on, there was no pulling it back.
Minutes later, he followed up with, “U whole crew is soft,” and then added a couple more jabs: “U wanna play pull up let th people see how soft u are chump. Freakey u soft too.” I thought Freekey was the crazy one, but maybe not. Then Zeke said that Jim used him as a human shield in Detroit, tagging Trick Trick to co-sign it. Yikes.
Back to Cam, Jim said, “Do ur shoe punk.” He was not referring to a shoe, he was talking about It Is What It Is and Talk With Flee, just in case anyone missed the reference. Cam’ron was not about to let that slide.
Cam, who is clearly doing well, went off. The man is clearly doing well. He posted this:
Cam was getting his feet massaged earlier. Anyway, he hit Capo with a barrage of jokes ranging from age jokes to money. “What’s wrong capo? Ya heat off too? I ain’t know,” Cam replied. “Is hate for you to be 50yrs old with no heat. What’s ya Zelle bro? I got u.” You hate to see it.
Jones tried to hold on saying, “A block no u soft,” but Cam going. “Yea but my heat on. And I’m warm, you 50 years old, tough and cold,” Cam responded. “But dead ass tho capo, ya heat off for real??” I hate to see it.
Kelly Rowland and Method Man are bringing workplace romance to Prime Video with their upcoming film Relationship Goals, a faith-centered romantic comedy that explores the complicated intersection of professional ambition and personal relationships.
The film casts Rowland as Leah Caldwell, a sharp television producer fighting to secure the top position running New York’s premier morning show.
Her focused career trajectory is disrupted when her former romantic partner, Jarrett Roy, played by “Method Man,” becomes her direct professional competitor for the same coveted role.
Director Linda Mendoza, whose Emmy-nominated television work includes episodes of Scrubs, The Good Place, and black-ish, brings her comedy expertise to this adaptation of Pastor Mike Todd’s New York Times bestselling book Relationship Goals: How to Win at Dating, Marriage, and Sex.
Method Man’s character Jarrett claims personal transformation through his study of Todd’s book, presenting himself as a changed man seeking both professional success and personal redemption.
The Wu-Tang Clan member’s casting represents a departure from his typical roles, positioning him as a romantic lead navigating themes of accountability and spiritual growth. Rowland, who previously collaborated with Mendoza on Grown-ish episodes, approached the role with enthusiasm for both the romantic comedy genre and her character’s complex motivations.
The former Destiny’s Child member has been expanding her acting portfolio following her starring role in Tyler Perry’s Mea Culpa, demonstrating her range across different dramatic territories.
Method Man has been branching out as well, starring in The 4:30 Movie, Shadow Force,Poetic License and 50 Cent’s Power Book II: Ghost.
Relationship Goals will be available exclusively on Prime Video starting February 4, 2026, with the film expected to reach global audiences through the platform’s international distribution network.
Cardi B absolutely lost it on Jessie Woo during a heated X Spaces livestream that quickly spiraled from defending her father to destroying anyone questioning her personal choices.
What started as Cardi B addressing false rape allegations about her father turned into a full-blown war against critics when fans alerted her that Jessie Woo was discussing her on another livestream.
The drama exploded when Woo read a viewer comment suggesting Cardi’s newest son with NFL star Stefon Diggs was conceived as “revenge” against her ex-husband, Offset. Cardi’s response was swift and brutal, asking viewers what exactly she would need revenge for when her entire existence already serves that purpose perfectly.
“I don’t need to have a baby for revenge, baby,” Cardi said during the livestream that had thousands of viewers glued to their screens.
“My whole life is revenge. My money is revenge. My career is revenge,” Cardi B continued, making it clear that success speaks louder than any petty moves.
The Bronx rapper didn’t hold back when defending her relationship with Diggs, emphasizing that their son, nicknamed Baby Brim, was conceived out of genuine love and passion.
“Me and my man made that baby with f###### love b####,” Cardi declared, shutting down any suggestions that her pregnancy was calculated or strategic.
Cardi also highlighted her independence as a grown woman who makes her own decisions without needing to manipulate or control anyone to stay committed. She pointed out that Diggs has plenty of options, including other wealthy women, but chose to be with her because of genuine feelings.
Cardi didn’t stop there, calling Woo “another hating ass b####” and accusing her of constantly spreading lies about various situations. She specifically referenced how sacred pregnancy and childbirth are, suggesting that someone without children couldn’t possibly understand the gravity of carrying and raising a human being.
“You think it’s easy to carry life?” Cardi asked, emphasizing that having a baby isn’t comparable to buying a pet or making an impulse purchase.
The tension between Cardi and Jessie Woo dates back to 2021, when the Love and Hip Hop: Miami star claimed someone on Cardi’s team wanted to “knock Nicki Minaj out.”
She shares three other children with Offset: daughter Kulture, born in 2018, son Wave, born in September 2021, and youngest daughter Blossom, born in September 2025.
Cardi remains in the middle of divorce proceedings with Offset while building her new relationship with the Buffalo Bills’ wide receiver.
Boosie Badazz faces a critical moment in his legal battle as federal prosecutors push for a two-year prison sentence ahead of his January 9 sentencing hearing for gun possession charges.
The Baton Rouge rapper remains defiant despite federal authorities recommending 24 months behind bars plus three years of supervised release for his firearm conviction. Federal prosecutors filed their sentencing memorandum last week, arguing that Boosie should serve the recommended prison time for violating federal gun laws as a convicted felon.
The case stems from a June 2023 arrest in San Diego, where police discovered a firearm in Boosie’s possession during a traffic stop. Boosie’s legal team, led by attorney Meghan Blanco, is requesting zero prison time and asking the court to impose probation instead of incarceration.
The rapper accepted a plea deal in August 2025 that eliminated a second firearm charge in exchange for his guilty plea to the remaining count. State charges related to the same incident were dismissed in 2024, but federal prosecutors chose to pursue the case under federal jurisdiction because Boosie is a convicted felon.
Boosie appeared on The Breakfast Club radio, expressing unwavering confidence about his chances of avoiding prison time despite the federal recommendation.
“I’m confident like a muthafucka,” Boosie said during the interview. “I ain’t going to jail. I don’t speak that out my mouth. I’m from down South. Your word, your mouth, is a powerful source.”
The 42-year-old artist acknowledged that the final decision rests with the federal judge but maintained his optimistic outlook about the outcome.
“It’s still up to the judge,” he said. “It’s up to God, but it’s up to the judge. You know, people saying, ‘He gotta do two years.’ That’s not a fact of this case. It’s up to what the judge wanna do.”
Boosie isn’t taking any chances, though. He also hired Washington, D.C. lobbying firm J.M. Burkman & Associates to petition Donald Trump for a presidential pardon. The lobbying firm’s representatives, Jack Burkman and Jacob Wohl, described their mission as “seeking a presidential pardon” for the rapper, whom they characterized as a “rapper and world-class musician.”
Boosie made direct appeals to Trump on X (formerly Twitter), posting about his case and claiming he faces unique circumstances.
“Trump CHECK MY CASE OUT MY CASE WAS DISMISSED BUT BIDENS DOJ RECHARGED ME WITH THE SAME GUN CHARGE BIDEN PARDON HIS SON OF,” Boosie wrote in his social media post.
Boosie’s pardon request comes as Trump has previously shown a willingness to grant clemency to Hip-Hop artists during his presidency.
In January 2021, during his final hours in office, Trump granted a full pardon to rapper Lil Wayne for federal gun charges and commuted the sentence of rappers Kodak Black and NBA YoungBoy.
All of the rappers faced similar violations as convicted felons, making Boosie’s case potentially comparable to those previous clemency decisions.
James Bernard, a pioneering Hip-Hop journalist and media executive who helped shape the editorial voice of The Source and later co-founded XXL, has died. His death was confirmed by colleagues in media and friends. Additional details surrounding the cause of death were not immediately available.
“His passion of music was legendary. A Class Act. James helped shepherd Hip-Hop from skepticism to seriousness, from novelty to culture,” said Questlove on his Instagram page. “This loss hits deep for everyone who learned how to listen through his words. Rest In Beats Sir.”
Bernard was a central figure in the rise of Hip-Hop journalism during the late 1980s and 1990s, a period when rap music was emerging as a dominant cultural and commercial force.
He is best known for his work at The Source, where he rose to become co-editor-in-chief and helped establish the magazine as the most influential Hip-Hop publication of its era.
At The Source, Bernard played a key role in developing an editorial approach that treated Hip-Hop as both an art form and a social force. Under his leadership, the magazine blended music criticism with political commentary, investigative reporting, and cultural analysis, helping to legitimize Hip-Hop journalism within mainstream media while remaining rooted in the culture.
In 1994, Bernard was among senior editors who abruptly left The Source following internal disputes over editorial independence and business practices. The departure became one of the most significant moments in Hip-Hop media history and marked a turning point in the magazine’s leadership and direction.
Following his exit, Bernard co-founded XXL alongside fellow editor Reginald Dennis. Launched in 1997, XXL quickly became The Source’s chief competitor and established its own identity through long-form journalism, in-depth artist profiles, and a broader editorial lens that connected Hip-Hop to fashion, politics, and popular culture. Bernard’s role in shaping XXL’s early vision helped solidify the magazine as a long-running institution in Hip-Hop media.
Author and journalist Rob Kenner said, “He took a stand for editorial integrity and journalistic independence—values that are still under threat to this day.”
Beyond magazine publishing, Bernard’s career reflected a wider engagement with culture and civic life. He later served as national field director for the Hip-Hop Political Convention, an effort aimed at mobilizing young voters and translating Hip-Hop’s cultural influence into political participation. He was also involved with initiatives supported by the Rockefeller Foundation that focused on race, democracy, and public discourse.
Bernard contributed writing to mainstream outlets including The New York Times, The Village Voice, and Entertainment Weekly, expanding Hip-Hop’s presence in legacy media. He also co-authored The New Book of Rock Lists, demonstrating a breadth of knowledge that extended beyond rap.
In recent years, Bernard continued public service work, including community outreach efforts in New York City connected to public health initiatives. Friends and colleagues described him as deeply principled and committed to the idea that media should serve both truth and community.
Chris Latimer, an album of The Source, said, “There was nobody on this earth like James Bernard. The brother not only embodied brilliance and a high IQ, but he was genuinely excited about Hip-Hop and genuinely excited for you as a Black entrepreneur. There were no signs of ego, no disdain that sometimes comes with superintelligence.”
He also graduated Juris Doctor c## laude from Harvard Law School in March, 1992 and received his Bachelor of Arts (Honors), at Brown University with a concentration in Public Policy and American Institutions.
James Bernard is remembered as a foundational figure in Hip-Hop journalism and an editor who helped build the standards, language, and infrastructure. His life’s work continues to shape how the culture is reported and understood, especially with AllHipHop. His influence endures in generations of writers, editors, and platforms that followed the path he helped create.
Pre-rolls aren’t just a backup option anymore for stoners anymore. They’re not just something you grab at the counter because you forgot papers or don’t feel like rolling a jeezy or bleezy. And according to our survey of pot smokers and cannabis product sales data from dispensaries, pre-rolls have become one of the most reliable and popular ways people consume cannabis across age groups and regional markets
And this aint just hype, it’s backed by nearly a thousand survey responses from tokin’ stoners like yourself from around the country and state-wide sales data from 14 legal markets – so let’s get after it shall we!
From Dispensary Add-On to Power Product
Pre-rolls are now the third-largest product category in cannabis behind flower and vapes, generating more than $4.1 billion in a year and a half’s time. What’s wilder than pre-roll revenue is how fast they’ve become part of everyday buying habits for consumers. Over the last few years, monthly pre-roll sales have nearly doubled, climbing from roughly 14 million units to more than 27 million per month.
And that growth isn’t just coming from new legal markets opening, pre-rolls are now taking up more space in the average consumer shopping basket at dispensaries, especially as an add-on to flower and other cannabis product purchases. And with pre-rolls being a ready-to-smoke option carrying a massive selection of formats and pack sizes, including infused joints and pre-roll multi-packs, cannabis consumers have made them a default choice rather than a convenient fallback option.
Who’s Actually Smoking Pre-Rolls?
The short answer: nearly everyone.
More than 82% of cannabis smokers say they buy pre-rolls, and 94% say joints are their preferred way to smoke. The average respondent in our study was 43 years old, with ages ranging from 19 to 76, and the gender split came out almost perfectly even. Many of these consumers aren’t new to purchasing cannabis products, many have been smoking for decades and still reach for pre-rolls on the regular.
And heavy consumption was the norm among respondents. Nearly 80% use cannabis multiple times a day with joints remaining the go-to method, ahead of vapes, edibles or bowls.
When you break it down by generation of smokers, Millennials lead the way, accounting for just under half of all pre-roll purchases. Gen X follows, then Gen Z and followed by Boomers who make up a healthy portion of sales. Men purchase slightly more pre-rolls than women overall, but the categories momentum is clear between every demographic group.
Sales data tells the same story as our consumer survey. Across all tracked legal markets, more than 300 million pre-roll products were sold in a single year, totaling roughly $3 billion. And that number continues to rise year over year.
Pre-rolls now make up about 15% of the entire U.S. cannabis market, up from around 12% just a few years ago. That increase shows a real shift in preference, not just more people buying weed, but more people choose pre-rolls specifically as their go-to consumption method.
Where the Action Is
Pre-rolls are sold everywhere cannabis is legal, but some states really stand out. California still leads in total revenue thanks to its massive population, but Michigan however, sells more pre-rolls than any other state by unit sales, driven by the lowest average prices in the country. Furthermore, Massachusetts has one of the highest pre-roll market shares while New York shows strong demand despite higher prices in their first few years of operation.
But Michigan is especially telling, with average pre-roll prices far below the national average, consumers buy more often and in larger quantities, showing just how price-sensitive and volume-driven the pre-roll category can be.
When consumers were asked what comes to mind when they think about pre-rolls, convenience dominated. People like that the work is already done, but that’s not the whole story.
Many consumers also associate pre-rolls with variety and creativity. They see them as a way to try new strains, experience infused products or smoke something designed differently than a standard hand-rolled joint. Put simply, consumers view pre-rolls as one of the most innovative product formats in cannabis right now.
Pre-Roll Consumer Buying Habits
When buying single joints, full-gram pre-rolls remain the most popular choice, however half-gram and smaller “dogwalker” sizes fill a specific need, but the real momentum is in pre-roll multi-packs.
Most of the top-selling pre-roll products in the country are multi-packs, especially five-packs of half-gram joints. Consumers like the flexibility, the lower cost per joint and having options and product volume on hand. So while full gram joints dominate single-unit sales, pre-roll multi-packs dominate repeat purchases.
National powerhouse Jeeter has emerged as the clear leader in U.S. pre-roll sales driven largely by their infused lineup. The brand accounts for nearly 9% of all pre-roll purchases nationwide.
STIIIZY follows closely behind, with massive sales volume in states like California and Michigan. And brands like Dogwalkers, Cali-Blaze and Presidential Cannabis Co. round out the top performing brands, each carving out a lane unique to their brand.
What these brands have in common is consistency, strong branding, predictable outcomes, quality and enticing packaging.
Potency Still Rules
When asked what matters most when choosing a pre-roll, consumers overwhelmingly pointed to potency as expected, and price came in second, followed by brand. This preference aligns near-perfectly with what’s happening on dispensary shelves, that infused pre-rolls are now the top-selling segment within category.
Infused joints featuring flower combined with concentrates, now lead pre-roll sales across every demographic in the States. Around 70% of consumers say they buy infused pre-rolls, though many reserve them for special occasions rather than everyday use.
This growth is driven by both higher potency and solid execution. Kief-coated joints, oil-infused flower and hash-hole style rolls have all found loyal audiences among stoners. Kief remains the most common infusion, followed closely by live resin and rosin.
Paper Type and Premium Options
Paper type matters more than people will admit, hemp papers and ultra-refined white papers are the most commonly used, with natural brown papers and wraps following close behind. Consumers are increasingly aware that not all papers types yield the same experience.
Premium filter tips are another clear preference trend, with nearly 60% of respondents saying they have purchased pre-rolls with glass, wood or ceramic tips. Glass was the leader of the pack, but new ceramic tips are gaining traction fast. Many consumers keep and reuse these premium filter tips, cleaning the tips with a little iso to prepare them for the next roll up.
And most buyers are usually willing to pay a few extra dollars for the premium experience of a luxury filter times, and sometimes more.
The Bottom Line
Even as demand for pre-rolls continues to grow, prices have continued to fall, with the average price of a pre-roll today being significantly lower than it was just a few years ago, making the category more accessible to consumers than ever before. Prices still vary wildly by state, but the overall consensus is that consumers are getting more value, variety and quality at a lower price point.
Pre-rolls have officially evolved from convenience product to cultural cannabis staple. They’re smoked by every generation, purchased for everyday use and special occasions, and are increasingly defined by potency, innovation and purchasing options.
So what does the data tell us? That pre-rolled joints and blunts are no longer just about convenience, they’re about preference.
“Angels All About Me (For Pops)” captures a precise moment in Trace Marx’s life, shaped by personal loss, reflection, and a sense of spiritual grounding. The song was written during a period when everything around him felt uncertain, yet somehow continued to fall into place.
The initial idea came from the feeling he had when he first heard the beat. Marx describes it as ethereal, something that immediately placed him inside a scene rather than outside of it. He often approaches music by imagining where he would be and how he would move within the sound, and in this case, the feeling was uplifting. It reflected a time of serious challenge, but he continued to emerge stronger on the other side.
Shortly after writing the song, his grandfather passed away after living with Parkinson’s disease. The timing was difficult as the funeral was the same day Marx had booked studio time to record the song. He attended the service that morning and spent the evening recording at Criteria Studio in Miami. The session lasted eight hours, followed by another twelve hours dedicated to mixing and mastering. Marx says he felt his grandfather’s presence throughout the process, which gave the recording deeper meaning.
“Pops,” his mother’s father, played a significant role in shaping who Trace Marx is as a person today. As he has grown older, Marx has noticed how similar they were, both outgoing, expressive, and deeply connected to family. Before pursuing music full-time, Marx worked in IT sales, while his grandfather spent his career in insurance. That shared path made the tribute feel personal in a very grounded way.
The idea of angels in the song is layered. While it includes spiritual figures and beliefs that guide him, Marx also sees angels as the people in his life who show up, support him, and believe in his work. He views his listeners the same way. Making music leaves him exposed, and the encouragement he receives carries real weight and energy.
Musically, the song reflects Marx’s background and range. Born in London, raised in Miami, and coming from a Jamaican family, he was exposed early to many different sounds. The UK Garage, drum, and bass feel of the production connects to his time in London, while hip hop and Afrobeat influences come naturally through his upbringing and community. Producer RXLLIN, who is based in Ukraine, created the instrumental, and engineer Mike Banger helped shape the final atmosphere in the studio. Their goal was to keep the track light and open, leaving space for emotion rather than overfilling it.
In the credits, his grandfather is listed as a co-contributor under his full name, Trevor P. Jones. Marx is planning to donate proceeds from the song and related merchandise to the Michael J. Fox Foundation for Parkinson’s research, as well as to Jamaican hurricane relief efforts, honoring both Pops’ life and their family’s roots.
“Angels All About Me (For Pops)” marks a clear moment of growth for Trace Marx. It reflects a shift toward honesty, trust in his instincts, and a willingness to let personal experiences guide the music forward.
A man suing Diddy and Cassie Ventura for $20 million is using his experience as a home inspector to build a full-blown profession.
Clayton Howard recently won court permission to file a crucial legal brief while representing himself in the complex case. The former escort’s lawsuit centers around allegations he was trafficked across state lines for Diddy’s so-called “freak-off” parties.
“I am actively pursuing a law degree, so I have some skill in presenting these points correctly, and in a manner the court will deem appropriate to form,” he told Judge Arun Subramanian.
He also alleges she became pregnant by him, had an abortion without telling him and resumed sex with him after the procedure. In court filings, Howard described being recruited by Cassie through an escort agency around 2009.
He said she used aliases while Diddy operated under the name “Frank Black.” According to Howard, Cassie arranged paid encounters that often included threesomes and voyeuristic sessions where Diddy watched.
He argues Cassie was not just a victim but an active participant who helped manage and facilitate the trafficking operation. The lawsuit seeks damages for emotional trauma, medical expenses and lost income.
Howard also accuses federal prosecutors and a government-assigned pro bono attorney of trying to silence him to protect Cassie’s credibility. In a detailed motion, he told the court he had evidence of misconduct and collusion, including emails, and requested permission to file a 17-page supplemental reply to make his case.
The judge granted Howard the right to file the extended brief, a move that not only signals the court’s recognition of the complexity of his claims but also demonstrates Howard’s growing legal skill.
His filings reference constitutional law and statutory sentencing issues, suggesting he’s already thinking like a future attorney.
Howard’s legal maneuvering comes as Diddy serves a 50-month federal sentence after being convicted on two counts of transporting individuals for prostitution. He was acquitted of sex-trafficking and racketeering charges.
Howard’s lawsuit remains active, with the court recently granting him alternative methods to serve Cassie, who has reportedly been difficult to locate.
As of now, no court has ruled on the merits of Howard’s claims.
The first “WWE Raw” of 2026 came into Brooklyn’s Barclays Center with big new year, new me energy. WWE clearly tried to smash the reset button on Monday night, rolling out a loaded card packed with title implications, star power, and January-sized ambition as the road to the Royal Rumble officially began. After Friday’s marathon three-hour SmackDown, Raw showed up like, “Relax, we got this.”
Before we get into the full recap, we have to shoutout Netflix for hosting our time at RAW. Check below for a brief video recap of AllHipHop’s experience.
RAW gave us all the new year fireworks, but left space as the Royal Rumble looms.
CM Punk closed the show with a high-stakes World Heavyweight Championship defense against The Vision’s Bron Breakker, marking Punk’s first title defense since winning the belt at Saturday Night’s Main Event. And for a while, it looked like Breakker might be cashing in on that “new year, new champion” vibe. He bulldozed Punk through most of the first half, tossing him around like luggage at JFK.
Naturally, chaos followed. The Vision got involved, Rey Mysterio, Penta, and Dragon Lee chased them off, and suddenly Raw hit the “maximum drama” button. From there, the match took off, delivering slick submission exchanges, nerve-racking near-falls, and a genuinely gripping finish. Punk finally sidestepped a Breakker Spear and landed the GTS to retain, heading toward the Royal Rumble with gold still snug around his waist.
A Breakker win would’ve been a bold way to kick off Raw’s 2026 era. Instead, he’ll have to rebuild momentum…likely starting in the Rumble…because the coronation feels delayed. That does not mean he’ll be denied.
The Women’s World Championship wasn’t defended, but champion Stephanie Vaquer still had a rough night. Raquel Rodriguez laid her out with a vicious post-match attack, putting Vaquer’s status in question thanks to a legitimate ankle injury. It was just one chapter in a show that leaned heavily into the women’s division.
Raw opened with a Women’s Tag Team Championship clash, as the Kabuki Warriors (Asuka and Kairi Sane) dropped the titles to Rhea Ripley and Iyo Sky. As expected, all four women delivered, adding another strong entry to their ongoing rivalry. “RhIyo” feels like money as champions, and they proved it with a fast, polished opener.
In the Women’s Intercontinental Championship trilogy match, Maxxine Dupri lost her title back to Becky Lynch. Lynch reclaimed the belt after a fun counter-heavy sequence—plus a not-so-legal assist from the ropes. Dupri’s reign now feels frustratingly short, especially after how strongly she was positioned post-coronation. Hopefully, this is just a temporary detour to elevate Dupri further, because Lynch, post-Seth Rollins, feels like she’s spinning her wheels a bit.
Liv Morgan defeated Lyra Valkyria in the final women’s match of the night, thanks to some wonderfully goofy outside interference from Bayley and Roxanne Perez. Outside of Rodriguez’s beatdown, this was also the only Judgment Day appearance on the show—a surprisingly low-profile night for the faction.
Overall, the first Raw of 2026 felt like a PLE-lite: smooth pacing, lots of wrestling, and a strong main event—but it didn’t quite deliver on surprises or consistently high peaks.
Match of the Night: CM Punk vs. Bron Breakker No debate here. WWE clearly centered the show around making this main event hit. While their chemistry isn’t flawless yet, the final stretch was electric, delivering a rare clean Raw main event finish after the overbooking chaos cleared out.
Raw laid a solid foundation for a great 2026. Now, we just have to wait for the true magic.
BROOKLYN, NEW YORK – JANUARY 5: A Stranger Things–themed episode of WWE Monday Night RAW at Barclays Center on January 5, 2025 in Brooklyn, New York. (Photo by WWE)BROOKLYN, NEW YORK – JANUARY 5: A Stranger Things–themed episode of WWE Monday Night RAW at Barclays Center on January 5, 2025 in Brooklyn, New York. (Photo by WWE)BROOKLYN, NEW YORK – JANUARY 5: AJ Styles during a Stranger Things–themed episode of WWE Monday Night RAW at Barclays Center on January 5, 2025 in Brooklyn, New York. (Photo by WWE)BROOKLYN, NEW YORK – JANUARY 5: Stephanie Vaquer during a Stranger Things–themed episode of WWE Monday Night RAW at Barclays Center on January 5, 2025 in Brooklyn, New York. (Photo by WWE)BROOKLYN, NEW YORK – JANUARY 5: The WWE Women’s Intercontinental Champion, Maxxine Dupri enters the arena during Monday Night RAW at Barclays Center on January 5, 2026 in Brooklyn, New York. (Photo by WWE)BROOKLYN, NEW YORK – JANUARY 5: Becky Lynch and Maxxine Dupri in action during Monday Night RAW at Barclays Center on January 5, 2026 in Brooklyn, New York. (Photo by WWE)BROOKLYN, NEW YORK – JANUARY 5: Rey Mysterio and Dragon Lee during a Stranger Things–themed episode of WWE Monday Night RAW at Barclays Center on January 5, 2025 in Brooklyn, New York. (Photo by WWE)BROOKLYN, NEW YORK – JANUARY 5: CM Punk attacks Paul Heyman during Monday Night RAW at Barclays Center on January 5, 2026 in Brooklyn, New York. (Photo by WWE)BROOKLYN, NEW YORK – JANUARY 5: IYO SKY and Kairi Sane in action during Monday Night RAW at Barclays Center on January 5, 2026 in Brooklyn, New York. (Photo by WWE)BROOKLYN, NEW YORK – JANUARY 5: IYO SKY and Kairi Sane in action during Monday Night RAW at Barclays Center on January 5, 2026 in Brooklyn, New York. (Photo by WWE)BROOKLYN, NEW YORK – JANUARY 5: A Stranger Things–themed episode of WWE Monday Night RAW at Barclays Center on January 5, 2025 in Brooklyn, New York. (Photo by WWE)
50 Cent is expanding his true crime documentary empire with a gritty new series that promises to expose America’s most dangerous gang rivalries like never before.
The multi-platinum rapper and producer is developing Gang Wars for the A&E network through his G-Unit Film & Television banner in partnership with Citizen Jones production company, according to exclusive reports from industry insiders.
The series will deliver what 50 Cent calls “a raw, unfiltered look” at the street battles, betrayals and power plays that shaped modern criminal organizations across the United States.
Gang Wars might be Fif’s most ambitious true-crime project to date, building on his growing reputation as a documentary powerhouse who brings an authentic street perspective to mainstream television audiences.
According to Deadline, A&E series will feature unprecedented access to gang members, law enforcement officials and community leaders who witnessed these conflicts firsthand, sources close to the production revealed.
50 Cent’s production company has already established itself as a major force in true-crime content, with recent hits including Sean Combs: The Reckoning on Netflix, Hip Hop Homicides for WE TV, TikTok Star Murders for Peacock, and The Gilgo Beach Killer: House of Secrets, demonstrating his ability to tackle diverse criminal subjects.
Citizen Jones brings strong documentary credentials to the partnership, having produced Netflix’s acclaimed How to Become a Tyrant and How to Become a Mob Boss series, which explored criminal psychology and organizational structures.
The production company specializes in investigative documentaries that combine compelling storytelling with rigorous research and exclusive access to key sources.
Gang Wars will examine how territorial disputes, drug trafficking operations and personal vendettas created lasting impacts on American communities, particularly in urban areas where these conflicts have played out over decades.
The series aims to go beyond surface-level crime reporting by exploring the social and economic factors that fuel gang rivalries, including poverty, limited opportunities and systemic inequalities.
Production on Gang Wars is expected to begin later this year, with the series potentially premiering in 2027 as part of A&E’s expanding true crime programming slate.
Kendrick Lamar‘s cousin has kept a relatively low public profile musically since The Melodic Blue. But sources close to the festival circuit and rollout watchers say Keem has been quietly lining up his next full-length project, with momentum building just in time for summer. There is no official title and no release date. But the signs are all over…starting in New York.
Before we discuss that…let us talk about the chit chat.
Industry chatter suggests Keem has been recording steadily over the past year, experimenting beyond the sound that made him a breakout. That’s interesting since it has been over four years. The talk is that the new material leans rawer, more aggressive, and more unpredictable! This is what I like to hear. Apparently, he’s defining his own lane without comparison…to who? Well, we can assume quite a bit based on his affiliations.
This project may arrive before or shortly after his early-June festival run, allowing him to test new music in real time. This strategy mirrors the way major artists use festivals to accelerant interest or market them. They are no longer “rather than “just concerts.”
People are watching for possible overlap with the pgLang universe, but nothing regarding Kendrick Lamar has been made rumor. Now..New York.
🗽 Governors Ball: The Pressure Point
Here’s where it gets REALLY interesting.
Keem is set to headline opening night of the Governors Ball on June 5 at Flushing Meadows Corona Park. This notes serious confidence from festival bookers. I mean, this is something Kendrick or Drake would be doing.
Gov Ball isn’t just another stop. It’s New York. And opening night headliners tend to set the narrative for the entire weekend. Thusly, more rumors come out of it. Basically, we believe new music is coming, possible cross promo with Dot and this is a new era overall for the pgLang posse.
Baby Keem is no longer “the next one up.” He’s being positioned as a headliner and the NOW.
Diddy is facing complaints from unpaid staff and legal teams, as his finances remain tightly managed by Tri Star Sports & Entertainment while he serves a 50-month sentence at FCI Fort Dix in New Jersey for two violations of the Mann Act.
Sources familiar with the situation told TMZ that the business management firm overseeing Diddy’s assets has restricted access to his funds, causing delays in payments to some employees and attorneys. One source said at least one staff member has already walked away due to the financial holdup.
Despite the growing frustration, Diddy’s spokesperson, Juda Engelmayer, denied any disruption in payments.
“People, personnel, and attorneys are all being paid, and no one is leaving,” he told TMZ. When asked whether payments were being made on time, Engelmayer added, “Sean Combs controls his own finances. Everyone gets paid for their work once it’s completed and confirmed, after routine review.”
The money squeeze isn’t limited to just employees.
Diddy’s family has also been affected by the financial oversight. According to insiders, relatives must operate within a budget and go through Tri Star for any additional expenses. If they exceed the limit, they must submit invoices, which are not always approved.
One example involved a family dinner in New York City the night before Diddy’s sentencing. When his relatives contacted Tri Star to cover the bill, the firm initially denied the request.
The cost was eventually reimbursed, but only after someone else paid upfront.
Although Diddy remains in touch with his family, access to his billion-dollar fortune is far from free-flowing. The tight financial controls appear to be part of a broader effort to manage his legal and personal affairs during his incarceration.
Diddy is expected to remain behind bars until 2029 unless there is a change in his sentence.
Misa Hylton is speaking out about the mental health toll of her legal battle after a New York judge dismissed her $5 million lawsuit against Mary J. Blige on January 6, 2026, her 53rd birthday.
“Over the years, there have been people very close to me who have hurt me deeply, and I chose not to pursue them even when I could have, and maybe should have,” Hylton said. “That reflection led me to ask myself why I would choose a different path for someone I once called my sister.”
The judge said this failure “constitutes the abandonment of their claims” and issued a stern warning about “bad faith litigation tactics.” Perry-Bond stated that parties should not file lawsuits claiming millions in damages based on inflammatory accusations only to abandon them when faced with dismissal motions.
Hylton filed the lawsuit in April 2025, claiming Blige sabotaged her management deal with rapper Vado by blocking his music releases and career opportunities.
The lawsuit alleged Blige breached contracts by not including Vado on tours, records, and videos as promised, despite Vado being signed to Blige’s Beautiful Life Productions. The two women were best friends for more than 30 years before this falling out over business dealings.
Blige’s legal team had argued that Hylton’s management company, M.I.S.A. Management, didn’t legally exist, making any contracts void. They also claimed that Vado himself failed to meet the requirements of his record deal with Blige’s Beautiful Life Productions.
“The Court in no way condones parties filing lawsuits claiming millions in damages based on inflammatory accusations, only to have those very same parties abandon their allegations when faced with a motion to dismiss and sanctions,” the judge said after throwing out the case.
Hylton explained that the experience taught her valuable lessons about mixing personal relationships with business ventures.
I just received a statement from Misa Hylton on The dismissal of her lawsuit against Mary J Blige, her former friend of 30+ years.
The $5 Million lawsuit was originally filed by Misa accusing Mary J Blige of breaching contracts .. which caused monetary damage.. re: music artist… https://t.co/Wx4KYIIMAEpic.twitter.com/MtplAJsXuA
“Through this experience, I learned that mixing family, friendship, and business is not always wise, and that even in painful moments there are meaningful lessons to be learned,” she continued.
The stylist acknowledged that while she disagreed with some actions taken during the dispute, she ultimately decided to prioritize her well-being over continuing the fight.
“While I don’t agree with everything that was done, I chose peace,” Hylton stated.
Most significantly, Hylton opened up about how the legal proceedings affected her mental health and forced her to examine her relationships more deeply.
“This entire ordeal has taken a significant toll on my mental health and has caused me to reflect deeply on life, memories, relationships, and their true purpose and meaning,” she revealed.
Hylton concluded her statement by expressing hope for healing for everyone involved in the dispute.
“I pray for healing for all of us,” she said, indicating her desire to move forward from the legal battle that strained a decades-long friendship.
The judge’s warning about bad-faith litigation tactics suggests the court viewed Hylton’s abandonment of the case as potentially frivolous, especially given the seriousness of the allegations and the substantial damages claimed in the original filing.
Papoose has been standing in the middle of a storm lately. That storm, of course, involves Hurricane 50 Cent. Yet despite the online noise, memes, and speculation, we still have not seen a full-fledged rap war break out. There is, however, a faint signal that things could shift.
Papoose recently previewed a song that contains a few subtle bars aimed at his longtime nemesis. Up to this point, most of the exchanges between the two have been limited to internet antics, AI-generated slop, and surface-level trolling. This feels different, even if only slightly.
To be clear, there is nothing heavy here. The reference is mild, with a soft nod to “Gangsta” energy that reads more like a jab than a swing. In boxing terms, no pun intended, it feels like bait. The issue is that 50 Cent does not usually bite. He is meticulous, calculated, and strategic to the core.
Papoose is strategic too, which may explain why he seems content to let this situation stretch longer than expected, especially considering that 50 has not mentioned him directly in quite some time. The internet’s reaction reflects that uncertainty. Some fans are excited. Most seem casually curious. Very few appear emotionally invested.
From a broader perspective, it feels like the culture would benefit from leaving old beef energy behind and focusing on what actually moves things forward. That may already be happening. When 50 publicly gave Claressa Shields grace and encouraged her to focus on her upcoming fight, it signaled maturity rather than retreat.
What remains unanswered is the lack of a response to the sharp, well-crafted verse Papoose previously aimed directly at 50. It was not subtle. It was direct. And yet, there was no lyrical reply. That is not shade. It simply suggests that 50 did not see value in engaging with a present-day, highly skilled MC on those terms. He’s smart.
Timing matters and ttention spans are short. 50 Cent understands that better than most. By staying silent, he lets the moment pass, keeps momentum on his side, and continues stacking wins elsewhere. By the end of the week, most people will have either forgiven or forgotten the entire situation.
What remains is familiar territory for 50 – more documentaries, more films, more money.
As for Papoose and Claressa Shields, they appear to be doing just fine. Claressa has a major fight ahead, and together they seem focused, aligned, and positive. They look happy. Hopefully, the new year brings a different kind of energy than the leftover noise “we” walked away from in 2025.
What do you think? Is this situation worth seeing? Drop your thoughts in the comments.
Megan Thee Stallion has officially launched her highly anticipated collaboration with Dunkin’, introducing the “Megan’s Mango” protein refresher to coffee lovers nationwide on January 7, 2026.
The Houston rapper’s partnership with the Canton-based coffee chain was first teased through a cryptic Instagram post on January 5, featuring the caption “calling all hotties 👀” – a direct nod to her devoted fanbase known as “Hotties.”
The social media reveal showed a hand with signature pink nails holding an iced Dunkin’ beverage, complete with a receipt sticker reading “Order For Megan. Get Pumped.”
The collaboration marks another major celebrity partnership for Dunkin’, which has previously worked with stars including Charli D’Amelio, Sabrina Carpenter, Ice Spice and Gavin Casalengo.
Fans immediately began speculating about the drink’s flavor profile after Dunkin’s initial tease, with social media users analyzing the beverage’s orange-tinted color.
The “Megan’s Mango” protein refresher combines the tropical taste of mango with added protein, positioning itself as both a flavorful treat and a fitness-conscious option for health-minded consumers.
The drink’s launch coincides with the new year, when many customers are seeking healthier beverage alternatives.
The timing of the collaboration appears calculated to capitalize on January’s health-focused consumer mindset, with the protein-enhanced refresher offering a guilt-free indulgence option.
Megan’s involvement brings her massive social media following and cultural influence to Dunkin’s brand, potentially attracting younger demographics to the coffee chain.