Spike Lee has delivered a long-promised teaser Monday for Highest 2 Lowest, his upcoming crime thriller starring Denzel Washington and A$AP Rocky, marking the first time Lee and Washington have teamed up on a film since 2006’s Inside Man.
The trailer, posted to Lee’s Instagram on Monday morning (May 5), gave audiences their first glimpse at the film’s gritty tone and ensemble cast.
Lee captioned the post: “I Know U Have Been Waiting ‘HELLA LONG’ And Here Is DA TEASER TRAILER (Finally) For Da 5th Return Of D And LEE- HIGHEST 2 LOWEST. And Dat’s Da WASHINGTONS/LEES FAMILY TRUTH,RUTH. YA-DIG? SHO-NUFF. STRAIGHT UP.”
Highest 2 Lowest is a reimagining of Akira Kurosawa’s 1963 film High and Low, itself based on Ed McBain’s 1959 novel King’s Ransom.
The updated version, directed by Lee and distributed by A24, is set to premiere out of competition at the 2025 Cannes Film Festival before heading to theaters and eventually Apple TV+.
The cast includes Washington, Ilfenesh Hadera, Jeffrey Wright, Ice Spice in her film debut, and A$AP Rocky, who plays a central role.
Spike Lee On Casting A$AP Rocky In “Highest 2 Lowest”
According to Lee, Rocky’s casting was inspired by a viral internet comparison.
“What’s funny is that I was looking at Instagram, four or five years ago, and people were saying that A$AP looked like he’s Denzel’s son,” Lee said during an appearance on the 7PM in Brooklyn podcast. “I seen those memes, and then in the film we used that. A$AP, man, he fire.”
Lee first received the script by William Alan Fox before the pandemic and later reworked it after Washington signed on. The plot centers on a powerful music executive who becomes the target of a criminal scheme, according to IMDb.
This marks the fifth collaboration between Lee and Washington. Their creative pairing began with Mo’ Better Blues in 1990 and they last appeared on screen together nearly two decades ago.
Donald Trump has unveiled a sweeping 100% tariff on foreign-made movies entering the United States, calling the move a matter of national security and essential to protect what he described as a collapsing American film industry.
“The Movie Industry in America is DYING a very fast death,” Trump posted on Truth Social. “This is a concerted effort by other Nations and, therefore, a National Security threat. It is, in addition to everything else, messaging and propaganda! WE WANT MOVIES MADE IN AMERICA, AGAIN!”
Trump directed the Department of Commerce and the U.S. Trade Representative to begin enforcing the tariff “on any and all Movies coming into our Country that are produced in Foreign Lands.”
The announcement is part of a broader trade push that includes a 10% baseline tariff on most imports and a 145% tariff on Chinese goods.
Speaking to reporters, Trump said, “Other nations have been stealing the movie-making capabilities from the United States.”
He added, “If they’re not willing to make a movie inside the United States, we should have a tariff on movies that come in.”
The declaration left Hollywood insiders scrambling for answers. Many were unsure how the policy would be applied to international co-productions or streaming content.
No rollout timeline or enforcement guidelines were provided, and the Motion Picture Association has yet to respond publicly.
Trump has expressed interest in reshaping the entertainment industry.
Earlier this year, he named Mel Gibson, Jon Voight and Sylvester Stallone “special ambassadors” to Hollywood. Trump promised the move would help make the industry “bigger, better, and stronger than ever.”
According to industry data, despite Trump’s claims of decline, the U.S. film sector posted $22.6 billion in exports and a $15.3 billion trade surplus in 2023.
Drake has been ducking out of parties and locking himself in makeshift studios to finish his next solo album, according to longtime collaborator OVO Smiley.
In a clip from a recent livestream, the Toronto rapper described a recent scene that captured Drake’s current mindset.
“I seen him the other day,” Smiley began. “We were at a party, and he was in the other room by himself, eating pasta with, you know, the wired headphones, the old headphones.”
He continued, “He had the wired headphones eating pasta, writing music, while we have a whole f###### party going on. So he’s on a different mode right now.”
Smiley revealed that even during a recent video shoot, Drake didn’t waste a second.
“Even at the ‘NOKIA’ video shoot,” he added. “In the breaks, he had a bunch of producers, and he just recorded. So, like, he’s in that crazy mode right now.”
Drake backed OVO Smiley’s claims, posting the clip on his Instagram Stories.
Drake confirmed the solo project himself during a livestream last month.
“Working on a new album right now,” he said. “It slaps.”
When asked whether it would be a solo effort, he replied, “Yeah.”
Hints of the album first surfaced earlier this year during Drake’s Australia tour, where he teased a more personal direction.
“Eventually, when the moment is right, Drizzy Drake alone will need to have a one-on-one discussion with you all,” he said on stage. “I’ll return with another album, a one-on-one conversation that you need to hear.”
He later described the project as part of his “next chapter,” telling listeners, “I hope you perceive my honesty as clarity rather than charity.”
The album will follow his February 14 collaboration with PartyNextDoor, titled $ome $exy $ongs 4 U, which featured 21 tracks. His last solo album, For All The Dogs, dropped in 2023.
Meanwhile, Smiley also revealed that he and Drake have a new track on the way.
“Drake too, we have a new slapper coming out,” he said during a livestream in January, confirming it will be the lead single on his upcoming album. The song marks their first joint release since 2021’s “Over the Top.”
Mo’Nique didn’t hold back during a recent comedy set where she took a sharp jab at Shannon Sharpe‘s love life and the legal firestorm he’s now facing.
“Yes, I told that n#### Shannon Sharpe, leave them white b###### alone,” she said to a roaring crowd, reigniting a conversation that first began during her February 2024 appearance on Sharpe’s podcast “Club Shay Shay.”
Back then, the Oscar-winning actress gave Sharpe some blunt relationship advice.
“You better take your old ass and get somebody that love you,” she told him, urging the former NFL star to stop chasing younger women and instead find a woman who matches his stage in life.
“Shannon need him old fat gal who can bake good cakes,” she said. “Make some smothered turkey wings, who going to rub his feet at the night time… and going to have a sip of his cognac to make him feel better about himself when he come home at night.”
She didn’t stop there. “You don’t need no 26-year-old girl, you don’t need no 36-year-old girl… take your ass and get you old b#### out there that can love you old,” she warned.
Mo’Nique also joked about Sharpe trying to keep up with younger women. “You’re trying to hang out with these young b######,she added, “and you can’t do it,”
Mo’Nique Urges Shannon Sharpe To Date Women His Age
Her comments have resurfaced just as Sharpe faces a $50 million lawsuit from a woman identified as Jane Doe, who accuses him of rape, physical assault and threats during a relationship that allegedly began in 2023.
According to the lawsuit, Sharpe raped her twice in October and once in January, choked and struck her, and threatened to kill her when she resisted or confronted him about cheating. The complaint also alleges he recorded their sexual encounters without her consent and shared some of the footage with friends.
Sharpe has denied all allegations, calling the lawsuit a “shakedown” and “extortion attempt.” He plans to countersue both the plaintiff and her attorney, Tony Buzbee, who has previously represented clients in high-profile cases against Jay-Z and Sean Combs.
Sharpe’s legal team claims the relationship was consensual and included role-playing and explicit conversations, which they say are backed by text messages.
They also allege that edited video clips are being used to smear his reputation and are demanding the release of full, uncut footage.
Meanwhile, Sharpe has stepped away from his ESPN duties as the legal battle unfolds. A second woman, Michele Evans, has also accused him of sexual assault in a separate 2023 lawsuit filed in New York, which his representatives have dismissed as “ridiculous.”
Ro$ama is rewriting the playbook for Texas rap’s next wave. The East Texas native, who first made noise with his gritty breakout “FedEx,” just dropped his Orange Tape EP. The project is a seven-song collection that blends soulful samples with raw street conviction. Alongside it comes the energetic visual for “Microwave,” a horn-driven banger featuring BigXthaPlug that doubles as a backyard celebration and victory lap.
Ro$ama’s story is anything but typical. From stacking delivery shifts while laying down tracks to rocking the stage at Coachella and linking up with 600 ENT, his path has been pure grind. His recent link-up with That Mexican OT on “Show Me The Money” flexes his lyrical sharpness over cinematic production, while Orange Tape finds him trading bars with BigX and Duke Deuce, holding his own with confidence and control. Whether it’s party-ready joints or hard-hitting reflections, Ro$ama moves with the precision of a vet and the hunger of a newcomer.
CeeLo Green and the rest of Goodie Mob shared some bittersweet news on Sunday (May 4), revealing in an Instagram post that their days as a group are over.
CeeLo posted a photo of the four members—Khujo, Big Gipp, T-Mo and himself—along with a caption explaining their decision. Simultaneously, they applauded their Dungeon Family brethren Outkast for their upcoming induction into the Rock and Roll Hall of Fame.
“We are living in an amazing time and an ironic one as well,” Green wrote. “Our #brothers @outkast have just been officially inducted into the rock ‘n’ roll Hall of Fame…..where they belong. But I also have a bittersweet announcement to make, this is @goodiemob ‘s 30th year anniversary if you didn’t know, yet I am also going to announce for the first time this will be our #farewell.”
There was a silver lining, however, in the form of a final album and tour—although nothing has been 100 percent confirmed.
“The fans know that we’ve gone through a great deal together so for no reasons in particular let’s just call it ‘natural causes’ and we all agree that it’s #time we are about to work on a farewell album and tour God willing,” he continued. “For those of you who truly have love for the mob and @dungeonfamily make sure that if we happen to be somewhere near you come and see and support.
“Go follow @khujogoodie @tmogoodie @gippgoodie we all appreciate all of the love over the years. Stay tuned for details.. we did it for #atlanta #love #yall.”
Goodie Mob’s latest album, Survival Kit, arrived in 2020 at the height of the COVID-19 pandemic. It marked the Atlanta Hip-Hop group’s first project in seven years, following the release of 2013’s Age Against the Machine.
It was also a full circle moment for Goodie Mob, with production being handled by Sleepy Brown, Rico Wade and Ray Murray 0f Organized Noize, who produced their debut album, Soul Food, in 1995. Guest appearances included fellow Dungeon Family member Big Rube, André 3000, Big Boi, Public Enemy’s Chuck D and D.C. Young Fly.
The rest of the Dungeon Family have been religious about carrying on Wade’s legacy. Most recently, Sleepy Brown announced a statue of Wade will be unveiled at Headline Shopping Center in East Point, Georgia on Friday (May 9).
Rico Wade talked to AllHipHop about his relationship with the Dungeon Family just weeks before his death. He had been to André 3000’s concert the night before, where he experienced a moment of clarity.
“I just had heart surgery, where they had to put a stent in my chest,” he said. “This happened January 19 and I just felt like, ‘Man, I would have missed it [the concert].’ God didn’t want my life. He wanted my attention and he got it. It’s been blessings on blessings on blessings since then. Since that moment, I’ve been blessed in every way. It’s hard to not cry every time I think about it.”
Things were really looking up for Wade, making his death that much harder to accept.
“They all love and respect me,” he said with a smile. “They all look at me as a person that did it for them, especially after what I just went through. I’ve spoken to every last one of them, and it’s been like, ‘I want to hug you and I want to let you know how important you are to us. I’m glad you’re still here.
“I hate for it to take a life-altering situation, but even Future—that’s my cousin—he’s been so busy. But if I text him now, he texts me right back. I seen André last night at the show, and I was in the studio the other day seeing Boi Boi. Everybody can see that I’m clear and clean. They can see that I ain’t drinking and they can see my energy is on 10.”
André 3000 will be honored with an honorary Doctor of Music degree from Berklee College of Music.
The prestigious award will be bestowed upon the rapper during Berklee’s 2025 commencement at Boston University’s Agganis Arena on May 10.
Berklee College of Music will recognize André 3000 for his decades-long impact on music and culture.
The award comes on the heels of the announcement that the nine-time Grammy winner will be inducted into the Rock Hall of Fame alongside Antwan “Big Boi” Patton.
In 2023, he released New Blue Sun, his first solo album in two decades. The experimental, flute-driven project broke new ground, becoming the first instrumental album to chart on the Billboard 200.
Its opening track, “I Swear, I Really Wanted to Make a ‘Rap’ Album But This Is Literally the Way the Wind Blew Me This Time,” set a record as the longest song to debut on the Billboard Hot 100.
The Atlanta native rose to prominence as one-half of the genre-shifting Hip-Hop duo Outkast.
Together, they helped redefine Southern rap and earned six Grammy Awards. Berklee’s commencement weekend starts May 9 with a tribute concert at Agganis Arena.
More than 200 student performers will pay musical homage to the honorees. The event celebrates artists who have made lasting contributions to music and philanthropy.
Berklee’s past honorary degree recipients list includes legends such as Aretha Franklin, Quincy Jones, Missy Elliott, Willie Nelson and John Legend.
Ray Vaughn, one of Top Dawg Entertainment’s more recent signings, released The Good, The Bad, The Dollar Menu mixtape on April 25, an 11-track trek through Vaughn’s past, present and undeniably bright future. One of the lead singles, “FLAT shasta,” dives into the nuanced realities of living with a mother who struggled with both drug addiction and mental health issues.
“Mouth full of pills in front of us could’ve died,” he raps. “The world know your show died heavy and suicide?/If God took you then, I wouldn’t wanna be alive.” The song, albeit it heavy, reveal a son who’s still brimming with hope and refusing to give up. It’s a big reason Vaughn lives a relatively clean lifestyle. Watching his mother wrestle with substance abuse isn’t the sole reason he decided not to do drugs, but it’s a part of it.
“I don’t do none of that s###—not just because of her though—just off general principle, just off the regular,” he tells AllHipHop. “I don’t do it just because after seeing that, you’re like, ‘OK, it could mess up stuff.’ It can turn into a mess. My mom used to gamble. I’d watch my mom gamble away $5,000, $6000—she’d get it back—but when she gambled all the money, we was cooked. It was just a lot of stuff. So as far as like drinking and smoking, I’ve never smoked and never popped no pills, never done none of that.”
Vaughn’s latest effort for TDE further illustrates his innate ability to craft captivating stories through his rhymes. An AP English student, Vaughn has mastered the art of descriptive writing, painting a vivid portrait of life experiences it in every breath. It’s a refreshing change of pace from the majority of the mainstream rap being shoved down our throats. But Vaughn was made for this.
Born in Long Beach, California, in 1996, Vaughn started honing his craft both in school and during rap sessions with his stepfather, who would routinely wake him up in the middle of the night to perform for his friends. Soon, Vaughn began charging $100 every time.
“I used to pray he’d wake me up,” Vaughn says with a laugh. “That’s when I first started hustling.”
Vaughn has come a long way since then. Before signing with TDE in 2020, he was living in his car with his daughter, whose mother had died giving birth. It was an understandably dark time for Vaughn, but the TDE deal changed his life nearly overnight. Two weeks after inking the contract, he had his own house and was back on his feet.
“My story is crazy because I had money, but I didn’t have credit because I’m a felon,” he explains. “My daughter’s mom died while having her, but she was the one with the credit and I was the one with the money. When she died, it just f##### me up.”
For now, Vaughn is focused on promoting The Good, The Bad, The Dollar Menu mixtape and finishing up his debut album for the label.
“The dollar menu to me symbolizes balance,” he says of the project. “There’s the good, when you get steaks. There’s bad and broke, when you get noodles and the dollar menu. If you got the dollar menu, you good. To me, I’m just telling stories about my life before TDE; the good, the bad and the kind of in-betweens when you’re figuring things out.”
It’s that type of raw honesty that’s largely missing from a lot of the bigger raps acts dominating the charts, making Vaughn’s vulnerability enticing in today’s climate. Listen to it above.
Ice Cube has had a busy few months. Not only did he receive a star on the Hollywood Walk of Fame on April 15, he also announced his first solo arena tour in more than 20 years the same day. Prior to that, he confirmed Last Friday was officially in the works after years of stalled negotiations.
As suggested by the title, it will be the final installment in the Friday franchise that premiered in 1995. He’s also been promoting his latest album, Man Down, which arrived in November 2024 with features by Da Lench Mob’s J-Dee, Cypress Hill’s B-Real, Snoop Dogg, E-40 and Too $hort, among others.
But at this point in his 40-year career, it’s normal for Ice Cube to have a packed schedule. After all, he’s been famous for decades, beginning with his groundbreaking role in N.W.A. He’ll cover all of that and then some in his upcoming trek, the aptly titled 4 Decades of Attitude Tour.
“It’s been a while,” he tells AllHipHop. “I haven’t done a production this big since probably the Up in Smoke Tour, so it’s pretty epic to me. I looked up and it was like, ‘Man, I’ve been in the game 40 years.’ My first record came out in 1985, which was ‘Boyz in the Hood,’ the song that Eazy-E recorded.
“When you got 40 years in the game, it’s time to celebrate that. It’s time to look back on the journey with the fans and celebrate this much music—from Straight Outta Compton [N.W.A] to Man Down and everything in between. And not only celebrate the music, but celebrate the journey, understand some of the influences that got me to where I am and made me do the kind of music that I do. It’s time for a show where I’m not just a headliner, but it’s kind of like an evening with Ice Cube.”
Kicking off on September 4 at Brooklyn’s Barclays Center, the tour makes stops at places like Denver’s Ball Arena, Atlanta’s State Farm Arena, Los Angeles’ Crypto.Com Arena and Chicago’s United Center before wrapping up October 9 at Toronto’s Scotiabank Arena. Each venue is massive and can hold upwards of 21,000 people or more.
“I’ve done festivals where it was 80,000 to 100,000 people, and we was able to connect,” he says of performing in arenas. “I just think it’s really about the music and my skills on bringing the fans closer, playing music that you probably haven’t heard me play before. Most of the time I’m just running through the hits, but now I can go a little deeper into my catalog. I can bring people through a journey that’s a little different than me doing a Summer Jam or something like that.”
As of now, there are no special guests—at least not on the flyer. But that might change with each stop. When asked about that, Cube laughed, “I’ll see you at the show and then we’ll see if J-Dee comes out.”
For many in the audience, Cube’s music will take them back to their youth, when they had just heard “F### Tha Police” or “It Was A Good Day.” It will provoke memories of listening to his first solo album, Amerikkka’s Most Wanted, which was produced by Public Enemy’s production team, The Bomb Squad, a bold move at the time considering Cube was from the West Coast and The Bomb Squad was from the East. But, as Ice Cube explains, he has a special place in his heart for Public Enemy frontman Chuck D.
“He’s my hero in the game,” Cube says matter-of-factly. “Chuck gets along with everybody. Besides Flavor Flav being mad at him every once in awhile, everybody loves Chuck. I learned that from him. You don’t have to be beefing with everybody. You don’t have to be in competition with everybody. I want you to win. You want me to win. You got records out. I got records out. May the best records win, so to speak.”
Ice Cube has clearly been a good student. Despite all of his accolades—including being a Rock and Roll Hall of Fame inductee—he remains down to earth and one of the most approachable movie stars out there. Revisit Man Down above and find his tour dates here.
Months after 50 Cent publicly accused Lil Meech of having a drug problem, the Black Mafia Family actor has addressed the allegations in a brief interaction with TMZ. When asked about 50 Cent’s claims, he replied, “Where I’m from everybody needs rehab”—not exactly a denial.
Taking note of Meech’s comments, 50 Cent re-shared the clip to his Instagram account on Sunday (May 4) and called him out for basically lying about his “street cred.” He wrote in the caption, “He from private school, never been in the street. MeMe gotta stop using the drugs, it’s to dangerous out here! HE MUST DIDN’T HEAR THEM SAY CUT @50centaction.”
Like 50 Cent, several people in the comment section thought Lil Meech appeared high in the clip, adding remarks like, “Damn he look burnt out fr” and “Tbh them kids in private school be strung tf out.”
50 Cent initially made the allegation against Lil Meech in February and claimed he had to send him to rehab while he was still working on the popular STARZ series.
“I thought about it,” he wrote on Instagram at the time. “I think he was uncomfortable with me and MeMe’s relationship. I’m telling MeMe I don’t want him doing drugs. He telling him he use to do X like it’s cool. I tell meme chill stop spending all ya money, he telling him how much money he blew.
“People don’t know I had to send MeMe to rehab Russell Hornsby peeped he was high as fck on set he started throwing up at a weapons test then Ian told me the little had whippets in his truck. I said what the fck is whippets I look it’s the sh*t that be in Bebe guns.”
50 Cent later shared a photo of Lil Meech asleep in a wheelchair, soundtracked by the Amy Winehouse hit “Rehab.” He added in the caption, “Damn, this is BAD. You believe me now? Oh, now you want to believe me, OK.”
The television mogul’s comments only widened the rift between 50 Cent and Big Meech. The tension between them started after Big Meech aligned himself with 50 Cent’s longtime rival, Rick Ross, for a “Welcome Home” concert following his prison release. Although the show wound up getting canceled, the bad blood continues to boil.
Fat Money says Kanye West’sDonda 2 helped pull him out of a dark mental space while he serves time in a Kentucky federal prison for a weapons charge.
He sent a message to producer Digital Nas after hearing about the album’s release.
“WE DID IT KID, WE DID! dis Fat Money, this my text service number frm da feds bro. this t delayed too, its 4:59pm in Kentucky where im locked at,” he wrote. “Tell Ye i love him too. U did that t bro! I dont got a lotta access to the internet, but ppl been textin me about the album.. That t jus took me out a depression in here lmfao! GOOOO.”
Digital Nas responded, “I love you bro. I can’t wait till your out. We gotta get back in the lab.”
Fat Money is currently serving a 20-month federal sentence after pleading guilty to being a prohibited person in possession of a firearm and ammunition.
In April 2024, he admitted to trying to bring a loaded Glock 9mm and ammunition through security at Los Angeles International Airport.
TSA agents discovered the weapon during a routine bag check, and Raybon attempted to flee before being taken into custody.
His prior felony convictions and a misdemeanor domestic violence charge in Illinois barred him from legally owning a firearm. Despite being behind bars, Fat Money’s influence on Kanye West’s Donda 2 was substantial.
Digital Nas, who worked closely on the project, posted the message exchange on X with the caption, “This made my whole day. Message from Fat Money, who wrote alotttt of Donda 2.“
The album, which initially dropped exclusively on Kanye West’s $200 Stem Player in 2022, was released to major streaming platforms on April 30, 2025.
It features 18 tracks with appearances from XXXTENTACION, Alicia Keys, Future, Don Toliver, Playboi Carti, and Jack Harlow.
But the rollout hasn’t been smooth. Kanye, now legally known as Ye, is facing legal threats from producers Boogz Da Beast and Brian “AllDay” Miller, who claim their beats were used without permission or payment.
Managed by DeAndre “Free” Maiden, the duo seeks to pull the album from streaming services, citing nearly $3 million in unpaid work.
As of now, Donda 2 remains available on major platforms despite the legal battle.
Doechii tackled Grammy backlash and internet trolls head-on during a recent Cosmopolitan interview where she made it clear she’s not afraid to speak up—when it matters.
The 26-year-old rapper, who took home Best Rap Album for Alligator Bites Never Heal at the 2025 Grammy Awards, responded to accusations that she lip-synced during her high-energy performance.
“That is my DJ’s voice picking up on the lines that I can’t say because I was doing a somersault. That entire performance was live!” she said in a video message shortly after the show in February.
Reflecting on the incident, Doechii said: “With the Grammys, I was halfway joking. Like, please don’t play with me. I don’t cheat. I don’t cut corners, and I take my performances really seriously. So I was clapping back a little bit.”
Though she’s not one to constantly engage online, the Tampa-born artist made it clear she won’t stay silent if the moment calls for it.
“Am I going to be constantly online responding? No, that’s not something I like to practice,” she said. “But I do 100 percent believe that there are times and places to defend myself. If that happens to be through the internet, then maybe.”
Still, she acknowledged the toll it can take.
“But it’s not sustainable for me to constantly be going back and forth and reacting to people online.”
Doechii became only the third woman to win Best Rap Album at the Grammys, a milestone she achieved on February 4.
Michelle Obama and Tina Knowles lit up the stage in National Harbor, Maryland, this week with a surprise performance of the viral “Boots on the Ground” dance during a stop on Knowles’ Matriarch book tour—prompting a roar of applause from the packed crowd.
Knowles, who revealed the track is one of her personal favorites, danced alongside Obama to the delight of attendees.
The moment quickly exploded online, but it didn’t stop there. Former Vice President Kamala Harris also jumped on the trend, showing off her own moves after learning the choreography from a TikTok creator.
The dance, set to the infectious track by viral sensation 803Fresh, has gained traction on social media thanks to its catchy rhythm and high-energy moves.
Meanwhile, the song’s momentum reached another level when Beyoncé incorporated a mashup of “Boots on the Ground” with her Cowboy Carter track “Heated” during a tour stop earlier this week.
The performance marked a major co-sign for 803Fresh, who shared his reaction in an emotional Instagram post.
“From a small town like Wagener, SC… this moment was overwhelming and a shock to me,” he wrote. “To have Beyoncé even know what my song is – let alone do a piece of it – made me so ecstatic. Unbelievable to hear Boots on the Ground performed on one of the biggest stages in the world by the Queen. I’m so excited to see what the future holds!”
Dave Blunts was hit with backlash after telling white audience members to yell the N-word during a recent live show.
In a video circulated widely online, Blunts is seen lounging on a couch onstage, instructing the crowd to shout the slur.
“I know in my music I say a lot of words they tell me I shouldn’t say, or can’t say. But I want everybody to know, you come to my show, you get a free N-word pass. When there’s a song that has the N-word, I wan’t ya’ll to scream that s###. Will you guys say the N-word with me tonight?”
The predominantly white audience cheered and followed his lead, chanting the word as Blunts watched and then launched into his performance of his song “First Day Out The Hospital.”
He later posted the clip with a sarcastic caption that read, “You Can’t Say That.”
The footage, which has almost 1.5 million views on X, quickly gained traction across social media platforms, drawing criticism and reigniting debates over racial boundaries in Hip-Hop culture.
Blunts, who has worked with high-profile artists including Kanye West, has not issued a formal statement addressing the incident.
This isn’t the first time a rapper has faced scrutiny over allowing white audiences to use the N-word.
In a 2013 interview, ScHoolboy Q said he was fine with white listeners rapping along to his lyrics during concerts. But in 2024, he reversed his stance, saying he no longer condones white people using the term.
He explained the shift by saying he had been under the influence when he made the earlier comments. Kendrick Lamar also confronted the issue in 2018 during his set at the Hangout Festival in Alabama.
After a white fan repeatedly used the N-word while rapping along to “M.A.A.D City,” Lamar stopped the performance and told her, “You gotta bleep one single word.”
She was only allowed to continue after agreeing to censor herself.
When Beyoncé kicked off the COWBOY CARTER TOUR in Los Angeles on April 28, it felt like more than just the start of a show. Much like THE RENAISSANCE TOUR, it marked the beginning of something bigger, a cultural movement. Through this next chapter in her three-act saga, Beyoncé continues her mission to redefine genre, reclaim space, and shine a light on stories that have long been erased from American music history.
With Cowboy Carter, she centers Black voices in country music while still carrying the energy and legacy of Renaissance, which celebrated Black queer artistry and ballroom culture. Dressed in all-white Western looks styled through a distinctly Black lens, Beyoncé steps onto the stage and immediately challenges the traditional image of country music — and who it’s meant for.
This isn’t a departure from Renaissance but a continuation. She weaves in tracks like “I’m That Girl,” “Cozy” and “Alien Superstar” to remind us that the journey she’s on is about reclaiming genres that Black artists helped create. These songs help connect the dots between the two acts, showing how ballroom and country actually share deep roots in Black expression.
What Beyoncé is doing on this tour isn’t just about art. It’s a form of cultural storytelling. It’s about healing, resistance, joy, and visibility. She’s creating a space that challenges how both country music and ballroom culture have been cleaned up and watered down in the mainstream. And she’s bringing them together in a way that feels both radical and deeply familiar.
There are meaningful details throughout the show like cowboy-themed statues in the interludes and her grand entrance on a golden horse. In Beyoncé’s world, line dancing and voguing exist side by side. She builds a bridge between Black rural tradition and queer urban rebellion, two communities that have often been overlooked or pushed to the margins.
Her dancers, many of whom come from the ballroom scene, vogue, duckwalk, and even Riverdance across the stage. It turns these country music venues into ballrooms filled with joy and celebration. It’s a powerful reminder that queer Black joy has always been here even if it hasn’t always been welcomed.
As the story continues to unfold, Beyoncé shows us that the field and the ballroom were never that far apart. And now, with her spotlight, they’re both being seen like never before.
Act II is here — and it’s arriving with boots on the ground and bass in the trunk.
The Renaissance isn’t over. It’s just evolving, through the eyes and vision of Beyoncé Giselle Knowles-Carter.
Lil Wayne has ruled out ever performing at the Super Bowl Halftime Show after being overlooked for this year’s coveted slot in his hometown of New Orleans in favor of Kendrick Lamar.
The Grammy-winning rapper told Rolling Stone he was “hurt” by the decision and said the snub was enough to make him walk away from the idea for good.
“They stole that feeling. I don’t want to do it. It was perfect,” he said in the magazine’s cover story.
Wayne, 42, had hoped to take the stage in February at the Caesars Superdome, where the NFL will host Super Bowl LIX.
Instead, the league tapped Lamar, the Compton-born Hip-Hop artist, to headline the show. Wayne didn’t tune in for the performance.
“Every time I looked, it was nothing that made me want to go inside and see what was going on,” he said, recalling how he spent the evening playing pool and smoking outside with a friend.
The “Lollipop” rapper said he had been led to believe he was in serious consideration for the show after the NFL encouraged him to increase his public visibility.
He pointed to appearances he usually wouldn’t do, including a project with NFL legend Tom Brady.
“To perform, it’s a bunch of things they’re going to tell you to do and not do, a*ses to kiss and not kiss,” Wayne said. “If you notice, I was a part of things I’ve never been a part of… I’m doing s**t with Tom Brady. That was all for that. You ain’t never seen me in them types of venues. I ain’t Drake. I ain’t out there smiling like that everywhere. I’m in the (studio), smokin’ and recording.”
Wayne also revealed that someone from the NFL later apologized, telling him they weren’t responsible for choosing the Halftime Show act.
Buffalo’s own Benny The Butcher is back with a vengeance, linking up with Detroit’s Boldy James for the hard-hitting new single “Duffel Bag Hottie’s Revenge.” The track is the first taste of Excelsior, Benny’s seven-track project that was just released.
Produced by Nunchuk, the song features both MCs trading bars over a soulful horn-laced beat. Benny and Boldy, longtime fixtures in the underground rap circuit, sound as cohesive as ever. They are grimy, deliberate, and entirely unbothered by the industry’s glossier side.
While Excelsior is being billed simply as a “project,” it marks Benny’s first solo effort since 2024’s acclaimed Everybody Can’t Go. The full tracklist includes appearances from Styles P, Skyler Blatt, P.R.E.M.O., Sule, and Fuego Base. Production includes Harry Fraud, Daringer, and more.
Benny and Boldy filmed the video on a Brooklyn subway platform to to match the track’s energy. Neither rapper calls the borough home, but we don’t care. “Duffel Bag Hottie’s Revenge” proves that when Benny and Boldy link up, the streets are always listening
The rapper, who shares two sons with the Umbrella singer, discussed his relaxed attitude towards fashion in a new interview with Vogue’s The Run-Through podcast.
A$AP Rocky insisted he doesn’t see a problem with unisex clothing, as he joked pieces from his wardrobe often go missing when Rihanna takes a shine to them.
“For me, it’s not fair that my girl could just go in my closet and take anything from it and wear it,” he shared. “She does it to me all the time, man! Sometimes you just see her on an interview or see a paparazzi photo, like, ‘Wait, there goes my Miu Miu f**king jacket!… I was looking for that since 2021!'”
After A$AP Rocky revealed that Rihanna admires his sense of style, he went on to confess that he has borrowed items from her closet, too.
“That goes both ways,” he explained. “She has pieces she don’t know that I actually stole.”
A$AP is often lauded for his fashion sense and this year he will co-chair the prestigious Met Gala alongside Colman Domingo, Lewis Hamilton and Pharrell Williams.
The 36-year-old star insisted he had no qualms about wearing women’s clothing as he underlined his freedom to dress as he pleases.
“I do what the f**k I want,” he told hosts Chioma and Leah Faye Cooper. “I wanna be a catalyst for daring men. I don’t know who drew the line between femininity – or being feminine – and masculinity. I don’t see any barriers.”
Elsewhere in the interview, A$AP called fatherhood “amazing” and a “dream”.
The Memphis rapper surrendered Friday (May 2) over prosecutors’ belief he made terroristic threats against a woman in January, violating the conditions of his supervised release. In addition, they say he failed two drug tests—one in 2022 and the other in 2024—by testing positive for marijuana.
Finesse2tymes confessed he was on his way to jail in an Instagram Stories post and explained it was related to his former protégé, FNG King. He wrote, “Damn that’s crazy. My P.O. just called and said they violated my probation for ts happen. wit king finna go turn myself in.”
In October 2023, King’s female guardian told police Finesse2tymes confronted her outside of a Texas smoke shop and requested a private conversation with the 12-year-old kid. Instead, King ran from the store and reportedly yelled, “They trying to send me back to Memphis!”
That’s when Finesse2tymes supposedly made a gesture about shooting somebody, presumably the woman. She said she saw an outline of a gun and told her, “You gonna die on camera today.” His attorney, Carl A. Moore, later told TMZ he “did not threaten the complainant in any way. We are confident this matter will be resolved justly once the state of Texas applies the applicable law to the facts.”
Finesse2tymes (real name is Ricky Hampton) is best known for songs likd “Back End,” “Get Even” and “Goin’ Straight In”. Finesse2tymes began gaining significant attention in the late 2010s, particularly after releasing his mixtape Hustle & Flow in 2019 while serving a prison sentence.
After his release from prison in early 2022, Finesse2tymes quickly rose in prominence, releasing popular singles and his album 90 Days in December 2022, which featured collaborations with artists like Moneybagg Yo, Gucci Mane, Lil Baby and producer Tay Keith. He’s been affiliated with major labels, signing with Moneybagg Yo’s Bread Gang in September 2022 and later joining J Prince Jr.’s Mob Ties in a joint venture with Atlantic Records.
Needless to say, his career has been marred by legal issues. He was sentenced to five years in federal prison in 2018 on a weapons charge following a nightclub shooting incident in Little Rock, Arkansas, though no fatalities occurred. He was released in 2022 but has since faced other legal challenges, including theft charges related to a rental car in Houston and now, the alleged probation violations.
Wretch 32 has dropped a genre-blending bombshell with Home?, his sixth studio album, weaving Afrobeat, grime, dancehall and reggae into a 15-track deep dive on identity, migration and what it means to belong.
The North London wordsmith doesn’t hold back on Home?, released Friday (May 2), pairing sharp social commentary with global rhythms and heavyweight collaborators.
The album’s lead single, “Like Home,” features Nigerian star Teni, while the previously released “Black And British” brought together Benjamin A.D. and Little Simz for a raw reflection on heritage and pride.
Wretch teased the project with cryptic video snippets featuring Mercston and Ghetts, building buzz across social media.
The album includes appearances from both artists, alongside Skip Marley, Protoje and more, blending Caribbean and African influences with the grit of UK Hip-Hop.
“Celebrating my 40th birthday recently put so much into perspective, I’m alive, I’m healthy & for just that im grateful…,” Wretch wrote on Instagram back in March. “Music is a part of the reason for this as at a time when I was lost it gave me purpose, it allowed me to release, to vent, to tell stories, our story & my own…”
He continued, “Home ? is just that, our story the Windrush story, the Immigreat story! If you’ve ever yearned to feel at home where you live I wrote this searching for mine with you in mind.”
The album doesn’t shy away from heavy topics. Wretch tackles homelessness, the devastation of Hurricane Beryl in the Caribbean and the refugee crises in Ukraine, Palestine and Congo.
“Everything I have went into this,” he added. “So if you’re a Wretch supporter I’d love you to help me spread the word.”