Eddie Murphy confessed his courtside anxiety and viral meme paranoia during a recent sit-down, revealing that while he enjoys front-row seats at Los Angeles Lakers games, he’s constantly worried about becoming internet fodder.
“My biggest fear is to be sitting there and one of the guys go dive for some ball and knock me out and turn into some meme,” Eddie Murphy said. “You could be on TV and be on the news and Shaq(uille O’Neal) is stepping on your face.”
The Beverly Hills Cop legend, known for keeping a low profile outside of work, said he’s not concerned about getting hit with the ball—because that’s already happened.
“You don’t realise how big these guys are until you sit on the floor and they run by. It’s like a f**king herd. A 7-foot dude diving into you,” he said.
Despite being a Hollywood icon, Murphy said he doesn’t often mingle in celebrity circles. He recalled meeting LeBron James outside a nightclub in the mid-2000s during his divorce from Nicole Mitchell, but said such encounters are rare.
“I never met Michael Jordan before. I haven’t met a lot of people. I met a bunch of people in the early days. When I first got into business, I would meet people. But I don’t do a lot of show business stuff,” Murphy said.
Denzel Washington brushed off awards chatter and industry accolades while promoting Gladiator II, making it clear he’s never let trophies shape his career choices.
The two-time Oscar winner, who holds nine Academy Award nominations, said during his Highest 2 Lowest press tour that recognition from Hollywood has never been his motivation.
“I don’t do it for Oscars. I don’t care about that kind of stuff. I’ve been at this a long time, and there’s time when I won and shouldn’t have won and then didn’t win and should’ve won. Man gives the award. God gives the reward,” Washington told Jake’s Takes.
His comments come months after many industry watchers labeled him a major Oscar snub for his performance in Gladiator II, where he failed to score a nomination for best supporting actor.
When asked about the omission by The New York Times, he replied with biting humor: “Are you kidding me? Awww. Oh, I’m so upset. I’m happy for all that did, and I’m happy with what I’m doing.”
Washington, who won best supporting actor for Glory and best actor for Training Day, has never been one to chase industry validation.
“I’m not that interested in Oscars,” he added. “People ask me, ‘Where do I keep it?’ Well, next to the other one. I’m not bragging! Just telling you how I feel about it. On my last day, they aren’t going to do me a bit of good.”
Gladiator II, directed by Ridley Scott, is set for release later this year.
While Meriam-Webster defines an open letter as “a published letter of protest or appeal usually addressed to an individual but intended for the general public,” I thought it was only right, in your honor, that I challenge that conventional approach of a literary style the same way that Happy Gilmore did with the sport of golf. And by that, I mean have fun with something in new ways as a means of building on an established tradition and ultimately positively contributing to its evolution.
Speaking of that former aspiring hockey player, congratulations on the success of Happy Gilmore 2! It was after a recent second viewing of it that I got inspired to write this. Bad Bunny. Eminem. Post Malone. Kid Cudi. Cam’ron. Hip-Hop certainly has a presence in this excellent legacy sequel. But you have always masterfully incorporated Hip-Hop music and culture into your films. I want to thank you for that, and that is what this letter is about.
Based on the origin of this writing at AllHipHop.com, it’s clear that Hip-Hop is a big part of who I am. I was born in 1987, and so my formative years were arguably the second half of the 1990s and the first half of the 2000s. In addition to rap, though, film was also a big part of my upbringing. Some of my fondest memories from my youth are going to movies with my grandfather; we saw a few of yours. And the best of those was Big Daddy. In addition to how he and I bonded over the bond between Sonny and Julian, another reason I love it is that it put me up on “Passing Me By” from The Pharcyde. The introduction to that record led me to the Bizarre Ride II the Pharcyde. And now, over a quarter of a century later, I have that vinyl framed on my wall, acknowledging it as one of my favorite albums.
Another instance of Hip-Hop music supervision that stands out to me is the scene in Hustle when your character receives devastating news, and then Beanie Sigel’s “Feel It in the Air” starts to play. That works on so many levels, which is why it is the ideal pick. But that is a relatively deeper cut, especially considering the dozens of songs from multiple genres that the film could’ve used for that particular part. Just thinking of that record gives me chills. And I can all but guarantee that part of Hustle introduced someone to Beanie Sigel the same way the opening credits to Big Daddy made me aware of The Pharcyde.
Along with the exemplary Hip-Hop music selections in your movies, another notable aspect of your work is having rappers appear in acting roles that subvert expectations. The Cobbleris a film that immediately comes to mind. Method Man has always been, and still is, a phenomenal emcee, but his performance in that truly stood out. His scenes with you were particularly noteworthy, and if it weren’t for your ability to share the screen with him, I doubt he would have come off as effective. And I’m guesstimating that if it weren’t for that success, he wouldn’t have grown as an actor to the point of being able to play Davis MacLean so masterfully years later on Power Book II: Ghost. And while he didn’t share any scenes with you, I thought The RZA was hilarious in Funny People. (So both on the mic and in the movies – the Wu Tang Clan ain’t nuthin’ ta f### wit.)
Vanilla Ice was also a pleasant surprise in That’s My Boy. I mean that sincerely, too. At the same time, I know the film’s reception was not great. However, for as over the top as it is, I think it’s a funny movie and you and “Uncle Vanny” are big reasons why. The way Ice plays and pokes fun at himself is great. The part where he explains how he owes money every time “Ice Ice Baby” gets played, and then you tell him to “Stop, collaborate, and listen,” never fails to get a laugh out of me.
I’m aware I’ve only scratched the surface regarding your association with Hip-Hop throughout your career. These are merely five examples in a career that spans five decades. I also understand that filmmaking is a very collaborative process, so the Hip-Hop in your films, in whatever capacity, is not always 100% your decision. However, given your legendary status (a very belated congratulations on your Mark Twain Prize for American Humor as well), your voice gets heard if needed – I would think.
In closing, I present it to you like this, sir: I recall you and Rob Schneider interviewing with Howard Stern. You’re then telling the story of how Steven Spielberg reached out to compliment you on your “Red Hooded Sweatshirt” sketch on Saturday Night Live, and commented how it helped him get through the arduous task of filming Schindler’s List. I bring that up as a reminder of how your incredible talent can resonate with amazing people on profound levels. So, because of that, people will inevitably gravitate to things you associate with. Therefore, I greatly appreciate how you’ve included Hip-Hop to the degree you have over all these years.
Hip-Hop celebrated its 52nd Birthday a few days ago, and I want you to know that you have played a part in helping it become the phenomenon it is. It is better off because of how you’ve chosen to include it in your journey, so, whether it be the character of Rosie rapping “Rapper’s Delight” in The Wedding Singer (another movie of yours my grandfather and I enjoyed), putting “Set Adrift on Memory Bliss” in I Now Pronounce You Chuck and Larry, name-dropping the Beastie Boys in “The Chanukah Song, Pt. 2,” or something in between. Thanks again. For everything.
The guy accused of gunning down Mo3 in broad daylight on a Dallas freeway wants none other than President Trump to help him walk free.
Kewon White, who’s already locked up for a gun charge, said during an interview that he was hoping President Trump could get him out of prison.
“Man. I’m trying to pay Donald Trump to get me up out of here so I can get that bond. I need to pay Donald Trump to let me up out of this b#### so I can bond out and fight this s### from the world, man,” White said during an interview from prison with RealLyfe Productions.
White inexplicably thinks the former president is gonna swoop in and save him like he did for Lil Wayne and Kodak Black. The problem is, White’s already doing time—9 years for being a felon caught with a gun.
Back in 2020, cops tried to pull White over for a traffic violation while he was riding dirty on a dirt bike in Lancaster, Texas. He tried to outrun the cops, crashed the bike, took off on foot and got caught.
They found a 9mm tucked in his pants. That move landed him a federal sentence of 105 months after he pleaded guilty in May of 2022
But the bigger issue is that he is still waiting to stand trial for the murder of Mo3, who was chased down and shot on I-35 back in November 2020.
The whole assassination happened in broad daylight, as terrified drivers on the busy freeway watched it unfold. Mo3 tried to run but got hit multiple times and later died at the hospital.
A bystander was shot, too, but survived. Cops believe White pulled the trigger. He and Devin Maurice Brown were both indicted for carrying out the hit, allegedly at the request of Yella Beezy.
Doug E. Fresh and Slick Rick are marking four decades of Hip-Hop history with a special 40th anniversary vinyl release of their genre-defining tracks “La Di Da Di” and “The Show,” available exclusively through Fat Beats.
To celebrate the milestone, Fat Beats Distribution is issuing a limited-edition 12-inch vinyl featuring the original versions of both songs, a rare demo of “The Show” and an unreleased street version of “La Di Da Di” recorded live at the Lincoln Projects in Harlem. The commemorative release honors the duo’s influential 1985 collaboration with the Get Fresh Crew, which also included DJ Chill Will and DJ Barry B. Slick Rick also went by M.C. Ricky D at the time.
Originally released on August 13, 1985, “La Di Da Di” and “The Show” paired Doug E. Fresh’s pioneering beatboxing with Slick Rick’s sharp storytelling, creating two of the most sampled tracks in Hip-Hop history. Their impact continues to ripple through music, having been referenced or sampled in over 1,000 songs by artists like The Notorious B.I.G, Snoop Dogg, Beyoncé, Beastie Boys and Miley Cyrus.
“La Di Da Di,” with its playful lyricism and rhythmic flow, became a template for MCs across generations. “The Show” gave listeners a behind-the-scenes glimpse into the life of a performer, capturing the raw energy of Hip-Hop’s early days. The two songs helped define the sound and spirit of the genre’s golden era.
In 2025, both tracks were added to the Library of Congress’ National Recording Registry, recognized for their “cultural, historical, and aesthetic significance.” That honor places them alongside other landmark recordings in American music history.
Doug E. Fresh, often hailed as “The Original Human Beatbox,” helped popularize vocal percussion in Hip-Hop. Slick Rick, born in London and known for his storytelling prowess, became one of the genre’s most influential lyricists. Together, they created music that not only shaped Hip-Hop but also crossed into the mainstream, leaving a lasting legacy.
The 40th anniversary edition of “La Di Da Di” and “The Show” is available now exclusively at FatBeats.com.
Skrilla was taken into custody in his own Kensington neighborhood Saturday (August 16) after police interrupted a music video shoot and discovered the rapper using a gel blaster gun, a toy banned under Philadelphia’s weapons code.
Video recorded by local content creator “The Philly Captain” shows the rising rap artist filming a scene with his crew, dancing and interacting with onlookers before aiming and firing what appeared to be a toy water gun toward the crowd. Moments later, officers moved in, questioned Skrilla, then placed him in handcuffs and led him to a police cruiser.
The toy in question was a gel blaster, a device that shoots soft water-based pellets often sold under brand names like Orbeez. Though marketed as toys, Philadelphia law classifies them as imitation firearms and prohibits their use in public spaces. Section 10-810 of the Philadelphia Code bans the sale and public display of “water pistols” and similar replicas, citing safety concerns and the potential for public confusion.
Skrilla, who rose to prominence with his viral track “Doot Doot (6 7),” which has pulled in over 60 million streams across platforms including TikTok, has long drawn inspiration from his Kensington roots. His music often reflects the challenges and realities of growing up in one of Philadelphia’s most scrutinized neighborhoods.
The rapper recently released the deluxe edition of his album Zombie Love Kensington Paradise on February 28, featuring collaborations with Lil Baby, Rob49 and Baby Smoove. He’s currently signed to Priority Records under the leadership of Orlando Wharton, the executive known for working with Kodak Black, the late PnB Rock and A Boogie Wit Da Hoodie.
Just days before the arrest, Skrilla announced The Z Tour, a 22-date headlining run that kicks off October 1 in Charlotte, North Carolina. The tour will hit major cities across the U.S. and Canada before wrapping up with a hometown performance at The Fillmore in Philadelphia on November 30. Tickets went on sale Friday (August 15).
Cardi B dropped her latest single “Imaginary Playerz” last week, but the track barely made a dent on the Spotify U.S. chart, debuting at a modest No. 147—an underwhelming showing for the Bronx rapper known for chart-topping hits. In fact, it’s nowhere to be found on Spotify global either and crawled on to Apple Music at No. 56.
The track, which samples JAY-Z’s 1997 classic “Imaginary Players,” is the fourth single from her long-awaited sophomore album, Am I The Drama. On the song, Cardi flexes her wealth and status, drawing comparisons between herself and other women in rap. “Imaginary Playerz” leans heavily into braggadocio, but early numbers suggest it hasn’t resonated with listeners the way her past releases have.
The video, however, appears to be making quite the impression, with more than 1.8 million YouTube views in the past two days.
The original “Imaginary Players” appeared on JAY-Z’s In My Lifetime, Vol. 1—which has actually seen a bump in streaming due to the song—and Cardi’s interpolation of the track was expected to generate buzz. Instead, the song’s lukewarm reception has raised questions about the momentum behind her upcoming project.
It’s been more than six years since Cardi released her debut album, Invasion of Privacy, which arrived in April 2018. That album debuted at No. 1 on the Billboard 200 and moved 255,000 equivalent album units in its first week, according to Nielsen Music. The project spawned multiple hit singles and earned her a Grammy Award for Best Rap Album, making her the first solo female rapper to win in that category.
“Imaginary Playerz” follows a string of singles leading up to Am I The Drama, but its low placement on Spotify’s chart signals a rare misstep for Cardi, who’s typically a fixture in the top tier of streaming platforms.
As of Sunday (August 17), “Imaginary Playerz” has dropped off the Spotify U.S. chart completely.
The NBA wild card was asked what advice he’d give a 21-year-old trying to grow up. His answer was rather blunt: “Just don’t be like Travis Hunter.”
The line was clearly aimed at Hunter‘s personal life, presumably his controversial marriage to Leanna Lenee.
The two tied the knot when Hunter was just 21 and the union has been in the headlines ever since a clip from their wedding went viral, showing Lenee dodging a kiss during their first dance.
It set off a wave of speculation about whether she’s really in it for love—or the check.
Despite all the noise, Hunter has stood by his wife. He’s made it clear he’s not breaking away from her anytime soon and has publicly defended their relationship.
Let’s not forget, Rodman has three ex-wives—Annie Bakes, Carmen Electra and Michelle Moyer. His marriage to Bakes lasted less than three months and was full of drama. He married Electra in 1998, then tried to annul it nine days later.
His longest marriage was with Moyer, but even that ended in divorce.
Still, Rodman’s comments rubbed people the wrong way. Social media dragged him hard, with users wondering why he’s out here judging someone else’s relationship when his own track record is more chaotic than a reality show marathon.
“Dennis Rodman say what .. you got tricked out of millions and was a deadbeat dad ..come on man,” one user snarled. Another said: “n#### is pushing 70 with a red goatee, dont be like dennis rodman.”
Nipsey Hussle was honored Friday (August 15) with a pair of limited-edition LA Metro TAP cards and temporary station renaming on what would have been the late rapper’s 40th birthday, celebrating his deep ties to South Los Angeles.
In partnership with the Nipsey Hussle Estate, LA Metro unveiled two commemorative TAP card designs—“Crenshaw & Slauson” and “Watts”—each paying tribute to the Grammy Award-nominated artist’s legacy and influence. The “Crenshaw & Slauson” card features a black-and-white portrait of Hussle taken by acclaimed Hip-Hop photographer Jonathan Mannion, while the “Watts” version captures the rapper aboard a Metro bus.
A total of 12,000 cards were released across select Metro stations, including Hyde Park, Crenshaw, Compton, Hollywood/Vine and Expo/Crenshaw. The Hyde Park station, located near Hussle’s Marathon Clothing store, has been temporarily renamed Nipsey Hussle Station through August 31.
“This partnership with his estate is a powerful example of how Metro is bridging transit, culture, and community to celebrate the enduring spirit of Los Angeles,” LA Metro said in a statement.
By early Friday morning, long lines had already formed at vending machines as people rushed to secure the collectible cards, a tangible tribute to the late rapper’s enduring impact on the city. Most of them have sold out.
Hussle was gunned down on March 31, 2019, outside his Marathon Clothing store on Slauson Avenue. He was 33. The man convicted of his murder, Eric Holder Jr., was sentenced to 60 years to life in prison in February 2023.
Hussle’s death sent waves through the Hip-Hop world and beyond, as he was widely respected not just for his music but for his work in the community. He was a vocal advocate for economic empowerment, youth mentorship and gang intervention programs in South LA.
His family has continued his philanthropic work through the Neighborhood Nip Foundation, which supports initiatives focused on education, entrepreneurship and social justice.
Former child influencer turned OnlyFans millionaire Lil Tay is apparently on her own after launching her adult career moments after turning 18 last month.
On Saturday (August 16), Tay took to TikTok, where she told her followers that she is no longer on speaking terms with her family over her OnlyFans account.
“My family kicked me out. I got disowned. They don’t talk to me anymore. They don’t f##k with me. But who gives a s##t? I can literally buy their whole life if I wanted to. I’m good,” Lil Tay said.
The news is in stark contrast to her father, Chris Hope’s, previous comments when he was asked about Lil Tay turning to OnlyFans to make money.
“Tay can make her own decisions.” Hope told TMZ. “Some people won’t approve no matter what she does.”
Despite saying publicly that he trusted Tay to handle her life and her content as she sees fit, things must have changed, because now she is estranged from her family.
Tay also told young women to ditch the office life and college dreams and “drop the link” instead—just like she did.
According to her, if you’re under 25 and still working a regular job, you’re doing life wrong.
“If you’re under the age of 25 and you’re still working a 9-5 you are a failure,” she posted on TikTok on Saturday (August 16).
She also told her followers, “ladies, every single one of you should drop the link like me. Just literally just make your bag. Who gives a f### what anybody thinks.”
Tay claims she pulled in over $1 million in under three hours after going live on the site—breaking records and flipping off the idea of traditional careers.
And she’s not shy about where she stands on education either.
“Also f### an education ’cause Harvard was never gonna help me make 8 figures. That’s why I dropped out of it and I dropped the link instead.”
She’s been planning this for years. Tay said she mapped out her OnlyFans debut when she was just nine and made sure all her content was filmed after she officially became legal.
Tay has said she sees herself as a new-age role model, name-dropping Sydney Sweeney and Sabrina Carpenter as her sex-positive icons while claiming she’s “bringing women forward.”
Roc Nation is pushing back hard against a $20 million lawsuit involving Fat Joe, claiming the case is a calculated attempt to smear the company and force a hasty settlement.
AllHipHop has confirmed that Roc Nation asked a federal judge to dismiss the $20 million lawsuit and sanction attorney Tyrone Blackburn, who represents plaintiff Terrance “T.A.” Dixon.
The company says Blackburn admitted in an email that Roc Nation “may have been defrauded by Fat Joe as well,” a line Roc Nation calls a “devastating” admission that undermines the entire case against Jay-Z’s company.
“This lawsuit was meant to harass and embarrass Roc Nation on the public stage,” the company’s legal team wrote in its motion.
The email, sent just hours after Roc Nation filed to dismiss the case, is now central to the company’s argument.
Roc Nation says the message proves Blackburn and Dixon had no valid reason to drag the company into the legal battle and that the suit was filed in bad faith to create public pressure.
Blackburn did not address the email in his response to the motion and Roc Nation pointed out that silence as further evidence of misconduct.
Fat Joe has denied all the allegations, calling them “disgusting lies” and vowing to fight them in court.
Dixon’s complaint also names Roc Nation, accusing the company of helping Fat Joe hide money from Dixon and enable the rap star’s alleged bad behavior.
Roc Nation says there’s no evidence to support that. Roc Nation is asking the court to dismiss the case with prejudice, which would prevent it from being refiled.
The company also wants Blackburn to cover legal costs and face sanctions for what it describes as a pattern of filing high-profile but baseless lawsuits.
José Ángel Del Villar was sentenced to four years in federal prison and fined $2 million Friday (August 15) after federal prosecutors said he knowingly worked with a concert promoter connected to two of Mexico’s most dangerous drug cartels.
The 45-year-old CEO of Del Records and Del Entertainment Inc. was convicted in March on 10 counts of violating the Foreign Narcotics Kingpin Designation Act and one count of conspiracy to transact in property belonging to specially designated narcotics traffickers. His company was also hit with a $1.8 million fine and sentenced to three years of probation, according to the U.S. Department of Justice.
The case centers on Del Villar’s business dealings with Jesús Pérez Alvear, a Mexican concert promoter whose company Gallistica Diamante, also known as Ticket Premier, was blacklisted by the U.S. Treasury Department. According to prosecutors, Pérez and his business “facilitated money laundering for the Cartel de Jalisco Nueva Generación (CJNG) and the Los Cuinis drug trafficking organization.”
“Even though Del Villar and Del Entertainment were aware that it was illegal to engage in transactions or dealings with Pérez, they willfully did business with him by continuing to have a Del Entertainment musical artist perform at concerts in which Pérez and Del Entertainment had a financial interest,” prosecutors said.
Pérez was killed in Mexico in December 2024, months before Del Villar’s sentencing.
Co-defendant Luca Scalis of West Hollywood pleaded guilty in May to one count of conspiracy to transact in property of specially designated narcotics traffickers. He’s scheduled to be sentenced October 22.
Mexican drug cartels like CJNG and Los Cuinis are considered among the most violent and powerful criminal organizations in the world. Known for their brutal enforcement tactics and global drug trafficking operations, these groups often use legitimate businesses—like concert promotions—to launder illicit profits. Their influence stretches across borders, making them a top priority for U.S. and international law enforcement.
Drake is upping the ante in his legal clash with Universal Music Group by trying to get his hands on five years of compensation records for Interscope CEO John Janick, arguing the executive had a monetary motivation to back Kendrick Lamar’s 2024 hit “Not Like Us.”
The request, filed in federal court in Manhattan, seeks Janick’s salary, bonuses and incentive pay, along with Interscope’s monthly profits and revenue since 2020.
Drake’s legal team also wants the full recording contract between Lamar and UMG, plus a valuation of Lamar’s catalog dating back to January 2020.
UMG, represented by attorney Rollin A. Ransom of Sidley Austin LLP, pushed back hard against the demands, calling them “intrusive, irrelevant, and designed to harass.”
In a statement to U.S. Magistrate Judge Jeannette Vargas, Ransom argued that Drake’s motion is a distraction from the core dispute.
“Drake seeks Interscope CEO John Janick’s private and highly confidential compensation details going back to 2021—four years before ‘Not Like Us’ was even released,” Ransom wrote. “Yet Drake makes no attempt to explain how his intrusive request for five years’ worth of individual compensation records is conceivably relevant or proportional to this case, which centers on the release and promotion of a single track and music video in 2024. There is none.”
Drake’s legal action stems from claims that UMG could have blocked or altered “Not Like Us” but allowed it to go forward, allegedly tipping the scales in Lamar’s favor during their public feud.
The song, which took aim at Drake, became a viral success and dominated streaming platforms, but the Toronto rapper says his reputation was damaged after Kendrick Lamar labeled the rapper a “certified pedophile.”
The company also described Drake’s broader financial requests as a “fishing expedition” that would expose sensitive internal data without advancing the case.
UMG has asked the court to either deny the motion outright or conduct a private review of Lamar’s contract before making any ruling.
Fast Cash CMoney’s memorial balloon release turned chaotic Friday evening in Memphis when three masked suspects in a silver Nissan Altima tried to breach a restricted area.
The celebration was held in honor of the slain rapper, who was a member of the Memphis rap group Fast Cash Boyz.
The action triggered a high-speed police chase that swept across the city and ended with two arrests, one hospitalization and a cache of firearms and drugs.
According to the Memphis Police Department, officers were providing security at Raleigh Springs Skate Park around 7:27 P.M. during a remembrance event for slain rapper FastCash CMoney when they attempted to stop the suspicious vehicle.
Instead of complying, the driver reversed, hitting officers and nearly striking others nearby.
The chase escalated quickly, with the suspects speeding through Memphis before crashing into another vehicle.
According to Action News 5, Two men—identified as 28-year-old Deeric Walton and 27-year-old Khaleed Nooh—fled on foot but were caught shortly after.
The driver, whose name has not been released, was taken to a hospital in non-critical condition and remains in custody.
Authorities say the vehicle contained multiple rifles and handguns, including one modified with a “switch” to make it fully automatic. Officers also found marijuana packaged for distribution.
Walton and Nooh now face a long list of charges, including three counts of assault against a first responder, six counts of being a felon in possession of a firearm, and two counts of possessing a prohibited weapon.
They were also charged with evading arrest and possession of a controlled substance.
The investigation into the suspects’ motives is ongoing. Police have not said whether the suspects were targeting the memorial or simply attempting to flee from law enforcement.
The Fast Cash Boyz were rising in popularity when CMoney as killed.
The group served as an opening act for GloRilla’s “Glo Bash” last month and they were reportedly close to inking a deal with Yo Gotti’s CMG imprint.
Allan Mueses, the father of Amara La Negra‘s twin daughters and a recurring figure on Love & Hip Hop: Miami, has been charged with four counts of first-degree criminal sexual conduct in Michigan following allegations dating back over a decade.
The 40-year-old was extradited from Miami and arraigned July 28 in Kalamazoo’s 8th District Court, according to Michigan Attorney General Dana Nessel.
The charges stem from an alleged assault of a fellow student in March 2010 while Mueses was enrolled as a foreign exchange student at Western Michigan University.
Prosecutors say the woman, then 20, met Mueses at a campus recreation center and later went to his apartment, where the alleged assault occurred.
Last week, the victim appeared in court and testified that during the incident, Mueses told her to “think about this every night” as he assaulted her.
She reported the incident to campus police and underwent a forensic medical exam, but no charges were filed at the time.
The case remained inactive until it was reopened through Michigan’s Sexual Assault Kit Initiative (SAKI), which reexamines older cases. Mueses was arrested in Florida on July 11 under an out-of-state extradition warrant issued July 14.
“I remain grateful to our state’s devoted SAKI units and their efforts to bring about justice for victims of sexual assaults perpetrated years ago,” Nessel said in a statement. “Their commitment ensures that survivors have the opportunity to see their cases fully investigated and that perpetrators are held accountable.”
Mueses, originally from the Dominican Republic, attended WMU between 2009 and 2013.
His relationship with Amara La Negra was featured heavily during seasons four through six of Love & Hip Hop: Miami, where the couple’s ups and downs played out on-screen.
The pair welcomed twin daughters on March 23, 2022, and though no longer romantically involved, they continue to co-parent.
Yella Beezy is pleading with a Dallas judge to ease his house arrest restrictions so he can earn a living while awaiting trial for capital murder.
The Dallas rapper is currently confined to his home under electronic monitoring as he faces allegations that he arranged the 2020 killing of fellow artist Mo3.
His legal team filed a motion asking the court to allow him to leave home for work-related purposes.
“[Yella Beezy] has missed multiple opportunities for employment in his field because of the home confinement restriction which has put significant strain on his current financial obligations,” attorney John F. Gussio III said in the motion. “Given the [Yella Beezy’s] lack of violations and the condition that he maintain an ankle monitor is sufficient protection to the community.”
Gussio added that his client has lost income from canceled studio sessions and missed collaborations with other artists. He declined to elaborate on the specifics of the proposed work release.
The financial toll comes as Yella Beezy remains under strict monitoring, with no trial date yet scheduled in his capital murder case. He was indicted in March after a Dallas County grand jury alleged he orchestrated the fatal shooting of Mo3 on Interstate 35E in Oak Cliff.
According to prosecutors, Yella Beezy hired two men—Kewon Dontrell White and Devin Maurice Brown—to carry out the deadly ambush. White is accused of being the gunman who chased and shot Mo3 in broad daylight after he fled his vehicle.
Investigators linked White to the scene using cellphone data and witness statements, per a 2020 arrest affidavit. His trial is scheduled for November 10.
Brown’s role remains less defined, but he was also indicted in connection with the murder-for-hire plot.
Diddy scored another W in court as Dawn Richard dropped her claims against 10 of his businesses; he’s not in the clear just yet.
According to court docs obtained by AllHipHop, Richard and her lawyers told the judge they’re cutting Daddy’s House Recording Studio, Bad Boy Entertainment LLC, Bad Boy Records LLC, Bad Boy Entertainment Holdings Inc., Bad Boy Productions Holdings Inc., Bad Boy Books Holdings Inc., 1169 Corp (formerly Sean Combs Music Inc.), Sean Combs Capital LLC, CE OpCo LLC (formerly Combs Enterprises), and UMG Recordings Inc from the lawsuit.
All those claims are being dropped “without prejudice,” which means she can technically bring them back later if she wants to—but for now, they’re off the hook.
But before Diddy starts poppin’ bottles, here’s the catch—he’s still named in the suit. So are Janice Combs Publishing LLC, Janice Combs Publishing Holdings Inc., and Love Records Inc.
Richard’s planning to file a second amended complaint, so the war is far from over.
Diddy’s legal team isn’t fighting her request to update the lawsuit. In a letter to Judge Katherine Polk Failla, his attorneys said they’re fine with her filing a new complaint, but they’re not backing down from the fight.
They also noted that Richard dropped her human trafficking claim under New York law, and they called the upcoming new complaint “futile.”
She also claims he starved her, deprived her of sleep, and stiffed her on pay while she worked on music.
Richard also claims Diddy threatened her life and warned others they could “go missing” if they spoke out.
His camp says it’s all bogus.
Still, Richard testified during Diddy’s federal sex trafficking trial, where she gave grim details about the violence and threats she says she endured.
This lawsuit is one of over 60 that Diddy is dealing with. He’s been hit with abuse, racketeering, and sex trafficking allegations that made headlines across the country.
Earlier this week, Diddy caught another break when a judge tossed 21 out of 22 claims in a $60 million sexual assault suit brought by former Da Band member Sara Rivers.
That case included claims of sexual assault, forced labor, and false imprisonment going back 20 years. The judge ruled that most were too old to be pursued.
50 Cent had a message for Starz after the network posted dismal subscriber numbers and a $42.5 million loss—he said “good bye” to the network.
The Hip-Hop mogul and executive producer took to social media to make his exit clear, writing, “It’s not that hard to say good bye. bye,” under a post about the network’s declining performance.
In addition to Fif constantly dragging the network that airs his shows, the second quarter of 2025 brought more bad news for Starz. U.S. streaming subscribers dropped from 13.04 million to 12.2 million, while total domestic customers fell by 410,000 to 17.6 million.
The company blamed the losses on its recent separation from Lionsgate and said it would no longer release international streaming figures.
Despite the downturn, Starz still leans heavily on programming tied to 50 Cent.
The network airs several of his shows, including the Power universe and BMF.
Power Book IV: Force is heading into its third and final season. In fact, Joseph Sikora, the star of the series, said season three would be worth the wait.
But behind the scenes, tensions between 50 Cent and Starz have been simmering for years. He has repeatedly criticized the network for delays, inconsistent scheduling and stalled renewals.
Regina Hall and Anna Faris are hopping back into the chaos with Scary Movie 6 and teaming up with the Wayans brothers for a full-blown reunion that’s got fans excited.
The horror spoof franchise, which has raked in over $900 million worldwide, is getting a reboot, and the two original stars of the film are ready to start filming.
In a joint statement, they said, “We can’t wait to bring Brenda and Cindy back to life and be reunited with our great friends Keenen, Shawn and Marlon — three men we’d literally die for (in Brenda’s case, again).”
It’s been over a decade since we last saw Brenda and Cindy getting dragged through ridiculous horror scenarios.
But this time, it’s not just the gals making a comeback — Shawn and Marlon Wayans are back in the mix too, writing, producing and jumping back on screen. It’s the dream team that started it all in 2000.
Michael Tiddes, who’s been tight with the Wayans crew for years, is taking the director’s chair.
No word yet on the exact plot, but filming kicks off in October 2025 and the new movie is dropping in theaters June 12, 2026.
Doechii scored a Grammy and a Top 10 Billboard debut with Alligator Bites Never Heal, but revealed she never thought the mixtape would take off the way it did.
The Tampa-born rapper told People that her 2024 project was more of a personal outlet than a calculated career move.
“No, not at all. I wasn’t even in that mind frame,” she said when asked if she expected the release to be her breakout moment. “I just wanted to get my story out and say what it is that I wanted to say. It was really an experiment.”
Released in August, the mixtape became her most significant success to date.
It climbed into the Top 10 of the Billboard 200 and later earned her a Grammy Award for Best Rap Album in February — a historic win that made her only the third woman to ever take home the trophy in that category.
The “Anxiety” rapper explained that she had set a personal deadline for the project’s release.
“I had a deadline in my head, and I was like, ‘I just feel like I have to drop it at this time, and if I don’t, I’m going to miss the mark on something within myself,’” she said. “And so I didn’t expect for it to be nearly as big because right after that I was just like, ‘I’m just going to put this mixtape out, and then I’m just going to go ahead and drop my debut album, and that would be the one.’”
Instead, the mixtape’s unexpected momentum shifted her timeline.
“But it ended up becoming way bigger than I expected and pushing things back a little bit,” she added.
Despite the acclaim, Doechii still hasn’t released her first full-length studio album.
