The Baltimore Orioles announced they will honor Tupac Shakur with a special bobblehead giveaway during their May 8 game against the Oakland Athletics.
The first 15,000 fans will receive a collectible featuring the rap legend in an Orioles uniform, a black bandana, and a baseball bat.
The tribute celebrates Shakur’s deep connection to Baltimore, where he spent four transformative years from 1984 to 1988. At age 13, Shakur moved to Baltimore from New York City with his mother, Afeni and younger sister, Sekyiwa, settling into a first-floor apartment in the Pen Lucy neighborhood.
Shakur attended Roland Park Middle School for eighth grade and spent his freshman year at Paul Laurence Dunbar High School. He auditioned for the prestigious Baltimore School for the Arts as a theater major.
At the Baltimore School for the Arts, Shakur studied acting, poetry, jazz, and ballet alongside future Hollywood star Jada Pinkett. He embraced theater completely.
Shakur’s Baltimore chapter ended abruptly in summer 1988 after his family was moving to Marin City, California, where his mother hoped for a fresh start.
The house at 3955 Greenmount Avenue, where Shakur lived, has no historic marker, but neighbors say tourists regularly take pictures of the modest brick row house.
And a rap Tupac wrote while living in the city is in the Pratt Library’s Special Collections archive, alongside works by Baltimore literary legends H.L. Mencken and Edgar Allan Poe.
Tupac Shakur was murdered in a Las Vegas drive-by shooting in September 1996 at age 25.
Kurupt has made Hip-Hop stop scrolling and start praying.
Something is going on with one of the most respected voices to ever come out of the West Coast/Hip-Hop, but nobody is spelling it out.
It started quietly, his longtime rap partner Daz Dillinger set it off. Here is what he said and tell me this is not scary.
“GOD SAID WE SHALL LIVE & NOT DIE 🚾Want to send a big shout out to my big brother @official_kurupt get well speedy recovery need all FANZ to send kurupt a get well message flood his Instagram tell him how much we love him rest in peace to my cousin Joe, cool Nate Dogg and others that we lost so I need everybody to hit kurupt and let them know that we love HIM from his little brother Daz life is serious shout out to @leelee_calinanita for holding it down, Dogg Pound gangstaZ 4 LIFE GOD 1st” – Daz
Let’s not jump to conclusions. Fair enough. Everybody deserves privacy, especially when health is involved. But DAG ON…what are we looking at?
But then another affiliate from the same circle chimed in, echoing the same message.
Pray up. When multiple people around an artist are saying the same thing without saying anything at all, fans start to feel that familiar knot in their stomachs. This is not gossip. We want to be able to brace ourselves or prepare. We’ve been through a lot.
Comment sections across platforms are already buzzing, but people closest to Kurupt are choosing their words carefully. We’ll be quiet.
Kurupt has been part of the culture’s DNA since the era of Death Row Records, and his voice has always been an authority.
So for now, we send good energy.
Until Kurupt or his camp decides to speak, Hip-Hop owes him silence.
James Bernard, the influential, foundational editor of Hip-Hop magazines The Source and XXL, reportedly died by suicide, New Jersey authorities confirmed.
Bernard’s death is being treated as a suicide based on findings from the Burlington County Medical Examiner, according to the Burlington County Prosecutor’s Office. His body was discovered Dec. 29, 2025, by hunters in a wooded area of Pemberton Township, New Jersey, said public information officer Joel Bewley.
The confirmation resolves months of uncertainty following Bernard’s disappearance in early 2024, which many in the Hip-Hop media community did not know about.
Records show Bernard was last seen March 17, 2024, walking away from his residence wearing a blue sweatshirt, gray pants and a bookbag. Missing-persons reports at the time indicated he may have been heading toward nearby wooded areas. Investigators now believe Bernard died near the beginning of that period, suggesting his absence closely aligned with the time of his death.
Bernard was 58 years old.
He was a foundational figure in Hip-Hop journalism, helping shape coverage of the culture during its transition from the margins to a recognized media force. Through his editorial work, Bernard played a central role in how Hip-Hop was chronicled, critiqued and taken seriously. He’d critique the culture and challenge it to be better.
Bernard’s exit from The Source in 1994 unfolded against rising internal friction involving Ray Benzino and Benzino’s rap group Almighty RSO, whose growing influence inside the magazine became a flashpoint. As The Source expanded, questions about editorial independence and perceived conflicts of interest intensified, particularly around coverage connected to Benzino and his affiliates.
At its launch in 1997, XXL was built by a small group of editors who were already respected voices in Hip-Hop media and James Bernard was a key founding editor. He was the architect and a member of the original leadership team. Elliott Wilson became the magazine’s founding editor in chief and public face. XXL positioned itself as a more industry-facing publication within Hip-Hop journalism at the time.
Bernard leaves a legacy that extends to digital media such as AllHipHop. He came from a family of accomplished professionals. His father, Dr. Harold O. Bernard, was a respected physician in Nashville, and Bernard later attended Harvard Law School before dedicating his career to media, culture and activism.
No funeral arrangements have been announced.
If you or someone you know is struggling, the (988) Suicide & Crisis Lifeline provides free, confidential support 24 hours a day by calling or texting 988.
A shopping expert posted a viral video with advice on how to find the best deals at Marshalls. However, many viewers are skeptical about the accuracy of his claims.
On Wednesday, a TikToker, who goes by the title Rossen Reports (@rossen.reports), posted a TikTok claiming to know what the numbers on the tags at Marshalls indicate. The video has amassed 918,000 views as of this writing.
“You see that number next to the box, that little one?” Rossen asked, pointing at the tag of a Marshalls dress. “The numbers go like, one, two, six, seven. There’s a lot of those. That number one tells you something.”
What Does Rossen Say a Tag That Ends With 1 Indicates?
Rossen goes on to claim that if the last number on the tag ends with a one, then “it was made just for Marshalls.”
He gives an example with a DKNY dress he found, which has a tag that ends in the number one.
“This was made just for Marshalls,” he claims. “This is not for sale in the DKNY store or in full-size department stores. It says DKNY, but not really.”
What Does Rossen Say a Tag That Ends With 2 Indicates?
He additionally claims that each number has different meanings. The next item he showed viewers contained a tag that ended in the number two: “It means you’re getting a very good deal,” he claimed.
“It means that it was overstock from the main store or department store. Or, it was going to an outlet store, and there was a late shipment,” Rossen continued. “So, in this case, it’s a Michael Kors bag. This was the real thing, made to go to the Michael Kors outlet, and it just didn’t work out because of whatever reason.”
Is Rossen Correct About the Meaning of These Tags?
Many commenters were quick to argue that Rossen’s claims were not quite true.
“Not sure this info is 100% accurate,” wrote one viewer. “That same blue DKNY dress is sold in other stores including Macy’s – therefore ‘1’ can’t mean it’s made for Marshall’s.”
While Rossen’s claims about specific price tag numbers are compelling, there’s no public evidence that Marshalls uses a universal, shopper-facing code system where the final digit reliably explains an item’s origin. Marshalls has not yet responded to AllHipHop’s request for comment to confirm the accuracy of Rossen’s claims.
What is well-documented, however, is that off-price retailers like Marshalls, T.J. Maxx, and Ross Dress for Less operate under a sourcing model that mixes multiple types of inventory. It is extremely common for these stores to sell a combination of true overstock, canceled department-store orders, and items manufactured specifically for off-price distribution.
Marshalls has confirmed that it frequently works with brands to produce lower-cost lines exclusively for discount retailers. Often, these items are made using cheaper materials or simplified designs while still legally bearing the brand name. This practice allows brands to protect their full-price image while still profiting from value-focused shoppers. That means an item sold at Marshalls can be considered “real” in the legal sense, even if it never existed in a flagship store.
AllHipHop reached out to Rossen for comment via direct message and Marshalls for comment via email. This story will be updated if either party responds.
Diddy has officially sold his private Gulfstream G550 jet after months of trying to liquidate it following his September 2024 arrest on federal charges.
Silver Air Private Jets confirmed to Business Insider that Diddy completed the sale of his matte-black aircraft in October 2025, marking the end of a lucrative charter operation that generated millions while the music mogul sat behind bars.
The 2015 Gulfstream G550, previously registered as N1969C under Diddy’s LoveAir LLC entity, now bears the tail number T7-OKS and is registered in San Marino, a European microstate known for its favorable tax policies for wealthy individuals.
Diddy first attempted to sell the jet as part of a proposed $50 million dollar bail package presented to Judge Arun Subramanian in September 2024, shortly after his arrest on racketeering conspiracy, sex trafficking and transportation to engage in prostitution charges.
His defense team offered to surrender the aircraft along with his passport and other assets to secure his release, but the judge denied bail.
Diddy remained imprisoned at Brooklyn’s Metropolitan Detention Center, while his jet continued to fly dozens of charter flights to destinations including French Polynesia, New Zealand, San Francisco, Los Angeles, and Baja Mexico, according to flight-tracking data.
Industry sources estimate the charter operation generated approximately $4 million dollars in revenue during this period.
The jet sale stands in stark contrast to Diddy’s struggles with his Los Angeles real estate holdings. His $61 million Beverly Hills mansion, listed for sale in September 2024, just weeks before his arrest, was quietly removed from the market on December 24, 2025, after failing to attract buyers.
Real estate experts attributed the mansion’s poor market performance to its association with federal raids and the criminal case, with potential buyers deterred by the property’s notoriety as the alleged site of what prosecutors called “freak off” parties.
Diddy’s trial concluded in July 2025 with a mixed verdict that surprised legal observers.
While the jury acquitted him of the more serious racketeering conspiracy and sex trafficking charges, they convicted him on two counts of transportation to engage in prostitution under the Mann Act.
The conviction resulted in a 50-month prison sentence and a $500,000 fine, which prosecutors argued was appropriate despite seeking an 11-year term.
Diddy maintains his innocence and has consistently denied all allegations of sexual assault.
His legal team filed an expedited appeal with the Second U.S. Circuit Court of Appeals in Manhattan, arguing that the sentence was excessively harsh for Mann Act violations and that the judge improperly considered acquitted conduct during sentencing.
The appeal seeks either a complete reversal of the conviction or a significantly reduced sentence, with oral arguments expected in February.
Max B and French Montana – in 2026 – could not be more different on paper. And yet, somehow, they manage to capture two parallel pillars of modern Hip-Hop history. One represents the mythic origin of the Wave and the other is the evolution personified. Together, they show how influence, loyalty, and cultural move through generations.
Max B was established way before streaming metrics, algorithm debates, and social media revisionism, . The Harlem-born Panamanian American always offered a unique melodic version of street poetry mixed with an infectious charisma. From Coke Wave tapes to unforgettable hooks, Max B’s presence was never quiet.
After years away, his return is here with the help of his old pal French Montana and together they have reignited the magic. In this interview with AllHipHop‘s SlopsShotYa, Max B reflects on culture shock, inflated grocery prices, faith, and Montana adds why God has a role in all of this new glory.
This wave is welcome.
Max B: Shout out to AllHipHop.com. Y’all still around. Y’all been rolling for a long time. I f##k with y’all. I love y’all. You already know what it is. Coke Wave 3.5 Narcos.
AllHipHop: This is special for me personally. I remember back in ’09, ACG boots, blowing my last little money, Grand Cru nights. They need to bring that back.
Max B: Grand Cru can be implemented in a lot of different whiskeys or champagnes or cognacs. It would be nice to bring back the crew.
AllHipHop: People still rocking it.
Max B: I had one on the other day.
AllHipHop: What was the most different thing about coming back outside?
Max B: Just the price of eggs. They went up crazy. I went and bought a newspaper, some eggs, some turkey bacon. Two hundred dollars. The orange juice was organic, that was like two hundred. I was like, what kind of bougie supermarket is this?
AllHipHop: Sounds like Whole Foods.
Max B: Exactly. I went to Trader Joe’s after that.
AllHipHop: A lot of people forget the hits. Diamond records. Multiple platinum moments. Do you take pride in proving people wrong?
French Montana: God gave you water. Allah gave you oxygen. Allah gave you your house. Allah gave you your soul. Allah gave you breath. And there’s still people who say they don’t believe in God. Who am I?
If they don’t believe in the Creator, how they going to believe in you? You shouldn’t expect them to.
That answer alone explains everything. Max B does not chase acknowledgment. He understands disbelief is part of the world’s design.
AllHipHop: Max, I remember parties ending with ‘Get Them Hoes Up.’ Freestyles. Dream shows. Parties starting with ‘Sexy Love.’ There’s a whole generation that doesn’t fully understand what the Max B thing was. How do you explain it?
Max B: Just check the receipts. It’s a receipt era. Go on Google. Wikipedia. YouTube. Apple Music. Spotify. I’m on all platforms. I’m everywhere around the world. I’m in the algorithms. We tapped in.
North West just delivered her most defiant message yet to anyone questioning her bold fashion choices, and she’s not shying away from the controversy that recently forced her Instagram account offline.
The twelve-year-old daughter of Kim Kardashian and Kanye West posted a striking new TikTok video showcasing black grills, a bridge piercing and vibrant blue hair while directly addressing her critics with a clear message.
“This is for everyone that’s mad over a finger piercing,” North captioned her latest post, which featured her sporting the edgy accessories alongside a diamond skull necklace that Kim gifted her for Christmas.
The statement comes just weeks after North’s solo Instagram account mysteriously vanished on January 5 following intense public backlash over her controversial style choices, including various piercings and temporary tattoos that caused debate about age-appropriate content.
North’s Instagram account launched on December 20 with a bio stating it was “managed by parents,” but it disappeared after critics flooded social media with complaints about her mature appearance and fashion choices.
The profile showed as “not available” or “may have been removed” when users searched for it, though the account reportedly returned by the following Tuesday, suggesting the removal was temporary.
The controversy stems from North’s fashion statements, which have included fake facial tattoos, multiple piercings on her fingers and nose bridge and grills that some critics argue make her appear older than her twelve years.
Kim previously defended her daughter’s creative expression during a recent interview, explaining that North and her friends enjoy experimenting with costumes and looks, particularly during the Halloween season, when they applied fake tattoos and colored their hair together.
A Tennessee woman is calling out Dunkin’ after finding that her 100-Munchkin order was short by nearly two dozen. She wants to know if this is a common occurrence or if it was a simple mistake.
TikTok creator Krystal (@krystallarke) is the manager at an Arby’s in Hixson, Tennessee. In a Jan. 1 post, she reveals, “So I went to Dunkin’ Donuts this morning to get my crew some Munchkins. I bought two 50-count Munchkins, and they were very light in the box. We got to work and counted them. There’s only 40 in each box.”
To end the video, she says, “So I’m curious to know if they do that to pad their inventory or if it was a mistake. This is crazy because these things are not friggin’ cheap.”
How Much Do Dunkin’s Munchkins Cost?
Munchkins are what Dunkin’ calls its donut holes. According to Dunkin Donut NJ, the chain charges approximately $10–$17 for 50 Munchkins. However, the higher range appears to apply to promotional Munchkin buckets—like this one from over the summer. A 10-count of Munchkins will generally cost between $2 and $5.
In terms of quality control, it appears that it really does depend on the person selecting the Munchkins on any given day. One Reddit user posted to r/DunkinDonuts a month ago with a photo of his order of 25 “assorted” Munchkins. The only issue is that each and every one is chocolate glazed.
In case you’re wondering, the chain offers nine different types of Munchkins: powdered, old-fashioned, jelly, glazed, old-fashioned glazed, glazed chocolate, glazed blueberry, cinnamon, and butternut. Mass Live reviewed all of these flavors in 2024, including a couple of rare special editions.
Viewers React to the Missing Munchkins
In the comments section of the video, viewers speculated about what happened to the missing Munchkins. A few former Dunkin’ employees even weighed in on what could’ve caused the shortage.
“I bought a five and three count recently and they only gave me four and then got upset when I said something,” said one viewer.
“It’s the new math,” suggested a second person.
“When I worked there I would lose count all the time and I did not think people are actually so serious about $3 donuts that they would actually count them,” said one former worker.
A second former worker said, “Most times it’s the workers being lazy or miscounting. I used to work for Dunkin’ so it’s definitely the person who put them in the box.”
A Dunkin’ manager confirmed this hypothesis. “They just throw them in there when they’re in a rush not meaning to,” they wrote. “It was a mistake. If you call, they will replace them.”
AllHipHop contacted Krystal via TikTok comment and direct message for comment. We also contacted Dunkin’ via press email for comment. This story will be updated should either party reply.
Salt launched her solo chapter with a message and a Bronx backdrop as she released “Kings & Queens,” the second single from her upcoming debut album Salty N Lit, due out in Spring/Summer 2026.
The track arrives on the heels of a historic moment for the Hip-Hop legend, who, alongside Salt-N-Pepa, became the first female Hip-Hop group to be inducted into the Rock & Roll Hall of Fame.
The video for “Kings & Queens” was shot at The Hip-Hop Museum in the Bronx, a deliberate nod to the culture that helped shape Salt’s career and a tribute to the genre’s roots. The museum is currently raising funds through its “$1 Dollar, 1 Mic, 1 Movement” campaign to preserve Hip-Hop’s global legacy.
Both tracks reflect a personal and spiritual direction that Salt says is central to Salty N Lit, which she describes as “fearless, faith-filled, and forward-thinking.” The release comes one year after Salt-N-Pepa’s induction into the Rock Hall, where they received the Influence Award for their cultural impact.
During her speech, Salt declared, “Salt-N-Pepa have never been afraid of a fight. This is the ‘Influence Award.’ We have to keep using our influence until the industry honors creativity the way the audience does with love, respect, and fairness, that includes streaming platforms. Hip-hop gave us a voice, and we’ll keep using it.”
Salt-N-Pepa’s legacy spans nearly four decades. They released five albums, which featured hits such as “Push It,” “I’ll Take Your Man,” “Shake Your Thang,” “Let’s Talk About Sex,” “Shoop,” “Whatta Man,” and others.
They were also the first female Hip-Hop group to earn a platinum plaque for their album Hot, Cool & Vicious. The group’s influence has been recognized beyond the charts.
In 2022, they were honored with a Hollywood Walk of Fame star, cementing their status as pioneers who broke barriers for women in Hip-Hop.
The new year can come with new layoffs. This NYC man who works in tech was five minutes late to a Zoom meeting that changed his whole life.
While tech jobs are increasingly more relevant as technology becomes more prevalent in our everyday lives, tech companies are also classically known for major layoffs. Just last year, a few tech giants let go of thousands of employees. In early November, Amazon let go of around 10,000 employees, Meta about 11,000, and X around 3,700, according to an Indeed article.
Jeff (@jeffffqu) seems to be part of this year’s new tech layoffs. Viewers are left on the edge of their seats as Jeff tries to figure out what’s going on immediately after an all-hands meeting.
Slack, Google: ‘All My logins Aren’t Working’
Jeff makes it to the company Zoom five minutes late. He is only on the call for one minute before the call ends. During his one minute on Zoom, he hears just enough of what he needs to know.
“I get Slacks from my entire team saying, ‘Are we getting laid off?’ And then it’s the CEO explaining to me how our Q4 performance was low and how he would, like, personally make sure that we would be fine, whatever, whatever. You know, typical ‘I’m the CEO, you just got laid off’ speech,” Jeff says.
He then tries to log into his Slack and Google Calendar after the meeting, but he can’t
“All my logins aren’t working, so I have no way to communicate with anyone on my team, my boss,” says Jeff before his video ends.
“Being late to your own layoff is crazy,” says one comment.
“Imagine if instead of mass layoffs, execs took a pay cut when things were bad,” another commenter suggests.
“File for unemployment and enjoy your vacation,” says another.
The video has 2.3 million views and 202,500 likes.
Angi Layoffs
In an update video, Jeff confirms that he did get laid off from Angi.
“Yes, I actually did get laid off. Yes, I actually was late to the meeting to lay me off. I worked at a company named Angi. … It is a tech company in the home services space. There are a total of 350 people who were laid off, including myself, and members of my team, and members of several different other teams,” Jeff explains.
As Jeff explained, Angi is a tech company in the home services industry. It focuses on connecting customers with low-key services for help with home tasks. The platform was previously called Angie’s List. Think of the company as an alternative to Task Rabbit.
A Business Insider article confirms Angi layoffs this year, with 350 jobs lost, just like Jeff said.
“Angi said Wednesday that it was cutting around 350 jobs ‘to reduce operating expenses and optimize the organizational structure in support of long-term growth.’ The company also said it’s making the cuts ‘in light of AI-driven efficiency improvements,’” the article says.
The layoffs are predicted to save the company $70 million to $80 million in yearly spending.
What’s Next for Jeff?
Jeff seems to be finding a way to make the most of his new free time.
“As for what’s next, I don’t really know. I want to take some time off for myself. I definitely won’t be tapping right into the recruiting grind,” Jeff says. He continues to explain that he is going to focus on his fitness journey and post more content.
AllHipHop has reached out to Jeff via TikTok direct message and email and to Angi via email. This story will be updated should either party respond.
Donald Trump apparently decided being president of just one country wasn’t enough for his ego, so he crowned himself Venezuela’s “Acting President” in a Truth Social post that would make even the most creative fiction writers blush.
The social media-obsessed commander-in-chief shared a doctored Wikipedia screenshot showing his profile updated to include “Acting President of Venezuela” as of January 2026.
Of course, Trump’s actual Wikipedia page shows no such designation, and reality continues to exist despite his best efforts to rewrite it through memes and fake screenshots.
The bizarre self-appointment comes as Donald Trump has been escalating his territorial ambitions faster than a kid claiming playground equipment, with increasingly unhinged rhetoric about seizing Greenland and threatening Cuba with economic strangulation.
Trump told reporters last week that “we need Greenland” because it’s “so strategic right now” and claimed the Arctic territory is “covered with Russian and Chinese ships all over the place,” apparently forgetting that Denmark might have something to say about his real estate fantasies.
The president has also been salivating over Cuba, posting in all caps on Truth Social that “THERE WILL BE NO MORE OIL OR MONEY GOING TO CUBA – ZERO!” while demanding the island nation “make a deal, BEFORE IT IS TOO LATE.”
MAGA supporters have been celebrating Trump’s increasingly aggressive foreign policy moves, with many praising his “America First” approach even as he threatens to invade or economically crush multiple sovereign nations simultaneously.
The Venezuela situation began when Trump ordered military strikes that resulted in the capture of President Nicolás Maduro, leading to Vice President Delcy Rodríguez taking over as interim leader while the U.S. demands control over the country’s massive oil reserves.
Marco Rubio, Trump’s Secretary of State, has been working to clarify the administration’s plans for Venezuela while Trump posts memes about running the country himself.
Rodríguez has been cooperating with U.S. demands, particularly regarding energy cooperation, with Donald Trump claiming the U.S. would receive up to 50 million barrels of Venezuelan oil under the new arrangement.
The interim Venezuelan government has even begun exploring diplomatic ties with Washington, which were severed during Trump’s first term.
Trump canceled what he called a “second wave of attacks” on Venezuela after increased cooperation from Rodríguez, posting that “The U.S.A. and Venezuela are working well together” while simultaneously pretending to be the country’s acting president on social media.
The president told the New York Times that while the interim government is “giving us everything that we feel is necessary,” he’s keeping his options open.
Trump’s Wikipedia fantasy post has sparked fresh concerns among NATO allies about his increasingly erratic territorial claims, with European leaders scrambling to address what one diplomat called “the darkest hour” for the alliance.
Latto dropped a photo dump so damn fine it basically screamed “I’m not pregnant” louder than any caption ever could. Forget the rumors, forget the whispers. One scroll through these pics, and it’s obvious she’s not hiding a thing.
Her body looks snatched, tight, and built, as if she’s been in the gym and at the mirror at the same time.
Let’s start with the obvious: those boobs. Full, high, and sitting pretty in a black top that barely covers them. That top ain’t there for modesty, it’s there to frame the goods. And trust, it’s doing its job.
You see that pic and your thumb freezes mid-scroll.
Zoom out and the rest of the fit hits just as hard. Cropped jacket, velvet pants gripping her hips, chain belt hanging low. Her waist and stomach were flat as hell, and her hips were curved like a damn racetrack.
There’s no baby bump, no bloat, no “maybe.” It’s all body, all confidence, and all intentional. Her face says it all, too. She looks chill, locked in, and fully aware of the power she’s holding in these pics.
You don’t look at those and think “pregnant.” You think, “damn, she’s on demon time.” As if this all was not enough, the best part came last – she confirmed her new album is on the way.
50 Cent just locked down the biggest entertainment development deal Louisiana has seen in decades and the timing couldn’t be more strategic for both sides.
G-Unit Film & Television Louisiana finalized its $124 million agreement with the state on Monday (January 12), creating a three-venue entertainment complex in downtown Shreveport that positions Louisiana as a serious competitor to Georgia and California in the film production game.
The deal transforms three key properties into state-of-the-art facilities: the former Stageworks venue for live events and production, the former Millennium Studios campus for enhanced film capabilities, and a brand-new dome-style immersive venue with a green-space park.
Governor Jeff Landry said the project proves Louisiana’s business environment is attracting major players across every industry and region of the state.
“Over the past two years, my administration has worked to build the most competitive business environment in the country, and this announcement is another clear sign that our momentum is real and that our wins span every corner of the state and every industry.”
An independent economic impact study commissioned by G-Unit projects that the development will generate $18.8 billion in economic impact over the next 20 years, support more than 6,000 jobs statewide, and pay $300 million in wages.
50 Cent said this project represents his long-term commitment to Shreveport and Louisiana, with plans to create state-of-the-art entertainment and production facilities that will attract new productions and give the entire entertainment industry reasons to build their futures in Northwest Louisiana.
“This project is the realization of the long-term commitment I have made to the City of Shreveport and the State of Louisiana,” 50 Cent said. “By reinvesting in downtown Shreveport and upgrading existing assets to create state-of-the-art entertainment and production facilities, we are creating jobs, inspiring hope, attracting new productions, and giving the entire entertainment industry a reason to build their futures right here.
“My goal is to turn Northwest Louisiana into the premier destination for film, music, and live entertainment on a national scale. All Roads Lead to Shreveport,” 50 Cent added.
Louisiana Economic Development entered into a Cooperative Endeavor Agreement providing up to $50 million in performance-based funding for eligible infrastructure and modernization improvements at the three project sites, with state support tied directly to economic impact, local business engagement and delivery of infrastructure improvements.
LED Secretary Susan Bourgeois said Northwest Louisiana continues to demonstrate its position as a center for creative and economic opportunity, with the facility revitalization generating new entertainment-industry opportunities, including motion picture production, new jobs, and new investment across the region.
The state established the Shreveport Film & Entertainment Economic Development Corporation to oversee and hold accountable the project and associated state funds, with a board that includes Secretary Bourgeois, two governor-appointed members, and legislative representatives.
Fif’s G-Unit Film & Television has built an impressive track record producing hit series, including the Power franchise, Black Mafia Family, For Life, and recent Netflix documentary Sean Combs: The Reckoning, which debuted at number one in more than 50 countries.
The company recently launched the FAST channel 50 Cent Action, which became the number one action channel on Roku and LG Channels’ platforms, featuring premium content from Lionsgate’s library, including the original Power series and hit films like John Wick and The Expendables.
Louisiana’s entertainment industry has been building momentum with tax incentives and infrastructure investments, but 50 Cent’s commitment represents the largest single private investment in the state’s entertainment sector and signals confidence in Louisiana’s ability to compete with established production hubs.
The project timeline calls for phased development beginning this year, with construction expected to create immediate job opportunities while the completed facilities will support ongoing film and television production, digital media work and large-scale entertainment events.
The agreement includes specific performance benchmarks tied to job creation, local business engagement and infrastructure delivery, ensuring state funding flows only as 50 Cent’s company meets predetermined economic impact targets.
Construction on the first phase of renovations is scheduled to begin in the second quarter of 2026, with the modernized Millennium Studios campus expected to be operational by early 2027.
Commercial printing services business printing: Printing vs Installation vs Turnkey—What B2B Buyers Should Actually Outsource
The brief lands on a Tuesday: 60 locations, one launch date, one brand standard, zero tolerance for delays. Operations wants speed. Marketing wants color accuracy and consistency. Procurement wants cost control. And the local managers want someone—anyone—to own the messy middle between “approved artwork” and “installed in the field.”
This is where outsourcing decisions stop being a simple “print quote” and become an operational risk question. In the U.S., the failure points are predictable: permitting and code requirements, landlord approvals, site access, shipping damage, install variability, and a dozen small handoffs that turn into one big missed deadline. Multi-site rollouts are routinely described as complex precisely because every location behaves like its own project.
This article is a practical framework for B2B buyers deciding what to outsource—printing, installation, or turnkey—so cost efficiency improves without trading away accountability and risk reduction.
The U.S. outsourcing landscape: why this got harder (and more expensive)
Two things changed for multi-location brands in the U.S.:
Rollouts became project-managed work, not “just signage.” Engineering requirements, municipal rules, landlord standards, and local install conditions create location-by-location variance. That variance is the cost.
Brands are consolidating vendors to reduce handoffs. Vendor consolidation is now a documented procurement strategy in print workflows because it simplifies ordering, control, and repeatability across distributed teams.
Meanwhile, physical graphics didn’t disappear—brands still need storefront sign installation, retail store signage installation, window graphics installation for businesses, construction site signage installation, and retail store opening signage installation. What changed is the expectation: fewer vendors, clearer ownership, and fewer surprises.
Three outsourcing models buyers actually use
Printing-only: the “we control the field” approach
A business printing company or business print provider produces graphics and ships them. You (or your GC, or local installers) handle site work.
Where it works
You have strong internal ops or a reliable install network.
Your locations are clustered, not nationwide.
The scope is mostly commercial printing services: posters, decals, basic banners, campaign kits.
Where it breaks
You need consistent installs across many cities.
You need standardized methods for commercial vinyl installation, window vinyl installation for businesses, or wall wrap installation commercial—surfaces and site conditions vary.
You need rollout sequencing tied to openings, inspections, or landlord windows.
Hidden cost: every handoff becomes a dispute point—who reprints if a panel is cut wrong, who pays for a second trip, who owns the measurements.
Installation-only: the “we already have print” approach
You bring printed materials; you outsource field work to a commercial signage contractor or commercial sign installation company.
Where it works
Your print is centralized (in-house or a primary printer).
Your challenge is labor, lifts, access, safety compliance, and installation consistency.
You need a defined scope: banner installation services business, applied vinyl, wayfinding, fixture graphics, and punch lists.
Where it breaks
Installers inherit measurement risk if print was produced from weak site data.
Artwork-to-production errors surface at install time—when fixes are most expensive.
Coordinating multiple installers across states turns into “vendor management as a job.” Rollouts fail at communication and coordination more than at “quality of vinyl.”)
Hidden cost: schedule risk. One missed access window can cascade across openings.
Turnkey print and install: the “single point of accountability” approach
A commercial print and install company handles production and field delivery under one managed workflow: site survey → proofing → production → shipping → installation → closeout.
This is the model behind most turnkey printing and installation services, end to end print and install services, and print and install services for businesses—especially for nationwide print and install company use cases.
Where it works
Multi-location business signage services (franchises, retail chains, banks, healthcare).
Tight schedules tied to store openings, rebrands, or compliance.
If the provider lacks disciplined project management and standardized field QA.
If you cannot lock scope early (site variability invites change orders).
Why buyers choose it: it reduces disputes by collapsing multiple vendors into one accountable chain.
The real decision dimensions (not the marketing brochure version)
1) Risk concentration vs risk fragmentation
Print-only fragments risk across printer, shipper, installer, and site contact.
Installation-only fragments risk across whoever produced measurements, print, and installer.
Turnkey concentrates risk into one contract—useful when the rollout is business-critical.
Vendor consolidation exists because fragmentation creates cost through coordination overhead and rework.
2) Change velocity
If creative refreshes weekly, you need a system that absorbs revisions without field chaos. That’s closer to corporate print management thinking: governance, ordering controls, standards, and repeatable execution across locations.
3) Field complexity
Basic shipments are logistics problems. Installs are site problems. Permitting and landlord approvals are governance problems. When those stack, turnkey wins because it’s built to manage the stack.
Pricing and cost reality in the USA: what you’re really paying for
Pricing varies by city, access, surface condition, and coverage. The biggest misunderstanding: buyers compare material-only online prices to installed project pricing and assume margin padding. They’re comparing different products.
Below are practical ranges that show the difference between “print” and “delivered installed outcome,” using published price anchors from major print providers and sign vendors.
Typical ranges (material-only vs installed)
Category (common outsource scope)
Material-only / print-only signals
Installed / turnkey signals
What drives cost
Perforated window film / window graphics
From ~$2.25/sq ft for printed perf material (print-only))
~$13–$15+/sq ft starting points for certain custom window graphics products (provider pricing)
Coverage %, laminate, alignment tolerance, glass condition, site hours
Decorative / solar / security window film
—
~$10–$20 (decorative), $20–$40 (solar), $30–$60 (security) per sq ft (installed ranges)
Film type, warranty, prep, safety/security requirements
Wall wraps / wall murals
—
~$15/sq ft example for “with install” offers; other providers publish higher starting points
If you want cost efficiency, optimize the system (standard specs + repeatable install playbook + fewer handoffs), not the per-unit print line item.
Decision-making framework for ops + marketing managers
Step 1: classify your project by “failure cost”
Ask one question: If this is wrong or late, what breaks?
If a single location being late is tolerable → print-only or install-only can work.
If lateness affects revenue, inspections, franchise compliance, or brand trust → turnkey is structurally safer.
Step 2: match outsourcing to the bottleneck
Bottleneck is production capacity → outsource commercial print solutions.
Bottleneck is field labor and access → outsource business sign installation services.
Bottleneck is coordination across many sites → outsource turnkey printing and installation services or nationwide sign installation company capability.
Step 3: buy “proof of control,” not promises
For any graphics printing and installation company (or printer + installer stack), require:
Site survey method (photo standards, measurement tolerances, templates).
Install standards for commercial graphics installation and vinyl (surface prep, edge sealing, seam rules).
Closeout package: before/after photos, site sign-off, issue log.
Change-order rules tied to cause (bad site data vs late artwork vs access failure).
Step 4: decide who owns “the messy middle”
That middle is where rollouts fail: communication between corporate, vendors, and local installers. If your internal team can’t be the hub, outsource to a provider built for multi location sign installation, franchise sign installation services, and chain store signage installation.
Mini case study: two realistic scenarios
Scenario A: franchise refresh across 120 locations (retail graphics print and install)
A QSR franchise group runs a seasonal promo and a light rebrand: updated window perf, counter graphics, and outdoor promotional banners. The marketing team can deliver final artwork weekly; ops cannot coordinate dozens of installers.
Print-only outcome: Print ships on time, but install varies by market. Some locations miss launch because managers can’t schedule access. Reprints happen due to measurement drift and glass size variance.
Turnkey outcome: A nationwide retail signage services provider kits by location, schedules installs by region, and uses the same install standard. The buyer pays more than raw print pricing, but avoids a second wave of truck rolls and missed launch windows—the real cost center.
Scenario B: regional bank remodels 18 branches (corporate print and signage installation)
The bank needs consistent wayfinding, privacy film, lobby wall wraps, and exterior updates. Risk tolerance is low due to brand compliance and customer experience.
Installation-only outcome: Bank controls print centrally and hires a commercial signage contractor network for field work, but only after locking site surveys and standardizing specs.
Turnkey outcome: Bank chooses business printing and installation services under a single provider to reduce coordination and produce uniform closeout documentation across all sites.
Both scenarios share the same lesson: outsourcing choice depends on whether your main problem is production, labor, or orchestration.
Where Signs7 fits (soft integration, real use case)
Signs7, a Nationwide Printing & Signage Installation Company, is positioned for buyers who want fewer vendors and clearer ownership—especially for multi location business signage services, retail expansion signage services, and commercial rebranding print and install programs. The operational value is not “we can print.” It’s controlling the chain from print decisions to installed outcomes with one accountable workflow.
Conclusion + CTA
Outsourcing in signage is not a binary “cheapest printer wins” decision. It’s a control decision: who owns risk, who owns field variability, and who owns the handoffs that destroy timelines.
If your rollout is multi-site, time-bound, and brand-sensitive, turnkey structures accountability in a way that print-only and installation-only cannot. If your program is stable, regional, and process-mature, hybrid models can deliver cost efficiency with control.
Book a consultation with Signs7 to map your scope into the right outsourcing model—print-only, installation-only, or end-to-end print and install—before your next rollout turns into a coordination problem.
FAQ
What’s the difference between commercial printing services and print and install services for businesses?
Commercial printing services cover production and shipping of printed materials. Print and install services for businesses include project coordination and field installation—turning printed assets into installed outcomes with defined responsibility.
How much do window graphics installation for businesses cost in the USA?
Published installed price ranges vary by film type and scope: decorative films often price lower than solar control and security films, with installed ranges commonly cited from roughly $10–$60 per sq ft depending on film category.
Is a nationwide print and install company worth it for franchise printing and installation services?
For multi-location rollouts, the value is reduced coordination overhead and a single point of accountability, which helps control schedule risk and variability across markets. Rollout complexity is widely tied to permitting, logistics, and installer coordination—not print alone.
When should I outsource storefront sign installation versus keep it local?
Outsource to a nationwide provider when brand consistency, engineering/permitting coordination, and standardized closeout documentation matter across many sites. Use local when the project is single-site or tightly regional and you can supervise access, permits, and quality directly.
What should I ask a commercial sign installation company before a retail rollout sign installation?
Ask for their site survey method, install standards (surface prep, seams, edge rules), scheduling process, and closeout documentation. Also ask how they handle rework: who pays when measurements are wrong or access fails.
Does corporate print management replace turnkey signage?
No. Corporate print management focuses on governance and efficiency—controls, standards, ordering discipline, and waste reduction. It complements signage execution; it doesn’t perform field installation.
The 56th NAACP Image Awards have unveiled their nominees and Hip-Hop artists are commanding serious attention across multiple categories.
GloRilla emerged as the most-nominated artist across music categories with six nods, followed closely by Doechii and Kendrick Lamar.
Teyana Taylor also received nominations, adding to her growing list of accolades, including a Golden Globe. The multi-talented artist has been making waves across music, film, and fashion, cementing her status as a true renaissance woman in entertainment.
But Kendrick Lamar leads the charge with nominations that cap off what can only be described as a banner year for the Compton rapper. The nominations showcase Hip-Hop’s continued cultural dominance and artistic excellence within the Black community.
For Kendrick Lamar, these NAACP nominations represent another milestone in an extraordinary awards season. The rap star leads the 2026 Grammy nominations with nine nods for his album GNX and he recently secured five nominations at the 2026 iHeartRadio Music Awards, including Artist of the Year and Hip-Hop Artist of the Year.
Outstanding Hip-Hop/Rap Song nominees include tracks from Doechii, Megan Thee Stallion, and other rising stars who have defined the genre’s evolution over the past year.
Doechii’s six nominations reflect her breakout year, with the Top Dawg Entertainment artist gaining recognition for her innovative approach to rap and R&B fusion. Her track “Anxiety” was nominated for Outstanding Hip-Hop/Rap Song.
The event promises to celebrate Black excellence across entertainment, with Hip-Hop artists playing a central role in the festivities.
The awards ceremony will take place on February 22 at the Pasadena Civic Auditorium and will air live on BET and CBS.
DDG is facing a New York lawsuit alleging that he not only underpaid for “Pink Dreads” but also lit the fuse on a wave of threats by discussing the dispute online.
Producers Delali “D1xoo DA” Amenyenu and Jordan “5kjordn11” Church are credited in the complaint with creating the beat in October 2024 and then sending it to DDG’s team in December 2024.
The producers thought they would receive credit and payment if it became a record. However, “Pink Dreads,” featuring Plaqueboy Max, was released on December 24, 2024, before any final agreement with D1xoo DA had been reached.
It was eventually released through DDG Entertainment and Zooted and climbed to approximately 40 million streams and “significant six-figure” revenue. Music L.A.A., Inc. (LAA Music) later acquired a portion of D1xoo DA’s interest in the beat and now asserts that it has not been paid and has not received an accounting of the revenue generated by the record.
The suit goes beyond money and accuses DDG of defamation, breach of an implied agreement, unjust enrichment, and refusal to open the books regarding “Pink Dreads” income.
The beef really exploded into the public on January 28, 2025.
That day, DDG ran a nearly 30-minute Twitch stream, later posted to his DDG Live YouTube channel under the title “pink dreads got deleted.. Im being extorted,” in which he discussed LAA Music and its founder, Zachary Hiller, while their Instagram pages were on screen.
Hiller’s lawyer said DDG turned a business dispute into content and a warning shot.
“All producers, do not sign to LAA Sports ENT. Dont do it. They are going to ruin your business. Do not do it. This is a PSA for all producers. Do not sign. All producers. Do not sign to these people, ever in your life. They will ruin you. Do not sign. Ok? Do not sign to them. They will ruin your business,” DDG said during the stream.
At another point, he allegedly said, “Theyve literally been trying to extort me all day long bro,” and, about Hiller, “you got this white man coming in here and thinking he can extort s### for it?”
Clips then bounced around TikTok and Instagram, where plaintiffs estimate they collected more than 100 million views as users repeated the idea that LAA and Hiller were trying to “extort” DDG.
DDG pushed the story on X as well.
“Pink Dreads got removed by one of the producers managers. Song is dead at this point im over it. They careers finna be cooked by the time im done with em,” he wrote.
The complaint notes that he pinned the post for his 1.3 million followers.
According to LAA Music and Hiller, they were buried under more than 10,000 comments, including antisemitic slurs and messages like “Find his girlfriend or parents Instagrams. We going crazy on this dude.”
LAA Music and Hiller are asking a jury to find that DDG’s statements were false and defamatory, to order the videos and posts removed and to award compensatory and punitive damages tied to lost royalties, business harm, and emotional distress.
Fetty Wap barely had time to adjust to life outside federal prison before facing a harsh reality check from the mother of two of his children.
Lezhae Zeona took to social media this week demanding more than $200,000 in unpaid child support from the New Jersey rapper, who was released to home confinement on January 7 after serving nearly three years of a six-year sentence for drug trafficking.
“I’m a real b#### fr i stand by wtf is REAL mind yall i never wanted to put him on child support,” Zeona wrote in one heated post. “When he was gettin the most money i ain’t put him on but after i had the second child and he tried not helping at all to be financially petty to me i kept telling him ion wanna do this lets come to an agreement and the n#### thought it was a joke.”
The 34-year-old rapper was sentenced in May 2023 after pleading guilty to conspiracy to distribute cocaine, heroin, fentanyl and crack cocaine across Long Island and New Jersey between 2019 and 2020.
Zeona and Fetty Wap have two children together: daughter Zaviera, born in 2015, and son Zyheir, born in 2018. The pair dated from 2014 to 2017, according to public records.
In her social media rant, Zeona accused the “Trap Queen” hitmaker of spending hundreds of thousands of dollars on failed business ventures for other women while neglecting his children’s needs.
“He dumped hundreds and thousands into a b#### salon when she ain’t even think that s### through cause who tf goes through a busy ass mall to get they lashes done,” she wrote, mocking what she described as a poorly planned investment.
Zeona also took aim at Fetty Wap’s criminal case, calling him a “sorry drug dealer” for getting caught and telling him to “pick something to be actually good at.. superstar.”
The mother of two emphasized her independence throughout the ordeal, listing everything she has provided for their children without his financial support.
“MY KIDS GOT A ROOF OVER THEY HEAD CAUSE OF ME,” she wrote in all caps. “MY KIDS GOT BEDS TO SLEEP IN CAUSE OF MEEEE. MY KIDS GOT SNEAKERS ON THEY FEET CAUSE OF MEEEE. MY KIDS GOT CLOTHES ON THEY BACK CAUSE OF MEEEEEE.”
She continued the list, noting she provided food, after-school programs and health insurance for their children and “NO FOOD STAMPS N####” during his absence.
Fetty Wap rose to fame in 2014 with his hit single “Trap Queen,” which peaked at number two on the Billboard Hot 100. He has seven children with multiple women, including Ariel Reese, Masika Kalysha and Alexis Skyy.
The rapper will remain under home confinement until November 8, 2026, when his supervised release period ends. He faces five years of probation with restrictions including mandatory drug testing and community service.
Zeona’s public demands come as Fetty Wap attempts to rebuild his career and personal relationships following his incarceration, with the child support debt representing a significant financial obligation as he transitions back to civilian life.
Mary J. Blige just dropped major news that has Las Vegas buzzing with excitement about her upcoming Strip debut.
The nine-time Grammy winner announced her first-ever Las Vegas residency at Dolby Live at Park MGM, marking a historic moment for the Queen of Hip-Hop Soul, who has never headlined a Vegas show before.
The residency, titled Mary J. Blige: My Life, My Story The Las Vegas Residency, will feature 10 performances across two runs in the spring and summer.
Fans can catch Blige performing on May 1, 2, 6, 8, and 9, followed by a second run on July 10, 11, 15, 17 and 18 at the state-of-the-art Dolby Live venue.
Mary J. Blige revealed her motivation for finally bringing her music to Vegas, explaining that creating this type of intimate show experience has been a longtime dream for the R&B icon.
“Creating a show like this has been something I’ve always wanted to do,” she said, emphasizing her desire to connect with fans from around the world in one special location.
The announcement comes at a pivotal moment in Blige’s career, following her recent Rock and Roll Hall of Fame induction and continued success in both music and acting.
Her Vegas debut marks a significant milestone for an artist who redefined R&B with her 1992 album What’s the 411? and went on to create classics such as “Real Love,” “You Remind Me,” and “I’m Going Down.”
Blige’s crossover success extends beyond music, earning her two Academy Award nominations for her work in the film Mudbound, including recognition for both her acting performance and her contribution to the soundtrack.
The residency announcement generated immediate excitement on social media, after Blige posted the news on Instagram to her 7 million followers, who quickly flooded the comments with enthusiasm.
Park MGM’s Dolby Live venue has become a premier destination for major artists, featuring cutting-edge sound technology and intimate seating that creates an ideal environment for Mary J. Blige’s powerful vocal performances.
The venue’s advanced audio systems will showcase the full range of Blige’s voice, from her signature emotional ballads to her high-energy dance tracks that defined an entire generation.
Tickets for the highly anticipated shows will go on sale to the general public starting Friday, January 16, exclusively through Ticketmaster’s official website.
L.A. Reid decided he did not want to face a jury after all, settling a sexual assault lawsuit with former music executive Drew Dixon just hours before opening statements were scheduled to begin Monday morning (January 12).
The Grammy-winning producer who helped launch the careers of Usher, OutKast, and Pink reached an agreement with Dixon that keeps the terms completely secret from the public.
Reid’s lawyer, Imran Ansari, said his client resolved the matter without admitting any wrongdoing or liability for the allegations.
Dixon filed her lawsuit in 2023 under New York’s Adult Survivors Act, which gave sexual assault victims a one-year window to sue regardless of when the incidents happened. She accused Reid of digitally penetrating her during a private jet flight in 2001 and again later that year inside his car while he served as president and CEO of Arista Records.
The former Arista executive claimed Reid retaliated against her career after she started avoiding him following the alleged assaults.
According to court documents, Dixon suffered daily harassment from Reid, including demands that she wear skirts and high heels to work. She also received constant invitations to meet Reid in his hotel room, which she consistently refused.
Dixon’s lawsuit detailed how her promotional budgets were slashed and her artist auditions were rejected after she rebuffed Reid’s advances.
On one occasion, when she brought Kanye West in for an audition, Reid allegedly berated her in front of the entire staff about her job performance. Dixon said Reid would embarrass her in front of other staff members and act unprofessionally toward her, ultimately forcing her out of the music industry entirely.
She later worked with John Legend as general manager at Legend’s Homeschool Records label after leaving the major-label system. Legend was expected to take the witness stand during the trial, as Dixon claimed Reid refused to sign the singer as an act of revenge against her.
Reid exited his position as chairman and CEO of Epic Records in 2017 after facing sexual misconduct allegations from an assistant at Sony Music. The music executive has maintained his innocence in all cases but chose to settle rather than face a public trial.
The settlement comes as Dixon continues fighting a separate legal battle against Russell Simmons, the co-founder of Def Jam Recordings.
Dixon first accused Simmons of raping her in 1995 in a 2017 interview, joining more than 20 women who have made similar allegations against the Hip-Hop mogul.
Simmons has denied all accusations and currently lives in Indonesia, which helped him avoid jurisdiction in previous sexual assault lawsuits.
The internet tried to lock Pooh Shiesty back up this week, but the paperwork didn’t quite match the rumors.
The noise started when DJ Akademiks spotted Shiesty’s name in the Federal Bureau of Prisons system with an April 11, 2026 release date. I am sure somebody showed him this, because why would he be randomly looking that up? This immediately got setting social media on fire. Us too. Fans jumped to the conclusion that Shiesty had been quietly re-incarcerated. They did not believe their own eyes. They saw him despite him outside, active, even and shooting new music videos.
Clarification soon came. Dude is in a halfway house, commonly used for inmates at the end of their sentence. This is not a federal detention center. WHEW!
Shiesty’s label stepped in and shut the whole thing down. Thanks, guys! According to his camp, the April 2026 date has been there since his October release and reflects home confinement, not a new arrest, not a violation, and not a return to prison.
Akademiks admitted the rumor likely started when fans misinterpreted a conversation during a livestream involving one of Shiesty’s close friends. I’m thinking fans is you! LOL The internet did what it does best. It connected dots that weren’t actually touching. TF.
Naturally, fans tied it all back to Shiesty’s latest record, “FDO” (First Day Out). Jokes flew fast: “Two First Day Outs in the same year is crazy,” and “FDO Part 2 loading.” Thankfully he’s not doing any new time.
Bottom line: Pooh Shiesty is not back behind bars! Ya’ll tried it
