Jeezy has been warned that he could land behind bars if he continues to defy the terms of his divorce agreement with ex-wife Jeannie Mai after he “willfully failed” to hand over the title of a 2021 Range Rover as required by their 2024 settlement.
The judge didn’t mince words at a hearing earlier this week, stating that “any further violations could result in sanctions, including incarceration,” InTouch Weekly reports.
The warning came as the former couple’s post-divorce battles spilled back into court nearly a year after they finalized their split.
The luxury SUV isn’t the only sticking point. Jeezy also demanded that Jeannie Mai cover $20,000 of his legal expenses. She, in turn, asked the court to make him pay her legal fees. The judge denied both requests.
Despite reaching a sealed divorce agreement in June 2024, the two remain locked in legal disputes over money, property and access. Custody arrangements for their daughter Monaco remain confidential.
Mai previously accused the rapper of “explosive outbursts,” “excessive drinking,” and domestic violence in court filings last year.
Jeezy denied the allegations, calling them “false” and “deeply disturbing.”
In a 2023 contempt motion, Mai claimed Jeezy missed daycare payments, failed to pay $92,000 in rent and never transferred the Range Rover title. The issues have continued to simmer into 2025.
Jeannie Mai Calls Cops Amid Dispute Over Belongings At Jeezy’s Home
The conflict escalated again in December 2024 when Jeannie Mai called police after being blocked from entering Jeezy’s Georgia home to retrieve her belongings, despite a court order allowing her to collect personal items like Emmy awards, handbags and shoes within 21 days.
According to court records, Jeezy’s house manager refused to let her in, saying he was “acting on the orders of Jeezy.”
The rapper’s legal team argued he had “legitimate concerns about Jeannie being able to walk through the whole house” and claimed, “[Jeezy] does not feel safe having [Jeannie] in his home… [she might be] planting listening devices or cameras” due to her “history of attempting to destroy [his] career with misleading information.”
When Mai finally accessed the garage, she found her belongings “broken and scratched” with signs of water and rodent damage.
In a bombshell interview, AllHipHop’s Chuck Creekmur talks to attorney Nicholas Ramcharitar, who represents stylist Misa Hylton in a lawsuit against her longtime friend Mary J. Blige.
Misa Hylton, the stylist-turned-music manager, has filed suit against Grammy Award-winning artist Mary J. Blige, alleging breach of contract related to the management of rapper Vado. Vado, a New York City staple, is an artist signed to Blige’s imprint, Beautiful Life Productions. Hylton and Blige have been best of friends for decades.
According to Nicholas Ramcharitar, Hylton’s attorney, the case stems from what Hylton charges were unmet contractual obligations. These missed commitments allegedly included Vado’s exclusion from tours and other musical ventures with the iconic singer. Communication seemingly collapsed between Hylton and Blige reportedly broke down, prompting Hylton to pursue legal action.
AllHipHop first reported the legal filing, despite efforts to resolve the matter privately, Ramcharitar says. In an interview, Mr. Ramcharitar described the toll the dispute has taken on Hylton, both emotionally and financially.
“Ms. Hylton did not want this to become a public matter,” he said. “She exhausted every avenue before resorting to the courts.”
The matter is a shock to the culture. Mr. Ramcharitar gives context to confusion and some light to the nuanced conversation.
The following is an edited version of the conversation between Chuck “Jigsaw” Creekmur and Attorney Nicolas “Nick” Ramcharitar. Please watch the video for the full 17-minute interview.
AllHipHop: Nick, thanks for talking with us. What’s really going on between Misa Hylton and Mary J. Blige?
Nick Ramcharitar: Chuck, it’s tragic. These women were closer than biological sisters. Misa did everything to keep this private—calls, texts, even letters to Mary’s legal team. But after months of silence and missed obligations, we had no choice but to file. This lawsuit wasn’t Plan A—it was Plan Z.
AllHipHop: What triggered it all? Were there signs things were falling apart?
Ramcharitar: Last time they were good was on the Amalfi Coast in August. After that—radio silence. No texts, no calls, no invites. Misa chalked it up to Mary being busy, but the pattern continued. Eventually, communication stopped completely.
AllHipHop: The center of this legal storm seems to be rapper Vado. Can you break that down?
Ramcharitar: It’s all about Vado. People are asking, “Why $5 million?” It’s not random. He was supposed to be on tour with Mary, featured on songs, in videos. None of that happened. That exposure is everything in Hip-Hop—radio, blogs, performances. That’s how an artist eats. Vado didn’t get that. He was shelved. And when you tally up what he lost? $5 million might be light.
AllHipHop: He’s still signed to Mary’s label?
Ramcharitar: Yes, he’s still contractually bound to Beautiful Life Productions. But that deal locked him down and didn’t deliver. It hurt his career. Meanwhile, Misa remains his manager and continues to stand on business.
AllHipHop: There are rumors. People say Mary might’ve been dating Vado. Others say there was tension between her and Misa beyond business. Any truth to that?
Ramcharitar: I stay out of personal stuff unless it’s relevant. I know Mary’s been dating someone else. Misa and Mary always kept their business professional. They’re both powerful Black women who handle their affairs with class. Any salacious speculation is just that—speculation.
AllHipHop: So what exactly did Mary violate in the contract?
Ramcharitar: I can’t go into full details—litigation is active—but the paperwork is public. Vado was supposed to open for Mary on tour. Never happened. He was supposed to be on records. Didn’t happen. He even got messages suggesting he drop Misa as his manager. That’s wild. And to this day, no one—not even Misa—knows why it all changed.
AllHipHop: Have you heard anything from Mary’s team since the lawsuit went public?
Ramcharitar: Not a word. We sent letters before we filed. Since then? Just subliminal posts on Instagram, if that. But still, we’re not pushing to go to court—we’re hoping for resolution.
AllHipHop: Is Misa open to dropping the lawsuit if Mary just makes things right?
Ramcharitar: Possibly. If Mary steps up, honors the agreement, gets Vado on tour, back in the studio—yeah, that could move the needle. But there’s more to consider: legal fees, lost opportunities, emotional distress. Misa’s been deeply affected.
AllHipHop: Speaking of distress, how is she doing? Especially with the Diddy case swirling in the background?
Ramcharitar: It’s been rough. Misa’s a phenomenal mother. Christian and Justin—her kids with Diddy—are great young men. But between that situation and this lawsuit, the emotional toll is real. We tried every way to avoid this fight. She didn’t want this smoke, but she stood on principle.
AllHipHop: This all hurts to see. Fans saw Mary and Misa as examples of Black sisterhood. Is there any chance they reconcile?
Ramcharitar: I hope so. Misa hopes so. These were two women who built empires. Together. This isn’t just about business—it’s about legacy. And seeing that fall apart publicly? It hurts everyone who believed in them.
AllHipHop: What happens next legally?
Ramcharitar: Unless we hear from Mary’s camp, we’ll move forward with the request for judicial intervention. That kicks the court process into gear. Depositions, discovery, trial prep. But again, we’d rather avoid that. We’re still saying: let’s sit down, break bread, talk like family. Because this isn’t about headlines—it’s about making things right.
Bow Wow didn’t hold back when asked about Orlando Brown’s bizarre sex allegations during a recent appearance on the “Club Shay Shay” podcast with Shannon Sharpe, brushing off the viral wild comments with humor.
“That dude is hilarious,” Bow Wow said, laughing off Brown’s explicit claims that the two had a sexual encounter.
Sharpe pointed out that some people actually believed Brown’s story, to which Bow Wow shot back, “If they believe that, something wrong with them. They crazy as hell.”
He added, “That dude is smart, he knows what he’s doing, he ain’t no fool … I seen an interview where he said ‘people pay me … how much the money is determines am I going to be crazy.'”
Brown’s claims first made headlines in 2022 when he announced, “Lil Bow Wow got some bomb ass p####.”
He later doubled down with, “If you got bomb p####, you got to embrace that p####.”
Brown repeated similar remarks in a 2024 interview with Funny Marco, saying, “I f##### him like this,” while mimicking a motion on a chair. He added, “On my blood, on my momma.”
Bow Wow Says Orlando Brown Is “Talented” But Troubled
Despite the explicit nature of the comments, Bow Wow kept his cool and refused to escalate the situation during his interview with Sharpe.
“Always thought he was talented, yes he’s had troubles,” he stated. “Since all of these people put him on their platforms for clickbait, somebody needs to put the boy on TV and give him a real job.”
Bow Wow added, “As long as you ain’t playing with my money, ain’t playing with my kids, I ain’t trippin’.”
Brown, a former Disney Channel actor, has made similar claims about other celebrities, including Diddy, Drake and Usher.
While some online have questioned his mental health or speculated about substance use, others have dismissed his statements as trolling. Even Funny Marco, who interviewed Brown, said the comments were “probably a big troll,” though Brown insisted he was telling the truth.
Bow Wow, however, isn’t buying any of it. “Nobody taking him serious. It’s sad because he had potential to be great,” he said.
Quavo is deepening his commitment to ending gun violence with the appointment of Gregory Jackson Jr. as president of The Rocket Foundation, a non-profit launched in memory of his late nephew and Migos bandmate, Takeoff.
Jackson, who previously served as Deputy Director of the White House Office of Gun Violence Prevention and as a Special Assistant to Joe Biden, will oversee the foundation’s daily operations, policy strategy and national partnerships.
“I am thrilled to have Greg lead the charge for Rocket,” Quavo said. “He is a longstanding partner of the organization and our persistent work to end gun violence. I know my foundation and Takeoff’s legacy are in good hands with him.”
Jackson’s appointment comes shortly after the White House dismantled the office he helped build alongside Vice President Kamala Harris.
“No family should suffer tragedy or trauma from gun violence like the family of Takeoff endured, but sadly over 40,000 do each year,” Jackson said. “The courage of Quavo, Titania, Edna and the entire family has been a true inspiration to me. It’s an honor to lead this foundation’s efforts to make our communities safer and honor the legacy of Takeoff.”
Jackson brings years of experience in community organizing and policy reform.
Before his tenure in the White House, he led the Community Justice Action Fund, where he helped secure over $12 billion in public funding for gun violence prevention and played a key role in passing the Bipartisan Safer Communities Act, the first major federal gun safety law in three decades.
He also previously served as National Field Director for the Democratic Congressional Campaign Committee, where he oversaw the largest midterm voter registration campaign in U.S. history.
The Rocket Foundation was established by Quavo in November 2022, just weeks after Takeoff was fatally shot outside a Houston bowling alley.
The organization funds grassroots anti-violence programs and hosts events like the Rocket Foundation Summit and SPARK Grants Program, which launched last year in Atlanta on what would have been Takeoff’s 30th birthday.
Damon Dash Facing $4M Judgment as Questions Swirl Around Kanye West’s Loyalty
Damon Dash is staring down a massive $4 million legal judgment tied to a failed film project. And he’s reportedly considering bankruptcy as a possible escape route.
According to multiple sources, the Roc-A-Fella co-founder is now weighing whether to file for bankruptcy to avoid paying the hefty sum. Whether that legal maneuver will work remains to be seen, but it’s clear the situation is spiraling fast.
The financial fallout has sparked a bigger question in Hip-Hop circles: Will Kanye West step in to help the man who gave him his first big break?
Back when no one wanted to bet on Kanye West as a rapper, it was Dash who took the leap of faith. He signed a young West to Roc-A-Fella when others reportedly laughed him out the room. That decision helped launch one of the craziest—and most successful—artists in modern music.
Now, Dash is in crisis and West still sitting on a fortune (despite his own controversies and financial swings). Some are wondering if West might return the favor. So far, there’s been no sign of support from the Vultures architect.
Complicating things further is the current tension between Kanye and JAY-Z—Dash’s longtime nemesis and Roc-A-Fella co-founder. West recently made headlines for blasting J. Cole’s record label, saying, “I hate the people that signed J. Cole,” which fans interpreted as a shot at JAY-Z himself.
That comment could be read as a subtle good look for Dame. I see it as such, at least.
To add another layer of confusion, Kanye West’s Donda 2 album disappeared from Spotify and other DSPs shortly after its release. While reports suggest that a producer involved in the project may be threatening legal action over unpaid royalties, nothing’s been confirmed. He definitely had a roll in the disappearing album.
So, will Kanye help Damon Dash out of this $4 million mess? That’s the million-dollar question. But if recent behavior is any indication, Kanye West seems more concerned with his own ventures than extending a lifeline to old friends.
For now, Dash is left trying to figure out how to dig himself out…but maybe Yeezus himself will perform a summer miracle.
Bow Wow has dropped a rare update on his relationship with Jade Pinkett, hinting that marriage might be in the cards.
The rapper and actor addressed the romance with Pinkett, the niece of Jada Pinkett Smith, during his appearance on Shannon Sharpe’s “Club Shay Shay” podcast Wednesday night (April 30).
Bow Wow admitted he was surprised the relationship was even on Sharpe’s radar. “I didn’t even think you knew!” he laughed.
— OPINIONATED_TRUTHS_PODCAST™️ (@O_Truths) March 10, 2025
While the couple has kept things relatively quiet, Bow Wow confirmed they’ve had serious conversations about the future.
“Me and her, we’ve had these talks,” he explained. “I’m not against anything, but when I get to that point, or if I ever do get to that point, I want to make sure I’m right. And, that’s not only a commitment to [her] that’s a commitment to God. And, I don’t play with stuff like that.”
Despite the deep talks, Bow Wow made it clear he was not rushing to the altar.
“I don’t want to talk about [marriage] or plan it at the moment,” he said, adding that right now, he’s focused on enjoying life and traveling with Pinkett.
The couple first gave the public a glimpse into their relationship in January 2025. Bow Wow posted a New Year’s photo with Jade Pinkett on his Instagram Stories.
She captioned it, “New Years, Yr 2 for the books,” suggesting they had already been together for two years.
Bow Wow reiterated that he takes marriage seriously, calling it a “commitment to God.” He confirmed, “I want to make sure I’m right.”
Though he kept wedding plans vague, Bow Wow did confirm that he and Jade Pinkett are having ongoing discussions about their future.
Kanye West is planning to file a medical malpractice lawsuit in California against his former dentist, Dr. Thomas P. Connelly, accusing him of recklessly providing nitrous oxide for non-medical use and causing long-term mental and emotional harm.
West’s legal team claims Connelly enabled the rapper’s unsupervised use of nitrous oxide—commonly known as laughing gas—by supplying large quantities and allowing self-administration without oversight.
The lawsuit alleges that despite observing “neurological and behavioral changes,” Connelly continued treatment and later “abandoned” West without a proper medical transition plan.
The complaint states West suffered “physical, psychological and financial damages.”
In August 2024, Milo Yiannopoulos, West’s former chief of staff, publicly accused Connelly of charging $50,000 per month to provide nitrous oxide for recreational use.
“There is a reason Ye, formerly known as Kanye West, is no longer capable of successfully releasing music or clothing…in fact, there are several reasons. But the most serious and the most recent is his dentist, Thomas Connelly,” Yiannopoulos said. “Connelly got Ye hooked on nitrous—laughing gas. It is my belief that Connelly sought to diminish Ye’s mental faculties so that Connelly and his business associates could extract millions of dollars from him.”
There is a reason Ye, formerly known as Kanye West, is no longer capable of successfully releasing music or clothing. In fact, there are several reasons. But the most serious and the most recent is his dentist, Thomas Connelly. 🧵
He added: “Thomas Connelly is a dangerous predator who targets African-American celebrities—into whose mouth he puts fake diamonds, as I suspect he did to @lilyachty. He must be stopped. I filed a complaint with the California Dental Board last week to that end.”
Yiannopoulos released screenshots of text messages showing West requesting nitrous oxide and Connelly agreeing to provide it.
Staff members reportedly witnessed West using an inhaler mask and said four large surgical tanks were often seen at his home.
The lawsuit further claims Connelly exploited West’s mental health vulnerabilities for financial gain. Connelly’s representatives previously denied all allegations. However, West’s lawyers claim to have apologies from Connelly for admitting to his wrongdoings and apologizing in writing.
Rihanna’s 2009 assault case has resurfaced in a $500 million defamation lawsuit filed by Chris Brown against Warner Bros. over a documentary that revisits his history of violence.
Warner Bros. is defending its 2024 documentary Chris Brown: A History of Violence by pointing to Brown’s own past — including his 2009 felony assault conviction involving Rihanna — as evidence that the film is based on public record, not defamation, InTouch Weekly reports.
Though Rihanna is not involved in the lawsuit, her name and the details of the attack have become central to the case.
Michelle Taylor, a defendant in the suit, argued the documentary’s content stems from “widely-reported, fully disclosed, and undisputed facts regarding [Chris’] highly-publicized assault of his ex-girlfriend Rihanna.”
The documentary also references other incidents from Brown’s past, including a 2017 restraining order obtained by actress Karrueche Tran and a physical altercation with singer Frank Ocean.
These events, Warner Bros. claims, support the film’s portrayal of Brown’s documented history of violence and are protected under free speech.
Chris Brown Blasts Documentary Claims In Defamation Lawsuit
Brown, however, is suing for $500 million, alleging the documentary falsely paints him as a “serial rapist and sexual abuser” despite never being convicted of any sex-related crimes.
His lawsuit also disputes the credibility of a woman featured in the film who accused him of rape in 2020 aboard Sean “Diddy” Combs’ yacht. Brown’s legal team claims her allegations were dismissed in court and described her as having a “history of violence and erratic behavior.”
Brown’s attorney blasted the studio’s defense, calling it “nonsense” and “ridiculous,” and accused the filmmakers of ignoring exculpatory evidence.
The lawsuit further claims Warner Bros. prioritized “likes, clicks, downloads, and dollars” over journalistic integrity.
Because Brown is a public figure, he must prove the filmmakers acted with “actual malice” — meaning they knowingly published false information or acted with reckless disregard for the truth.
The documentary, released earlier this year, revisits Brown’s legal troubles and questions how his music career has endured amid repeated allegations and public scrutiny. Brown has pledged to donate a portion of any damages awarded to survivors of sexual abuse.
AllHipHop’s Chuck “Jigsaw” Creekmur caught up with New Orleans’ own Dee-1, the independent rapper and activist known for his unwavering moral compass. His lyricism is also understated. In a raw and candid conversation, Dee-1 broke down his upcoming project Hypocritical Hop, why he’s calling out the toxic side of the industry.
He also discussed reconnecting with the Hot Boys, spiritually and musically. Finally, his desire to work with Lil Wayne was put front and center. Oddly, Cortez Bryant, long-time Lil Wayne manager, randomly joined the chat. Our Dreamville content just keeps on coming.
AllHipHop: What’s going on, world? I ran into one of my dear friends in this insane music business — Dee-1.
Dee-1: Man, I’m so blessed to be with my dog Chuck right now. Dreamville Fest just got even more lit — you heard me?
AllHipHop: Absolutely. So what brings you here with all these heathens?
Dee-1: [Laughs] You funny, bro. You said heathens! But honestly, networking. My whole journey has been about what I can do through relationships. Not what people do for me. I had to get out here and make real connections. Some artists don’t even leave the house unless they’re getting paid. It cost me money to come here — but the connections? That’s priceless. When people say, “Dee, your music changed my life,” or “You’re a real man of God,” that makes the whole trip worth it.
AllHipHop: You’ve definitely changed lives, but you’ve also caught some pushback. How do you deal with that?
Dee-1: If there’s no pushback, I’m not doing something right. There’s a lot of darkness and ignorance in this industry, and I want to confront it head-on. Behind all that, I still see people as children of God. But we gotta be real — the industry is rewarding things that poison our community. That’s not worth celebrating.
AllHipHop: That dark energy seems to have grown louder over the past couple of years. How do you see the current state of hip-hop?
Dee-1: I honestly don’t call it hip-hop anymore — I had to make a new term for it: Hypocritical Hop. It’s so far from what Hip-Hop was built on. That’s the name of my next album, dropping in June. I’m trying to free us from that mindset.
AllHipHop: Are you going on tour for the new album?
Dee-1: Absolutely. The album drops in June. We’ll start the press run around then, and I’ll be on tour in July and August. New York City is on the list, and I definitely need a proper AllHipHop sit-down!
AllHipHop: You’re also here supporting your fellow New Orleans brothers. Tell us about that.
Dee-1: I’m a child of the Hot Boys — I call myself the Holy Hot Boy. I was raised on their music, but God gave me a calling. That said, I’ve got music dropping with almost all of them. Me and B.G. got a single, “My Enemies,” dropping April 16. Me and Juvenile just did a track for his new project. Me and Turk are linking this week. Only one left is Weezy — so Weezy F, if you’re hearing this, let’s go!
AllHipHop: That’s love. And you’re out here solo?
Dee-1: Yeah, dolo. I was riding my electric scooter around Raleigh, stopped at Smoothie King — and boom, Manny Fresh is inside! He bought me a smoothie, and next thing you know, I’m with him and C. Smith, and we’re pulling up on Juvenile’s meet-and-greet. Turk was there too. It was all God. No media pass, no credentials — just faith. Now I’m backstage with y’all.
AllHipHop: And it’s nice back here, not going to lie.
Dee-1: It is! Out front is peaceful but wild. Back here, it’s chill. But what really stands out is the energy. When people approach you and say, “I respect what you’re doing,” or “I love your music,” that means something. That’s the energy I’ve been getting — scenario number three!
[At this point, music executive Cortez Bryant joins the conversation]
AllHipHop: Cortez! What’s good, my man?
Cortez Bryant: New Orleans is deep out here! I’m having a great time — good people, good energy, feels like a homecoming.
AllHipHop: You’ve worked with so many legends. What’s got you excited these days?
Cortez Bryant: This guy right here — Dee-1. It’s rare to find someone so intentional, whose values align with their artistry. This is a special time, and I’m excited to support what he’s doing.
AllHipHop: Respect to you both. AllHipHop salutes you.
Porsche is an exclusive car that looks better than ever in Dubai. This vehicle is an indicator of incredible luxury and wealth, emphasizing the high status of its owner. By choosing Trinity Car Rental, you can porsche rental dubai and be sure that you will enjoy a luxurious ride and get real pleasure from what is happening. An exotic sports car will help you discover all the city’s secrets, enjoy beautiful views, and make a good impression on others. You can visit many places, discovering the secrets of the richest city in the world.
Best Assistance with Porsche Rental in Dubai from Trinity
Trinity Rental is a service where you can choose a Porsche for rent for your trip to Dubai. This is a great option to enjoy every minute of your journey and get an incredible driving experience. Among the key advantages of the service are the following:
no deposit for the rental period;
the ability to pay for services by card, cash or cryptocurrency;
the rental price includes 300 km of mileage, VAT, insurance, and toll roads;
80+ luxury cars are available in stock, including 2024 models;
it is possible to deliver the car to any convenient place;
a personal manager assigned to you to accompany at all stages of cooperation;
if necessary, you can rent a car with driver;
clients receive a full tank of gas as a gift.
All this makes Trinity Car Rental an excellent choice for those who want to enjoy high-quality service. In addition, everyone can choose a vehicle to suit their preferences and driving style, discover new Dubai views, and immerse themselves in incredible adventures.
Iconic City Streets
Porsche car hire service is suitable for those who want to drive around Dubai in comfort and see all the local attractions in a few minutes. A trip along Sheikh Zayed Road is a must for those who want to learn everything about this elite city. This eight-lane highway stretches from one end of Dubai to the other.
Traveling along the main street allows you to get acquainted with local attractions. In addition, you can show yourself from the best side and emphasize your status. A special pleasure is a night trip, which will help you get to know even more closely the features of one of the most famous cities in the world.
Downtown Dubai is the place you should go to first. It is the embodiment of real wealth and luxury. This is the ideal place for a luxury Porsche trip. You should start your journey by visiting the Burj Khalifa and enjoying its grandeur. You should also drive past the local fountain. Incredible light shows are regularly held here in the evenings, which will take your breath away from the first minutes. You can relax in the main shopping center, the Dubai Mall. Here you can easily park your car, go shopping, or go to a restaurant or café.
An elegant premium car complements the atmosphere and fits perfectly with local attractions. You will not go unnoticed and will always be the center of everyone’s attention. Well-maintained Dubai roads allow you to enjoy a smooth ride and experience all the capabilities of a premium sports car, feeling the real speed and drive from every minute behind the wheel. In addition, you can take incredible photos and show them off to your friends.
Scenic Coastal Drives
Jumeirah Beach Road is a great coastal route that helps you fully realize all the benefits of Porsche car rental services. You can enjoy beautiful coastal views and visit local cafés or luxury restaurants.
Among the most striking coastline attractions is the Burj Al Arab, which is worth noting. This place is a must-see during your trip to the city. In addition, such a background will be ideal for memorable photos.
Jumeirah Beach is another stop that should not be missed if you want to enjoy stunning views. This place is ideal for pleasant walks.
Dubai guests should also visit Palm Jumeirah. This artificial island offers a great experience for travelers. Here, you can stay in a luxury hotel, visit numerous cafés and restaurants, and show off your elite Porsche.
Shopping and Relax
You should definitely use a Porsche rental to go on an elite shopping spree and enjoy comfort. You can go to Dubai Mall, the largest shopping center, where many fashion brands, exquisite restaurants, and entertainment venues for every taste are presented.
You can also visit the Emirates Mall. This is another bright and memorable place that offers a luxurious experience for true shopping lovers. Here you can visit fashion boutiques from famous world brands and buy exclusive things you can’t find anywhere else. In addition, the shopping center provides an opportunity to visit VIP restaurants that correspond to the high level of comfort of the premium segment.
Dubai is ready to offer its guests the most luxurious and premium vacation. You can enjoy beautiful views, have a good time, and escape from everyday worries. A trip in a luxury car will make the journey even more enjoyable.
Tips for Lamborghini Drivers in Dubai
If you want to rent a Porsche and get the most out of your trip, then you should consider some very important advice, including:
Choose early morning or late evening for travel. This is a great time to avoid the crowds, as well as enjoy the most beautiful views without traffic on the roads. In addition, it is best to travel on weekdays due to the low traffic congestion.
Follow safe driving measures. If you have chosen a Porsche, then you need to make sure that the vehicle is safe and sound. Obey the speed limit and local driving customs.
Enjoy a pleasant and smooth drive. An elite sports car will help you get an incredible experience, enjoying the high quality of each ride with minimal effort and cost.
Do not forget to capture the most vivid moments of your trip. Renting a luxury car in Dubai is a great opportunity to take bright and memorable photos. You will have an incredible, exciting experience during your trip and can freely travel around the city without restrictions.
Sean “Diddy” Combs is trading his tan jail-issued jumpsuit for a courtroom wardrobe makeover as he prepares to face serious charges in federal court this May.
According to reports, a federal judge has approved a request to allow Combs to wear civilian clothes during his upcoming trial.
Judge Arun Subramanian granted the embattled Hip-Hop mogul access to five button-down shirts, five pairs of pants, five sweaters, five pairs of socks and two pairs of shoes—without laces—for security reasons.
The clothing will be delivered to the Metropolitan Detention Center in Brooklyn, where Combs is currently being held.
The decision comes after Combs’ previous court appearances in March 2025, where he was seen in a beige prison uniform with graying hair and a beard. He looked noticeably thinner and older than in past public appearances.
Combs’ legal team argued that wearing jail attire could unfairly influence jurors, and Judge Subramanian agreed.
Jury selection is scheduled to begin May 5, with opening statements expected around May 12.
Diddy Reportedly Rejects Plea Deal Ahead Of Trial
The trial stems from a superseding indictment filed in April 2025 that added two more charges—sex trafficking and a prostitution-related offense—bringing the total to five.
Combs has pleaded not guilty and declined a plea deal offered by prosecutors. The court will confirm his rejection of the agreement during a hearing on May 1.
Judge Subramanian also denied a request from Combs’ attorneys to delay the trial by two months, stating that the defense, which includes four law firms, had ample time to prepare.
Three alleged victims are expected to testify using pseudonyms, while Cassie Ventura, Combs’ former girlfriend, will testify under her real name.
Prosecutors allege that Combs orchestrated drug-fueled sex parties referred to as “Freak-Offs,” recorded the encounters and used threats to maintain control over the participants. His defense team plans to argue that the events were part of a consensual “swinger” lifestyle and not criminal in nature.
Kanye West has confessed that he mimicked Drake’s style after the Canadian superstar dominated streaming platforms, despite their long and tangled relationship.
The divisive rapper made the remarks during a livestream with Toronto rapper and Drizzy affiliate Top5
“Once Drake took over the algorithm, I had s### that was copies of Drake,” West said, acknowledging that he’s frequently borrowed from the same artist he’s clashed with for over a decade.
However, he conceded that Drake maintains his own style and doesn’t jack anything from West.
“He don’t got s### that’s copies of what I do,” he added. I be having s### that be a copy of a Drake flow, a lot times.”
West also claimed Drake was initially supposed to appear on both Donda and Donda 2. In turn, West said he was meant to contribute to Drake’s 2022 dance-heavy album Honestly, Nevermind. Still, West clarified those talks were “not recently.”
Kanye says Drake was supposed to be on 'DONDA' & 'DONDA 2' and he was supposed to work on 'Honestly Nevermind' 👀
"He don't got sh*t that's copies of what I do. I be having sh*t that be a copy of a Drake flow." pic.twitter.com/OGPEQNKFNW
Despite their rocky history, West has recently thrown his full support behind Drake’s legal battle with Universal Music Group.
Last month, he tweeted, “I have to show Drake love for going at the machine.”
He called the lawsuit “the biggest victory in music history” and encouraged Hip-Hop artists to stop fighting each other and instead challenge the corporate forces behind the scenes.
“I’m never finna call Drake out of his name. I’m Team Drake 100 percent,” West said. “And Team Kendrick and Team all of us. Like, Kendrick need to be going at UMG, at this point.”
But just a week later, Kanye West’s tone shifted dramatically after Kendrick Lamar and SZA’s track “Luther” knocked Drake’s “NOKIA” off the top of Spotify’s U.S. chart.
West returned to social media with a flurry of cryptic posts, suggesting dark forces were at play.
“It’s love and hate for Drake but man this not real man Luther is not dethroning Nokia,” he wrote. “They really coming for Drizzy huh.”
He added, “I heard the devil asks God for permission before teaching sinners they lesson,” and followed with, “Seems like the Devil is has been given free reign to go after Drake.”
T.I. abruptly halted his performance and jumped into the crowd not once but twice during a recent show after noticing something going down near his wife, Tiny Harris, who was standing close to the stage.
“Hey! What y’all doing?” he shouted mid-song, locking eyes with the area where Tiny appeared to be caught up in a situation. Though he initially tried to keep the show moving, telling the crowd to “chill out,” his focus never left her.
Moments later, the Atlanta rapper sprinted offstage, moving Tiny out of the way and appearing to confront someone directly. After a brief exchange, he returned to the mic, only to leap back into the crowd again shortly after.
When he finally got back onstage for good, he addressed the interruption head-on.
“That weren’t nothing but a minor intermission,” he told the audience. Then came the warning: “I’ll flip the table. Leave her alone.”
TI wasn’t playing about Tiny after confronting someone over her:
The protective moment came as T.I and Tiny celebrated back-to-back legal wins.
On Wednesday (April 30), the R&B singer posted a trio of photos of the couple and praised their recent courtroom victories.
“Life has been lifing in a great way but I wanted to take the time to Thank God for fighting our battles,” she wrote. “For two wins back to back against Satan who was attempting to attack my family. However God said the victory is ours!!!”
The couple recently secured a $71 million jury award in a lawsuit against MGA Entertainment, the company behind the L.O.L. Surprise! O.M.G. dolls. T.I. and Tiny claimed the dolls copied the look and style of their girl group OMG Girlz without permission. The payout included $17.9 million in compensatory damages and $53.6 million in punitive damages.
It was a long legal road. After a mistrial and a loss in 2023, the couple finally prevailed in 2024. A federal judge upheld the full award in February 2025 after initially considering reducing it.
Meanwhile, a Los Angeles judge dismissed Sabrina Peterson’s defamation lawsuit against T.I. and Tiny Harris in March, citing her failure to prosecute the case after four years of delays.
Suge Knight finalized a $1.5 million settlement with the family of Terry Carter in Los Angeles just days before a retrial was set to begin over the 2015 fatal hit-and-run that left Carter dead outside a burger stand during a dispute tied to the filming of Straight Outta Compton.
Knight, appearing remotely from prison, agreed to pay $500,000 each to Carter’s widow, Lillian and daughters Nekaya and Crystal, bringing an end to a years-long wrongful death lawsuit that accused the former Death Row Records boss of acting “recklessly, carelessly, and negligently,” per Rolling Stone.
The decision to settle came after Knight’s longtime attorney, David Kenner, moved to withdraw from the case, citing a conflict of interest.
With the retrial looming, Los Angeles County Superior Court Judge Thomas Long made it clear there would be no more delays.
“There will be no additional continuances. This case is out of time,” Long told Knight, warning he’d have to represent himself if the trial moved forward.
Knight is currently serving a 28-year sentence after pleading no contest to voluntary manslaughter in Carter’s death. He said he chose to settle out of “respect” for Carter and his family.
“Terry was a friend of mine. It definitely wasn’t done intentionally. It wasn’t done to bring harm to him,” Knight said. “One of the reasons I settled [is] I got respect for Terry, so that means I’ve got respect for his family. I didn’t want to put the family through more pain. It’s not that I did anything wrong—I never would have. But I do owe the family an apology because of this thing they had to go through.”
Terry Carter’s Widow Slams Suge Knight
Lillian Carter, however, made it clear she found no peace in the outcome. “It’s hard living without him when I lived all those many years with him. It’s been very, very difficult. I’ve been in pain ever since January 29, 2015, I haven’t had a good day, not one good day,” she said. “I’m not happy with the outcome of it, at all, but I don’t want to give him another opportunity to put on a clown show and act like a b####. Maybe somebody will shank him in jail.”
Her daughter Nekaya echoed the emotional toll the case has taken on the family. “I’m relieved it’s finally concluded. It has been a long and emotional journey. We couldn’t put ourselves through that again. I want to move forward, just like my dad always encouraged us to do.”
Kanye West linked up with Toronto rapper Top5 during a livestream from Spain, where he took aim at Kendrick Lamar and J. Cole in a blunt exchange that reignited West’s ongoing critiques of the Hip-Hop heavyweights.
“I hate J. Cole,” West declared. “It can’t even be called music. I hate J. Cole.”
Sitting beside Drake affiliateTop5, who has had his own issues with Lamar, West doubled down on his disdain for both rappers.
“It’s something about both J. Cole and Kendrick that kinda, that leaves me sorta like—it reminds me of each other and s### like that,” he explained. “It’s just not that sauce to me.”
The livestream marked a notable shift in West’s relationship with Top5 following a recent spat.
West also took a jab at actor Ben Affleck, who recently named Kendrick Lamar on his Mount Rushmore of rap.
“Anybody that say Kendrick is one of their favorite rappers, don’t know about rap, doesn’t know about real rap,” West said.
The remarks come just days after West labeled Lamar “overrated” in another rant, continuing a pattern of verbal jabs aimed at the Compton rapper.
Kanye West Praises Kendrick Lamar; Acknowledges His Dominance In Hip-Hop
However, the tone sharply contrasts West’s comments earlier this year.
Back in February, West had a different take, calling Lamar nearly untouchable in a rap battle.
“If you rap against Kendrick, you will lose. This man does this,” he said at the time. “If you rap against Kendrick Lamar, it’s really a difficult task. But I’m a psycho genius, so…”
He even praised Lamar’s takedown of Drake, saying, “Kendrick killed my nemesis,” while acknowledging their influence on the culture.
“Drake added something to the algorithm, to our frequency. He advanced it … and now Kendrick has now advanced the frequency.”
Still, West made it clear that only someone with his mindset could challenge Lamar, stating, “Do not rap against Kendrick Lamar unless you’re a psycho genius like me.”
Kanye West questions why Future and other rappers let Kendrick Lamar’s 'Big Three' line from 'Like That' pass and warns rappers not to rap against Kendrick Lamar unless they’re a psycho genius like him.
Instagram thrives on visual storytelling. Your audience receives a complete first impression with each swipe, tap, and scroll. Grabbing attention is easy, with millions of visuals being uploaded every day. Whether you’re the creator of the content, a small business or a digital marketer, you understand that standing out on this saturated visual platform is more important now than ever before. Design-forward tools come into play at that point.
Instagram users move quickly. This means you only get a few seconds (sometimes milliseconds) to get them to stop scrolling. A polished, bold, emotionally resonant poster can often do the trick. Traditional design tools are flexible, but platforms like Instagram demand a specialized edge. Pippit bridges that gap. It offers design precision refined for fast-moving feeds and brand-specific content creation
.
The Challenge of Capturing Attention in a Visual Feed
Instagram is used at high speeds by users. Attention spans are short, and impressions go fast. The constant battle to grab eyes and have them look for just a few more seconds makes this rapid consumption. However, it’s not only the pace that is challenging; it’s also the volume. Similar templates, stock imagery, and recycled visual trends are boring audiences.
This kind of battlefield wasn’t built for most traditional design tools. General features they offer but do not really work with Instagram’s nuanced needs, e.g., optimized ratios, emotional imagery, and dynamic contrast. That’s why uploading a good-looking image is not enough anymore. You need purpose-driven visuals to fit Instagram’s high engagement formats.
Design Principles That Drive Engagement on Instagram
To stand out, your design needs more than aesthetics. You need intention. Bold visuals and emotionally charged color schemes help evoke immediate reactions. Symmetry makes your posters pleasing to the eye, while contrast highlights key elements like headlines and calls to action. Whitespace, often overlooked, brings visual balance and lets your message breathe.
Templates can be a starting point, but they sometimes restrict creativity. Many creators fall into the trap of relying too heavily on pre-built designs. To build a real brand identity, customization is key. That’s where a specialized poster maker makes all the difference.
How Pippit’s Poster Maker is Optimized for Instagram Success
Instagram isn’t one-size-fits-all. Each format—whether it’s a feed post, story, or reel—requires different dimensions, text spacing, and focal points. Pippit understands this. It automatically adjusts aspect ratios so your content fits perfectly into each format without manual resizing.
Its poster templates aren’t just stylish—they’re performance-driven. Each template is built with engagement metrics in mind, maximizing likes, shares, and comments. Pippit also allows you to layer essential elements like slogans, calls-to-action, and product details seamlessly into the design without overcrowding it.
How to Make a Poster Online with Pippit
Step 1: Generate a custom poster online Start by logging into your Pippit account and heading to the left menu. Open the “Image studio” and click on the “Sales poster” section. For Instagram-ready designs, pick from high-engagement visual templates or craft a unique prompt that fits your content vibe. Choose your ideal aspect ratio—square or vertical works best for Instagram—and hit “Generate”. You can also upload an image if you want the AI to base your design on a pre-existing visual style.
Step 2: Refine & polish your posters Once your Insta-focused poster is ready, tailor it using Pippit’s creative tools. Try the “AI Background” option to automatically insert stylish, on-trend backgrounds or upload your own HD images to reflect your aesthetic. Customize your messaging with “Text style”—adjust font, size, and layout to make it pop in an Instagram feed. These tweaks will ensure your content looks polished, thumb-stopping, and totally brand-aligned.
Step 3: Export your posters Finalize your eye-catching Instagram poster by previewing the finished version. Satisfied? Click to export it in high resolution. Whether you’re posting it to your feed, story, or ad carousel, Pippit’s export quality guarantees your visuals stay crisp and clear across all Instagram formats.
Utilizing AI Features for Instagram-Worthy Posters
AI enhances creativity without complicating the process. With Pippit, background selection becomes intuitive. Choose dynamic scenes, seasonal themes, or color palettes that elevate your visuals. Text styling goes beyond basic fonts—AI recommends combinations that match your tone and ensure readability on mobile screens.
This tool also helps you choose imagery that performs well. AI suggestions guide you toward high-conversion visuals, improving interaction rates. Achieving visual harmony takes just a few clicks, letting you focus on storytelling rather than manual design.
Cross-Promoting Content Within the Instagram Ecosystem
Great posters don’t belong to a single format. Use your visuals across Instagram carousels, reels, or sponsored ads. Pippit’s export-ready files make repurposing effortless. Maintain consistency without exhausting creative energy. Whether promoting a product, event, or announcement, your brand voice stays intact.
When every visual touchpoint reflects your message, your audience starts to recognize—and trust—your content. Pippit makes that alignment smooth, even when adapting visuals across formats.
Conclusion
In today’s competitive digital space, visuals are currency. Design-first tools give you the advantage to stop scrolls and drive engagement. Pippit is purpose-built for Instagram creators who want to move fast without sacrificing quality.
By combining AI assistance with creative autonomy, Pippit empowers you to deliver branded, scroll-stopping content every time. When standing out is the goal, having the right poster maker makes all the difference.
The music industry has grown cautious about promotional services since Spotify intensified its efforts to remove fake streams. Amid these changes, artists naturally want clarity about companies like Boost Collective and many are doing their own research to genuinely understand what is going on. To address these concerns objectively, we took a closer look into how Boost Collective operates.
Understanding Boost Collective
Boost Collective, founded eight years ago by Damian Barbu and Ronan Mullins, positions itself as a music promotion service aimed at helping artists reach more listeners. The founders initially pursued music as artists themselves, but soon realized they had a stronger talent for promoting music than making it.
Boost Collective primarily focuses on Spotify playlist pitching. Rather than guaranteeing streams or playlist spots, Boost pitches client tracks to curators managing playlists grown organically using targeted advertising campaigns on platforms like Meta (Facebook and Instagram) and TikTok. The company provides realistic estimates based on previous campaign outcomes.
Investigating Common Concerns About Boost Collective
One concern artists have when looking into promotional services is the authenticity of streams. Some promotional companies use artificial methods, like bots, to inflate streaming numbers—a practice strongly prohibited by Spotify. To address these common concerns, we reviewed Boost Collective’s advertising practices, checked real-world client experiences, examined third-party playlist verification tools, and looked into how Boost Collective has responded to Spotify’s stream removals.
Below are the clear pros and cons of Boost Collective:
Pros: What Boost Collective Does Well
Honest Advertising Approach
Boost Collective openly shares its promotional approach. Playlists are promoted through targeted, paid social media ads on platforms like Meta and TikTok, genuinely attracting real listeners. Artists can independently verify the authenticity of these streams using respected third-party industry tools such as Artist Tools, Spot On Track, and Chart Metric. Testimonials and real-world results from Boost Collective clients can be seen directly on their website.
Rapid Campaign Launch
Artists typically get pitched to curators and added to playlists within 24-48 hours after placing their order. This is significantly faster than many promotional companies, which may take a week or longer. Such quick turnarounds are beneficial for artists launching new releases or looking to swiftly test market response to their music.
Proven Client Results (Both Big and Small Campaigns)
Boost Collective has a track record of successful client promotions. Prominent examples include artists like Matt Corman, who achieved over a million Spotify streams within a few months through Boost’s promotional strategies, and Gie, who grew from practically zero listeners to over 50,000 monthly listeners.
Smaller campaigns have also demonstrated successful results. Independent artists like Jimmy Frizzell (“Paradise”), Taylor Ricard (“10 Toes”), and Bethany Cruz all achieved meaningful streaming growth through affordable campaigns. These examples highlight how even modest investments can effectively validate market response, though artists should not expect massive numbers like millions of streams from minimal spending such as $100.
User-Friendly Campaign Dashboard (with Music Distribution Option)
Artists consistently praise Boost Collective’s straightforward, user-friendly campaign dashboard, which allows them to easily track results and monitor their promotional progress in real-time. Additionally, Boost Collective offers optional music distribution, conveniently integrated within artists’ accounts.
Cons: Areas for Improvement
Limited Effectiveness for Highly Niche Genres
Boost Collective typically promotes music through broad-appeal playlists. Artists with specialized or experimental music may face difficulties gaining traction, as fewer playlists cater to highly specific or niche genres.
Global Reach vs. Local Focus
Boost Collective uses global audience targeting in their promotional ads to optimize costs. While this approach maximizes overall listener exposure, it may fall short for artists specifically aiming to grow their local or regional fanbases. Hyper-local targeting options exist but usually require higher-budget campaigns.
Clearer Expectations Needed for New Artists
Boost Collective provides estimated results rather than guarantees. However, newer artists sometimes misunderstand these estimates, assuming they’ll automatically achieve the projected streams. Boost Collective could further enhance clarity by providing more upfront educational resources to help artists understand how results rely heavily on music quality, branding, and audience engagement.
Previous Customer Support Issues
Historically, some Boost Collective customers faced delays when seeking support, occasionally waiting up to a week. Though this has significantly improved—with current response times now typically within 24-48 hours—past experiences still influence some perceptions of the company.
Authenticity of Streams: Are They Real?
Spotify aggressively removes artificially generated streams, a practice that negatively impacts many promotional companies and their clients. However, Boost Collective’s clients have avoided these removals. This success is due to the company’s strict adherence to ethical promotional practices, reflecting their obligations as an official distributor. As distributors themselves, Boost Collective must consistently deliver genuine streams to maintain strong relationships with Digital Service Providers (DSPs) like Spotify. Boost Collective also actively educates artists about avoiding promotional services offering guaranteed stream counts—a common red flag indicating potential bot use.
Boost Collective explicitly advises artists to independently verify streams through reputable industry tools, reflecting confidence in their methods and encouraging artists to maintain skepticism towards illegitimate practices.
Additional Context from Boost Collective’s Response
In response to recent claims of unethical practices, Boost Collective clarified extensively:
Their campaigns rely entirely on real advertising strategies, as demonstrated by their ongoing ad spend on platforms like Meta, documented in detail in their response article.
Boost Collective stresses that Spotify fines distributors directly if artificial streams are detected, emphasizing that allowing bot-generated streams would severely jeopardize their distributor status.
Testimonials and case studies showcased by Boost Collective, such as those by Matt Corman and indie artists like Jmbeats, clearly verify their legitimate promotional efforts and real-world artist success stories.
Boost Collective actively collaborates with Artist Tools, a respected playlist verification service, which independently verifies the authenticity of their playlists and the legitimacy of their promotions.
Realistic Expectations: What Artists Should Consider
Music promotion is about amplifying existing market appeal, not manufacturing it from nothing. Artists should test smaller promotional campaigns to initially gauge audience reaction before scaling their investment. It’s essential for artists to understand that promotional success depends heavily on music quality, effective branding, and targeted audience engagement.
Final Verdict: Is Boost Collective Legitimate or a Scam?
After reviewing Boost Collective’s practices, client outcomes, third-party verification, and responses to common concerns, we concluded clearly: Boost Collective is not a scam. The company operates ethically, adheres to Spotify’s promotional guidelines, and consistently delivers real listeners through genuine promotional methods.
However, like all promotional services, Boost Collective isn’t without limitations. Highly niche artists might experience limited results, and new users may initially misunderstand estimates as guarantees. Provided artists maintain realistic expectations and approach campaigns strategically, Boost Collective can deliver meaningful growth.
In short, Boost Collective is a legitimate music promotion company that consistently delivers authentic promotional results, provided artists understand that promotional outcomes are inherently linked to the quality and appeal of their music.
From luxury cars to sweeping skyline views, Sexyy Red gave her followers a front-row seat to her first time in the Middle East.
In one post, she expressed surprise at the number of Black people she saw in the city and marveled at the luxury lifestyle on display. “It’s a lot of Black people out here,” she said, clearly impressed. “And all these cars, like damn.”
The trip marked a new chapter in her career, as she continues to build her presence beyond the U.S. after a stop in London as well.
Kanye West dropped his long-awaited album Donda 2 on major streaming platforms Wednesday (April 30), only to have it yanked hours after a payment dispute with producers.
West had initially released the project exclusively through his Stem Player device in 2022.
But this week, the album briefly surfaced on Spotify and YouTube Music before being taken down after legal threats from Free Maiden, the manager of two producers who worked on the album.
“You chose to run, duck, hide, and continuously steal our s###!” Free Maiden snapped said. “Why you think you have the right to continue to steal from us and monetize the work? It’s very slum landlordish. Get on the phone like a man.”
Free Maiden represents Jahmal “Boogz Da Beast” Gwin and Brian “AllDay” Miller, who produced eight of the album’s 18 songs.
“This man has been stealing for years, but I always protected him,” Free Maiden told AllHipHop. “I’ve saved Kanye nine figures in attempted lawsuits alone in the past. Gloves off now.”
The brief appearance of Donda 2 on streaming marked the first time the album had been widely available outside of West’s platform. The project had long been considered “lost” by listeners due to its limited release and lack of official distribution.
The latest dispute adds to a turbulent stretch for West, who was banned from Twitch just seven minutes into his debut stream last week.
As of Wednesday evening, Donda 2 remained unavailable on major streaming services, but West hinted that he wanted to come to an amicable resolution.
“Really wanna work with Brian and Boogz again,” he tweeted. “Really wanna work this out.”
The movie has everybody wanting more. I sure do and, if you saw the end, you know what I am thinking. We all thought it! There is a clear and present pathway to a SCU aka The Sin-ematic Universe. But, we were hoodwinked!
Ryan Coogler sparked the frenzy on the Internet and he didn’t even do it. What do I mean? Some genius with Photoshop and way too much time on their hands cooked up a fake Sinners Cinematic Universe slate. They had Coogler up there and a timeline looking like a Marvel Studios panel at Comic-Con. Oh they got me good!
It all started when Franklin Leonard, founder of The Black List and longtime champion of underrepresented storytellers, posted the gag image on X (formerly Twitter). The picture shows Coogler onstage looking like Kevin Feige. There was a lineup of fake future Sinners spin-offs – dates and all! There was Sinners 2: Sin Harder (LMAO!), Smoke & Stack: Origins and more! Now, I am not going to act like we have not seen this PROPOSED online.
Twitter user @OhBe_Won hit us with:
“SINematic Universe was right there!”
The jokes kept flying! Some different version of the series, cracking their own jokes. Somebody said Sinners prequel set in 1990s Chicago would be it. I agree. Anyway, everybody is living in a fantasy! Myself included, because I felt like this was going to happen, but not this fast.
Ryan Coogler has made it clear the “franchise factory” is not really his thing right now. And with Sinners hitting both critically and commercially, who can blame him for wanting to go indie and weird again? Marvel has to be mad they did not pick him to do the new Blade. Franklin Leonard did have some good news:
“I don’t think you have to worry. He’s definitely gonna have an essentially blank check for the next one.”
That’s the win right there. Bro has an original movie concept that is breaking records all over the place! Coogler’s in that rare class now and the world is his oyster!
For now, Sinners is still in theaters, doing numbers and reminding the world that original Black genre storytelling is all the things you want. If Coogler does ever return for a real Sinners sequel, I just hope they finally let us have that Limerick for Sinners musical. LOL! Long live the SINematic Universe, even if it’s just in our dreams and nightmares.
