Zohran Mamdani, New York City’s first Muslim and youngest mayor-elect, is facing an unusual political attack from Republican lawmakers who claim his U.S. citizenship should be revoked. The radical move has no legal basis, according to experts.
Following Mamdani’s decisive election win, GOP figures including Rep. Andy Ogles of Tennessee and Rep. Randy Fine of Florida accused the Ugandan-born politician of lying during his naturalization process. They have called on the Justice Department to strip his citizenship, alleging ties to communism and “terrorist” activities. So far, they have produced no evidence to support those claims. A lot of people confuse socialism with communism or simply want to brand the young politician with a negative buzzword.
“Denaturalization is an extreme, rare remedy that requires the government to prove either illegal procurement or a willful, material lie — at a minimum, clear, unequivocal and convincing evidence that the fact would have changed the outcome at the time of naturalization,” immigration lawyer Jeremy McKinney told PolitiFact. “I’ve seen no credible proof he was ineligible when he took the oath.”
Mamdani, who came to the U.S. as a child in 1998 and became a citizen in 2018, meets all legal requirements for citizenship. He has also faced a wave of Islamophobic rhetoric during and after his campaign. “Islamophobia is something that is endemic to politics across this country,” Mamdani said during an interview with MSNBC. “We have seen it normalized and accepted.”
The GOP effort has also invoked the 14th Amendment, arguing that Mamdani provided “aid and comfort” to U.S. enemies through his criticism of immigration enforcement and past comments about Palestine. Constitutional scholars, however, dismiss this as political theater. The amendment’s insurrection clause applies only to people who engaged in rebellion or gave aid to wartime enemies, not domestic policy critics or members of lawful political groups.
Even if the Justice Department were to pursue the case, citizenship can only be revoked through a federal court order. This is a process used sparingly in cases involving Nazi war criminals or convicted terrorists, not elected officials with protected political opinions.
In short, Republicans can’t unilaterally strip Mamdani’s citizenship or block him from taking office. Without clear, court-tested evidence of fraud or criminal activity, legal experts say the push to deport him is destined to fail.
Antonio Brown landed back in Florida under serious legal scrutiny after being extradited from Dubai to face second-degree attempted murder charges tied to a May 2025 shooting outside a celebrity boxing match in Miami.
The 37-year-old former NFL wide receiver is accused of opening fire and injuring at least one person during the incident, but his attorney, Mark Eiglarsh, insists Brown acted lawfully.
“I took this case because I passionately believe in Brown’s defense,” Eiglarsh said in a statement shared by NBC Sports. “The actions he was forced to take were solely in self-defense against the alleged victim’s violent behavior. Brown was attacked that night and acted within his legal right to protect himself from an individual who previously committed criminal acts against him. It’s a privilege to represent him, and I am determined to ensure that justice is served.”
Brown’s legal team is leaning on Florida’s “stand your ground” law, which permits the use of deadly force if someone reasonably believes it’s necessary to avoid death or serious injury.
Prosecutors, however, are expected to challenge whether the threat had already ended when Brown allegedly pulled the trigger.
The case took an international turn when U.S. Marshals located Brown in Dubai. He waived his right to fight extradition and was first returned to New Jersey before being transferred to Florida for legal proceedings.
If convicted, Brown faces up to 15 years in prison and significant financial penalties.
The charges mark one of the most serious accusations the former Tampa Bay Buccaneers and Pittsburgh Steelers player has encountered in a career often overshadowed by off-field incidents.
Brown’s NFL tenure spanned 12 seasons, including stints with the New England Patriots and the Oakland Raiders.
Despite his on-field success, his personal life has frequently drawn headlines for legal disputes and erratic behavior.
Before the internet, before TikTok trends, a Bronx kid made his body move like electricity. Known to the world as Mr. Wave of the New York City Breakers and the film Beat Street, Tony Wesley helped turn Hip-Hop dance into a worldwide language.
In this conversation with AllHipHop‘s Chuck “Jigsaw” Creekmur and DJ Thoro, he retraces the moment Dr. Electric became Mr. Wave, the Bronx block-party days and the red-curtain audition that changed his life.
Chuck Creekmur: First off, thank you for what you gave this culture. When we saw you dance, we said, “How? We didn’t think he had bones.” How did you develop that style?
Mr. Wave: To be honest, it started with admiration. We didn’t have much—just a black and white TV. I’d watch Michael Jackson’s cartoon and then see him on “Dancing Machine.” That was magic. My first name in the early eighties was Dr. Electric, because I lived the Electric Boogaloo. I was also deep into mime, creating illusion. The float and the glide were really technology and illusion: lift one side, move the other.
When I saw everyone doing the tick, I decided to smooth it out. I combined the tick, the boogie, the vibration, the mime…and that became the Wave. I gave my whole body to it. That’s what made it different.
DJ Thoro: So how did Dr. Electric turn into Mr. Wave?
Mr. Wave: That’s the wild part. One day I’m down on Delancey Street with my man Asa. We had just bought some sheepskins, got “Dr. Electric” ironed on my jacket. This kid rolls up on a motorcycle—Kidd Nice from the New York City Breakers—and says, “Yo, we’re auditioning to dance for Katherine Dunham and the President at the Kennedy Center Honors (1983). Come through.”
I’d always been the rebel at home, so I went. The room was packed—Popmaster Fabel, Norm Ski, Mr. Wiggles—straight legends in training. Agents were watching from the side. I went into a corner and said, “I’m gonna combine everything I know.”
Michael Holman, who managed the Breakers, spotted me. He pulled me into the hallway with Chino, the founder, and said, “We want you in the group.” I said, “Cool.” We went back in; they announced it; everybody clapped. Then Chino said, “You’re so smooth we’re renaming you Mr. Wave.”
All that happened in one hour. That was it—Dr. Electric was gone, Mr. Wave was born.
Chuck Creekmur: What was New York like at that time—those early years before everything exploded?
Mr. Wave: From ’81 to ’84 was the real evolution. It was block parties, jams in the projects. You’d watch them set up for hours—no fights, no craziness. When the DJ finally hit power, your chest jumped from the bass. The concrete vibrated for blocks. You didn’t need a flyer; you could hear the party coming, like the ice cream truck.
Every jam had moments for the women too. You had to let them dance all night. That’s what made the culture whole. Everybody had a lane: B-boys, B-girls, MCs, DJs. And there were so many crews. People only mention the big ones, but every block had a team.
DJ Thoro: You always looked different from everyone else—never wore the one-piece suits. Why?
Mr. Wave: Because of where I came from. I’m from the Nine, the Bronx. I couldn’t go back to my block wearing tights! No disrespect to gymnasts, but I had to think about survival. Michael Holman understood that. He said, “We’ll tailor you Adidas and Puma suits instead.” They made them tight so I could move. That look became part of my style—and it made the wave flow better.
Chuck Creekmur: Michael Holman gets a lot of credit for bridging worlds. What did he do for you all?
Mr. Wave: Michael was a connector. He helped the Breakers, Rock Steady, Jazzy Jay—everybody. He saw what Hip-Hop could become. He even got us an attorney. In 1984, we were making $10,000 a show, splitting it between members. We’d split up—three of us hit one country, four hit another. We were one of the highest-paid dance groups in the world.
Chuck Creekmur: So you’re already hot—and then Beat Street happens. How did that come together?
Mr. Wave: We had just performed for President Reagan at the Kennedy Center. On the plane back, Michael Holman says, “As soon as we land, we’re going to the Roxy—Harry Belafonte wants you in Beat Street.”
We get there and walk past thousands of dancers waiting to audition. Behind a big red curtain were Belafonte, his daughters, and producer David Picker. Harry said, “I know you just got back, but could you dance for me?” We performed, and he said, “Congratulations, you are the Beat Street Breakers.” No audition, no waiting line—just like that.
DJ Thoro: Why were you called the Beat Street Breakers and not the New York City Breakers?
Mr. Wave: Because Harry Belafonte saw the film as a love story first, Hip-Hop second. He loved the dance more than the names. He wanted it universal. He wasn’t wrong—his vision globalized Hip-Hop. Beat Street showed every element: the B-boy, the DJ, the MC, the graffiti writer. It was culture and storytelling together.
Chuck Creekmur: Looking back now, how do you feel about what that era created?
Mr. Wave: It was magic. We didn’t know we were making history; we were just kids trying to out-dance each other. But those jams, that energy, the way people came together—that’s what built Hip-Hop. You can’t erase that.
Gavin Newsom erupted over healthcare and party loyalty after eight Senate Democrats crossed the aisle Sunday night to help Republicans end the longest government shutdown in U.S. history without securing a firm commitment on Affordable Care Act subsidies.
The California governor voiced his thoughts after the Senate passed the temporary funding bill in a 60-40 vote, calling the move a betrayal of working families who rely on subsidized healthcare.
The agreement funds federal agencies through January 30 but delays any decision on ACA tax credits until at least mid-December.
“Pathetic,” Newsom posted on X in a one-word takedown of the bipartisan deal. He followed up with: “America deserves better.”
His office echoed the sentiment, writing: “Pathetic. This isn’t a deal. It’s a surrender. Don’t bend the knee!”
The eight Democrats who broke ranks included John Fetterman, Tim Kaine, Catherine Cortez Masto, Angus King, Jeanne Shaheen, Dick Durbin, Maggie Hassan and Jacky Rosen.
Their support allowed the Senate to move forward without the healthcare guarantees that had kept Democrats united for more than 40 days.
The deal includes a vague promise from Senate GOP leader John Thune to hold a vote on ACA subsidies in December. But House Speaker Mike Johnson dismissed any obligation to follow through.
When asked if he’d guarantee a vote, Johnson replied, “Ah — no. I’m not promising anyone anything.”
Newsom reposted a clip of Johnson’s remarks with the caption: “Just going to leave this one here.”
Senator Bernie Sanders dismissed the agreement, calling the GOP’s assurance “a totally meaningless gesture” and warning, “it would be a horrific mistake to cave in to Trump right now.”
House Minority Leader Hakeem Jeffries made it clear that House Democrats would not support the Senate’s version of the bill.
The shutdown, which began October 1, stretched beyond 40 days, making it the longest in U.S. history.
The Senate deal includes provisions to rehire federal workers and provide backpay, reversing Trump administration efforts to permanently eliminate thousands of jobs.
The House must now vote on the Senate’s proposal before President Trump can sign it into law.
Rihanna made a surprise appearance to see Brandy and Monica at the Los Angeles stop of The Boy Is Mine tour on Sunday night (November 9), showing up backstage to celebrate the R&B icons and their decades-long legacy.
Despite only learning about the show at the last minute, the music mogul and new mom pulled up to the Kia Forum in Inglewood and was captured on video warmly embracing both Brandy and Monica behind the scenes.
The tour, which kicked off on October 16, honors the duo’s chart-topping 1998 duet “The Boy Is Mine” and spans 24 cities across the U.S. through December.
The L.A. stop was one of the most anticipated dates, drawing not only Rihanna but also a surprise performance from Kehlani last week.
Kehlani took the stage on Thursday (November 6) to perform her track “Folded,” then presented Brandy with a bouquet of pink and white roses. Onstage, she told the crowd, “My queen, my queen, my one! The greatest of all-time! Please make some noise for the greatest vocalist ever, the Vocal Bible! The one and only! We do not give this woman flowers enough. OK? While you are here, I hope everyone gives you your flowers every single day of your life, OK? You deserve it.”
After a surprise performance of “Folded,” Kehlani gifts Brandy a bouquet of flowers for all her contributions to music and culture at Brandy and Monica’s first LA stop of #TheBoyIsMineTour. 💐 pic.twitter.com/ZgwXSRzydQ
Rihanna, who welcomed her third child, Rocki Irish Mayers, with A$AP Rocky in September, kept a low profile but didn’t miss the chance to pay tribute to two women whose influence helped shape modern R&B.
50 Cent didn’t waste a second turning Max B’s homecoming into a punchline aimed squarely at Jim Jones.
After Max B expressed interest in teaming up with the G-Unit mogul, 50 reposted the clip and added his signature brand of trolling—this time with a meme suggesting Jones might start snitching.
The moment unfolded after DJ Whoo Kid shared a video of a FaceTime call with Max B, who was released from prison on Sunday, November 9. During the chat, Max referred to 50 by his old nickname and made it clear he’s ready to work.
“Tell the big homie Boo Boo I said what up,” Max B said.
Whoo Kid replied, “He just dropped a new joint, so let’s work. He’s back in the studio.”
Max responded, “Say no more. Let’s get it, I’m ready.”
50 Cent reposted the clip on his Instagram alongside a still from the 1998 film Belly, showing Tyrin Turner’s character Rico eating a banana while talking about “dropping a dime.” The caption read: “Jim Jones:”
Then 50 added his own commentary: “[Ninja] said Max home it’s packed in Harbor, jimmy about to drop a dime on these [ninjas] LOL.”
The jab wasn’t random. Max B and Jim Jones have a long and bitter history, once allies turned rivals in one of New York Hip-Hop’s most notorious fallouts.
Their beef began over business disagreements and spiraled into years of public shots and personal digs.
Jim Jones & Max B Address Squashing Feud
Jones recently addressed their fractured relationship during an episode of the Let’s Rap About It podcast with Maino, Dave East and Fabolous.
“I may forgive, I don’t forget,” Jones said. “And even if I forgive, I’m not here to make anybody feel comfortable.”
He added, “Just because someone else figured they situation… don’t mean that everybody should be subjected to doing that… You don’t know how severe it may be to a person.”
But Max B, speaking on Drink Champs, sounded ready to bury the hatchet.
“Listen, man. It’s love, man. I want to start over. I’m a new man. I’m a married man, I got four kids,” he said. “Like, I’m on a whole different time right now… I’m out here to get my money and ride out into the sunset with this s###.”
JAY-Z and Beyoncé pulled off a near-impossible feat in Beverly Hills by slipping into Kris Jenner’s 70th birthday party without a single paparazzi shot to prove it.
The Hip-Hop power couple arrived at the James Bond-themed celebration hosted at Jeff Bezos and Lauren Sanchez’s massive estate Saturday night (November 10), according to TMZ.
Despite being two of the most recognizable names in entertainment, the duo managed to enter the high-profile event completely undetected.
Insiders told the outlet the couple used a private entrance and secured parking setup, allowing them to bypass the crowd of photographers stationed outside the mansion.
Not a single image of the Carters surfaced from the bash, a rare outcome considering their usual magnetism for cameras.
While JAY-Z and Beyoncé avoided the spotlight, Bey’s mother, Tina Knowles, made her presence known, donning a bold red outfit that confirmed the Knowles family’s attendance.
The guest list was stacked with A-listers, including Oprah Winfrey, Prince Harry, Meghan Markle, Hailey Bieber, Mariah Carey and Snoop Dogg.
Kylie with Chris Rock, Tyler Perry and Mariah Carey at Kris’ 70th birthday party in Beverly Hills 🍸 pic.twitter.com/nMrSDU5dgO
The party’s volume prompted multiple noise complaints, drawing police to the scene several times during the night.
The 007-themed affair was a fitting backdrop for Beyoncé and JAY-Z’s covert arrival, reinforcing their reputation for controlling their narrative and public appearances with precision.
Despite their usual status as the main attraction, the couple managed to stay completely off-camera, leaving photographers empty-handed.
Max B stepped back into the spotlight Sunday (November 9) at MetLife Stadium just hours after walking out of prison following a 16-year stint, jokingly asking Method Man for a job while catching the New York Jets face off against the Cleveland Browns.
The Harlem rapper, newly freed after more than a decade behind bars, was greeted by Method Man, who was serving as the Jets’ honorary photographer for the day.
As he snapped a picture, Meth shouted “The Wave!” before walking over and giving Max a warm embrace.
“Good to see you, brother,” Method Man said.
Max didn’t miss a beat, looking at the Wu-Tang legend and blurting out, “Get me a job.” Method Man laughed and pointed over to French Montana, saying, “Oh, you with the job.”
The lighthearted moment marked Max B’s first public appearance since being released from Northern State Prison earlier than expected on November 9—coincidentally, French Montana’s birthday.
He had been serving a reduced sentence after his original 75-year term was cut to 20 years with credit for time served.
Max also shared a quick sideline moment with Shedeur Sanders, who came over to greet him before heading onto the field.
Max B Shares His Fashion Tips
Later, Max linked up with Instagram’s The People Gallery for a quick fit check.
“I feel righteous,” he said. “I’m feeling good, I’m grateful, I’m thankful. God is good.”
Draped in Louis Vuitton “down to the fanny pack,” Max offered some simple fashion advice: “Listen, man, just be yourself. Get what you can afford… And wear what you wear. If it looks good on you, own it.”
But Max isn’t just looking for sideline gigs—he’s ready to hit the booth again. When asked who he’s hoping to collaborate with, he kept it open but bold.
“Listen, anybody that can keep up with the boss don, anybody that’s an A-lister, anybody that got a sack, look me up,” he said. “I’m a get you right, I’m a get you wavy.”
Max B was convicted in 2009 on nine charges, including murder, armed robbery and kidnapping, tied to a 2006 robbery attempt in New Jersey that left David Taylor dead.
His parole plan was approved by New York state officials, leading to his early release.
Emmanuel Clase finds himself at the center of a federal investigation that has sent shockwaves through Major League Baseball.
The Cleveland Guardians closer, along with teammate Luis Ortiz, was indicted by federal prosecutors in Brooklyn on charges of accepting bribes to manipulate pitches during games. The Feds say that both pitchers were part of an elaborate, underhanded scheme that started in May 2023. They took payments from gamblers to throw specific types of pitches at predetermined moments.
According to court documents, the conspiracy enabled bettors to place wagers with advance knowledge of which pitches would be thrown, thereby giving them an unfair advantage in prop betting markets. Federal authorities arrested Ortiz in Boston on Sunday morning, while Clase remains out of custody despite being named in the same indictment.
🚨 BREAKING: The Trump DOJ has indicted Cleveland Guardians pitchers Emmanuel Clase and Luis Ortiz for their involvement in a rigged betting scheme in which they “agreed in advance with co-conspirators on specific pitches they would throw” in games. pic.twitter.com/x2vpu8TJPg
Both players face potential sentences of up to 65 years in prison if convicted on all charges, including conspiracy to commit wire fraud and accepting bribes in connection with sporting events. The MLB scandal represents just one piece of a broader crisis engulfing professional sports betting.
In October, the NBA was rocked by its own gambling controversy when Miami Heat guard Terry Rozier and Portland Trail Blazers head coach Chauncey Billups were arrested by federal agents.
Rozier stands accused of conspiring with associates to manipulate his statistical performance in games, allowing gamblers to win bets based on his rebounds, assists and other metrics.
The former NBA Finals MVP was arrested at his Portland residence and has been placed on indefinite leave by the Trail Blazers organization.
Former NBA player Damon Jones was also arrested in connection with the basketball gambling ring, which federal prosecutors describe as having connections to traditional organized crime syndicates operating in multiple states.
The timing of these scandals has created a perfect storm for professional sports leagues, which have embraced legalized sports betting as a revenue source in recent years. MLB Commissioner Rob Manfred addressed the crisis during a recent press conference, acknowledging the challenges facing the sport.
“We didn’t ask to have legalized sports betting,” Manfred told reporters. “It kind of came, and that’s the environment in which we operate.”
Both the NBA and MLB have implemented strict policies prohibiting players, coaches and team personnel from betting on games involving their respective sports. The leagues also maintain extensive monitoring systems designed to detect unusual betting patterns that might indicate manipulation.
The Cleveland Guardians organization released a statement expressing disappointment over the allegations against their players while promising to cooperate with federal investigators.
The team has placed both Clase and Ortiz on administrative leave pending the outcome of legal proceedings.
Masika Kalysha bid farewell to her estranged husband, Jamar Champ, during an emotional celebration of life service held at The Community of Faith Church King’s Dome in Houston on November 8, 2025.
The Love & Hip Hop: Hollywood star organized the memorial service just over a week after Champ’s tragic death in a wrong-way car crash on October 28, 2025.
“Today is the 2nd worse day of my life. I can’t believe I’m laying my husband to rest today. I haven’t taken a single breath since you took your last. How am I supposed to do this without you? You took my heart with you. This changed me. I will never look at life the same,” Masika Kalysha said.
Today is the 2nd worse day of my life. I can’t believe I’m laying my husband to rest today. I haven’t taken a single breath since you took your last. How am I supposed to do this without you? You took my heart with you. This changed me. I will never look at life the same.
The 38-year-old former college football player was killed when his vehicle collided with another car traveling in the wrong direction on a Houston freeway.
Despite their separation throughout 2023 and pending divorce proceedings, Kalysha took charge of the funeral arrangements for the father of her youngest child.
Champ’s memorial also included a separate celebration at his alma mater, Booker T. Washington High School in Houston, where guests participated in a balloon release ceremony.
The dual services reflected the impact he had on both his family and his community.
The reality television personality had previously shared her devastation over Champ’s unexpected passing, describing herself as being “in shambles” following the news.
Their relationship had been complicated, with Kalysha filing for annulment in January 2024, though the legal proceedings remained unfinished at the time of his death.
The couple shared one child together, adding another layer of tragedy to the sudden loss.
Tyler, the Creator brought explosive energy to the Rock & Roll Hall of Fame stage Saturday night (November 8), delivering a powerhouse tribute performance that left the audience nearly speechless.
The Grammy Award-winning artist commanded the spotlight at the 2025 Rock & Roll Hall of Fame induction ceremony in Los Angeles, channeling the raw intensity of Outkast’s legendary track “B.O.B. (Bombs Over Baghdad)” in a performance that honored the Atlanta duo’s groundbreaking legacy.
Multiple artists participated in the Outkast tribute segment, with Big Boi and J.I.D opening the medley with “ATLiens,” while Doja Cat took on “Ms. Jackson.” However, Tyler’s rendition of the high-octane anthem—which stood out as a defining moment of the evening.
The Odd Future founder’s interpretation showcased his versatility as a performer, demonstrating his ability to honor Hip-Hop’s pioneers while bringing his own artistic flair to the stage. His energetic delivery captured the essence of the original track’s frenetic pace and revolutionary spirit.
Outkast’s induction marks a significant milestone for Hip-Hop representation in the Rock & Roll Hall of Fame, with the ceremony celebrating the duo’s influence on music culture spanning over two decades. Andre 3000 and Big Boi’s innovative approach to rap music helped bridge genres and expand Hip-Hop’s artistic boundaries.
The tribute performance highlighted Tyler’s respect for Hip-Hop’s foundational artists, continuing his pattern of acknowledging the genre’s legends throughout his career. Social media erupted with praise for Tyler’s performance, with fans and industry figures celebrating his ability to capture the song’s original energy while adding his distinctive artistic touch. The performance videos quickly went viral across multiple platforms.
The 2025 Rock & Roll Hall of Fame induction ceremony also honored other notable artists, including Cyndi Lauper and The White Stripes, but the Outkast tribute segment emerged as one of the evening’s most memorable moments.
Deidra Roper etched her name in music history Saturday night (November 8) as Salt-N-Pepa became the first female rap group inducted into the Rock and Roll Hall of Fame, simultaneously making DJ Spinderella the institution’s first female DJ honoree.
The Los Angeles ceremony, held at the Peacock Theater, marked a monumental achievement for the Queens-bred trio, who revolutionized Hip-Hop during the late 1980s and 1990s. Roper, who joined the group at just 16 years old, reflected on her four-decade career during the induction speech.
“I’ve been DJing for 40 years, and I’m the first female DJ in the Rock and Roll Hall of Fame,” Spinderella declared from the podium, acknowledging the historic significance of her recognition.
The induction ceremony celebrated Salt-N-Pepa’s groundbreaking contributions to music, including their platinum-selling albums and Grammy Award-winning track “None of Your Business.” The group, consisting of Cheryl James (Salt) and Sandra Denton (Pepa) alongside Spinderella, broke numerous barriers throughout their career.
Salt-N-Pepa’s influence extended beyond music charts, as they became cultural ambassadors who challenged gender norms in Hip-Hop. Their hits like “Push It,” “Shoop” and “Whatta Man” dominated radio waves while addressing topics ranging from safe sex to female empowerment.
The trio’s journey began in the mid-1980s when James and Denton met while working at Sears. Their collaboration with producer Hurby Azor led to their breakthrough, and Roper’s addition as DJ Spinderella completed the legendary lineup that would reshape Hip-Hop’s landscape.
During the ceremony, the group also addressed ongoing legal battles regarding ownership of their master recordings, using their platform to advocate for artist rights. The induction represents not only personal triumph but also recognition of female pioneers who paved the way for future generations in Hip-Hop.
Spinderella’s historic achievement as the first female DJ in the Rock Hall underscores the institution’s evolving recognition of Hip-Hop’s diverse contributors. Her four-decade career spans from the genre’s formative years to its current global dominance.
The 2025 Rock and Roll Hall of Fame class also included Outkast, Cyndi Lauper and The White Stripes, but Salt-N-Pepa’s induction carries special significance for female representation in Hip-Hop history.
De La Soul revealed their forthcoming album, Cabin in the Sky, will arrive November 21 through Mass Appeal Records, representing their first full-length project since 2016’s …And the Anonymous Nobody.
The announcement carries profound emotional weight as this marks the group’s inaugural release following the devastating loss of founding member Trugoy (Dave Jude Jolicoeur), who passed away in February 2023. The surviving duo of Posdnuos (Kelvin Mercer) and Maseo (Vincent Mason) channeled their grief and celebration into what promises to be their most meaningful work yet.
Accompanying the album announcement, the Native Tongues pioneers dropped their lead single, “The Package,” a soulful offering produced by legendary beatsmith Pete Rock. The track serves as both a sonic preview and emotional statement, showcasing how the remaining members have evolved their signature sound while honoring their departed brother’s legacy.
Cabin in the Sky represents more than just new music for the pioneering collective, who helped define alternative Hip-Hop in the late 1980s and early 1990s. Cabin in the Sky stands as a testament to resilience, brotherhood, and the enduring power of creative expression in the face of unimaginable loss.
The album’s title itself suggests themes of spirituality and transcendence, potentially reflecting the group’s journey through mourning toward healing. After establishing themselves as innovators with classics like 3 Feet High and Rising and De La Soul is Dead, this new chapter finds them navigating uncharted territory as a duo rather than their iconic trio formation.
“I’m glad it came together in such a way where we dealt with our loss,” Maseo told SPINin a recent interview. “I’m glad Pos was able to pour all of that into the concept of this album and give all of us some closure while making sure Dave’s presence will always be felt as we continue on to do this thing called De La Soul.
“Regardless of what we decide to do, he’s always right there. My overall opinion of the album is it’s the epitome of joy and pain. Everybody on any level can identify with loss, especially when we get around to the song with Pos talking about his mother along with Killer Mike.”
Being laid off during this crisis isn’t easy, and the government hasn’t really backed up all those employees who lost their jobs. I’m pretty sure some of y’all in Houston have noticed what’s happening at the airport…whole sections are empty! The TSA workers didn’t show up and now flights are being delayed or canceled. The government pays these people weekly, so it’s strange to see so many of them gone. It makes me wonder if any of this makes sense. But wait…people are still paying taxes, SNAP benefits are being cut…and yet things keep getting worse. We need to come together, because at this point, none of the divisions really matter.
What do you all think about this?
There’s a viral video circulating across platforms like TikTok claiming the government might never open back up. The idea is that officials are testing how people will react to the absence of government — basically, seeing if we’ll accept living without it. It’s an interesting thought, because you wouldn’t expect that from a democratic society, but maybe that’s exactly what we’ve become. It’s starting to feel less like a democracy and more like an oligarchy.
There’s also this long-standing idea that Donald Trump won’t leave office after the next three years, that somehow, some way, he’ll find a way to stay in power. People have floated a few theories: one is that he’ll just refuse to go; another is that a new war could be “created,” forcing him to remain in charge; and a third theory says the government will simply cease to function, leaving no system in place to remove him. All of these are crazy and remind me of movies I once loved.
Anyway, the person in that TikTok video says this whole thing is a psyop — short for psychological operation. It’s defined as “an activity or activities that use information and other psychological methods to influence the emotions, motives, reasoning, and behavior of a target audience.”
And honestly, given how things are going — not even one year in — it doesn’t sound so crazy. It actually sounds spot on. Everything described inProject 2025seems to be unfolding quickly. Why would we think it’d be any different now? They’re even trying to block people from getting their SNAP benefits, appealing rulings just to stop folks from receiving basic food assistance they’ve relied on for years.
I’ve never personally needed those benefits, but I also wouldn’t support policies that deprive children or the elderly of food. What’s frightening is that so many people are fine with it. The majority of those being denied help aren’t Black, and they’re not adults — they’re children.
So yeah, it’s wild out here. I don’t know if this is all connected, but I can’t ignore how much of it lines up. Let me know what you think — I’m really interested to hear other perspectives on this.
I would post the original vid, but I said it better here.
President Donald Trump proposed a bold economic move on Sunday by suggesting $2,000 cash payments to most Americans, funded through tariffs, while deliberately excluding high-income earners from the payout.
The former president revealed the plan on his Truth Social platform, calling it a “dividend” funded by revenue from tariffs imposed on foreign imports.
“A dividend of at least $2000 a person (not including high income people!) will be paid to everyone,” he wrote.
The announcement comes as Trump continues to push for expanded tariffs as part of his broader “America First” trade strategy. The payments, according to Treasury Secretary Scott Bessent, could be implemented through existing tax cut legislation rather than a new program.
That route would enable the administration to bypass certain legislative hurdles and utilize existing legal frameworks to distribute the funds. The idea of turning trade penalties into direct cash for citizens isn’t entirely new.
Missouri Sen. Josh Hawley previously introduced legislation supporting similar tariff-funded dividends aimed at helping working-class Americans.
Trump’s proposal echoes that sentiment, positioning the tariffs as a tool to redistribute wealth from foreign trade to domestic households.
But economists remain skeptical. Critics argue that tariffs often act as hidden taxes on consumers, rather than on foreign governments.
While President Trump claims that other countries foot the bill, most economic experts agree that importers and, eventually, shoppers absorb the cost.
Still, the idea has stirred interest across political and economic circles.
Supporters praise the direct approach, while opponents question whether tariff revenue alone could sustain such a large-scale payout.
To meet the $2,000-per-person threshold nationwide, the government would need to generate hundreds of billions in tariff income or find additional funding sources.
Lil Uzi Vert is being accused of ripping off one of his biggest hits, “I Just Wanna Rock,” in a new $110 million copyright lawsuit filed in federal court by a Rochester, New York artist who claims Uzi’s 2022 anthem borrows nearly all of its DNA from his earlier track “Pain and Pleasure.”
Sharrief K. Bouchet, known professionally as Rawyal or Rief Rawyal, alleges that “I Just Wanna Rock” — released October 17, 2022 — “copied the original hook, melody, and theme” of his record, particularly the signature chant “When I rock ah ah.”
A forensic musicologist’s report attached to the filing found a 93-97% derivation between the two songs. The analysis, conducted by Musicologize founder Brian McBrearty, cited shared tempo, structure, and rhythmic patterns — especially the identical “ah” vocal chants and the nearly indistinguishable lyrical phrasing around the word “rock.”
McBrearty’s report noted that both tracks “reside in the core band of ‘allegro,’between 130–150 beats per minute, and employ the same drum pattern and rhythmic syncopation, known as’ tresillo,’a hallmark of reggaeton and dance beats.”
He added that both songs feature “first-person, present-tense declarations that end with the identical word ‘rock,’forming a parallel lyrical structure.”
In “Pain and Pleasure,” Rawyal sings, “Pain and pleasure when I rock, ah, ah,” while Uzi’s version chants, “I just wanna rock, ah, ah, ah, ah.” McBrearty concluded these moments form “the hook, or the heart, of the respective works.”
Rief Rawyal says he released “Pain and Pleasure” on August 15, 2022, and later saw his version suppressed on Meta platforms after Uzi’s record dropped that October.
He claims that his uploads were repeatedly muted or removed from Instagram and Facebook as “Just Wanna Rock” gained popularity across TikTok, Fortnite, and in the trailer for the Blue Beetle movie.
The lawsuit claims Uzi and Atlantic Records had direct access to Rief Rawyal’s material. The rapper says he’d been in contact with Lanre Gaba, now president of Hip-Hop, R&B and Global Music at Atlantic Records, since 2012.
He provided the label executive with original songs, including music files and demos, during that period.
He argues that this established a “clear institutional pathway” for his unreleased material to circulate internally, potentially leading to Uzi or his producers obtaining and recreating elements of his beat and hook structure.
The suit names Lil Uzi Vert, Atlantic Records, Generation Now, Roc Nation, and Warner Music Group as defendants. Rief Rawyal argues that the companies used his creation to secure lucrative licensing deals with TikTok, Meta, and artificial intelligence firms.
He’s demanding more than $110 million in damages, citing lost streaming revenue, sync and licensing deals, and reputational harm. The filing also seeks retroactive publishing credit, an ownership share and an injunction to stop further use of the song.
Rief Rawyal, a former Jive Records artist and U.S. Marine veteran, says Pain and Pleasure was meant to mark his comeback after years away from music.
He insists that Atlantic had access to his work and that its subsequent reappearance in a global hit robbed him of the recognition and commercial opportunities he was poised to regain.
The lawsuit is the latest legal action the rapper is facing. He is currently being sued by a Jane Doe assistant who claims the rapper harassed her at work and created a toxic environment.
Kim Kardashian revealed that she failed the bar exam, which kept her from obtaining her dream of becoming a lawyer.
“Well…I’m not a lawyer yet, I just play a very well-dressed one on TV,” she revealed on Instagram, referencing her new series “All’s Fair.”
“Six years into this law journey, and I’m still all in until I pass the bar. No shortcuts, no giving up – just more studying and even more determination,” Kim Kardashian said.
Last week, she blamed artificial intelligence for throwing her off course in her latest attempt to pass the California bar exam, even as she continues to make waves in criminal justice reform.
The reality star and entrepreneur revealed that ChatGPT provided her with misleading answers during study sessions, which contributed to her challenges on the legal exam.
“I failed this exam 3 times in 2 years, but I got back up each time and studied harder and tried again until I did it!!!” she previously posted, reflecting on her struggle with the baby bar.
Kardashian began her legal path in 2018 through California’s apprenticeship program, bypassing law school in favor of hands-on mentorship.
The First-Year Law Students’ Examination, commonly referred to as the “baby bar,” proved to be a significant hurdle. She failed it three times before finally passing in 2021.
“Thank you to everyone who has supported and encouraged me along the way so far. Failing short isn’t failure – it’s fuel. I was so close to passing the exam and that only motivated me even more. Let’s go!” she added.
Despite the academic hurdles, Kardashian’s work outside the classroom has drawn national attention.
Kardashian first stepped into the criminal justice spotlight by advocating for Alice Marie Johnson, a woman serving a life sentence for a nonviolent drug offense. Johnson was released in 2018 after Kardashian personally lobbied the White House.
Since then, the SKIMS founder has helped secure the release of more than 17 incarcerated individuals. Her efforts have expanded beyond individual cases, pushing for broader sentencing reform and rehabilitation programs.
Her legal ambitions haven’t come without criticism. Social media users have often mocked her repeated exam failures, but Kardashian has remained undeterred.
She’s spent seven years studying law, balancing her legal goals with her business empire and public image.
Kardashian has even said she would leave reality TV behind to focus on becoming a full-time attorney. That commitment has earned her praise from both political figures and criminal justice advocates.
Max B just walked free after serving a grueling 16 years behind bars, but instead of basking solely in celebration, his name is being pulled into old drama — likely by fake accounts.
The Harlem rapper, who’s long been respected for keeping quiet during his incarceration, stepped back into the world surrounded by love. French Montana, his closest ally, welcomed him home in full support. But in the midst of all the joy, whispers of renewed tension with Jim Jones have crept into the conversation. And it looks like someone’s trying hard to create friction.
Max and Jim’s relationship soured years ago after once being tight in the Dipset-era Wave movement. That history has fueled fans’ curiosity and speculation since Max’s release. But a deeper look at the so-called “beef” tells another story.
Many of the social media posts fueling talk of bad blood between the two rappers appear to come from suspicious accounts. The pages hyping up the feud are mostly blank profiles with no followers, no posts and all private. It’s looking like clear and present “bot behavior.”
There’s little to no credible evidence that Max or Jim have reignited any real conflict. Instead, what’s surfacing feels like a coordinated online effort to manufacture friction at a time when Max should be soaking up his long-overdue freedom. Whether it’s trolls fishing for clicks or something more strategic, the timing feels WAY off.
After 16 years in a cell, Max deserves peace.”
The “Wavy Crockett” artist isn’t letting any of it slow him down, either. Over the weekend, he hit the Jets game, smiling and free, enjoying what he earned. Damn you Bots!
Nicki Minaj says her upcoming album is packed with hits, just weeks after she nearly pulled the plug on it amid a public feud involving JAY-Z and Roc Nation.
The Queens rapper took to social media to share her excitement over the project’s progress, revealing she’s already 16 tracks deep and still adding more.
“Just added 2. We are at 16. WTFFFFFF BARBZ. ITS HIT AFTER HIT. oh wow. Oh WoW!!!!!!!!!! BARBZ U RLLY DONT UNDERSTAND!!!!!!!!!!!!!!!!!” she wrote.
Minaj also reflected on her creative process, admitting she had held back from releasing certain songs.
“Tbh, it’s almost like finally seeing what I’ve been depriving you guys of. I must admit that & it’s not the best feeling,” she said. “But here we are. Here we now are. Being given another chance. I don’t take it for granted. I’m just happy I faced myself — & faced the music. To improve.”
Tbh, it’s almost like finally seeing what I’ve been depriving you guys of. I must admit that & it’s not the best feeling.
But here we are. Here we now are. Being given another chance. I don’t take it for granted. I’m just happy I faced myself — & faced the music. To improve 🙏🏽
This renewed energy comes after a turbulent few weeks.
In April, Minaj stunned her followers by abruptly canceling her upcoming album, which had been set for release on March 27, 2026. In a now-deleted post, she tagged JAY-Z and accused Roc Nation of sabotaging her career, declaring “No more music.”
The controversy stems from an alleged financial dispute over TIDAL, the streaming platform once owned by JAY-Z. Minaj claims she is owed between $100 million and $200 million related to the company’s sale. She also mocked JAY-Z’s failed bid for a New York casino license, escalating the tension.
Before the drama, Minaj had already scrapped a deluxe edition of her 2023 album Pink Friday 2, opting instead to start fresh. She said the new material was “too iconic” to be added as bonus tracks.
Pink Friday 2 debuted at No. 1 on the Billboard 200, moving over 228,000 units in its first week. It featured collaborations with heavyweights such as Drake, J. Cole, Lil Wayne, and Future.
The album earned platinum certification in March 2024 and included the chart-topping single “Super Freaky Girl,” which became her first solo No. 1 on the Billboard Hot 100.
The album also made history as the first solo female rap album to win Album of the Year at the BET Hip Hop Awards. Her Pink Friday 2 World Tour became the highest-grossing tour by a female rapper and the fourth-highest in Hip-Hop history.
“I decided to start listing my ‘faves’ so far. I kid you not, I’m now on the 14th track & still haven’t played all my songs,” she said of the albums stacked a lineup of hit songs.
With nearly five months of studio time left, she appears more determined than ever to deliver her fans a great album.
Dawn Richard says Diddy didn’t stop intimidating her after their music ties ended or even after his arrest, alleging in a new court filing that threats and coercion have continued behind bars.
In a 39-page response filed November 5 in Manhattan federal court, Richard’s legal team argues her lawsuit should proceed because Diddy’s alleged abuse and threats never ceased.
The former Danity Kane and Dirty Money member accuses the Hip-Hop mogul of sex trafficking, forced labor and gender-based violence, claiming she delayed filing due to fear for her life.
According to the filing, Richard says Diddy repeatedly warned her to stay silent after she witnessed him assault Cassie Ventura.
“If you say anything there will be consequences,” he allegedly told her. “People end up missing.” She also claims he once shouted, “I make n****s go missing,” “You b###### want to die today,” and “I make things go away.”
Richard’s attorneys say those threats weren’t empty. The court document claims Diddy’s control extended long past their professional split in 2012, describing years of alleged harassment, physical abuse and manipulation disguised as mentorship.
The filing also references Diddy’s federal criminal case, where prosecutors called him a “serial obstructor.”
Attorney Lisa Bloom, representing Richard, claims he tampered with a witness in her case last year from jail, which they say “validated Plaintiff’s ongoing fear and demonstrated his continued efforts to intimidate her and manipulate the narrative” even after his 2024 arrest on sex trafficking and racketeering charges.
“There is no indication that Combs’ ability or willingness to act on his threats ever ceased,” the filing states.
Richard’s lawsuit also outlines alleged abuse during her time on Making the Band and as part of Dirty Money. She claims Diddy deprived her of food and sleep, groped her and demanded sexual favors.
When she pushed back, she says he retaliated by cutting her from tracks and withholding pay.
She also accuses Diddy and his associate Harve Pierre of confining her inside a car and later a room after she confronted him about his behavior.
In addition to the abuse allegations, Richard says Diddy used her vocals without permission on his 2023 release The Love Album: Off the Grid. The track “Deliver Me,” recorded in 2009, was never licensed, she claims.
