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Kendrick Lamar, The Roots’ Black Thought & Nas Might Be On One Song

If you don’t know, get ready to know.

As you’ve probably seen by now, Mass Appeal is rolling out something for the ages, the Legend Has It…series. We’re talking Slick Rick, De La Soul, Ghostface Killah, Raekwon, Big L, Mobb Deep and the highly anticipated joint album from Nas and DJ Premier.

Nas and DJ Premier have been teasing this collaboration for like two decades. It’s been the golden goose of rap albums, but we never thought it was going to hatch! But about a year ago, the early signs started to take shape. They made a formal announcement and everything. Since then, it’s been slow moving. But perhaps they were building toward something much bigger.

I could be wrong, but I don’t think I am.

Anyway, what’s certain is that Nas and DJ Premier have a project coming this year. That alone is enough. But there’s a rumor floating around that could make this even more legendary.

Word is, there’s a track on this album featuring Kendrick Lamar, Black Thought from The Roots and Nas — all on the same DJ Premier beat.

Let that sink in.

Black Thought. This man is criminally underrated. It’s weird that I even have to say that out loud, because lyrically, he’s one of the greatest to ever touch a mic.

Then there’s Kendrick Lamar, who’s been putting belt to a$$ for a straight year. The dude has been relentless.

And of course, Nas. A master. As a part-owner of Mass Appeal, Nas continues to show that there’s a lane for Hip-Hop veterans to lead. He’s still rapping, still innovating, still building. Damn.

There’s not a lot of info on this rumor. But I’m hoping it’s true. These Mass Appeal drops haven’t missed yet. I think this could be the big one.

What do y’all think? Can we love this song without turning it into something competitive? I hope so. Because Hip-Hop always wants to debate who out-rapped who instead of just appreciating the greatness. We never did that with rock bands. Let the music live please.

-illseed out

Joe Budden Reveals Insane Podcast Earnings

Joe Budden is pulling in seven figures every month from his podcast’s Patreon, according to a New York Times profile that breaks down his booming subscriber base and business model.

The former rapper-turned-media personality is reportedly earning about $1 million per month through The Joe Budden Podcast’s Patreon, thanks to roughly 70,000 subscribers paying between $5 and $50 monthly. The figures, confirmed by a Patreon spokesperson, position Budden as the platform’s top earner.

Testa projects Budden and his team could bring in $12 million by the end of 2025 if the current pace holds.

The numbers went public just weeks after Budden accidentally posted a screenshot revealing his Patreon earnings—$902,000 for the month—without blacking out the total. The image quickly circulated online before he attempted to delete it. On a later episode of his show, Budden admitted the leak wasn’t exactly a mistake.

“My moment of excitement, I said to Ian, ‘Yo, do me a favor, big dog, on a FaceTime. Hey, blackout all this other s###. I need to hit that $30 million on him,'” he said.

He later joked in the Times piece that the viral moment led to a wave of salary requests from his co-hosts.

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Budden’s current success follows a rocky history with streaming platforms. He previously walked away from a deal with Spotify, claiming the company undervalued his contributions. Before that, he was a host on Complex’s Everyday Struggle, where he said he was paid just $500 a week.

Even when presented with a lucrative $44 million offer in the early 2020s, Budden declined, choosing instead to maintain control of his content and build independently.

Before becoming a media mogul, Budden was best known for his 2003 hit “Pump It Up” and his role in the Hip-Hop supergroup Slaughterhouse. He later transitioned into commentary and podcasting, gaining a reputation for blunt takes and viral moments.

Industry Giant David Geffen Slams Ex-Husband Who’s Suing For Lifetime Support

Music and entertainment mogul David Geffen is facing a new legal storm. His ex-husband, Donovan Michaels, has filed a lawsuit accusing the media mogul of reneging on an alleged lifetime financial agreement. Michaels maintains Geffen left him homeless and emotionally scarred.

Donovan Michaels and David Geffen married in 2023 but divorced this year.

Michaels, 32, sued the 82-year-old billionaire in Los Angeles County Superior Court, claiming Geffen broke an oral contract. Geffen allegedly agreed to financially support Michaels for life in exchange for acting as Geffen’s partner, caregiver and travel companion. That arrangement collapsed earlier this year, when Geffen filed for divorce and cut off support, according to the suit. Geffen also forced Michaels out of the his New York City residence.

Michaels, a gay Black man, claimed an awful abuse of power in the court filing. He described Geffen as a “wealthy, powerful white gay billionaire who believed himself untouchable.” He alleged that Geffen exploited him both emotionally and physically throughout their relationship.

The lawsuit accuses Geffen of demanded “sexual access at will,” which were demeaning and humiliating. He also said that verbal abuse was the norm.

Michaels said things got worse after he sought help for addiction and told the mogul he would like to be seen as more that just Geffen’s companion. That assertion triggered a breakdown in the relationship, he said.

READ ALSO: Interscope Geffen A&M Records Launches New HBCU Initiative

Geffen’s legal team said the claims and lawsuit were “pathetic” and “false.” She insisted, “There was no contract — express, written, oral or implied — that has ever existed.”

Geffen, one of the most influential entertainment figures in modern history, built a formidable empire in music and film. He co-founded Asylum Records in 1971, Geffen Records in 1980 and was behind landmark signings such as Nirvana, Bob Dylan and the Eagles. In film, he helped produce Beetlejuice and co-founded DreamWorks Pictures alongside Steven Spielberg and Jeffrey Katzenberg in 1994. Openly gay since 1992, Geffen previously was in a high-profile relationship with pop icon Cher in the 1970s.

David Geffen’s relationship to Hip-Hop is minimal but has impacted the culture indirectly. Geffen Records eventually became part of the Interscope-Geffen-A&M umbrella, a powerhouse that included major Hip-Hop acts.

Joyner Lucas Mocks Skepta’s “Round 2” Diss, Declares “It’s Up Now”

Joyner Lucas finally tuned in to Skepta’s “Round 2” diss track Tuesday night (July 22) when he livestreamed his reaction for his Instagram followers.

The Massachusetts rapper appeared more amused than offended as he listened along, shaking his head and pausing to laugh at one particular bar. “Did he just rhyme ‘Joyner Lucas’ with ‘loads of mucus?’” he asked, chuckling in disbelief.

While he dismissed most of the track, Lucas did acknowledge one line that hit the mark. When Skepta rapped, “You only make hits rapping from another guy’s perspective,” Lucas gave a subtle nod of approval.

Still, the overall verdict was clear.

Lucas ended the video with a long exhale and a flat “Okay…” before posting the clip with the caption, “You just won’t give up huh skippy?. It’s up now my boy. @skepta.”

He followed up with a post on his Instagram Stories, insisting Skepta won’t be able to recover from his next move.

Instagram/Joyner Lucas

Joyner Lucas & Skepta Trade Bars

The latest jab is part of a growing lyrical standoff between the two rappers that kicked off when Skepta dropped “Friendly Fire,” calling Lucas a “joke” in the U.S. Lucas fired back with “Nobody Cares” on July 15, mocking Skepta’s chart struggles in the U.K. and his association with Drake.

In “Nobody Cares,” Lucas warned, “After I body you, I don’t want you еver saying my name anymore,” positioning himself as the clear aggressor in the transatlantic beef.

Skepta returned with “Round 2” on July 18, doubling down on his criticism. He claimed Lucas had previously lost a battle to Tory Lanez and flexed his triple platinum credentials in the States.

The rivalry has gained momentum online, especially after Drake’s Wireless Festival comments praising London MCs as the “best lyricists in the world,” which many saw as a subtle endorsement of Skepta and the broader U.K. rap scene.

The back-and-forth continues to stir debate across both sides of the Atlantic as Hip-Hop heads weigh in on the escalating clash.

EXCLUSIVE: Fat Joe Says He Lost $10M Over Bogus Extortion Plot; Gets Aggressive With New Response

Fat Joe has filed a blistering amended complaint against attorney Tyrone Blackburn and former hype man Terrance Dixon, accusing them of launching a smear campaign with fabricated claims of sex trafficking, statutory rape and other serious crimes in what he calls an extortion attempt that cost him over $10 million.

The original lawsuit filed by Blackburn and Dixon accused Fat Joe of a five-year relationship with a 16-year-old girl named “Nikki,” alleging he flew her across state lines and internationally, implying sex trafficking violations.

The complaint also accused him of unpaid wages, ghostwriting theft and ordering violent retaliation against Dixon. The Bronx rapper claims the accusations were not only false but also weaponized to damage his reputation and force a payout.

According to documents obtained by AllHipHop, the damage was immediate and widespread, with endorsement deals, media appearances and business ventures abruptly canceled after the allegations surfaced.

A major television network pulled the plug on a $30,000 deal for three primetime appearances, citing “current events.” His podcast Joe & Jada lost three major sponsors, including one that backed out of a $675,000 advertising agreement.

Another dropped a $400,000 deal and a third canceled a $40,000 package—slashing the show’s ad revenue by more than 30%.

Fat Joe, who co-owns the men’s grooming brand Rewind It, said negotiations with three national retailers collapsed within days of the lawsuit’s filing.

He estimates personal losses of over $10 million from those deals alone, including $7 million from the largest retailer. Additional business partners also distanced themselves, leaving projects in limbo.

Fat Joe claims the duo used the accusations as leverage to get him to pay a multimillion-dollar settlement. He says they even threatened to involve Homeland Security if he didn’t comply.

The filing also directly targets Blackburn’s professional conduct. Federal judges have previously criticized Blackburn for what they described as “unethical” legal tactics, including filing lawsuits filled with “salacious allegations” meant to pressure quick settlements.

One judge said his filings were “replete with inaccurate statements of law” and “inappropriate ad hominem attacks.”

Adding to Blackburn’s troubles, he was arrested in June 2025 for felony assault after allegedly running over a process server with his vehicle while trying to avoid being served in this very case.

Fat Joe’s complaint also cites a police report involving Blackburn and his ex-girlfriend’s best friend. The woman told police Blackburn sent her threatening messages and made her “fear for her safety.”

She reportedly told officers she “does not know what Mr. Blackburn is capable of.”

Fat Joe is seeking at least $15 million in damages, along with injunctive relief and other remedies.

2 Chainz Drops Trailer For “Red Clay” With Music From The Isley Brothers & Lil Yachty

2 Chainz dropped the first look at his short film Red Clay on Tuesday (July 22), giving a glimpse into the Atlanta-set drama he co-wrote with Omar Epps and teasing a star-studded soundtrack featuring The Isley Brothers, Lil Yachty, Ne-Yo and more.

“The wait is over….with the Red Clay Soundtrack dropping soon it’s only right we drop the trailer,” he wrote on Instagram. “Want early access to the full short film, screenings, album release, and exclusive drops? Hit the link in bio and join the email list for VIP access.”

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Set in 2003 Atlanta, Red Clay follows Nook, played by Christopher A’mmanuel, a teenager trying to break free from the cycle of poverty and addiction while his mother battles substance abuse.

The film explores themes of survival, loyalty and ambition in Black and brown communities shaped by systemic challenges.

Directed by Christian Nolan Jones—known for his short film Glitter Ain’t Gold—the project also stars Rutina Wesley and Jaylan Ragin.

Both 2 Chainz and Epps serve as executive producers, with the rapper describing the film as a personal creative outlet.

“I tell stories through my music, always hoping people feel empowered to overcome anything,” 2 Chainz said in a statement. “Red Clay is an extension of that. Atlanta is full of resilience, and bringing Nook and Bub’s story to life—everyday folks fighting to survive—means everything to me. Creating this with Omar Epps was truly legendary.”

The soundtrack includes a new track titled “The ATL Experience” featuring 2 Chainz, Ronald Isley and The Isley Brothers.

The film premiered at the 2025 Atlanta Film Festival in May and is currently being submitted to other international film festivals.

Kanye West Trying To Offload Calabasas Condo For Millions

Kanye West has listed his upscale Calabasas condo for $2.95 million as he faces over $60,000 in unpaid property taxes tied to the home he received in his 2022 divorce from Kim Kardashian.

The three-bedroom, four-bathroom residence is situated within the exclusive Avanti community in Calabasas, just minutes from the Kardashian family estates.

Designed by Belgian architect Vincent Van Duysen, the unit includes high-end finishes and minimalist interiors, consistent with Kanye’s aesthetic.

Despite owning several properties across the country, the troubled rapper doesn’t live in any of them. He reportedly prefers hotel stays, leaving many of his homes vacant.

According to county records, the Calabasas condo is now listed as delinquent, with more than $60,000 in back taxes owed. Across his real estate portfolio, Kanye West reportedly owes over $300,000 in unpaid taxes.

The condo was awarded to Ye when his divorce from Kardashian was finalized in November 2022. The listing went live in July 2025, as confirmed by public real estate databases.

The sale adds to a string of financial headlines surrounding West, who has faced lawsuits, business losses and public scrutiny in recent years.

As reported by The Sun, the rapper’s business empire has suffered multiple setbacks since 2022, including terminated brand partnerships and declining revenue streams.

West has not commented publicly on the condo sale or the tax debt.

Malcolm-Jamal Warner’s Final Moments Revealed in Autopsy Report

Malcolm-Jamal Warner drowned during a family vacation in Costa Rica after being pulled under by a powerful ocean current while bodysurfing, according to an official autopsy.

The Cosby Show star, 54, died Sunday (July 20) after entering the water and being swept away, Costa Rica’s Judicial Investigation Agency (OIJ) confirmed.

A report listed the cause of death as “accidental asphyxiation by submersion.”

“The victim appears to have entered the sea and was apparently swept away by a current,” the OIJ said in a statement released July 21. “The man was rescued by bystanders and taken to shore, where he received treatment from the Costa Rican Red Cross. However, he was declared lifeless at the scene.”

Warner had been vacationing with family when the incident occurred. The OIJ said a funeral home, hired and approved by Warner’s relatives, will handle the transfer of his remains.

“The body will be removed from the Judicial Morgue by a funeral service company hired and authorized by Mr. Warner’s family,” the agency said in a statement on July 22.

Warner rose to national fame for his portrayal of Theo Huxtable on The Cosby Show, which aired from 1985 to 1992 and became a cultural touchstone.

His performance earned him an Emmy nomination and helped define the role of young Black men on television during that era.

He is survived by his wife and daughter.

Hip Hop Music and Culture in Slots

Hip hop has shaped decades of sound, style, and visual identity. First layered over breakbeats and looped vinyl samples, it has since coated billboards, wardrobes, and global streaming charts. Once a local phenomenon in the Bronx, it now echoes through headphones in Helsinki, clubs in Lagos, and fashion runways in Milan. With a presence that spans music, clothing, language, and cinema, it was only a matter of time before hip hop swagger turned up spinning across digital reels.

Developers do not pluck these influences by accident. They know the audience already moves to these beats. That head-nod rhythm, that glossy attitude, that mix of luxury and grit, it all transfers well into slot game mechanics. Lights flash, reels drop, bass thumps. It creates something familiar and visually striking without copying anything outright. What once spun on a turntable now spins inside a machine.

The Global Stage Has a Backbeat

Hip hop holds an immense reach that dwarfs most genres. Its growth keeps absorbing and influencing. In Tokyo, producers loop soul records with MPCs. In Paris, graffiti styles pulled from New York now decorate entire city blocks. In Cape Town, local dialects are rapped over beats that mix boom-bap with kwaito. The effect is cumulative. The more it spreads, the more it shapes other things.

This reach explains why hip hop inspiration appears in places that have no direct link to music. Fashion brands build entire collections around it. Energy drinks design their logos to match its lettering. Sneakers ride the aesthetic from shape to name. The point is not that these items sound like hip hop. The point is they look like it, speak like it, echo its moves.

Slot games do the same. They borrow that same energy. Consider Pimped from Play’n GO. The visual language is diamonds, silk, cars, and charisma. The sound design mimics a polished West Coast rhythm section. The message is exaggerated flash, filtered through a rap video’s lens. The theme has its own logic and rhythm, it doesn’t lecture or explain. It just glitters and moves.

San Quentin from Nolimit City follows a different angle. It leans into prison iconography and aggressive pacing, but the structure still carries that pulse. Sharp cuts, high tension, and multipliers that jump like a shouted verse. 

Northern Exposure: Who’s Playing?

In Finland, the style has gained traction. Whether through music streams, social media trends, or video games, hip hop’s aesthetic has clearly taken root. Slot titles influenced by this culture have a visible audience. Guides for Pikakasinot point readers toward platforms where these titles appear. These platforms carry games like HipHopPop, Pimped, Snoop Dogg Dollars, and San Quentin, all of which carry the marks of hip hop’s influence.

Players in Finland do not need a tutorial on hip hop references. Many already know the cues. Gold chains, thick fonts, spinning rims, urban skylines, all these appear often, whether in advertising, apparel, or content platforms. A game like Top Dawg$ does not confuse the audience. It blends animation, sound design, and mechanics in a way that feels in tune with what people already know. The game just happens to pay out when the reels align.

Where This All Ends Up

These games function within a larger rhythm already pulsing through music, design, and digital media. Their popularity reflects something clear: familiarity carries weight. Players react to visuals that walk with confidence, soundtracks that loop with purpose, and pacing that matches the mood set by the genre itself. Developers are not guessing. They draw from a cultural source that already speaks in color, movement, and layered rhythm.

The presence of legendary artists within these titles adds another level. Figures like Snoop Dogg do not merely lend a name, they bring decades of influence that spans music, fashion, media, and public image. Alongside him, the rising influence of hip hop’s current wave adds momentum. The genre continues to evolve without pausing, which gives these games an energy that stays current. They reflect something already in motion, already present across headphones, storefronts, and screen animations.

The result is more than themed decoration. It is a fluent use of tone. These games match the speed, attitude, and sound that the genre delivers. The reels spin, the beats land, and players know exactly what world they are stepping into.

Drake Addresses Kendrick Lamar Disses Onstage, Confirms New Album Gets Personal

Drake leaned into the heat of his Kendrick Lamar feud and confirmed new music was on the way during his show in Birmingham, England, on Monday (July 21), telling a packed Utilita Arena crowd he’s deep into his next album, Iceman, and ready to speak his mind.

“I’m working on my album ICEMAN, we got a lot to talk about, so I’m looking forward to it,” Drake told the audience, hinting that the project will dive into personal territory—likely including his ongoing lyrical standoff with Lamar.

The moment came as the crowd erupted into a chant of “F### Kendrick,” which Drake acknowledged with a smirk before saying, “I can’t say that I don’t agree.”

Drake Gunning For Chart-Topping “Iceman” Album

The Iceman rollout began earlier this month with the release of the lead single “What Did I Miss?” on Thursday (July 4), a track that debuted at No. 2 on the Billboard Hot 100.

The song touches on betrayal, shifting alliances and unresolved tension—much of it seemingly aimed at K. Dot and those who aligned themselves with the West Coast rapper during the battle.

Drake made it clear he’s gunning for the top spot on the charts, with a message on his Instagram Stories earlier this month.

“Suppressor on the No. 1 spot,” he wrote after landing at No.2 on the chart. “I’m taking that soon, don’t worry—one song or another, rule changes and all.”

To kick off the album campaign, Drake livestreamed himself cruising through Toronto in a van wrapped in Iceman graphics, giving fans a glimpse into the project’s mood.

So far, no official tracklist or guest features have been revealed, but speculation suggests the album may be light on collaborations and heavy on Drake’s own voice.

The full release is expected in the second half of 2025, though no date has been confirmed. If Iceman performs as expected, it could help Drake surpass both Jay-Z and Taylor Swift for the most No. 1 albums on the Billboard 200, excluding The Beatles.

JAY-Z & Beyoncé Hit With Broke Claims Over Massive Home Loan

JAY-Z and Beyoncé reportedly just signed off on a fresh $57.75 million mortgage for their lavish Bel-Air estate, and the internet didn’t waste a second before dragging them into a debate about whether the billionaire couple is strapped for cash or just playing chess with their finances.

The new 30-year loan, tied to their $88 million hilltop mansion in Los Angeles, brings their total mortgage on the property to around $110.55 million, according to the Daily Mail.

The pair originally bought the 30,000-square-foot home in 2017 and already had a $52.8 million mortgage through Goldman Sachs.

Nicki Minaj Fans React To JAY-Z & Beyoncé’s Multimillion New Mortgage Reports

While financial analysts suggest the move is likely a strategic refinancing to free up capital—possibly for other investments or ventures—some Nicki Minaj fans saw it as an opening to throw shade, especially after her recent attacks on JAY-Z and Roc Nation.

One Nicki-aligned account posted, “nicki is ‘broke and touring for free’ for taking out a loan but when Jay z and Beyoncé do it they’re strategic and money smart?”

Another chimed in, “So Jay Z and Beyoncé are broke now? No wonder Jay Z stole Nicki Minaj’s money and Beyoncé is touring so often.”

But not everyone was buying into the narrative that the Carters are hurting financially. One user fired back, “Y’all are eating up this nonsense that Beyoncé & Jay-Z are broke? I know y’all struggle to read, but that same article mentioned they bought a $200 million home last year & paid cash. These fake financial hot takes & think pieces about a couple worth billions is insane.”

The Malibu property referenced was purchased in 2023, reportedly in cash, and is one of the most expensive residential real estate deals in California history.

Beyond music, the couple’s net worth is estimated to be between $3 and $4 billion. In addition to JAY-Z’s Roc Nation and Beyoncé’s Parkwood Entertainment companies, their portfolio includes stakes in companies including Uber and D’ussé, plus a multimillion-dollar art collection. 

Swizz Beatz Saved Clipse’s “So Be It” With Saudi Power Move

Swizz Beatz flew into action on the day of Clipse’s album release to personally secure a delayed sample clearance for their track “So Be It,” using his deep-rooted connections in Saudi Arabia to get it done face-to-face.

The track, which samples celebrated Saudi singer Talal Madah’s “Maza Akoulou,” had been held up by legal red tape, forcing Clipse to drop only the music video while the official version sat in limbo.

The delay meant the original song was missing from streaming platforms at launch, replaced by a backup version titled “So Be It Pt. II.”

According to Clipse’s manager Steven Victor, the sample clearance was stuck until Swizz stepped in—literally on his way to Saudi Arabia.

“Swizz asked, ‘Why didn’t you call me about [“So Be It”]?’” Victor said during a conversation with Audiomack co-founder Brian Zisook. “I told him, ‘I did—I sent it to you.’ He said, ‘I didn’t realize it was that record. Let me handle it.'”

Victor added, “He said, ‘I’ll connect with the right people in person and get it resolved.’ And that’s exactly what he did.”

Swizz’s timing couldn’t have been better. Already scheduled to travel to Saudi Arabia that day, he used the trip to meet with the necessary parties and push the clearance through.

His ties in the region run deep—he owns a camel racing team called Saudi Bronx and runs a creative agency, Good Intentions, based in Riyadh.

The sample was cleared shortly after the album’s midnight drop, meaning the first vinyl pressing didn’t include the original version.

But once the green light came through, the track was swapped in on streaming platforms, replacing the alternate version.

Clipse Recall First Hearing “So Be It” Sample

The whole situation started when Pharrell Williams, executive producer of Clipse’s Let God Sort Em Out, heard Madah’s song on Swizz’s Instagram.

“Pharrell heard it and he just called me, like, ‘What the hell is that?'” Pusha T said during a recent interview with Ari Melber.

Barack Obama Slams Donald Trump Over Treason Allegations & Fake Arrest Video

Barack Obama fired back Tuesday after Donald Trump accused him of treason and demanded his arrest, calling the claims “outrageous” and “nonsense” in a rare public rebuttal aimed at quashing what his team described as political theater.

Trump, speaking from the Oval Office, alleged Obama led a covert effort to derail the 2016 election by tying Trump’s campaign to Russian interference. 

“This was treason, this was every word you could think of. They tried to steal the election. They tried to obfuscate the election,” Trump said, claiming Obama was the “leader of the gang” and warning of severe consequences.

The accusations came after Trump posted an AI-generated video on his social platform that falsely depicted Obama being arrested—an image that drew immediate backlash for spreading misinformation.

The renewed attack followed the release of a controversial report by the Director of National Intelligence. 

The document, which lacked bipartisan support, alleged Obama and senior intelligence officials orchestrated a “coup” against Trump. 

The claim has been widely rejected by the U.S. intelligence community, fact-checkers and multiple Senate investigations, including those led by Republicans.

Obama’s spokesperson, Patrick Rodenbush, issued a rare and sharply worded response, saying the former president’s office typically avoids responding to “the constant nonsense and misinformation,” but the latest claims were too “outrageous” to ignore.

Rodenbush labelled the allegations “bizarre” and a “weak attempt at distraction.”

He also noted that nothing in Gabbard’s report “undercuts the widely accepted conclusion” that Russia attempted to influence the 2016 election. However, it did not alter vote counts—a finding echoed by the bipartisan Senate Intelligence Committee, including reports led by Sen. Marco Rubio.

Obama’s team framed Trump’s accusations as a political smokescreen designed to deflect from mounting scrutiny over his administration’s handling of several ongoing investigations.

Tory Lanez Gives Chrisean Rock Spiritual Advice From His Cell

Tory Lanez offered spiritual advice and emotional support to Chrisean Rock during a phone call from prison as she continues navigating life after her own release from jail.

In a video posted to her Instagram Stories Tuesday night (July 22), Rock shared audio from the call where Lanez encouraged her to lean into her faith and disconnect from outside noise.

“I’m not one of them going n##### who’s going to sit here and preach to you,” Lanez told her. Rock responded, “Nah, bro. I appreciate it, Tory. This mean a lot, bro.” Lanez replied, “I know. I be seeing what’s going on.”

He continued with a message of reassurance and reflection. “You dealing with a lot, but it’s all going to be okay,” he said. “And it’s all going to be for the greater good, bro. But you just you just got to take that time and be intimate with him, bro. He wants you to actually spend some time with him. Spend some time in prayer away from people. Spend some time where you’re not worrying about what everybody’s talking about. Turn off the phone, spend a couple hours with him just for the next couple of days.”

Rock, who has been vocal about her renewed spiritual focus since leaving jail, captioned the video, “Thank You God for the words of encouragement.” She added, “I love you Tory. FREE YOU HE INNOCENT [100 emoji].”

Rock was released in early September 2024 after serving roughly three months at the Craig County Detention Center in Vinita, Oklahoma.

Her arrest in June 2024 stemmed from felony drug charges and a parole violation tied to a 2022 case. She faced allegations of possessing a controlled substance with intent to distribute and failing to have a tax stamp on the drugs.

If convicted, she could have received up to eight years behind bars.

Lanez, meanwhile, is serving a 10-year sentence after being convicted of shooting Megan Thee Stallion in 2020.

Donald Trump Warns Jimmy Kimmel & Jimmy Fallon—Celebrates Destruction Of Late Night TV

Donald Trump came after Jimmy Kimmel and Jimmy Fallon in a Truth Social post Tuesday (July 22), celebrating what he called the downfall of late-night television and predicting more exits to come.

“The word is, and it’s a strong word at that, Jimmy Kimmel is NEXT to go in the untalented Late Night Sweepstakes and, shortly thereafter, Fallon will be gone,” Trump wrote.

Trump didn’t hold back, calling Kimmel and Fallon “people with absolutely NO TALENT” who “were paid Millions of Dollars for, in all cases, destroying what used to be GREAT Television.”

Trump added, “It’s really good to see them go, and I hope I played a major part in it!”

Trump’s remarks followed the announcement that CBS would end The Late Show with Stephen Colbert in May 2026.

While the network cited financial reasons, the timing raised eyebrows. Just days earlier, Colbert criticized CBS’s parent company, Paramount, for settling a lawsuit with Trump for $16 million.

Colbert addressed the cancellation on July 21 during his Monday night monologue, making it clear he planned to use his remaining time to criticize Trump without restraint.

“Now for the next 10 months, the gloves are off. I can finally speak unvarnished truth to power and say what I really think about Donald Trump, starting right now,” Colbert said. “I don’t care for him. Doesn’t have the skillset to be President. Just not a good fit.”

Trump had previously gloated about Colbert’s show ending, writing, “I absolutely love that Colbert got fired.”

Colbert fired back with sarcasm. “How dare you, sir? Would an untalented man be able to compose the following satirical witticism?” he said before looking into the camera and stating, “Go f**k yourself.”

Outside the Ed Sullivan Theater in New York, about 100 people gathered before the taping to protest the show’s cancellation.

JT Says Wedding Bells Are In Store For Lil Uzi

JT is already planning a future walk down the aisle with Lil Uzi Vert and wants to keep the moment far from the spotlight and off social media.

In a new interview with Cosmopolitan, the City Girls rapper opened up about her long-term relationship with the chart-topping Hip-Hop artist and shared her vision for a wedding that’s elegant, intimate and far removed from internet commentary.

“I’m not married yet, but we definitely are going to marry each other. That’s my best friend,” she said. “That’s my dog. Uzi is such a cool person. We’ve been together since 2019, so we’ve been growing together. We just look at each other and are like, ‘Damn, we really cool, we really know each other. We really can exist and still like each other.’ It’s beyond love. He be wanting me to come hang with him. I’m like, ‘Boy, we live together — why do you want me to come to the studio and hang with you?’”

Despite their public profiles, JT made it clear she wants their engagement to remain private when the time comes.

“I kind of don’t want it to be on Instagram after, I don’t want my engagement to be announced on The Shade Room, I don’t want that energy. Oh my God, I would die,” she said. “This is not for y’all. I want it to be how Beyoncé did it, with a little video of it and the people see it years later. Let’s keep some things to ourselves.”

When it comes to the wedding itself, JT has a strong sense of what she does—and doesn’t—want.

“It cannot be ghetto,” she said. “It cannot be nobody with no ugly outfits. It can’t be nobody standing in the way with too many phones. It needs to be very elegant.”

JT and Lil Uzi Vert have been romantically involved since 2019.

Model Tyson Beckford Says He Almost Shot Diddy During Street Fight – “Puff You’re Going To Get It First”

Tyson Beckford revealed he once got into a physical altercation with Diddy’s entourage outside a Manhattan tattoo parlor that escalated into a full-blown street brawl with a shotgun being drawn.

During a recent interview on The Breakfast Club, the model and actor stated that the incident occurred before 9/11, after stylist Groovy Lew approached him with a woman and asked Beckford to pose for a photo. Beckford declined, saying he was in the middle of a conversation.

That’s when things took a turn.

“So then, he swung on me,” Beckford said. “And I got to beating the brakes off that man.”

According to Beckford, the fight broke out on Fifth Avenue near Bad Boy’s old headquarters. He said he suffered a head injury after slamming Groovy Lew into a wall.

“I got six stitches in the top of my head, because I ran him into the wall, and then my head also hit the wall,” Beckford said. “So, blood’s coming down my face.”

As the scuffle unfolded, Beckford said a police officer on a motorcycle stopped briefly but didn’t intervene.

“He knew damn well what was going on,” Beckford said. “But he looked like he was about to go turn in the bike and go home.”

After the officer left, Beckford said Groovy Lew fled around the corner and returned with Diddy and several others from Bad Boy Records. Beckford claimed he was left alone to face the group after his friend disappeared.

“My homeboy, he dipped on me,” Beckford said. “So they start coming at me, Puff started talking junk or whatever, and I’m backing up.”

Feeling threatened, Beckford said he went to his nearby Land Cruiser and retrieved a shotgun from the trunk.

“I said, look, I only got five [shells] in here. Puff, you gonna get it first, and big man, you gonna get it first. The rest of y’all, I’m just gonna shower you with it,” Beckford recalled.

The confrontation ended without further violence, but Beckford said Diddy later called his manager to complain.

“She said, ‘Yo, he’s Jamaican. Leave him alone,'” Beckford said.

Loose Ends Singer Awaits Bail Decision In Battle With ICE

Jane Eugene has spent nearly three months in U.S. immigration custody and could be deported this week after overstaying her visa for more than two decades.

The Loose Ends frontwoman, known for the 1985 R&B chart-topper “Hangin’ on a String (Contemplating),” was detained in April while crossing the Canadian border.

Immigration officers took her into custody and initially held her in upstate New York before transferring her to a detention facility in Kentucky, where she remains.

Eugene, a British national and longtime U.S. resident, is awaiting a decision on whether she will be granted bail and allowed to remain in the country. If deported, she could be barred from reentering the United States for 10 years.

A GoFundMe campaign launched on her behalf describes deteriorating conditions and a severe decline in her health. “Jane’s health is rapidly deteriorating. Unable to work or generate income for the past few months and foreseeable future, Jane needs our help,” the fundraiser states.

The singer’s legal troubles stem from a 26-year visa overstay, a violation that has left her vulnerable to deportation proceedings. Despite her long-standing presence in the U.S. music scene, immigration authorities detained her without bond.

Eugene rose to fame in the early 1980s as the lead vocalist of Loose Ends alongside Carl McIntosh and Steve Nichol. The trio helped define the British soul movement with hits like “Magic Touch” and “Slow Down.”

After parting ways with the group in 1990, Eugene continued performing under the name Loose Ends featuring Jane Eugene.

Her supporters are now rallying to raise funds for legal fees and medical support, hoping she can avoid deportation and resume her career.

A decision on her case is expected this week.

Mariah Carey Shares Clip That Might Mean July Album Drop

Mariah Carey stirred speculation with a cryptic teaser for what appears to be her 16th studio album, just one day after previewing a playful new song titled “Sugar Sweet” and now we know the official release date.

In a 37-second video shared on X, the words “MC16” flashed across the screen, followed by the caption: “MC16 – Announcement Tomorrow.”

Mariah followed up by unveiling the official release date of September 26 for the album in another video.

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A post shared by Mariah Carey (@mariahcarey)

The clip arrived shortly after Carey posted a snippet of “Sugar Sweet,” a breezy pop tune that played over footage of her baking in the kitchen.

While the official release date remains unconfirmed, industry chatter points to July 21 as the likely drop date for the long-awaited project—her first full-length studio album since 2018’s Caution.

Last month, Carey confirmed the album’s completion during an interview on Apple Music.

“What is next? The album coming out. I don’t wanna tell too much about it because I just don’t want to reveal the whole thing. It’s finished,” she said.

In June, Carey also released a track titled “Type Dangerous,” adding to the growing anticipation surrounding her next body of work.

The five-time Grammy winner has released 15 studio albums, four EPs, seven compilations, two soundtracks and one remix album throughout her career.

With more than 200 million records sold worldwide, she remains one of the most commercially successful artists in music history.

Lizzo Calls Accuser “A Brazen Liar” With Inflated Ego

Lizzo is pushing back hard against a lawsuit alleging discrimination and harassment on her European tour, with her legal team calling the claims “meritless” and the accuser a “brazen liar.”

Attorneys for Lizzo filed a motion in court seeking to toss out the remaining allegations brought by former wardrobe assistant Asha Daniels, who sued the Grammy winner in September 2023.

Daniels accused the pop star and her team of creating a toxic work environment filled with “racist and fat-phobic comments,” sexual misconduct and disability discrimination.

In a sharply worded court filing, Lizzo’s attorneys described Daniels as a “disgruntled former employee with an inflated ego” and claimed she was driven by “personal vendettas” against the artist.

Daniels’ attorney Ronald Zambrano dismissed the motion as expected legal maneuvering.

“We fully expected the defence to file a motion to dismiss. We also fully expect the judge to deny the motion,” he said.

Daniels’ lawsuit followed a separate legal complaint filed by three of Lizzo’s former dancers, who also alleged sexual harassment and a hostile workplace.

A judge later trimmed some of the dancers’ claims but allowed others to move forward. Lizzo’s legal team is currently appealing that decision.

Lizzo has denied all the accusations and addressed the controversy during an appearance on the “Baby, This Is Keke Palmer podcast.

“The hardest part about all of this is that none of these things are true,” she said. “The sexual harassment one is really the one that upsets me the most.”

The court has not yet ruled on the motion to dismiss Daniels’ lawsuit.