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Machine Gun Kelly Walked Out Of AMAs For Sick Daughter

Machine Gun Kelly skipped the spotlight at the American Music Awards on Monday (May 27) in Las Vegas to rush home and care for his infant daughter, who was running a mild fever.

The Hip-Hop artist made a brief appearance on the red carpet before bowing out of the ceremony, where he had been scheduled to present.

Speaking to E! News, Machine Gun Kelly explained his early exit: “She has a little bit of a fever. So I’m gonna just walk the carpet and go back, you know what I mean, and handle my business. Give her my pheromones, and let her heal up.”

The two-month-old is his first child with actress Megan Fox, who recently described the pregnancy as “unplanned but a happy surprise” in a post on her Instagram Stories.

The couple welcomed their daughter on March 27, though their current relationship status remains unclear following their called-off engagement last year.

Despite the uncertainty surrounding their romance, Baker has been vocal about his joy in becoming a father again.

“I was born to be a dad. Yeah, it’s my purpose,” he told E! News.

He echoed that sentiment in a separate interview with Access Hollywood, saying, “I’m just so elated, It’s just awesome. They smell so good… I was just meant to be a dad.”

Baker also has a 15-year-old daughter, Casie, from a previous relationship.

Fox, meanwhile, shares three sons—Noah, 12, Bodhi, 11, and Journey, 8—with her ex-husband Brian Austin Green.

Shaboozey Checked Megan Moroney With One Look At 2025 AMAs

Shaboozey didn’t hold back his reaction Monday night (Jan. 27) at the 2025 American Music Awards in Las Vegas when Megan Moroney credited The Carter Family with “basically” inventing country music during their joint presentation.

The moment unfolded onstage at the Fontainebleau Hotel as the two artists introduced the award for Favorite Country Band/Duo/Group.

Shaboozey, known for his breakout hit “A Bar Song (Tipsy),” opened by highlighting the genre’s legacy at the AMAs, pointing out that Charley Pride won Favorite Male Country Artist during the show’s inaugural year.

Moroney followed by reading from the teleprompter: “That same year, Favorite Female Artist went to Lynn Anderson, and this award went to (folk music group) The Carter Family, who basically invented country music.”

Shaboozey paused, visibly processing the statement. He frowned, rolled his eyes slightly, then laughed before continuing with the presentation.

The award ultimately went to Dan + Shay, who edged out Old Dominion, Parmalee, The Red Clay Strays and Zac Brown Band.

The brief but telling moment quickly made its way across social media, where users dissected Shaboozey’s nonverbal response and Moroney’s historical reference.

“Megan Moroney just said the Carter Family invented country music and Shaboozey just shot her the hardest side eye. That’s what I came here for,” one person posted on X.

Another chimed in, “The Carter Family definitely shaped country, but invented? Bit of a stretch.” Others were quick to defend Moroney, noting she was simply reading from the teleprompter.

“Megan Moroney did not write the script (she was just reading the prompter),” one user wrote.

The Carter Family, often credited with popularizing country music in the 1920s and 1930s, remains a foundational influence in the genre, but the claim that they “invented” it has long been debated by music historians.

NPR has previously explored their legacy, noting their role in shaping the sound but not necessarily originating the genre.

What most historians fail to mention is that the Carter family was taught by a black artist and guitarist named Lesley Riddle, who also wrote some of their biggest hits.

Kai Cenat’s Streamer University May Be Newest HBCU—Critics Cry Foul

Streamer Kai Cenat is catching some heat—again. This time, folks are raising eyebrows over the student roster at his so-called “Streamers University.” Word on the internet is that the entire student body is Black. That alone made some people hilariously label it an HBCU, but let’s not get ahead of ourselves.

Apparently, a few people (mostly white, from what it seems) are upset that there isn’t a more diverse mix of students enrolled. Whether that’s a real issue or just online hate is up for debate. For the record, I don’t know what the official student body looks like at this “university” or if this “Streamer University” is even a legitimate institution. I can tell you this, a quick look and I saw a both a white person and an Asian person, so people are really hating. But one thing I do know for certain? Drake gave the commencement speech over the weekend. That alone made it feel like a cultural moment. I also heard T.I.’s son King Harris was trying to get in. So yeah, it’s major. And he’s not the only one.

READ ALSO: Drake Surprises Kai Cenat’s Streamer University

Kai Cenat is a force of nature, and clearly, he’s not slowing down.

Now, about this controversy—what’s the actual problem here? There are plenty of resources, schools and courses out there for learning how to stream. Kai isn’t running the only show in town. More importantly, nothing in his public behavior or business dealings suggests he’s excluding people. He actually strikes me as someone who welcomes everyone but just happens to have a fanbase that’s largely Black. That’s not discrimination—that’s resonance.

Could this turn into a bigger issue? Maybe. We’re in a hyper-sensitive era, where outrage can go viral in minutes. And let’s be honest, the new generation of “Karens” have their own way of flipping the narrative. Some of us have long had to find unconventional paths to success because so many doors have been slammed in our faces. Streaming isn’t always as lucrative as it seems, but Kai flipped the whole system. Now, you’ve got elders going live on Twitch, and corporations are lining up just to get a piece of what he’s built.

At the end of the day, if you want in, step up your streaming game. Whatever the criteria is to be part of Streamers University, that’s what it is. Let’s not cry discrimination every time something doesn’t include you, especially when it was built by someone who was once left out himself.

I am about to change my name it LeteSeed, because I feel obsoLETE!

HAHA!

-illseed out!!

EXCLUSIVE: Dame Dash Approves Auction— Movies, Business Interests Going Up For Sale

Damon Dash is set to lose control of some of his most recognizable creative properties, including the Hip-Hop staple State Property, as part of a court-approved public auction to settle a multi-million dollar debt owed to filmmaker Josh Webber.

The auction, greenlit by both parties, will include Damon Dash’s full ownership stakes in several companies and copyrights to several films and screenplays.

Among the most notable assets on the block is State Property, the 2002 street crime drama that helped define early 2000s Hip-Hop cinema and starred Beanie Sigel, Freeway, JAY-Z and other artists on Roc-A-Fella Records.

Its sequel, State Property 2, and the 2007 documentary Mr. Untouchable are also part of the liquidation.

The legal battle stems from a long-standing dispute between Damon Dash and Josh Webber, who sued Dash over unpaid judgments and defamation from an earlier $800,000 judgment tied to the film Dear Frank.

In March 2025, a court issued a $4 million default judgment against Dash in a defamation lawsuit filed by Webber, stemming from comments the mogul made on the Earn Your Leisure podcast following his failure to respond to the claims.

In December 2024, his one-third stake in Roc-A-Fella Records was sold off to pay his debts, but the proceeds didn’t cover them all. Now, the court has cleared the way for the sale of Dash’s full ownership in Dash Films Inc. Also up for grabs are his interests in Bluroc LLC and Blakroc LLC, both music-related ventures.

Poppington LLC, Dash’s production company, is also part of the auction. It owns the rights to several lesser-known titles, including Honor Up (2018), Too Honorable (2017) and We Went To…China (2018).

The auction date has not been announced yet.

Nicki Minaj Reveals Real Reason She’s Holding Back “Pink Friday 3”

Nicki Minaj is pressing pause on the release of her next album and opening up about the personal trade-offs she’s made to get where she is, including motherhood and missed holidays.

The rap heavyweight confirmed she’s holding off on dropping Pink Friday 3, her sixth studio album, because she wants it to carry weight—not just fill space.

“I have a lot of really strong songs,” she said in a Vogue Italia cover story. “But I don’t want to rush, I want the album to mean something, for the fans and for me. I will never be one of those people who releases songs just for the sake of it. I love music, I respect it.”

While the album’s timeline is still fluid, the Queens native made it clear she’s eager to hit the stage again. “Relive everything as soon as possible. For me and for the Barbz,” she added, hinting at a return to touring.

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Minaj’s last project, Pink Friday 2, dropped on December 8, 2023, and debuted at No. 1 on the Billboard 200. The album made her the first female rapper to earn three No. 1 albums in the U.S.

It featured five singles, including “Super Freaky Girl,” which became her first solo No. 1 on the Billboard Hot 100 and was certified double platinum in May 2023.

Nicki Minaj On Paying The Price Of Fame

But behind the accolades, Minaj reflected on the personal cost of her career.

“As a woman, I put off becoming a mother,” she explained. “A lot of women in the industry, especially older than me, haven’t had children. Some don’t regret it, but others do. I put it off. And then I didn’t go to every Thanksgiving, Christmas or birthday party because I had to work to support my family. I think the price was not having a ‘normal’ life.”

Now that she’s a mom to her son, affectionately known as Papa Bear, her priorities have shifted.

“Today, things are different, because I can give my son what I couldn’t have,” Minaj added. “But there are things I would like to ensure for him and that I have to figure out how to give him. When we go out, for example, I have to worry about someone taking pictures of him. So every day I have to decide: is it more important to go for a walk with my son or to avoid him being photographed?”

Diddy Trial: Ex-Assistant Testifies Kidnapping, Threats, Drug Runs, Violence From Mogul

Sean “Diddy” Combs’ federal trial took a disturbing turn as Capricorn Clark, a former high-ranking employee, delivered explosive testimony. She painted a picture of violence, intimidation and control during her years under the Hip-Hop mogul’s employment today (May 27).

Clark, who worked for Combs from 2004 to 2012, told the courtroom she was once kidnapped. She said she was subsequently held for five days, and forced to take multiple lie detector tests under threat of being “thrown into the East River.” She was accused jewelry theft by the mogul.

“There was a six-foot folding table and a heavyset man… he said if I failed the test, they’d throw me in the East River,” Clark recounted.

Clark said she was surveilled, physically assaulted, and threatened by Combs and his inner circle. This included a man named “Uncle Paulie,” a person she described as heavily involved in orchestrating Combs’ day-to-day security and intimidation.

Clark’s, a product of the West Coast, once worked for Death Row Records before taking a job with Combs in 2004. A job in fashion and branding for Sean John spiraled into a world of paranoia and alleged abuse.

“My first day working for him, he took me to Central Park after dark and told me, ‘Since you worked for Suge Knight, if anything happens, I might have to kill you,'” she said.

The courtroom gasped. The judge overruled an objection. And Clark went on.

She detailed Combs’ frequent hotel stays under aliases like “Frank White” and “Frank Black,” carrying bags filled with cameras, baby oil and lube. She said she swept rooms afterward, often finding damage from baby oil. This happened “every time,” she said.

Clark said she personally witnessed Combs carry firearms, facilitated drug pickups that included ecstasy, Molly and cocaine and also prescription meds filled in her name.

She testified to emotional and physical abuse. She described being pushed repeatedly by Combs after a complaint about turkey bacon. At one point, she was told, “You are not to leave this house,” and later pushed again after saying, “I hate it here.”

Though she eventually left the job, Clark returned as a brand director, managing the image of Cassie Ventura, then Diddy’s girlfriend. Clark explained she was instructed to protect Cassie’s image and avoid any perception of other romantic interests, like artist Kid Cudi.

Clark testified she helped Cassie get a burner phone to hide her communications from Combs, who paid for both their main lines.

On December 22, 2011, Clark said Combs returned to town and showed up at her apartment, enraged. “There was banging at my door,” she said. “I looked through the peephole and saw a furious Puff pacing with something in his hand.”

More on the testimony of Capricorn Clark as it develops.

Diddy Was Strapped Over Problem With 50 Cent According To Ex-Assistant

Diddy‘s RICO trial continued in a Manhattan federal court on Monday (May 27) and included testimony from former assistant Capricorn Clark.

During her time on the witness stand, Clark painted a grim picture of what it was like working for the Bad Boy Records founder. At one point, after Clark was terminated for allegedly not getting her vacation time approved, she claimed Diddy told her he would “make” Clark “kill” herself.

Clark also testified that Diddy was considering going after 50 Cent, who he had a “problem” with.

Per Inner City Press:

AUSA: And did he talk about it?
Capricorn Clark: He. Mr. Combs told Chris Lighty he had a gun. He had a problem with 50 Cent.
AUSA: Were you ever accused of stealing?
CC: Yes. Jewelry. It had been given to me. It was on loan.
AUSA: It went missing?
CC: Yes.

Clark’s testimony continued for hours. She discussed Kid Cudi’s theory that Diddy had his car blown up and dragged Harv Pierre into it, former president of Bad Boy.

AUSA: Did law enforcement call you?
Capricorn Clark: The arson investigators. Cudi had given them my name. I hung up on them. I just wanted this over.
AUSA: What did Mr. Combs say to you?
CC: He said, I should kill you b*tches and I should cut her face.

AUSA: How many times did Mr. Combs threaten you?
Capricorn Clark: I’d say fifty times. D-Roc was there, just doubling down on whatever Puff was saying in the moment.
AUSA: Who is Harv Pierre?
CC: The president of Bad Boy Records. I told him Puff had kidnapped me

AUSA: What did Harv Pierre tell you?
Capricorn Clark: He said, That’s crazy but it’s going to be OK. I got a termination notice. I was accused on not properly putting in for the vacation I was on.
AUSA: Had you put in?
CC: Yes, to Harv Pierre.
AUSA: Did you lose benefits?
Capricorn Clark: All of them. Health, 401(k), my house and car.
AUSA: What did Mr. Combs say?
CC: That I would never work again. That he would make me kill myself.

The animosity between Diddy and 50 Cent became public when 50 Cent released the diss track “The Bomb” in 2006. In the song, 50 Cent insinuated that Diddy had knowledge about the 1997 murder of The Notorious B.I.G., rapping, “Who shot Biggie Smalls? … Man, Puffy know who hit that n####.” Diddy has always denied any involvement or knowledge regarding Biggie’s murder.

Their rivalry intensified when both became involved in the vodka business. Diddy marketed Ciroc, while 50 Cent became the face of Effen Vodka. The competition between their brands led to further public jabs and taunts, with 50 Cent regularly mocking Ciroc and Diddy on social media.

50 Cent also attempted to sign Ma$e, who was under contract with Bad Boy. Diddy reportedly demanded $2 million to release Ma$e, while 50 Cent was only willing to pay $1 million. The failed deal, and Diddy’s public comments about 50 Cent’s finances, reportedly aggravated 50 Cent, fueling further resentment.

Over the years, 50 Cent has used social media to relentlessly troll Diddy, too, especially as Diddy’s legal troubles continued to mount. To add insult to injury, 50 Cent has publicly criticized Diddy’s lifestyle and parties, suggesting discomfort with Diddy’s social scene and implying that their values and backgrounds are fundamentally different. He has repeatedly stated that he avoids Diddy’s parties and doesn’t approve of his behavior—and apparently for good reason. Diddy’s “freak-offs” are at the root of his current trial.

SZA Toasts AMA Wins With Champagne Balancing Act Inspired By Kim Kardashian

SZA celebrated her double win at the 2025 American Music Awards in Las Vegas by channeling Kim Kardashian’s infamous “Break the Internet” pose—complete with a champagne bottle perched on her lower back.

The “Saturn” singer posted a carousel of photos from the Monday (May 27) ceremony, but one cheeky image stole the spotlight.

In the photo, SZA beams while balancing a bottle of bubbly on her backside, a playful nod to Kardashian’s 2014 Paper magazine cover that once drove nearly 1% of all U.S. web traffic in a single day.

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The homage didn’t go unnoticed. Kardashian’s original pose, shot by Jean-Paul Goude, featured her pouring champagne into a coupe glass resting on her bare bottom. The viral image was inspired by Goude’s 1976 photo “Carolina Beaumont, New York.”

SZA’s version skipped the glass but kept the spirit, adding her own flair to the moment.

Alongside the champagne snap, she shared photos with Shaboozey and her parents, capturing the joy of the night.

SZA Scoops Two AMA Wins & Gives Kai Cenat His Flowers

The 2025 AMAs, hosted at Fontainebleau Las Vegas by Jennifer Lopez, saw SZA take home two major trophies: Favorite R&B Song for “Saturn” and Favorite Female R&B Artist.

While accepting Favorite R&B Song, she said, “Thank you for choosing the song. I’m so grateful for everyone that worked on this song, just for the energy that was cultivated just creating the song, it was so easy and I’m just grateful.”

When accepting Favorite Female R&B Artist, she gave a shoutout to Kai Cenat, who presented her with the award. “Thank you so much. Tell them about Streaming University, congrats to Kai, thank you so much. Yes, I’m so proud of you. I’m sorry, sorry, I be happy for my friends, okay.”

SZA also acknowledged the people who voted, saying, “this is like our first time like entering, fan won award, so like thank you for mobbing for us. I love you so much, just as much as you love me, probably more; you have no idea. Thank you, God bless y’all.”

Kevin Liles Exposes Alleged $30M “Extortion” Plot By Former Def Jam Rapper Lady Luck

Kevin Liles attempted to get ahead of a looming sexual assault allegation Tuesday (May 27) by releasing a statement accusing rapper Lady Luck of trying to extort him for $30 million.

The longtime music executive said he received a letter from Shanell Jones—known professionally as Lady Luck—and her attorneys demanding a multi-million dollar payout or she would publish a book and file a lawsuit accusing him of sexual misconduct.

Lady Luck allegedly threatened to claim that Liles groomed her 26 years ago, exposed himself and pressured her into oral sex while she was in his car.

Liles flatly denied the accusations and described them as a calculated attempt to damage his name. He even launched a website using Lady Luck’s name, ladylucksownwords.com, to combat the claims.

In addition to her social media posts, Liles and his team also decided to publish Lady Luck’s criminal records.

“None of this ever happened,” Liles wrote. “Her threatened allegations are totally false. And they are contradicted by Ms. Jones’s many public statements about me and her experience at Def Jam. Rather than pay her and her legal team, I am publicly addressing what I view to be an extortion attempt.”

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Liles said he signed Jones to Def Jam in 1999 and gave her opportunities to build a Hip-Hop career. He said her career didn’t meet expectations, and she was eventually dropped from the label.

He pointed to her criminal history, including felony convictions for armed robbery and heroin distribution and said she has publicly admitted to criminal behavior in interviews.

Despite her past, Liles said he continued to support her when asked, including helping her as recently as last year.

Liles cited past interviews and social media posts in which Jones praised him, referred to him as a mentor and maintained a close relationship with his family.

He also referenced her comments in podcasts from 2016, 2022 and 2023, where she denied any inappropriate sexual interactions with older men, which he said contradicted her current claims.

Liles said he believes Jones is motivated by money and frustration over her stalled career.

“Regardless of my empathy for Ms. Jones, I will not be extorted, nor will I pay a dollar to those that threaten to ruin my reputation or the legacy I intend to leave the culture I’ve spent my life serving,” Liles said.

Kevin Liles said he became concerned after seeing Jones appear intoxicated during recent media appearances where she discussed drug use and unusual spiritual beliefs.

Liles said his legal team will handle the situation and he plans to continue his work in the community despite the emotional toll of the accusations.

He’s also facing a separate civil lawsuit filed in 2025 by Jane Doe, who accuses him of sexual assault and harassment between 2000 and 2002.

That case also names Universal Music Group and Def Jam as defendants. The defense argues the claims are too old and were previously settled, while the plaintiff cites a New York law that temporarily allows old claims to be filed.

Motions to dismiss are pending.

The Psychology of Casino Music

Ever walked into a casino and noticed how you feel different almost immediately? The lights flash, the chips clatter, the slot machines ding and spin. Even an online casino can make you lose sense of your surroundings. That’s because there’s another invisible player at work: the music.

Casinos don’t just pump in background tunes for fun. The music you hear in a casino is carefully curated and deliberately designed to mess with your brain. Whether it’s upbeat pop, jazzy instrumentals, or mellow lounge music, every note has a purpose. Let’s take a peek into the psychology behind casino music and why it’s such a powerful tool.

Setting the Mood

First off, music sets the tone. 

Casinos want you to feel relaxed but alert, happy but not distracted, focused but not stressed. That can be a tricky emotional cocktail, and music helps mix it just right. Soft ambient music creates a comfortable environment where people feel safe spending time. Too much silence and people get anxious. Too much noise and people get overstimulated.

Some casinos go with jazzy instrumentals or classic pop hits from the ’70s and ’80s—nostalgic tunes that spark good memories and positive vibes. Others use subtle ambient tracks that fade into the background but keep the energy flowing. Either way, the goal is to make you feel like this is a place where good times happen—and where it’s totally normal to lose track of time.

Sense of Time

Have you ever noticed that casinos do not have clocks? There’s a reason for that. No windows either. That’s no accident. The idea is to keep you in a timeless, suspended reality where the outside world (and your responsibilities) don’t exist.

Music plays a role here too. Some casinos use continuous playlists with no breaks or distinct time cues, so you can’t easily tell how long you’ve been there. The vibe stays consistent, which helps create a sense of endless “flow”—that feeling of being so immersed in something that hours feel like minutes.

Tempo Tricks

Here’s where things get sneakier.

Studies have shown that music tempo—how fast or slow a song is—can influence behavior in all kinds of environments, including restaurants, shopping malls, and yes, casinos. Slow-tempo music tends to make people linger. Fast-tempo music increases activity.

So what does that mean in practice? Slot machine areas often feature faster-paced music, encouraging you to keep spinning. Table game zones might have slower, smoother music to encourage you to settle in, play a few extra hands, maybe order another drink.

It’s all about nudging you toward the behavior the casino wants. And often, you don’t even realize it’s happening.

The Reward Loop

Casinos are all about reward loops—you press a button, lights flash, sounds play, coins (or digital equivalents) clink into your tray. Even if you lose, you’re getting little bursts of stimulation that keep you hooked. And music is a big part of that loop.

Ever noticed how every win on a slot machine comes with a happy little jingle? That’s not just for fun. It’s classical conditioning 101. Just like Pavlov’s dog drooled at the sound of a bell, your brain starts to associate those cheerful tunes with positive outcomes. Even when you’re not winning, the background music keeps you in a pleasant emotional state, making it more likely you’ll keep playing.

This is the same for sweepstake casinos in the US found at Gambling.com. Despite players not playing with their own money, the casinos still utilise music and sounds for rewards when players win.

Customising the Experience

Some high-end casinos even personalise music for different areas or times of day. Mornings might feature light, cheerful music to get people in a positive mood early. Late at night, they might switch to more energetic tracks to fight fatigue and keep the party going.

There’s also some evidence that different types of music can attract different types of players. Younger gamblers may respond better to modern pop or EDM, while older players might prefer classic rock or easy listening. Casinos often analyze customer demographics and adjust playlists accordingly.

The Sensory Strategy 

Of course, music doesn’t work alone. It’s part of a larger sensory strategy that includes lighting, layout, sounds, smells, and even temperature. But music plays a unique role because it taps into memory, emotion, and subconscious patterns.

It’s one of the most powerful ways to create atmosphere and influence behavior—without being obvious. You don’t walk into a casino thinking, “Wow, this playlist is making me spend more money!” But your brain is reacting all the same.

Overall, casino music is more than just background noise. It’s a finely tuned psychological tool designed to shape your experience, influence your behavior, and keep you engaged. From tempo to tone, every element plays a part in crafting that “can’t-stop-won’t-stop” casino vibe.

Next time you’re in a casino and catch yourself tapping your foot while chasing a win, remember: the house might have the odds—but the music has your brain.

Migos Page Hijacked In $4.3M Bitcoin Blackmail Against Solana’s Raj Gokal

Migos had their official Instagram account hijacked Tuesday (May 27) in an apparent strange and public attempt to extort Solana co-founder Raj Gokal for 40 Bitcoin—roughly $4.3 million.

The compromised page posted at least seven images, including photos of Gokal holding his passport and driver’s license, with all personal details visible.

One image showed a woman, believed to be Gokal’s wife, holding her own ID.

The captions clarified the hackers’ intentions: “you should’ve paid the 40 btc” and “it was only 40 btc.. should’ve paid.”

The attackers didn’t stop there. They exposed Gokal’s phone number and email address, telling followers to “spam” him. The account bio was edited to promote a meme coin scam, and Telegram links and audio clips were also uploaded.

Former Migos rapper Quavo confirmed the breach on his Instagram Stories, writing, “Our Ig is hacked and will be back up shortly thanks.”

The posts remained live for about 90 minutes before being scrubbed. The account has since returned to normal.

Gokal had reportedly already raised red flags about suspicious activity a week earlier. On May 20, he warned that someone had been trying to gain access to his email and social media accounts, saying the attempts had been ongoing for more than a week.

Neither Gokal nor the Solana Foundation has issued a formal statement about the incident.

Once the account was restored, Migos fans wasted no time cracking jokes on the account.

“Well that was fun,” one person wrote.

Another chimed in, “dat nicca knew to pay that 40 btc.”

A third added, “Ngl kinda miss Raj. He was there to hack migos page & post nonsense when alot of things was gloomy. R.I.P RAJ you’ll never be forgotten.”

Kai Cenat Clashes With Kanye West Fan On AMAs Livestream

Kai Cenat wasn’t in the mood for Kanye West praise during a livestream at the 2025 American Music Awards on Sunday (May 18) when a man interrupted his broadcast to show love to the controversial rapper.

The Twitch star was initially laughing and chatting with a young girl accompanying the man, but things took a turn when the conversation shifted to Kanye West.

The man began, “Where’s Kanye at? We want to say — we love Ye. We love Ye for being outspoken, regardless, because it’s America, and I think it’s a great thing to live in a free country. Don’t you, Kai?… I think he’s a great guy… God bless you, Kai.”

Cenat didn’t hesitate to shut it down.

“So, you really hopped my stream, knowing my influence, to come on here and say that?” Cenat said, visibly annoyed.

The man tried to double down on his support for West, calling him a “great guy,” but Cenat wasn’t having it.

“I think I want to protect my energy. But I’m going to politely ask you, get out of here, guys. Please! All right, I get it, but I don’t want that,” he said, cutting the moment short.

Kai Cenat Cancels Kanye West Livestream

Cenat and West have a rocky history that’s played out publicly over the past year. The two met outside the 2025 Grammys, where Cenat recalled being impressed by West’s dramatic entrance in twin chrome Maybachs. “When he pulled up, he hopped out slow motion, I seen the aura,” Cenat said. “He had all black on with some boots. His teeth were bust down. He dapped me up and said, ‘I appreciate, bro. I’ll see you tonight.’ You know we’re gonna go to Tokyo. He said we gonna get on stream and see what happens.”

That stream never happened.

Cenat later pulled the plug after West posted a series of antisemitic messages in February 2025.

Addressing his audience, Cenat said, “I’m gonna go ahead and address the elephant in the room… I don’t know what’s going on, bro. I think it’s GGs.” He added, “I seen the tweets. I don’t know what’s going on. I think it’s [over]. It’s crazy… It’s just back to back to back.”

West didn’t take the cancellation lightly. He lashed out at Cenat, saying, “F### Kai Cenat,” and claimed, “I invented the streaming s### with Donda,” accusing Cenat of stealing his ideas.

The two had previously patched things up after West sent Cenat some Yeezy gear — which didn’t fit. 

Jennifer Lopez Kisses Female Dancer During 2025 AMA Performance

Jennifer Lopez kicked off the American Music Awards on Monday night (May 26) in Las Vegas with a six-minute performance that included 23 songs, a tribute to U.S. veterans and two onstage kisses that had the internet buzzing.

The actress and singer opened the show at the Fontainebleau with a rapid-fire medley of tracks like “Dance Again,” “Lose Control,” “Hot To Go” and “Die With a Smile.” But it wasn’t just the music that had people talking — it was the choreography.

Midway through the set, a male dancer leaned in and kissed Lopez on the lips. Moments later, a female dancer followed suit. A second woman then hovered inches from Lopez’s mouth, their faces nearly touching.

Lopez later explained the concept behind the performance, revealing it was her idea. “It was kind of like a narrative, a little story going on,” she told Variety. “The whole idea was around the mirrors and the reflections. We all take in this great music every year, and we go into our own world with the music, and that was the whole premise of the performance. Then, throughout it, everyone feels it differently. I like the idea of losing control.”

Comedian Tiffany Haddish added some levity after the set, joking, “Save a dancer for me, J.Lo. Damn! You ain’t the only one out here single.” The performance took place on Memorial Day and ended with Lopez honoring America’s veterans.

Lopez’s kiss-filled opener drew comparisons to the 2003 MTV Video Music Awards, where Madonna famously kissed Britney Spears and Christina Aguilera during a medley of “Like a Virgin.”

Jennifer Lopez was initially scheduled to be part of that performance but had to drop out due to scheduling conflicts. Aguilera stepped in to complete the trio.

Cardi B Gets Wild With Stefon Diggs At Miami Yacht Bash

Cardi B turned heads Monday night (May 26) as she danced, laughed and partied alongside Stefon Diggs aboard a yacht in Miami, letting off steam while her long-awaited sophomore album remains in limbo.

The Grammy-winning rapper was caught on camera living it up with a group of women, twerking and grinding while Diggs playfully slapped her backside during one particularly wild moment.

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Another clip showed bikini-clad women dancing on Cardi as she smiled and soaked in the attention.

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The Miami getaway comes as Cardi continues to vent her frustrations over delays tied to her next project.

Last month, she took to Instagram Live to air out her struggles with collaborators dragging their feet.

“I really need these f###### features,” she said. “And it’s like I’m not really trying to press or go crazy on these artists because I love them down. But it’s like, come on now! I need that! I need that right now! Helloooo! Y’all don’t want to miss this opportunity. I’ll sing this s### myself! But I really need y’all, and I need y’all to hurry up, and I love y’all. I feel like nobody want to miss being on this album.”

More recently, she pointed to marketing logistics as another holdup.

“Right now, it’s really, really, really not my fault,” she said. “Well, it kind of is, but it’s kind of not … I’m trying to get everything at the same time. This bundle s### be annoying, I’m not even gonna lie.”

She added that she dislikes relying on others and would’ve already announced the album if it were solely up to her.

Cardi B & Stefon Diggs Make Public Debut

While the music waits, Cardi’s relationship with the Buffalo Bills wide receiver continues to heat up.

The pair were first linked in October 2024 after being spotted together at a New York City nightclub. They spent Valentine’s Day 2025 together in Miami and made their first official public appearance as a couple on May 12 at a New York Knicks playoff game, where they were seen holding hands, whispering and sharing affectionate moments courtside.

Diddy’s Lawyers Demand Judge Toss Kid Cudi’s Car Bomb Testimony Over Claims He Lacked Proof

Diddy’s criminal defense team has moved to strike Kid Cudi’s explosive Porsche firebombing testimony from the record. The defense claims his sensational account is speculation with zero evidence to back it up.

The Bad Boy mogul’s attorneys filed new court documents that argue Kid Cudi’s account of the 2012 Molotov cocktail attack on his Porsche has no place in court. The entire narrative hinges on suspicion, not hard facts, according to TMZ.

READ ALSO: Former Day26 Star Que Claims He Was Drugged At Diddy’s Mansion: “I Thought It Was A Sacrifice”

Kid Cudi testified in court last week that he “knew” Diddy was behind the fiery destruction of his sports car. The incident allegedly occurred shortly after Kid Cudi stopped dating Cassie Ventura, Diddy’s then-girlfriend. But under oath, Kid Cudi admitted he had no witnesses, forensic proof or direct connection tying Diddy to the incident.

According to Cudi, when he later confronted Diddy about the car bombing, Diddy denied having any role. Despite the denial, Kid Cudi claims he didn’t believe him and recounted a later encounter where Diddy allegedly apologized for “all that bull##t.”

Diddy’s legal team says that’s not enough in court.

In their filing, Diddy’s attorneys argue the rapper’s personal belief about what happened isn’t admissible in court because it lacks concrete evidence. They’re calling the testimony “unfounded” and “highly prejudicial.” They implore the judge to strike the entire exchange from the official record.

The judge hasn’t ruled on the motion yet. If his defense is successful, this would wipe one of the more dramatic, damaging moments of the trial off the record.

More allegations are reportedly on the way.

T.I. Defamation Showdown With Sabrina Peterson Set – With Stipulation

T.I. and Sabrina Peterson are officially headed to court in Los Angeles after a judge locked in a trial date in the rapper’s defamation case stemming from a years-long legal feud.

The Hip-Hop artist filed a lawsuit against Peterson in December 2024, accusing her of spreading false and damaging claims online, including an allegation that he was under federal investigation for sex trafficking.

The case marks the latest chapter in a legal back-and-forth that began in 2021 when Peterson sued T.I. and his wife, Tameka “Tiny” Harris, for defamation, invasion of privacy and emotional distress.

Peterson’s original lawsuit alleged that T.I. pointed a gun at her and that the couple attempted to smear her publicly after she spoke out.

However, five of her seven claims were tossed by a judge in June 2023. Only the defamation and invasion of privacy claims remained.

After failing to pay nearly $100,000 in court-ordered legal fees to T.I. and Tiny, Peterson asked the court for a payment plan of $1,000 per month, citing financial hardship.

But by March 2025, her case was dismissed without prejudice due to inactivity and nonpayment. The contempt charge tied to her unpaid fees was also dropped once the case was closed.

With Peterson’s claims out of the way, T.I. launched his own legal action, alleging Peterson’s Instagram posts damaged his reputation and invaded his privacy.

Before the trial can begin, both parties must attend a settlement conference with a private mediator. The court has mandated that this meeting occur no later than Monday (November 24, 2025).

The case will not proceed to trial if either party fails to appear in person. The trial is scheduled to begin Tuesday (June 9, 2026) at 9 a.m.

Kim Kardashian Celebrates Son Psalm’s Birthday With Marvel-Themed Party

Kim Kardashian transformed an arcade into a superhero playground Sunday (May 26) to celebrate her son Psalm’s sixth birthday with a party inspired by Deadpool & Wolverine.

The SKIMS founder shared snapshots from the event on Instagram, showing off balloon arrangements, themed signage and a towering cake modeled after the Marvel characters portrayed by Ryan Reynolds and Hugh Jackman.

The cake, shaped like the two antiheroes, served as the centerpiece of the celebration. Kardashian captioned the post, “Psalms 6th Birthday Party (sic),” followed by a heart emoji.

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The party took place at a local arcade, where Psalm was seen darting around with a bubble gun and joining in on group games.

In one photo, Kim played a basketball arcade game, while another showed her posing with her mother, Kris Jenner, sister Khloé Kardashian, and nieces Dream Kardashian, 8, and True Thompson, 7.

Psalm is the youngest of four children Kim shares with her ex-husband Kanye West, including North, 11, Saint, 9, and Chicago, 7.

It remains unclear if the rapper attended the party.

The celebration comes just months ahead of the release of Deadpool & Wolverine, one of the most anticipated films of 2024.

Lil Wayne Producer Hits UMG With $3M Lawsuit Over “Tha Carter III” Royalties

Lil Wayne producer Darius “Deezle” Harrison is taking legal action against Universal Music Group (UMG) in Los Angeles over more than $3 million in unpaid royalties tied to his production work on Weezy’s Grammy-winning album Tha Carter III and Birdman’s Fast Money.

The Grammy-winning producer filed a lawsuit claiming UMG hasn’t paid him a dime in over ten years despite his credited work on hit records like “Lollipop,” “Mrs. Officer” and “Let the Beat Build.”

According to the complaint, Deezle is owed a 4% royalty rate for each track he produced on Tha Carter III and 3% for his contributions to Fast Money.

“Plaintiffs have not been paid any producer royalties associated with the YME producer agreement or CMR producer agreement for over a decade,” attorney Christopher L. Brown wrote in the filing, per Billboard.

Deezle previously sued Lil Wayne, Cash Money and Young Money in 2011 over the same royalty issues.

That case was settled in 2012, but the new complaint alleges UMG quietly stopped payments shortly after the agreement was reached.

The lawsuit also claims that UMG continues to benefit from the commercial success of the songs without honoring its contractual obligations. “The recordings in question are fully recouped, and over $3 million is owed to the plaintiffs,” the suit states.

Deezle’s case adds to a growing list of royalty disputes involving UMG. In recent months, artists like Salt-N-Pepa have also taken legal steps against the music giant over unpaid earnings.

Tha Carter III, released on June 10, 2008, was a commercial juggernaut. The album debuted at No. 1 on the Billboard 200, moved over a million units in its first week, and became the best-selling album of that year in the U.S. It has since been certified six times platinum by the RIAA.

The 5 Best Hip-Hop Tracks About Gambling and Casinos

Hip-hop artists often refer to gambling and use terms, metaphors, and allegories associated with it. Today we collaborated with Edward Howarth of DashTickets magazine to bring you some of the most prominent rap tracks that feature gambling activities.

Pokerface — Ghostface Killah

Pokerface opens with commentary from the World Series of Poker and is all about an exciting poker game. Its chorus, however, can be easily applied to everyday life as well, especially lines like “You gotta know how to play your cards, have a mean poker face” and “This is no limit hold ’em, you gotta know when to fold ’em”. 

The song is full of poker jargon that can only really be properly understood by players and also heavily references Rounders, which is probably one of the most iconic poker movies in history. 

Putting it simply, if you find poker fun and amusing, then this song is perfect for you.

Mo Money Mo Problems — The Notorious B.I.G

As you can guess from the title, Mo Money Mo Problems is all about the weight of responsibility and problems associated with owning huge sums of money, resulting in the key chorus line “It’s like the more money we come across the more problems we see”

Admittedly, it’s not the most relatable issue, but there is a reason why The Notorious B.I.G. is a rap legend — the track is simply great. The rap video shows a fun night in the casino, while lines like “We don’t play around, it’s a bet, lay it down” establish a gambling mood. 

I’m So Paid — Akon feat. Lil Wayne and Young Jeezy

I’m So Paid is all about being amazingly rich and living on the edge, which is the main selling point of the track. It is very 2008, which is good, and it works perfectly as an actual soundtrack to your casino night. An absolute banger for everyone who wants to relax and simply have fun while gambling.

It Was a Good Day — Ice Cube

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It Was a Good Day is a deeper track that tells the story of Ice Cube’s perfect day, which consists of getting a call from the girl he had been anticipating for a long time, getting ignored by the police patrol, and no need to use his AK. Not only that, but he also manages to win in craps several times in a row. 

While this track is much more nuanced and deep than the previous one on the list and might not be the perfect fit for your gambling session, it still absolutely deserves to be included in the list because of how influential and recognizable it is. Also, Ice Cube’s flow will get stuck in your head for days.

Life Is a Gamble — Big K.R.I.T.

Big K.R.I.T. places a huge emphasis on the risks and dangers of treating life as a gamble. He is rather direct in his lyrics, with lines like “Russian roulette table, I gotta bet safer” and “You gotta know when to fold your cards”. The message is clear and may feel a bit preachy, but the track is still amazing and definitely worth your attention. 

A$AP Rocky Got Schooled By Jeffrey Wright While Filming With Denzel Washington

A$AP Rocky leaned on Jeffrey Wright for acting guidance while filming Highest 2 Lowest, the Spike Lee-directed thriller that also stars Denzel Washington, revealing the veteran actor gave him on-the-spot coaching between takes.

The rapper told Variety that Wright became an informal mentor during production, often offering real-time feedback from inside their trailer.

“During Highest 2 Lowest, he was coaching me. I would do something, and he’d be like, ‘Nah, man, you got to do it like this,’ and ‘Say your line like that,’” A$AP Rocky said. “We would just kick it in the trailer. He would tell me what books to read and show me the old-school s**t he used to be in. He’s just an OG like that.”

The film, a modern English-language take on Akira Kurosawa’s High and Low, premiered at the Cannes Film Festival earlier this week and marks Rocky’s fourth acting credit.

While he’s no stranger to the camera, A$AP Rocky admitted Wright encouraged him to take his craft further — specifically to the stage.

“If I’m being totally honest, to be a better actor overall, theatre is the only way to do that. One of the best, wisest men told me that — Mr. Jeffrey Wright,” he said. “I don’t think I’m ready. I gotta be in one place, and that’s a lot to commit to.”

Rocky also opened up about working alongside Washington, saying he had to keep his cool around the Oscar-winning icon.

“Trust me, it was difficult to not fan the f### out every millisecond of the f###### duration. It was crazy — it’s f###### Denzel, man,” he said. “I’m never going to be too big to be able to say that I had to hold my composure from not fanning out.”