They are calling Juliana Carlos, 25, “Courtside Karen” … but she might as well be Annie, as she struck it richie rich when she married Daddy Carlos Warbucks!
https://www.instagram.com/p/CKcGuRFgJJl
That’s actually not fair to those cartoon strips as none of those characters ever showed their cotton-picking “popeye” in public like she did at Monday night’s Lakers vs. Hawks game.
Sometime during the game, Juliana alleges that Lebron and her elder statesman hubby have tension that has been going on for a bit. She further claimed that she heard him “disrespect” her man and she decided that her Gen Z self would violently verbally confront the Los Angeles 16-time All-Star player during the game.
Juliana really thought she was getting him together as the video shows her platinum blonde head bobbling with her fingers pointing at James angrily. Though you can’t hear clearly what she is saying, you know she is screeching. RIP to late the Bayside king
The last laugh was on her —as immediately the referees and security got her removed from her “courtside seats” that she paid for (she tells us that) and ousted from the game. Videos posted on her social show that she was clearly disturbed. Well … Lebron describes how she felt it better on his Twitter.
Multiple videos show her sparkling in diamonds and flinging her Barbie doll ponytail disrespectfully — as she buckled down about “riding or dying” for her man. That was yesterday.
But something happened today…
Around 1 pm Tuesday, she copped a plea and asked for forgiveness.
“To say things escalated quickly at yesterday’s game is an understatement, and I want to apologize for losing my cool and removing my mask in the heat of the moment,” Juliana admitted in a statement.
“My husband is a huge sports fan and we’re passionate people, and let’s be real; sports wouldn’t be sports without a little trash-talking.”
“What should have been quick back-and-forth between two adults got out of hand and my natural instinct to stand up for the man I love kicked in.”
“Did I get defensive when that happened? Yes,” she continued. “Did I use offensive language when I could have taken the higher road? yes. And for these things, I take full responsibility.”
The animated version of The Marathon was produced by Los Angeles-based company okidoki, which was co-founded by renowned designer Kent Yoshimura.
“It represents the story of Nipsey’s resilience and unwavering faith in his mission, and the authenticity and honesty in his message. It also was the first seed planted in the Marathon brand that gave fruit to many other branches that Nipsey architected, as only he could do,” according to Nip’s official Instagram account.
okidoki also helped produce Diddy’s immersive 50th birthday party at his Bel-Air estate in December of 2019, as well as the Partymobile digital listening experience for Party Next Door.
“Celebrating the life of an incredible human, the marathon mixtape, and the first week of BlackHistoryYear,” okidoki said from their official Instagram account along with another teaser featuring Nipsey Hussle’s banger “Late Nights and Early Mornings.”
The animated version of Nipsey’s album will debut on YouTube at 9:00 p.m. EST.
By coalescing their Jamaican heritage and hip-hop acumen, The Yutes are uniquely positioned to impart a flavorful soundscape into the musical fold. Wasting no time, they’ve kicked off the year tremendously with the standout Curren$y-assisted weed anthem, “High Grade” — the first domino to fall in their comprehensive 2021 strategy. Today, The Yutes have thrown gas on the fire by bringing their biggest record-to-date, “Bring It Back,” to life with its official video.
Directed by acclaimed visionary Shomi Patwary, the mind behind A$AP Mob’s “Yamborghini High” and the 6x Platinum-certified “Ric Flair Drip,” the “Bring It Back” visual captures the song’s euphoric core by inviting viewers to live vicariously through The Yutes’ enthralling vantage point. Adorned with gold accents and designer items, the brotherhood duo flosses effortlessly among the fleet of foreign whips, beautiful women, and bucolic scenery, creating a captivating environment. It’s a vision of unadulterated opulence that is rooted in the culture; it drips with as much swag as it does aspirational messaging. As two ambitious kids from Jamaica, The Yutes are providing the blueprint for manifesting one’s dreams.
Further enhancing this dreamlike atmosphere, Shomi Patwary augments the stimulating optics by deploying a collection of gripping effects. Between the trippy elements and vibrant night club-esque lighting, the “Bring It Back” video’s texture is an intersecting pattern that plays like a thrilling psychedelic movie. It moves fluidly on hip-hop’s timeline to reinforce that The Yutes’ sound can’t be constrained to a specific moment — they are timeless.
While 2021 is still in its infancy, The Yutes are moving quickly and methodically to distance themselves from the competition. By the looks of the “Bring It Back” video, that plan is coming to fruition.
Founded in 2001, Babygrande Records is one of the premier independent record labels operating today. With twenty years in the music business during the most volatile period in the history of recorded music, Babygrande has a unique perspective on the music industry. Babygrande has a catalog of over 3000 albums, music videos, and online content that include Hip-Hop, Indie-Rock, EDM, and everything in between. Babygrande has helped launch the careers of new artists and has nurtured the careers of seasoned veterans. As it enters into its 20th Anniversary, Babygrande continues to focus on quality music and to work with artists whose work ethic, craftsmanship, talent and sounds are superior.
For more info on Babygrande Records, please visit:
Rapper Chief Keef has given his fans a serious scare.
The rapper is in the hospital for unknown reasons, according to a photograph he shared on Instagram.
Chief Keef, real name Keith Cozart, posted a picture of himself with an IV in his arm around earlier this afternoon.
Chief Keef Hospitalized
There is no word yet as to his ailment. Two weeks, Chief Keef posted some sort of injury to what appears to be his leg, to his 6.5 million followers on Instagram, which also sparked concern from his fans.
The 25-year-olds Twitter account was flooded with well-wishes from fans, who are praying for a speedy recovery.
“Hope you good bro we can’t lose the undisputed 🐐🔥,” one fan said, while another person wrote “Pray 4 Sosa.”
Chief Keef is busy working on a joint album with super-producer Mike WiLL Made-It, in addition to a project titled “Almight So Pt. 2.”
It’s official… Wendy Williams finally has her own movie, “Wendy Williams: The Movie.”
The Lifetime biopic stars Ciera Payton, who will be portraying the Queen of Gossip as she navigates through the entertainment industry from her days in urban radio to the host of her own syndicated talk show. Payton proudly takes on the lead role alongside co-star Morocco Omari, who plays Wendy’s ex-husband Kevin Hunter.
Hailing from New Orleans and growing up surrounded by street performers, artists, and culture, Payton is far beyond just an actress. You may have seen the writer, entrepreneur, and social activist in television shows The Walking Dead, General Hospital, NCIS, and BET’s soap opera The Oval, which will be returning for its second season in February.
Additionally, she’s the founder of Sincerely Cosmetics, a vegan cosmetic company catering to health-conscious women.
The crazy part is, the similarities between Ciera and Wendy do not go unnoticed. In fact, people were tweeting that Ciera should play Wendy Williams a year before the film even came into fruition.
Ciera Payton
AllHipHop: What was Ciera like growing up in New Orleans?
Ciera Payton: Whoa, all the way back to the beginning. I touched down in New Orleans around the age of 6 or 7. My mother lived in Texas, my grandmother lived in Mississippi, my dad lived in New Orleans with his mother and 2 sisters. I split time between the 2 of them but I ended up making New Orleans my permanent residence and living with my dad. That was everything you could imagine. We lived close to the streetcar line, so close to the Mardi Gras parade routes. Every year walking down the street to the parade, seeing all the craziness and madness. New Orleans kids and people from New Orleans are all old souls and very wise. You have to be in a city like that,so full of culture and life.
Every major metropolitan city has a lot of challenges. A lot of poverty, a large population of people dealing with different substance abuse and alcoholism. I saw as a child my father struggle with addiction, I was very in both extremes of the world living in New Orleans. I remember being a little girl and going to AA and NA meetings, sitting in these spaces and listening to reformed drug addicts talk about their rock bottoms. I’d sit at the little table on the side and play with my Barbies. For me, that’s my introduction to make believe and acting because I’m seeing some real heavy stuff. I carved out my own little imagination.
AllHipHop: Do you remember when you fell in love with movies?
Ciera Payton: At the age of 8, my Aunt Peanut bought me a karaoke machine. I was obsessed with Pocahontas at the time so I’d sing that thing until the batteries went out. My dad and my nana saw that, they said “let’s try to get her into one of these magnet schools here in the city.” Back then, you could only go to the school in your neighborhood, your district. That school for me was a very impoverished school. There were kids in the 4th grade supposed to be in the 8th grade. My dad was working at a restaurant in French Quarter and he asked his boss if he could use his address to let me go to this magnet school in New Orleans, in the French Quarter.
I went there, that’s where the bug bit even harder. I took up acting classes, I was in the band, I did visual arts. It really fed me. I wanted to go to a performing arts high school called New Orleans Center for Performing Arts. I got into it and didn’t look back. That was my thing. My biggest inspiration and role model was Dr. Maya Angelou, this path of really following your bliss and your passion because that was her whole story. Years later, I got to meet her. That’s how I came to step into this world of acting and calling myself an actress.
AllHipHop: What do you feel when you’re acting?
Ciera Payton: Oh my gosh, I’m constantly searching for the definition of it. It’s one of the only times in my life where I feel so aligned and so attuned whenever I’m stepping into the world of a character. I love it, I get to be people who I’m not. I get to say things that in my everyday life I wouldn’t be bold enough to say. I get to dress in different types of ways. Acting is where I feel the most connected to humankind. I get to really learn, explore, and experience that we’re all human, we’re all connected. We all bleed, we all get up in the morning. We all go through challenges. We all do our best to get back up and go about our lives.
AllHipHop: What did you do to prepare for your role as Wendy Williams?
Ciera Payton: Oh my gosh, I literally watched every single thing I could watch of her and studied her. I was watching all the interviews and her episodes, picked up her audiobooks, then I’m like wait, let me stop here. I don’t want to create a duplicate version of what we watch on TV. I want to scale it all back and present a woman who’s gone through some things, who’s so bold, so fearless, so unapologetic, and just so happens to be in the entertainment industry. At first, let me try to all the “how you doing Wendy?” But nah, I want to go in and show who I think this woman is. I want to present who I see, what I see in her to the world. I hope I’m able to honor her story and show a really incredible woman that no matter what, she dust her shoulders off. She gets up and keeps going, and looks fierce doing it.
AllHipHop: Was it intimidating at all to play someone still living?
Ciera Payton: Heck yeah! [laughs] I was shaking in my boots. We got the world of social media. She’s still on TV and she’s been around for a while. People know her. They know her catch phrases, how her eyes move, how her hands move, what she says, how she smiles. Knowing I was up against that was so, so, so scary. I felt the weight on my shoulders.knowing “don’t you F this up Ciera because they’re watching.” When I got a chance to speak with Wendy over the phone, she was so gracious, so supportive, so giving. She had my back. She was the one that signed off on hiring me so I knew I had permission to rock it out and do my best with it.
AllHipHop: How supportive was Wendy?
Ciera Payton: We spoke about 4 weeks before we started production. She and I had 2 very, very, very long, deep phone calls. She’s super answering any question I asked. Nothing was off limits, an open book. Extremely encouraging, I got a good grasp on that and she was totally hands off after that. She’s always available if I had any questions about anything, very much supportive from a distance and gave me the freedom to create my interpretation of her and the world she lived in.
AllHipHop: How was it playing the Queen of Gossip?
Ciera Payton: It was so much fun! It was scary too. She’s had some notable moments in the media, reenacting and even creating those as if they’re behind-the-scenes was intimidating at times. I felt so alive in her shoes. There was no room for being shy, for being meek, for being quiet, to even doubt myself in any way because those are adjectives that don’t define her at all. So liberating and so refreshing to step into that and feel like a rockstar every single time I got on set. It was awesome, I miss playing that character dearly. [laughs]
AllHipHop: How personal was it to relive her life struggles? Whether it’s her coke habit or situation with her ex…
Those things were challenging for me, also physically challenging. Going back to my father, I never really got a good understanding or grasp about drug use, I could only love my father unconditionally through all that. To do those things, oh my God. At first, I hated it. I want to put this stuff up my nose anymore. By the way it was crushed up B8 vitamins, but it’s not a pleasant experience. I remember asking the director, “how many more scenes do we have? Is there a way to fake it?” But I couldn’t, those things were challenging physically and emotionally.
The whole sexual assault scene is a whole different thing, thank goodness we had some really great intimacy coordinators on set. These women Megan and Amanda were there to walk not only me, but the actor through all of it. Keep us grounded and present and just kind of keep us from mentally going to some really dark places. Apparently when you’re doing scenes like that, your mind and your body don’t know the difference if it’s really happening or if you’re acting. It’s depicted 30 seconds in the movie, but we took 4 to 6 hours filming that. It was a tough day, but we got through it.
AllHipHop: What was the dynamic with Morocco Omari ?
Ciera Payton: It was great, Morocco brought all the heat and I brought my heat too. So great we’re able to handle each other’s heat. He’s such a great actor, so smart and extremely grounded. It’s great to be able to play with another actor like that. He could take my punches, I could take his. Not physically, [laughs] but the emotional hits.
AllHipHop: Talk about the Michael’s Daughter show and the creation of the foundation.
Ciera Payton: It came out of a need. I wrote my own one woman show, my own autobiography. I presented it in theaters around Los Angeles and New York. It depicted my story of being a young woman trying to navigate this business while having a father incarcerated, a father she’s really close to. I’m very, very close to my father. What that journey was like to understand my father, seek forgiveness and forgive him. When I’d perform this, they’d invite high schools and kids to come and watch the performance. Young people always came up to me: “oh my gosh, my mom or my dad, my cousin, my uncle, or my brother is in prison. Thank you for sharing your story.”
I have an educator background, I work with a lot of high school and middle school youth. You know what? I want to create a platform for young people who have a similar background. I want to create something that’s a preventative measure that stops that cycle from the school to prison pipeline, also the cycle of generational addiction or incarceration. I applied for some grants and the city of Los Angeles started funding my program. This last year, we’ve officially been officiated and become a full nonprofit 501C3 organization. My board members and I are hoping to continue this work more on a national scale of letting young people come together to share their stories and generate original artwork, monologues, plays, and short films.
AllHipHop: What are you most excited for with the Wendy Williams movie out now?
Ciera Payton: I’m excited to see it. I’m excited for people to get to see Wendy Williams and all that she’s been through, be so inspired and humbled by her story. I’m excited, it’s going to be a fun weekend. I got my snacks ready to go. I’m looking forward to all of the good and what I hope is love that comes out of it after it airs.
Hip-Hop photographer Ricky Powell, who was often referred to as the “fourth Beastie Boy” has died aged 59.
His manager Tono Radvany announced his passing, and revealed he had died of heart failure on Monday (February 1st), as he said in a statement: “I just want to let everybody know he was a very special man, and he will be sorely missed.”
Powell began taking photos in 1985 and earned his nickname after forming a close friendship with “(You Gotta) Fight For Your Right (To Party)” hitmakers Mike D, Ad-Rock, and MCA.
He also took photographs of stars including Run-DMC, Madonna, and Vin Diesel, and was even the subject of his own TV series “Rappin’ With The Rickster,” which saw him spend time with his famous friends in New York.
LL Cool J was among those paying tribute after news broke of Powell’s death, writing on Instagram: “Your (camera emoji) captured the culture. Rest in power @thelazyhustler.”
Run-DMC star Rev Run said Powell “took some of the greatest photos of Run-DMC and (was) a good dude, while Q-Tip from A Tribe Called Quest celebrated “his capturing of life” in a tribute message.
Rip 2 my man Ricky Powell. So NYC official… the parties when he would rock the slides.. the jokes and most importantly his capturing of life 🙏🏾 pic.twitter.com/qhinT9a10S
The Weeknd will be all live when he performs during the Super Bowl half-time show on Sunday (February 7th).
Jesse Collins, the co-producer of the show, told Entertainment Tonight the headliner has opted not to pre-record any parts of his stadium show in Tampa, Florida, despite COVID safety fears.
“It’s all happening in that stadium, in that moment,” Collins says. “We’re not bouncing off to another stadium and then cutting in like some people have had to do (before). We are fortunate enough in this situation that we are able to do a live, live show.
“It’s gotta be about entertainment from a truthful perspective. Get away from the massive sets, all the hoopla, the flying this and that. And get to the core of what makes an artist special.”
And Jesse insists The Weeknd’s set at Raymond James Stadium will wow viewers: “I think there’s a lot of stuff happening in the show that people aren’t going to expect. It’s just going to be fun. It’s so perfect.
“We started creating this thing back in September, and the message of it really worked out. The world worked out for the message that The Weeknd wants to communicate in this performance… It’s definitely a very special show.”
Wale gives us a recap of sorts with the pandemic flow encompassing everything we have been through over the past year and some change. There’s no question that this isn’t the official video and maybe we don’t get one for this song, but this visualizer, as it’s said to be in the title on Youtube, will be an unusual time capsule from an unusual time in the music industry.
A time where everyone was in the house, where there’s no touring and lives seem to get as dark as it could possibly get for so many with COVID-19. This is what music is for in so many ways; documenting the world around us and the times that we live in.
Philippines born rapper Ez Mil migrated to Las Vegas, Nevada 5 years ago, but remains proud of his Filipino roots.
On his song “Panalo” (Win), he encourages everyone to be proud of who they are, no matter where they are from and where they currently are. On this Wish Bus jaw-dropping performance of his song “Panalo,” Ez Mil raps in 3 different languages English, Tagalog (Filipino) & Ilocano.
Ez Mil’s biggest influences are Chris Brown, Eminem & ASAP Rocky. Although he grew up on the other side of the Pacific Ocean, the music that he writes and releases usually hit closer to his real life and are less theatrical than his heavy and destruction-driven metal music, but he doesn’t let that get in the way of his passion to deliver a solid experience to whoever takes a listen. He also takes deep inspiration from lyricists with unique cadences like Kendrick Lamar and Royce Da 5’9.
Ez Mil was born a Filipino, half Caucasian in Olongapo City, Philippines on July 27th, 1998. He was born to parents that were tearing it up in the nation’s local Rock & Roll scene. Olongapo City was his place of birth and where he was raised.
As the norm of rebellion from over-exposure, instead of Rock, Hip-Hop / Rap was the first musical genre he fell in love with. Then as he grew up, he was exposed to the peek of R&B / Pop infused with Hip-Hop.
Chris Brown’s music and dancing became the first obsession for Ez’s childhood self-expression, with there being a point where it was only Chris Brown’s songs and videos that he consumed as his choice of entertainment.
From that obsession, he grew his skills on the basics of vocal athleticism because of Brown’s songs. Brown inspired his love for dancing; which led Ez Mil to another obsession for the Jabbawockeez.
Ez Mil diversified his dance styles to include Krump, Michael Jackson, Pop n’ Lock, Isolation (a robotic dance subgenre), and a little bit of B-Boying. He’s a man of many musical genres and talents that include producing, dancing, illustrative art & skateboarding. With the amount of international exposure he is receiving, Ez Mil’s journey is just beginning.
Watch Ez Mil’s latest music video for “Cultura” featuring Hbom here.
Today Philly-bred and DMV resident Unlvcky Nas (@unlvckynas) steps his game up another notch with his new video that features and all out plot with a fake FBI investigation following him from Philly to Los Angeles.
On this track Unlvcky Nas conveys that when you have the money and the fame, new problems will arise and as such he says he “makes music for the people who know what the high life feels like.” His lyrics also warn of all the lows that can come from living life on the edge, but the self-proclaimed “Star Bul” clarifies that no obstacle can stop him from his goals.
The cinematic visual for “Cold Front” shows exactly what can happen when you are at the top trappin coast to coast and we get Unlvcky Nas flexing his acting skills to the max with multiple combat scenes and police raids.
Nonetheless, the DMV crooner always finds his way a step ahead of the opps, make sure to check out the end of the visual.
Disgraced singer R. Kelly is so dangerous, that prosecutors are asking a judge to order the singer and his defense team to return all evidence related to government witnesses after his upcoming trial.
R. Kelly is fighting with the government over a proposed order that bars him from maintaining and keeping printed copies of the witnesses’ statements in jail.
“In light of the defendant’s history of obstructive conduct and the involvement of others, including strangers, in schemes to harass, intimidate and physically harm potential government witnesses, there is a significant risk that civilian andvictim-witnessess who may testify against the defendant may be subject to harassment or far worse,” acting U.S. Attorney Seth D. DuCharme wrote to a judge today (February 2nd).
Prosecutors say R. Kelly’s lawyers have the right to see the evidence to mount the singer’s defense, but they must not disseminate it and, after the trial, all of the materials related to the witnesses must go back to prosecutors after his trial.
Prosecutors cited his zeal to pay $170,000 to silence an individual who planned to go public with videos of the singer having sex with underage teens.
R. Kelly also wrote a letter to a Jane Doe witness in 2018, in which he threatened to expose nude photos of the individual to the public if she decided to testify against him.
They also referenced the disturbing behavior of several of R. Kelly’s underlings, who are trying to influence a case in which their boss could be locked away for hundreds of years.
On August 11th, 2020, a man named Richard Arline Jr. and another guy named Michael Williams were charged with interfering with witnesses planning to testify against R Kelly.
Another man named Donald Russell, who claimed to be R. Kelly’s advisor, was charged with placing a threatening call in December 2018 during a screening of “Surviving R. Kelly,” claiming a gunman was planning to shoot up the theater.
Prosecutors also say several potential witnesses have been subjected to death threats via social media from rabid fans of R. Kelly.
Prosecutors are asking to restrict the witness statements to R. Kelly, his trial counsel, and legal staff.
They are also demanding no copies of the statement be made, and that all materials be returned to the government within 48 hours of the completion of the trial.
California residing and Texas bred Rapper Aykay Delivers New Single “Hit the Cup”
Recently California based and Texas bred rapper Aykay delivered his new club friendly single, “Hit the Cup.” While not too many people are frequenting the clubs these days, this song is a track that will allow people to escape the troubles of our COVID-19 plagued world.
“I would say my sound is energizing, it’s very melodic but it’s also real. I put a lot of energy in and I try to put the feelings of the emotions when I wrote it, into the performance of the lyrics. I try to be as real and transparent as I can in each song and I feel that really helps me out,” Aykay said of his music.
Varying his sound from his last successful single “Who Diss?” with a more club friendly sound, “Hit the Cup” is a story many people can relate to when they meet someone at the club.
“Hit the Cup is really a club vibe and Who Diss? was a more personal thing, but Hit the Cup is more a track for when people can hit the club. Everyone has had those nights where they met some girl or some dude and it was just about enjoying the moment. 2020 was a hard year for everyone including me and so this song was just about letting go,” Aykay explained.
Fans of the song can go back and check out the single on Aykay’s previous mixtape, The Manifestation, but this song will also make its way to his upcoming and yet to be titled album.
“This will be on my next project, I don’t have a name for the album yet, but this track came out on my mixtape, The Manifestation that came out a few months ago and we ended up doubling back, so it will be pretty new to everybody.”
For the 24Seven produced track, Aykay is dropping the music video on January 29th and according to Aykay the music video is, “an experience, just dark club vibes and hitting the cup having fun with a sexy female.”
With Aykay’s eyes set on getting a deal via his business partner Rob Terrell’s Wealth Nation label, Aykay has come a long way from his early days at LA’s Film School where he learned the recording process and how music business works.
“I grew up in Livingston, TX in a town of about 5,000 people and I ended up joining the military. Once I was honorably discharged I ended up sleeping on my boy’s couch in Oceanside when I came across LA Film School,” Aykay said. “That was 2018 when I started school, then I graduated and actually went back for my entertainment business bachelors degree and during this time I started working with Rob and Tina and we did Who Diss?”
Aykay also has a reality TV show in the works with VH1’s sister company VH2 called Industry Certified: Journey to the Deal.
“For the next year I’m working on getting a deal and I’m actually working with my team doing a reality show that I’m part of called Industry Certified: Journey to the Deal. It will give everyone a different view of my life. It’s not out, we are about to start recording, but it will be on Roku and all sorts of platforms. It’s the sister station of VH1.”
She started last week off by doing a press tour to promote her two shows, the biopic “Wendy Williams: The Movie” and the accompanying documentary about her life.
While Mef ain’t say nothing … Mrs. Smith, the Wu-Tang Clan member’s wife, did.
Tamika Smith addressed it in a statement where she called the 2019 Hollywood Walk of Fame inductee a “miserable b####.”
She has noted that she never liked Wendy, even before these allegations, claiming she has been obsessed with her family.
“For years, I kept my silence while Wendy Williams launched constant verbal attacks against my husband, myself, and our family. In the past, I ignored her lies, innuendos, and blatant attempts to provoke us. But Wendy has proven again and again that she is incapable of any decency. Her obsession with our lives has reached a new low. And I’m tired of taking the high road,” Smith snapped.
She further stated that her remarks were all a ploy (like people have always alleged about the talk show host) to get ratings.
“In an obvious attempt to increase ratings for her sad biopic, her struggling TV show, and her burnt-out career, Wendy has once again targeted my husband. It’s a pattern that she has repeated for years,” Smith continued.
“When I was diagnosed with cancer years ago, Wendy shared my personal medical information her listeners live on the air during her radio broadcast,” Method Man’s wife said. “She didn’t care that she was violating my right to privacy, or that I hadn’t shared the news of my diagnosis with my family and friends yet. She never apologized, never expressed any regret whatsoever.”
“Despite my anger, I chose not to respond publicly to her unhealthy fixation with my husband and our marriage. It was clear that she was sick, and that she was struggling with a lot of issues including self-hate and low self-esteem,” According to Smith.
“Over the years those issues have made her increasingly ugly, both inside and out. And no amount of plastic surgery can fix the ugliness inside of her. Instead of using her platform to uplift women, she has spent her career attacking marriages while her own fell apart. She criticized celebrities battling addictions despite her own struggles with substance abuse. There’s no limit to how low she will go in the name of making headlines,” Smith said.
She continued, “Her career is on life support, her husband has abandoned her, and the ratings for all of her projects are down. She’s desperate for attention and is trying to use my husband’s popularity as a way to get her name trending. How sad that a woman who was once revered in the entertainment industry has reduced herself to a tabloid side note and circus freak.”
“For the record, my marriage is solid, my husband continues to enjoy a successful career, and Wendy will forever be one of the most miserable b###### on the planet,” Meth’s angry wife concluded.
“Wendy gets on the air and said [Method Man] ‘his wife is sick and she not doing to well,’ and I’m like this f###### b#### man,” Method Man told AllHipHop.com. “This [is] the big “C,” big “C” [for cancer]. I was ready. I was so mad, I was crying right there and I’m like I’m gonna kill some f###### body and these [Wu Tang friends] kept me in there, kept me in L.A…
“She said me and [the doctor] was f######,” Method Man continued. “What kind of s### is that, man? You don’t do that to nobody. You say the f### you want to say about me, say nothing about my family, man.”
Kim Hill is an original members of the Black Eyed Peas and she talk about the steps being taken to whitewash her out of the history of the Black Eyed Peas by not just management – but Peas’ group leader, will.I.am.
Ms. Hill discusses the racial and gender dynamics at play within the music industry, her early music journey, stories of touring with greats such as A Tribe Called Quest, Public Enemy, Biggie Smalls and the importance of owning all her publishing rights.
Check out this amazing conversation and then check out Kim’s new company, Next of Kim
Salt-N-Pepa – which once included the lineup of Cheryl “Salt” James, Sandra “Pepa” Denton, and Deidra “DJ Spinderella” Roper – is currently being talked about a lot in the press and online. That is partly because Lifetime’s biopic about the Hip Hop group premiered on Saturday, January 23.
The Salt-N-Pepa television movie also garnered headlines when DJ Spinderella publicly addressed not being involved in the production. On January 22, Spin started a Twitter thread by tweeting, “Sorry but I gotta speak on this Lifetime special.., Too often, Black women who have made meaningful contributions in their industry are left out of historical narratives.”
Back when Salt n’ Pepa was building our legacy, which is rooted in empowering women, I could not have dreamed that this same group would one day disempower me.
Despite the personal, professional, and legal friction that is now present between the original members of Salt-N-Pepa and their longtime deejay, the iconic trio gave the world memorable classics like the 1987 single “Push It.” On an episode of Apple Music Hits’ I Miss… Golden Age Hip Hop Radio, Spinderella spoke about recording and releasing the Platinum-certified, Top 20 hit.
“‘Push It’ was already recorded, and it was a B-side [of the ‘Tramp’ single]. We were working that first [Hot, Cool & Vicious] album, and it wasn’t even on the album,” recalled DJ Spinderella. “‘Push It’ was just a side piece… I think we shot the video because they had already shot ‘Tramp.’ If I’m not mistaken, ‘Tramp’ was the hit for us at the time we were rocking with.”
Spin added, “And then suddenly, we shot the video… The video was on MTV, and it was shot by Ted Demme, who’s a director. Once that video hit the scene, that is when I feel the difference happened, the climb. The climb was uphill, if you just go up. We started performing that song and it was like a fire.”
Salt-N-Pepa’s historic role in elevating women in Hip Hop to new heights can not be denied. According to the RIAA, 1993’s Very Necessary album has moved more than 5 million units in the United States, making it one of the best-selling female rap albums of all time.
When the most recent Grammy Award nominations were announced, sections of social media went into an uproar over artists like The Weeknd being completely ignored by The Recording Academy. This was not the first time the Grammys were hit with “WTF?” backlash.
For example, seven years ago, Macklemore & Ryan Lewis were the targets of online furor and disappointment when the Seattle-based act’s The Heist won Best Rap Album by beating Kendrick Lamar’s Good Kid, M.A.A.D City. The duo won three other Grammys, including Best New Artist, that night as well. AllHipHop.com even ran an editorial about the controversy.
Macklemore seemed to be on the side of the Grammy critics at the time. After winning the gilded gramophone, the “Thrift Shop” performer posted the screenshot of a text message on Instagram that he sent to Lamar which included him telling the TDE emcee, “You got robbed. I wanted you to win. You should have. It’s weird and sucks that I robbed you.”
Rapper-turned-podcaster Talib Kweli recently had Macklemore as a guest on his People’s Party show, and the two musicians talked about the 2014 Grammy dispute. Mack was asked how he feels now when looking back at that time period in retrospect.
“It wasn’t just the Grammys that we won. We won every f###### thing,” Macklemore responded. “There was a big conversation around whether we should be in the Best Rap Album category, and I’m like, ‘What the f###? Do I not rap? Is this not a rap album?’ I get that there are Pop sensibilities. I get that there are unapologetic Pop moments. But is ‘Jimmy Iovine’ not a rap song?’ Is ‘Make The Money’ not a rap song?'”
He added, “At the time, I’m like, ‘This s### makes no sense.’ But I get it because it crossed over, right? It’s gotten bigger than I could ever contain. That’s the weird thing about ‘blowing up’ – it doesn’t become yours anymore, it’s the world’s. It felt like that, so that was a difficult time for me.”
Macklemore went on to say that he began using drugs again during the Grammy ordeal and now wishes that he had more of a “spiritual foundation” at that moment. The 37-year-old “Trump’s Over Freestyle” performer also discussed how it was a mistake to share his private text message on Instagram and how white privilege likely played a role in Grammy voters choosing The Heist over Good Kid, M.A.A.D City.
“I’m struggling with like, ‘Damn, I’m benefiting from the system I’ve been calling out since I was 20 years old.’ Here I am at the ‘highest level’ of artistic merit – The Grammys – and here I am benefiting from the same s### I’ve been talking about. So I was conflicted. People want to say it was guilt. It was, ‘He feels guilty about being white.’ That’s so surface level. Was there an air of that? Absolutely. Was that the reason? Absolutely not at the forefront,” offered Macklemore.
He continued, “It’s symmetrically breaking this s### down on who wins and why they win, and the whole system of the Grammys. And honestly, not believing in the voting system of crediting f###### art. How do we put awards to artwork? It’s just weird to begin with once you start stripping it all away.”
In March 2020, Shawntae “Da Brat” Harris revealed that she is in a same-sex relationship with Kaleidoscope Hair Products CEO Jesseca Dupart. The couple made their relationship social media official when Da Brat posted a video of the white Bentley that was gifted to her by Dupart.
Both women were recent guests on the Tamron Hall television show where they talked about the reactions they received after confirming their romantic relationship. Da Brat’s longtime musical partner and friend Jermaine Dupri also made an appearance on the daytime talk program.
“To see her in this space of just comfort, it just allows me to know that – it’s almost back to the same space that she was in when I first met her. She’s, at this point, invincible, and she can do whatever she wants to do,” said Dupri. “I’m very happy to see that she’s in a comfortable space and just happy.”
Da Brat then told Hall, “This is the first time I have ever heard JD mention anything, ever, in my whole life about who I’m dating, what I’m doing, who I’m seeing. They reached out to him to comment when I came out, he turned them down, he wasn’t doing interviews, he really doesn’t interfere with my life. He lets me live and do whatever it is I need to do to make myself happy.”
Dupri was very instrumental in Da Brat’s career as a Hip Hop recording artist. Her 1994 Platinum-certified, debut studio album Funkdafied and subsequent projects were released under JD’s So So Def Recordings record label. Presently, both rap legends are cast members on WE tv’s Growing Up Hip Hop: Atlanta.
Big Latto (aka Mulatto) is getting a substantial push from a major music outlet. The Queen of Da Souf album creator was selected as the MTV Push artist for this month.
Throughout February, MTV will present exclusive performances, interviews, and personalized content centered around Big Latto. Fans will get to view the Atlanta-bred rapper on the network’s television channel and digital platforms.
“I knew I was going to be a rapper early on, I’ve been rapping since I was 8 years old, and I’m talking about professionally, like been doing talent shows, open mics, paying to get on shows in the clubs at 15 years old, 14 years old, opening up for your favorite rapper, the real way,” Big Latto in a video Q&A.
She added, “I’m such a creative, my songs can start from anywhere. I might be in the shower and just come up with some lines and then I just put it in my notes on my iPhone. Or I’m in the studio and I come up with it after I hear the beat. And it’s not always something I’ve seen, it might be something a friend is going through or something a friend has talked to me about, and then it’s like, ‘Okay boom, I can make a song about this, somebody can relate to this.'”
According to Marvel.com, Proximity Media signed a multi-year tv deal with The Walt Disney Company that includes an upcoming Wakanda series to stream on Disney+. Proximity was co-founded by Ryan Coogler, Zinzi Coogler, Sev Ohanian, Ludwig Göransson, Archie Davis, and Peter Nicks. Coogler co-wrote and directed the Oscar-nominated Black Panther motion picture.
“It’s an honor to be partnering with The Walt Disney Company,” Coogler is quoted saying about Proximity Media’s new business relationship with the media conglomerate. The Oakland native is also working with Disney and Marvel Studios head Kevin Feige on the sequel to Black Panther.
Coogler added, “We are especially excited that we will be taking our first leap with Kevin Feige, Louis D’Esposito, Victoria Alonso, and their partners at Marvel Studios where we will be working closely with them on select MCU shows for Disney+. We’re already in the mix on some projects that we can’t wait to share.”
2018’s Black Panther was a colossal blockbuster at the global box office. The culture-shifting superhero action movie grossed more than $1.3 billion worldwide. Marvel Studios also found commerical and critical success with the recently premiered Disney+ program WandaVision.
DeKalb County police reportedly found Rooks dead at the scene with multiple gunshot wounds. Detectives are said to be investigating a potential motive for the killing.
Today, Ricky Hawk, 23, was arrested for the murder of his cousin Frederick Rooks, 34. On January 21, the DeKalb County Police Department investigated Rooks' death after he was found shot on Deep Shoals Circle. Hawk is in the DeKalb County Jail charged with Murder. #WeAreDKPDpic.twitter.com/AfaA8CtXgx
— DeKalb County Police Department (@DeKalbCountyPD) February 1, 2021
Chanel Hudson, a publicist connected to Silentó, has released a statement on Instagram about the entertainer’s arrest. The Atlanta resident informed her IG followers that Silentó has allegedly been battling mental health issues.
The self-described PR manager wrote:
Please send my client Silento some positive vibrations. Over the past several years, Ricky has been suffering immensely from a series of mental health illnesses. We will continue in his efforts of treatment, but we ask in the meantime the public uplift him and his family in immediate prayer & positive energy!! Ricky is a beautiful soul and we hope that the same people who came up whippin’ & nay naying with him, continue to support him and lifted in prayer!! God bless.